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February 2017
This Mirvish theatre proudly serves wine from Peller Estates.
Niagara Wine Country is closer than you
might think.
DAVID MIRVISHPresents
A production
By KEVIN ELYOTDirected by JOEL GREENBERG
with
TIM FUNNELLALEX FURBER
MARTIN HAPPERJEFF MILLER
GRAY POWELLJONATHAN WILSON
Set & Costume Designer
JOHN THOMPSON
Lighting Designer
KIMBERLY PURTELL
Sound Designer
GARTH HELM
Stage Manager Assistant Stage Manager
LAURA BAXTER BRADLEY DUNN
Contains mature content, strong language and nudity.
My Night With Reg is produced by special arrangement
with DRAMATIC PUBLISHING, Woodstock, Illinois.
4 mirvish.com
A B O U T S T U D I O 1 8 0 T H E A T R E
T H E O F F - M I R V I S H S E R I E S
IN AUGUST 2012 DAVID MIRVISH SAW A
wonderful production of an Irish play called
Terminus at the annual SummerWorks
Theatre Festival. The production was
playing for only a few performances in a
venue that held no more than 30 people. He
thought it was a shame that more people
could not have a chance to see it, so he did
something quite unusual and extraordinary.
He found a way to make the stage of
the Royal Alexandra Theatre a black-box
theatre seating 200 people with the playing
area located in front of the empty historic
auditorium of 1,500 seats.
As well, for many years David was
searching for a way to showcase the wealth
and breadth of Toronto's theatre community
and to bring its work to a larger audience.
He also wanted to bring acclaimed and
important international shows that share
a commitment to artistic excellence, and
an exploration of language, action and
ideas that are challenging, innovative and
provocative. These shows often would not be
appropriate to play 1,500 or 2,000 seats; but
at 700 seats, the Panasonic Theatre is an ideal
size for this kind of work.
This is how the Off-Mirvish season began.
The inaugural season in 2012-13 included
Terminus from Outside the March company,
Anthony Rapp in Without You, Studio 180’s
production of the Pulitzer Prize-winning
Clybourne Park and Mary Walsh in Dancing
With Rage.
Subsequent seasons included the Tony
Award-winning comedy God of Carnage (from
Studio 180), The Two Worlds of Charlie F., George
F. Walker’s Dead Metaphor, Buyer & Cellar, Rick
Miller’s Boom, the Tony Award-winning Vanya
& Sonia & Masha & Spike, Seminar starring
Tom McCamus, BigMouth and the Pulitzer
Prize-winning drama Disgraced.
This season’s lineup began with Fight
Night, continues with My Night With Reg (from
Studio 180) and ends with Why Not Theatre’s
award-winning production of Butcher.
SINCE OUR FIRST DAYS, STUDIO 180 THEATRE
has been introducing Toronto audiences
to socially relevant theatre that provokes
public discourse and promotes community
engagement. We produce plays — often
Canadian or North American premieres
of renowned international works — that
tackle difficult issues and generate powerful
audience responses.
Studio 180 began life in March of 2002,
when its five co-founders came together to
present the Canadian premiere of The Laramie
Project (2003). In 2009, we first partnered
with Mirvish Productions to present Stuff
Happens. We helped launch OFF-MIRVISH
in 2012/13 with our production of Clybourne
Park, and returned in 2013/14 with God of
Carnage. We’re very pleased to be back again
this season.
Studio 180 now produces up to two
large-scale shows per season, and runs
Studio 180 IN CLASS, an innovative
education program that takes our work into
high school classrooms, and Studio 180 IN
DEVELOPMENT, giving theatre creators a
helping hand as they develop new work.
Visit studio180theatre.com for more about
our organization.
mirvish.com 5
T H E C A S T
Photography and the videotaping or other video or audio recordingsof this production are strictly prohibited.
Bernie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TIM FUNNELL
Eric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ALEX FURBER
Benny. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARTIN HAPPER
Daniel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEFF MILLER
John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GRAY POWELL
Guy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .JONATHAN WILSON
T H E C O M P A N Y
TIM FUNNELLBernieFor Studio 180: Debut.
Elsewhere: Grey Gardens,
Reframed (Acting Up Stage);
Anything Goes (Drayton
Entertainment); Life After (Life After
Collective); The Nether, The Big Sleep, And
Then There Were None (Theatre Aquarius);
City of Angels (Theatre by the Bay); Dee
Snider’s Rock and Roll Christmas Tale (Starvox
Entertainment); Colours in the Storm (Grand
Theatre London, Spring 2017). UK/West End:
Tonight’s the Night – The Rod Stewart Musical;
Billy Elliott the Musical (West End and US/
Canadian tour); An Inspector Calls, Twelfth
Night, She Stoops to Conquer/A Laughing
Matter (National Theatre). TV: Lawmen
(American Heroes), Camp X (Yap Films),
See No Evil (Discovery Channel), Handsome
Devils (Slice TV), Think You Can Shrink? (Web
Series), Treasures Decoded (History Channel).
Training: The Guildhall School of Music and
Drama. Tim would like to thank everyone
at Studio 180 and Mirvish Productions for
inviting him to be part of this wonderful
piece. Twitter: @timfunnell
ALEX FURBEREricFor Studio 180: Debut.
Other credits include Albert
Narracott in Warhorse
(Mirvish Productions);
Brighton Beach Memoirs, Marathon of Hope
(Drayton); Jitters (Soulpepper); Gilbert Blythe
in Anne & Gilbert (National Arts Centre); Red
(Sudbury Theatre Centre); Cliff Bradshaw
in Cabaret (Royal Manitoba Theatre Centre);
Macbeth (Shakespeare Bash’d); Lion in Winter,
The Rainmaker (Watermark); Romeo and
Juliet (Theatre New Brunswick); Taming of
the Shrew (Theatre by the Bay); Romeo and
Juliet (Resurgence). Film/TV: Reign, Murdoch
Mysteries, Mayday, Flashpoint, The Conspiracy.
Alex graduated from The National Theatre
School of Canada. Twitter: @alexfurber
6 mirvish.com
MARTIN HAPPERBennyFor Studio 180: The Normal
Heart. Most rece ntly:
Engaged and A Woman
of No Importance (Shaw
Festival). In Toronto: Arcadia (Shaw/
Mirvish), The Happy Woman (Nightwood),
Theory (SummerWorks) and A Boy Called
Newfoundland (TheatreSmash). Elsewhere:
Eleven seasons at Shaw, including Black
Stache in Peter and the Starcatcher, world
premiere of Michel Marc Bouchard’s The
Divine: A Play for Sarah Bernhardt, Arcadia,
Lady Windermere’s Fan, and tours of Belle
Moral (National Arts Centre) and Saint Joan
(Chicago Shakespeare Theater); One Man Two
Guvnors, The 39 Steps, Age of Arousal (Arts
Club); Clybourne Park (Sterling Nomination –
Citadel Theatre); The 39 Steps (Chemainus
Theatre Festival); Thy Neighbour’s Wife
(Theatre NorthWest); Canadian premiere
of Vincent in Brixton (Theatre Network); two
seasons with Free Will Shakespeare Festival.
TV: Mayday, Murdoch Mysteries, Sue Thomas
F.B. Eye, The Eleventh Hour, Breaker High.
Upcoming: Dracula and The Madness of George
III (Shaw).
JEFF MILLERDanielFor Studio 180: Cock, The
Normal Heart, The Arab-Israeli
Cookbook, The Laramie Project.
Other theatre includes
Hana’s Suitcase, To Kill a Mockingbird, Reading
the Signs, Liars (Young People’s Theatre);
Same Time Next Year, Half-Life, Rabbit Hole,
Leading Ladies (Sudbury Theatre Centre);
Steven Gallagher’s Craplicker (Toronto
Fringe 2010); Mike McPhaden’s Poochwater,
Sean Reycraft’s One Good Marriage (Theatre
Passe Muraille); King Lear (Walking Shadow
Theatre); Stones in His Pockets, Picasso at the
Lapin Agile, Rumors, The Petrifi ed Forest, Moon
Over Buffalo (Nipissing Stage); Communicating
Doors (Magnus Theatre); The Othello Project
(Florida Shakespeare Theater); Love! Valour!
Compassion!, Twilight of the Golds (Boston
Speakeasy Theater); and The Lisbon Traviata
(Boston Triangle Theater). TV credits include
roles on Good Witch, The Strain, Man Seeking
Woman and Queer as Folk.
GRAY POWELLJohnFor Studio 180: Debut.
Selected credits: Arcadia
(Mirvish Productions);
Engaged, Mrs. Warren’s
Profession, The Intelligent Homosexual’s Guide…,
You Never Can Tell, Arcadia, Cabaret, Cat on
a Hot Tin Roof, Hedda Gabler, Born Yesterday,
The Circle (Shaw Festival); The 39 Steps
(Lyndesfarne Theatre); This Lime Tree Bower
(Cart/Horse Theatre); Other People’s Children
(Theatre Panik); The Pitman Painters (Theatre
Aquarius); Hamlet Project (Necessary Angel);
Festen (The Company Theatre). Film/TV:
ARQ (Netfl ix), Murdoch Mysteries (CBC), King
(Showcase), Train 48 (Global), Fugitive Pieces
(Serendipity Point Films), Hollywoodland
(Focus Features/Miramax), Kaw (Kaw
Productions). Gray is returning for Shaw’s
2017 season in Saint Joan and Middletown.
JONATHAN WILSONGuyFor Studio 180:
Love, Dishonor..., The Normal
Heart. Past theatre work
includes the Canadian
premiere of The Lion King (Dora Award – The
Princess of Wales Theatre) and performances
in his own play My Own Private Oshawa
(Dora/Chalmers Nomination – Tarragon
Theatre, New Yorker Theatre). Jonathan was
also a writer and performer with The Second
City for six shows (Dora Nomination). Other
theatre credits include The Drowsy Chaperone,
mirvish.com 7
Moonlight and Magnolias (Sudbury Theatre
Centre); The Clockmaker (Thousand Islands
Playhouse); Possible Worlds, The Duchess
(Theatre Passe Muraille); Not To Be Repeated,
Medici Slot Machine (Tarragon Extra Space);
Cinderella (The Elgin Theatre); This Could Be
Love (The Poor Alex); and Annie Get Your Gun
(Massey Hall). Jonathan was also writer in
residence at the Tarragon Theatre in Toronto
where he wrote the play Kilt (Dora/New York
Drama Desk nominations), which has had
over 20 productions around the world.
LAURA BAXTERStage ManagerFor Studio 180: You Will
Remember Me, NSFW, God
of Carnage, Clybourne Park.
Other theatre credits include
Black Boys, The 20th of November, Arigato
Tokyo, Obaaberima, The Maids, The Silicone
Diaries, Breakfast, Neon Nightz (Buddies in
Bad Times Theatre); Tails from the City, The
Public Servant, The Story, Happy Days, All
That Fall, And Up They Flew (Common Boots
Theatre); Elle (Theatre Passe Muraille);
Dirt, Jitters (Soulpepper); Hamlet, All’s Well,
Julius Caesar, Comedy of Errors, As You Like
It, Titus Andronicus, The Taming of the Shrew,
A Midsummer Night’s Dream, The Winter’s
Tale (Canadian Stage Shakespeare in High
Park); Venus in Fur (Canadian Stage); Soliciting
Temptation, More Fine Girls (Tarragon Theatre);
Speaking in Tongues, Festen (The Company
Theatre); A Sleigh Ride Christmas Carol,
Everyone, The Story, Macbeth (Caravan Farm
Theatre); Age of Arousal, Toronto the Good, The
Real McCoy (Factory Theatre).
BRADLEY DUNNAssistant Stage ManagerFor Studio 180: You Will
Remember Me. Other theatre
credits include The Wizard
of Oz (The Grand Theatre);
A Grand Time in the Rapids (Thousand Islands
Playhouse); The Heidi Chronicles, The Odd Couple
(Soulpepper); It’s a Wonderful Life (Theatre
Aquarius); Steel Magnolias, The Gentleman
Clothier, Touch and Go, Stag and Doe (Upper
Canada Playhouse). Bradley is a graduate of
McMaster University and Sheridan College.
T H E C R E A T I V E T E A M
KEVIN ELYOTPlaywrightBorn in Birmingham in 1951,
and educated there at King
Edward’s School and then
at Bristol University, Kevin
Elyot was an actor before becoming a writer.
He won the Samuel Beckett Award for his
first play, Coming Clean (1982), staged by the
Bush Theatre, London. Subsequent stage
work includes a version of Ostrovsky’s Artists
and Admirers (RSC, 1992); My Night With Reg
(Royal Court Theatre, 1994), which was hailed
as “a play of genius” by the Daily Mail, won
the Evening Standard and Laurence Olivier
Awards for Best Comedy and ran for almost
a year in the West End; The Day I Stood Still
(National Theatre, 1998); Mouth to Mouth
(Royal Court, 2001), which also transferred to
the West End; and Forty Winks (Royal Court,
2004). Kevin’s screenplays include Killing
Time (BBC, 1990), which won the Writers’
Guild Award for Best TV Play or Film; an
adaptation of The Moonstone (BBC, 1996); the
film version of My Night With Reg (BBC, 1997);
No Night Is Too Long (2002) adapted from the
novel by Barbara Vine (Ruth Rendell) for BBC
Films/Alliance. He adapted six of Agatha
8 mirvish.com
Christie’s Marple novels as well as three
of her Poirot novels, including the show’s
final episode Curtain. Also 20,000 Streets
Under the Sky (BBC, 2005) adapted from the
novel by Patrick Hamilton; Riot at the Rite
(2005) for the BBC; Clapham Junction (2007),
a film for Darlow Smithson and Channel 4,
starring Rupert Graves, Paul Nicholls and
Luke Treadway; and Christopher and His
Kind (Mammoth Screen/BBC, 2011) based
on Christopher Isherwood’s novel, starring
Matt Smith, Lindsay Duncan, Imogen Poots
and Toby Jones. He died in June 2014 shortly
before the Donmar Warehouse revival of My
Night With Reg.
JOEL GREENBERGDirectorFor Studio 180: You Will
Remember Me, NSFW, Cock,
God of Carnage, Clybourne
Park, The Normal Heart, Our
Class, Parade (director and choreographer),
The Overwhelming, Stuff Happens, Blackbird,
The Arab-Israeli Cookbook, The Laramie Project,
The Passion of the Chris. As performer –
Love, Dishonor, Marry, Die, Cherish, Perish.
Co-founder and Artistic Director. Other
theatre credits include: As director – The
Underdogs, What the Butler Saw (Just For
Laughs, Montreal); Taking Sides (Centaur
Theatre); The House of Blue Leaves, Lend Me a
Tenor, You Can’t Take It with You, A Funny Thing
Happened on the Way to the Forum (Theatre
Aquarius); Vanities (The Grand Theatre).
As director and choreographer – Ain’t
Misbehavin’ (Dora Award); Forbidden Broadway
(Dora Nomination); Bells Are Ringing (Grand);
The Golden Land, The Rothschilds (Winnipeg
Jewish Theatre). As choreographer – seven
productions with Second City in Toronto and
Chicago; She Loves Me (Grand). As playwright
and director – Drink the Mercury (Dora Award)
and The Nuclear Power Show (Chalmers
Playwriting Award) for YPT.
TERRI HAWKESAssistant DirectorFor Studio 180: Debut.
Selected directing credits:
The Realistic Joneses (Tarragon
Theatre – A.D.), Angel Killer
(Geffen Playhouse/UCLA), Blyth Murder
Mystery Theatre (NYC), Midsummer Night’s
Dream (Will Geer Theatricum Botanicum –
A.D.) and upcoming, Hilda’s Yard (Highlands
Summer Festival). As playwright: Rhubarb,
Rhubarb, Rhubarb (Herman Voaden National
Playwriting Finalist). As actor: Off-Broadway –
Tamara (Armoury), The Greenhouse Keeper
(Manhattan Punch Line), Sorrows and
Sons (Vineyard); other – Salt-Water Moon
(Walnut Street), Hey Marilyn (Citadel), Alice
(Theatre Three), Dreaming and Duelling (ATP),
Second City Touring Company, Drink the
Mercury (YPT – Dir. Joel Greenberg), and
Say Hello to Harvey (Royal Alex/Mirvish).
Film/TV: as director – Flying Rhino Jr. High;
as co-director – Sailor Moon, Fourteen; as
screenwriter – The Book of Eve, Anne and
Companion (in development – Elevation
Pictures); as actor – numerous roles (Gemini,
ACTRA & Soap Opera Award nominee).
Other: Hons MFA (UCLA), MA (York), Master
Directing (Tarragon). Supporting women and
youth in the arts: art4you.ca & terrihawkes.ca
GARTH HELMSound DesignerFor Studio 180: Debut.
Regional designs include
October Sky (The Old Globe
Theatre, San Diego); Ride the
Cyclone (MCC at Lucille Lortel, NYC); Beauty
and the Beast, Shrek (Chicago Shakespeare
Theatre); Brigadoon (Goodman Theatre); The
Buddy Holly Story, Evita, Ragtime, Sweeney
Todd, The Sound of Music, Xanadu, Oliver!,
West Side Story, Billy Elliot (Drury Lane
Theatre, Oakbrook); The Most Happy Fella
(Ravinia Festival); Barry Manilow’s Could It Be
mirvish.com 9
Magic? (Mercury Theater). Broadway designs
include Pippin (Tony Nomination for best
sound design) and fi rst national tour, The
Heart of Robin Hood (Winnipeg/Toronto), US
associate sound designer for Rocky the Musical
(Broadway), We Will Rock You “The Queen
Musical” (US Tour & São Paulo, Brazil), Ghost
the Musical (Broadway, US Tour & South Korea),
Les Mis 25th Anniversary Concert (02 Arena,
London & 25th US Tour), Priscilla Queen of the
Desert (Toronto, NYC & US Tour), Dirty Dancing
(US), Phantom “The Las Vegas Spectacular.” Garth
is a sound design consultant for various live
theatre and performance spaces throughout
North America.
KIMBERLY PURTELLLighting DesignerFor Studio 180: You Will
Remember Me; Love, Dishonor,
Marry, Die, Cherish, Perish;
NSFW; Cock; God of Carnage;
Clybourne Park; The Normal Heart; Our Class;
Parade; The Overwhelming; Stuff Happens;
Blackbird. Recent theatre credits include
Sleeping Beauty (Ross Petty Productions); All
But Gone (Necessary Angel); The Watershed
(Crow's/Porte Parole); Breath of Kings:
Rebellion, Breath of Kings: Redemption, Bunny
(Stratford Festival); Mrs. Warren’s Profession,
Our Town (Shaw Festival); Life Refl ected
(National Arts Centre Orchestra); Barber of
Seville (Pacifi c Opera Victoria). Kimberly’s
critically acclaimed theatre, opera and dance
designs have been seen across Canada
and internationally. She is the recipient of
three Dora Awards, a META and the Pauline
McGibbon Award.
JOHN THOMPSONSet & Costume DesignerFor Studio 180: Cock, God
of Carnage, The Normal
Heart, Our Class. John’s
credits include Speaking in
Tongues, The Test, Through the Leaves (Dora
Award), Festen, A Whistle in the Dark, Marion
Bridge (The Company Theatre); Divisadero
(Necessary Angel); The Retreat from Moscow,
The Tempest, The Clean House, A Christmas
Carol, Humble Boy, The Shape of Things
(Royal Manitoba Theatre Centre); Waiting
for Godot, No Man’s Land, The Mill on the
Floss, Betrayal, Twelfth Night, Don Carlos, The
Misanthrope (Soulpepper); The Trials of Ezra
Pound (Stratford Festival); The Pessimist,
Care, Alice’s Affair, Helen’s Necklace, Russell
Hill, Little Mercy’s First Murder, The Good Life,
Skylight, Girl in the Goldfi sh Bowl, Earshot, The
Road to Hell (Tarragon Theatre); Eternal Hydra
(Crow’s Theatre – Dora Award); Caught, Unity
1918, Blood (Theatre Passe Muraille). John
teaches design at the University of Toronto
Drama Centre.
MARY SPYRAKISHead of PropsFor Studio 180: God of Carnage, Clybourne
Park, Stuff Happens. Mary has worked as a
props builder, buyer and coordinator as
well as a set, costume and props designer
since 1986 when she graduated from York
University (Bachelor of Fine Arts). She has
been the Head of Props for The Canadian
Stage Company since 1996. Mary has also
been the Head of Props for Desrosiers Dance
Theatre, The Tarragon Theatre, Theatre
Plus and Young People’s Theatre where
she specialized in puppet building and
prop-costume building. Mary is very excited
to be working with Studio 180 once again!
C. DERRICK CHUACore Artistic TeamA co-founder of Studio 180,
Derrick is an entertainment
lawyer and award-winning
theatre producer. Recent
productions include I’m Doing This for You
(Edinburgh, Amsterdam, London, Tampere,
10 mirvish.com
Piotrowice Nyskie, Halifax, Toronto),
Counting Sheep (Edinburgh), Confessions and
Adventures of a Redheaded Coffeeshop Girl
(Edinburgh, Brighton), Dance Animal (Toronto
Fringe), Obeah Opera (PANAMANIA), The
God That Comes & When It Rains (Edinburgh
Fringe), Oh My Irma (International Tour:
Edinburgh Fringe, Berlin, London, Kosovo,
Ulaanbaatar, Brighton, Amsterdam, Kiel,
New York, Victoria), Fortune and Men’s
Eyes (Dancemakers), Gruesome Playground
Injuries (The Theatre Centre). Derrick is
past-President of the Toronto Fringe Festival,
and sits on the boards of The AFC, Theatre
Museum Canada, fu-Gen Asian Canadian
Theatre Company and Groundling Theatre.
He is the recipient of a Dora Award, a Harold
Award, a NOW Magazine Award as Toronto’s
Best Indie Producer, and a Canadian Actors’
Equity Association Honorary Membership
for Outstanding Contribution to the
Performing Arts.
JESSICA GREENBERGCore Artistic TeamJessica is an actor and artist
educator who has worked
on and off stage with
Studio 180 since 2004. As a
member of the Core Artistic Team, she heads
the company’s education and community
outreach activities including the Studio 180
IN CLASS program. Her experience in
education and childhood development
ranges from leading gymnastics, drama
and music programs for children of all
ages in New York to running drama-based
workshops for high school students and
educators across the GTA. As an actor, Jessica
has performed on stages from Vancouver
to Fredericton, including Studio 180
productions of NSFW, Cock, Our Class, Parade,
Blackbird, Offensive Shadows and The Passion
of the Chris. She received an Honours BA in
political science and women’s studies from
McGill University and trained at Circle in
the Square Theatre School and the Actors
Theatre of Louisville in Kentucky.
MARK MCGRINDERCore Artistic TeamA co-founder of Studio 180,
Mark is an actor, writer, and
artist educator. Selected
Studio 180 credits: The
Laramie Project, Stuff Happens, Our Class,
Parade, The Normal Heart, Clybourne Park,
You Will Remember Me. Mark adapted and
directed David Rakoff’s Love, Dishonor, Marry,
Die, Cherish, Perish for PANAMANIA, and
worked as Associate Director on Studio 180
productions of Blackbird, God of Carnage and
our 10th Anniversary reading of The Laramie
Project. He has also directed readings of The
Christians, Standing on Ceremony: The Gay
Marriage Plays and The Arab-Israeli Cookbook
for the company. Mark has performed in
several reviews with The Second City’s
National Touring Company and was a
member of the Shaw Festival ensemble for
fi ve seasons. He is delighted to currently
be working as an understudy on Mirvish
Productions’ The Audience.
DAVID MIRVISHDavid Mirvish is a Toronto-based theatrical
producer. He owns and operates four
theatres in Toronto — the Royal Alexandra,
the Princess of Wales, the Ed Mirvish and
the Panasonic. Mirvish Productions, a
company founded by Mr. Mirvish in 1986,
has produced plays and musicals for these
and other venues throughout Canada, on
Broadway and in London’s West End. In
addition, Mirvish Productions has presented
more than 500 touring productions in the
city of Toronto.
mirvish.com 11
C R E D I T S & A C K N O W L E D G M E N T S
FOR MY NIGHT WITH REGAssistant Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TERRI HAWKESSound Designer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .GARTH HELMLighting Designer . . . . . . . . . . . . . . . . . . . . . . . . . . KIMBERLY PURTELLSet & Costume Designer. . . . . . . . . . . . . . . . . . . . . . . JOHN THOMPSONHead of Props . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARY SPYRAKISWardrobe Coordinator . . . . . . . . . . . . . . . . . . . . . . ELENA RAKITSKAYADialect Coach . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DIANE PITBLADOScenic Construction . . . . . . . . . . . . . . . . . . . . . . . . .McWOOD STUDIOSCustom Clothing provided by . . . . . . . . . . . . . . . . . . . . . . . . . .KORRY’S
FOR STUDIO 180 THEATRECore Artistic Team . . . . . . . . . . . . JOEL GREENBERG (Artistic Director), DERRICK CHUA, JESSICA GREENBERG, MARK McGRINDERGeneral Manager (on leave) . . . . . . . . . . . . . . . . . . . . LAURA POMEROYInterim General Manager . . . . . . . . . . . . . . . . . . . . . . . GABRIEL ESTRINDirector of Development . . . . . . . . . . . . . . . . . . . . . . . .BYRON ABALOSAssociate Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JENNA HARRISEducation & Outreach Coordinator . . . . . . . . . . . . JESSICA GREENBERGNew Play Development. . . . . . . . . . . . . . . . . . . . . . . MARK McGRINDERPlaywright in Residence . . . . . . . . . . . . . . . . . . . . . . . JASON SHERMAN (supported by the Ontario Arts Council)Print Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KINNON ELLIOTTWeb Developer . . . . . . . . . . . . . . . . . . . . . . . . . . . . LINN ØYEN FARLEYArtist Educators . . . . . . . . . . . . . . . . . . .RAMONA GILMOUR-DARLING, JESSICA GREENBERG, JENNA HARRIS, RYAN KELLY, MARK McGRINDER, JEFF MILLER, KIMWUN PEREHINECEducation Advisory Committee . . . . . . . . . . .ANNE LOUISE BANNON, CHRISTINE CORLEY, PATTY JARVIS, LESLEY KEANE, AMANDA KENNEDY, MARSHA LEGAULT, MICHAEL LIMERICK, SHELLY MEICHENBAUM, JEFF STEVENSONAdvisory Committee. . . . . . . . RICHARD ARCHBOLD, COLLEEN BLAKE, GWEN HARVEY, ALLEN MacINNIS, NADA RISTICH, DAVID STAINES, NOREEN TAYLOR, ELEANOR WACHTEL, HELEN ZUKERMAN
Studio 180 Theatre’s Board of DirectorsLINDA BARNETT (Chair)
PETER MOSS (Vice-Chair)DAVID JACHIMOWICZ (Secretary)
RICHARD HARVEY (Treasurer)ALESSANDRO BOZZELLI, ELLEN TERRY COLE, MATTHEW EMEK,
FAYE JONES, HELGI MAKI, KAREN SIHRA
Studio 180 Theatre engages, under the terms of the Independent Theatre Agreement, professional artists who are
members of Canadian Actors’ Equity Association.
Studio 180 Theatre is a member of the Toronto Alliance for the Performing Arts.
FOR MIRVISH PRODUCTIONSProducer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVID MIRVISHExecutive Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRIAN SEWELLManaging Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DAVID MUCCIDirector of Finance . . . . . . . . . . . . . . . . . . . . . . . . . CAMILLO CASCIATODirector of Sales & Marketing . . . . . . . . . . . . . . JOHN KARASTAMATISDirector of Development . . . . . . . . . . . . . . . . . . . . . . KELLY ROBINSONDirector of Production . . . . . . . . . . . . . . . . . . . . . . . . . SCOT WHITHAMDirector of Labour Relations & Business Development . . . . . . . . . . . . . . . . . . . . . . . . MARK LAVAWAYAssociate Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . .LINDA INTASCHIAssociate General Manager . . . . . . . . . . . . . . . . . . . . . . . CHARLES CHUAssistant Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SARAH SISKOGeneral Management Associate . . . . . . . . . . . . . . . HANNAH MIRVISHProduction Manager . . . . . . . . . . . . . . . . . . . . . . . . . . CHRIS PRIDEAUXProduction Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . NATHAN GILESProduction Administrator . . . . . . . . . . . . . . . . . . . . DESIRÉE PROVEAUCommunications Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . SUE TOTHPress & Public Relations Manager . . . . . . . . . . . . . J. RANDY ALLDREADDigital, CRM & Loyalty Manager . . . . . . . . . . . . . . . . . . AUBREY STORKMarketing Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ANTONIO TANGraphic Design Manager . . . . . . . . . . . . . . . . . . . . . . . . . . OTTO PIERREWeb Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JENNIFER JENKINSVideographer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TRISTAN GOUGH Assistant Company Manager . . . . . . . . . . . . . . . . . . . . . ANIKA NATERHuman Resources & Operations Assistant . . . . . . MICHAEL KATAMBAIT Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSIE DI LUZIO
System Administrators. . . . . . . . . . . . . . . . . . . CHARLES BARTHMANN, PHILLIP DREW, KATHARINE POSAVAD, CHARLES WATSONAnalyst/Accounting Manager . . . . . . . . . . . . . . . . . . . . . REG DUNCANController . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JASON YIPAccountant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TINA MARSHALLShow Accountant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RACQUEL FROSTAccounting Staff . . . . . . . . . . . . . . . . . . . . . . . . JULIE LOGAN, KIM SITUPayroll . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LILIAN SIUAssistant to David Mirvish. . . . . . . . . . . . . . . . . . . . . . . LAUREL PURVISReceptionists. . . . . . . . . . . . . . . . HELDER BRUM, AMY CUNNINGHAM, DAN GALEA, REBECCA RAFTUS
FOR TICKETKINGGeneral Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES ALDRIDGEPhone Operations Manager . . . . . . . . . . . . . . . . . . . . . ALAN FORSYTHPhone Operations Asst. Manager. . . . . . . . . . . . . . . . . .SUSIE MARCONPhone Operations Supervisors. . . . . . . . . . . . . . . . . . . . KAREN COSTA, SCOTT RICHARDSON, JANET KOMPARE-FRITZAdministrative Services Manager . . . . . . . . . . . . . . . . . MAGGIE BUSKISales & Ticketing Analyst . . . . . . . . . . . . . . . . . . . .OLIVER SOUTHGATETicketing Co-ordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . KARYN KINGReporting Co-ordinator . . . . . . . . . . . . . . . . . . . . . . . . . IAIN LIDSTONETicketing Software Administrator . . . . . . . . . . . . . . . . . . SARA RIVARDTicketing Software Co-ordinator . . . . . . . . . . FRANCO MARCANTONIODatabase Administrator . . . . . . . . . . . . . . . . . . . . . APARNA ALIMINETI
FOR MIRVISH GROUP SALES & SUBSCRIPTIONSSales Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRIS DORSCHTGroup Sales Supervisor . . . . . . . . . . . . . . . . . . . .NATASHA SPRINGETTSubscriptions Operations Manager . . . . . . . . . . . . . . . PAULYN RAMANSubscriptions Operations Co-ordinator . . . . . . . . . . .BLAIR LEIGHTONSubscriber Relations Supervisor . . . . . . . . . . . . . . . . . . . . DAVE PELLEYSubscriber Retention Supervisor . . . . . . . . . . . . . . . . DANIEL McLARTYEducation Co-ordinator. . . . . . . . . . . . . . . . . . . . . . . . . DENISE ANDERSONGroup Sales Co-ordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . .NELIA BAIRDCorporate Group Sales & Event Co-ordinator . . . . . . . . . TIFFANY TOBIASGroup Sales Assistant . . . . . . . . . . . . . . . . . . . . . . BRANDON BARNSWELLSubscriber Service Representatives . . . . . . . . . . . . . . ALEXANDRA LEAN, ARIKA UMME GUL, CLARA KIM, DANIELLA FRUSTAGLIO, ERNEST AVSEEV, MUNIRA SARUAT, RICHARD McDONALD, RYAN REEVE, JORDAN MECHANO
FOR THE PANASONIC THEATREGeneral Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .RON JACOBSONFront of House Manager . . . . . . . . . . . . . . . . . . . . . . MARIE HOLOWATYAssistant House Manager . . . . . . . . . . . . . . . . . . . . . . .KENNY GALLOPBox Office Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GERARD RAJUAssistant Box Office Manager . . . . . . . . . . . . . . . . . . . . DENNIS WONGMaintenance Manager . . . . . . . . . . . . . . . . . . . . . . . KEVIN McCARTHYHouse Head Technician . . . . . . . . . . . . . . . . . . . . . . JASON BROWNINGAssistant House Head Technician . . . . . . . . . . . . . G. STUART BAULCHHead of Wardrobe . . . . . . . . . . . . . . . . . . . . . . . . . . ELENA RAKITSKAYA
FOR MIRVISH PROGRAMMEPublisher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVID MIRVISHEditor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . J. RANDY ALLDREADAdvertising Sales . . . . . . . . . . . . . . . . . . . . . . BRANDS AMPLIFIED INC.Art Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . OTTO PIERREPrinter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SUNVIEW PRESS LIMITED
For Mirvish Programme and Mirvish Partnership Opportunities, please contact:
The Exclusive Sales Agency of Mirvish Productions
[email protected]@brandsamplified.com
Backstage employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).
Supporting the arts, locally.
At BMO, we take pride in our local communities, and the artists that contribute to the cultural diversity and artistic richness of our cities.
We’re proud to be Studio 180’s 2016/2017 Season Sponsor.
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Studio 180 Theatre Thank YousStudio 180 Theatre is grateful to the following individuals and organizations
for their generous contributions to this production:
EDDIE GABLE, SAUL KORMAN, RUI PIRES AT AIDS COMMITTEE OF TORONTO, NADA RISTICH, HELEN ZUKERMAN
Studio 180 Theatre SupportersStudio 180 Theatre sincerely thanks its corporate and operating partners for their support,
and for helping us continue to offer challenging and engaging programming.
F O U N D I N G P A T R O N
THE ZUKERMAN FAMILY FOUNDATION
S E A S O N S P O N S O R
O P E R A T I N G S U P P O R T E R S
1 8 0 A C C E S S P A R T N E R S T U D I O 1 8 0 I N C L A S S S U P P O R T E R S
S T U D I O 1 8 0 I N D E V E L O P M E N T P A R T N E R
THE J.P. BICKELL FOUNDATION
A R T S V E S T T O R O N T O C O R P O R A T E M A T C H I N G P A R T N E R
artsVest™ Toronto is operated by Business for the Arts with the support of the Toronto Arts Council and the Government of Canada.
M Y N I G H T W I T H R E G C U S T O M C L O T H I N G P R O V I D E D B Y
GWEN AND RICHARD HARVEYPATRICK AND BARBARA KEENAN
AND FAMILYDIANE AND JIM KING
He likes to enjoy his Häagen-Dazs Gelato Honey Graham Biscotti Bar one ingredient at a time.
#feelingofäah
Dr. Rooben Mumbäah
Trademarks reproduced under license by: Nestlé Canada Inc., North York, ON M2N 6SB.
14 mirvish.com
Studio 180 Theatre DonorsFounding PatronZukerman Family Foundation
2016/17 Season SponsorBMO Financial Group
Public FundersOntario Arts CouncilToronto Arts Council
Education Program Partners ($7,500–$10,000)Patrick & Barbara Keenan and Family
(Studio 180 IN CLASS)TD Bank Group (180 ACCESS)
Angels ($1,000–$7,499)Anonymous x2J.P. Bickell FoundationBridgeWater Family Wealth ServicesBusiness for the Arts
(artsVest Toronto)Ellen ColeRichard Archbold & Richard Feldman*Hugh Furneaux & Penny Fine*Joel Greenberg & Phyllis
Angel Greenberg*Joel Greenberg & Phyllis Angel
Greenberg in honour of James Wark*Susan & Gregory GuichonGwen & Richard Harvey*Linda Barnett & Ian Hawkins*William & Nona Heaslip FoundationK.M. Hunter FoundationFaye & Dereck Jones*Naomi Alboim & David Kaufman*Diane & Jim King*Helgi Maki
Benefactors ($500–$999)AnonymousDavid JachimowiczSusan & Scott MaidmentMarcia McClung*Penguin Random House CanadaDavid Staines & Noreen Taylor*
Supporters ($250–$499)AnonymousSylvia Bashevkin*Glenn BenedictoMaria Ricossa & John BourgeoisGina BurtonBill Poole & Louise Dzuryk*Matthew EmekLarry EnkinLorne Fox*Fred & Eleanor Hirshfeld*Kathryn & David JohnDaniel KelleyMichael & Kathie Krashinsky*Larry LubinNorman Martin in honour of
Candy Heyward*Allen MacInnis & Arin Murray*Peter Moss & Phyllis PlattGina Schochat-Rakoff
Friends With Benefits ($100–$249)Anonymous x2Raymond Accolas in honour of Manfred Frenkel & Jason Nanner*
Soryl Angel in honour of Joel Greenberg*
Jane AronovitchNeville Austin*Clair BalfourJanet & Roger BeckBryan BessnerEllen & Frank BialystokHenry & Marcia Blumberg*Michael & Yael Brotman*Jane BurchellC. Derrick ChuaRosemary & Fred Corbett*Betty Corson*Laurence DabinThelma Davidson in honour of
Gracie & Si ShermanChristopher S. De AbreuEsther DostrovskyDavid EdenDavid EvansDiane Fayerman Watson*Lois Fine*Barbara FingeroteHelen FischJason Nanner & Manfred Frenkel*Marian GalliganBeverly Gertsman in honour of Gwen & Richard Harvey
Raluca GheorgheJennifer GinderOscar Goodman*Terry Haas*Kathryn Heller-McRobertsJoyce & Grahame HenryShelley HobbsNancy HoweJames & Rebecca Kalbfleisch*Diane KellyAmanda & Andrew KennedyBrigitte LégaréJessica Greenberg & Mark McGrinderDuncan McLarenJohn MountainMarcia Mazin-Nemoy & Hart NemoySamara Nicholds in memory of Joel Harris
Kimwun PerehinecSonya Popovich*Mark RapoportJill Richardson*Bernard & Gissa SchiffMyer Siemiatycki*Linda & Jerry Silver*Maggie Siggins & Gerald SperlingJennifer & Alan StellingsDean Valentine in honour of Betty Corson
Mark & Sue WalshMartin WassermanHersh ZeifmanElena & Eyal Zilnik in honour of Mark McGrinder & Jessica Greenberg
Friends ($20–$99)Anonymous x2Andrea Mapili & Byron AbalosErez AnzelCarole AronovitchCurtis BarlowGraysanne BedellGlenn Betteridge in Honour of Matthew Emek
Colleen & Chris Blake*Theresa BoyleJudith & Harold BricksMargaret BryceLaura Pomeroy & Greg BurchellSusan CohenSusan ColeMichel D’OrsonnensSteven FeldmanLaurie FinerPatrick GalliganSandra Greenfeld-Lyons in honour of Joel Greenberg
Deborah GroverStephen HaffeyRobert Hétu in memory of Jean-Marie
& Thérèsa HétuTim HughesBelarie Hyman ZatzmanRobert JohnstonSara KaminZemfira KhisaevaGeoff KolomayzBetty LowensteinMaureen & Gerry Mazin in honour of
Joel GreenbergRuth & Harold MarglesCameron McLeanPeter PayanRichard PrazmowskiKathe RogersPhilip RohRonni RosenbergMichael Rosenstock*Saul ShipRachelle & Howard ShubertAndrina SkuterudCathy SmalleyLeonard SwartzEugene & Elaine VaydaLeslie WoodSusan WrightJessica Zufferli
* Loyal Studio 180 Theatre supporter for five years or more
Reflects contributions made July 1, 2015, to December 21, 2016. Studio 180 Theatre is a registered Charity (85898 2200 RR0001). If you would like to help us produce provocative works and build community through theatre, please contact Byron Abalos at 416-962-1800 or [email protected], or donate online at studio180theatre.com/donate
TM, ®: Used by Amex Bank of Canada under license from American Express. Copyright ©: Amex Bank of Canada, 2017.
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