FESTIVAL GUIDE2015.kinoteka.org.uk/kinoteka2015.pdf · 2015-03-11 · and adventurers through their stories, with fresh, imaginative and highly varied word. ... media theory and aesthetic

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Ne w Polish Ci ne m aThe 13Th pol ish f ilm fesT ival 8 april— 29 may 2015

FESTIVAL GUIDE in london aT The Bf i souThBank , iCa , TaTe modern and more . . .

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Organised by

Supported by

Welcome to KINOTEKA 13! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Special Guests . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

S CR E E N I NG S & E V E N T S

Opening Night Gala . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

New Polish Cinema . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Documentary Screenings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Polish Cinema Classics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Martin Scorsese Presents Masterpieces of Polish Cinema . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Martin Scorsese Presents... Talks & Workshops . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Cinema Meets Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Poster Exhibition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Music Event . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Talks and Workshops . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Closing Night Gala . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Kinoteka on Tour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

C A L E ND A R & b ook I NG

Calendar of Events, Booking & Venues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Credits & Thanks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

This year KINOTEKA Polish Film Festival returns to the capital for an extended bumper 13th edition. Encompassing all aspects of Polish film culture, an enticing mix of film, music and visual arts is on offer with an outstanding selection of screenings, UK premieres, curated retrospectives, exhibitions, concerts, interactive workshops and industry masterclasses with special guests.

KINOTEKA is partnering with Filmhouse Edinburgh and BFI Southbank on an exciting new collaboration for the UK tour of MArTIN SCOrSESE PrESENTS MASTErPIECES OF POlISh CINEMA: 24 masterpieces, chosen by Scorsese himself, all brilliantly restored and digitally remastered to 2K resolution. The season showcases films made during a particularly fertile and creative time in post-war Poland by directors such as Andrzej Wajda, Krzysztof Zanussi, Andrzej Munk, Jerzy Kawalerowicz, Wojciech J. has, Aleksander Ford, Krzysztof Kieślowski, and others. The UK season launches at KINOTEKA’s Opening Night Gala on 8th April at BFI Southbank with a screening of Camouflage, with director Krzysztof Zanussi in attendance.

The ICA plays host to KINOTEKA’s NEW POlISh CINEMA strand from 10th April with a selection of both popular and critically acclaimed contemporary Polish films from the past year. The strand includes the UK premieres of the festival special guest Krzysztof Zanussi’s Foreign Body and Jerzy Stuhr’s Citizen. The latest film from KINOTEKA favourite Wojciech Smarzowski (Traffic Department, The Dark House) The Mighty Angel will be presented alongside one of the year’s most interesting directorial debuts, Krzysztof Skonieczny’s Hardkor Disko.

KINOTEKA showcases the breadth of original, innovative documentary that has come out of Poland. Oscar©-winning filmmaker Paweł

Pawlikowski will present a special weekend of screenings of his acclaimed documentaries at the ICA (18th / 19th April), including From Moscow to Pietushki and Dostoevsky’s Travels. WOJCIECh WISZNIEWSKI rEDISCOVErED at the ICA on 12th April celebrates the short career of influential documentarian Wojciech Wiszniewski. he made just 12 films in total before his premature death at the age of 34. he is now considered to be one of the most outstanding personalities of his generation. The documentary strand also celebrates the work of emerging Polish documentary filmmakers who studied at the Wajda Film School and who have both been Oscar® nominated for this year’s Best Documentary Short Film category.

In conjunction with 'Martin Scorsese Presents Masterpieces of Polish Cinema', KINOTEKA and BFI Southbank will host an exhibition of original poster artwork celebrating the films of renowned director Andrzej Wajda.

Tate Modern will screen The Performer, a dynamic story full of punk energy based on the life of Oskar Dawicki one of the most original contemporary Polish artists currently working.

This year KINOTEKA will draw to a close with a special screening of cult Polish comedy The Cruise (Rejs, 1970), marking Second run’s release of the film on DVD. Taking inspiration from the film, festivities continue with a boat ride on the Thames for a 70’s-themed interactive, improvised performance created by immersive UK theatre group Gideon reeling.

We hope you will enjoy all the events during the 13th KINOTEKA and we look forward to seeing you there.

Anna GodlewskaPolish Cultural Institute Director Marlena lukasiakKinoteka Programmer and Producer

WELCOME TO KINOTEKA 13!CONTENTS

In partnership withCo-financed by

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oSkAR DAWI Ck I (born 1971)Polish multimedia artist, his work includes performance art, video works, photography, documentation, objects and installations. All of his works have a post-conceptual character and emanate a slightly grotesque, ironic and even absurd aura. he introduces into his works a romantically tragic component, highly saturated with his own existential dilemmas. In his video works he uses ironic self-reflection (I’m sorry, 2005).

G I D Eo N REEL I N G A london based group of artists that make interesting, made to measure and truly interactive theatrical experiences. They invite their audiences to become players, participants and adventurers through their stories, with fresh, imaginative and highly varied word. And at the heart of what they do is a sense of inclusive playfulness and a sensitivity to the level that audiences are comfortable to be immersed into their imaginary worlds.

SŁAWo M I R I DZ IAk (born 1945)Polish cinematographer, known for his collaboration with Krzysztof Zanussi with whom he has made 14 films. he worked on all the early films of Krzysztof Kieślowski, including Three Colours: Blue. In 1998 he won an honourable Mention at the 48th Berlin International Film Festival for his work for Michael Winterbottom’s I Want You. In 2002 he was nominated for the Academy Award as well as the BAFTA award for Best Cinema-tography in ridley Scott’s Black Hawk Down.

kU bA M I kU RDA (born 1981)Polish journalist, film expert, doctor of Philosophy. Deputy head of Canal+ TV, co-founder of think-tank 'restart’. Cooperates

Sławomir Idziak

with T-Mobile New horizons International Film Festival. The winner of Polish edition of International Young Screen Entrepreneur of the Year organized by British Council. Together with Michał Oleszczyk published an interview with Quay Brothers and Guy Maddin. he has translated, edited and prefaced books on Terry Gilliam and Tsai Ming-liang.

o bARA I NTERNATI o NALA fresh and unique project on the European jazz scene that has already been internationally recognised. Its leader Maciej Obara, Polish composer and alto saxophonist, is undeniably one of the brightest and most acclaimed musicians of the young Polish jazz scene. Since 2012 Obara has been touring extensively around the world presenting his music at the most important jazz festivals, such as london Jazz, Molde Jazz, Tokyo Jazz, Jarasum Jazz, Jazz Souls les Pommiers, Akbank Jazz, Skopje Jazz and many others. Obara met his fellow pianist Dominik Wania while playing together in the

SpECIAL GUESTS

band of the legendary Polish trumpeter Tomasz Stańko. Wania, last year’s double winner of prestigious Fryderyk Polish music award, is one of the most important jazz musicians of young generation in Poland.

M I CHAŁ o LESZCZYk (born 1982)Internationally acclaimed Polish film expert and critic, scholar, and translator based in Warsaw. he contributes to rogerEbert.com and works as the artistic director of Gdynia Film Festival, as well as a programmer for Polish Filmmakers NYC. he wrote the first Polish book on the work of Terence Davies and has contributed to a number of Polish outlets ('Kino', 'FilmWeb', 'Dwutygodnik'). he runs a blog at oleszczyk.blogspot.com. Co-author of published interviews (together with Jakub Mikurda) with Guy Maddin and Quay Brothers.

PAWEŁ PAWL I koWSk I (born 1957)Oscar®-winning Polish/British film director who has lived and worked most of his life in the UK. his films Last Resort (2000) and My Summer of Love (2004) both won the BAFTA award. his low budget black-and-white drama Ida (2013) won the 2015 Oscars® Academy Award for Best Foreign language Film and BAFTA Award for Best Film Not In the English language, and was nominated for the Oscars® Academy Award for Achievement in Cinematography.

Ida, 2013

JACEk PETRYCk I (born 1948)Cinematographer, director and screenwriter. he collaborated with Krzysztof Kieślowski, Marcel Łoziński and Agnieszka holland. In 1996 he received a BAFTA award for Photography for Clive Gordon’s Betrayed. he was also nominated for the Polish Film Award 'Orły' for Photography for Mariusz Malec’s Człowiek wózków.

kRZYSZTo F P I ES I EWI CZ (born 1945)Polish screenwriter, lawyer, advocate and politician. Co-author of award winning screenplays for 17 films directed by Krzysztof Kieślowski, including Three Colours: Blue (1993), Three Colours: White (1994), Three Colours: Red (1994), No End (1985) and The Double Life of Veronique (1991). his screenplay for Three Colours: Red was nominated for the Academy Award in 1995. his screenplays were translated into ten languages and published as books. he is a Member of the American Academy of Motion Pictures.

ŁU kASZ Ro N D U DA (born 1976)Polish film director, writer, curator at the Center for Contemporary Art in Warsaw, curator at the Archive of Polish Experimental Film and New Media Project, academic lecturer on history of art, media theory and aesthetic theory, both at Polish and foreign universities, including Princeton University and Columbia University in New York. he was a curator of exhibitions Analogue: Polish video art from the 70s and 80s (Tate Modern, london 2006), and 1, 2, 3… Awangarda (Tate Modern, london 2008) .

EU G EN I USZ RU D N I k (born 1932)Multi award-winning Polish composer, electronics engineer and sound engineer. Pioneer of electronic and electro-acoustic

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music in Poland. he was one of the first Polish electro-acoustic music producers and co-founder of the so-called 'Polish school of electro-acoustic music' and author of innovative solutions of spatial sound projection, composer of Skalary (1966). he was also author of the one of the world’s first poliversional tracks to tape, and the first Polish quadraphonic track Vox Humana (1968), carried out in Studio WDr in Cologne.

P I oTR So bo C I NSk I (born 1983)Polish cinematographer. Nominated for an 'Orły' for Best Photography at the 2012 Polish Film Award, for Wojciech Smarzowski’s Rose. his work includes photography for the most important Polish productions of recent years: Wojciech Smarzowski’s Traffic Department (2013), ryszard Bugajski’s The Closed Circuit (2013), Łukasz Palkowski’s Gods (2014).

WITo LD So bo C I NSk I (born 1929)Polish cinematographer, academic teacher and former jazz musician. he cooperated with several notable directors, including Andrzej Wajda (Promised Land, 1975; The Shadow Line, 1976), Krzysztof Zanussi (Family Life, 1970) and roman Polański (Frantic, 1988; Pirates, 1986). Since 1980 he has been a lecturer at the Film School in Łódź. Sobociński was awarded several prizes; he also co-produced a number of notable movies.

MARI USZ SZCZYG I EŁ (born 1966)Polish reporter for Gazeta Wyborcza since 1990 and one of Europe’s most preeminent investigative journalists. he is the recipient of numerous awards for his writing on Poland and Czechoslovakia, including the Europe Book Prize and the Prix l’Amphi for Gottland. Mostly True Stories from Half of Czechoslovakia

(Melville house 2014). From 1995 – 2001, he hosted his own talk show. Together with Wojciech Tochman and Paweł Goźliński, he runs the Polish reportage Institute in Warsaw.

Gottland. Mostly True Stories from Half of Czechoslovakia, 2014

kRZYSZTo F ZAN USS I (born 1939)Polish film director, screenwriter, producer and actor. One of the most famous and award winning Polish artists abroad. he received the Jury Prize and the Prize of the Ecumenical Jury at the 1980 Cannes Film Festival for Constans/The Constant Factor (1980). he was also the recipient of four Venice Film Festival awards for: Imperativ (1982, Best Film), Imperativ (1982, Special Jury Prize), A Year of the Quiet Sun (1984, Best Film) and A Year of the Quiet Sun (1984, Golden lion).

The Constant Factor, 1980

SCrEENINGS & EVENTS

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CAMoUFLAGE (bARWY oCHRoNNE)Dir. Krzysztof ZanussiCast: Piotr Garlicki, Zbigniew Zapasiewicz, Christine PaulPoland, 1976, 101 minA linguistics competition at a university’s summer camp is the backdrop for a wittily satirical drama about the elusiveness of language. An idealistic teacher and his manipulative older colleague assess not only each entry’s intrinsic merit, but also whether it ticks sufficient official boxes to be prize worthy – an experience Polish filmmakers were all too ruefully familiar with.

For other Camouflage screenings as part of Martin Scorsese Presents Masterpieces of Polish Cinema series please see page 22

WEDNESDAY 8 AprIL6.00pM ——bFI NF T 1

OpENING NIGhT GALA


9O pe n i ng Nig ht Ga la

GAL A SCREENING

Krzysztof Zanussi is known for exploring the complexity of moral choices and metaphysical questions in everyday life. We’re delighted that this award-winning director, screenwriter and producer will join us in conversation, following a screening of his film Camouflage to launch the 13th Kinoteka Polish Film Festival and the 'Martin Scorsese Presents Masterpieces of Polish Cinema' programme in the UK.

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FrIDAY 10 AprIL6.30pM —— ICA

THE MIGHTY ANGEL Dir. Wojciech SmarzowskiCast: Robert Więckiewicz, Julia KijowskaPoland, 2014, 105 minThe Mighty Angel joins a long line of cinematic masterpieces that focus on alcoholic writers, including The Lost Weekend (1945) and Leaving Las Vegas (1995). Jerzy is a talented writer with a massive drinking problem. he checks into a rehabilitation clinic regularly, only to relapse again each time. When he falls in love with a young woman he decides to quit drinking for her sake, but he fails again. After another night of drinking at the bar called 'The Mighty Angel', he ends up in intensive care and finally back at the rehabilitation clinic.

SATUrDAY 11 AprIL4.30pM —— ICA

HARDkoR DISko Dir. Krzysztof SkoniecznyCast: Marcin Kowalczyk, Janusz ChabiorPoland, 2014, 85 minIn a modern-day metropolis, Marcin, a mysterious lone ranger, steps into the younger Ola’s world, which revolves around parties, alcohol, and drugs. having met her parvenu parents, he starts to take terrifying steps. Made on a small budget this completely professional-looking film has divided audiences and critics alike, with some hailing the arrival of a new directorial talent and naming Hardkor Disko as one of the most interesting Polish debuts in recent years.

NEW pOLISh CINEMA

SUNDAY 12 AprIL7.50pM —— ICA

FoREIGN boDY Dir. Krzysztof ZanussiCast: Agnieszka Grochowska, Agata BuzekPoland / Italy, 2014, 117 minAngelo and Kasia met in Italy in the Focolare Movement where their love and faith in God brought them together. Their relationship is broken by the girl’s return to Poland and her decision to enter a convent. Angelo arrives in Warsaw in order to persuade Kasia to change her mind. The company that employs him is managed by ruthless and cynical Kris with the support of her assistant Mira. In this corporate reality Angelo, a believer, falls victim to ridicule and harassment. Kris, using her power, plays with Angelo and wants to force him to break his moral principles, and yet at the same time is fascinated by his faith.

Followed by a Q&A with Krzysztof Zanussi


CITIZEN Dir. Jerzy StuhrCast: Jerzy Stuhr, Maciej Stuhr, Sonia BohosiewiczPoland, 2014, 108 minThe newest picture of Jerzy Stuhr shows sixty years of an ‘average citizen’ with many events from the modern history of Poland including 1956, March 1968, 1970, martial law, the first free elections and free Poland up until the year 2014. The film tells the story of Jan Bratek who regretfully always finds himself at the heart of events and becomes entangled in a plot of absurd circumstances and unpredictable events – not helped by his own clumsiness.

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DOCUMENTArIES2015 OSCAr-NOMINATED ShOrTS

JoANNA Dir. Aneta Kopacz Poland, 2013, 45 minThanks to her blog, Joanna has become an icon to many people across Poland, a symbol of strength in the face of adversity. The blog describes her daily life simply and honestly, recounting days spent with her family at the lake, the joy of seeing her son's first successful bike ride and the day-to-day struggles of living with terminal cancer. The blog first began when Joanna was diagnosed and given just three months to live. This tender portrait follows Joanna in her attempts to prepare her family for a world without her in it.

FOllOWED BY:

oUR CURSE Dir. Tomasz Śliwiński Poland, 2014, 27 minThis painfully sincere short documentary portrays the parents of a baby boy born with a rare and incurable disease. leo hueckel-Śliwiński is affected by Ondince’s Curse. The illness causes the complete cessation of breathing while he is asleep, meaning he must be attached to a ventilator for the rest of his life.


O SC AR N O M I N E EO SC AR N O M I N E E

FrIDAY 24 AprIL 7.00pM —— FrONTLINE CLUb

TALK & SCREENING

GoTTLANDDir. Lukáš Kokeš, Petr Hátle, Viera Čákanyová, Rozálie Kohoutová, Klára Tasovská, Radovan SíbrtCzech Republic / Poland / Slovakia2014, 100 minAfter reading his prize-winning book about their compatriots, a group of young Czech filmmakers approached the Polish author, Mariusz Szczygieł, to ask for his thoughts and advice for their film projects based on five of the true stories he tells in it. Szczygieł replied that for a film-maker, the best author is a dead, or at least a silent one, and that he would prefer to leave them to interpret his stories in their own way. The result is a film in five very different parts, each episode a spin-off from Szczygieł’s originals, rather than a retelling.

This event combines the literary and the cinematic versions, presenting a screening of the film preceded by a discussion with Mariusz Szczygieł about the source of inspiration for his moving and at times shocking accounts of the life stories of the film star who was Goebbels’ mistress, the despotic founder of a shoe-making empire, the sculptor who lost his life creating the world’s biggest monument to Stalin, the writer who reinvented himself for political survival, and the 'human torch' who copied Jan Palach’s fateful gesture as recently as 2003.

Screening preceded by a discussion with Mariusz Szczygieł

In partnership with Czech Centre London

SpECIAL TALK & SCrEENING

DOUBLE-BILL

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Docu m e ntaries

HEART ATTACk1967, 7 minWiszniewski’s first under-graduate film which won an award at Oberhausen. We are observing the main character driving a car through expres-sionistic photography (by Slawomir Idziak), hardcore jazz and associative editing.

A SToRY oF A MAN WHo FILLED 552% oF THE QUoTA

1973, 25 minBernard Bugdoł is a miner and legendary leader of socialist labour in the 40’s and 50’s. Showing few signs of artistic intervention, this film consists of commentar-ies by Bugdoł himself, other miners, his wife and children, interspersed with fragments from a variety of socialist realist material.

WANDA GoSCIMINSkA. A WEAVER

1975, 21 minAbout a female socialist leader and weaver from Łódź. The weaver’s life is thrown onto the socio-political can-vas of pre-war and post-war communist Poland. The alle-gorical and symbolic imagery illustrates subsequent periods of history and draws from socialist realism iconography.

THE PRIMER1976, 9 min Portrayal of the state of the Polish soul in the mid 70s. The reciated primer symbol-izes a key to the way people

communicate and perceive the world and traditions. Tradition is dead, communica-tions between people have become ossified; we know all the letters of the alphabet but cannot put them into the sentences which would express our true selves.

THE CARPENTER1976, 13 minThe film features a fictional character whose curriculum vitae (Wiszniewski’s own creation read by Jan himilsbach) is illustrated by genuine footage showing historical events. The carpen-ter appears to be completely indifferent to politics, to him political changes are mean-ingful only if they have

impact on the level of demand for woodwork.

FoREMAN oN A FARM1978, 14 minPortrait of a real person pre-sented through a storyline which alludes to folk art poetics and is commented off-screen with a witty but bitter song. A retired miner, who moves with his fam-ily to the country to start his own business, suffers a defeat, rejected by the local community. The fiasco of the stereotypes perpetuated by 1970s propaganda.

Introduction by Jacek Petrycki, renowned Director of Photography and friend of Wiszniewski

DOCUMENTArY ShOrTSWOJCIECh WISZNIEWSKI rEDISCOVErED

SUNDAY 12 AprIL4.00pM —— ICAWojciech Wiszniewski has been regarded as the most radical representative of the so-called ‘creational’ movement in Polish documentary of the 70’s. This school renounced the documentary attributes such as: cognitive passivity and minimalism of form and putting film maker as a mere observer and recorder of reality with a use of the fraction of available means of expression. Today ‘creational’ documentaries are fully accepted and acknowledged, however in the 70s that was still a new territory, where

breaking the conventions by employing bold techniques of framing, distorting sound and methaphoric use of editing, special effects and most of all orchestrating scenes and creating the reality before the camera was a huge novelity.

Wiszniewski was a pioneer of these approach and even though his film legacy consists of only 10 short films made before he died at the age of 35, he became one of the most influential Polish documentary directors and the ‘filmmaker of filmmakers’.

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SUNDAY 19 AprIL6.00pM —— ICA

SERbIAN EPICS highly original and most formally constructed film Serbian Epics (1992) was made at the height of the Bosnian war, using the siege of Sarayevo as its central image. It includes close up footage of Bosnian Serb politician radovan Karadžic and General ratko Mladič, both later wanted by the international court of justice for war crimes. This multi-layered, ironic, imagistic and at times almost hypnotic study of myth-making and murder aroused a storm of controversy, including questions in the house of commons, at the time of its broadcast.

FOllOWED BY:

TRIPPING WITH ZHIRINoVSkYTripping with Zhirinovsky, is a surreal boat journey down the Volga with the russian nationalist politician Vladimir Zhirinovsky and his retinue, as he campaigns to win the russian presidency in 1994. he travels from Moscow to the Caspian Sea, trying to raise the spirits of the impoverished masses assembled at the quayside, promising the re-conquest of Alaska, access to the Indian Ocean and free nylon stockings. The film won the Grierson award for the Best British Documentary in 1995.

Followed by a Q&A with Paweł Pawlikowski


FRoM MoSCoW To PIETUSHkI From Moscow to Pietushki is a poetic journey into the world of the russian cult writer Venedikt Yerofeev, as he is slowly dying of cancer after 40 years of principled and heroic alcohol consumption. Pawlikowski uses elements of Yerofeev's cult novel Moscow Pietushki to paint a powerful and complex picture of russia of the time. The film won an Emmy and royal Television Society Award among others.

FOllOWED BY:

DoSToEVSkY ’S TRAVELSDmitri Dostoevsky, leningrad tram driver and great-grandson of Fyodor Dostoevsky, travels to western Europe following the footsteps of his great-grandfather's own journey in 1862. Dmitri hopes his efforts will help him realise his dream of owning a Mercedes.

Introduction by Paweł Pawlikowski

Screenings supported by DocHouse

DOUBL E-BIL L DOUBL E-BIL L

DOCUMENTArY SpECIALpAWEŁ pAWLIKOWSKI DOCUMENTArIES

To celebrate the recent successes of Paweł Pawlikowski’s Ida, winner of this year Oscars® Academy Award for Best Foreign language Film, BAFTA Award for Best Film Not In the English language, and Oscar® nominee for Achievement in Cinematography, KINOTEKA presents a programme of documentary films which commenced Pawlikowski’s career in filmmaking. These highly poetic and imagistic pieces won him fans and awards around the world, including the Grierson Award and

Emmy International. Pawlikowski’s distinctive mixing of facts with elements of the personal and poetic has challenged the boundaries of the television documentary and influenced his later cinematic work.

KINOTEKA invites you to a weekend with Paweł Pawlikowski and his documentaries: a journey into the tragi-comic and absurd life of characters including Vladimir Zhirinovsky or the only living descendant of Fyodor Dostoevsky.

1918Polish Ci ne m a Classics


Polish Ci ne m a Classics

pOLISh CINEMA CLASSICSSpECIAL EDITION DVD bOxSET& FILM SCrEENINGS

Kinoteka Polish Film Festival and the Polish Cultural Institute in london continue their collaboration and association with Second run DVD to release a third volume of their acclaimed and successful POlISh CINEMA ClASSICS series. This 3-DVD set includes three of the finest Polish films of the 1970s and 90s – including newly restored versions of Krzysztof Zanussi’s 1976 film CAMoUFL AGE (Barwy ochronne), Wojciech Marczewski's SH I VERS (Dreszcze) and Polish cult classic THE CRU ISE (Rejs). All three films are presented from new hD digital transfers with restored picture and sound and feature new English subtitle translations.

We are delighted that both Camouflage and The Cruise will screen during Kinoteka 2015, book-ending the Festival as opening (Camouflage – 8 April) and closing-night (The Cruise – 29 May) screening events.

Second run's PoL ISH C INEMA CL ASS ICS VoLUME I I I DVD Box Set will be released in May 2015.

To find out more visit: www.secondrundvd.comwww.polishculture.org.uk

WEDNESDAY 8 AprIL6.00pM —— bFI NFT 1

SUNDAY 29 MAY6.30pM —— ICA

CAMoUFLAGE (bARWY oCHRoNNE)

Written and directed by Krzysztof ZanussiCinematography: Edward KłosińskiMusic: Wojciech KilarCast: Piotr Garlicki, Christine Paul-Podlasky,Poland, 1976, 97 min Zbigniew Zapasiewicz, Mariusz DmochowskiKrzysztof Zanussi’s Camouflage was one of the founding works of Poland’s 'cinema of moral concern'. With a background in physics, Zanussi brought a unique sensibility to Polish cinema - observant and analytical, humane yet utterly unsentimental in probing of the characters’ weaknesses and self-deceptions. Camouflage is regarded as one of his finest achievements, and takes place during a University summer seminar that functions as a microcosm of the power games played in business, politics, or any other arena based on hierarchy and advancement. Jarek is an idealistic junior faculty member who comes under the influence of Jakub, a Machiavellian professor whose attachment to the younger man is ambiguous. Is he nurturing him as a young talent or seeking ways to destroy him?

Followed by a Q&A with Krzysztof Zanussi

For other Camouflage screenings see page 22

THE CRUISE (REJS)

Directed by Marek PiwowskiPhotography: Marek NowickiMusic: Wojciech KilarCast: Stanisław Tym, Jolanta Lothe, Wanda Stanisławska-LothePoland, 1970, 65 minregarded as Polish cinema’s first ‘cult film’, Piwowski’s The Cruise is also considered by many to be a satirical masterpiece. Shot in a quasi-documentary style, with a cast featuring mostly non- professional actors, the absurd plot parodies life in the (then) People's republic of Poland, reducing a weekend river cruise to a hilarious satire of the entire Communist system.

Piwowski's gift of observation, his sense of humour and an acute awareness of national pathology have made The Cruise one of Poland’s most popular and widely-known films of the 1970s.

Followed by a cruise on the Thames with Maciej Obara International and Gideon Reeling. See page 41 for details.

2120M ar ti n Scorsese Prese nts M aster pieces of Polish Ci ne m a


M ar ti n Scorsese Prese nts M aster pieces of Polish Ci ne m a20M ar ti n Scorsese Prese nts M aster pieces of Polish Ci ne m a

This year Kinoteka is delighted to host Martin Scorsese Presents Masterpieces of Polish Cinema, a selection of 24 of the legendary director's favourite Polish films of the 20th Century, to be screened across April and May.

To introduce the series, film critic and writer Michael Brooke talks us through the collection and its historical relevance...


Polish cinema seemed to come out of nowhere. After a painful period of reconstruction post-WWII and the abolition of a creatively stifling policy of Socialist realism, the country’s filmmakers were more than ready to spread their wings. They did so to spectacular effect from the late 50s onwards, exploring Poland’s war-torn landscapes, the more fantastical worlds of the imagination and, as the cracks began to show towards the end of the 70s, the ‘moral anxiety’ of existing within a corrupt Communist society that few Poles actively supported.

Every film in this two-part season, curated by Martin Scorsese and screening in pristine digital restoration, is regarded as a classic at home. Some already enjoy that status here, but others are undeservedly littleknown; Masterpieces of Polish Cinema hopes to change that.

pArT 1: AprIL

MArTIN SCOrSESE prESENTS MASTErpIECES OF pOLISh CINEMA



M ar ti n Scorsese Prese nts M aster pieces of Polish Ci ne m a

A SHoRT FILM AboUT k ILL ING (kRÓTkI F ILM o ZAbIJANIU) Dir. Krzysztof KieślowskiCast: Mirosław Baka, Krzysztof Globisz, Jan TesarzPoland, 1987, 86 minA grimly confrontational study of the protracted process of ending someone’s life, whether through casual murder or meticulously calibrated execution. Kieślowski’s masterpiece contributed to a national debate that ultimately ended capital punishment in Poland. Cinematographer Sławomir Idziak’s inspired use of bilious coloured filters turns 1980s Warsaw into a living hell.

15 April screening will be followed by a Q&A with screen-writer Krzysztof Piesiewicz

Wednesday 15 April, 8.30pmBFI Southbank NFT 3+Saturday 18 April, 8.50pm BFI Southbank NFT 1+Friday 24 April, 6.30pm BFI Southbank NFT 1

ILLUMINATIoN ( ILUMINACJA) Dir. Krzysztof ZanussiCast: Stanisław Latałło, Monika Dzienisiewicz-Olbrychska, Małgorzata PritulakPoland, 1972, 93 minThis dazzlingly original film-essay combines an intensely intimate portrait of a young would-be scientist with a quizzical analysis of his sincere (if fumbling and naive) attempts at grasping the very meaning of life. Its frequent scholarly digressions into both art and science anticipated Peter Greenaway by many years.

9 April screening will be introduced by the director, Krzysztof Zanussi

Thursday 9 April, 6.15pmBFI Southbank NFT 3+Sunday 12 April, 8.30pm BFI Southbank NFT 3

THE CoNSTANT FACToR (CoNSTANS) Dir. Krzysztof ZanussiCast: Tadeusz Bradecki, Zofia Mrozowska, Małgorzata ZajączkowskaPoland, 1980, 91 minA man obsessed by the impending death of his mother and a dream of climbing mountains retreats into mathematics, trying to discover a ‘constant factor’ that will make sense of the world’s apparently random capriciousness. It’s one of Zanussi’s most mordantly clear-eyed films about the moral challenges posed by trying to maintain a normal life in a corrupt bureaucracy.

9 April screening will be introduced by the director, Krzysztof Zanussi

Thursday 9 April, 8.50pm BFI Southbank NFT 3+Sunday 12 April, 6.20pmBFI Southbank NFT 3

CAMoUFLAGE (bARWY oCHRoNNE) Dir. Krzysztof ZanussiCast: Piotr Garlicki, Zbigniew Zapasiewicz, Christine PaulPoland, 1976, 101 min A linguistics competition at a university’s summer camp is the backdrop for a wittily satirical drama about the elusiveness of language.

An idealistic teacher and his more manipulative older colleague assess not only each entry’s intrinsic merit, but also whether it ticks sufficientofficial boxes to be prizeworthy – an experience Polish filmmakers were all too ruefully familiar with.

8 April screening will be followed by a Q&A with the director, Krzysztof Zanussi

Wednesday 8 April, 6.00pmBFI Southbank NFT 1+Tuesday 14 April, 8.30pm BFI Southbank NFT 3

bLIND CHANCE (PRZYPADEk)Dir. Krzysztof Kieślowski Cast: Bogusław Linda, Tadeusz Łomnicki, Zbigniew ZapasiewiczPoland, 1981, 123 minBanned for years for getting too close to the political knuckle, Kieślowski’s three-part narrative hinges on whether medical student Witek catches a train, and on what happens afterwards. Will he be recruited by the government, become a political protester, or continue studying in neutral isolation? And can he control these outcomes, or is his life dictated by fate?

Tuesday 14 April, 6.00pmBFI Southbank NFT 2+Saturday 18 April, 6.10pm BFI Southbank NFT 1

ERoICA (ERoICA) Dir. Andrzej MunkCast: Edward Dziewoński, Kazimierz Rudzki, Barbara PołomskaPoland, 1957, 81 minBlack comedies about WWII were understandably thin on the ground in post-war Poland, but this brilliantly incisive two-part dissection of ‘courage’ and ‘valour’ offers a decidedly subversive take on the traditional image of Polish heroism. In the first half, a hapless incompetent becomes a resistance hero; in the second, Polish POWs are anything but keen to escape.

23 April screening will be introduced by Dr César Ballester, Senior Film Lecturer

Monday 13 April, 8.30pm BFI Southbank NFT 3+Thursday 23 April, 8.30pm BFI Southbank NFT 3




THE HoURGLASS SANAToRIUM (SANAToRIUM PoD kLEPSYDR A ) Dir Wojciech J. HasCast: Jan Nowicki, Tadeusz Kondrat, Irena OrskaPoland, 1973, 125 minA hallucinatory head-swiveller of a film, which turns Bruno Schulz’s novella into a floridly baroque journey of a man visiting a mysterious sanatorium. he enters a world based as much on his anxieties and long-buried memories as it is on objective reality, a world crammed with exotic birds, mechanical automata of historical figures and haunting images of Poland’s now-vanished Jewish past.

30 April screening will be introduced by film expert Michael Goddard

Tuesday 21 April, 8.30pmBFI Southbank NFT 1+Thursday 30 April, 8.20pm BFI Southbank NFT 1

THE SARAGoSSA MANUSCRIPT (REkoPIS ZNALEZIoNY W SARAGoSSIE) Dir. Wojciech J. HasCast: Zbigniew Cybulski, Iga Cembrzyńska, Elżbieta CzyżewskaPoland, 1964, 184 minYou wouldn’t expect a rip-roaring widescreen Napoleonic adventure crammed with duels, damsels and cryptic manuscripts to be the favourite film of the Grateful Dead’s Jerry Garcia. But this is actually one of the great 1960s ‘head-trips’ – an adaptation of Count Jan Potocki’s legendarily labyrinthine 1814 novel into a bewildering but exhilarating lattice of stories within stories within stories.

Monday 20 April, 7.40pm BFI Southbank NFT 1+Saturday 25 April, 7.30pm, BFI Southbank NFT 1

JUMP (SALTo) Dir. Tadeusz KonwickiCast: Zbigniew Cybulski, Jerzy Block, Włodzimierz BoruńskiPoland, 1965, 105 minIn this rich and subtle dream-play a man arrives in a small country town and demands sanctuary from an unspecified threat, but who is he, why do people remember him differently, and can he really perform miracles? Many Poles consider this Cybulski’s greatest performance and he’s on riveting form, especially when performing a ‘salto’ folk dance towards the end of the film.

Saturday 25 April, 6.20pmBFI Southbank, NFT 2+Tuesday 28 April, 8.50pmBFI Southbank, NFT 3

To k ILL THIS LoVE (TRZEbA ZAbIC T E MIŁoSC) Dir. Janusz MorgensternCast: Jadwiga Jankowska-Cieślak, Andrzej Malec, Władysław Kowalski Poland, 1972, 97 minMagda and Andrzej are young lovers in early 1970s Poland, notionally a socialist paradise, in reality anything but as they find themselves constantly buffeted by official obstacles and supposedly non-existent class barriers as they try to find a place to live together. The film was formally criticised for its pessimism, but the feeling was very much shared by its audience.

Sunday 26 April, 3.15pm BFI Southbank NFT 2+Wednesday 29 April, 8.45pm BFI Southbank NFT 2

THE LAST DAYS oF SUMMER (oSTATNI DZIEN LATA) Dir. Tadeusz KonwickiCast: Irena Laskowska, JanMachulskiPoland, 1958, 62 minAlready an important novelist,Konwicki used his position as the Kadr Film Unit’s literary advisor to make his directing debut for a tiny budget, with no script and a cast of two – a revolutionary gesture at a time of rigorously pre-vetted projects. A man and a woman meet on a deserted beach, their obvious attraction undermined by traumatic wartime memories.

Sunday 26 April, 8.50pmBFI Southbank NFT 2+Tuesday 28 April, 6.20pm BFI Southbank NFT 2

kNIGHTS oF THE bLACk CRoSS (kRZYZ ACY)Dir. Aleksander FordCast: Urszula Modrzyńska,Grażyna Staniszewska, Andrzej Szaławski, Władysław Kowalski Poland,1960, 165 minOne of Poland’s biggest hits, this lavish widescreen epic was based on henryk Sienkiewicz’s much-loved novel The Teutonic Knights. Set at the turn of the 15th century, it depicts the tension between the Poles and lithuanians and their Teutonic neighbours, culminating in a thrilling reconstruction of the 1410 Battle of Grunwald (a pivotal event in Polish history) which featured thousands of extras.

16 April screening will be introduced by critic and filmmaker Kuba Mikurda

Thursday 16 April, 8.00pm BFI Southbank NFT 3+Sunday 26 April, 4.40pmBFI Southbank NFT 1




The retrospective continues with a closer look at some of Poland’s greatest postwar directors. A dozen more Polish film classics, some familiar, but others much rarer, says Michael Brooke:

When Polish cinema first made an international splash in the late 1950s, it was headlined by the work of Andrzej Wajda and Jerzy Kawalerowicz, who each had long and fascinating careers (Wajda’s continuing to this day) that consistently took the temperature not only of Polish cinema but also wider national issues – Wajda’s Man of Iron is also

a key document of the Solidarity upheavals. But their contribution to their national film culture went well beyond their own films. As the head of the Kadr Film Unit, Kawalerowicz also produced many Polish cinema classics (including more than a third of the films in this two-part season), while Wajda mentored numerous younger talents at a very early stage of their careers, including future giants roman Polański, Jerzy Skolimowski and Agnieszka holland, each represented here by a key early work.

pArT 2: MAY

NIGHT TRAIN (PoCI A G) Dir. Jerzy Kawalerowicz Cast: Lucyna Winnicka, Leon Niemczyk, Teresa SzmigielównaPoland, 1959, 93 minPsychological thriller about the passengers on an overnight Baltic express.A sleeper train rockets through the night, its passengers possibly including a murderer. Although this isn’t quite as overtly hitchcockian as that sounds, as Kawalerowicz was primarily interested in the quirks that people show in artificial social environments. leon Niemczyk (Knife in the Water) and the director’s wife ludyna Winnicka are strangers sharing a compartment while studiously hiding personal secrets.

Saturday 2 May, 6.10pmBFI Southbank NFT 3+Saturday 9 May, 8.45pmBFI Southbank NFT 3

MAN oF IRoN (CZŁoWIEk Z ZELAZA)Dir. Andrzej WajdaCast: Jerzy Radziwiłowicz, Krystyna Janda, Marian OpaniaPoland, 1981, 147 min Andrzej Wajda’s masterly study of the excitement of the Solidarity years. As the Solidarity protests swelled in 1980, Wajda grabbed camera and crew, pulled ready-made characters off the shelf (from his earlier Man of Marble) and filmed this story of government-backed espionage against a real-life backdrop of world-changing history unfolding: even lech Wałęsa has a cameo. It won both the Palme d’Or and a domestic ban when martial law was declared in 1981.

Sunday 3 May, 2.00pmBFI Southbank NFT 1+Saturday 23 May, 5.30pmBFI Southbank NFT 1

MoTHER JoAN oF THE ANGELS (MATkA JoANNA oD ANIoŁÓW)Dir. Jerzy KawalerowiczCast: Lucyna Winnicka, Mieczysław Voit, Anna CiepielewskaPoland, 1961, 103 minA stark psychological drama about demonic possession in a convent. Notionally, this is based on the same historical events that inspired Ken russell’s The Devils, but Kawalerowicz’s treatment is subtler and more psychologically acute. his wife lucyna Winnicka plays an allegedly possessed abbess whose bona fides are investigated by a hapless investigator who finds himself hopelessly out of his depth when confronted with forces that he does not understand.

Sunday 3 May, 5.30pmBFI Southbank NFT 3+Friday 8 May, 8.30pmBFI Southbank NFT 3




PHARAoH (FARAoN)Dir. Jerzy KawalerowiczCast: Jerzy Zelnik, Wiesława Mazurkiewicz, Barbara BrylskaPoland, 1965, 175 minA vast ancient Egyptian epic that’s as much about politics as spectacle. Ancient Egyptians speaking Polish? Well, why not – they didn’t speak English either. Kawalerowicz spent three years making what was once Poland’s most expensive film, a huge widescreen epic about the struggle between rameses XIII and his high priests. But this is no Cecil B. DeMille spectacle: co-screenwriter Tadeusz Konwicki regarded it as 'a penetrating analysis of a system of power'.

Thursday 7 May, 8.00 pmBFI Southbank NFT 2+Sunday 10 May, 3.00 pmBFI Southbank NFT 2

AUSTERIA Dir. Jerzy Kawalerowicz Cast: Franciszek Pieczka, Wojciech Pszoniak, Jan SzurmiejPoland, 1982, 102 minA moving and politically controversial tale of anti-Semitic persecution during WWI. Kawalerowicz spent decades trying to realise his most personal project, that allowed him to suggest without tackling the holocaust directly that the culturally-engendered pacifism and passivity of Poland’s Jews sowed the seeds of their later destruction. This was, to put it mildly, a controversial notion, but Kawalerowicz’s sympathy and sincerity is evident throughout.

Wednesday 13 May, 8.50 pm BFI Southbank NFT 3+Saturday 23 May, 3.30 pm BFI Southbank NFT 2

WALkoVER (WALkoWER)Dir. Jerzy SkolimowskiCast: Aleksandra Zawieruszanka, Jerzy Skolimowski, Krzysztof ChamiecPoland, 1965, 70 minJerzy Skolimowski’s characteristically wayward tale of a washed-up amateur boxer. Skolimowski’s second feature (and first full-length narrative) cemented his status as a one-man Polish New Wave, the rhythms of his films at least as influenced by jazz and (his own) poetry as more conventional storytelling. Skolimowski himself plays a dropout turned itinerant amateur boxer who is distracted from his bouts when Teresa, an old university friend, re-enters his life.

Monday 4 May, 8.45 pmBFI Southbank NFT 2+Sunday 17 May, 6.20 pmBFI Southbank NFT 3

INNoCENT SoRCERERS (NIEWINNI CZARoDZIEJE)Dir. Andrzej Wajda Cast: Tadeusz Łomnicki, Krystyna Stypułkowska, Zbigniew CybulskiPoland, 1960, 91 minAn affectionate but caustic look at early Sixties Polish youth culture. After three successive films about Polish history, Wajda turned his attention to the (then) present, enlisting younger colleagues roman Polański and Jerzy Skolimowski to add verisimilitude to this study of disaffected twenty-somethings. Newly qualified doctor and jazz fanatic Bazyli (Łomnicki) has so little time for emotional engagement that when he actually falls in love he doesn’t know how to handle it.

Friday 8 May, 6.20 pmBFI Southbank NFT 2+Sunday 17 May, 8.30 pmBFI Southbank NFT 3

ASHES AND DIAMoNDS (PoPIÓŁ I DIAMENT) Dir. Andrzej WajdaCast: Zbigniew Cybulski, Ewa Krzyżewska, Wacław ZastrzeżyńskiPoland, 1958, 107 minThe ‘Polish James Dean’ stars in a complex, morally knotty masterpiece. Wajda’s film vividly captures the turbulence and confusion immediately following WWII, as a former resistance hero turns anti-Communist assassin. Audiences were officially supposed to empathise with his intended victim, but Zbigniew Cybulski’s astonishingly charismatic performance as the morally and politically riven killer crystallised the fears and uncertainties of an entire generation.

Thursday 14 May, 8.45 pmBFI Southbank NFT 1+Tuesday 19 May, 6.20 pmBFI Southbank NFT 2+Monday 25 May, 8.30 pmBFI Southbank NFT 3

PRoVINCIAL ACToRS (AkToRZY PRoWINCJoNALNI ) Dir. Agnieszka HollandCast: Halina Łabonarska, Tadeusz Huk, Iwona BiernackaPoland, 1978, 104 minAgnieszka holland’s debut: an ensemble piece about warring actors. After an apprenticeship as Wajda’s assistant, Agnieszka holland made her solo debut with this ambitious ensemble piece, both an allegorical study of cultural interference (a trendy young theatre director is attempting a politically controversial reinterpretation of a Polish stage warhorse) and a lacerating portrait of a withering marriage, its participants actively contemplating suicide or murder as an escape route.

Friday 15 May, 6.10 pmBFI Southbank NFT 2+Saturday 16 May, 8.40 pmBFI Southbank NFT 2




kNIFE IN THE WATER (NÓZ W WoDZIE) Dir. Roman PolańskiCast: Leon Niemczyk, Jolanta Umecka, Zygmunt MalanowiczPoland, 1961, 101 minPolański’s first feature spun ostensibly simple ingredients – two men, a woman, a yacht, a vast expanse of water and a haunting jazz score by the great Krzysztof Komeda – into not just one of the most psychologically gripping films of its era but also Poland’s first Oscar© nominee. Polański’s riveting first feature established him as a world-class talent.

Saturday 23 May, 8.45 pmBFI Southbank NFT 1+Monday 25 May, 6.10 pm BFI Southbank NFT 1+Tuesday 26 May, 6.20 pmBFI Southbank NFT 2

TUESDAY 14 AprIL6.15pM —— bFI NFT 3

DISCoVERING THE MASTERPIECES oF PoLISH CINEMA WITH kUbA MIkURDATo introduce Martin Scorsese’s survey of the greatest Polish cinema, critic and filmmaker Kuba Mikurda will sketch the historical contexts that inform the films and examine the aesthet-ic, cultural and political concerns shared by the auteurs that made them. richly illustrated with clips, photos, posters and archive documents, this talk will introduce key figures and movements in Polish film history, and indicate the season’s unmissable highlights.

WEDNESDAY 22 AprIL6.10pM —— bFI NFT 3

kEY SCHoLARS IN FILM STUDIES: EWA MAZIERSkA oN THE PoLISH CINEMATIC CANoN

The latest in this series of lectures featuring the world’s best film scholars sees Ewa Mazierska (University of Central lancashire) join us to discuss the challenges associated with recounting Polish cinematic history. She’ll raise fascinating questions such as ‘how has the desire to project a particular national cultural identity affected the Polish critical establishment’s approach to cinema from the period of state socialism?’

MArTIN SCOrSESE prESENTS...

TALKS & WOrKShOpS

THE PRoMISED LAND (ZIEMIA obIECANA) Dir. Andrzej WajdaCast: Daniel Olbrychski, Wojciech Pszoniak, Andrzej SewerynPoland, 1974, 179 minlavish and shocking portrait of ruthless entrepreneurs during Poland’s industrial revolution... Władysław reymont’s Nobel-winning novel is Poland’s equivalent of ‘hard Times’ or ‘Germinal’, a ruthlessly clear-eyed anatomising of the industrial revolution from the perspective of three young entrepreneurs. Wajda’s viscerally vivid adaptation is intoxicated by this brave new world (the factory sequences have a you-are-there immediacy) without ever losing sight of the appalling human cost.

Thursday 21 May, 5.40 pmBFI Southbank NFT 3+Sunday 24 May, 2.00 pmBFI Southbank NFT 1

THE WEDDING (WESELE) Dir. Andrzej WajdaCast: Daniel Olbrychski, Ewa Ziętek, Andrzej ŁapickiPoland, 1972, 106 minNineteenth-century Poland imagined as a grotesque and raucous wedding party. First performed in 1901, Stanisław Wyspiański’s play turns the marriage of a poet and a peasant into a state-of-the-nation allegory about the attractions and pitfalls of national self-determination at a time when independent Poland didn’t exist. Wajda’s splendidly grotesque adaptation pulls out every cinematic stop in emphasising the piece’s phantasmagorical elements as his camera hurtles from reality to fantasy.

Wednesday 20 May, 8.30 pmBFI Southbank NFT 3+Thursday 28 May, 8.30 pmBFI Southbank NFT 3

Followed by a Q&A with Witold Sobociński and Piotr Sobociński



bFI STUDIO23 AprIL —— 14 MAY

ExPLoRING PoLISH CINEMAIn this five session BFI Studio course, run in conjunction with the Masterpieces of Polish Cinema season, enjoy a series of in-depth, illustrated lectures in our digital studio and gain a deeper understanding and appreciation of the films and of their time.

kUbA MIkURDA oN "kNIGHTS oF THE bLACk CRoSS" followed by a screening of the film

Thursday 16 April, 6.00pm – 7.30pm BFI Studio

Dr. CéSAR bALLESTER oN kRZYSZToF k IESLoWSkI

Thursday 23 April, 6.30pm – 8.30pm BFI Studio

MICHAEL GoDDARD oN WoJCIECH HAS, TADEUSZ koNWICkI AND ANDRZEJ MUNkThursday 30 April, 6.30pm – 8.30pm BFI Studio

MICHAŁ oLESZCZYk oN JERZY kAWALERoWICZThursday 7 May, 6.30pm – 8.30pm BFI Studio

MATILDA MRoZ oN ANDRZEJ WAJDAThursday 14 May, 6.30pm – 8.30pm BFI Studio

All five sessions = £50 (£40 concs) or normal ticket price for individual sessions. For more information and booking contact the BFI Box Office: 020 7928 3232

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pOSTEr ExhIbITION2 AprIL —— 31 MAYbFI SOUThbANK ATr IUM

ANDRZEJ WAJDA'S FILMS IN WoRLD FILM PoSTERSSelected works from the original Andrzej Wajda’s Films in World Film Posters exhibition on loan from the archives of the Film Museum in Łódź, Poland presents archival materials related to the life and work of the Polish artist. The abundant archive of the Museum includes the world biggest set of posters connected with Andrzej Wajda’s works. The collection includes items printed in very small print runs, coming from various sides of the world, among others, from Japan, Argentina, Germany and France. Many of the posters presented are considered works of art and are made by great artists, Polish and foreign graphic artists (Wiesław Wałkuski, Jakub Erol, Cyprian Kościelniak, Andrzej Pągowski, Marek Freundenreich, Marcin Mroszczak, rafał Olbiński, rosław Szaybo, Peter Strausfeld, Alain lynch, Dominique Guillotin, Otto Kummert, Milan Grygar, Pierre Collier, M. Ogasawar, Erhard Grutter), as well as the representatives of the Polish poster school: roman Cieślewicz, Wojciech Zamecznik, Wojciech Fangor, Franciszek Starowieyski, Wiktor Górka, Waldemar Świerzy and Jan lenica.

Exhibition curators: Krystyna Zamysłowska & Piotr Kulesza

SATUrDAY 23 MAY6.30pM —— TATE MODErN STArr

THE PERFoRMER

CINEMA MEETS ArT

Dir. Maciej Sobieszczański, Łukasz Ronduda Poland, 2015, 63 min

An insight into the contemporary art world. Based on the life of one of the most original performance artists alive – Oskar Dawicki. The main theme of his art is the search for an answer to the question of whether... Oskar Dawicki ex-ists at all. The trademark of his performances is his blue shining jacket.

We meet Oskar at a turning point of his life, when he learns that his Mentor Zbigniew Warpechowski (himself) is dying. Warpechowski was also mentoring the Dearest (Andrzej Chyra), Oskar’s childhood friend and a rival, who devot-ed himself to more commercial art and became the most profitable Polish contemporary artist.

Oskar has one more complicated relationship in his life: a love affair with his Art Dealer (Agata Buzek). Similar to previous works from Dawicki – the established norms of moral, spiritual and social order are challenged and put on trial. The Perfomer is the first-ever art exhibition in the form of a feature film: Oskar Dawicki’s works are connected on the screen not only by time and space, but also by narrative, drama and emotion.

Followed by a Q&A with Łukasz Ronduda and Oskar Dawicki

Official selection International Film Festival Rotterdam 2015 and the 65th International Film Festival Berlin: Forum Expanded

AUDI TOr IUM

FREE EN T RY!

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Mu sic

This project, organised together with the ICA, celebrates the Polish father of experimental and electronic music, Eugeniusz rudnik. The pretext for the project is the release of the doc-umentary film 15 Corners of the World written and directed by Zuzanna Solakiewicz. The film received the Best Film award at the locarno Film Festival last year (2014) and translates the world of rudnik’s sounds into a visual interpre-tation of the sensual and emotional percep-tion of music. The director says: 'The film is an attempt to hear the music of Eugeniusz Rudnik with your eyes. I have made a film that gives priority to the sound more than to the picture – a film that gives interpretation to the music in order to capture it in pictures – to show sound.'

15 CoRNERS oF THE WoRLDDir. Zuzanna SolakiewiczCast: Weronika Pelczyńska, Anna Wojnarowska, Romuald Krężel,Poland, 2014, 79 min

Screening of the film will be accompanied by a Q&A with Eugeniusz Rudnik hosted by Frances Morgan (The Wire), and an exclusive live perfor-mance of Rudnik's compositions, including his piece written for Arne Nordheim.

FrIDAY 10 AprIL8.30pM — ICA

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MUSIC EVENTEUGENIUSZ rUDNIK & pOLISh ExpErIMENTAL MUSIC

3938Ta l k s & Work shops


Ta l k s & Work shops

k INoTEkA & LoNDoN FILM ACADEMY STUDIo : WoRkSHoPS FoR SCRIPTWRITERS

MONDAY 20 AprIL —— WEDNESDAY 22 AprIL LONDON FILM ACADEMY

An intensive three day lab-based programme aimed at scriptwriters with proven experience who wish to move from shorts to features, or who are working on their first feature script. Ten selected scriptwriters will have the opportunity to polish their skills in pitching, story development and story editing during practical lectures, case studies and master classes with industry professionals, such as: Gavin humphires, Olivier Kaempfer and Paweł Pawlikowski amongst many others.

Throughout the workshops there will be plenty of opportunity to network with film / TV industry professionals, and learn more about how to pitch your script to the industry.

Organised and supported by Polish Cultural Institute London, T-Mobile New Horizons Film Festival and London Film Academy

WEDNESDAY 15 AprIL 6.10pM —— bFI NFT 3

bAFTA MASTERCLASS WITH SŁAWoMIR IDZIAk

Sławomir Idziak is one of Europe's most acclaimed cinematographers. he has worked with Polish directors such as Andrzej Wajda, Krzysztof Zanussi and Krzysztof Kieślowski, and internationally with ridley Scott, John Sayles, Michael Winterbottom and John Duigan. In 2002, he was nominated for an Academy Award and BAFTA for Black Hawk Down. his latest project is The Tale of Love and Darkness, directed by Natalie Portman and due for release this year.

TALKS & WOrKShOpS

SUNDAY 12 AprIL 6.00pM —— ICA

k ISSINGER TWINS: CINEMATIC LAbYRINTHS INTERACTIVE FILMS AND TRANSMEDIA SToRYTELLING

The Kissinger Twins (Dawid Marcinkowski and Kasia Kifert) are at the forefront of creating an exciting new highly interactive web based on cinematic storytelling.

During 90 minutes of presentation, Dawid and Kasia explain idea of Cinematic labyrinths and take the audience on a journey through their multiple award winning projects ranging from 2002 until future present including The Trip, Sufferrosa, the biggest independent interactive film ever made, and the latest The Network Is Watching (campaign for Channel 4 series Utopia).

6.30pM —— ICA THE CRUISE

(REJS)Dir. Marek PiwowskiCast: Stanisław Tym, Jolanta Lothe, Wanda Stanisławska-Lothe Poland, 1970, 65 minregarded as Polish cinema’s first ‘cult film’, Piwowski’s The Cruise is also considered by many to be a satirical masterpiece. Shot in a quasi-documentary style, with a cast featuring mostly non-professional actors, the absurd plot parodies life in the (then) People's republic of Poland, reducing a weekend river cruise to a hilarious satire of the entire Communist system.

Piwowski's gift of observation, his sense of humour and an acute awareness of national pathology have made The Cruise one of Poland’s most popular and widely-known films of the 1970s.

UK Premiere of the newly restored version in collaboration with Second Run DVD

8.15pM—— TOWEr pIEr A CRUISE DoWN THE AbSURD: L I V E bOAT CrU ISE E xpEr IENCE W I T h G IDEON r E E L ING AND ObAr A IN T ErNAT IONAL

The cruise, inspired by the iconic film and its absurd humour will immerse the audience in a specially commissioned theatre performance by the upcoming British theatre group, Gideon reeling. Their act will be part scripted and partimprovised for the duration of the evening and will be set in the era of the cult film, building on the aesthetic and the characters of The Cruise and the 1970s. The performance will be accompanied by live music inspired by Polish film music from the 60s and 70s, as well as a DJ set presenting a mixture of 70s party music, film music and comedic music. The performance will be accompanied by live music including the world-famous Obara International with their project Komeda, and some new, specially commissioned works.

Immerse yourself in the feelings of surreality, confusion and the absurd!

8.15 pm Boarding the boat 8.45 pm Departure from Tower Pier

There will be a bus transfer arranged for joint ticket holders from the ICA to the Tower pier. No late comers will be admitted on the boat. There will be two bars selling drinks on the boat.

41Closi ng Nig ht Ga la


CLOSING NIGhT GALA SCrEENING AND bOAT CrUISE

This year, KINOTEKA Closing Night event will involve the screening of the cult Polish comedy The Cruise (1970) at the Institute of Contemporary Arts, launching the first UK release of the film by Second run DVD. After the show, the audience will experience an authentic boat ride on the river Thames with a specially commissioned immersive theatre performance and live music.

FrIDAY 29 MAY

40Closi ng Nig ht Ga la


T H A MES CRUISE!CULT SCREENING

43


Ca le ndar & Book i ng42K i note k a on Tou r


KINOTEKA ON TOUrAprIL 2015 —— SEpTEMbEr 2015

KINOTEKA is proud to be partnering with Filmhouse Edinburgh and BFI Southbank on an exciting new collaboration for the UK tour of Martin Scorsese Presents Masterpieces of Polish Cinema, 24 masterpieces, chosen by Scorsese himself, all brilliantly restored and digitally re-mastered to 2K resolution.

Martin Scorsese Presents Masterpieces of Polish Cinema, takes place at Filmhouse Edinburgh and BFI Southbank throughout April and May as part of KINOTEKA Polish Film Festival. The national tour presented by Filmhouse Edinburgh continues at venues across the UK until the end of September. The season will include a host of special guests to introduce and explore the lasting influence and inspiration of these masterpieces on Polish and UK filmmakers, and beyond.

ThE CONFIrMED CINEMAS: Filmhouse, EdinburghBFI SouthbankShowroom, SheffieldClwyd Theatr CymruUcheldre Centre, AngleseyChapter, CardiffNeuadd Dwyfor PwllheliEden Court, InvernessDundee Contemporary ArtsGlasgow Film TheatreBelmont Filmhouse, AberdeenQuad, DerbyWatershed, BristolBroadway, NottinghamPhoenix, leicesterGulbenkian, CanterburyQFT, Belfast

To check the full list of cinemas go to www.kinoteka.org.uk or mspresents.com/uk

CALENDAr & bOOKINGThursday 2 April –Sunday 31 May

Wednesday 8 April 6.00 pm

Thursday 9 April 6.15 pm

Thursday 9 April 8.50 pm

Friday 10 April 6.30 pm

Friday 10 April 8.30 pm

Saturday 11 April 4.30 pm

Saturday 11 April6.30 pm


Sunday 12 April4.00 pm



Sunday 12 April 7.50 pm


POSTEr EXhIBITION:Andrzej Wajda's Films in World Film Posters

OPENING NIGhT GAlA: Camouflage dir. Krzysztof Zanussi

MArTIN SCOrSESE PrESENTS: Illumination dir. Krzysztof Zanussi MArTIN SCOrSESE PrESENTS:The Constant Factor dir. Krzysztof Zanussi NEW POlISh CINEMA:The Mighty Angel dir. Wojciech Smarzowski

MUSIC EVENT:15 Corners of the World dir. Zuzanna Solakiewicz

NEW POlISh CINEMA:Hardkor Disko dir. Krzysztof Skonieczny

DOCUMENTArIES (DOUBlE BIll): Our Curse dir. Tomasz ŚliwińskiJoanna dir. Aneta Kopacz

NEW POlISh CINEMA:Citizen dir. Jerzy Stuhr

DOCUMENTArIES:Wojciech Wiszniewski Rediscovered TAlKS AND WOrKShOPS:Cinematic Labyrinths by Kissinger Twins

MArTIN SCOrSESE PrESENTS:The Constant Factor dir. Krzysztof Zanussi

NEW POlISh CINEMA:Foreign Body dir. Krzysztof Zanussi

MArTIN SCOrSESE PrESENTS:Illumination dir. Krzysztof Zanussi

BFI Southbank

BFI Southbank

BFI Southbank BFI Southbank ICA

ICA

ICA

ICA

ICA

ICA ICA

BFI Southbank

ICA

BFI Southbank

www.bfi.org.uk Free entry

www.bfi.org.uk 020 7928 3232

www.bfi.org.uk020 7928 3232 www.bfi.org.uk020 7928 3232 www.ica.org.uk

www.ica.org.uk

www.ica.org.uk

www.ica.org.uk

www.ica.org.uk

www.ica.org.uk www.ica.org.uk

www.bfi.org.uk020 7928 3232

www.ica.org.uk


4544Ca le ndar & Book i ng


Ca le ndar & Book i ng

Tuesday 21 April8.30 pm

Wednesday 22 April6.10 pm

Thursday 23 April6.30 pm – 8.30 pm

Thursday 23 April8.30 pm

Friday 24 April6.30 pm

Friday 24 April7.00 pm









Monday 13 April8.30 pm




Wednesday 15 April 6.10 pm








Monday 20 April –Wednesday 22 April

Monday 20 April7.40 pm

MArTIN SCOrSESE PrESENTS:Eroica dir. Andrzej Munk

TAlKS AND WOrKShOPS:Discovering the Masterpieces of Polish Cinema with Kuba Mikurda

MArTIN SCOrSESE PrESENTS:Blind Chance dir. Krzysztof Kieślowski

MArTIN SCOrSESE PrESENTS:Camouflage dir. Krzysztof Zanussi

TAlKS AND WOrKShOPS:Bafta Masterclass With Sławomir Idziak MArTIN SCOrSESE PrESENTS: A Short Film About Killing dir. Krzysztof Kieślowski

TAlKS AND WOrKShOPS:BFI Studio: Exploring Polish Cinema. Kuba Mikurda on The Knights of the Black Cross MArTIN SCOrSESE PrESENTS: Knights of the Black Cross dir. Aleksander Ford

DOCUMENTArIES (DOUBlE BIll): From Moscow To Pietushki dir. Paweł Pawlikowski Dostoevsky’s Travels dir. Paweł Pawlikowski

MArTIN SCOrSESE PrESENTS: Blind Chance dir. Krzysztof Kieślowski

MArTIN SCOrSESE PrESENTS: A Short Film About Killing dir. Krzysztof Kieślowski

DOCUMENTArIES (DOUBlE BIll): Serbian Epics dir. Paweł Pawlikowski Tripping With Zhirinovsky dir. Paweł Pawlikowski

TAlKS AND WOrKShOPS:Workshop for Scriptwriters

MArTIN SCOrSESE PrESENTS: The Saragossa Manuscript dir. Wojciech Has

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank BFI Southbank

BFI Southbank

BFI Southbank

ICA

BFI Southbank

BFI Southbank

ICA

london Film Academy BFI Southbank





www.bfi.org.uk020 7928 3232 www.bfi.org.uk020 7928 3232



www.ica.org.uk



www.ica.org.uk

londonfilmacademy .com www.bfi.org.uk020 7928 3232

MArTIN SCOrSESE PrESENTS: The Hourglass Sanatorium dir. Wojciech Has

TAlKS AND WOrKShOPS:Key Scholars in Film Studies: Ewa Mazierska on the Polish Cinematic Canon

TAlKS AND WOrKShOPS:BFI Studio: Exploring Polish Cinema. Dr César Ballester on Krzysztof Kieślowski MArTIN SCOrSESE PrESENTS: Eroica dir. Andrzej Munk

MArTIN SCOrSESE PrESENTS: A Short Film About Killing dir. Krzysztof Kieślowski

SPECIAl TAlK & SCrEENING:Gottland dir. Lukáš Kokeš et al.

MArTIN SCOrSESE PrESENTS: Jump dir. Tadeusz Konwicki

MArTIN SCOrSESE PrESENTS: The Saragossa Manuscript dir. Wojciech Has

MArTIN SCOrSESE PrESENTS: To Kill This Love dir. Janusz Morgenstern

MArTIN SCOrSESE PrESENTS: Knights of the Black Cross dir. Aleksander Ford

MArTIN SCOrSESE PrESENTS: The Last Day of Summer dir. Tadeusz Konwicki

MArTIN SCOrSESE PrESENTS: The Last Day of Summer dir. Tadeusz Konwicki

MArTIN SCOrSESE PrESENTS: Jump dir. Tadeusz Konwicki

MArTIN SCOrSESE PrESENTS: To Kill This Love dir. Janusz Morgenstern

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

Frontline Club

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank






frontlineclub.com020 7479 8940









4746Ca le ndar & Book i ng


Ca le ndar & Book i ng



Saturday 2 May6.10 pm

Sunday 3 May2.00 pm

Sunday 3 May 5.30 pm

Monday 4 May8.45 pm

Thursday 7 May6.30 pm – 8.30 pm

Thursday 7 May 8.00 pm

Friday 8 May6.20 pm

Friday 8 May8.30 pm


Sunday 10 May3.00 pm

Wednesday 13 May8.50 pm

Thursday 14 May6.30 pm-8.30 pm

Thursday 14 May 8.45 pm

TAlKS AND WOrKShOPS:BFI Studio: Exploring Polish Cinema. Michael Goddard on Wojciech J. Has, Tadeusz Konwicki and Andrzej Munk MArTIN SCOrSESE PrESENTS: The Hourglass Sanatorium dir. Wojciech Has

MArTIN SCOrSESE PrESENTS: Night Train dir. Jerzy Kawalerowicz

MArTIN SCOrSESE PrESENTS: Man of Iron dir. Andrzej Wajda

MArTIN SCOrSESE PrESENTS: Mother Joan of the Angels dir. Jerzy Kawalerowicz

MArTIN SCOrSESE PrESENTS: Walkover dir. Jerzy Skolimowski

TAlKS AND WOrKShOPS:BFI Studio: Exploring Polish Cinema. Michał Oleszczyk on Jerzy Kawalerowicz MArTIN SCOrSESE PrESENTS: Pharaoh dir. Jerzy Kawalerowicz

MArTIN SCOrSESE PrESENTS: Innocent Sorcerers dir. Andrzej Wajda

MArTIN SCOrSESE PrESENTS: Mother Joan of the Angels dir. Jerzy Kawalerowicz

MArTIN SCOrSESE PrESENTS: Night Train dir. Jerzy Kawalerowicz

MArTIN SCOrSESE PrESENTS: Pharaoh dir. Jerzy Kawalerowicz

MArTIN SCOrSESE PrESENTS: Austeria dir. Jerzy Kawalerowicz

TAlKS AND WOrKShOPS:BFI Studio: Exploring Polish Cinema. Matilda Mroz on Andrzej Wajda MArTIN SCOrSESE PrESENTS: Ashes and Diamonds dir. Andrzej Wajda

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank
















Friday 15 May6.10 pm



Sunday 17 May 8.30 pm

Tuesday 19 May6.20 pm

Wednesday 20 May8.30 pm

Thursday 21 May5.40 pm


Saturday 23 May 5.30 pm




Monday 25 May6.10 pm

Monday 25 May8.30 pm

Tuesday 26 May6.20 pm

Thursday 28 May8.30 pm

Friday 29 May 6.30 pm 8.15 pm

MArTIN SCOrSESE PrESENTS: Provincial Actors dir. Agnieszka Holland

MArTIN SCOrSESE PrESENTS: Provincial Actors dir. Agnieszka Holland

MArTIN SCOrSESE PrESENTS: Walkover dir. Jerzy Skolimowski

MArTIN SCOrSESE PrESENTS: Innocent Sorcerers dir. Andrzej Wajda

MArTIN SCOrSESE PrESENTS: Ashes and Diamonds dir. Andrzej Wajda

MArTIN SCOrSESE PrESENTS: The Wedding dir. Andrzej Wajda

MArTIN SCOrSESE PrESENTS: The Promised Land dir. Andrzej Wajda

MArTIN SCOrSESE PrESENTS: Austeria dir. Jerzy Kawalerowicz

MArTIN SCOrSESE PrESENTS: Man of Iron dir. Andrzej Wajda

CINEMA MEETS ArTS:The Performer dir. Maciej Sobieszczański, Łukasz Ronduda MArTIN SCOrSESE PrESENTS: Knife in the Water dir. Roman Polański

MArTIN SCOrSESE PrESENTS: The Promised Land dir. Andrzej Wajda

MArTIN SCOrSESE PrESENTS: Knife in the Water dir. Roman Polański

MArTIN SCOrSESE PrESENTS: Ashes and Diamonds dir. Andrzej Wajda

MArTIN SCOrSESE PrESENTS: Knife in the Water dir. Roman Polański

MArTIN SCOrSESE PrESENTS: The Wedding dir. Andrzej Wajda

KINOTEKA ClOSING NIGhT:The Cruise dir. Marek PiwowskiA Cruise Down the Absurd

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

Tate Modern

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

BFI Southbank

ICA

Tower Pier










www.tate.org.uk







www.ica.org.uk

48Cre dits & T h a n k s


Organised by:

KINOTEKA Principle partner:

KINOTEKA Supporters:

KINOTEKA Main funding contributor:

In co-operation with:

UK Tour in partnership with: Supported by:

FEST I VA L PRoDUCT IoN TE AM :Anna GodlewskaPolish Cultural Institute Director Marlena lukasiakKinoteka Programmer and ProducerMagdalena GrabianowskaPolish Cultural Institute Deputy DirectorKarolina KołodziejMarketing & PR CoordinatorAgnieszka Ciepłucha Marketing Assistant and Kinoteka Guests CoordinatorDobrosława ŚwitalskaFundraisingDarek Tomaszewski Logistics and Guest SupportAnna GruszkaMusic Event & Closing Gala CoordinatorPaulina lathamFilm Poster Exhibition and Events CoordinatorMagda raczyńska Gottland Screening CoordinatorAnna Aładja / Sara KomaiszkoSupport

PoSTER ART WoRk : Tomasz Opasiński

GR APH IC DES IGN : luke Gould

FEST I VA L TR A ILER :Kamil Dobrosielski

PR : Margaret londonZena howard

WITH SPEC I A L THANkS :Agnieszka Odorowicz, Polish Film InstituteAnna MacDonald, London Film AcademyAnnie rudnick, ICAAntonia lloyd-Jones Chris Barwick, Second Run DVDDavid Edgar, BFI SouthbankDavid Somerset, BFI SouthbankElizabeth Wood, DocHousehelen de Witt, BFI SouthbankGeorge Clark, Tate ModernGregor Muir, ICAIzabela Kiszka, Polish Film InstituteJakub Górski, DFDS SeawaysJan Naszewski, T-Mobile New Horizons International Film FestivalJenny horwell, DocHouseJoanna Łapińska, T-Mobile New Horizons International Film FestivalJoanna Stachyra, Ministry of Foreign Affairs of PolandJohn Woroniecki, Baltic RestaurantJulianne rooney, Frontline ClubJulie Pearce, BFI Southbanklaura Adams, BFI Southbankliz Parkinson, BFI Southbank Krystyna Zamysłowska, Film Museum in ŁódźŁukasz Pawlak, Requiem RecordsŁukasz ronduda, Filmoteka Muzeum, Museum of Modern Art in Warsaw

Maciej Kornacki, Filmoteka NarodowaMaggi hurt, BFI SouthbankMariayah Kaderbhai, BAFTAMarjolein Den Bakker, Filmhouse EdinburghMehelli Modi, Second Run DVDMichael Keckes, DFDS SeawaysMonika Sidorowicz, Boiler Room PolandMonika Wróbel, Forest & RayNaomi Crowther, ICA Nico Marzano, ICAPaweł Jodłowski, Project London ProductionPiotr Kulesza, Film Museum in Łódźrenata Clark, Czech Centrerod White, Filmhouse EdinburghSebastian Stern, BFI Southbank Simon Duffy, BFI Southbank Tadeusz Kowalski, Filmoteka NarodowaTereza Porybná, Czech CentreTomasz OpasińskiTomasz Szeratics, Ministry of Foreign Affairs of PolandWotienkie Vermeer, Frontline ClubZeljka Marosevic, Melville House

CrEDITS & ThANKS

ADVErTSPolish Dentist in London

Let's get smiles like movie stars!

www.polski-dentysta-w-londynie.co.uk +44 (0) 20 3199 0171Call Us!

Cena jest uzależniona od dostępności oraz obowiązuje tylko na trasie Dover-Dunkierka. Obowiązuje dodatkowa opłata za płatność kartami kredytowymi. Obowiązują warunki i zasady sprzedaży.

EUROPA - SZYBKO I CZĘSTO

Dunkierka

Calais

Dover

Do Polski

FRANCJA

BELGIA

DOVER-FRANCJA

DFDS.PL

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£35

Jeśli wybierasz się tej wiosny lub lata do Polski, to pamiętaj, że na naszych 2 trasach do Francji oferujemy do 44 połączeń na dobę, nowoczesnymi promami z komfortowym wyposażeniem na pokładach. To wszystko w dobrych cenach. Nie ma więc powodu, żeby wybierać podróż w inny sposób.

AUTO + 9 W KAŻDĄ STRONĘ

DoverDunkirk

Amsterdam

Newcastle

DFDS Shipping 02.2012

France

Germany

Polski

CzechRepublic

Holland

Italy

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Belgium

Austria

UK

Calais

Dania

Dieppe

Newhaven

GATEWAYTO EUROPE

Set sail on your next holiday or break with DFDS Seaways and choose from

4 routes to Europe. And when you travel with the World’s Leading Ferry Operator, your

journey will be an exciting part of your trip!

UK-EUROPE

BFI SouthbankBelvedere roadlondon SE1 8XT020 7928 3232bfi.org.uk

The Frontline Club13 Norfolk Place, london W2 1QJ020 7479 8940frontlineclub.com

ICA The Mall london SW1Y 5Ah020 7930 3647ica.org.uk

Celebrating the best of Polish Cinema, music, design and visual arts, this year’s programme offers an enticing mix of screenings, exhibitions, concerts, interactive workshops, masterclasses and special guests.

In london at the BFI Southbank, ICA, Tate Modern and more. Full venue information below.

www.kinoteka.org.uk

Follow us: facebook.com/PolishFilmFestivalKinoteka @Plinst_london #kinoteka2015

London FIlm Academy52a Walham Grovelondon SW 1Qr020 7386 7711londonfilmacademy.com

Tate ModernBanksidelondon SE1 9TG020 7887 8888tate.org.uk/modern

Documents

FESTIVAL GUIDE2015.kinoteka.org.uk/kinoteka2015.pdf · 2015-03-11 · and adventurers through their stories, with fresh, imaginative and highly varied word. ... media theory and aesthetic