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Facial Expressions and Facial Expressions and Animation Animation

Facial Expressions and Animation

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Page 1: Facial Expressions and Animation

Facial Expressions and Facial Expressions and AnimationAnimation

Page 2: Facial Expressions and Animation

Facial Expressions and AnimationFacial Expressions and Animation

Theory behind Facial ExpressionsTheory behind Facial Expressions

Execution in AnimationExecution in Animation

Prof. Paul Prof. Paul EkmanEkmanUniversality in Facial Expressions?Universality in Facial Expressions?

Page 3: Facial Expressions and Animation

Facial Expressions and AnimationFacial Expressions and Animation

Page 4: Facial Expressions and Animation

Facial Expressions and AnimationFacial Expressions and Animation

Page 5: Facial Expressions and Animation

Paul Paul EkmanEkman

Professor of PsychologyProfessor of PsychologyExpert in facial expression recognitionExpert in facial expression recognitionEmotions RevealedEmotions Revealed (2003)(2003)CategorizingCategorizingdifferent emotionsdifferent emotions

Page 6: Facial Expressions and Animation

Paul Paul EkmanEkman

Nurture Nurture vsvs NatureNatureAre facial expressions universally Are facial expressions universally recognizable?recognizable?Ekman’sEkman’s proofproof

Blind peopleBlind peopleIndigenous culturesIndigenous cultures

Page 7: Facial Expressions and Animation

Facial Action Coding SystemFacial Action Coding System

Method for measuring and describing facial behaviorsMethod for measuring and describing facial behaviorsBy Paul By Paul EkmanEkman and W.V. Friesen in the 1970sand W.V. Friesen in the 1970sDetermining how the contraction of each facial muscle Determining how the contraction of each facial muscle (singly and in combination with other muscles) changes (singly and in combination with other muscles) changes the appearance of the facethe appearance of the faceIdentifying the specific changes that occurred with Identifying the specific changes that occurred with muscular contractions and how best to differentiate one muscular contractions and how best to differentiate one from anotherfrom another

Goal: To create a reliable means for skilled human Goal: To create a reliable means for skilled human scorers to determine the category or categories in scorers to determine the category or categories in which to fit each facial behaviorwhich to fit each facial behavior

FACS scores are descriptive only, and provide no FACS scores are descriptive only, and provide no implications about the meaning of the behaviorimplications about the meaning of the behavior

Page 8: Facial Expressions and Animation

FACS Categories and ActionsFACS Categories and Actions

Original Action Units – Part 1

Original Action Units – Part 2

Original Action Units – Part 3

Original Action Units - Part 4

Original Action Units – Part 5

Page 9: Facial Expressions and Animation

Categories of Facial ExpressionsCategories of Facial Expressions

Facial Expression Categories:Facial Expression Categories:Sadness and agonySadness and agonyAngerAngerSurprise and FearSurprise and FearDisgust and ContemptDisgust and ContemptHappinessHappiness

“No single facial expression can be relied upon always “No single facial expression can be relied upon always to be present when an emotion is felt”to be present when an emotion is felt”

Page 10: Facial Expressions and Animation

Sadness and AgonySadness and Agony

Often invokes similar feelings of sadnessOften invokes similar feelings of sadnessRarely voluntaryRarely voluntaryHard to mimicHard to mimicConsists of a Consists of a combination of combination of conflicting actionsconflicting actions

Page 11: Facial Expressions and Animation

Recognizing SadnessRecognizing Sadness

MouthMouthCorner of lips pulled downCorner of lips pulled downRaised cheeksRaised cheeksPossibly dropped jaw (for agony and crying)Possibly dropped jaw (for agony and crying)

EyesEyesUpper eyelids dropUpper eyelids dropInner corners of eyebrows raised and brought Inner corners of eyebrows raised and brought togethertogether

Page 12: Facial Expressions and Animation

SadnessSadness

Page 13: Facial Expressions and Animation

AngerAnger

Unlike sadness:Unlike sadness:Looking at anger does not invoke itLooking at anger does not invoke itEasier to mimicEasier to mimic

Page 14: Facial Expressions and Animation

Recognizing AngerRecognizing Anger

Jaw tightly clenchedJaw tightly clenchedIf teeth exposed, mouth has rectangular If teeth exposed, mouth has rectangular shapeshapeThinning of lipsThinning of lips

Subtle but frequentSubtle but frequentEarliest signEarliest sign

Lower jaw can be forwardLower jaw can be forward

Page 15: Facial Expressions and Animation

Recognizing AngerRecognizing Anger

Page 16: Facial Expressions and Animation

Recognizing AngerRecognizing Anger

Glaring eyesGlaring eyesRaised upper eyelidsRaised upper eyelidsPossibly tensed lower eye lidsPossibly tensed lower eye lids

Muscle of difficultyMuscle of difficultyTighten up area around eyesTighten up area around eyesMental and physical difficulty cause it to contractMental and physical difficulty cause it to contract

Eyebrows lowered and brought togetherEyebrows lowered and brought together

Page 17: Facial Expressions and Animation

AngerAnger

Page 18: Facial Expressions and Animation

Surprise and FearSurprise and Fear

Fear has been studied more than any other Fear has been studied more than any other emotionemotionHard to distinguish the surprise and fearHard to distinguish the surprise and fearSurprise is a temporary expression, which Surprise is a temporary expression, which often converts into other expressionsoften converts into other expressions

Page 19: Facial Expressions and Animation

Recognizing FearRecognizing Fear

EyesEyesUpper eyelids raised as high as possibleUpper eyelids raised as high as possibleTensed lower eyelidsTensed lower eyelidsEyebrows raised and slightly closer togetherEyebrows raised and slightly closer togetherEyes staring straight aheadEyes staring straight ahead

MouthMouthLips stretched horizontallyLips stretched horizontallyPossibly dropped jawPossibly dropped jaw

Page 20: Facial Expressions and Animation

Surprise and FearSurprise and Fear

Page 21: Facial Expressions and Animation

Disgust and ContemptDisgust and Contempt

Subtly different from angerSubtly different from angerRarely photographed in comparison to the Rarely photographed in comparison to the other emotionsother emotionsPaul Paul RozinRozinInterpersonal triggers:Interpersonal triggers:

Strange, deceased, Strange, deceased, misfortunate, morally taintedmisfortunate, morally tainted

Page 22: Facial Expressions and Animation

Recognizing Disgust and ContemptRecognizing Disgust and Contempt

Active muscles around noseActive muscles around noseEyes can be relaxed comparatively to angerEyes can be relaxed comparatively to angerCan be limited to one side of the faceCan be limited to one side of the face

Feeling of imbalanceFeeling of imbalance

Lowered eyebrowsLowered eyebrowsRaised upper lipRaised upper lipCombinations:Combinations:

Disgust and angerDisgust and angerContempt and smileContempt and smile

Page 23: Facial Expressions and Animation

Disgust and ContemptDisgust and Contempt

Page 24: Facial Expressions and Animation

HappinessHappiness

More general termMore general termDescribes a state of mindDescribes a state of mind

Emotions invoked differ from all the other Emotions invoked differ from all the other facial expression categoriesfacial expression categories16 Categories of enjoyable emotions16 Categories of enjoyable emotions

Page 25: Facial Expressions and Animation

Recognizing HappinessRecognizing Happiness

DuchenneDuchenne SmileSmileOrbicularisOrbicularis oculioculiCan not be voluntaryCan not be voluntary

Fake smilesFake smiles

Page 26: Facial Expressions and Animation

HappinessHappiness

Page 27: Facial Expressions and Animation

CrossCross--Cultural Facial ExpressionCultural Facial Expression

CCüücelogluceloglu’’ss experiment (1970)experiment (1970)60 line drawings of facial elements60 line drawings of facial elementsShowed to students in US, Japan and TurkeyShowed to students in US, Japan and TurkeyConcluded that facial codes are common to different Concluded that facial codes are common to different culturescultures

Page 28: Facial Expressions and Animation

Universality of Universality of Facial ExpressionsFacial Expressions

EkmanEkman and Friesenand Friesen’’s experiment (1971)s experiment (1971)Over 3000 still photographsOver 3000 still photographsShowed to 4 different language groupsShowed to 4 different language groupsProved that facial expressions are universalProved that facial expressions are universal

Page 29: Facial Expressions and Animation
Page 30: Facial Expressions and Animation

Sadness in AnimationSadness in Animation

Upper eyelids dropUpper eyelids dropInner corners of eyebrows Inner corners of eyebrows raised and brought raised and brought togethertogetherRaised cheeksRaised cheeks

Page 31: Facial Expressions and Animation

Anger in AnimationAnger in Animation

Jaw tightly clenchedJaw tightly clenchedIf teeth exposed, mouth If teeth exposed, mouth has rectangular shapehas rectangular shapeGlaring eyesGlaring eyesRaising of upper eyelidRaising of upper eyelidEyebrows lowered and Eyebrows lowered and brought togetherbrought together

Page 32: Facial Expressions and Animation

Fear in AnimationFear in Animation

Upper eyelids raised as Upper eyelids raised as high as possiblehigh as possibleTensed lower eyelidsTensed lower eyelidsStretch lips horizontallyStretch lips horizontallyDropped jawDropped jawEyebrows raised and close Eyebrows raised and close togethertogether

Page 33: Facial Expressions and Animation

Disgust in AnimationDisgust in Animation

Active muscles around Active muscles around nosenoseEyes can be relaxedEyes can be relaxedCan be limited to one side Can be limited to one side of the faceof the face

Page 34: Facial Expressions and Animation

Happiness in AnimationHappiness in Animation

Most frequently observed Most frequently observed in in animationsanimations<> <> Fake smilesFake smiles

Page 35: Facial Expressions and Animation
Page 36: Facial Expressions and Animation

Animating Facial ExpressionsAnimating Facial Expressions

AnthropomorphismAnthropomorphism

Page 37: Facial Expressions and Animation

Animating Facial ExpressionsAnimating Facial Expressions

Voice as preprocess Voice as preprocess or postor post--process?process?Exaggeration in facial featuresExaggeration in facial features