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In My Father's Cabin Author(s): Kathy Engel Source: The Iowa Review, Vol. 12, No. 2/3, Extended Outlooks: The Iowa Review Collection of Contemporary Writing by Women (Spring - Summer, 1981), pp. 78-79 Published by: University of Iowa Stable URL: http://www.jstor.org/stable/20155652 . Accessed: 17/06/2014 14:55 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . University of Iowa is collaborating with JSTOR to digitize, preserve and extend access to The Iowa Review. http://www.jstor.org This content downloaded from 62.122.73.86 on Tue, 17 Jun 2014 14:55:54 PM All use subject to JSTOR Terms and Conditions

Extended Outlooks: The Iowa Review Collection of Contemporary Writing by Women || In My Father's Cabin

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Page 1: Extended Outlooks: The Iowa Review Collection of Contemporary Writing by Women || In My Father's Cabin

In My Father's CabinAuthor(s): Kathy EngelSource: The Iowa Review, Vol. 12, No. 2/3, Extended Outlooks: The Iowa Review Collection ofContemporary Writing by Women (Spring - Summer, 1981), pp. 78-79Published by: University of IowaStable URL: http://www.jstor.org/stable/20155652 .

Accessed: 17/06/2014 14:55

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

University of Iowa is collaborating with JSTOR to digitize, preserve and extend access to The Iowa Review.

http://www.jstor.org

This content downloaded from 62.122.73.86 on Tue, 17 Jun 2014 14:55:54 PMAll use subject to JSTOR Terms and Conditions

Page 2: Extended Outlooks: The Iowa Review Collection of Contemporary Writing by Women || In My Father's Cabin

In My Father's Cabin Kathy Engel

Today we walked into the forest

to a place where the pines have parted in a circle to let the light in,

where under thick green moss

is damp mulch, the sweet home.

It was so soft and moist underfoot,

you'd think anything could grow,

you'd think there was only growing and warm. The knobs on the maples, like chestnuts, those extra toes

on horses' legs, grow in the dark

the way things always grow and die

in the dark and you miss them.

That's why tonight I'll sit here while everyone sleeps, and look out

at the cuts and dives on Camel's Hump and listen to Turk's curving bark

at the foot of the hill, so nothing no one will leave while I'm asleep.

Tonight Northern Lights streak

across a dark sky and my father

walks out of this cabin he built,

anytime, to pee anywhere he chooses,

the tap of Vermont air waking him,

waking him. Up here,

between woods and meadow,

the wind turns you like age.

Up here,

my father doesn't care what time it is,

snowshoeing up the hill in winter,

pulling his food on a sled, or at the table writing on a yellow lined pad the film he has always wanted to write.

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Page 3: Extended Outlooks: The Iowa Review Collection of Contemporary Writing by Women || In My Father's Cabin

Soon it will be morning and my father will be standing at the door

asking, "Anyone feel like a little breakfast?" and the coffee will be going and I remember

all the mornings as a child

when I walked in my socks

straight to the telephone before breakfast

before anything to place a collect call

just to hear his voice?

"Kath, how are you Kath?" ?

just to hear the pause.

And I remember how sometimes the only safe place

was on his shoulders, above any home.

And nights I couldn't sleep, so tired from walking the bridge back and forth in the dark from mother to father.

This night I choose to stay awake

while shadows of the old trees

are taken up as young ones get tall,

and the blight nearly over,

maple leaves point everywhere,

flushed, about to flame out.

This night there is no bridge?footless, obsolete.

The walls have not shot up.

This late September night in my 22nd year my father and his wife lie sleeping in the other room,

my love sleeps here on the floor in his sleeping bag and I see again soon it will be light out.

79

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