FEMALE NUDE RECLINING ON HER STOMACH, STUDY FOR …

GUSTAV KLIMT1862 - Vienna - 1918

FEMALE NUDE RECLINING ON HER STOMACH, STUDY FOR "LEDA", 1913-14Pencil on cream wove paper, 14.8 x 22.5 inchEstate Stamp at lower left

ProvenanceSerge Sabarsky Gallery, New York.


RECLINING WOMAN WITH RAISED DRESS, 1908-09Blue crayon on paper, 14.5 x 21.9 inchVerso: Standing Woman with raised left arm, 1606/07Red crayon on paper, 368 x 557 mmVerso: Estate stamp

ProvenancePrivate collection, Vienna


STUDY MADE IN CONNECTION WITH JUDITH II (SALOME), around 1908Pencil on paper, 14.7 x 22 inchEstate stamp at lower rightVerso: inscribed in pencil: 66

ProvenancePrivate collection, Salzburg


PORTRAIT OF A YOUNG WOMAN, 1915Pencil on paper, 22.4 x 14.8 inchEstate stamp at lower right

ProvenancePrivate collection, Geneva. – Lederer Collection, Geneva. – Private collection, Germany. – Galerie Kornfeld, Bern. – Privatecollection, Vienna


PORTRAIT OF A LADY, 1916-17Pencil on paper, 22.4 x 14.7 inch

ProvenanceGeorg Klimt (the artist's brother), Vienna. - Leopold Collection, Vienna


WOMAN IN PROFILE FACING LEFT, 1904-05Pencil and red crayon on paper, 21.7 x 13.6 inchEstate stamp at lower right

ProvenanceChristian M. Nebehay Collection, Vienna


DESIGN FOR THE FINAL COMPOSITION DRAWING FOR THE ALLEGORY OF OPERA, 1883Pencil on Paper, 20.9 x 15 inchverso: Ten different studies in black chalk, including four drafts for an overdoor, Profile of a womanfacing right, Portrait of a lady in profile facing rightinscribed on versoestate stamp (Sammlung R. Zimpel)



WOMAN IN AN ARMCHAIR, VIEWED FROM THE FRONT, around 1903Black chalk on paper, 17.4 x 12.4 inch



COMPOSITION SKETCHES FOR PORTRAIT OF EUGENIA PRIMAVESI, 1912-13Pencil on paper, 22 x 14.8 inch



FLOATING NUDE WITH ARMS STRETCHED OUT, STUDY FOR "MEDICINE", 1897-98Black chalk on paper, 17.9 x 12.6 inchInscribed at upper right: 1 1/2Verso: studies of children

ProvenancePrivate collection, Austria


STUDY FOR PORTRAIT OF FRITZA RIEDLER, around 1904Black chalk on paper, 17.7 x 12.6 inchverso: Estate stamp

ProvenanceR. Zimpel collection. - Felix Landau Gallery, Los Angeles, c. 1950-55. - Felix Landau Collection. - Private collection, Vienna


STUDY FOR PORTRAIT OF FRITZA RIEDLER, around 1904Black chalk on paper, 17.6 x 12.4 inch

ProvenanceNeumeister, Munich 25 May 1991 (lot 183) - Private collection, Vienna


SEATED FEMALE NUDE, VIEWED FROM THE BACK, STUDY FOR "THE VIRGIN", 1911-12Pencil on paper, 22.3 x 14.6 inchInscribed by Hermine Klimt



SEATED, LONG-HAIRED NUDE, STUDY FOR "ADAM AND EVE", around 1917Pencil on paper, 22 x 14.8 inchEstate stamp at lower right

ProvenanceEstate of Fay Shwader, Denver, Colorado


SEATED NUDE, VIEWED FROM THE FRONT, around 1910Blue crayon on paper, 22 x 14.6 inchVerso inscribed: von Gustav Klimt gezeichnet Georg Klimt



RECLINING SEMI-NUDE TO THE RIGHT, STUDY FOR "THE BRIDE", 1917-18Pencil on paper, 14.5 x 22.1 inchSigned at lower right: Gustav Klimt

ProvenanceGalerie Kornfeld, Bern 1984. - Fischer Fine Art, London. - Private collection, New York


SEMI-NUDE WITH ARMS CROSSED OVER THE HEAD, 1914/15Pencil on paper, 21.5 x 14.2 inchEstate stamp at lower right: GUSTAV | KLIMT | NACHLASS

ProvenanceJohann Georg, Prince de Saxe. - Private collection, Switzerland


SEMI-RECLINING FEMALE NUDE IN BACK VIEW, around 1912Pencil on paper, 22 x 14.4 inchestate stamp at lower right

ProvenanceThe artist's estate. - 235. Neumeister Auction, Munich, 17.9.1986, Lot no. 854. - Private collection, Vienna. - Privatecollection, Italy


TRACING FOR ORNAMENTAL BORDER OF THE PUBLIC EULOGY ADDRESSED TO KARL VON HASENAUER, 1888-89Pencil on tracing paper, 15.7 x 11.8 inch



SKETCHES FOR "IRRLICHTER", 1899-1900black crayon on paper, 17.9 x 12.4 inchverso: cat. rais. no. 711 (Composition sketches with figure of nike and sketches with a female head)



ANGEL HOLDING A MIRROR, AND CHILD DRESSED AS A WOMAN, 1881-82Pencil, pen and wash on paper, 3.5 x 8.1 inchinscribed on plate "Mode", small ornament on left marginverso: Estate stamp (Sammlung R. Zimpel)



ANGEL HOLDING A MIRROR, AND CHILD DRESSED AS A WOMAN, 1881-82Pen and wash on paper, 2.9 x 6.2 inchsigned at lower right: G KLIMT.Verso: Estate Stamp (Sammlung R. Zimpel)



STANDING PREGNANT WOMAN, STUDY IN CONNECTION WITH "HOPE II", 1907-08Red crayon on paper, 22 x 14.6 inchEstate stamp at lower right: GUSTAV / KLIMT / NACHLASS



STANDING FEMALE NUDE, STUDY FOR "PALLAS ATHENE", around 1898Pencil on paper, 18 x 12 inch

ProvenanceEstate of Fay Shwayder, Denver, Colorado


STUDIES FOR "TIMES OF THE DAY" (DIE TAGESZEITEN), 1881Pencil, pen and brown ink on paper, 17.5 x 16.3 inchinscribed: GirardiVerso: Study for the reclining figure of "Nacht"Estate Stamp (Sammlung R. Zimpel) on both papers



STUDY FOR PORTRAIT OF AMALIE ZUCKERKANDL, 1913-14Pencil on paper, 19.7 x 14.8 inchmarked at lower right: Estate of my brother Gustav Klimt

ProvenanceJohanna Staude, Vienna. - Auction W. Ketterer, Munich. - Private collection, England. - Private collection, Vienna


STUDY FOR THE PORTRAIT OF MÄDA PRIMAVESI, 1912-13Pencil on paper, 22 x 14.4 inch

ProvenanceFelix Landau Gallery, Los Angeles. - Private collection, Los Angeles


STUDY FOR AN UNREALISED PORTRAIT OF MAGDA MAUTNER-MARKHOF, 1904-05Black chalk on paper, 21.7 x 13.8 inchestate stamp at lower right



STUDIES FOR GIRL SEEN IN THE BACKGROUND OF DANCE, PAINTED FOR THE CEILING OF THE THEATRE IN KARLSBAD,1885Black chalk with white chalk heightening on paper, 17.7 x 12.4 inchVerso inscribed with number "2058"Estate stamp (Sammlung R. Zimpel)



BOW AND ARROW, STUDIES FOR DANCE, PAINTED FOR THE CEILING OF THE THEATRE IN KARLSBAD, 1885Pencil with white chalk heightening on paper, 17.7 x 12.2 inch

ProvenanceR. Zimpel Collection. - Fleix Landau Gallery c. 1950-55. - Felix Landau Collection, Los Angeles. - Private collection,Switzerland


STANDING NUDE LEANING FORWARDS, 1904Pencil on paper, 21.7 x 13.8 inchInscribed at lower left: 4214 | Privatbesitz 25



STANDING FEMALE NUDE LEANING FORWARD TO PULL ON STOCKING, 1908-09Pencil on paper, 21.5 x 13.8 inchEstate stamp on the verso: GUSTAV | KLIMT | NACHLASS



FEMALE FIGURE IN A LONG GOWN, STUDY FOR "SACRED AND PROFANE MUSIC", 1896Black crayon on paper, 17.6 x 12.5 inchVerso: Study of a seated clothed figureInscribed on the verso: Nachlaß meines Bruders Gustav. Hermine Klimt

ProvenanceSerge Sabarsky Gallery, New York. - Shepherd Gallery, New York. - Galerie Ariadne, Vienna. - Private collection, Germany


STUDY FOR THE FIGURE OF “JUSTICE” IN JURISPRUDENCE, around 1903Black crayon on paper, 17.7 x 12.4 inchEstate stamp at lower rightInscribed at lower right: 303

ProvenanceFischer Fine Art, London. - Galerie St. Etienne, New York. - Francis L. Pagani, Jr., USA


RECLINING FEMALE SEMI-NUDE WITH LEGS DRAWN UP TO HER LEFT, 1914-15Pencil on paper, 22.3 x 14.7 inchEstate stamp at lower left



HAND OF A VIOLINIST, STUDIES FOR THE PAINTED CEILING OF THE THEATRE IN KARLSBAD, 1885black chalk with white chalk heightening on paper, 17.7 x 12.2 inch

ProvenanceR. Zimpel Collection. - Felix Landau Gallery, Los Angeles. - Felix Landau Collection


TWO SEATED NUDES, VIEWED FROM THE BACK, STUDY FOR "THE VIRGIN", 1911-12Pencil on cream wove paper, 22.5 x 14.8 inch



KNEELING SEMI-NUDE, STUDY FOR "THE BRIDE", 1917-18Pencil on paper, 19.7 x 12.8 inchEstate stamp at lower right

ProvenanceHelene Popper Collection, Montreux. - Dr. W. G. Fischer Collection, London


PORTRAIT OF A YOUNG WOMAN IN A TALL HAT, around 1916Pencil on paper, 22 x 14.7 inch

ProvenanceWally Wieselthier collection. - Dr. Paul Goldscheider collection, London. - Private collection, London


RECLINING SEMI-NUDE, STUDY FOR "THE VIRGIN", 1911-12Blue crayon on paper, 22 x 14.6 inch


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FEMALE NUDE RECLINING ON HER STOMACH, STUDY FOR …