9
February 2017

February 2017 - Ed Mirvish Theatre...Park, and returned in 2013/14 with God of Carnage. We’re very pleased to be back again this season. Studio 180 now produces up to two large-scale

  • Upload
    others

  • View
    11

  • Download
    0

Embed Size (px)

Citation preview

Page 1: February 2017 - Ed Mirvish Theatre...Park, and returned in 2013/14 with God of Carnage. We’re very pleased to be back again this season. Studio 180 now produces up to two large-scale

February 2017

Page 2: February 2017 - Ed Mirvish Theatre...Park, and returned in 2013/14 with God of Carnage. We’re very pleased to be back again this season. Studio 180 now produces up to two large-scale

This Mirvish theatre proudly serves wine from Peller Estates.

Niagara Wine Country is closer than you

might think.

DAVID MIRVISHPresents

A production

By KEVIN ELYOTDirected by JOEL GREENBERG

with

TIM FUNNELLALEX FURBER

MARTIN HAPPERJEFF MILLER

GRAY POWELLJONATHAN WILSON

Set & Costume Designer

JOHN THOMPSON

Lighting Designer

KIMBERLY PURTELL

Sound Designer

GARTH HELM

Stage Manager Assistant Stage Manager

LAURA BAXTER BRADLEY DUNN

Contains mature content, strong language and nudity.

My Night With Reg is produced by special arrangement

with DRAMATIC PUBLISHING, Woodstock, Illinois.

Page 3: February 2017 - Ed Mirvish Theatre...Park, and returned in 2013/14 with God of Carnage. We’re very pleased to be back again this season. Studio 180 now produces up to two large-scale

4 mirvish.com

A B O U T S T U D I O 1 8 0 T H E A T R E

T H E O F F - M I R V I S H S E R I E S

IN AUGUST 2012 DAVID MIRVISH SAW A

wonderful production of an Irish play called

Terminus at the annual SummerWorks

Theatre Festival. The production was

playing for only a few performances in a

venue that held no more than 30 people. He

thought it was a shame that more people

could not have a chance to see it, so he did

something quite unusual and extraordinary.

He found a way to make the stage of

the Royal Alexandra Theatre a black-box

theatre seating 200 people with the playing

area located in front of the empty historic

auditorium of 1,500 seats.

As well, for many years David was

searching for a way to showcase the wealth

and breadth of Toronto's theatre community

and to bring its work to a larger audience.

He also wanted to bring acclaimed and

important international shows that share

a commitment to artistic excellence, and

an exploration of language, action and

ideas that are challenging, innovative and

provocative. These shows often would not be

appropriate to play 1,500 or 2,000 seats; but

at 700 seats, the Panasonic Theatre is an ideal

size for this kind of work.

This is how the Off-Mirvish season began.

The inaugural season in 2012-13 included

Terminus from Outside the March company,

Anthony Rapp in Without You, Studio 180’s

production of the Pulitzer Prize-winning

Clybourne Park and Mary Walsh in Dancing

With Rage.

Subsequent seasons included the Tony

Award-winning comedy God of Carnage (from

Studio 180), The Two Worlds of Charlie F., George

F. Walker’s Dead Metaphor, Buyer & Cellar, Rick

Miller’s Boom, the Tony Award-winning Vanya

& Sonia & Masha & Spike, Seminar starring

Tom McCamus, BigMouth and the Pulitzer

Prize-winning drama Disgraced.

This season’s lineup began with Fight

Night, continues with My Night With Reg (from

Studio 180) and ends with Why Not Theatre’s

award-winning production of Butcher.

SINCE OUR FIRST DAYS, STUDIO 180 THEATRE

has been introducing Toronto audiences

to socially relevant theatre that provokes

public discourse and promotes community

engagement. We produce plays — often

Canadian or North American premieres

of renowned international works — that

tackle difficult issues and generate powerful

audience responses.

Studio 180 began life in March of 2002,

when its five co-founders came together to

present the Canadian premiere of The Laramie

Project (2003). In 2009, we first partnered

with Mirvish Productions to present Stuff

Happens. We helped launch OFF-MIRVISH

in 2012/13 with our production of Clybourne

Park, and returned in 2013/14 with God of

Carnage. We’re very pleased to be back again

this season.

Studio 180 now produces up to two

large-scale shows per season, and runs

Studio 180 IN CLASS, an innovative

education program that takes our work into

high school classrooms, and Studio 180 IN

DEVELOPMENT, giving theatre creators a

helping hand as they develop new work.

Visit studio180theatre.com for more about

our organization.

mirvish.com 5

T H E C A S T

Photography and the videotaping or other video or audio recordingsof this production are strictly prohibited.

Bernie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TIM FUNNELL

Eric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ALEX FURBER

Benny. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARTIN HAPPER

Daniel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEFF MILLER

John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GRAY POWELL

Guy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .JONATHAN WILSON

T H E C O M P A N Y

TIM FUNNELLBernieFor Studio 180: Debut.

Elsewhere: Grey Gardens,

Reframed (Acting Up Stage);

Anything Goes (Drayton

Entertainment); Life After (Life After

Collective); The Nether, The Big Sleep, And

Then There Were None (Theatre Aquarius);

City of Angels (Theatre by the Bay); Dee

Snider’s Rock and Roll Christmas Tale (Starvox

Entertainment); Colours in the Storm (Grand

Theatre London, Spring 2017). UK/West End:

Tonight’s the Night – The Rod Stewart Musical;

Billy Elliott the Musical (West End and US/

Canadian tour); An Inspector Calls, Twelfth

Night, She Stoops to Conquer/A Laughing

Matter (National Theatre). TV: Lawmen

(American Heroes), Camp X (Yap Films),

See No Evil (Discovery Channel), Handsome

Devils (Slice TV), Think You Can Shrink? (Web

Series), Treasures Decoded (History Channel).

Training: The Guildhall School of Music and

Drama. Tim would like to thank everyone

at Studio 180 and Mirvish Productions for

inviting him to be part of this wonderful

piece. Twitter: @timfunnell

ALEX FURBEREricFor Studio 180: Debut.

Other credits include Albert

Narracott in Warhorse

(Mirvish Productions);

Brighton Beach Memoirs, Marathon of Hope

(Drayton); Jitters (Soulpepper); Gilbert Blythe

in Anne & Gilbert (National Arts Centre); Red

(Sudbury Theatre Centre); Cliff Bradshaw

in Cabaret (Royal Manitoba Theatre Centre);

Macbeth (Shakespeare Bash’d); Lion in Winter,

The Rainmaker (Watermark); Romeo and

Juliet (Theatre New Brunswick); Taming of

the Shrew (Theatre by the Bay); Romeo and

Juliet (Resurgence). Film/TV: Reign, Murdoch

Mysteries, Mayday, Flashpoint, The Conspiracy.

Alex graduated from The National Theatre

School of Canada. Twitter: @alexfurber

Page 4: February 2017 - Ed Mirvish Theatre...Park, and returned in 2013/14 with God of Carnage. We’re very pleased to be back again this season. Studio 180 now produces up to two large-scale

6 mirvish.com

MARTIN HAPPERBennyFor Studio 180: The Normal

Heart. Most rece ntly:

Engaged and A Woman

of No Importance (Shaw

Festival). In Toronto: Arcadia (Shaw/

Mirvish), The Happy Woman (Nightwood),

Theory (SummerWorks) and A Boy Called

Newfoundland (TheatreSmash). Elsewhere:

Eleven seasons at Shaw, including Black

Stache in Peter and the Starcatcher, world

premiere of Michel Marc Bouchard’s The

Divine: A Play for Sarah Bernhardt, Arcadia,

Lady Windermere’s Fan, and tours of Belle

Moral (National Arts Centre) and Saint Joan

(Chicago Shakespeare Theater); One Man Two

Guvnors, The 39 Steps, Age of Arousal (Arts

Club); Clybourne Park (Sterling Nomination –

Citadel Theatre); The 39 Steps (Chemainus

Theatre Festival); Thy Neighbour’s Wife

(Theatre NorthWest); Canadian premiere

of Vincent in Brixton (Theatre Network); two

seasons with Free Will Shakespeare Festival.

TV: Mayday, Murdoch Mysteries, Sue Thomas

F.B. Eye, The Eleventh Hour, Breaker High.

Upcoming: Dracula and The Madness of George

III (Shaw).

JEFF MILLERDanielFor Studio 180: Cock, The

Normal Heart, The Arab-Israeli

Cookbook, The Laramie Project.

Other theatre includes

Hana’s Suitcase, To Kill a Mockingbird, Reading

the Signs, Liars (Young People’s Theatre);

Same Time Next Year, Half-Life, Rabbit Hole,

Leading Ladies (Sudbury Theatre Centre);

Steven Gallagher’s Craplicker (Toronto

Fringe 2010); Mike McPhaden’s Poochwater,

Sean Reycraft’s One Good Marriage (Theatre

Passe Muraille); King Lear (Walking Shadow

Theatre); Stones in His Pockets, Picasso at the

Lapin Agile, Rumors, The Petrifi ed Forest, Moon

Over Buffalo (Nipissing Stage); Communicating

Doors (Magnus Theatre); The Othello Project

(Florida Shakespeare Theater); Love! Valour!

Compassion!, Twilight of the Golds (Boston

Speakeasy Theater); and The Lisbon Traviata

(Boston Triangle Theater). TV credits include

roles on Good Witch, The Strain, Man Seeking

Woman and Queer as Folk.

GRAY POWELLJohnFor Studio 180: Debut.

Selected credits: Arcadia

(Mirvish Productions);

Engaged, Mrs. Warren’s

Profession, The Intelligent Homosexual’s Guide…,

You Never Can Tell, Arcadia, Cabaret, Cat on

a Hot Tin Roof, Hedda Gabler, Born Yesterday,

The Circle (Shaw Festival); The 39 Steps

(Lyndesfarne Theatre); This Lime Tree Bower

(Cart/Horse Theatre); Other People’s Children

(Theatre Panik); The Pitman Painters (Theatre

Aquarius); Hamlet Project (Necessary Angel);

Festen (The Company Theatre). Film/TV:

ARQ (Netfl ix), Murdoch Mysteries (CBC), King

(Showcase), Train 48 (Global), Fugitive Pieces

(Serendipity Point Films), Hollywoodland

(Focus Features/Miramax), Kaw (Kaw

Productions). Gray is returning for Shaw’s

2017 season in Saint Joan and Middletown.

JONATHAN WILSONGuyFor Studio 180:

Love, Dishonor..., The Normal

Heart. Past theatre work

includes the Canadian

premiere of The Lion King (Dora Award – The

Princess of Wales Theatre) and performances

in his own play My Own Private Oshawa

(Dora/Chalmers Nomination – Tarragon

Theatre, New Yorker Theatre). Jonathan was

also a writer and performer with The Second

City for six shows (Dora Nomination). Other

theatre credits include The Drowsy Chaperone,

mirvish.com 7

Moonlight and Magnolias (Sudbury Theatre

Centre); The Clockmaker (Thousand Islands

Playhouse); Possible Worlds, The Duchess

(Theatre Passe Muraille); Not To Be Repeated,

Medici Slot Machine (Tarragon Extra Space);

Cinderella (The Elgin Theatre); This Could Be

Love (The Poor Alex); and Annie Get Your Gun

(Massey Hall). Jonathan was also writer in

residence at the Tarragon Theatre in Toronto

where he wrote the play Kilt (Dora/New York

Drama Desk nominations), which has had

over 20 productions around the world.

LAURA BAXTERStage ManagerFor Studio 180: You Will

Remember Me, NSFW, God

of Carnage, Clybourne Park.

Other theatre credits include

Black Boys, The 20th of November, Arigato

Tokyo, Obaaberima, The Maids, The Silicone

Diaries, Breakfast, Neon Nightz (Buddies in

Bad Times Theatre); Tails from the City, The

Public Servant, The Story, Happy Days, All

That Fall, And Up They Flew (Common Boots

Theatre); Elle (Theatre Passe Muraille);

Dirt, Jitters (Soulpepper); Hamlet, All’s Well,

Julius Caesar, Comedy of Errors, As You Like

It, Titus Andronicus, The Taming of the Shrew,

A Midsummer Night’s Dream, The Winter’s

Tale (Canadian Stage Shakespeare in High

Park); Venus in Fur (Canadian Stage); Soliciting

Temptation, More Fine Girls (Tarragon Theatre);

Speaking in Tongues, Festen (The Company

Theatre); A Sleigh Ride Christmas Carol,

Everyone, The Story, Macbeth (Caravan Farm

Theatre); Age of Arousal, Toronto the Good, The

Real McCoy (Factory Theatre).

BRADLEY DUNNAssistant Stage ManagerFor Studio 180: You Will

Remember Me. Other theatre

credits include The Wizard

of Oz (The Grand Theatre);

A Grand Time in the Rapids (Thousand Islands

Playhouse); The Heidi Chronicles, The Odd Couple

(Soulpepper); It’s a Wonderful Life (Theatre

Aquarius); Steel Magnolias, The Gentleman

Clothier, Touch and Go, Stag and Doe (Upper

Canada Playhouse). Bradley is a graduate of

McMaster University and Sheridan College.

T H E C R E A T I V E T E A M

KEVIN ELYOTPlaywrightBorn in Birmingham in 1951,

and educated there at King

Edward’s School and then

at Bristol University, Kevin

Elyot was an actor before becoming a writer.

He won the Samuel Beckett Award for his

first play, Coming Clean (1982), staged by the

Bush Theatre, London. Subsequent stage

work includes a version of Ostrovsky’s Artists

and Admirers (RSC, 1992); My Night With Reg

(Royal Court Theatre, 1994), which was hailed

as “a play of genius” by the Daily Mail, won

the Evening Standard and Laurence Olivier

Awards for Best Comedy and ran for almost

a year in the West End; The Day I Stood Still

(National Theatre, 1998); Mouth to Mouth

(Royal Court, 2001), which also transferred to

the West End; and Forty Winks (Royal Court,

2004). Kevin’s screenplays include Killing

Time (BBC, 1990), which won the Writers’

Guild Award for Best TV Play or Film; an

adaptation of The Moonstone (BBC, 1996); the

film version of My Night With Reg (BBC, 1997);

No Night Is Too Long (2002) adapted from the

novel by Barbara Vine (Ruth Rendell) for BBC

Films/Alliance. He adapted six of Agatha

Page 5: February 2017 - Ed Mirvish Theatre...Park, and returned in 2013/14 with God of Carnage. We’re very pleased to be back again this season. Studio 180 now produces up to two large-scale

8 mirvish.com

Christie’s Marple novels as well as three

of her Poirot novels, including the show’s

final episode Curtain. Also 20,000 Streets

Under the Sky (BBC, 2005) adapted from the

novel by Patrick Hamilton; Riot at the Rite

(2005) for the BBC; Clapham Junction (2007),

a film for Darlow Smithson and Channel 4,

starring Rupert Graves, Paul Nicholls and

Luke Treadway; and Christopher and His

Kind (Mammoth Screen/BBC, 2011) based

on Christopher Isherwood’s novel, starring

Matt Smith, Lindsay Duncan, Imogen Poots

and Toby Jones. He died in June 2014 shortly

before the Donmar Warehouse revival of My

Night With Reg.

JOEL GREENBERGDirectorFor Studio 180: You Will

Remember Me, NSFW, Cock,

God of Carnage, Clybourne

Park, The Normal Heart, Our

Class, Parade (director and choreographer),

The Overwhelming, Stuff Happens, Blackbird,

The Arab-Israeli Cookbook, The Laramie Project,

The Passion of the Chris. As performer –

Love, Dishonor, Marry, Die, Cherish, Perish.

Co-founder and Artistic Director. Other

theatre credits include: As director – The

Underdogs, What the Butler Saw (Just For

Laughs, Montreal); Taking Sides (Centaur

Theatre); The House of Blue Leaves, Lend Me a

Tenor, You Can’t Take It with You, A Funny Thing

Happened on the Way to the Forum (Theatre

Aquarius); Vanities (The Grand Theatre).

As director and choreographer – Ain’t

Misbehavin’ (Dora Award); Forbidden Broadway

(Dora Nomination); Bells Are Ringing (Grand);

The Golden Land, The Rothschilds (Winnipeg

Jewish Theatre). As choreographer – seven

productions with Second City in Toronto and

Chicago; She Loves Me (Grand). As playwright

and director – Drink the Mercury (Dora Award)

and The Nuclear Power Show (Chalmers

Playwriting Award) for YPT.

TERRI HAWKESAssistant DirectorFor Studio 180: Debut.

Selected directing credits:

The Realistic Joneses (Tarragon

Theatre – A.D.), Angel Killer

(Geffen Playhouse/UCLA), Blyth Murder

Mystery Theatre (NYC), Midsummer Night’s

Dream (Will Geer Theatricum Botanicum –

A.D.) and upcoming, Hilda’s Yard (Highlands

Summer Festival). As playwright: Rhubarb,

Rhubarb, Rhubarb (Herman Voaden National

Playwriting Finalist). As actor: Off-Broadway –

Tamara (Armoury), The Greenhouse Keeper

(Manhattan Punch Line), Sorrows and

Sons (Vineyard); other – Salt-Water Moon

(Walnut Street), Hey Marilyn (Citadel), Alice

(Theatre Three), Dreaming and Duelling (ATP),

Second City Touring Company, Drink the

Mercury (YPT – Dir. Joel Greenberg), and

Say Hello to Harvey (Royal Alex/Mirvish).

Film/TV: as director – Flying Rhino Jr. High;

as co-director – Sailor Moon, Fourteen; as

screenwriter – The Book of Eve, Anne and

Companion (in development – Elevation

Pictures); as actor – numerous roles (Gemini,

ACTRA & Soap Opera Award nominee).

Other: Hons MFA (UCLA), MA (York), Master

Directing (Tarragon). Supporting women and

youth in the arts: art4you.ca & terrihawkes.ca

GARTH HELMSound DesignerFor Studio 180: Debut.

Regional designs include

October Sky (The Old Globe

Theatre, San Diego); Ride the

Cyclone (MCC at Lucille Lortel, NYC); Beauty

and the Beast, Shrek (Chicago Shakespeare

Theatre); Brigadoon (Goodman Theatre); The

Buddy Holly Story, Evita, Ragtime, Sweeney

Todd, The Sound of Music, Xanadu, Oliver!,

West Side Story, Billy Elliot (Drury Lane

Theatre, Oakbrook); The Most Happy Fella

(Ravinia Festival); Barry Manilow’s Could It Be

mirvish.com 9

Magic? (Mercury Theater). Broadway designs

include Pippin (Tony Nomination for best

sound design) and fi rst national tour, The

Heart of Robin Hood (Winnipeg/Toronto), US

associate sound designer for Rocky the Musical

(Broadway), We Will Rock You “The Queen

Musical” (US Tour & São Paulo, Brazil), Ghost

the Musical (Broadway, US Tour & South Korea),

Les Mis 25th Anniversary Concert (02 Arena,

London & 25th US Tour), Priscilla Queen of the

Desert (Toronto, NYC & US Tour), Dirty Dancing

(US), Phantom “The Las Vegas Spectacular.” Garth

is a sound design consultant for various live

theatre and performance spaces throughout

North America.

KIMBERLY PURTELLLighting DesignerFor Studio 180: You Will

Remember Me; Love, Dishonor,

Marry, Die, Cherish, Perish;

NSFW; Cock; God of Carnage;

Clybourne Park; The Normal Heart; Our Class;

Parade; The Overwhelming; Stuff Happens;

Blackbird. Recent theatre credits include

Sleeping Beauty (Ross Petty Productions); All

But Gone (Necessary Angel); The Watershed

(Crow's/Porte Parole); Breath of Kings:

Rebellion, Breath of Kings: Redemption, Bunny

(Stratford Festival); Mrs. Warren’s Profession,

Our Town (Shaw Festival); Life Refl ected

(National Arts Centre Orchestra); Barber of

Seville (Pacifi c Opera Victoria). Kimberly’s

critically acclaimed theatre, opera and dance

designs have been seen across Canada

and internationally. She is the recipient of

three Dora Awards, a META and the Pauline

McGibbon Award.

JOHN THOMPSONSet & Costume DesignerFor Studio 180: Cock, God

of Carnage, The Normal

Heart, Our Class. John’s

credits include Speaking in

Tongues, The Test, Through the Leaves (Dora

Award), Festen, A Whistle in the Dark, Marion

Bridge (The Company Theatre); Divisadero

(Necessary Angel); The Retreat from Moscow,

The Tempest, The Clean House, A Christmas

Carol, Humble Boy, The Shape of Things

(Royal Manitoba Theatre Centre); Waiting

for Godot, No Man’s Land, The Mill on the

Floss, Betrayal, Twelfth Night, Don Carlos, The

Misanthrope (Soulpepper); The Trials of Ezra

Pound (Stratford Festival); The Pessimist,

Care, Alice’s Affair, Helen’s Necklace, Russell

Hill, Little Mercy’s First Murder, The Good Life,

Skylight, Girl in the Goldfi sh Bowl, Earshot, The

Road to Hell (Tarragon Theatre); Eternal Hydra

(Crow’s Theatre – Dora Award); Caught, Unity

1918, Blood (Theatre Passe Muraille). John

teaches design at the University of Toronto

Drama Centre.

MARY SPYRAKISHead of PropsFor Studio 180: God of Carnage, Clybourne

Park, Stuff Happens. Mary has worked as a

props builder, buyer and coordinator as

well as a set, costume and props designer

since 1986 when she graduated from York

University (Bachelor of Fine Arts). She has

been the Head of Props for The Canadian

Stage Company since 1996. Mary has also

been the Head of Props for Desrosiers Dance

Theatre, The Tarragon Theatre, Theatre

Plus and Young People’s Theatre where

she specialized in puppet building and

prop-costume building. Mary is very excited

to be working with Studio 180 once again!

C. DERRICK CHUACore Artistic TeamA co-founder of Studio 180,

Derrick is an entertainment

lawyer and award-winning

theatre producer. Recent

productions include I’m Doing This for You

(Edinburgh, Amsterdam, London, Tampere,

Page 6: February 2017 - Ed Mirvish Theatre...Park, and returned in 2013/14 with God of Carnage. We’re very pleased to be back again this season. Studio 180 now produces up to two large-scale

10 mirvish.com

Piotrowice Nyskie, Halifax, Toronto),

Counting Sheep (Edinburgh), Confessions and

Adventures of a Redheaded Coffeeshop Girl

(Edinburgh, Brighton), Dance Animal (Toronto

Fringe), Obeah Opera (PANAMANIA), The

God That Comes & When It Rains (Edinburgh

Fringe), Oh My Irma (International Tour:

Edinburgh Fringe, Berlin, London, Kosovo,

Ulaanbaatar, Brighton, Amsterdam, Kiel,

New York, Victoria), Fortune and Men’s

Eyes (Dancemakers), Gruesome Playground

Injuries (The Theatre Centre). Derrick is

past-President of the Toronto Fringe Festival,

and sits on the boards of The AFC, Theatre

Museum Canada, fu-Gen Asian Canadian

Theatre Company and Groundling Theatre.

He is the recipient of a Dora Award, a Harold

Award, a NOW Magazine Award as Toronto’s

Best Indie Producer, and a Canadian Actors’

Equity Association Honorary Membership

for Outstanding Contribution to the

Performing Arts.

JESSICA GREENBERGCore Artistic TeamJessica is an actor and artist

educator who has worked

on and off stage with

Studio 180 since 2004. As a

member of the Core Artistic Team, she heads

the company’s education and community

outreach activities including the Studio 180

IN CLASS program. Her experience in

education and childhood development

ranges from leading gymnastics, drama

and music programs for children of all

ages in New York to running drama-based

workshops for high school students and

educators across the GTA. As an actor, Jessica

has performed on stages from Vancouver

to Fredericton, including Studio 180

productions of NSFW, Cock, Our Class, Parade,

Blackbird, Offensive Shadows and The Passion

of the Chris. She received an Honours BA in

political science and women’s studies from

McGill University and trained at Circle in

the Square Theatre School and the Actors

Theatre of Louisville in Kentucky.

MARK MCGRINDERCore Artistic TeamA co-founder of Studio 180,

Mark is an actor, writer, and

artist educator. Selected

Studio 180 credits: The

Laramie Project, Stuff Happens, Our Class,

Parade, The Normal Heart, Clybourne Park,

You Will Remember Me. Mark adapted and

directed David Rakoff’s Love, Dishonor, Marry,

Die, Cherish, Perish for PANAMANIA, and

worked as Associate Director on Studio 180

productions of Blackbird, God of Carnage and

our 10th Anniversary reading of The Laramie

Project. He has also directed readings of The

Christians, Standing on Ceremony: The Gay

Marriage Plays and The Arab-Israeli Cookbook

for the company. Mark has performed in

several reviews with The Second City’s

National Touring Company and was a

member of the Shaw Festival ensemble for

fi ve seasons. He is delighted to currently

be working as an understudy on Mirvish

Productions’ The Audience.

DAVID MIRVISHDavid Mirvish is a Toronto-based theatrical

producer. He owns and operates four

theatres in Toronto — the Royal Alexandra,

the Princess of Wales, the Ed Mirvish and

the Panasonic. Mirvish Productions, a

company founded by Mr. Mirvish in 1986,

has produced plays and musicals for these

and other venues throughout Canada, on

Broadway and in London’s West End. In

addition, Mirvish Productions has presented

more than 500 touring productions in the

city of Toronto.

mirvish.com 11

C R E D I T S & A C K N O W L E D G M E N T S

FOR MY NIGHT WITH REGAssistant Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TERRI HAWKESSound Designer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .GARTH HELMLighting Designer . . . . . . . . . . . . . . . . . . . . . . . . . . KIMBERLY PURTELLSet & Costume Designer. . . . . . . . . . . . . . . . . . . . . . . JOHN THOMPSONHead of Props . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARY SPYRAKISWardrobe Coordinator . . . . . . . . . . . . . . . . . . . . . . ELENA RAKITSKAYADialect Coach . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DIANE PITBLADOScenic Construction . . . . . . . . . . . . . . . . . . . . . . . . .McWOOD STUDIOSCustom Clothing provided by . . . . . . . . . . . . . . . . . . . . . . . . . .KORRY’S

FOR STUDIO 180 THEATRECore Artistic Team . . . . . . . . . . . . JOEL GREENBERG (Artistic Director), DERRICK CHUA, JESSICA GREENBERG, MARK McGRINDERGeneral Manager (on leave) . . . . . . . . . . . . . . . . . . . . LAURA POMEROYInterim General Manager . . . . . . . . . . . . . . . . . . . . . . . GABRIEL ESTRINDirector of Development . . . . . . . . . . . . . . . . . . . . . . . .BYRON ABALOSAssociate Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JENNA HARRISEducation & Outreach Coordinator . . . . . . . . . . . . JESSICA GREENBERGNew Play Development. . . . . . . . . . . . . . . . . . . . . . . MARK McGRINDERPlaywright in Residence . . . . . . . . . . . . . . . . . . . . . . . JASON SHERMAN (supported by the Ontario Arts Council)Print Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KINNON ELLIOTTWeb Developer . . . . . . . . . . . . . . . . . . . . . . . . . . . . LINN ØYEN FARLEYArtist Educators . . . . . . . . . . . . . . . . . . .RAMONA GILMOUR-DARLING, JESSICA GREENBERG, JENNA HARRIS, RYAN KELLY, MARK McGRINDER, JEFF MILLER, KIMWUN PEREHINECEducation Advisory Committee . . . . . . . . . . .ANNE LOUISE BANNON, CHRISTINE CORLEY, PATTY JARVIS, LESLEY KEANE, AMANDA KENNEDY, MARSHA LEGAULT, MICHAEL LIMERICK, SHELLY MEICHENBAUM, JEFF STEVENSONAdvisory Committee. . . . . . . . RICHARD ARCHBOLD, COLLEEN BLAKE, GWEN HARVEY, ALLEN MacINNIS, NADA RISTICH, DAVID STAINES, NOREEN TAYLOR, ELEANOR WACHTEL, HELEN ZUKERMAN

Studio 180 Theatre’s Board of DirectorsLINDA BARNETT (Chair)

PETER MOSS (Vice-Chair)DAVID JACHIMOWICZ (Secretary)

RICHARD HARVEY (Treasurer)ALESSANDRO BOZZELLI, ELLEN TERRY COLE, MATTHEW EMEK,

FAYE JONES, HELGI MAKI, KAREN SIHRA

Studio 180 Theatre engages, under the terms of the Independent Theatre Agreement, professional artists who are

members of Canadian Actors’ Equity Association.

Studio 180 Theatre is a member of the Toronto Alliance for the Performing Arts.

FOR MIRVISH PRODUCTIONSProducer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVID MIRVISHExecutive Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRIAN SEWELLManaging Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DAVID MUCCIDirector of Finance . . . . . . . . . . . . . . . . . . . . . . . . . CAMILLO CASCIATODirector of Sales & Marketing . . . . . . . . . . . . . . JOHN KARASTAMATISDirector of Development . . . . . . . . . . . . . . . . . . . . . . KELLY ROBINSONDirector of Production . . . . . . . . . . . . . . . . . . . . . . . . . SCOT WHITHAMDirector of Labour Relations & Business Development . . . . . . . . . . . . . . . . . . . . . . . . MARK LAVAWAYAssociate Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . .LINDA INTASCHIAssociate General Manager . . . . . . . . . . . . . . . . . . . . . . . CHARLES CHUAssistant Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SARAH SISKOGeneral Management Associate . . . . . . . . . . . . . . . HANNAH MIRVISHProduction Manager . . . . . . . . . . . . . . . . . . . . . . . . . . CHRIS PRIDEAUXProduction Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . NATHAN GILESProduction Administrator . . . . . . . . . . . . . . . . . . . . DESIRÉE PROVEAUCommunications Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . SUE TOTHPress & Public Relations Manager . . . . . . . . . . . . . J. RANDY ALLDREADDigital, CRM & Loyalty Manager . . . . . . . . . . . . . . . . . . AUBREY STORKMarketing Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ANTONIO TANGraphic Design Manager . . . . . . . . . . . . . . . . . . . . . . . . . . OTTO PIERREWeb Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JENNIFER JENKINSVideographer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TRISTAN GOUGH Assistant Company Manager . . . . . . . . . . . . . . . . . . . . . ANIKA NATERHuman Resources & Operations Assistant . . . . . . MICHAEL KATAMBAIT Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSIE DI LUZIO

System Administrators. . . . . . . . . . . . . . . . . . . CHARLES BARTHMANN, PHILLIP DREW, KATHARINE POSAVAD, CHARLES WATSONAnalyst/Accounting Manager . . . . . . . . . . . . . . . . . . . . . REG DUNCANController . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JASON YIPAccountant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TINA MARSHALLShow Accountant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RACQUEL FROSTAccounting Staff . . . . . . . . . . . . . . . . . . . . . . . . JULIE LOGAN, KIM SITUPayroll . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LILIAN SIUAssistant to David Mirvish. . . . . . . . . . . . . . . . . . . . . . . LAUREL PURVISReceptionists. . . . . . . . . . . . . . . . HELDER BRUM, AMY CUNNINGHAM, DAN GALEA, REBECCA RAFTUS

FOR TICKETKINGGeneral Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES ALDRIDGEPhone Operations Manager . . . . . . . . . . . . . . . . . . . . . ALAN FORSYTHPhone Operations Asst. Manager. . . . . . . . . . . . . . . . . .SUSIE MARCONPhone Operations Supervisors. . . . . . . . . . . . . . . . . . . . KAREN COSTA, SCOTT RICHARDSON, JANET KOMPARE-FRITZAdministrative Services Manager . . . . . . . . . . . . . . . . . MAGGIE BUSKISales & Ticketing Analyst . . . . . . . . . . . . . . . . . . . .OLIVER SOUTHGATETicketing Co-ordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . KARYN KINGReporting Co-ordinator . . . . . . . . . . . . . . . . . . . . . . . . . IAIN LIDSTONETicketing Software Administrator . . . . . . . . . . . . . . . . . . SARA RIVARDTicketing Software Co-ordinator . . . . . . . . . . FRANCO MARCANTONIODatabase Administrator . . . . . . . . . . . . . . . . . . . . . APARNA ALIMINETI

FOR MIRVISH GROUP SALES & SUBSCRIPTIONSSales Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRIS DORSCHTGroup Sales Supervisor . . . . . . . . . . . . . . . . . . . .NATASHA SPRINGETTSubscriptions Operations Manager . . . . . . . . . . . . . . . PAULYN RAMANSubscriptions Operations Co-ordinator . . . . . . . . . . .BLAIR LEIGHTONSubscriber Relations Supervisor . . . . . . . . . . . . . . . . . . . . DAVE PELLEYSubscriber Retention Supervisor . . . . . . . . . . . . . . . . DANIEL McLARTYEducation Co-ordinator. . . . . . . . . . . . . . . . . . . . . . . . . DENISE ANDERSONGroup Sales Co-ordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . .NELIA BAIRDCorporate Group Sales & Event Co-ordinator . . . . . . . . . TIFFANY TOBIASGroup Sales Assistant . . . . . . . . . . . . . . . . . . . . . . BRANDON BARNSWELLSubscriber Service Representatives . . . . . . . . . . . . . . ALEXANDRA LEAN, ARIKA UMME GUL, CLARA KIM, DANIELLA FRUSTAGLIO, ERNEST AVSEEV, MUNIRA SARUAT, RICHARD McDONALD, RYAN REEVE, JORDAN MECHANO

FOR THE PANASONIC THEATREGeneral Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .RON JACOBSONFront of House Manager . . . . . . . . . . . . . . . . . . . . . . MARIE HOLOWATYAssistant House Manager . . . . . . . . . . . . . . . . . . . . . . .KENNY GALLOPBox Office Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GERARD RAJUAssistant Box Office Manager . . . . . . . . . . . . . . . . . . . . DENNIS WONGMaintenance Manager . . . . . . . . . . . . . . . . . . . . . . . KEVIN McCARTHYHouse Head Technician . . . . . . . . . . . . . . . . . . . . . . JASON BROWNINGAssistant House Head Technician . . . . . . . . . . . . . G. STUART BAULCHHead of Wardrobe . . . . . . . . . . . . . . . . . . . . . . . . . . ELENA RAKITSKAYA

FOR MIRVISH PROGRAMMEPublisher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVID MIRVISHEditor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . J. RANDY ALLDREADAdvertising Sales . . . . . . . . . . . . . . . . . . . . . . BRANDS AMPLIFIED INC.Art Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . OTTO PIERREPrinter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SUNVIEW PRESS LIMITED

For Mirvish Programme and Mirvish Partnership Opportunities, please contact:

The Exclusive Sales Agency of Mirvish Productions

[email protected]@brandsamplified.com

Backstage employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

Page 7: February 2017 - Ed Mirvish Theatre...Park, and returned in 2013/14 with God of Carnage. We’re very pleased to be back again this season. Studio 180 now produces up to two large-scale

Supporting the arts, locally.

At BMO, we take pride in our local communities, and the artists that contribute to the cultural diversity and artistic richness of our cities.

We’re proud to be Studio 180’s 2016/2017 Season Sponsor.

mirvish.com 13

Studio 180 Theatre Thank YousStudio 180 Theatre is grateful to the following individuals and organizations

for their generous contributions to this production:

EDDIE GABLE, SAUL KORMAN, RUI PIRES AT AIDS COMMITTEE OF TORONTO, NADA RISTICH, HELEN ZUKERMAN

Studio 180 Theatre SupportersStudio 180 Theatre sincerely thanks its corporate and operating partners for their support,

and for helping us continue to offer challenging and engaging programming.

F O U N D I N G P A T R O N

THE ZUKERMAN FAMILY FOUNDATION

S E A S O N S P O N S O R

O P E R A T I N G S U P P O R T E R S

1 8 0 A C C E S S P A R T N E R S T U D I O 1 8 0 I N C L A S S S U P P O R T E R S

S T U D I O 1 8 0 I N D E V E L O P M E N T P A R T N E R

THE J.P. BICKELL FOUNDATION

A R T S V E S T T O R O N T O C O R P O R A T E M A T C H I N G P A R T N E R

artsVest™ Toronto is operated by Business for the Arts with the support of the Toronto Arts Council and the Government of Canada.

M Y N I G H T W I T H R E G C U S T O M C L O T H I N G P R O V I D E D B Y

GWEN AND RICHARD HARVEYPATRICK AND BARBARA KEENAN

AND FAMILYDIANE AND JIM KING

Page 8: February 2017 - Ed Mirvish Theatre...Park, and returned in 2013/14 with God of Carnage. We’re very pleased to be back again this season. Studio 180 now produces up to two large-scale

He likes to enjoy his Häagen-Dazs Gelato Honey Graham Biscotti Bar one ingredient at a time.

#feelingofäah

Dr. Rooben Mumbäah

Trademarks reproduced under license by: Nestlé Canada Inc., North York, ON M2N 6SB.

14 mirvish.com

Studio 180 Theatre DonorsFounding PatronZukerman Family Foundation

2016/17 Season SponsorBMO Financial Group

Public FundersOntario Arts CouncilToronto Arts Council

Education Program Partners ($7,500–$10,000)Patrick & Barbara Keenan and Family

(Studio 180 IN CLASS)TD Bank Group (180 ACCESS)

Angels ($1,000–$7,499)Anonymous x2J.P. Bickell FoundationBridgeWater Family Wealth ServicesBusiness for the Arts

(artsVest Toronto)Ellen ColeRichard Archbold & Richard Feldman*Hugh Furneaux & Penny Fine*Joel Greenberg & Phyllis

Angel Greenberg*Joel Greenberg & Phyllis Angel

Greenberg in honour of James Wark*Susan & Gregory GuichonGwen & Richard Harvey*Linda Barnett & Ian Hawkins*William & Nona Heaslip FoundationK.M. Hunter FoundationFaye & Dereck Jones*Naomi Alboim & David Kaufman*Diane & Jim King*Helgi Maki

Benefactors ($500–$999)AnonymousDavid JachimowiczSusan & Scott MaidmentMarcia McClung*Penguin Random House CanadaDavid Staines & Noreen Taylor*

Supporters ($250–$499)AnonymousSylvia Bashevkin*Glenn BenedictoMaria Ricossa & John BourgeoisGina BurtonBill Poole & Louise Dzuryk*Matthew EmekLarry EnkinLorne Fox*Fred & Eleanor Hirshfeld*Kathryn & David JohnDaniel KelleyMichael & Kathie Krashinsky*Larry LubinNorman Martin in honour of

Candy Heyward*Allen MacInnis & Arin Murray*Peter Moss & Phyllis PlattGina Schochat-Rakoff

Friends With Benefits ($100–$249)Anonymous x2Raymond Accolas in honour of Manfred Frenkel & Jason Nanner*

Soryl Angel in honour of Joel Greenberg*

Jane AronovitchNeville Austin*Clair BalfourJanet & Roger BeckBryan BessnerEllen & Frank BialystokHenry & Marcia Blumberg*Michael & Yael Brotman*Jane BurchellC. Derrick ChuaRosemary & Fred Corbett*Betty Corson*Laurence DabinThelma Davidson in honour of

Gracie & Si ShermanChristopher S. De AbreuEsther DostrovskyDavid EdenDavid EvansDiane Fayerman Watson*Lois Fine*Barbara FingeroteHelen FischJason Nanner & Manfred Frenkel*Marian GalliganBeverly Gertsman in honour of Gwen & Richard Harvey

Raluca GheorgheJennifer GinderOscar Goodman*Terry Haas*Kathryn Heller-McRobertsJoyce & Grahame HenryShelley HobbsNancy HoweJames & Rebecca Kalbfleisch*Diane KellyAmanda & Andrew KennedyBrigitte LégaréJessica Greenberg & Mark McGrinderDuncan McLarenJohn MountainMarcia Mazin-Nemoy & Hart NemoySamara Nicholds in memory of Joel Harris

Kimwun PerehinecSonya Popovich*Mark RapoportJill Richardson*Bernard & Gissa SchiffMyer Siemiatycki*Linda & Jerry Silver*Maggie Siggins & Gerald SperlingJennifer & Alan StellingsDean Valentine in honour of Betty Corson

Mark & Sue WalshMartin WassermanHersh ZeifmanElena & Eyal Zilnik in honour of Mark McGrinder & Jessica Greenberg

Friends ($20–$99)Anonymous x2Andrea Mapili & Byron AbalosErez AnzelCarole AronovitchCurtis BarlowGraysanne BedellGlenn Betteridge in Honour of Matthew Emek

Colleen & Chris Blake*Theresa BoyleJudith & Harold BricksMargaret BryceLaura Pomeroy & Greg BurchellSusan CohenSusan ColeMichel D’OrsonnensSteven FeldmanLaurie FinerPatrick GalliganSandra Greenfeld-Lyons in honour of Joel Greenberg

Deborah GroverStephen HaffeyRobert Hétu in memory of Jean-Marie

& Thérèsa HétuTim HughesBelarie Hyman ZatzmanRobert JohnstonSara KaminZemfira KhisaevaGeoff KolomayzBetty LowensteinMaureen & Gerry Mazin in honour of

Joel GreenbergRuth & Harold MarglesCameron McLeanPeter PayanRichard PrazmowskiKathe RogersPhilip RohRonni RosenbergMichael Rosenstock*Saul ShipRachelle & Howard ShubertAndrina SkuterudCathy SmalleyLeonard SwartzEugene & Elaine VaydaLeslie WoodSusan WrightJessica Zufferli

* Loyal Studio 180 Theatre supporter for five years or more

Reflects contributions made July 1, 2015, to December 21, 2016. Studio 180 Theatre is a registered Charity (85898 2200 RR0001). If you would like to help us produce provocative works and build community through theatre, please contact Byron Abalos at 416-962-1800 or [email protected], or donate online at studio180theatre.com/donate

Page 9: February 2017 - Ed Mirvish Theatre...Park, and returned in 2013/14 with God of Carnage. We’re very pleased to be back again this season. Studio 180 now produces up to two large-scale

TM, ®: Used by Amex Bank of Canada under license from American Express. Copyright ©: Amex Bank of Canada, 2017.

visit amexinvites.ca

You can’t sit on the edge ofyour seat

When it comes to a show, the last thing you should have to worry about is it selling out. American Express® offers Cardmembers

presale tickets and reserved seats for some of the hottest shows.