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8/14/2019 Female Dress - English & American Stays
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English (or European) Stays & Stomacher
c. 1620 - 1640(Manchester Art Gallery)
8/14/2019 Female Dress - English & American Stays
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English Silk & Linen Stays with Busk & Sleeves (Front)
c. 1660 - 1670(Victoria & Albert Museum)
8/14/2019 Female Dress - English & American Stays
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English Silk & Linen Stays with Busk & Sleeves (Back)
c. 1660 - 1670(Victoria & Albert Museum)
8/14/2019 Female Dress - English & American Stays
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English Silk & Linen Stays with Busk & Sleeves (Back)
c. 1660 - 1670(Victoria & Albert Museum)
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English Silk, Linen, Metal, & Paper StaysEarly 18th Century
(The Metropolitan Museum of Art)
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8/14/2019 Female Dress - English & American Stays
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English Silk, Linen, Metal, & Paper StaysEarly 18th Century
(The Metropolitan Museum of Art)
8/14/2019 Female Dress - English & American Stays
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English Wool & Linen Staysc. 1730 - 1740
(Victoria & Albert Museum)
8/14/2019 Female Dress - English & American Stays
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English Staysc. 1730 - 1740
(Los Angeles County Museum of Art)
8/14/2019 Female Dress - English & American Stays
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English Linen Stays
c. 1760 - 1780(York Museums Trust)
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8/14/2019 Female Dress - English & American Stays
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English or American Stays of Wool and Linenc. 1765 - 1770
(Memorial Hall Museum)
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English or American Stays of Wool and Linenc. 1765 - 1770
(Memorial Hall Museum)
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English or American Stays of Wool and Linenc. 1765 - 1770
(Memorial Hall Museum)
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English Stays2nd Half 18th Century
(Sta!ordshire Past Track)
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English Silk Damask Stays (Front)c. 1770 - 1790
(Victoria & Albert Museum)
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English Silk Damask Stays (Front)c. 1770 - 1790
(Victoria & Albert Museum)
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English Silk Stays (Front)c. 1775 - 1785
(Metropolitan Museum of Art)
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8/14/2019 Female Dress - English & American Stays
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English or American Canvas Stays Sti!ened with Paste
c. 1775(Missouri History Museum)
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English Stays
c. 1770s(Snowhill Costume Collection at Berrington Hall - National Trust)
8/14/2019 Female Dress - English & American Stays
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English Stays
c. 1770s(Snowhill Costume Collection at Berrington Hall - National Trust)
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English Stays
c. 1770s(Snowhill Costume Collection at Berrington Hall - National Trust)
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English Stays
c. 1770s(Snowhill Costume Collection at Berrington Hall - National Trust)
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English Stays
c. 1770s(Snowhill Costume Collection at Berrington Hall - National Trust)
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English Stays
c. 1770s(Snowhill Costume Collection at Berrington Hall - National Trust)
8/14/2019 Female Dress - English & American Stays
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English Stays
c. 1770s(Snowhill Costume Collection at Berrington Hall - National Trust)
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English Stays
c. 1770s(Snowhill Costume Collection at Berrington Hall - National Trust)
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English Stays
c. 1770s(Snowhill Costume Collection at Berrington Hall - National Trust)
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English Stays
c. 1770s(Snowhill Costume Collection at Berrington Hall - National Trust)
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The Stays Recreated
http://augustintytar.blogspot.com
http://augustintytar.blogspot.com/http://augustintytar.blogspot.com/http://augustintytar.blogspot.com/8/14/2019 Female Dress - English & American Stays
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The Stays Recreated
http://augustintytar.blogspot.com
http://augustintytar.blogspot.com/http://augustintytar.blogspot.com/http://augustintytar.blogspot.com/8/14/2019 Female Dress - English & American Stays
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English Linen Stays (Front)c. 1780 - 1789
(Victoria & Albert Museum)
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English Staysc. 1780 - 1789
(Metropolitan Museum of Art)
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English Linen Stays (Back)c. 1780 - 1789
(Victoria & Albert Museum)
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English Staysc. 1780
(Museum of Fashion)
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English or American Glazed Wool Stays with Checked Linen Liningc. 1725 - 1750
(Philadelphia Museum of Art)
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English or American Glazed Wool StaysMid 18th Century
(Philadelphia Museum of Art)
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English or American Worsted Wool Staysc. 1760 - 1770
(Colonial Williamsburg)
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American Linen, Cotton, & Whalebone Stays1st Quarter 18th Century
(The Metropolitan Museum of Art)
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American Linen Staysc 1740 - 1760
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American Linen Staysc 1740 - 1760
8/14/2019 Female Dress - English & American Stays
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Stays from Massachusetts or New Yorkc. 1740 - 1760
(Museum of Fine Arts, Boston)
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American Linen, Leather & Whalebone Stays (Front)c. 1740 - 176
(The Metropolitan Museum of Art)
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American Linen, Leather & Whalebone Stays (Back)c. 1740 - 176
(The Metropolitan Museum of Art)
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American Linen Stays (Front)c. 1750 - 1775
(Metropolitan Museum of Art)
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American Cotton Stays (Back)c. 1750 - 1775
(Metropolitan Museum of Art)
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Wool and Linen StaysMid 18th Century
(Private Collection)
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Wool and Linen StaysMid 18th Century
(Private Collection)
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Wool and Linen StaysMid 18th Century
(Private Collection)
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American Rose Colored Wool Stays lined in Blue & Bu!Check
c. 1760 - 1780
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A Recreated Stay-maker and His Apprentice fit a Young Woman for Stays in Williamsburg, Virginia
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"These stays were worn the first time Jan 14th 1779 by Miss Susanna Lincoln of Tauntonon her Wedding day contributed by Mrs. Park."
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American Linen Stays Lined with a Checked Linenc. 1750
(Vintage Textile)
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American Linen Stays Lined with a Checked Linenc. 1750
(Vintage Textile)
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American Cotton and Linen Stays3rd Quarter 18th Century
(Museum of Fine Arts, Boston)
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American Wool, Leather, Linen and Reed Stays (Front)c. 1780
(Metropolitan Museum of Art)
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American Wool, Leather, Linen and Reed Stays (Back)c. 1780
(Metropolitan Museum of Art)
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American Linen & Wood Stays (Front)Late 18th Century
(Metropolitan Museum of Art)
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American Linen & Wood Stays (Back)Late 18th Century
(Metropolitan Museum of Art)
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American Linen & Wood Stays (Back)Late 18th Century
(Metropolitan Museum of Art)
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American (or European) Silk Stays (Front)18th Century
(Metropolitan Museum of Art)
8/14/2019 Female Dress - English & American Stays
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American (or European) Silk Stays (Back)18th Century
(Metropolitan Museum of Art)
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American (or European) Silk Stays18th Century
(Metropolitan Museum of Art)
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American (or European) Silk Stays18th Century
(The Museum Institute)
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American (or European) Silk Stays18th Century
(The Museum Institute)
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Brown Cotton Corset (Front)c. 1780 - 1789
(Metropolitan Museum of Art)
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Brown Cotton Corset (Back)c. 1780 - 1789
(Metropolitan Museum of Art)
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Linen Stays4th Quarter 18th Century
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Cotton & Silk Stays (Back)18th Century
(Metropolitan Museum of Art)
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Stays
18th Century
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Silk Stays (Front)c. 1785
(McCord Museum)
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Silk Stays (Front)c. 1785
(McCord Museum)
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Silk Stays (Back)c. 1785
(McCord Museum)
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Brown Cotton & Linen Staysc. 1786
(Collection of Karen Augusta)
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The Ingenious and Diverting Love Letters in HieroglyphicksBeing the Country Assembly's Answer to the Hampton Courtiers Letter
by Andrew Johnston and William Taylor c. 1700 - 1710
"Vain pragmaticall man, The style and assurance of your epistle shows you a daring bogtrotter,what earnest of ye lady's heart could induce you to fancy your famous party and as you believehandsome overtures would be cordially received You are a great bear for your pains too [knave
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The Ingenious and Diverting Love Letters in HieroglyphicksBeing the Country Assembly's Answer to the Hampton Courtiers Letter
by Andrew Johnston and William Taylor c. 1700 - 1710
handsome overtures would be cordially received. You are a great bear for your pains, too [knavepaired?] and lunatic, [straw bed, owl pot a ge?], Bedlam, and iron bars is what you want; [urinal/flask?] clothes her hatred, esteemed nor regarded of a (?) The Tonbridge rake that begun this follyis a danmed liar and prevaricator, two nonesuch violents not to be uttered on a spinster, awelshman but she made address to defend herself and waived entering fool's paradise soridiculously. On that he charitably belies Mr J-n nobody knows wherefor, but ye scandal would notstick. Ye post staysso I can only beg you repent be content confess your treacheries and we shallbecome your admirers. To show [basket?] Abel Burnet, Martin Palfrey, Millicent Fane, RoseCage, Bridget Cooper.
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F(renc)H Pacification or the Q(uee)N of H(ungar)Y Striptby Nathaniel Parr 1742
(The British Museum)
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F(renc)H Pacification or the Q(uee)N of H(ungar)Y Striptby Nathaniel Parr 1742
(The British Museum)
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Marriage la Mode
by William Hogarth c. 1743 - 1745
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The Stay Makerby William Hogarth c. 1745
(Tate Gallery of Art)
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The Stay Makerby Joseph Haynes after William Hogarth 1782
(Tate Gallery of Art)
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Marriage A la Mode Plate V: The Bagnioby Ravenet after Hogarth 1745
(The British Museum)
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The Beauty of the S Curve or Line of Beauty in a Furniture Leg & the Female FormThe Analysis of Beauty. Written with a View of Fixing the Fluctuating Ideas of Taste.
by William Hogarth, printed in London by J. Reeves 1753
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At Sandpit Gate
by Paul Sandby c. 1765
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Two Girls Seated (England)by Paul Sandby c. 1765
(Yale Center for British Art)
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A late SCENE at BARNET.London c. 1770
(Lewis Walpole Library)
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The PROTECTING MACARONIby M. Darly 1770
(The British Museum)
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The PROTECTING MACARONIby M. Darly 1770
(The British Museum)
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The WHALE BONE MACARONI.by M.Darly 1772
(The British Museum)
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The WHALE BONE MACARONI.by M.Darly 1772
(The British Museum)
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The Lovely SARCARISSA dressing for the PANTHEONattributed to Phillip Dawe 1772
(The British Museum)
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THE OLD FREE METHOD of ROUZING a BROTHER SPORTMANby Carington Bowles c. 1772 - 1773
(The British Museum)
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THE OLD FREE METHOD of ROUZING a BROTHER SPORTMANby Carington Bowles c. 1772 - 1773
(The British Museum)
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"The Benevolent Cottager"after Francis Wheatley c. 1775(City of London Corporation)
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TIGHT LACING, or FASHION before EASE.by John Collet 1777
(The British Museum)
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TIGHT LACING, or FASHION before EASE.by John Collet 1777
(The British Museum)
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TIGHT LACING or Hold Fast BEHINDby M. Darly 1777
(Lewis Walpole Library)
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TIGHT LACING or Hold Fast BEHINDby M. Darly 1777
(Lewis Walpole Library)
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TIGHT LACING or the COBLERS WIFE in the FASHIONby William Hitchcock 1777
(Lewis Walpole Library)
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TIGHT LACING or the COBLERS WIFE in the FASHIONby William Hitchcock 1777
(The British Museum)
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BATH STAYS OR THE LADYS STEEL SHAPES.by M. Darly 1777
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The LIBERTY of the SUBJECTby W. Humphrey 1779
(National Portrait Gallery)
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The LIBERTY of the SUBJECTby W. Humphrey 1779
(National Portrait Gallery)
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The LIBERTY of the SUBJECTby W. Humphrey 1779
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The LIBERTY of the SUBJECTby W. Humphrey 1779
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An ACTRESS at her Toilet, or MISS BRAZEN just BREECHTPrinted by CARRINGTON BOWLES after John Collet 1779
(The British Museum)
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An ACTRESS at her Toilet, or MISS BRAZEN just BREECHTPrinted by CARRINGTON BOWLES after John Collet 1779
(The British Museum)
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An ACTRESS at her Toilet, or MISS BRAZEN just BREECHTPrinted by CARRINGTON BOWLES after John Collet 1779
(The British Museum)
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FIELDINGS MYRMIDONS Spoiling BOB BOOTYS MORNING DRAUGHTby Carington Bowles after John Collet 1781
(The British Museum)
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FIELDINGS MYRMIDONS Spoiling BOB BOOTYS MORNING DRAUGHTby Carington Bowles after John Collet 1781
(The British Museum)
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Mr. Justice Thumb in the Act of Flagellation.by Anonymous 1782
(The British Museum)
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Mr. Justice Thumb in the Act of Flagellation.by Anonymous 1782
(The British Museum)
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Mr. Justice Thumb in the Act of Flagellation.by Anonymous 1782
(The British Museum)
a Husband may Chastize his Wifewith a Stick the Size of his thumb.
COKE
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Sir Richard Worse-than-sly, exposing his wifes bottom; o fye!by James Gillray, Published by William Humphrey 1782
(The British Museum)
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Sir Richard Worse-than-sly, exposing his wifes bottom; o fye!by James Gillray, Published by William Humphrey 1782
(The British Museum)
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The STAY MAKER taking a PLEASING CIRCUMFERENCEPrinted by Bowles and Carver 1784
(The British Museum)
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The STAY MAKER taking a PLEASING CIRCUMFERENCEPrinted by Bowles and Carver 1784
(Colonial Williamsburg)
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The Rat Trapby Francis Wheatley 1786
(Christies Auction House)
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The Rustic Loverby Francis Wheatley 1786
(Yale Center for British Art)
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The Rustic Loverby Francis Wheatley 1786
(Yale Center for British Art)
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Childs Stays of Linen & Whalebonec. 1700 - 1750
(Fashion Museum)
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English or American Childs Stays of Green Woolc. 1740 - 1760
(Colonial Williamsburg)
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A Childs Stays Sti!ened with Cardboardc. 1760 - 1790
(Memorial Hall Museum)
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New York MercuryApril 29, 1765
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Childs Stays of Linen & Leather c. 1770
(Philadelphia Museum of Art)
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The Family of Archibald Bulloch, Governor of Georgia who Fought in the Revolutionby Henry Benbridge, 1775
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English Silk Childs Staysc 1775
(Colonial Williamsburg)
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American Childs Stays (For a Child 18 - 24 Months of Age)c. 1770 - 1790
(Philadelphia Museum of Art)
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American Childs Stays of Linen & Baleenc. 1700 - 1799
(Metropolitan Museum of Art)
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Recreated Childs Stays(Photo: twonerdyhistorygirls.blogspot)
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New York Mercury AdvertisementJuly 7, 1760
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New York Mercury AdvertisementMay 5, 1766
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Boston Evening Post AdvertisementApril 3, 1768
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Newport Mercury AdvertisementMay 8, 1769
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Providence GazetteJanuary 4, 1772
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Pennsylvania Chronicle AdvertisementSeptember 22, 1772
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Trade Card of Tho. Hopton, Stay Maker & Haberdasherc. 1758
(Lewis Walpole Library)
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London Trade Card of Jane Batchs Warehouse c. 1733 - 1769... night gowns, English & French hoops, childrens coats, stays & all sorts of quilted coats.
(Lewis Walpole Library)
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London Trade Card of S. Underwood, Milliner and Haberdasher c. 1746... work'd waistcoats, & boned waistcoats...
(Lewis Walpole Library)
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London Trade Card of Elizabeth Dawes, Millner c. 1733 - 1769Childrens Stays__________
(Lewis Walpole Library)
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Westminster Trade Card of Rupert Atkinson, Linnen Draper & Haberdasher c. 1733 - 1769...childrens blankets, flannell peticoats, dimitty coats & stays...
(Lewis Walpole Library)
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London Trade Card of Isaac Rimington, Haberdasher c. 1733 - 1769...childrens stays...
(Lewis Walpole Library)
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English Embroidered Cotton Staysc. 1790
(Victoria & Albert Museum)
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To Mr. Holland (an Account of the Death of Mrs. ANNA DAVIS)by William Holland 1791(The British Museum)
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To Mr. Holland (an Account of the Death of Mrs. ANNA DAVIS)by William Holland 1791(The British Museum)
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PATENT BOLSTERS:...Le moyen d'etre en-bon-point.by James Gillray, published by Hannah Humphrey 1791
(The British Museum)
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The DEVIL to PAY: __ The Wife Metamorphosd, or NEPTUNE reposing after Fording the Jordanby James Gillray, published by Hannah Humphrey 1791
(The British Museum)
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GETTING the Length of the DUCHESSs footby Isaac Cruikshank, published by S.W. Fores 1791
(The British Museum)
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THE LAST SHIFTby Carington Bowles c. 1793
(The British Museum)
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THE LAST SHIFTby Carington Bowles c. 1793
(The British Museum)
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BRITANNIA in FRENCH STAYS.by James Gillray, published by Hannah Humphrey 1793
(The British Museum)
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Any Cotton Laces or Garters 1742Paul Sandby
(Yale Center for British Art)
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In support of her application, Elijah Runion (pension application
R9079) 78, deposed that he was present at the marriage of PeterMcCune to Christianna, daughter of Adam Obrian, that Runionhimself had married a widow with a daughter two or three years old.He added that the appearance of the bride at the time she wasmarried was that of a verry young girl, he says that he recollects
Joking her on the occasion, and told her to roll up somehandkerchiefs and put in her bosom to give appearance of breasts.
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Feel Free to Contact the 18th Century Material Culture Resource Center for Authenticity Inspection Services
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For additional information on 18th Century Stays, please visit the wonderful blog run by Hallie
Larkin at:
http://18thcstays.blogspot.com
The 18th Century Material Culture Resource Center is indebted to folks like Hallie, StephanieSmith, Sharon Burnston, Victoria Leigh Rebal Brenckle, Rebecca Fifield, and others like themfor their many contributions to the study of female 18th century material culture. Their
enthusiasm always gives us the inspiration to do ongoing research on 18th century life. All of theNewspaper advertisements shown in this slideshow were found by Hallie.
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The material contained within these slideshows is presented for educational purposes only. The18th Century Material Culture Resource Center does not personally own any of the itemsdepicted herein and is indebted to the countless museums, libraries, and private collectors whowillingly share their collections with the public through the internet. Every attempt has been
made to credit these organizations and individuals for their contributions as best as possible.
If there is a question you have regarding a particular item featured within a presentation, pleasecontact the 18th Century Material Culture Resource Center and we will try to answer yourinquiry as best as possible. If for any reason you feel there is any item that should not bepresented here, or if there is an error in any listing, or if you know the source for any item whosecredit is unknown please inform us and we will make sure your concern is addressed as soon as