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BRYN MAWR FILM INSTITUTE
PROJECTIONSISSUE 41
Film and Program ScheduleMarch 2015 — May 2015
BrynMawrFilm.org 610.527.9898
MACHUCA
SWEETGRASS AN EVENING WITH LEE GRANT
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Film and Program Schedule March 2015 – May 2015
Bryn Mawr Film Institute is a membership-based, non-profit 501(c)(3) center for film exhibition and education. Contributions are tax-deductible to the full extent of the law.
Ticket PricesVisit BrynMawrFilm.org for ticket prices and event information. For group ticket sales (20 or more tickets), visit the Box Office.
Become a MemberWhile you do not have to be a member to enjoy films and classes, membership in the non-profit Bryn Mawr Film Institute is the best way to show your support for good films and a cultural landmark. See the back cover for membership information.
Become a Community PartnerBMFI staff work with our Community Partners to use film to enhance their missions. Please contact Andrew J. Douglas, Ph.D., at 610.527.4008 x102 or [email protected] for additional information.
Current Community PartnersAcademy of Notre Dame de NamurThe Agnes Irwin SchoolThe Baldwin SchoolBryn Mawr CollegeCabrini CollegeHaverford College The Hill at Whitemarsh The Quadrangle The Shipley School
Theater RentalsThe theater auditoriums, Multimedia Room, and Community Room are available for rental and can accommodate a variety of media formats. Detailed information is available at BrynMawrFilm.org. To rent the theaters, please contact Valerie Temple at 610.527.4008 x109 or [email protected].
Onscreen and Print SponsorshipsReceive recognition for your organization while supporting BMFI. Contact Gina Izzo at [email protected] or 610.527.4008 x110 or visit our website at BrynMawrFilm.org for details.
BRYN MAWR FILM INSTITUTE
ParkingMonday–Friday before 5:00 pmThree- and twelve-hour meters are available in nearby municipal lots. Two-hour metered parking is available along Lancaster Avenue.
Monday–Friday after 5:00 pm and WeekendsFree parking is available directly behind the theater and in Bryn Mawr Trust lots adjacent to BMFI, along S. Bryn Mawr Avenue, and on the other side of Lancaster Avenue.Three- and twelve-hour meters are available in the municipal lots (free after 6:00 pm and all day Sunday). Two-hour metered parking is available along Lancaster Avenue (free after 6:00 pm and all day Sunday).
Bryn Mawr Film Institute824 W. Lancaster AvenueBryn Mawr, Pennsylvania 19010-3228Theater Hotline: 610-527-9898Business Office: [email protected]
Bryn Mawr Film Institute receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts, a federal agency. Official registration and financial information for Bryn Mawr Film Institute may be obtained from the Pennsylvania Department of State by calling toll-free, within Pennsylvania, 1-800-732-0999. Registration does not imply endorsement.
Published quarterly by Bryn Mawr Film Institute 824 West Lancaster Avenue Bryn Mawr, PA 19010-3228 Issue 41
Template: HeleneKrasney.com Layout: Heather Rosenfeldt
NEW RELEASESThis section lists some of the newly released films that BMFI hopes to screen. Our goal is to play all of these films, though we can’t guarantee it. Film start dates will be listed on BrynMawrFilm.org as soon as they become available.
Refer to BrynMawrFilm.org for definitive scheduling.
THE SECOND BEST EXOTIC MARIGOLD HOTELUSA/UK – 2 hr 2 min – d. John Madden
A sequel to the hit 2012 film about retirees who find a new lease on life in India, Richard Gere and Tamsin Greig join the magnificent ensemble cast that already boasts Maggie Smith and Judi Dench.
WILD TALESArgentina – 2 hr 2 min – d. Damián Szifrón
Composed of six deliciously wicked standalone shorts united by a common theme of violence and vengeance, writer/director Damián Szifrón’s Oscar-nominated anthology film receives a stateside release after great success in Argentina.
TIMBUKTUMauritania – 1 hr 37 min – d. Abderrahmane Sissako
A cattle herder and his family find their idyllic lives disturbed by jihadists in this masterful drama. As the first ever submission from the country of Mauritania, Timbuktu was nominated for an Oscar for Best Foreign Language Film.
LEVIATHANRussia – 2 hr 20 min – d. Andrey Zvyagintsev
A man challenges a corrupt mayor to save his family’s home in this retelling of the Book of Job set in contemporary Russia. Writer/director Zvyagintsev won the 2014 Cannes Film Festival’s Best Screenplay prize for his gritty social drama.
DIOR AND IFrance – 1 hr 30 min – d. Frédéric Tcheng
The director of Diana Vreeland: The Eye Has to Travel returns with another fascinating fashion documentary, this time focusing on designer Raf Simons as he launches his first haute couture collection for Christian Dior in spring 2012.
A LITTLE CHAOSUK – 1 hr 56 min – d. Alan Rickman
A female landscape architect (Kate Winslet) finds herself thrust to the center of the court of King Louis XIV after being selected to construct the grand gardens of Versailles in this comedic costume drama directed by Alan Rickman.
WOMAN IN GOLDUSA/UK – d. Simon Curtis
Helen Mirren stars in this remarkable true story about an elderly Jewish woman who, along with her tenacious lawyer, fought the Austrian government for the return of an iconic Gustav Klimt painting that was seized by the Nazis before WWII.
FAR FROM THE MADDING CROWDUSA – d. Thomas Vinterberg
Based on Thomas Hardy’s timeless novel, Carey Mulligan stars as Bathsheba Everdene, a beautiful, headstrong young woman in Victorian England who finds herself being torn romantically between three different suitors.
TRUE STORYUSA – 1 hr 40 min – d. Rupert Goold
In this bizarre true story, disgraced New York Times journalist Michael Finkel (Jonah Hill) connects with accused murderer Christian Longo (James Franco) after learning he used Finkel’s name as an alias while on the run.
Parking at Bryn Mawr Film Institute
Monday, April 6, 8:00 pmOPEN SCREEN MONDAY: ANNIVERSARY EDITION
Free event! Bryn Mawr Film Institute invites area filmmakers to screen their films at our theater—just bring your film in DVD format, and we'll run it on the BIG SCREEN. Admission and praise (or criticism) from your peers will all be offered free of charge. This is an exciting forum for Philadelphia-area filmmakers and an enjoyable event for non-filmmakers who are interested in seeing local work.
Since the very beginning, Bryn Mawr Film Institute has welcomed local filmmakers for the monthly Open Screen Monday events, screening hundreds of completed shorts and works-in-progress for an avid audience. In honor of BMFI’s 10th Anniversary, this special edition of Open Screen Monday will take place at 8pm and feature professional feedback from producer Andrew M. Karasik, instructor of BMFI’s From Pitch to Premiere: The Movie Business course. Make sure to bring your best work!
In March 2005, Bryn Mawr Film Institute officially opened its doors and began serving the region with thoughtful film screenings and educational programs. Ten years later, BMFI is bigger and better than ever after the completion of an expansion project that added two screens to the theater. In celebration of BMFI’s 10th anniversary, this series features some “greatest hits” as well as new programs that look to the future.
Thursday, March 26, 7:00 pmDR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB1964 – USA/UK – 1 hr 35 min – d. Stanley Kubrick
When a deranged Air Force general (Sterling Hayden) gives an unauthorized order to attack the Soviet Union, the laughs are on high alert in this jet-black satire adapted from Peter George’s very serious Cold War thriller Red Alert. George C. Scott, Slim Pickens, and Peter Sellers give hilariously antic performances in Kubrick’s enduringly relevant masterpiece.
Just as sharp today as when it was first released, Kubrick’s black comedy was the first repertory film ever shown at BMFI. We revisit that inaugural event with a screening projected from a beautiful 35mm print!
Wednesday, April 22, 6:30 pmSHAMPOO1975 – USA – 1 hr 49 min – d. Hal Ashby
Warren Beatty stars as a randy hairdresser undone by his coterie of lovers in this saucy and satirical comedy set on the eve of the 1968 presidential election. Although only on screen for roughly 18 minutes, Lee Grant’s performance as the adulterous wife of a politician earned her an Academy Award for Best Supporting Actress.
Wednesday, April 22, 5:30 pmAN EVENING WITH LEE GRANTActress, activist, wife, mother, director, author: Lee Grant has played many roles during her storied life. Born Lyova Haskell Rosenthal in New York City, she enjoyed early success on stage and screen following her education at the famed Neighborhood Playhouse, earning an Academy Award nomination by age 24 for her role in Detective Story. But everything came to a sudden halt after she landed on the Hollywood blacklist and her job prospects all but dried up, leaving her professionally stymied for 12 years. Miraculously, Grant eventually overcame the odds and rebuilt her career with a starring role on TV’s Peyton Place, followed by memorable performances in films like Valley of the Dolls, The Landlord, In the Heat of the Night, and Shampoo. Unafraid of any challenge, Lee Grant also made waves in the typically male-dominated field of film directing, ultimately earning an Academy Award (her second!) for her 1986 documentary Down and Out in America.
Learn more about this fearless, fascinating woman during an intimate conversation and audience Q&A moderated by BMFI board member and former Paramount Executive Vice President John Hersker.
Wednesday, April 22, 9:30 pmIN THE HEAT OF THE NIGHT1967 – USA – 1 hr 49 min – d. Norman Jewison
Virgil Tibbs (Sidney Poitier), a black police detective from Philadelphia, becomes involved in an investigation after a murder in a racially hostile Mississippi town. Lee Grant gives a superb performance in her pivotal role as the victim’s wife who, impressed by Tibbs’ expertise, uses her influence to install him as leader of the investigation team.
PROGRAM:5:30 pm: Book signing with Lee Grant of her memoir I Said Yes to Everything. Main Point Books will supply books for purchase at the event. To reserve a copy, call 610.525.1480. Only books purchased through Main Point Books will be signed.6:30 pm: Film screening: Shampoo8:30 pm: Q&A with Lee Grant moderated by John Hersker9:30 pm: Film screening: In the Heat of the Night
General admission: $25.00 BMFI members: $20.00Ticket includes admission to the conversation and both screenings.
Actor, composer, director, producer, and writer Charlie Chaplin behind the camera
10 Years of BMFI
10 YEARS OF BMFI TRAILERTo commemorate this important milestone in BMFI's history, a special anniversary trailer is introducing every film screened at the theater this year.
Comprised of the titles of the nearly 2,000 films shown at BMFI since our doors opened in 2005, this sleek trailer celebrates BMFI's transformation — bolstered by a dedicated membership base — into the theater, film education center, and community treasure that it is today. Thank you for building Bryn Mawr Film Institute with us.
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Watch trailers for and find more information about these films at BrynMawrFilm.org.FILM SERIES
Tuesday, March 24, 7:15 pmINNOCENT SORCERERS1960 – Poland – 1 hr 28 min – d. Andrzej WajdaIn one of his few non-political films, Wajda paints a New Wave-esque portrait of disaffected youth in post-war Poland, complete with smoky jazz clubs and hazy interpersonal connections. An ennui-plagued doctor takes a bold young tourist to his bachelor pad for an evening of intellectual, philosophical, and seductive exchanges, leading to unexpected events.
Tuesday, March 31, 7:15 pmTHE WEDDING1972 – Poland – 1 hr 43 min – d. Andrzej WajdaAmid a turn-of-the-twentieth-century wedding reception that blends every stratum of Polish society (inspired by the actual wedding of poet Lucjan Rydel), ghosts of Poland’s cultural and historical past mix among the guests, joining in lamentations of their country’s broken state, in this adaptation of Stanisław Wyspiański’s famous play.
Tuesday, April 7, 7:15 pmMAN OF IRON1981 – Poland – 2 hr 34 min – d. Andrzej WajdaBased on the actual Gdansk Shipyard strikes and the subsequent Solidarity workers' uprising, this film centers around the strike’s leader (based upon Lech Walesa, who makes a cameo in the film), and uses actual footage from Solidarity protests. Although vehemently anti-communist, this film slipped through a brief thaw in censorship, and won the 1981 Palme d’Or at Cannes.
Shown in conjunction with the film course Poland through the Prism of Andrzej Wajda, each screening will be introduced by the course’s instructor, Maurizio Giammarco, Ph.D.
This series is sponsored by Haverford College and organized by faculty members Vicky Funari, Joshua Moses, and John Muse. Both screenings are free for Tri-Co students!Strange Truth
Wednesday, April 1, 7:00 pmSWEETGRASS2009 – France/UK/USA – 1 hr 41 min – d. Lucien Castaing-Taylor and Ilisa BarbashAn unsentimental elegy to the American West, Sweetgrass follows the last modern-day cowboys to lead their flocks of sheep up into Montana’s breathtaking and often dangerous Absaroka-Beartooth mountains for summer pasture. This astonishingly beautiful yet unsparing film reveals a world in which nature and culture, animals and humans, vulnerability and violence are all intimately meshed.
Vicky Funari, documentary filmmaker and artist-in-residence at Haverford College, will moderate a Q&A with Producer/Directors Ilisa Barbash and Lucien Castaing-Taylor after the screening.
Wednesday, April 8, 7:00 pmSTILL MOVING: AN EVENING WITH EXPERIMENTAL FILMMAKER SCOTT STARK“The Realist” (2013, 36 min) and other shorts – d. Scott StarkSince 1980, Scott Stark has produced almost 80 films and numerous installations and photographic works. Formally inventive, visually compelling, and often both humorous and haunting, the films in this program all foreground the relation of moving pictures and still ones in Stark's work. “The Realist” is a doomed love story illustrated with flickering still photographs, peopled with department store mannequins, and located in the universe of clothing displays, fashion islands, and storefront windows.
John Muse, who teaches aesthetics at Haverford College, will moderate a Q&A with director Scott Stark after the programs of shorts.
Masterpieces of Polish Cinema
Regular admission applies unless otherwise indicated.
Shown in conjunction with the film course Coming of Age in Latin American Cinema (see p.12), each screening will be introduced by the co-instructors of the course, and co-authors of the book Directory of World Cinema: Argentina, Beatriz Urraca, Ph.D. and Gary M. Kramer.
Coming of Age in Latin America
Monday, April 27, 7:15 pmTHE WAY HE LOOKS2014 – Brazil – 1 hr 36 min – d. Daniel RibeiroDesiring independence from his overprotective mother and hovering best friend, a blind Brazilian teen develops an intimate relationship with a new student that broadens his horizons in unexpected ways. Expanded from his 2010 short “I Don’t Want to Go Back Alone,” this tender story of first love and newfound freedom is the acclaimed feature debut from Daniel Ribeiro.
Monday, May 4, 7:15 pmKEPT AND DREAMLESS2005 – Argentina – 1 hr 37 min – d. Martín De Salvo and Vera FogwillDuring Argentina’s economic crisis of the ‘90s, precocious nine-year-old Eugenia lives with her irresponsible and drug-addled mother, played by co-director Vera Fogwill. Though the home is filled with love, parental responsibilities fall to the child in this intimate drama that speckles eccentric characters and rays of humor among three generations of enduring women.
Monday, May 11, 7:15 pmMACHUCA2004 – Chile – 2 hr 1 min – d. Andrés WoodDuring socialist Chilean President Allende’s brief term in the 1970s, a private Catholic school for upper-class boys opens its doors to children from a nearby slum. A dear and simple friendship grows between two students from polar ends of the economic spectrum until the violent Pinochet coup forces the pair to define themselves and their beliefs as they leave their childhood behind.
Monday, May 18, 7:15 pmGODS2008 – Peru – 2 hr – d. Josué MéndezA pair of over-privileged teen siblings, models of idle boredom, experience ennui on the Peruvian party scene as their father’s fiancée, a working-class woman not much older than they, struggles to fit into her new wealth. This tense, beautifully stylized drama is a microcosm of social mobility and the notion that the class is always greener on the other side.
Tuesday, June 2, 7:15 pmSHAUN OF THE DEAD2004 – UK – 1 hr 39 min – d. Edgar WrightSimon Pegg and Nick Frost star in this gorily hilarious British RomZomCom (romantic zombie comedy) as two slackers who become the unlikely heroes of the zombie apocalypse. In this biting cult hit Shaun (Pegg) is determined to slice, splatter, and shoot his way through an undead North London to win back the heart of his ex-girlfriend and the affection of his mother.
Tuesday, May 19, 7:15 pmRIGHT AT YOUR DOOR2006 – US – 1 hr 36 min – d. Chris GorakParanoia and terror sweep across Los Angeles after a series of dirty bomb explosions blankets the city in toxic ash. Unable to contact his wife and panicking under military duress, Ben seals himself inside his home. A snap decision made in isolation triggers a series of painful consequences in this claustrophobic and terrifying post-9/11 thriller.
Shown in conjunction with the film course A Plague upon Your (Movie) Houses! (see p.12), each screening will be introduced by the co-instructors of the course Ian Abrams of Drexel University and Dr. Amy J. Behrman of the Hospital of the University of Pennsylvania.
A Plague upon Your (Movie) Houses!
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General Public ..........$20.00BMFI Members ..........$18.00Students with ID ........$10.00
Tickets available now at the Box Office and BrynMawrFilm.org
BOLSHOI BALLET: IVAN THE TERRIBLEChoreography by Yuri Grigorovich – Music by Sergei Prokofiev – Libretto by Yuri Grigorovich
As young Ivan IV is crowned, he has to choose one of the thirteen Boyar daughters to be his wife and tsarina. He selects Anastasia, and the two eventually fall deeply in love. When the Boyar's plot against him and poison his beloved wife, Tsar Ivan finds himself surrounded by enemies. Haunted by dark thoughts and phantoms, he slowly sinks into madness. Drawing on the music composed by Prokofiev for the 1944 Eisenstein film, Ivan the Terrible is a work in the true Bolshoi style. Yuri Grigorovich's powerful and fascinating epic dramatizes Ivan the Terrible's controversial reign, and portrays events in 16th-century Russia in visually stunning scenes. His choreography, full of vigor, strength and wild jumps, also includes great grace and fragility in the female roles. Sensitive classical and powerful character dance blend to create a lyrical epic, rich in the colors of medieval Russia. Recently revived, Ivan the Terrible is an essential part of the company's repertoire, a 20th-century classic and a wonderful theatrical experience.Sunday, May 17, 1:00 pm
BALLET
Ivan the Terrible
STAGE ON SCREEN
THEATER
Tom McCamus (center) as King John and Brian Tree as Cardinal Pandulph with members of the company in King John. Photo by David Hou.
ROYAL SHAKESPEARE COMPANY: LOVE’S LABOUR’S LOSTWritten by William Shakespeare – Directed by Christopher Luscombe – Performed by the Royal Shakespeare Company at the Royal Shakespeare Theatre in Stratford-upon-Avon
Thursday, March 12, 7:00 pm Sunday, March 22, 1:00 pm
NATIONAL THEATRE: BEHIND THE BEAUTIFUL FOREVERSAdapted by David Hare from the book by Katherine Boo – Directed by Rufus Norris Performed at the National Theatre in London – Starring Meera Syal
Monday, March 30, 7:00 pm Sunday, April 5, 1:00 pm
STRATFORD FESTIVAL: KING LEARWritten by William Shakespeare – Directed by Antoni Cimolino Filmed on the famed Stratford Festival stage – Starring Colm Feore – 2 hr, 53 min
Sunday, March 29, 1:00 pm Thursday, April 16, 7:00 pm
NATIONAL THEATRE: SKYLIGHT (ENCORE)Written by David Hare – Directed by Stephen Daldry – Starring Carey Mulligan and Bill Nighy
Saturday, April 18, 12:00 pm
ROYAL SHAKESPEARE COMPANY: LOVE’S LABOUR’S WON (AKA MUCH ADO ABOUT NOTHING)Written by William Shakespeare – Directed by Christopher Luscombe Performed by the Royal Shakespeare Company at the Royal Shakespeare Theatre in Stratford-upon-Avon
Sunday, April 19, 1:00 pm Thursday, April 30, 7:00 pm
NATIONAL THEATRE: THE HARD PROBLEMWritten by Tom Stoppard – Directed by Nicholas Hytner – Performed at the National Theatre in LondonStarring Olivia Vinall
Sunday, May 3, 1:00 pm Wednesday, May 6, 7:00 pm
NATIONAL THEATRE: A VIEW FROM A BRIDGEWritten by Arthur Miller – Directed by Ivo van Hove – A Young Vic in the West End Production Starring Mark Strong – 3 hr
Saturday, May 2, 1:00 pm Wednesday, May 13, 7:00 pm
STRATFORD FESTIVAL: KING JOHNWritten by William Shakespeare – Directed by Tim Carroll – Filmed on the famed Stratford Festival stage Starring Tom McCamus, Seana McKenna, Graham Abbey, Patricia Collins – 2 hr, 51 min
Wednesday, May 20, 7:00 pm Sunday, May 24, 1:00 pm
TOSCAMusic by Giacomo Puccini – Directed by Pierre Audi – Conducted by Daniel Oren – Performed at the Opera de Paris – Starring Martina Serafin, Marcelo Àlvarez, and Ludovic Tézier – 2 hr, 32 min
Sunday, April 12, 1:00 pm
L'ELISIR D'AMOREMusic by Gaetano Donizetti – Directed by Rolando Villazón – Conducted by Pablo Heras-Casado Performed at the Festspielhaus in Baden-Baden – Starring Rolando Villazón, Miah Persson, Ildebrando D’Arcangelo, Roman Trekel, and Regula Mühlemann – 2 hr, 15 min
Sunday, April 26, 1:00 pm
LE COMTE ORYMusic by Gioachino Rossini – Directed by Moshe Leiser and Patrice Caurier – Conducted by Muhai Tang Performed at the Zurich Opera House – Starring Javier Camarena, Cecilia Bartoli, Rebeca Olvera, and Liliana Nikiteanu – 2 hr, 20 min
Sunday, May 10, 1:00 pm
RIGOLETTOMusic by Giuseppe Verdi – Directed by Stefano Vizioli – Conducted by Massimo Zanetti – Performed at the Teatro Regio di Parma – Starring Leo Nucci, Nino Machaidze, Francesco Demuro, and Marco Spotti – 2 hr 9 min
Sunday, May 31, 1:00 pm
L'Elisir D'Amore
OPERA
A proud sponsor of BMFI’s operas
General Public ..........$20.00BMFI Members ..........$18.00Students with ID ........$10.00
Tickets available now at the Box Office and BrynMawrFilm.org
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MASTER PROGRAM SCHEDULENot all of our events are listed here. Visit BrynMawrFilm.org for information about last-minute additions and changes.
8 Wednesday, 7:00 pm Still Moving: An Evening with Experimental Filmmaker Scott Stark
11 Saturday, 11:00 am Kids Matinee: THE MIGHTY DUCKS
12 Sunday, 10:00 am Talk Cinema
Sunday, 1:00 pm Opera: TOSCA
13 Monday, 5:30 pm Summer Filmmaking Open House
Monday, 6:30 pm Cinema Classics Seminar: Blade Runner – The Final Cut
Monday, 7:15 pm BLADE RUNNER – THE FINAL CUT
14 Tuesday, 6:30 pm Passion and Wrath: The Films of Carl Theodor Dreyer course begins
16 Thursday, 7:00 pm Theater: KING LEAR
18 Saturday, 11:00 am Kids Matinee: RUDY
Saturday, 12:00 pm Theater: SKYLIGHT (encore)
19 Sunday, 1:00 pm Theater: LOVE’S LABOUR’S WON
22 Wednesday, 5:30 pm An Evening with Lee Grant
25 Saturday, 11:00 am Kids Matinee: SPACE JAM
26 Sunday, 10:00 am Talk Cinema
Sunday, 1:00 pm Opera: L’ELISIR D’AMORE
27 Monday, 6:30 pm Coming of Age in Latin American Cinema course begins
Monday, 7:15 pm THE WAY HE LOOKS
29 Wednesday, 7:00 pm What’s Up, Doc?: BOYHOOD
30 Thursday, 7:00 pm Theater: LOVE’S LABOUR’S WON
May
2 Saturday, 1:00 pm Theater: A VIEW FROM A BRIDGE
3 Sunday, 1:00 pm Theater: THE HARD PROBLEM
4 Monday, 12:00 pm Film History Discussion Series: 1965 course begins
Monday, 7:15 pm KEPT AND DREAMLESS
Monday, 9:15 pm Open Screen Monday
6 Wednesday, 7:00 pm Theater: THE HARD PROBLEM
7 Thursday, 7:00 pm Tri-Co Film Festival
10 Sunday, 1:00 pm Opera: LE COMTE ORY
11 Monday, 7:15 pm MACHUCA
12 Tuesday, 6:30 pm A Plague upon Your (Movie) Houses! course begins
13 Wednesday, 7:00 pm Theater: A VIEW FROM A BRIDGE
17 Sunday, 1:00 pm Ballet: IVAN THE TERRIBLE
18 Monday, 7:15 pm GODS
19 Tuesday, 7:15 pm RIGHT AT YOUR DOOR
20 Wednesday, 7:00 pm Theater: KING JOHN
24 Sunday, 1:00 pm Theater: KING JOHN
27 Wednesday, 6:30 pm Cinema Classics Seminar: Bird
Wednesday, 7:00 pm BIRD
31 Sunday, 1:00 pm Opera: RIGOLETTO
June
1 Monday, 6:30 pm Ida Lupino: Femme Fatale, Femme Auteur course begins Monday, 9:15 pm Open Screen Monday
2 Tuesday, 7:15 pm SHAUN OF THE DEAD
7 Sunday, 1:00 pm Opera: DON GIOVANNI
9 Tuesday, 6:30 pm Touch of Genius: Orson Welles course begins
March
19 Thursday, 6:30 pm Cinema Classics Seminar: The Wicker Man Thursday, 7:15 pm THE WICKER MAN
20 Friday, 7:00 pm A Conversation with Cheryl Boone Isaacs
21 Saturday, 11:00 am Kids Matinee: ICE AGE: DAWN OF THE DINOSAURS
22 Sunday, 10:00 am Talk Cinema
Sunday, 1:00 pm Theater: LOVE’S LABOUR’S LOST
24 Tuesday, 7:15 pm INNOCENT SORCERERS
25 Wednesday, 7:00 pm ALTHEA
26 Thursday, 7:00 pm DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB
28 Saturday, 11:00 am Kids Matinee: THE CROODS
29 Sunday, 1:00 pm Theater: KING LEAR
30 Monday, 7:00 pm Theater: BEHIND THE BEAUTIFUL FOREVERS
31 Tuesday, 7:15 pm THE WEDDING
April
1 Wednesday, 7:00 pm SWEETGRASS
2 Thursday, 7:00 pm Philosophy on Film – Contemporary Chinese Films course begins
4 Saturday, 11:00 am Kids Matinee: THE KARATE KID
5 Sunday, 1:00 pm Theater: BEHIND THE BEAUTIFUL FOREVERS
6 Monday, 8:00 pm Open Screen Monday – Anniversary Edition
7 Tuesday, 7:15 pm MAN OF IRON
8 Wednesday, 10:30 am The Language of Film course begins at the Philadelphia Museum of Art
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Regular admission applies unless otherwise indicated.CINEMA SELECT Watch trailers for and find more information about these films at BrynMawrFilm.org.
Wednesday, March 25, 7:00 pmALTHEA2014 – USA – 1 hr 17 min – d. Rex Miller
A sharecropper’s daughter and a truant from the rough streets of Harlem, Althea Gibson emerged in the 1950s as a most unlikely queen of the highly segregated tennis world. Although she excelled on the court, becoming the first African-American to play—and win—at Wimbledon and Forest Hills, Althea's life was a haunting mix of struggle, success, and hardship. She is an important historical figure whose story, prior to this film, had largely been untold.
Following a pre-screening coffee reception, director Rex Miller will answer questions with Associate Producer Lisa Hoffstein after the movie.
Wednesday, April 29, 7:00 pmWHAT’S UP, DOC?: BOYHOOD2014 – USA – 2 hr 45 min – d. Richard Linklater
Starring the remarkable Ellar Coltrane, who began his role at age seven, Richard Linklater's groundbreaking film was shot over the course of 12 years with the same cast, allowing the actors to grow with their characters. Nominated for six Academy Awards, this sweeping story of a family's life together is told in tiny, universal moments, on a scope unlike any film before.
Co-sponsored by Bryn Mawr Hospital, this screening will be introduced by Nancy Hillis, MD, a specialist in pediatric emergency medicine at Bryn Mawr Hospital.
Wednesday, May 27, 7:00 pmBIRD 1988 – USA – 2 hr 41 min – d. Clint Eastwood
The tragically short and troubled life of visionary jazz saxophonist Charlie “Yardbird” Parker is brought to the screen by award-winning director and jazz connoisseur Clint Eastwood. For his portrayal of Parker, whose inner demons and wild substance abuse silenced his musical genius at age 34, Forest Whitaker won the best actor prize at the Cannes Film Festival.
Shown in conjunction with the world premiere production of Daniel Schnyder and Bridgette A. Wimberly’s opera Charlie Parker’s YARDBIRD, Michael Bolton of Opera Philadelphia will introduce the screening, along with Paul Wright, Ph.D., instructor of a Cinema Classics Seminar (see p. 14) focused on Bird.
Thursday, May 7, 7:00 pmTRI-CO FILM FESTIVALFree for students! Back for a fourth straight year, the Tri-Co Film Festival returns with more amazing work by talented student filmmakers from Bryn Mawr College, Haverford College, and Swarthmore College. The festival’s entries will cover a variety of genres and aesthetics.
Monday, April 13, 7:15 pmBLADE RUNNER – THE FINAL CUT1982 – USA – 2 hr – d. Ridley Scott
In this futuristic noir directed by Ridley Scott, Harrison Ford stars as Rick Deckard, a special police operative known as a “blade runner” who is charged with hunting down four fugitive rep-licants after they illegally return to Earth from an off-world colony. Adapted from Philip K. Dick’s 1968 novella “Do Androids Dream of Electric Sheep?,” Blade Runner is widely regarded as one of the best science fiction films of all time.
Shown in conjunction with a Cinema Classics Seminar (see p. 14), Blade Runner will be introduced by the seminar’s instructor, Benjamin Eldon Stevens, Ph.D.
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FILM COURSES
Passion and Wrath: The Films of Carl Theodor DreyerTaught by Christopher Long, M.A., Film Critic and Author
An illegitimate child raised by a Danish foster family he rejected, Carl Theodor Dreyer blazed his own trail through life. Leaving home as a teenager to work first as a journalist and then as a filmmaker, he quickly realized he was uncomfortable in any hierarchical structure—a theme apparent in much of his work—and forged an independent career that remains difficult to categorize, even a half century after his final feature film.
Dreyer's movies are often described as austere, yet express volcanic passions and a marked sensitivity to the interior lives of their characters, most notably the oppressed women who became one of his trademarks. His films often tackle issues of faith, but his own religious beliefs, if any, remain unclear. What is certain is that Dreyer created some of the defining masterpieces of both the silent and sound eras.
Join us to explore this director's most celebrated works, including the silent landmark The Passion of Joan of Arc (1928), and his extraordinary sound films: Vampyr (1932), Day of Wrath (1943), and Ordet (1955). In so doing, we will learn (or be reminded) why Dreyer is considered not just the greatest Danish filmmaker, but one of the most exceptional directors of all time.
Class meets at BMFI: 4 Tuesdays, April 14, 21, 28, May 5, 6:30 pm to 9:30 pm
The Passion of Joan of Arc (1928)
$100 members; $125 non-membersunless otherwise noted. Tuition includes emailed readings; printed copies are $10.
Class screenings will take place in the theater.
A Plague upon Your (Movie) Houses!Taught by Ian Abrams, College of Media Art and Design, Drexel University and Dr. Amy J. Behrman, Emergency Medicine, Hospital of the University of Pennsylvania
Since last fall’s Ebola panic in the U.S. did not live up to the hype (thankfully), we thought the epidemic junkies among you might appreciate a safe and cinematic exploration of the topic. This class presents four compelling and very different films about biological threats in the modern world, as well as the kernels of fact at their cores. In addition to discussing some terrific movies, we will answer such questions as: What real-life disease could have inspired fictional zombies? What's so terrifying about chickens cohabiting with pigs? And, what used to be underneath Washington Square Park?
Join us to consider these issues and more through the prism of films like Panic in the Streets (1950), Elia Kazan’s thrilling, New Orleans-set film noir that depicts a race against time to find the killers of a plague-carrier before they themselves infect others. Right At Your Door (2006) is a terrifyingly claustrophobic indie movie in which a man watches from his home as a bioweapon ravages Los Angeles, and has to make some painful decisions that have ghastly consequences, while Steven Soderbergh offers a sobering presentation of a 21st century plague in Contagion (2011), which utilizes an all-star cast to illustrate the range of grave challenges a real outbreak could cause in our global society. Finally, we will discuss Edgar Wright’s genre-defying Shaun of the Dead (2004), which offers a hilarious depiction of a war between slackers and zombies in London, and reminds us that laughter is the best medicine.
Class meets at BMFI: 4 Tuesdays, May 12, 19, 26, June 2, 6:30 pm to 9:30 pm
Contagion (2011)
High Sierra (1941)
To register, visit BrynMawrFilm.org or call 610.527.4008 x108
Ida Lupino: Femme Fatale, Femme AuteurTaught by Maurizio Giammarco, Ph.D., Intellectual Heritage Program, Temple University
Called the “English Jean Harlow” when she arrived in Hollywood in 1932—though she was part of a distinguished British theatrical dynasty—Ida Lupino became one of the most accomplished actresses, and femme fatales, of the 1940s and 1950s through her performances in such films as They Drive by Night, High Sierra, Ladies in Retirement, and The Big Knife.
Throughout this period, as her artistic needs began to exceed what her career in front of the camera could provide, Lupino emerged as the first actress of the studio era to direct in Hollywood. Despite industry conventions and cultural stereotypes that relegated women to the margins of cinematic practice, she became an important auteur, crafting a series of emotionally powerful films that examined such issues as rape (Outrage), social climbing (Hard, Fast and Beautiful), bigamy (The Bigamist), the ravages of polio (Never Fear), and the mechanics of male violence (The Hitch-Hiker). Lupino’s career behind the camera continued to flourish into the 1960s with films like The Trouble with Angels, and in television, where she directed many episodes of the era’s most popular programs, including Alfred Hitchcock Presents, The Untouchables, The Fugitive, and Bewitched. Join us as we explore the rich, prolific career of this celebrated actress and director.
Class meets at BMFI: 4 Mondays, June 1, 8, 15, 22, 6:30 pm to 9:30 pm
Class screenings will take place in the theater.
Coming of Age in Latin American CinemaTaught by Beatriz Urraca, Ph.D., Modern Languages Department, Widener University and Gary M. Kramer, Author and Film Critic
Coming of age in Latin American cinema often takes place against dramatic backdrops ranging from stressful domestic situations all too familiar to American audiences, to political revolutions that are, thankfully, a good deal less so. This course examines Latin American personal identity, culture, and recent history from the perspective of the region’s children and adolescents, with each film depicting different pressures youth face. The Way He Looks is a charming romance about a blind, gay teenager in Brazil, while Kept and Dreamless explores the relationship between a young girl and her irresponsible mother. Machuca, set in 1970s Chile, depicts a young boy’s political awakening, while Gods is a caustic Peruvian drama about class and family.
We will consider social issues, including gender, sexuality, class, disability, and politics in the context of Latin American identity, culture, and history through films that privilege the subjectivity of children and youth as a means of delivering a scathing critique of the adult world. These contemporary films subvert traditional Hispanic notions of the child’s place in the family and the nation, and explore what it means to grow up in a society where the most vulnerable members often do not have their basic needs met.
Class meets at BMFI: 4 Mondays, April 27, May 4, 11, 18, 6:30 pm to 9:30 pm
Machuca (2004)
Class screenings will take place in the theater.
The Graduate (1967)
The Language of FilmTaught by Andrew J. Douglas, Ph.D., Director of Education, BMFI
Diegesis, mise-en-scene, and chiaroscuro are not trendy Center City nightspots but rather some of the key terms of film analysis. This course introduces students to cinematic grammar, giving them the vocabulary and frames of reference to view and discuss motion pictures in an insightful and critical manner. Screenings largely consist of clips from a wide assortment of films illustrating different aspects of the medium’s language, including cinematography, sound, and editing.
From a very early age, we are all able to follow—and be delighted by—movies, but far too often, we continue to approach cinema like the same passive viewers we were as children. Join us to learn to engage with the medium on its own terms and to discover some of the techniques by which we make meaning of the movies we see. Understanding the language of film allows you to get more enjoyment out of your cinematic experience—and to impress your friends at the post-movie discussion!
Class meets at the Perelman Building of the Philadelphia Museum of Art (2525 Pennsylvania Avenue in Philadelphia). 4 Wednesdays, April 8, 15, 22, 29, 10:30 am to 1:30 pm Fee: $100 for BMFI members and PMA members, $125 for non-members.
BMFI Members: Please call 610-527-4008 x106 for instructions on receiving your tuition discount. To register for this class, please call 215-235-7469 or visit www.philamuseum.org/bmfilang
AT THE PHILADELPHIA MUSEUM OF ART
Citizen Kane (1941)
Touch of Genius: Orson WellesTaught by Andrew J. Douglas, Ph.D., Director of Education, BMFI
His life is the stuff of legend, and so are his best films.
He became a theater revolutionary at age nineteen, and was the perpetrator of a stunning hoax at twenty-three. He was the creative force behind what would become the greatest American film ever made at twenty-five, and was run out of Hollywood (the first time) at twenty-seven. During this period, Welles co-wrote (with Herman J. Mankiewicz), starred in, and directed Citizen Kane (1941), and wrote, narrated, and directed The Magnificent Ambersons (1942). Later, at the age of forty, he ended his second exile from Hollywood to begin a stint that culminated in his writing, starring in, and directing Touch of Evil (1958)—widely hailed as the nigh-perfect finale to the film noir cycle.
Though often dismissed during his career and largely unknown to a generation today, we should never forget that Welles was, in the words of Martin Scorsese, “responsible for inspiring more people to be film directors than anyone else in history of the cinema.” Take this course to see why—and to join us in marking the 100th anniversary of the iconoclastic auteur’s birth.
Class meets at BMFI: 4 Tuesdays, June 9, 16, 23, 30, 6:30 pm to 9:30 pm
Class screenings will take place in the theater.
Class screenings will take place in the theater.
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Special Topic: Philosophy on Film – Contemporary Chinese Films: Identity, History, and ChangeSponsored and Presented by the Greater Philadelphia Philosophy Consortium
Three philosophers from area colleges present three contemporary examples of Chinese cinema. The GPPC brings philosophy into the “public square” and will widen your eyes to philosophical perspectives that can enrich your appreciation of these movies. The films scheduled to be discussed are:
April 2 FALLEN ANGELS (Kar Wai Wong, Hong Kong, 1995) Presented by Haili Kong (Swarthmore College)
April 9 A TOUCH OF SIN (Jia Zhangke, China, 2013) Presented by Kathleen Wright (Haverford College)
April 20 THE FOURTH PORTRAIT (Mong-Hong Chung, Taiwan, 2010) Presented by Xiaojue Wang (University of Pennsylvania)
A Touch of Sin (2013)
Meets at BMFI: 2 Thursdays, April 2, 9, and Monday, April 20, 7:00 pm - 10:00 pm. Fee: $30 (underwritten by a grant from the GPPC)
2015 Summer Filmmaking WorkshopPresented by Bryn Mawr Film Institute
Write, produce, direct, and edit a film under the guidance of professional media-makers. Collaborate to create a polished script, short film, and website through the experiential process of pre-production, production, and post-production. Get hands-on experience with professional equipment, use current techniques, and learn life and job skills through the inspiring and collaborative process of creating media art. Once made, we'll premiere your film on the big screen at Bryn Mawr Film Institute.
Open to high school students entering grades 9–12. Space is limited; application required.
Here’s what students who’ve participated in the Summer Filmmaking Workshop are saying:
“It’s taught me that film is my calling.”
“I honestly can't remember a summer where I had more fun or learned so much.”
Meets at BMFI: Mondays–Thursdays, June 29–August 6, 10:00 am to 3:00 pm Fee: $1700 if application received by April 17 (early application deadline); $2000 if application received by May 15 (final application deadline). Limited scholarships available.
Call 610.527.4008 x108 or visit BrynMawrFilm.org for more information and to apply.
2015 Summer Filmmaking Workshop Open HouseLearn more about our 2015 Summer Filmmaking Workshop at this free event. Meet instructor Chris Fusco, see a film from a past workshop, and get further details about this engaging program, now in its seventh year.Monday April 13, 5:30 pm
Going Gaga Every Wednesday, the early matinee screening is intended for moms (and dads too!) withsmall babies in tow. These Going Gaga screenings feature one of the films that we are currentlyshowing in the evenings, but theater lighting and volume are slightly altered to provide parentswith a more baby-friendly environment. We even provide a changing table in our lobby!
Every Wednesday at a 2:00 pm hour show FREE EVENT
FILM COURSES
Seminar Fee: $25 for BMFI members, $30 for non-members, unless otherwise noted. Includes admission to the film.
To register, visit BrynMawrFilm.org or call 610-527-4008 x108
Blade Runner (1982)
Monday, April 13, 6:30 pm - 9:30 pmCinema Classics Seminar: BLADE RUNNER – THE FINAL CUTTaught by Benjamin Eldon Stevens, Ph.D., Department of Classical Studies, Bryn Mawr College
First released in 1982, Ridley Scott’s Blade Runner helped redefine the science fiction film by offering a vision of the future that remains influential to this day. In contrast to near-contemporary films like George Lucas’s Star Wars or Steven Spielberg’s Close Encounters of the Third Kind, both family-friendly epics released in 1977, Blade Runner offered visions of a dystopic future—a world where advanced technology has failed to solve present-day problems like pollution and economic disparity, yet has succeeded in creating new ones. By focusing on working-class characters in a setting where the line between ‘natural’ and ‘artificial’ life is left deliberately unclear, the film leaves viewers wondering what it means for people to become only cogs—or perhaps, ghosts—in a machine.
Adapted from Philip K. Dick’s 1968 novella “Do Androids Dream of Electric Sheep?” in part through the astonishing cinematography of Jordan Cronenweth and breathtaking art direction of David L. Snyder, Blade Runner was at the forefront of a new sub-genre of science fiction: tech noir. Such movies are just as lurid and alluring, and just as dangerous and gorgeous, as any femme fatale. Join us to explore the film’s vision and influence, which, over the past three decades, has hit a little too close to home.
One-night seminars offer an entertaining and engaging way to learn more about some of the true classics of world cinema. Students receive an introductory lecture before the film and a guided discussion after the film. In addition, your ticket to see it on the big screen, as well as popcorn and a drink, are included.
Seminars meet in the 2nd floor Multimedia Room at 6:30 pm; the film will be shown in the theater at 7:15 pm, and 7:00 pm, respectively. Fee: $25 for BMFI members, $30 for non-members; includes admission to the film.
Film History Discussion Series: 1965Moderated by Andrew J. Douglas, Ph.D., Director of Education, BMFI
Join us for a series of discussions covering an array of films that were initially released fifty years ago. We will take a brief tour of international cinema, including stops in the UK, Czechoslovakia, and Italy. Films scheduled to be discussed are:
May 4 REPULSION (Roman Polanski, UK)
May 11 VON RYAN’S EXPRESS (Mark Robson, US)
May 18 LOVES OF A BLONDE (Milos Forman, Czechoslovakia)
May 25 No Discussion
June 1 CAT BALLOU (Elliot Silverstein, US)
June 8 FISTS IN THE POCKET (Marco Bellocchio, Italy)
June 15 THE COLLECTOR (William Wyler, US)
The Collector (1965)
Sessions meet at BMFI: 6 Mondays, May 4 through June 15, noon to 3:00 pm; no meeting on May 25
Fee: $100 for members, $125 for non-members
Cinema Classics SeminarsThese seminars are sponsored in memory of philosopher, educator, author, and filmmaker Jose Ferrater-Mora.
Wednesday, May 27, 6:30 pm - 10:00 pmCinema Classics Seminar: BIRDTaught by Paul Wright, Ph.D., Department of English, Cabrini College
In Bird (1988), Clint Eastwood embarked on what seemed a most unusual directorial effort for the “Man with No Name” of Leone’s “spaghetti” westerns. Made four years prior to Eastwood’s Oscar-winning Unforgiven, the Charlie Parker biopic was a project near and dear to his experience as a lifelong jazz aficionado. Starring a young Forest Whitaker as Charlie Parker, Bird was an ambitious effort that not only reminds us of the gifts and the legend of Parker, but also deconstructs the genre of the biopic itself. This seminar explores both Parker's transformative music and Eastwood's efforts to translate the power of improvisational jazz into the idiom of Hollywood cinema. In turn, we will interrogate the racial politics and controversies that have attended Eastwood’s film in the years since its release. Bird is a unique cinematic time capsule for Parker’s genius, as well as for the burgeoning skills of Eastwood the filmmaker.
On the set of Bird (1988)
COMMUNITYWatch the weekly BMFI email for notice and details of these ongoing programs or go to BrynMawrFilm.org
Film DiscussionsBMFI staff or volunteers regularly lead informal discussions of one of the main attractionfilms currently being screened. The group meets for an hour after selected screenings. No preregistration is required, and the film to be discussed is noted on BMFI's website several days before the discussion. Free with your ticket stub from the film!
Check BrynMawrFilm.org for specific times. FREE EVENT
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BRYN MAWR FILM INSTITUTE
P.O. Box 1058, Bryn Mawr PA 19010
March 2015 – May 2015
Hotline: 610.527.9898
BrynMawrFilm.org
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PERMIT NO. 21FREEPORT, OH
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Become a member of the non-profit Bryn Mawr Film Institute. Join online at BrynMawrFilm.org
Basic Annual Membership $60 Individual (One adult)
$110 Couple/Family (Two adults and children 18 years or younger)
$35 Student (Full-time secondary school or college)
$45 Senior Individual (One adult, 65+)
$75 Senior Couple (Two adults, 65+)
All Memberships Include:– Discounted admission to all films– Discounts on Film Studies courses– Invitations to free member events– Projections program guide mailings– Discounted admission at Art House Visiting Members (AHVM) theaters– Discounts at participating businesses – Discounted Talk Cinema subscription– Access to BMFI’s Film Studies Library– Volunteer opportunities
Sustaining Annual Memberships $110 Producer Individual (One adult) All basic Individual benefits PLUS: – Extra 10% Film Studies course discount – Eight movie passes (valid Mon-Thurs) – Priority registration for free screenings
$200 Producer Couple All basic Couple/Family benefits PLUS: – Extra 10% Film Studies course discount – Eight movie passes (valid Mon-Thurs) – Priority registration for free screenings
$500 Mogul All basic Individual benefits PLUS: – Free admission to all films for one adult – 60% discount on Film Studies courses – Free $25 BMFI gift card* – Phone reservations for free admission to main attraction films – Free popcorn – Priority registration for free screenings
$1,000 Angel All Mogul benefits PLUS: – Free admission for two adults – Listing in the BMFI annual report
$2,500 Director All Angel benefits PLUS: – Free admission to all films for the entire family – Priority ticket purchase for special events
$5,000 Film Maker All Director benefits PLUS: – Free tuition for Film Studies courses for the entire family
$10,000 Cineastes All Film Maker benefits PLUS: – One free use of the Multimedia Room (Mon-Thurs) – Named star under the marquee
Membership cards, valid for one year from the date of joining, will be mailed to you.
BMFI is a nonprofit, community theater and membership is tax deductible to the extent allowed by law. Call 610-527-4008 x106 for details.
Make checks payable to: BMFI. Mail to: Bryn Mawr Film Institute, PO Box 1058, Bryn Mawr, PA 19010.
*Membership gift card is promotional and will expire at the end of the membership year in which it was acquired.
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