EVENING & DAY EDITIONS [Catalogue]

Evening & Day EditionsLondon, 9 June 2016

UK_EDIITONS_JUN16_COVER_R2.indd 4 16/05/16 15:12

UK_EDIITONS_JUN16_2-53_R2.indd 2 13/05/16 18:15

46. Andy Warhol


40. Andy Warhol



61. KAWS


Auction and Viewing Location

30 Berkeley Square London W1J 6EX

Auctions

9 June 2016

Evening Auction Lots 1 – 69, 6pm

Day Auction Lots 70 – 245, 2pm

Viewing

3 – 9 June 2016

Monday – Saturday 10am – 6pm

Sunday 12pm – 6pm

Sale Designation

In sending in written bids or making

enquiries please refer to this sale as

UK030216 or Editions.

Absentee and Telephone Bids

tel +44 20 7318 4045

fax +44 20 7318 4035

[email protected]

Modern and Contemporary Editions

Head of Sale

Robert Kennan +44 20 7318 4075

[email protected]

Specialists

Anne Schneider-Wilson +44 20 7318 4042

[email protected]

Ross Thomas +44 20 7318 4077

[email protected]

Cataloguer

Rebecca Tooby-Desmond +44 20 7318 4079

[email protected]

Administrator

Eliza Allan +44 20 7318 4069

[email protected]

Evening & Day EditionsLondon, 9 June 2016, 2pm & 6pm

Cary LeibowitzWorldwide Co-Head,

Contemporary Editions

[email protected]

+1 212 940 1222

Kelly TroesterWorldwide Co-Head,

Modern Editions

[email protected]

+1 212 940 1221

Americas.

Jannah GreenblattSpecialist

[email protected]

+1 212 940 1332

Chairmen.

Hugues JofreChairman, UK and Europe,

and Worldwide Head of

20th Century Art

+44 20 7901 7923

[email protected]

Svetlana MarichWorldwide Deputy

Chairman

+44 20 7318 4010

[email protected]

August UribeDeputy Chairman,

Americas

+1 212 940 1208

[email protected]

Jonathan CrockettDeputy Chairman, Asia

+852 2318 2023

[email protected]

David GeorgiadesDeputy Chairman,

Americas

+1 212 940 1280

[email protected]

Matt Carey-WilliamsHead of Business

Development,

Deputy Chairman

+44 20 7318 4089

[email protected]

Finn SchouenborgDombernowskyDeputy Chairman,

Europe and Asia

+44 20 7318 4034

[email protected]

London.

Robert KennanHead of Editions, Europe

[email protected]

+44 20 7318 4075

Anne Schneider-WilsonSpecialist

[email protected]

+44 20 7318 4042

Ross ThomasSpecialist

[email protected]

+44 20 7318 4077


25. Lee Ufan


Evening EditionsLot 1 – 69, 6pm


1. Pablo Picasso 18 81-197 3

Chouette (Owl), 19 6 8

White ear thenware turned vase, painted in colours,

with knife engraving and par tial br ushed gla ze,

incised 49/ 5 0 0 and ‘EDITION PIC A SSO’, with the

Edition Picasso and Madoura Plein Feu p ot ter y

s tamps on the underside.

29 x 15 x 20 cm ( 11 3 / 8 x 5 7/ 8 x 7 7/ 8 in.)

Estimate

£ 8,0 0 0 -10,0 0 0 $ 11, 5 0 0 -14,4 0 0 € 10,10 0 -12,6 0 0 ♠

Literature

Alain Ramié 5 4 3



Visage et hibou (Face and Owl), 195 8

Red ear thenware turned vase, painted in colours,

with par tial br ushed gla ze, numb ered 6 0/20 0

and inscrib ed ‘EDITION PIC A SSO’ in black, with

the Edition Picasso and Madoura Plein Feu p ot ter y

s tamps on the underside.

2 5 x 21 x 18 cm (9 7/ 8 x 8 1 / 4 x 7 1 / 8 in.)

Estimate

£ 20,0 0 0 -30,0 0 0 $28,8 0 0 -4 3, 30 0 € 2 5, 30 0 -37,9 0 0 ♠

Literature

Alain Ramié 4 07



Petit pichet de hibou (Small Owl Pitcher), 1955

White ear thenware turned pitcher, painted in

colours, with br ushed gla ze, f rom the edition of 5 0 0,

inscrib ed ‘EDITION PIC A SSO’ and ‘M ADOUR A’

in black, with the Edition Picasso and Madoura

Plein Feu p ot ter y s tamps on the underside.

28 x 12 x 16 cm ( 11 x 4 3 / 4 x 6 1 / 4 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ♠

Literature

Alain Ramié 293



Visage (Face), 1955

White ear thenware turned jug, painted in colours,

with gla ze on the inside, f rom the edition of 5 0 0,

inscrib ed ‘EDITION PIC A SSO’ and ‘M ADOUR A’



29 x 10 x 13 cm ( 11 3 / 8 x 3 7/ 8 x 5 1 / 8 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0 ♠

Literature

Alain Ramié 28 8



Femme (Woman), 1955

White ear thenware turned jug, painted in

colours, with gla ze on the inside, numb ered

42 / 10 0 and inscrib ed ‘EDITION PIC A SSO’



30. 5 x 10 x 14 cm ( 12 x 3 7/ 8 x 5 1 / 2 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0 ♠

Literature

Alain Ramié 30 0



Lampe femme (Woman Lamp), 1955

White ear thenware turned vase, a variant painted

in colour, with knife engraving, f rom the edition

of 10 0, inscrib ed ‘EDITION PIC A SSO’ in black,

with the Edition Picasso and Madoura Plein Feu

p ot ter y s tamps on the underside.

37 x 19 x 9 cm ( 14 5 / 8 x 7 1 / 2 x 3 1 / 2 in.)

Estimate

£ 7,0 0 0 -9,0 0 0 $ 10,10 0 -13,0 0 0 € 8,9 0 0 -11,4 0 0 ♠

Literature

Alain Ramié 29 4/29 8



Picador (Bullfghter), 1952

Red ear thenware turned pitcher, painted in

black, with par tial br ushed gla ze, f rom the

edition of 5 0 0, incised ‘EDITION PIC A SSO’,

with the Madoura Plein Feu p ot ter y s tamp

on the underside.

13 x 7. 5 x 10 cm ( 5 1 / 8 x 2 7/ 8 x 3 7/ 8 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 ♠

Literature

Alain Ramié 162


Pichet Espagnol (Spanish Pitcher), 195 4

White ear thenware turned vase, painted in colours,

with knife engraving and glaze on the inside, numbered

37/200 and inscribed ‘EDITION PICASSO’ and

‘MADOUR A’ in black, with the Edition Picasso and

Madoura Plein Feu pot ter y stamps on the underside.

21 x 26 x 9 cm (8 1 / 4 x 10 1 / 4 x 3 1 / 2 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ♠

Literature

Alain Ramié 245



Visage no. 202 (Face no. 202), 19 63

White ear thenware round dish, painted in

colours, with br ushed gla ze, titled, numb ered

4 4 6/ 5 0 0 and inscrib ed ‘EDITION PIC A SSO’

and ‘M ADOUR A’ in black on the underside.

2 5 cm (9 7/ 8 in.) diameter

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ♠

Literature

Alain Ramié 495


Yan soleil (Yan Sun), 19 63

Red ear thenware turned pitcher, painted in black,

incised ‘EDITION PICASSO’ and numbered 4 6/300,

with the Edition Picasso and Madoura Plein Feu

pot ter y stamps on the underside.

27 x 16 x 12 cm ( 10 5 / 8 x 6 1 / 4 x 4 3 / 4 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ♠

Literature

Alain Ramié 516

UK_EDIITONS_JUN16_June_Gate Fold Out_14-15_R2.indd 6 16/05/16 15:17




Property from an Important Japanese Collection


Minotaure aveugle guidé par Marie-Thérèse au pigeon

dans une nuit étoilée (Blind Minotaur Guided Through

a Starry Night by Marie-Thérèse with a Dove), plate 97,

f rom La Suite Vollard, 193 4

Sugar-lif aquatint, scrap er, dr yp oint and engraving, on

Mont val laid pap er watermarked Vollard, with f ull margins

(deckle on t wo sides), the four th (fnal) s tate, signed in

p encil, f rom the edition of 26 0 (there was also an edition

of 5 0 with wide margins), published by Ambroise Vollard,

Paris, printed by Roger L acourière, 1939, f ramed.

I. 24. 5 x 3 4. 5 cm (9 5 / 8 x 13 5 / 8 in.)

S. 33.7 x 4 4. 5 cm ( 13 1 / 4 x 17 1 / 2 in.)

Estimate

£ 5 0,0 0 0 -70,0 0 0 $7 2,10 0 -101,0 0 0 €63,20 0 -8 8, 5 0 0 ‡ ♠

Literature

Georges Bloch 2 2 5

Brigit te Baer 4 37/IV/B/d

Exhibited

Hiroshima Prefec tural Ar t Museum, Hiroshima,

Prints of Picasso, 4 Aug us t – 30 Aug us t 19 9 8



Faune dévoilant une femme (Faun Revealing a Woman),

plate 27, f rom La Suite Vollard, 1936

Sugar-lif aquatint, scrap er and burin, on Mont val laid

pap er watermarked Picasso, with f ull margins (deckle on

t wo sides), the six th (fnal s tate), signed in p encil, f rom

the edition of 26 0 (there was also an edition of 5 0 with

wider margins), published by Ambroise Vollard, Paris,

printed by Roger L acourière, 1939, f ramed.

I. 31. 5 x 41. 5 cm ( 12 3 / 8 x 16 3 / 8 in.)

S. 3 4 x 4 4. 5 cm ( 13 3 / 8 x 17 1 / 2 in.)

Estimate

£4 0,0 0 0 - 6 0,0 0 0 $57,70 0 -8 6, 5 0 0 € 5 0,6 0 0 -75,9 0 0 ‡ ♠

Literature

Georges Bloch 2 30

Brigit te Baer 6 0 9/ VI/B/d

‘If all the ways I have been along were marked on a map and joined up witPablo Picasso


ed on a map and joined up with a line, it might represent a minotaur.’


13. Marc Chagall 1887-1985

A Midi, L’Été (At Noon, Summer), pl. 11, from Daphnis et Chloé, 1961

Lithograph in colours, on Arches paper, with full

margins, signed and numbered 13/60 in pencil (there

was also an unsigned edition of 250 without margins),

published by Tériade, Paris, unframed.

I. 42.3 x 32.2 cm (165/ 8 x 125/ 8 in.)

S. 54 x 37.9 cm ( 211/4 x 147/ 8 in.)

Estimate

£10,000-15,000 $14,400-21,600 €12,600-19,000 ‡ ♠

Literature

Fernand Mourlot and Charles Sorlier 318

see Patrick Cramer books 46


14. Marc Chagall 18 87-19 8 5

Le Magicien de Paris II (The Magician of Paris II),

19 69 -70

Lithograph in colours, on Arches pap er, with f ull

margins, signed, titled and numb ered 29/ 5 0 in

p encil (there were also 2 5 ar tis t ’s proofs), f ramed.

I. 87 x 6 8 cm ( 3 4 1 / 4 x 26 3 / 4 in.)

S. 9 6 x 69. 3 cm ( 37 3 / 4 x 27 1 / 4 in.)

Estimate

£ 10,0 0 0 -15,0 0 0 $ 14,4 0 0 -21,6 0 0 € 12,6 0 0 -19,0 0 0 ‡ ♠

Literature

Fernand Mourlot 59 8



15. Joan Miró 1893-19 8 3

Souris rouge à la mantille (Red Mouse in Mantilla), 1975

Aquatint in colours, on Arches pap er, with f ull

margins (deckle on t wo sides), signed and

numb ered 7/ 5 0 in p encil (there were also some

hors commerce impressions), published by Maeght,

Paris, unf ramed.

I. 114.7 x 7 3.7 cm (45 1 / 8 x 29 in.)

S. 137.9 x 95.2 cm ( 5 4 1 / 4 x 37 1 / 2 in.)

Estimate

£ 8,0 0 0 -12,0 0 0 $ 11, 5 0 0 -17, 30 0 € 10,10 0 -15,20 0 ‡ ♠

Literature

Jacques Dupin 751

16. Jackson Pollock 1912-195 6

Untitled, circa 19 4 4/ 19 67

Engraving and dr yp oint in brown-black, on heav y

wove pap er, with f ull margins, the third (fnal) s tate,

numb ered 21/ 5 0 in p encil in another hand, printed

p os thumously by Emiliano Sorini (with his and the

E s tate of Jack son Pollock ’s blinds tamps), f ramed.

I. 30 x 2 5 cm ( 11 3 / 4 x 9 7/ 8 in.)

S. 5 0.8 x 3 4.9 cm (20 x 13 3 / 4 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 ‡

Literature

Francis Valentine O’Connor and Eugene Vic tor

Thaw 107 1


17. Francis Bacon 19 0 9 -19 92

Seated Figure (afer, Study for a Portrait 1981), 19 8 3

Etching and aquatint in colours, on Guarro pap er,

with f ull margins, signed and numb ered 2 /9 9

in p encil (there were also 9 9 copies on Arches

pap er in Roman numerals and 15 ar tis t ’s proofs

for each pap er), published by Ediciones Polígraf a,

Barcelona, unf ramed.

I. 7 2. 3 x 53.7 cm (28 1 / 2 x 21 1 / 8 in.)

S. 101.6 x 70.6 cm (4 0 x 27 3 / 4 in.)

Estimate

£ 10,0 0 0 -15,0 0 0 $ 14,4 0 0 -21,6 0 0 € 12,6 0 0 -19,0 0 0 ♠

Literature

Br uno Sabatier 5

Alexandre Tacou 15


18. Francis Bacon 19 0 9 -19 92

Deuxième version du triptyque 1944 (afer, Second

Version of the Triptych 1944), 19 89

The complete set of three lithographs in colours,

on Arches Infnit y pap er, with f ull margins, all signed

and numb ered 9/6 0 in p encil (there were also 2 3 hors

commerce impressions and 8 ar tis t ’s proofs), published

by Michel Archimbaud for the Librarie Ség uier for

IRC A M Centre Pompidou, Paris, all f ramed.

all I. 62 x 4 6 cm (24 3 / 8 x 18 1 / 8 in.)

all S. 75 x 5 6 cm (29 1 / 2 x 2 2 in.)

Estimate

£ 15,0 0 0 -20,0 0 0 $21,6 0 0 -28,8 0 0 € 19,0 0 0 -2 5, 30 0 ♠

Literature

Br uno Sabatier 24

Alexandre Tacou 2 5


19. Richard Hamilton 192 2-2011

Archive II, 19 81

Lithograph, on Fabriano pap er, with f ull margins,

signed and numb ered 7/ 15 in p encil (there were

also 2 ar tis t ’s proofs), published by Wadding ton

Graphic s (with their blinds tamp), London, f ramed.

I. 8 0 x 5 6. 5 cm ( 31 1 / 2 x 2 2 1 / 4 in.)

S. 93 x 70. 5 cm ( 36 5 / 8 x 27 3 / 4 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 ‡ ♠

Literature

Etienne Lullin 119

20. Marcel Duchamp and Jacques Villon 18 87-19 6 8 and 1875 -19 63

Mariée (Bride), 193 4

Aquatint in colours, on Arches pap er, with f ull

margins, signed by Duchamp and Villon, and titled

in p encil (a proof aside f rom the edition of 20 0,

there was also an edition of 20 with a profle of a

K night in the lower right), published by Galerie

Bernheim-Jeune, Paris, f ramed.

I. 4 8.9 x 30.8 cm ( 19 1 / 4 x 12 1 / 8 in.)

S. 6 4.8 x 49. 5 cm (2 5 1 / 2 x 19 1 / 2 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0 ‡ ♠

Literature

Ar turo Schwar z 4 33

Colet te de Gines tet and Catherine Pouillon 67 2


21. Marcel Duchamp 18 87-19 6 8

À L’Infnitif (The White Box), 19 67

Screenprint on vinyl mounted to Plexiglas (as issued)

with 79 f ac simile notes, contained in seven black

pap er folders, incise siged, dated ‘19 6 6’ and numb ered

101/ 15 0 on the Plexiglas, also signed, in black ink

on the title page, published by Cordier & Ek s trom,

New York, the f ac similes contained in the original

linen-covered p or t folio with printed title on the f ront.

33 x 28. 5 x 4 cm ( 12 7/ 8 x 11 1 / 4 x 1 5 / 8 in.)

Estimate

£ 10,0 0 0 -15,0 0 0 $ 14,4 0 0 -21,6 0 0 € 12,6 0 0 -19,0 0 0 ‡ ♠

Literature

Ar turo Schwar z 637

In 196 4, Duchamp recovered a group of 79

unpublished notes (dating from 1914-2 3)

concerning the Large Glass that had been

excluded from his original selec tion of notes

for the Green Box, 193 4. A s most of the notes

were writ ten in the infnitive, he titled this

publication A l’Infnitif.



22. Louise Bourgeois 1911-2010

Fugue, 20 03- 05

The complete set of 19 screenprint s in colours, on

Stonehenge cream pap er, the f ull sheet s, all signed

with initials on the f ront, annotated #1 through #19

consecutively and numb ered 9/9 on the reverse in p encil,

f ur ther signed and numb ered on the colophon in p encil

(there was also one ar tis t ’s proof ), published by Procuniar

Work shop, New York, contained in the original pale blue

f abric-covered p or t folio.

33 x 45 x 3.2 cm ( 12 7/ 8 x 17 3 / 4 x 1 1 / 4 in.)

Estimate

£4 0,0 0 0 - 6 0,0 0 0 $57,70 0 -8 6, 5 0 0 € 5 0,6 0 0 -75,9 0 0 ‡ ♠

Provenance

David Procuniar, New York

O ther p or t folios f rom this edition are held in p ermanent

collec tions at the Museum of Mo dern Ar t, New York,

and the Kuns tmuseum Bern, Swit zerland


Property from a Private European Collection

23. Cy Twombly 1928-2011

Roman Notes V, f rom Roman Notes, 1970

O f set lithograph in colours, on heav y of set pap er,

the f ull sheet, signed, dated ‘ 70 ’ and numb ered

5 0/ 10 0 in p encil on the reverse (there were also

10 ar tis t ’s proofs), published by Neuendor f Verlag,

Hamburg, f ramed.

S. 8 6.6 x 69.6 cm ( 3 4 1 / 8 x 27 3 / 8 in.)

Estimate

£ 20,0 0 0 -30,0 0 0 $28,8 0 0 -4 3, 30 0 € 2 5, 30 0 -37,9 0 0

Literature

Heiner Bas tian 2 5




24. Lee Ufan b. 1936

To the Ruins, 19 8 6

The complete p or t folio of seven dr yp oint s, on Arches

Infnit y pap er, with f ull margins, with title page, all signed,

dated '8 6' and numb ered 4 0/ 5 0 in p encil (there were also

10 ar tis t 's proofs), published by Shirota Galler y, Tok yo,

the sheet s loose (as issued) contained in individual pap er

folders inside the original teal linen-covered p or t folio.

all I. 49 x 39 cm ( 19 1 / 4 x 15 3 / 8 in.)

all S. 65 x 5 4 cm (2 5 5 / 8 x 211 / 4 in.)

Estimate

£ 10,0 0 0 -15,0 0 0 $ 14,4 0 0 -21,6 0 0 € 12,6 0 0 -19,0 0 0 ‡

Literature

Yuichiro A sakura 7 1



26. Gerhard Richter and Isa Genzken b. 1932 and b. 19 4 8

Tri-Star, 19 81

Phonograph record by Isa Genzken, featuring

noises made by a Tri-Star aeroplane motor,

one side painted by Gerhard Richter with grey

nitro lacquer, signed and dated ‘81’ in blue ink on

the grey nitro lacquer and numb ered 39/ 75 in

black ink on the yellow lab el afxed to the reverse,

published by Isa Genzken and Gerhard Richter,

Düsseldor f, unf ramed, contained in a black

card record sleeve.

17. 5 cm (6 7/ 8 in.) diameter

Estimate

£ 6,0 0 0 -8,0 0 0 $ 8,70 0 -11, 5 0 0 € 7,6 0 0 -10,10 0 ♠

Literature

Hub er tus Butin 57

25. Lee Ufan b. 1936

Untitled, f rom Dialogue, 20 07

Carb or undum print in orange, on Moulin

de L arro que pap er, with f ull margins, signed,

dated '07 ' and numb ered 3/ 10 in p encil (there

was also one hors commerce impression),

published by Les Ateliers Moret, Paris, f ramed.

I. 18 x 18 cm ( 7 1 / 8 x 7 1 / 8 in.)

P. 91 x 70. 5 cm ( 35 7/ 8 x 27 3 / 4 in.)

S. 120 x 10 0 cm (47 1 / 4 x 39 3 / 8 in.)

Estimate

£ 7,0 0 0 -10,0 0 0 $ 10,10 0 -14,4 0 0

€ 8,9 0 0 -12,6 0 0 ‡


27. Gerhard Richter b. 1932

Kerze I (Candle I), 19 8 8

O f set lithograph in colours, on of set pap er, the f ull

sheet, signed in black pas tel chalk, f rom the edition

of 2 5 0, published by Verein zur Förder ung mo derner

Kuns t e.V. (at the Mönchehaus-Museum f ür mo derne

Kuns t), Goslar, unf ramed.

S. 89.2 x 9 4.4 cm ( 35 1 / 8 x 37 1 / 8 in.)

Estimate

£ 15,0 0 0 -20,0 0 0 $21,6 0 0 -28,8 0 0 € 19,0 0 0 -2 5, 30 0 ♠

Literature

Hub er tus Butin 6 4


28. Sigmar Polke 19 41-2010

Freundinnen I (Girlfriends I), 19 67

O f set lithograph, on heav y wove pap er, with

margins, signed, dated ‘67 ’ and numb ered 39/ 15 0

in p encil, published by Galerie h (Aug us t Haseke),

Hannover, f ramed.

I. 4 6 x 5 8.6 cm ( 18 1 / 8 x 2 3 1 / 8 in.)

S. 47.7 x 59.9 cm ( 18 3 / 4 x 2 3 5 / 8 in.)

Estimate

£ 10,0 0 0 -15,0 0 0 $ 14,4 0 0 -21,6 0 0 € 12,6 0 0 -19,0 0 0 ♠

Provenance

Jörg Maaß Kuns thandel, Berlin

Literature

Jürgen Becker and Claus von der Os ten 3



29. Roy Lichtenstein 192 3-19 97

Shipboard Girl, 19 65

O f set lithograph in colours, on wove pap er, with f ull

margins, signed in p encil, the edition size unknown,

published by Leo Cas telli Galler y, New York, f ramed.

I. 6 6 x 4 8.7 cm (2 5 7/ 8 x 19 1 / 8 in.)

S. 6 8.7 x 51. 5 cm (27 x 20 1 / 4 in.)

Estimate

£ 20,0 0 0 -30,0 0 0 $28,8 0 0 -4 3, 30 0 € 2 5, 30 0 -37,9 0 0

Literature

Mar y Lee Corlet t II.6


Mao, 197 1

Lithograph in colours, on Arches pap er, with wide

margins, signed, dated ‘ 7 1’ and numb ered 2 / 15 0

in p encil (there were also an unknown numb er of

ar tis t ’s proofs in Roman numerals), with the ar tis t ’s

copyright blinds tamp, co-published by Richard

Kasak and Citadel Press, New York, unf ramed.

I. 5 8 x 42.6 cm (2 2 7/ 8 x 16 3 / 4 in.)

S. 6 6. 5 x 5 0. 5 cm (26 1 / 8 x 19 7/ 8 in.)

Estimate

£ 10,0 0 0 -15,0 0 0 $ 14,4 0 0 -21,6 0 0 € 12,6 0 0 -19,0 0 0

Literature

Mar y Lee Corlet t 10 4



Moonscape, f rom 11 Pop Artists, Volume I, 19 65

Screenprint in colours, on blue Rowlux, the f ull sheet,

signed, dated ‘65’ and numb ered 97/20 0 in p encil

on the reverse (there were also 5 0 ar tis t ’s proofs in

Roman numerals), published by O riginal Editions,

New York, f ramed.

S. 5 0. 5 x 61.6 cm ( 19 7/ 8 x 24 1 / 4 in.)

Estimate

£ 10,0 0 0 -15,0 0 0 $ 14,4 0 0 -21,6 0 0 € 12,6 0 0 -19,0 0 0

Literature

Mar y Lee Corlet t 37



Untitled Head, 19 95

Screenprint in colours, on L anaquarelle

watercolour pap er, with f ull margins, signed, dated

‘ 95’ and numb ered 26/ 75 in p encil (there were

also 14 ar tis t ’s proofs), published by Gemini G.E.L.,

Los Angeles (with their blinds tamps), f ramed.

I. 33. 5 x 4 0. 5 cm ( 13 1 / 4 x 15 7/ 8 in.)

S. 47. 5 x 5 4. 5 cm ( 18 3 / 4 x 21 1 / 2 in.)

Estimate

£ 10,0 0 0 -15,0 0 0 $ 14,4 0 0 -21,6 0 0 € 12,6 0 0 -19,0 0 0

Literature

Gemini G.E.L. 16 41




Still Life with Pitcher and Flowers, 1974

Lithograph and screenprint in colours, on BFK

Rives pap er, with f ull margins, signed, dated ‘ 74’

and numb ered 3/ 10 0 in p encil (there were also

10 ar tis t ’s proofs), with the ar tis t ’s copyright

ink s tamp on the reverse, published by Multiples

Inc. and Cas telli Graphic s, New York, f ramed.

I. 7 7 x 115.2 cm ( 30 3 / 8 x 45 3 / 8 in.)

S. 93.8 x 131.6 cm ( 36 7/ 8 x 51 3 / 4 in.)

Estimate

£ 8,0 0 0 -10,0 0 0 $ 11, 5 0 0 -14,4 0 0 € 10,10 0 -12,6 0 0

Literature


34. Andy Warhol 1928-19 87

New England Clam Chowder, f rom Campbell’s

Soup II, 19 69

Screenprint in colours, on wove paper, with

full margins, signed in black ball-point pen

and stamp-numbered 221/250 on the reverse

(there were also 26 ar tist ’s proofs let tered A-Z ),

published by Fac tor y Additions, New York, unframed.

I. 81. 3 x 4 8. 3 cm ( 32 x 19 in.)

S. 8 8.7 x 5 8.4 cm ( 3 4 7/ 8 x 2 2 7/ 8 in.)

Estimate

£ 10,0 0 0 -15,0 0 0 $ 14,4 0 0 -21,6 0 0 € 12,6 0 0 -19,0 0 0

Literature

Frayda Feldman and Jörg Schellmann 57




35. Andy Warhol 1928-19 87

Marilyn, 19 67

Screenprint in colours, on wove pap er, the f ull sheet,

signed in p encil and s tamp-numb ered 151/2 5 0 on the

reverse (there were also 26 ar tis t ’s proofs let tered

A-Z ), published by Fac tor y Additions,

New York, f ramed.

S. 91.2 x 91.1 cm ( 35 7/ 8 x 35 7/ 8 in.)

Estimate

£4 0,0 0 0 - 6 0,0 0 0 $57,70 0 -8 6, 5 0 0 € 5 0,6 0 0 -75,9 0 0

Literature





36. Andy Warhol 1928-19 87

Red Lenin, 19 87

Screenprint in colours, on Arches 8 8 pap er, the f ull

sheet, signed by Frederick W. Hughes (E xecutor of

the E s tate of Andy Warhol) and numb ered 118/ 120

in p encil on a s tamp ed Cer tifcate of Authenticit y

on the reverse (there were also 24 ar tis t ’s proofs),

published by Andy Warhol, New York, unf ramed.

S. 10 0 x 70. 5 cm ( 39 3 / 8 x 27 3 / 4 in.)

Estimate

£ 30,0 0 0 -5 0,0 0 0 $ 4 3, 30 0 -7 2,10 0 € 37,9 0 0 - 63,20 0

Literature

Frayda Feldman and Jörg Schellmann 4 03

Provenance

Acquired direc tly f rom the ar tis t 's s tudio, 19 87


38. Andy Warhol 1928-19 87

Details of Renaissance Paintings (Paolo Ucello,

St. George & the Dragon, 1460), 19 8 4

Screenprint in colours, on Arches Aquarelle

(Cold Pressed) pap er, with f ull margins, signed

and numb ered 3 8/ 5 0 in p encil (there were also

12 ar tis t ’s proofs), published by Editions Schellmann

& K lüser, Munich and New York (with their and the

ar tis t ’s copyright ink s tamp on the reverse), f ramed.

I. 65 x 9 4. 5 cm (2 5 5 / 8 x 37 1 / 4 in.)

S. 81 x 111. 5 cm ( 31 7/ 8 x 4 3 7/ 8 in.)

Estimate

£ 8,0 0 0 -12,0 0 0 $ 11, 5 0 0 -17, 30 0 € 10,10 0 -15,20 0

Literature


37. Andy Warhol 1928-19 87

Jacqueline Kennedy I (Jackie I), f rom 11 Pop Artists,

Volume I, 19 6 6

Screenprint in silver, on wove pap er, with f ull

margins, s tamp-signed and numb ered 19 0/20 0

in p encil on the reverse (there were also 5 0 ar tis t ’s

proofs in Roman numerals), published by O riginal

Editions, New York, f ramed.

I. 52. 5 x 4 3.2 cm (20 5 / 8 x 17 in.)

S. 6 0.8 x 5 0. 5 cm (2 3 7/ 8 x 19 7/ 8 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0

Literature



39. Andy Warhol 1928-19 87

Mobil, f rom Ads, 19 8 5

Screenprint in colours, on Lenox Museum Board,

the f ull sheet, signed and numb ered 6/ 19 0

in p encil (there were also 30 ar tis t ’s proofs),

published by Ronald Feldman Fine Ar t s, Inc.,

New York (with their and the ar tis t ’s copyright

ink s tamp on the reverse), f ramed.

S. 9 6. 3 x 9 6. 3 cm ( 37 7/ 8 x 37 7/ 8 in.)

Estimate

£ 15,0 0 0 -20,0 0 0 $21,6 0 0 -28,8 0 0 € 19,0 0 0 -2 5, 30 0

Literature



40. Andy Warhol 1928-19 87

Apple, f rom Ads, 19 8 5

Unique screenprint in colours, on Lenox Museum

Board, the f ull sheet, signed and annotated ‘ TP 11/ 30 ’

in p encil (one of 30 unique trial proofs, aside f rom

the edition of 19 0 and 30 ar tis t ’s proofs), published

by Ronald Feldman Fine Ar t s, Inc., New York (with

their and Apple Computer Inc.’s copyright ink s tamps

on the reverse), f ramed.

S. 9 6.4 x 9 6.4 cm ( 37 7/ 8 x 37 7/ 8 in.)

Estimate

£ 5 0,0 0 0 -70,0 0 0 $7 2,10 0 -101,0 0 0 €63,20 0 -8 8, 5 0 0

Literature



41. Andy Warhol 1928-19 87

Queen Elizabeth II of the United Kingdom,

f rom Reigning Queens, 19 8 5

Screenprint in colours, on Lenox Museum Board, the

full sheet, signed and numbered 3/4 0 in pencil (there

were also 10 ar tist ’s proofs), with the ar tist ’s copyright

inkstamp on the reverse, published by George C. P.

Mulder, Amsterdam, the Netherlands, framed.

S. 9 9.8 x 79.8 cm ( 39 1 / 4 x 31 3 / 8 in.)

Estimate

£ 30,0 0 0 -5 0,0 0 0 $ 4 3, 30 0 -7 2,10 0 € 37,9 0 0 - 63,20 0

Literature



42. Andy Warhol 1928-19 87

Queen Margrethe II of Denmark, f rom Reigning

Queens, 19 8 5


the f ull sheet, signed and annotated ‘R AP 1/ 5’

in p encil (a printer ’s proof, the edition was 4 0 and

10 ar tis t ’s proofs), with the ar tis t ’s copyright ink s tamp

on the reverse, published by George C . P. Mulder,

Ams terdam, the Netherlands, f ramed.

S. 9 9.8 x 79.6 cm ( 39 1 / 4 x 31 3 / 8 in.)

Estimate

£ 12,0 0 0 -18,0 0 0 $ 17, 30 0 -26,0 0 0 € 15,20 0 -2 2,8 0 0 ‡

Literature

Frayda Feldman and Jörg Schellmann II. 3 45


43. Andy Warhol 1928-19 87

Mick Jagger, 1975

Screenprint in colours, on Arches Aquarelle (Rough)

pap er, the f ull sheet, signed and numb ered 14/2 5 0

in p encil by the ar tis t, signed in red felt p en by

Mick Jag ger (there were also 5 0 ar tis t ’s proofs),

published by Seabird Editions (with their copyright

ink s tamp on the reverse), London, f ramed.

S. 111 x 7 3. 5 cm (4 3 ¾ x 28 7/ 8 in.)

Estimate

£ 2 5,0 0 0 -35,0 0 0 $36,10 0 -5 0, 5 0 0 € 31,6 0 0 -4 4, 30 0 ‡

Literature



44. Andy Warhol 1928-1987

The Shadow, from Myths, 1981


the full sheet, signed and numbered 41/200 in

pencil (there were also 30 artist’s proofs), published

by Ronald Feldman Fine Arts, Inc., New York, framed.

S. 96.3 x 96.2 cm (377/ 8 x 377/ 8 in.)

Estimate

£20,000-30,000 $28,800-43,300 €25,300-37,900 ‡

Literature




45. Andy Warhol 1928-19 87

Shadows V, 1979

The set of t wo unique screenprint s in colours with

diamond dus t, on Arches 8 8 pap er, the f ull sheet s,

b oth signed, titled, and annotated ‘P.P 1/ 1’ in p encil

on the reverse (the pair of printer ’s proofs, the

edition was 10 unique colour variant s), published by

Andy Warhol, New York (with the ar tis t ’s copyright

ink s tamp on the reverse), b oth f ramed.

b oth S. 10 9.4 x 7 7.2 cm (4 3 1 / 8 x 30 3 / 8 in.)

Estimate

£ 6 0,0 0 0 -8 0,0 0 0 $ 8 6, 5 0 0 -115,0 0 0 € 75,9 0 0 -101,0 0 0 ‡

Literature

Frayda Feldman and Jörg Schellmann 2 24-2 2 5



46. Andy Warhol 1928-19 87

The Scream (afer Munch), 19 8 4

Unique screenprint in colours, on Lenox Museum Board,

the f ull sheet, f rom a small, unnumb ered edition of unique

colour variant s, with the E s tate of Andy Warhol ink s tamp

and with the numb er ‘UP3 4.28’ and the initials ‘ VF’

in p encil on the reverse, printed by Rup er t Jasen Smith,

New York, unf ramed.

S. 101.4 x 81.2 cm ( 39 7/ 8 x 31 7/ 8 in.)

Estimate

£ 15 0,0 0 0 -2 5 0,0 0 0 $216,0 0 0 -361,0 0 0 € 19 0,0 0 0 -316,0 0 0

Literature

Frayda Feldman and Jörg Schellmann IIIA . 5 8

Provenance

Acquired direc tly f rom the ar tis t 's s tudio, 19 87



47. After Jean-Michel Basquiat 19 6 0 -19 8 8

Head, 19 8 3/20 01

Screenprint in colours, on wove pap er,

the f ull sheet, numb ered 62 /8 5 in p encil

(there were also 15 ar tis t ’s proofs),

signed and dated ‘11-19 - 01’ by Gerard

Basquiat (Adminis trator of the E s tate

of Jean-Michel Basquiat) in p encil with

the E s tate s tamp on the reverse,

published by De Sanc tis Carr Fine Ar t,

Los Angeles, f ramed.

S. 101. 5 x 101. 5 cm ( 39 7/ 8 x 39 7/ 8 in.)

Estimate

£ 20,0 0 0 -30,0 0 0 $28,8 0 0 -4 3, 30 0

€ 2 5, 30 0 -37,9 0 0


Ernok, 19 8 3/20 01


the f ull sheet, numb ered 62 /8 5 in

p encil (there were also 15 ar tis t ’s

proofs), signed and dated ‘11-19 - 01’

by Gerard Basquiat (Adminis trator of

the E s tate of Jean-Michel Basquiat)

in p encil with the E s tate s tamp on the

reverse, published by De Sanc tis Carr

Fine Ar t, Los Angeles, f ramed.

S. 101. 5 x 101. 5 cm ( 39 7/ 8 x 39 7/ 8 in.)

Estimate

£ 20,0 0 0 -30,0 0 0 $28,8 0 0 -4 3, 30 0

€ 2 5, 30 0 -37,9 0 0



Per Capita, 19 8 3/20 01


the f ull sheet, numb ered 62 /8 5 in

p encil (there were also 15 ar tis t ’s

proofs), signed and dated ‘11-19 - 01’

by Gerard Basquiat (Adminis trator of

the E s tate of Jean-Michel Basquiat)

in p encil with the E s tate s tamp on

the reverse, published by De Sanc tis

Carr Fine Ar t, Los Angeles, f ramed.

S. 101. 5 x 101. 5 cm ( 39 7/ 8 x 39 7/ 8 in.)

Estimate

£ 15,0 0 0 -20,0 0 0 $21,6 0 0 -28,8 0 0

€ 19,0 0 0 -2 5, 30 0


Rinso, 19 8 3/20 01


the f ull sheet, numb ered 62 /8 5 in p encil


signed and dated ‘11-19 - 01’ by Gerard

Basquiat (Adminis trator of the E s tate

of Jean-Michel Basquiat) in p encil with

the E s tate s tamp on the reverse,

published by De Sanc tis Carr Fine Ar t,

Los Angeles, f ramed.

S. 101. 5 x 101. 5 cm ( 39 7/ 8 x 39 7/ 8 in.)

Estimate

£ 15,0 0 0 -20,0 0 0 $21,6 0 0 -28,8 0 0

€ 19,0 0 0 -2 5, 30 0



Etching.

A dialogue of risk between wax and acid, mediated by

the hand of the artist. The copper plate is covered by

a ground (either hard or sof wax) before the image

can be created. Hard wax is incised directly with a needle

that courses through the ground to expose the copper

below. Sof wax is covered with a sheet of paper that

the artist draws onto – once removed, the depressions

in the ground retain a subtle paper grain.

The plate is then dipped in a bath of acid: the corrosive

biting into the exposed copper. Sharp, wiry lines are

created from the precision of the hard-ground - with

the sof-ground revealing crayon-like, lyrical marks.


51. Jake and Dinos Chapman b. 19 6 6/ 19 62

Disasters of War, 19 9 9

The complete p or t folio of 8 3 etchings, on Somerset pap er,

with f ull margins, with title page and colophon, f rom the

frs t edition, all sheet s signed on the reverse and numb ered

10/ 15 on the colophon in p encil (there were also 5 ar tis t s’

proofs), published by The Paragon Press, London,

the sheet s loose (as issued) contained in the original

brown f abric-covered p or t folio.

5 4 x 37 x 5 cm (21 1 / 4 x 14 5 / 8 x 1 7/ 8 in.)

Estimate

£ 20,0 0 0 -30,0 0 0 $28,8 0 0 -4 3, 30 0 € 2 5, 30 0 -37,9 0 0 ♠ †

Literature

The Paragon Press 19 95 -20 0 0 pp. 19 4-217

Please refer to the online catalog ue for a complete lis ting.


52. Jake and Dinos Chapman b. 19 6 6/ 19 62

Exquisite Corpse, 20 0 0

The complete set of 20 etchings, on Somerset pap er,

with f ull margins, all signed and numb ered 17/20 in

p encil on the reverse (there were also 6 ar tis t s’ proofs),

published by The Paragon Press, London, all f ramed.

all I. 2 2. 5 x 17. 5 cm (8 7/ 8 x 6 7/ 8 in.)

all S. 4 6 x 37. 5 cm ( 18 1 / 8 x 14 3 / 4 in.)

Estimate

£ 8,0 0 0 -10,0 0 0 $ 11, 5 0 0 -14,4 0 0 € 10,10 0 -12,6 0 0 ♠

Literature

The Paragon Press 19 95 -20 0 0 pp. 26 0 -269



53. Damien Hirst b. 19 65

The Last Supper, 19 9 9

The complete series of 13 screenprint s in colours,

on Somerset pap er, with f ull margins, all signed in

p encil, f rom the edition of 15 0 (there were also 2 5

ar tis t ’s proofs), published by The Paragon Press,

London, all unf ramed.

all I. various sizes

all S. 153 x 101. 5 cm (6 0 1 / 4 x 39 7/ 8 in.) t wo horizontal

Estimate

£ 2 5,0 0 0 -35,0 0 0 $36,10 0 -5 0, 5 0 0 € 31,6 0 0 -4 4, 30 0 ♠

Literature

The Paragon Press 19 95 -20 0 0 pp. 2 30 -24 3

This lot has b een authenticated by the Hirs t

Authentication Commit tee



Flumequine, 20 07

Aquatint in colours, on Hahnemühle etching pap er,

with f ull margins, signed on the f ront and numb ered

8/ 75 in p encil on the reverse (there were also 20


London, f ramed.

I. 114 x 8 4. 5 cm (4 4 7/ 8 x 33 1 / 4 in.)

S. 14 0.2 x 10 8 cm ( 55 1 / 4 x 42 1 / 2 in.)

Estimate

£ 10,0 0 0 -15,0 0 0 $ 14,4 0 0 -21,6 0 0 € 12,6 0 0 -19,0 0 0 ♠

Literature

The Paragon Press 20 0 6 -2010 pp. 16 0 -161





Mickey, 2014

Screenprint in colours with gla ze, on wove pap er, with

f ull margins, signed and numb ered 14 4/2 5 0 in p encil

(there were also 10 ar tis t ’s proofs), published by O ther

Criteria Ltd., London (with their blinds tamp), f ramed.

I. 8 4.1 x 49 cm ( 33 1 / 8 x 19 1 / 4 in.)

S. 87. 5 x 70 cm ( 3 4 1 / 2 x 27 1 / 2 in.)

Estimate

£ 15,0 0 0 -20,0 0 0 $21,6 0 0 -28,8 0 0 € 19,0 0 0 -2 5, 30 0 ♠





Minnie (Pink Glitter), 2016

Screenprint in colours with glit ter, on wove pap er,

the f ull sheet, signed and numb ered 6 8/ 15 0 in p encil


published by O ther Criteria, London Ltd., f ramed.

S. 87. 5 x 70 cm ( 3 4 1 / 2 x 27 1 / 2 in.)

Estimate

£ 8,0 0 0 -12,0 0 0 $ 11, 5 0 0 -17, 30 0 € 10,10 0 -15,20 0 ♠




Mickey (Blue Glitter), 2016

Screenprint in colours with glit ter, on wove pap er,

the f ull sheet, signed and numb ered 6 8/ 15 0 in p encil


published by O ther Criteria Ltd., London, f ramed.

S. 87. 5 x 70 cm ( 3 4 1 / 2 x 27 1 / 2 in.)

Estimate

£ 8,0 0 0 -12,0 0 0 $ 11, 5 0 0 -17, 30 0 € 10,10 0 -15,20 0 ♠





Beautiful Mickey, 2015

Screenprint in colours, on wove pap er, with f ull margins,

signed and numb ered 8/ 5 0 in p encil (there were also

5 ar tis t ’s proofs), published by O ther Criteria Ltd.,

London (with their blinds tamp), f ramed.

I. 12 3.8 (4 8 3 / 4 in.) diameter

S. 135.9 x 135.6 cm ( 53 1 / 2 x 53 3 / 8 in.)

Estimate

£ 15,0 0 0 -20,0 0 0 $21,6 0 0 -28,8 0 0 € 19,0 0 0 -2 5, 30 0 ♠





3-Methylthymidine, 2014

Screenprint in colours with diamond dus t,

on Somerset pap er, the f ull sheet, signed

and numb ered 61/ 10 0 in p encil on the reverse,

published by Paul Stolp er, London, f ramed.

S. 8 3.6 x 6 8. 5 cm ( 32 7/ 8 x 26 7/ 8 in.)

Estimate

£ 8,0 0 0 -12,0 0 0 $ 11, 5 0 0 -17, 30 0 € 10,10 0 -15,20 0 ♠




Methylamine-13c, 2014


on Somerset pap er, the f ull sheet, signed

and numb ered 61/ 10 0 in p encil on the reverse,

published by Paul Stolp er, London, f ramed.

S. 8 3.6 x 6 8.4 cm ( 32 7/ 8 x 26 7/ 8 in.)

Estimate

£ 8,0 0 0 -12,0 0 0 $ 11, 5 0 0 -17, 30 0 € 10,10 0 -15,20 0 ♠





61. KAWS b. 1974

Ups and Downs, 2013

The complete set of 10 screenprints in colours,

on Saunders Water ford High White paper, the full

sheets, all signed, dated ‘13’ and numbered 62/100

in pencil (there were also 20 ar tist ’s proofs), published

by the ar tist, the sheets loose (as issued) contained

in the original black fabric-covered por t folio.

92 x 62 x 3 cm ( 36 1 / 4 x 24 3 / 8 x 1 1 / 8 in.)

Estimate

£ 15,0 0 0 -2 5,0 0 0 $21,6 0 0 -36,10 0 € 19,0 0 0 -31,6 0 0 ‡

Exhibited

Nerman Museum of Contemp orar y Ar t, O verland

Park, Kansas, UPS AND DOWNS, 2 5 O c tob er 2013 -

9 Febr uar y 2014 (another example exhibited)



63. Robert Longo b. 1953

Hell’s Gate, 20 05

Archival pigment print, on Epson Hot-Pressed

pap er, with f ull margins, signed, dated ‘20 05’

and numb ered 24/ 30 in p encil (there were also

5 ar tis t ’s proofs), published by Adamson Editions,

Washing ton D.C ., f ramed.

I. 97 x 101. 5 cm ( 3 8 1 / 4 x 39 7/ 8 in.)

S. 105.8 x 110. 5 cm (41 5 / 8 x 4 3 1 / 2 in.)

Estimate

£ 6,0 0 0 -8,0 0 0 $ 8,70 0 -11, 5 0 0 € 7,6 0 0 -10,10 0 ‡


Tiger, 2011


pap er, with f ull margins, signed, dated ‘2011’

and numb ered 18/ 30 in p encil (there were

also 3 ar tis t ’s proofs), published by Handicap

International, France, unf ramed.

I. 10 6.6 x 7 7. 5 cm (41 7/ 8 x 30 1 / 2 in.)

S. 114.8 x 8 4.7 cm (45 1 / 4 x 33 3 / 8 in.)

Estimate

£ 10,0 0 0 -15,0 0 0 $ 14,4 0 0 -21,6 0 0 € 12,6 0 0 -19,0 0 0



64. Julian Opie b. 195 8

This is Shahnoza 1-5, 20 0 6

The complete series of fve screenprint s, on Somerset

Satin pap er, with f ull margins, all signed and numb ered

2 5/4 0 in p encil (there were also 11 ar tis t ’s proofs),

published by Alan Cris tea Galler y, London, all f ramed.

all I. approx. 51 x 118 cm (20 1 / 8 x 4 6 1 / 2 in.)

all S. 5 6.8 x 135. 5 cm (2 2 3 / 8 x 53 3 / 8 in.)

Estimate

£ 2 5,0 0 0 -35,0 0 0 $36,10 0 -5 0, 5 0 0 € 31,6 0 0 -4 4, 30 0 ♠

Literature

Alan Cris tea 5 8- 62


65. Tony Crag b. 19 49

Grenze weg, 2015

Cas t s teel with r us t patina, with accompanying grey

plinth, with incised signature lower lef, f ur ther signed

in black ink and numb ered 26/ 35 (printed) on the

accompanying Cer tifcate of Authenticit y (there were

also 6 ar tis t ’s proofs), published by BILD newspap er for

the 2 5th anniversar y of the reunifcation of Germany.

39 x 55 x 28 cm ( 15 3 / 8 x 21 5 / 8 x 11 in.)

Estimate

£ 30,0 0 0 -5 0,0 0 0 $ 4 3, 30 0 -7 2,10 0 € 37,9 0 0 - 63,20 0 ♠ †

Created to celebrate the 2 5th anniversar y of the

reunifcation of Germany, Tony Crag g ’s Grenze

weg is a monumental homage to the Brandenburg

Gate. This triumphal arch stood sentr y over the

Berlin wall throughout the Cold War – an irony

in architec ture whilst citizens were not allowed

to move freely through the gate. The repeated

ver tical forms of Grenze weg echo the row of

neo-classical columns marching along the

Brandenburg façade, whilst simultaneously

alluding to human fgures t wisted and soldered

together, unable to break free from oppression.

Yet Grenze weg also ofers a fragment of hope

in the shard-like opening at the centre of the

sculpture allowing light to pass through. The

monolithic, rusticated sur face of this work, that

initially appears impenetrable, slowly reveals its

cracks as the viewer circles it – encouraging us to

fnd a path through. Crag g ’s homage celebrates

not only the streng th of the German people under

constraint, but also the welcome restoration of

free passage and the return to purpose for the

triumphal arch.

Berliners from East and West

celebrating the opening of the

border standing on the Berlin Wall,

Brandenburg Gate, Berlin,

9th November 1989 (b/w photo) /

Berlin, Germany / © H.P. Stiebing /

Bridgeman Images



66. Jef Koons b. 1955

Dom Pérignon Balloon Venus (Magenta), 2013

L acquered p olyurethane resin in t wo par t s,

with Dom Pérignon Rosé Vintage 20 03, and

maintenance kit, impressed signature on the

suede interior lining of the lower par t, f rom the

edition of 65 0 (there were also 4 0 ar tis t ’s proofs),

contained in the original cus tom fight case.

49 x 35.8 x 5 0.4 cm ( 19 1 / 4 x 14 1 / 8 x 19 7/ 8 in.)

Estimate

£ 20,0 0 0 -30,0 0 0 $28,8 0 0 -4 3, 30 0 € 2 5, 30 0 -37,9 0 0


67. Tauba Auerbach b. 19 81

Static 14, 20 0 9

Chromogenic print, on photo pap er fush-mounted

to aluminium (as issued), the f ull sheet, numb ered

3/ 3 (printed) on a galler y lab el on the reverse of

the f rame (there was also 1 ar tis t ’s proof ), with the

accompanying Cer tifcate of Authenticit y, f ramed.

S. 152.7 x 10 6.6 cm (6 0 1 / 8 x 41 7/ 8 in.)

Estimate

£ 10,0 0 0 -15,0 0 0 $ 14,4 0 0 -21,6 0 0 € 12,6 0 0 -19,0 0 0

Provenance

Paula Coop er Galler y, New York

Exhibited

New York, Deitch Projec t s, Tauba Auerbach:

Here and Now/And Nowhere, 3 Sept - 17 O c t 20 0 9

(another example exhibited)



69. Christopher Wool b. 1955

My House I, 20 0 0

Screenprint in colours, on Mat t Cus tom Ar t pap er,

with f ull margins, signed, dated ‘20 0 0 ’ and numb ered

42 / 10 0 in p encil (there were also 20 ar tis t ’s proofs),

published by Counter Editions, London, f ramed.

I. 9 9 x 7 3. 5 cm ( 3 8 7/ 8 x 28 7/ 8 in.)

S. 101.4 x 75.8 cm ( 39 7/ 8 x 29 7/ 8 in.)

Estimate

£ 10,0 0 0 -15,0 0 0 $ 14,4 0 0 -21,6 0 0 € 12,6 0 0 -19,0 0 0


Black Book, 19 89

Hardcover b ook, with 17 tex t images, on smooth wove

pap er, the f ull sheet s, b ound (as issued), signed and

numb ered 17 2 / 35 0 in black ink on the fnal page (there

were also 8 ar tis t ’s proofs), published by Gisela Capitain,

Cologne and Thea Wes treich, New York.

5 8.4 x 4 0.6 cm (2 3 x 16 in.)

Estimate

£ 15,0 0 0 -20,0 0 0 $21,6 0 0 -28,8 0 0 € 19,0 0 0 -2 5, 30 0


197. Harland Miller


Day EditionsLot 70 – 245, 2pm




Peintre debout et modèle (Painter Standing and

Model), 19 6 4

Etching and aquatint with dr yp oint and scrap er,

on Richard de Bas pap er, with f ull margins,

the second s tate (of 2), signed and numb ered

41/ 5 0 in p encil (there were also 15 ar tis t ’s proofs),

published by Galerie Louise Leiris, Paris, unf ramed.

I. 32 x 4 6.7 cm ( 12 5 / 8 x 18 3 / 8 in.)

S. 4 6 x61 cm ( 18 1 / 8 x 24 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ‡ ♠

Literature

Georges Bloch 115 8

Brigit te Baer 114 6/II/Bb


Tête de jeune flle (Head of a Young Girl), 19 45

Lithograph, on Arches pap er, with f ull margins,

(deckle on t wo sides), the four th (fnal) s tate,

signed and numb ered 28/ 5 0 in p encil (there

were also 18 ar tis t ’s proofs), f ramed.

I. 26. 5 x 21 cm ( 10 3 / 8 x 8 1 / 4 in.)

S. 4 3.9 x 30.6 cm ( 17 1 / 4 x 12 in.)

Estimate

£ 6,0 0 0 -8,0 0 0 $ 8,70 0 -11, 5 0 0 € 7,6 0 0 -10,10 0 ♠

Literature

Fernand Mourlot 5

Georges Bloch 3 8 3

Felix Reuβ e 45


73. Edvard Munch 18 63-19 4 4

The Garden at Night, f rom Linde portfolio, 19 02

Etching and aquatint with dr yp oint in brown ink,

on Van Gelder Zonen laid pap er, with f ull margins

(deckle on all sides), signed by the ar tis t and the

printer in p encil, f rom the unnumb ered edition of 13,

printed in 19 0 6 by O t to Felsing, Berlin, f ramed.

I. 4 4. 3 x 6 0. 5 cm ( 17 1 / 2 x 2 3 7/ 8 in.)

S. 59 x 79. 5 cm (2 3 1 / 4 x 31 1 / 4 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ‡

Literature

Gus tav Schiefer 189

Sig urd Willoch 9 6

Gerd Woll 2 21


Le Peintre et son modèle (The Painter and his

Model), 19 62

Lithograph, on Jap on nacré pap er, with f ull margins,

an unnumb ered impression (aside f rom the edition of

10 on Jap on nacré pap er, there was also an edition of 150

on Arches paper), printed to accompany the tex t of Pierre

Mac Orlan for the book Regards sur Paris, unframed.

I. 39 x 5 6 cm ( 15 3/8 x 2 2 in.)

S. 4 3 x 62.8 cm ( 16 7/8 x 24 3/4 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 ♠

Literature

Fernand Mourlot 355


74. Edvard Munch 18 63-19 4 4

Jealousy IV, 1930

Lithograph, on heav y Japan pap er, with f ull

margins, signed in p encil, with the Munch

Museet ink s tamp annotated ' 5 4 3-2 3 ' in

black ink on the reverse, the edition size

unknown, printed by Hagen, K ris tiania, f ramed.

I. 2 2. 3 x 2 2 cm (8 3 / 4 x 8 5 / 8 in.)

S. 49.8 x 32.4 cm ( 19 5 / 8 x 12 3 / 4 in.)

Estimate

£ 6,0 0 0 -8,0 0 0 $ 8,70 0 -11, 5 0 0 € 7,6 0 0 -10,10 0 ‡

Provenance

The ar tis t ʼs s tudio

Munch Museet, Oslo

Literature

Gerd Woll 7 10


75. Otto Dix 1891-19 69

Frauenkopf (Woman’s Head), 19 49

Lithograph in colours, on wove pap er, with

f ull margins, signed, titled, dated ‘49 ’ and

numb ered 7/ 10 in p encil (aside f rom the edition

of 2 2), with the Akademie der Bildenden Küns te

Dresden Akademiedr uck blinds tamp, f ramed.

I. 3 8. 5 x 27 cm ( 15 1 / 8 x 10 5 / 8 in.)

S. 5 0 x 37. 5 cm ( 19 5 / 8 x 14 3 / 4 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠

Literature

Florian Karsch 169

77. Léonard-Tsuguharu Foujita

18 8 6 -19 6 8

Petite flle à l’oiseau (Little Girl with Bird), 1929

Etching and aquatint in colours with dr yp oint,

Chine-collé to heav y Japan pap er, with

f ull margins, signed and numb ered 7 7/ 10 0 in

p encil, published by Ap ollo Editions Ar tis tiques,

Paris, f ramed.

I. 33.7 x 2 5.7 cm ( 13 1 / 4 x 10 1 / 8 in.)

S. 49. 5 x 39.2 cm ( 19 1 / 2 x 15 3 / 8 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 ♠

Literature

Sylvie Buisson II.29.155

76. After René Magritte 189 8-19 67

La leçon de musique (The Music Lesson), 19 6 8

Etching and aquatint in colours, on Jap on

nacré pap er, with f ull margins (deckle on t wo

sides), with printed signature and annotated

‘ X XIII/ X X V ’ in p encil (one of 2 5 hors commerce

impressions, the edition was 15 0 and a small

numb er of ar tis t ’s proofs), published by Editions

Georges Visat, Paris, with the Gravure O riginale

Atelier René Magrit te blinds tamp, f ramed.

I. 15 x 10 cm ( 5 7/ 8 x 3 7/ 8 in.)

S. 27. 5 x 2 2 cm ( 10 7/ 8 x 8 5 / 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠

Literature

Gilb er t E. Kaplan and T imothy Baum 15


79. Rufno Tamayo 189 9 -19 91

Personaje Blanco (White Person), 1976

Etching and aquatint in colours with carb or undum,

on Guarro pap er, the f ull sheet, signed and

numb ered 13/ 75 in crayon (there were also

10 ar tis t ’s proofs in Roman numerals), published

by Ediciones Polígraf a, Barcelona, f ramed.

S. 75.4 x 5 6. 3 cm (29 5 / 8 x 2 2 1 / 8 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 ‡

Literature

Juan Carlos Pereda 193

80. Henry Moore 189 8-19 8 6

Reclining Figure; Group in Industrial Landscape;

Reclining Woman; and Three Seated Figures in Setting,

1974; and 1975

Four lithographs in colours, on Arches pap er,

with f ull margins, all signed and numb ered 1/ 75

in p encil (there were also 10 ar tis t ’s proofs in Roman

numerals for each), published by Ediciones Polígraf a,

Barcelona, all unf ramed.


all S. 5 0 x 4 0 cm ( 19 5 / 8 x 15 3 / 4 in.) t wo horizontal

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ♠

Literature

Gérald Cramer 3 87, 418-419 and 421


78. Rufno Tamayo 189 9 -19 91

Cabeza en Amarillo (Head in Yellow), 1976

Etching and aquatint in colours with carb or undum,

on Guarro pap er, the f ull sheet, signed and

numb ered 2 2 / 75 in crayon (there were also


by Ediciones Polígraf a, Barcelona, f ramed.

S. 7 3. 5 x 5 6. 3 cm (28 7/ 8 x 2 2 1 / 8 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 ‡

Literature

Juan Carlos Pereda 195


81. Salvador Dalí 19 0 4-19 89

Le Téléphone, for Hommage à Leonardo da Vinci

(American Inventions), (The Telephone, for Homage

to Leonardo da Vinci (American Inventions)), 1975

Dr yp oint with ex tensive hand-colouring in gouache,

on BFK Rives pap er, with f ull margins, signed and

inscrib ed ‘Bon a tirer ’ in p encil (the ‘goo d to print ’

impression, aside f rom the edition of 45 0 and 6 0

ar tis t ’s proofs on Arches, published by Editions de

Francony/Editions Graphiques Internationales),

with f ur ther p encil annotations in the upp er image

and lef margin, and evidence of erased p encil

annotations in the lower image, printed by Atelier

Rigals, Paris, inscrib ed ‘Epreuve rehaussée à la

main par S. Dali p our essais couleurs en BAT -

Epreuve f aisant par tie de notre collec tion’ by

Denise Rigal in p encil on the reverse, unf ramed.

I. 5 0. 5 x 36.2 cm ( 19 7/ 8 x 14 1 / 4 in.)

S. 75.1 x 5 6. 3 cm (29 5 / 8 x 2 2 1 / 8 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0 ♠

Provenance

Ateliers Rigal, Paris

Private Collec tion, France

Literature

see Ralf Michler and Lut z W. Löpsinger 813

This work is registered in the Archives Descharnes

under number D-5612 (a cer tifcate has been issued and

is available for purchase from the Archives Descharnes)


La Machine à coudre, for Hommage à Leonardo da Vinci

(American Inventions) (The Sewing-Machine, for Homage

to Leonardo da Vinci (American Inventions)), 1975

Dr yp oint with ex tensive hand-colouring in gouache,

on BFK Rives pap er, with f ull margins, signed and

inscrib ed ‘Bon a tirer ’ in p encil (the ‘goo d to print ’

impression b efore the edition of 45 0 and 6 0 ar tis t ’s

proofs on Arches, published by Editions de Francony/

Editions Graphiques Internationales), with f ur ther

p encil annotations in the centre of the plate and in the

lower margin, printed by Atelier Rigals, Paris, inscrib ed

‘Epreuve rehaussée à la gouache par S. Dali p our essais

couleurs. Epreuve f aisant par tie de notre collec tion’

by Denise Rigal in p encil on the reverse, unf ramed.

I. 5 0. 5 x 36.2 cm ( 19 7/ 8 x 14 1 / 4 in.)

S. 75.4 x 5 6. 5 cm (29 5 / 8 x 2 2 1 / 4 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0 ♠

Provenance

Ateliers Rigal, Paris

Private Collec tion, France

Literature

see Ralf Michler and Lut z W. Löpsinger 811

This work is registered in the Archives Descharnes under

number D-5612 (a cer tifcate has been issued and is

available for purchase from the Archives Descharnes)



Vénus; and Venus de las constellaciones con picador

(Venus; and Venus of the Constellations with

Bullfghter), 1974; and 1975

Two etchings with dr yp oint, on Richard de Bas pap er,

with f ull margins, b oth signed and inscrib ed ‘H.C .’

in p encil (t wo hors commerce impressions, the editions

were 75 and 2 5 ar tis t ’s proofs), published by Ateliers

Rigal, Paris, b oth unf ramed.

b oth I. various sizes,

b oth S. 78. 5 x 5 8.2 cm ( 30 7/ 8 x 2 2 7/ 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠

Provenance

Ediciones PolÍgraf a, Barcelona

Literature

Ralph Michler and Lut z W. Löpsinger 67 7 and 79 0


Les Petits chevaux, f rom Poèmes de Mao Tse-Tung

(The Little Horses, f rom Poems by Mao Zedong), 19 67

Heliogravure reworked in dr yp oint, on Chinois ancien

pap er, with f ull margins, signed, dated ‘19 67 ’

and inscrib ed ‘Hommage de Messonier ’ in black ink

with ex tensive additional ink drawings and emb ossed

signature, one of four unnumb ered impressions

with additional ink drawings aside f rom the edition

of 2 29, published by Argilet, Paris, f ramed.

I. 24 x 19 cm (9 1 / 2 x 7 1 / 2 in.)

S. 3 8. 5 x 28. 5 cm ( 15 1 / 8 x 11 1 / 4 in.)

Estimate

£ 7,0 0 0 -9,0 0 0 $ 10,10 0 -13,0 0 0 € 8,9 0 0 -11,4 0 0 ♠

Literature

Ralf Michler and Lut z W. Löpsinger 20 9


85. Christo and Jeanne-Claude b. 1935 and 1935 -20 0 9

Wrapped Snoopy House, Project for Charles M.

Schulz Museum, 20 0 4

Lithograph in colours with collage of broadcloth,

thread and masking tap e, on BFK Rives rag pap er

mounted to b oard (as issued), the f ull sheet, with

accompanying print of a 1978 Peanuts comic s trip

depic ting Snoopy ’s doghouse wrapp ed by Chris to,

signed and numb ered 2 32 /2 5 0 in p encil (there were

also 5 0 ar tis t s’ proofs), published by L andf all Press,

Santa Fe, New Mexico (with their and the ar tis t ’s

copyright ink s tamps on the reverse), unf ramed.

S. 62. 3 x 5 4. 3 cm (24 1 / 2 x 21 3 / 8 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ♠

Literature

Jörg Schellmann 18 8


Wrapped Telephone, Project, f rom 12 years of Galeria

Joan Prats, 1976-1988, 19 8 8

Lithograph with collage of transparent p olyethylene,

t wine, and s taples, with hand-colouring in grease

p encil and paint, on Guarro pap er mounted to b oard

(as issued), the f ull sheet, signed and numb ered

24/ 10 0 in black ink (there were also 2 5 ar tis t s’ proofs

in Roman numerals), published by Galeria Joan Prat s,


S. 55.8 x 37. 5 cm (21 7/ 8 x 14 3 / 4 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ♠

Literature

Jörg Schellmann 137


Wrapped Tree, Project, 1979

Lithograph in colours with collage of transparent

p olyethylene, f abric, t wine, thread and s taples, on

Rag pap er mounted to b oard (as issued), the f ull

sheet, signed and inscrib ed ‘HC’ in p encil (an hors

commerce impression, the edition was 9 9 and 15

ar tis t s’ proofs), published by Ediciones Polígraf a,


S. 5 6 x 7 1 cm (2 2 x 27 7/ 8 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ♠

Literature




Wrapped Vespa, Project, 1963-64, 20 0 9

Pap er collage and digital pigment print in colours

with hand-colouring in crayon, on Rag pap er, the

f ull sheet, signed and numb ered 7 7/20 0 in p encil

(there were also 45 ar tis t s’ proofs), published

by Miyanomori Ar t Museum, Sapp oro, Japan,

f ramed.

S. 30. 5 x 30. 5 cm ( 12 x 12 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ‡ ♠

Literature



Wrapped Automobile, Project for Volvo 122

S Sport Sedan, 19 8 4

Lithograph in black and red with collage of f abric

and t wine, on BFK Rives pap er mounted to b oard

(as issued), the f ull sheet, signed, dated ‘8 4’

and numb ered 17/ 10 0 in p encil (there were also

20 ar tis t s’ proofs and 20 impressions in Roman

numerals), published by Chris to and Edition

Schellmann, Munich and New York, f ramed.

5 6. 5 x 70. 5 cm (2 2 1 / 4 x 27 3 / 4 in.)

Estimate

£ 2, 5 0 0 -3, 5 0 0 $3,6 0 0 -5,0 0 0 € 3,20 0 -4,4 0 0 ♠

Literature




92. Pierre Soulages b. 1919

Olympische Spiele München (Olympinc Games

Munich), 197 2

Lithograph in colours, on Arches pap er, the f ull sheet,

signed and numb ered 192 /20 0 in p encil, published by

the Olympic Commit tee, Munich, unf ramed.

S. 10 4 x 69. 5 cm (4 0 7/ 8 x 27 3 / 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠

Literature

Yves Rivière 31

90. Jean Dubufet 19 01-19 8 5

Parade nuptiale (Courtship), 197 3

Screenprint in colours, on tan Canson pap er,

with f ull margins, signed with initials, dated ‘ 7 3’

and numb ered 3/8 5 in p encil (there were also

15 proofs annotated ‘A-O’ and 13 hors commerce

impressions in Roman numerals), unf ramed.

I. 2 5 x 20 cm (9 7/ 8 x 7 7/ 8 in.)

S. 39.2 x 33.4 cm ( 15 3 / 8 x 13 1 / 8 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ♠

Literature

Sophie Web el 10 9 9

91. Eduardo Chillida 1924-20 02

Homage to Sir Roland Penrose, 19 81

Etching and aquatint, Chine-collé to BFK Rives

pap er, with f ull margins, signed and numb ered

26/9 9 in p encil (there were also 15 ar tis t ’s proofs

and 2 5 hors commerce impressions in Roman

numerals), published by Ediciones Polígraf a,

Barcelona, f ramed.

I. 19 x 2 5 cm ( 7 1 / 2 x 9 7/ 8 in.)

S. 65 x 5 0 cm (2 5 5 / 8 x 19 5 / 8 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 ♠

Literature

Mar tin van der Koelen 81013


94. A.R. Penck b. 1939

Berlin Suite, 19 9 0

The complete p or t folio of 10 aquatint s in colours,

on wove pap er, with f ull margins, with title

page and jus tifcation, all signed and numb ered

1/6 0 in p encil, published by Edition Achenbach,

Düsseldor f, the sheet s loose (as issued), contained

in the original red f abric-covered p or t folio with

emb ossed title.

79 x 10 9. 5 x 2. 5 cm ( 31 1 / 8 x 4 3 1 / 8 x 7/ 8 in.)

Estimate

£ 2, 5 0 0 -3, 5 0 0 $3,6 0 0 -5,0 0 0 € 3,20 0 -4,4 0 0 ♠

Please refer to the online catalog ue for a

complete lis ting.

93. Antoni Tàpies 192 3-2012

Berlin Suite, 1974

The complete p or t folio of 10 lithographs in

colours, on Arches pap er, the f ull sheet s, all

signed and numb ered 47/ 15 0 in p encil, f ur ther

numb ered in black ink on the title page (there

were also 15 ar tis t ’s proofs), published by

Propyläen Verlag, Berlin, the sheet s loose (as

issued) contained in the original b eige f abric-

covered p or t folio.

79 x 6 0 x 2 cm ( 31 1 / 8 x 2 3 5 / 8 x 3 / 4 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ♠

Literature

Mariuccia Galfet ti 476 -4 8 5


complete lis ting.


95. Peter Sedgley b. 1930

Video Disques, 19 69 -70

The complete p or t folio of six kinetic screenprint s,

in fuorescent colours, on spun aluminium,

each disc incise signed, titled, dated ‘1970 ’ and

numb ered 9/ 10 0 with an elec tric engraving tool

on the reverse (there were also 10 prop osed

ar tis t ’s proofs, only half the edition is thought

to have b een pro duced), published by Editions

Alec to, London, all contained in the original black

woo den b ox with titles on the top, lacking the

motor and ultra-violet light unit.

each disc 75 cm (29 1 / 2 in.) diameter

crate 8 0 x 8 4 x 2 3. 5 cm ( 31 1 / 2 x 33 1 / 8 x 9 1 / 4 in.)

Estimate

£ 2, 5 0 0 -3, 5 0 0 $3,6 0 0 -5,0 0 0 € 3,20 0 -4,4 0 0 ♠

Including: BOY; BYB; YWO; YOK; YOB; and RON


96. Nicolas Schöfer 1912-19 92

Luxus XII, 19 69Chrome-plated brass and s teel, f rom the prop osed edition of 75 (fewer than 10 were pro duced), published Éditions Denise René, Paris.3 8. 5 x 5 0 x 52 cm ( 15 1 / 8 x 19 5 / 8 x 20 1 / 2 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 ♠


98. Richard Mortensen 1910 -19 93

Saint Mars, c. 19 65Aubusson tap es tr y in colours, numb ered ‘117 3’ on a f abric cer tifcate sewn to the underside, f rom an edition thought to b e no larger than 8, woven by the Tabard work shop, published by Éditions Denise René, Paris.29 0 x 20 0 cm ( 114 1 / 8 x 78 3 / 4 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ♠

97. Nicolas Schöfer 1912-19 92

Minisculpture I, 19 69K inetic objec t, with mirror-p olished s tainless s teel on painted s tainless s teel base, with elec tronic motor, f rom the edition of unknown size, published by Éditions Denise René, Paris.19. 5 x 20 x 21 cm ( 7 5 / 8 x 7 7/ 8 x 8 1 / 4 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠


100. Geneviève Claisse b. 1935

Rotacteur vert (Green Rotator), 197 1Woo den b ox painted in colours with relief element s in white and black, signed in blue ink and numb ered 3 8/ 5 0 (printed) on a lab el afxed to the reverse, published by Éditions Denise René, Paris.4 0 x 4 0 x 5 cm ( 15 3 / 4 x 15 3 / 4 x 1 7/ 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠

99. Richard Mortensen 1910 –19 93

Evisa, c. 19 6 8Aubusson tap es tr y in colours, numb ered ‘16 42’ on a f abric cer tifcate sewn to the underside, f rom an edition thought to b e no larger than 8, woven by the Tabard work shop, published by Éditions Denise René, Paris.2 26 x 15 8 cm (8 8 7/ 8 x 62 1 / 4 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠

101. Carlos Cruz-Diez b. 192 3

Céramique no. 5, 20 0 8Ceramic with enamel in colours, annotated ‘E A III/IV ’ in black ink, s tamp-dated ‘20 0 8’ and f ur ther s tamp ed ‘05’, all on the reverse, f abricated by L a Tuilerie de Treigny, Burg undy, France, (with their blinds tamp on the reverse).4 8.2 x 4 8.2 x 3.8 cm ( 18 7/ 8 x 18 7/ 8 x 1 1 / 2 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ♠


102. Victor Vasarely 19 0 6 -19 97

Eridan, 1970Woo den panel with relief element s in black, white and grey, signed in black ink and numb ered 2 / 55 (printed) on a lab el afxed to the reverse, published by Éditions du Grifon, Neuchâtel, Swit zerland, contained in the original cardb oard b ox with s tamp ed title.37. 5 x 37. 5 x 2. 5 cm ( 14 3 / 4 x 14 3 / 4 x 0 7/ 8 in.)

Estimate

£ 1,20 0 -1, 5 0 0 $ 1,70 0 -2,20 0 € 1, 5 0 0 -1,9 0 0 ♠

104. Yvaral (Jean-Pierre Vasarely) 193 4-20 02

Plan espace (Space Plan), 19 67K inetic relief sculpture, with screenprint in white on a black metal panel, with elas ticated s tring and metal supp or t, an unsigned proof aside f rom the editon of 10 0, published by Éditions Denise René, Paris, contained in the original woo den crate.62 x 62 x 28 cm (24 3 / 8 x 24 3 / 8 x 11 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 ♠

103. Yvaral (Jean-Pierre Vasarely) 193 4-20 02

Optivision, c. 19 69Monochrome lenticular panels laid to black Plexiglas cub e, b elieved to b e f rom an edition of 10 0, published by Éditions Denise René, Paris.20. 5 x 20. 5 x 20. 5 cm (8 1 / 8 x 8 1 / 8 x 8 1 / 8 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ♠


106. Howard Hodgkin b. 1932

A Storm, 197 7

Lithograph in colours, with hand-colouring

in gouache, on Lexing ton hand-made pap er,

the f ull sheet, signed, dated ‘ 7 7 ’ and numb ered

19/ 10 0 in p encil (there were also 14 ar tis t ’s

proofs), published by Petersburg Press,

London, f ramed.

S. 52 x 61. 5 cm (20 1 / 2 x 24 1 / 4 in.)

Estimate

£ 2,000-3,000 $2,900-4,300 €2,500-3,800 ‡ ♠

Literature

Liesb eth Heenk 36


Mourning, 19 82

Lithograph in colours using tusche washes,

with hand-colouring in gouache and

watercolour, on Velin Arches mould-made

pap er, the f ull sheet, signed with initials,

dated ‘82’ and numb ered 3 4/ 5 0 in p encil

(there were also 15 ar tis t ’s proofs), published

by Bernard Jacobson, Ltd., London, unf ramed.

S. 91.4 x 152.4 cm ( 35 7/ 8 x 6 0 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ‡ ♠

Literature

Liesb eth Heenk 6 8


Bleeding, 19 81-82

Lithograph in colours using tusche washes,

with hand-colouring in gouache, on Velin Arches

mould-made pap er, the f ull sheet, signed with

initials, dated ‘81’ and numb ered 8 8/ 10 0 in p encil

(there were also 33 ar tis t ’s proofs), published by

Bernard Jacobson Ltd., London, unf ramed.

S. 91.4 x 151.8 cm ( 35 7/ 8 x 59 3 / 4 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ‡ ♠

Literature

Liesb eth Heenk 67


This lot is sold with no reserve


Artist and Model, 19 8 0

Sof-ground etching in sepia with hand-

colouring in watercolour and gouache,

on Stoneridge mould-made etching pap er,

the f ull sheet, signed with initials, dated ‘19 8 0 ’

and numb ered 8 8/ 10 0 in red p encil (there

were also 20 ar tis t ’s proofs), published by

Petersburg Press, London, unf ramed.

S. 81. 3 x 102.9 cm ( 32 x 4 0 1 / 2 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 • ‡ ♠

Literature

Liesb eth Heenck 6 0


In the Museum of Modern Art, 1979

The complete set of four sof-ground etchings, three on

BFK Rives mould-made pap er and one on Ho dgkinson

hand-made pap er, the f ull sheet s, all signed, dated ‘ 79 ’,

three inscrib ed ‘AP ’ and one numb ered 2 5/ 10 0 in red

crayon (the editions were 10 0 and 20 ar tis t ’s proofs),

published by Petersburg Press, New York, all unf ramed.

all S. approx. 76.2 x 101.6 cm ( 30 x 4 0 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ‡ ♠

Literature

Liesb eth Heenk 5 0 -53

Including: Late Afernoon in the Museum of Modern Art;

Early Evening in the Museum of Modern Art; Thinking

Aloud in the Museum of Modern Art; and All Alone in

the Museum of Modern Art



One Down; One Down; and One Down, 19 81-82

Three duplicate lithographs in colours with

hand-colouring in gouache, on Velin Arches

mould-made pap er, the f ull sheet s, all signed

with initials, dated ‘81’, t wo numb ered 8 5/ 10 0

and 87/ 10 0 and one annotated ‘19 ’ and ‘AP ’

resp ec tively in p encil (one of 19 ar tis t ’s proofs,

the edition was 10 0), published by Bernard Jacobson

Ltd., London, all unf ramed.

all S. 91. 5 x 12 2 cm ( 36 x 4 8 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ‡ ♠

Literature

Liesb eth Heenk 65

Please refer to the online catalogue for a complete listing.


111. After Francis Bacon 19 0 9 -19 92

Lying Figure, 19 69/2015

Diasec mounted giclée print in colours, on Alu Dib ond

supp or t, the f ull sheet, with printed signature on a

lab el afxed to the reverse and numb ered 14 3/ 15 0

in black ink on the reverse, published by The E s tate

of Francis Bacon and Heni Pro duc tions, 2015, with

their Cer tifcate of Authenticit y, f ramed.

197.7 x 147. 5 cm ( 7 7 7/ 8 x 5 8 1 / 8 in.)

Estimate

£ 8,0 0 0 -12,0 0 0 $ 11, 5 0 0 -17, 30 0 € 10,10 0 -15,20 0 ‡ ♠

Provenance

Fondation Beyeler

Acquired direc tly from the above by the present owner


112. After Francis Bacon 19 0 9 -19 92

Portrait of George Dyer Riding a Bicycle, 19 6 6/2015

Diasec mounted giclée print in colours, on Alu Dib ond

supp or t, the f ull sheet, with printed signature on a

lab el afxed to the reverse and numb ered 14 3/ 15 0

in black ink on the reverse, published by The E s tate

of Francis Bacon and Heni Pro duc tions, 2015, with

their Cer tifcate of Authenticit y, f ramed.

197.7 x 147. 5 cm ( 7 7 7/ 8 x 5 8 1 / 8 in.)

Estimate

£ 8,0 0 0 -12,0 0 0 $ 11, 5 0 0 -17, 30 0 € 10,10 0 -15,20 0 ‡ ♠

Provenance

Fondation Beyeler

Acquired direc tly from the above by the present owner


114. David Hockney b. 1937

Red Flowers and Green Leaves, Separate,

May, 19 8 8

Hand-made print in colours executed on

an ofce copier, on t wo sheet s of Arches

pap er, the f ull sheet s, signed, dated ‘8 8’

and numb ered 52 / 70 in p encil (there

were also 16 ar tis t ’s proofs), with the ar tis t ’s

blinds tamp, published by the Metrop olitan

Museum of Ar t, New York, unf ramed.

overall S. 35.4 x 4 3 cm ( 13 7/ 8 x 16 7/ 8 in.)

Estimate

£ 3,0 0 0 -4,0 0 0 $ 4, 30 0 -5,8 0 0

€ 3,8 0 0 -5,10 0 ‡ ♠

113. Joe Tilson b. 1928

New York Decals 3 and 4; and Untitled

(New York - Rockefeller Center), 19 67

The set of t wo screenprint s in colours,

on wove pap er, with wa x-pap er collage,

the f ull sheet s, together with a preliminar y

s tudy for Decal 3 in p encil and Indian ink,

on wove pap er, the f ull sheet, New York

Decals 3 and 4 signed and inscrib ed 'AP '

in p encil on a lab el afxed to the mount

(an ar tis t 's proof, the edition was 70),

Untitled (New York - Rockefeller Center)

signed and dated ' 19 67 ' in p encil,

b oth f ramed.

decals b oth S. 74 x 4 0.4 cm (29 1 / 8 x 15 7/ 8 in.)

s tudy I. 62. 3 x 4 6 cm (24 1 / 2 x 18 1 / 8 in.);

S. 76.4 x 55.8 cm ( 30 1 / 8 x 21 7/ 8 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0

€ 2, 5 0 0 -3,8 0 0 ♠


115. Richard Hamilton 192 2-2011

The Beatles, 20 07

Inkjet digital print in colours, on Somerset Enhanced

Radiant White Velvet pap er, with f ull margins, signed

and numb ered 4 6/8 0 in p encil (there were also 8 ar tis t ’s

proofs), published by Alan Cris tea Galler y, London, f ramed.

I. 8 6. 3 x 57.1 cm ( 33 7/ 8 x 2 2 1 / 2 in.)

S. 105. 3 x 75.8 cm (41 1 / 2 x 29 7/ 8 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ‡ ♠

Literature

Alan Cris tea Galler y, Word and Image:

Prints 1963-2007, exh. cat., London,

14th Febr uar y - 2 2nd March 2014, p.155


117. Peter Blake b. 1932

Piccadilly Circus - The Convention of Comic Book

Characters, f rom London Suite, 2012

Screenprint in colours, on Somerset pap er,

with f ull margins, signed and numb ered 93/ 10 0


published by Paul Stolp er, London, unf ramed.

I. 49. 5 x 49.8 cm ( 19 1 / 2 x 19 5 / 8 in.)

S. 6 6. 5 x 65 cm (26 1 / 8 x 2 5 5 / 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠

116. Mimmo Rotella 1918-20 0 6

Marilyn bellezza eterna (Marilyn Eternal

Beauty), 19 82

Screenprint in colours, with collage, on linen

s tretched onto a woo den s tretcher (as issued),

signed and annotated ‘HC 4/20 ’ in white ink

(an hors commerce impression, the edition

was 10 0), unf ramed.

12 5 x 91 cm (49 1 / 4 x 35 7/ 8 in.)

Estimate

£ 2, 5 0 0 -3, 5 0 0 $3,6 0 0 -5,0 0 0 € 3,20 0 -4,4 0 0 ♠



The Paris Suite: three plates, 2010

Three screenprint s in colours, f rom the suite

of 20, on Somerset pap er, with f ull margins,

all signed and numb ered 59/ 10 0, 52 / 10 0 and

5 4/ 10 0 resp ec tively in p encil (there were also

10 ar tis t ’s proofs), published by Paul Stolp er,

London, all unf ramed.

all I. 37.8 x 21.8 cm ( 14 7/ 8 x 8 5 / 8 in.)

all S. 5 4.4 x 37 cm (21 3 / 8 x 14 5 / 8 in.)

Estimate

£ 1,20 0 -1, 5 0 0 $ 1,70 0 -2,20 0 € 1, 5 0 0 -1,9 0 0 ♠

Including: Circus II; Chicken Act; and 10 Man Up


Fag Packets (Capstan, Star, Ardath and Gold

Flake), 20 0 6

The complete set of four screenprint s in colours,

on wove pap er, with f ull margins, all signed and

numb ered 24/95 in p encil, all f ramed.

all I. approx. 7 2 x 42 cm (28 3 / 8 x 16 1 / 2 in.)

all S. 8 8. 5 x 4 8. 5 cm ( 3 4 7/ 8 x 19 1 / 8 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 ♠



Lithography.

Reliant upon the immiscibility of oil and water.

The design is drawn in grease (crayon or tusche),

directly onto porous limestone. Gum Arabic covers

the image to chemically etch it to the stone, which will

have to be sanded down in order to erase this design.

A quick clean using turpentine before the stone surface

is dampened with water. Nonimage (blank) areas retain

moisture and repel the lithographic ink. The ink clings

to the grease-treated areas holding the image which

is transferred to the paper under pressure.


120. James Rosenquist b. 1933

Where the Water Goes, f rom Welcome to

the Water Planet, 19 89

Monumental pressed pap er pulp in colours

with lithography collage, on handmade TGL

pap er, the f ull sheet, signed, titled, dated ‘19 89 ’

and numb ered 12 / 32 in p encil (there were also

10 ar tis t ’s proofs), published by Tyler Graphic s

Ltd., Mount K isco, New York (with their

blinds tamp), f ramed.

S. 261 x 147. 3 cm ( 102 3 / 4 x 57 7/ 8 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0

Literature

Cons tance Glenn 215


Earth and Moon, 197 1

Lithograph in colours, on Arches Cover pap er,

with f ull margins, signed, titled, dated ‘197 1’

and numb ered 4 6/ 70 (there were also 30 in

Roman numerals reser ved for the Universit y

of South Florida and 3 ar tis t ’s proofs), published

by Graphic s tudio/ Universit y of South Florida,

Tampa (with their blinds tamp and ink s tamp on

the reverse), unf ramed.

I. 42 x 39. 5 cm ( 16 1 / 2 x 15 1 / 2 in.)

S. 47. 5 x 4 4. 5 cm ( 18 3 / 4 x 17 1 / 2 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0

Literature

Cons tance Glenn 4 3



Zone, 197 2

Lithograph, on Ho dgkinson hand-made

Wookey Hole pap er, with f ull margins,

signed, titled, dated ‘197 2’ and numb ered

51/6 6 in p encil (there were also 9 ar tis t ’s

proofs), published by Petersburg Press,

London, unf ramed.

I. 7 1 x 7 2 cm (27 7/ 8 x 28 3 / 8 in.)

S. 78. 5 x 78. 5 cm ( 30 7/ 8 x 30 7/ 8 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0

Literature

Cons tance Glenn 53

123. Tom Wesselmann 1931-20 0 4

Monica Lying on Her Back, Knees Up, 19 9 0

Lithograph and linocut in colours, on Arches

pap er, the f ull sheet, signed and numb ered

6 8/ 10 0 in p encil (there were also 6 ar tis t ’s

proofs), published by Aimee DeLit tle for

Memoire de la Lib er té, Paris, unf ramed.

S. 10 0 x 14 0.4 cm ( 39 3 / 8 x 55 1 / 4 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0



James, f rom Men in the Cities, 19 9 9


signed, dated ‘ 9 9 ’ and annotated ‘wp 2’ in p encil

(a working proof aside f rom the edition of 5 0),

published by Hamilton-Selway Fine Ar t, Wes t

Holly woo d, C A , f ramed.

I. 130 x 75 cm ( 51 1 / 8 x 29 1 / 2 in.)

S. 178 x 102 cm ( 70 1 / 8 x 4 0 1 / 8 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0


Sandy, f rom Men in the Cities, 19 9 9


signed, dated ‘ 9 9 ’ and annotated ‘wp 2’ in p encil

(a working proof aside f rom the edition of 5 0),

published by Hamilton-Selway Fine Ar t, Wes t

Holly woo d, C A , f ramed.

I. 14 4 x 87 cm ( 5 6 3 / 4 x 3 4 1 / 4 in.)

S. 178 x 101.7 cm ( 70 1 / 8 x 4 0 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0


Untitled (Ivy Mike), 2010


pap er, with f ull margins, signed, dated ‘2010 ’

and numb ered 13/ 15 in p encil (there were also

5 ar tis t ’s proofs), published by Adamson

Editions, Washing ton D.C ., f ramed.

I. 103 x 76 cm (4 0 1 / 2 x 29 7/ 8 in.)

S. 113 x 8 6 cm (4 4 1 / 2 x 33 7/ 8 in.)

Estimate

£ 7,0 0 0 -9,0 0 0 $ 10,10 0 -13,0 0 0 € 8,9 0 0 -11,4 0 0




Water Lilies, 19 9 0

Six p orcelain plates gla zed in colours, all with

printed signature and numb ered 2 2 28/ 30 0 0,

19 93/ 30 0 0, 27 30/ 30 0 0, 1763/ 30 0 0, 19 4 0/ 30 0 0

and 18 5 0/ 30 0 0 resp ec tively on the undersides,

published by Rosenthal, Hamburg, with the

accompanying Cer tifcates of Authenticit y,

all contained in the original individual b oxes.

all 31 cm ( 12 1 / 4 in.) diameter

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0


complete lis ting.


Inaugural Print, f rom Inaugural Impressions, 197 7

Screenprint in colours, on Arches pap er, with

f ull margins, signed, dated ‘ 7 7 ’ and numb ered

26/ 10 0 in p encil (there were also 20 ar tis t ’s

proofs), published by the Democratic National

Commit tee, for the Inaug uration of President

Jimmy Car ter, f ramed.

I. 4 0. 5 x 6 6 cm ( 15 7/ 8 x 2 5 7/ 8 in.)

S. 5 0.8 x 76.2 cm (20 x 30 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 †

Literature



129. Jim Dine b. 1935

Vegetables, 1970

The complete set of eight lithographs with

collage in colours, on Ho dgkinson hand-made

pap er, the f ull sheet s, with title page and

colophon, all signed and inscrib ed ‘A /P ’ in p encil

(one of 12 ar tis t ’s proof set s, the edition was 9 6),

published by Petersburg Press, New York,

the sheet s loose (as issued) contained in the

original pap er-covered p or t folio.

47.7 x 4 3 x 2 cm ( 18 3 / 4 x 16 7/ 8 x 0 3 / 4 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 ‡

Literature

Galler y Mikro 6 6 A-F


130. Jim Dine b. 1935

Sledgehammer and Axe; and Sledgehammer and

Axe, 197 1

Two duplicate ofset lithographs, on Hodgkinson

mould-made paper, with full margins, both signed,

dated ‘197 1’ and numbered 9/80 and 79/80 respec tively

in pencil (there were also 12 ar tist ’s proofs), both

with the ar tist ’s copyright blindstamp, published

by Petersburg Press, London, both unframed.

b oth I. 8 3. 5 x 5 0 cm ( 32 7/ 8 x 19 5 / 8 in.)

b oth S. 141.6 x 9 8.4 cm ( 55 3 / 4 x 3 8 3 / 4 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ‡ •

Literature

Williams College 4 6


131. Ed Ruscha b. 1937

Group of artist’s books (11); and Picturing Ed: Jerry

McMillan’s Photographs of Ed Ruscha, 1958-1972 (1),

19 63-197 2; and 20 0 4

A group of 12 b ook s, comprised of 11 ar tis t ’s b ook s

by Ed Ruscha, and one exhibition catalog ue of

photographs of the ar tis t by Jerr y McMillan, all

unsigned and unnumb ered f rom either the frs t or

second editions of var ying sizes, all ar tis t ’s b ook s

published by Ed Ruscha, Picturing Ed published by

Smar t Ar t Press, Santa Monica, California.

all approximately 18 x 14 x . 5 cm ( 7 1 / 8 x 5 1 / 2 x 0 1 / 4 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0

Literature

Siri Engb erg B1-B5, B 8, B10, B12-B13, and B15 -B16


132. Robert Indiana b. 1928

Book of Love: one plate, 19 9 6

Screenprint in colours, on A .N.W. Cres t woo d

Museum Edition pap er, with f ull margins,

signed, dated ‘ 9 6’ and annotated ‘PP 5/ 10 ’

in p encil (a printer ’s proof, the edition was

20 0 and 5 0 ar tis t ’s proofs), published by

American Image Editions, New York, unf ramed.

I. 4 6 x 45. 5 cm ( 18 1 / 8 x 17 7/ 8 in.)

S. 6 0.7 x 5 0.4 cm (2 3 7/ 8 x 19 7/ 8 in.)

Estimate

£ 2, 5 0 0 -3, 5 0 0 $3,6 0 0 -5,0 0 0 € 3,20 0 -4,4 0 0

133. Robert Indiana b. 1928

Heliotherapy Love, 19 95

Screenprint in colours, on heav y wove, with

f ull margins, signed, dated ‘ 95’ and numb ered

181/ 30 0 in p encil, published by Donald J. Chris tal,

Los Angeles, C A (with their and the ar tis t ’s

ink s tamps on the reverse), f ramed.

I. 93.7 x 9 4 cm ( 36 7/ 8 x 37 in.)

S. 101.2 x 101. 5 cm ( 39 7/ 8 x 39 7/ 8 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0


135. Donald Judd 1928-19 9 4

Untitled: one plate, 1978

Etching, with f ull margins, signed,

dated ‘ 78’ and numb ered 35/ 75 in

p encil (there were also 10 ar tis t ’s proofs),

published by the ar tis t, unf ramed.

I. 5 6 x 6 8 cm (2 2 x 26 3 / 4 in.)

S. 76.2 x 8 8.4 cm ( 30 x 3 4 3 / 4 in.)

Estimate

£ 1,0 0 0 -1,20 0 $ 1,4 0 0 -1,70 0 € 1, 30 0 -1, 5 0 0

Literature


134. Donald Judd 1928-19 9 4

Untitled: one plate, 1978

Etching, with f ull margins, signed,

dated ‘ 78’ and numb ered 35/ 75 in p encil


published by the ar tis t, unf ramed.

I. 5 6 x 6 8 cm (2 2 x 26 3 / 4 in.)

S. 76 x 8 8.8 cm (29 7/ 8 x 3 4 7/ 8 in.)

Estimate

£ 1,0 0 0 -1,20 0 $ 1,4 0 0 -1,70 0 € 1, 30 0 -1, 5 0 0

Literature


136. Frank Stella b. 1936

Les Indes Galantes I, 197 3

O f set lithograph in colours, on J. Green

mould-made pap er, with f ull margins, signed,

dated ‘ 7 3’ and numb ered 5 4/ 10 0 in p encil

(there were also 20 ar tis t ’s proofs), published

by Petersburg Press, Ltd., London, unf ramed.

I. 20. 3 x 20. 3 cm ( 7 7/ 8 x 7 7/ 8 in.)

S. 4 0.6 x 55.9 cm ( 15 7/ 8 x 2 2 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ‡

Literature

Richard A x som and Leah Kolb 8 6


137. Frank Stella b. 1936

Polar Co-ordinates VII, f rom Polar Co-ordinates

for Ronnie Peterson, 19 8 0

Lithograph, screenprint and let terpress

in colours, on Arches Cover pap er, the f ull sheet,

signed, dated ‘8 0 ’ and numb ered 4 6/ 10 0 in

p encil (there were also 20 ar tis t ’s proofs),

published by Petersburg Press, New York, f ramed.

S. 9 6 x 97. 5 cm ( 37 3 / 4 x 3 8 3 / 8 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ‡

Literature

Richard A x som and Leah Kolb 12 5

138. Ellsworth Kelly 192 3-2015

Red Curve, 20 0 6

Lithograph in red, on BFK Rives pap er,



published by Gemini G.E.L., Los Angeles

(with their blinds tamps), f ramed.

S. 30. 5 x 17.1 cm ( 12 x 6 3 / 4 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0

Literature

Gemini G.E.L. 20 6 0

Richard A x som 328


140. Kenneth Noland 1924-2010

Untitled, 19 8 3

Monot yp e with hand-colouring and

embossing, on heav y wove paper, the full

sheet, signed and dated ‘1983’ in pencil on the

reverse, with the ar tist ’s blindstamp, published

by Ediciones Polígrafa, Barcelona, framed.

S. 7 2 x 102.2 cm (28 3 / 8 x 4 0 1 / 4 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0

139. Kenneth Noland 1924-2010

Untitled, 19 8 5

Monot yp e with hand-colouring and

emb ossing, on heav y wove pap er, the

f ull sheet, signed and dated ‘ 5 May 19 8 5’

in p encil on the reverse, with the ar tis t ’s

blinds tamp, published by Ediciones

Polígraf a, Barcelona, unf ramed.

S. 42. 3 x 53.7 cm ( 16 5 / 8 x 21 1 / 8 in.)

Estimate

£ 1,500-2,000 $2,200-2,900 € 1,900-2,500


141. Bridget Riley b. 1931

Rose Rose, f rom London 2012, 2011

Screenprint in colours, on Fabriano pap er,

with f ull margins, signed, titled, dated ‘11’

and numb ered 14 4/2 5 0 in p encil (there were

also 20 ar tis t ’s proofs), published by Counter

Editions, London, f ramed.

I. 70 x 5 4.2 cm (27 1 / 2 x 21 3 / 8 in.)

S. 8 6.7 x 69. 5 cm ( 3 4 1 / 8 x 27 3 / 8 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ♠

Literature

Kars ten Schub er t 79

142. Bridget Riley b. 1931

Untitled (Nineteen Greys B), 19 6 8

Screenprint in colours on card, the f ull sheet,

signed, titled, dated ‘ 78’ and numb ered 20/ 75

in p encil (there were also 6 ar tis t ’s proofs), f ramed.

S. 75.8 x 76 cm (29 7/ 8 x 29 7/ 8 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 ♠

Literature

Kars ten Schub er t 8 b

Ar t s Council 19 8 0, no.8


143. Imi Knoebel b. 19 4 0

An Meine Grüne Seite, 20 0 9

Acr ylic on aluminium and plas tic in pink and

green resp ec tively, with metal hanging unit,

signed, dated ‘20 0 9 ’ and numb ered 10/2 5 in

black and white marker p ens on the reverse of

the aluminium sheet, published by Deut sche

Gug genheim, Berlin, contained in the original

cardb oard b ox.

ins talled 2 5. 5 x 18 x 4 cm ( 10 x 7 1 / 8 x 1 5 / 8 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ♠

144. Imi Knoebel b. 19 4 0

Rot, Gelb, Weiß, Blau: four plates, 19 95

Four screenprint s in red, yellow and white,

on wove pap er, with f ull margins, all signed

with initials, dated ‘ 95’ and numb ered 3 4/4 0

in p encil, published by Edition Domb erger,

Stut tgar t, all unf ramed (lacking the Blau plates).

all I. 101.8 x 101.8 cm (4 0 1 / 8 x 4 0 1 / 8 in.)

all S. 12 5. 5 x 12 5. 5 cm (49 3 / 8 x 49 3 / 8 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 ♠



145. Joseph Beuys 1921-19 8 6

Mirror Piece, f rom Mirrors of the Mind, 1975

L acquered fask, with mirror-fnished interior,

containing io dine cr ys tals, with accompanying

card How to explain the iodine bottle to the Hares,

and c ylindrical cardb oard container, signed, titled

and numb ered 74/ 10 0 in p encil on ar tis t ’s lab els

on the underside of the b ot tle (there were also 30

ar tis t ’s proofs in Roman numerals), co-published

by Multiples Inc., and Cas telli Graphic s, New York.

b ot tle 19. 5 cm ( 7 5 / 8 in.)

print 15.7 x 11. 5 cm (6 1 / 8 x 4 1 / 2 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 •♠

Literature


146. Joseph Beuys 1921-19 8 6

Untitled, f rom Homage à Picasso, 197 3

Lithograph in colours, on Rag pap er, the f ull

sheet, signed and numb ered 81/9 0 in p encil

(there were also 30 impressions in Roman

numerals reser ved for museums, plus 15

ar tis t ’s proofs), published by Propyläen Verlag,

Berlin and Pantheon Presse, Rome, unf ramed.

S. 5 6 x 76 cm (2 2 x 29 7/ 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠

Literature


147. Joseph Beuys and James Lee Byars 1921-19 8 6 and 1932-19 97

Frammenti Veneziani (I-IIIIIIIIII), 19 8 0

The complete set of 10 screenprint s in grey,

fve by Joseph Beuys and fve by James Lee Byars,

on black wove pap er, the f ull sheet s, fve signed in

f ull by Joseph Beuys and fve signed with initials by

James Lee Byars, all numb ered 30/ 5 0 in p encil on

the reverse (there were also 10 in Roman numerals),

published by Edizioni Fac totum-Ar t, Verona, the

sheet s loose (as issued), contained in the original

black painted woo den p or t folio with printed title.

all S. 3 4.8 x 5 0 cm ( 13 3 / 4 x 19 5 / 8 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ♠

Literature

Jörg Schellmann 339 -3 4 3 (Joseph Beuys)



148. Martin Kippenberger 1953-19 97

I.N.P., 19 8 4

Screenprint in colours, on painted canvas

over woo den s tretcher (as issued), signed and

dated ‘8 4’ in black ink on the reverse, f rom the

unnumb ered edition of 7, f ramed.

10 0 x 120 cm ( 39 3 / 8 x 47 1 / 4 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 ♠


149. Martin Kippenberger 1953-19 97

Untitled, 19 91

Screenprint in colours, on Japan pap er-lined

cardb oard packing case with collage of four

hand-shap ed mirrors to the interior of the case,

p er forations and f ur ther screenprint in blue to the

ex terior, signed, dated ‘ 91’ and inscrib ed ‘P.P ’ in

black ink on the ex terior side (a printer ’s proof, the

edition was 12 and 3 ar tis t ’s proofs), published by

AC & T Corp oration, Tok yo.

4 6 x 4 6 x 35 cm ( 18 1 / 8 x 18 1 / 8 x 13 3 / 4 in.)

150. Jannis Kounellis b. 1936

Modèle 1-5, 19 9 9

The complete set of fve lithographs, on

Magnani pap er, with f ull margins, all signed

and numb ered 2 /4 0 in p encil, published by

Ediciones Polígraf a, Barcelona, all unf ramed.


all S. 6 4 x 76 cm (2 5 1 / 4 x 29 7/ 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 ‡ ♠

Literature

Gisela Capitain and Karola Grasslin 6 6


151. Günther Förg 1952-2013

Architektur II, 19 93

The complete set of fve gelatin silver print s,

on O r wo Bar y t pap er, the f ull sheet s, all signed,

dated ‘ 93’ and numb ered 18/6 0 in p encil,

all unf ramed.

all S. 9 6 x 69 cm ( 37 3 / 4 x 27 1 / 8 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ♠

Günther Förg Archive numb er W VF.93.F.01416


WWM, 19 9 0

The complete set of seven lithographs

(including title page), on Korean Kozo pap er,

with f ull margins, all signed, dated ‘ 9 0 ’ and

annotated ‘PP III/IV ’ in p encil (one of 4 printer ’s

proof set s, the edition was 30), all unf ramed.

all I. 65.7 x 10 0.4 cm (2 5 7/ 8 x 39 1 / 2 in.)

all S. 130 x 92. 5 cm ( 51 1 / 8 x 36 3 / 8 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ♠

Günther Förg Archive numb er W VF.9 0.GR.0 679



Untitled (four works), 19 9 4; and 20 01

Four lithographs in colours, on BFK Rives

pap er, with f ull margins, all signed, dated

‘01’ or ‘ 9 4’ and numb ered 4 3/8 0, 21/8 0,

61/ 75 and 4 4/ 75 resp ec tively in p encil,

printed by Hos tr up-Pedersen & Johansen,

Denmark, all unf ramed.

all I. approx. 63 x 47 cm (24 3 / 4 x 18 1 / 2 in.)

all S. approx. 6 4.7 x 49. 3 cm (2 5 1 / 2 x 19 3 / 8 in.)

t wo horizontal

Estimate

£ 1,000-1,500 $1,4 00-2,200 € 1,300-1,900 ♠

Günther Förg Archive numbers

W VF.94.GR.028 8; W VF.01.GR.0399;

W VF.01.GR.0398; and W VF.94.GR.0287


Architektur I, 19 93

The complete set of fve etching and aquatint s

in colours, on wove pap er, with f ull margins,

all signed, dated ‘ 93’ and annotated ‘ VII/ X’

in p encil (one of 7 ar tis t ’s proofs, the edition was

6 0), all unf ramed.

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ♠

Günther Förg Archive numb er W VF.93.GR.0165


156. Georg Baselitz b. 193 8

Suite 45, 19 9 0

The complete p or t folio of 21 of set lithographs,

on Fabriano pap er, the f ull sheet s, all signed,

dated ‘ 9 0 ’ and numb ered 29/ 35 in p encil,

published by Edition Achenbach, Düsseldor f, the

sheet s loose (as issued) contained in the original

black f abric-covered p or t folio with printed titles.

102. 5 x 7 3 x 2. 5 cm (4 0 3 / 8 x 28 3 / 4 x 0 7/ 8 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 ♠

Please refer to the online catalogue

for a complete listing.


155. Robert Gober b. 195 4

Untitled (Fresh Pigs); and Untitled (Whole Pigs),

19 93-19 9 4

The set of t wo photolithographs in colours,

on French Dur-O -Tone pap er, folded (as issued),

with f ull margins, b oth signed, dated ‘ 75’ and

numb ered 12 / 75 and 11/ 75 resp ec tively in p encil

in the lower margin (there were also 10 ar tis t ’s

proofs), published by the ar tis t, b oth f ramed.

I. various sizes

b oth S. 5 6.8 x 30. 5 cm (2 2 3 / 8 x 12 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 •


157. Various Artists

Stütz Mappe (Support Portfolio), 19 95

The complete p or t folio of 13 etchings in colours

(three in black and one in sepia), on various pap ers,

with f ull margins, all signed and numb ered 26/ 5 0

in p encil on the title page (there were also


by Contemp orar y Fine Ar t s, Berlin and Niels Borg

Jensen, Cop enhagen, all contained in original black

linen-covered p or t folio.

51. 5 x 42 x 1. 5 cm (20 1 / 4 x 16 1 / 2 x 0 5 / 8 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ♠

Including: Peter Doig (Night Fishing); Joachim

Grommek (Millimeterpapier); Stef an Hirsig

(Fahrenkamp’s Raster); Damien Hirs t (Beautiful

Exotic Stretching Etchy Spinning Void Etching); Olav

Chris topher Jenssen (Ingredienz); Hub er t K iecol (Schif

ohne Aquavit); Walter K ranz (Die Schwestern Veronal);

Elke K r ys tufek (It’s Enough); Sean L anders (Voyeur);

John Miller (610 West End); Chris O fli (---); Daniel

Richter (Little Doggy); and Rachel Whiteread (House)

Please refer to the online catalogue for a complete listing.

158. Various Artists

Graphikmappe MMK, 19 9 4

The complete p or t folio of fve print s, comprised

of one lithograph, t wo of set lithographs, one

chromogenic print and one screenprint, all in

colours, on various pap ers, with f ull margins,

all signed, t wo dated, one inscrib ed ‘E. A .’, all

annotated ‘ X X / X X V ’ in p encil (one of 2 5 ar tis t ’s

proof set s, the edition was 175 ), published by

Achenbach Ar t Edition, Düsseldor f, for the

Museum of Mo derne Kuns t, Frank f ur t am Main,

the sheet s loose (as issued) contained in the

original grey f abric-covered p or t folio.

102 x 7 1 x 1 cm (4 0 1 / 8 x 27 7/ 8 x 0 3 / 8 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 ♠

Literature

Richard A x som and David Plat zker,

2 52 (Oldenburg)

Including: Stephan Balkenhol, Mann mit

Papagei; Peter Fischli/David Weiss, Airport;

Claes Oldenburg, Museum á la Mode; Thomas

Ru f, Sternenhimmel 16H30M/-50°/94;

and Rosemarie Trockel, Untitled


159. Cindy Sherman b. 195 4

Untitled (Madonna), 1975 -97

Gelatin silver print, on photo pap er, with f ull

margins, signed and dated ‘1975 -7 7 ’ in p encil on

the reverse, the edition size unknown, f ramed.

I. 17. 5 x 12. 5 cm (6 7/ 8 x 4 7/ 8 in.)

S. 2 5.4 x 20. 3 cm ( 10 x 7 7/ 8 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0


Untitled (Doctor and Nurse), 19 8 0 -92

The pair of t wo sepia-toned gelatin

silver print s, on photo pap er, with f ull

margins, b oth signed and dated ‘19 8 0 -

92’ in p encil on the reverse, f ramed.

b oth I. 2 3.9 x 19 cm (9 3 / 8 x 7 1 / 2 in.)

b oth S. 2 5.2 x 20.2 cm (9 7/ 8 x 7 7/ 8 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0

€ 3,8 0 0 - 6, 30 0


Untitled (Cosmo Cover Girl), 19 9 0 -91

Chromogenic print, on Fujicolor pap er,

with f ull margins, signed, dated ‘19 9 0 -91’

and numb ered 12 5/ 12 5 in black ink on the

reverse, f ramed.

I. 4 3 x 27.6 cm ( 16 7/ 8 x 10 7/ 8 in.)

S. 5 0.7 x 4 0.4 cm ( 19 7/ 8 x 15 7/ 8 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0


163. Mario Testino b. 195 4

Kate Moss, London, 2006, 2012

Chromogenic print, on Fujifex Cr ys tal Archive

Sup ergloss pap er, with f ull margins, signed in

black ink and numb ered 159/ 175 on a lab el afxed

to the reverse (there were also 2 5 ar tis t ’s proofs),

published by Counter Editions, London, unf ramed,

contained in the original cardb oard p or t folio b ox.

I. 41.2 x 53.4 cm ( 16 1 / 4 x 21 in.)

S. 5 0.8 x 61 cm (20 x 24 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ♠

162. Richard Prince b. 19 49

Untitled (Woman with Hat), 19 82-19 8 4/20 02

Chromogenic print, on photo pap er, with f ull

margins, signed in blue ink and numb ered

37/ 5 0 in black ink on a lab el afxed to the

reverse (there were also 5 ar tis t ’s proofs),

conceived in 19 82-8 4 and published in 20 02

by Tex te zur Kuns t, Berlin, f ramed.

I. 63 x 42 cm (24 3 / 4 x 16 1 / 2 in.)

S. 70.8 x 5 0 cm (27 7/ 8 x 19 5 / 8 in.)

Estimate

£ 2, 5 0 0 -3, 5 0 0 $3,6 0 0 -5,0 0 0 € 3,20 0 -4,4 0 0


164. George Condo b. 1957

More Sketches of Spain - For Miles Davis 1-6, 19 91

The complete set of six etchings, on Guarro

pap er, with f ull margins, all signed and numb ered

2 /4 0 in p encil, published by Alexander Kahan,

New York, all unf ramed.

all I. 4 8 x 5 6. 5 cm ( 18 7/ 8 x 2 2 1 / 4 in.)

all S. 69 x 76.8 cm (27 1 / 8 x 30 1 / 4 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0

165. Jenny Saville b. 1970

Red Stare, 2012

Digital print in colours, on Somerset Photo

pap er, with f ull margins, signed, dated ‘2012’

and numb ered 20/ 5 0 in p encil, this edition

was not released to the public and was gifed

to the Mo dern Ar t Ox ford s taf by the ar tis t

on the occasion of her exhibition Jenny Saville,

2 3 June - 16 Sept 2012, unf ramed.

I. 47.2 x 3 8 cm ( 18 5 / 8 x 14 7/ 8 in.)

S. 59.4 x 42 cm (2 3 3 / 8 x 16 1 / 2 in.)

Estimate

£ 1,20 0 -1, 5 0 0 $ 1,70 0 -2,20 0 € 1, 5 0 0 -1,9 0 0 ♠


166. Grayson Perry b. 19 6 0

Mr and Mrs Perry; and Mr and Mrs Perry, 20 05

Two pairs of linocut s, each on individually

pat terned pap ers (three with focking), with f ull

margins, all signed in p encil, f rom the edition of 21

unique variant s, published by The Paragon Press,

London, all f ramed.

all I. approx. 4 0. 5 x 30.7 cm ( 15 7/ 8 x 12 1 / 8 in.)

all S. 47. 5 x 37. 5 cm ( 18 3 / 4 x 14 3 / 4 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 ♠


This crude charger was wrought on the

20th January for the serving of an aphrodisiac

before the consummation of a godless orgy, 19 8 4

Unique ear thenware dish painted in colours with

knife engraving, impressed s tamping and gla ze,

with the ar tis t ’s s tamp ed initials on the underside.

3 4 x 2 5. 5 cm ( 13 3 / 8 x 10 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 ♠


Untitled (Mother and Child), c. 19 8 5

Unique ear thenware tile painted in brown

with knife engraving and gla ze,

2 3.8 x 17.1 cm (9 3 / 8 x 6 3 / 4 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 ♠


170. Tracey Emin b. 19 63

My Heart is With You Always; and Love

is What You Want, 2015

Two of set lithographic p os ters in colours,

on silk fnish pap er, the f ull sheet s, b oth with

complimentar y signatures, one dated ‘2015’

and one annotated ‘ X’ in silver ink, f rom the

unnumb ered edition of 5 0 0, published by

Emin International, London, b oth unf ramed.

b oth S. 70 x 5 0 cm (27 1 / 2 x 19 5 / 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠


I Promise to Love You; and My Favourite

Little Bird, 2014-15

Two of set lithographic p os ters in colours,

on silk fnish pap er, the f ull sheet s, b oth with

complimentar y signatures, one dated ‘2014’

and one annotated ‘ X’ in silver ink, f rom the

unnumb ered edition of 5 0 0, published by

Emin International, London, b oth unf ramed.

b oth S. 70 x 5 0 cm (27 1 / 2 x 19 5 / 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠



My Heart Is With You Always, 2015

Embroider y thread in red and pink, on linen

napkin, signed, dated ‘2014’ and inscribed

‘with you in mind’ in black ink on the at tached

blue paper label, the edition size unknown,

published by Emin International, London, unframed.

41 x 42. 5 cm ( 16 1 / 8 x 16 3 / 4 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 • ‡ ♠


Fucked Up, 19 9 8

Unique monot yp e with p encil annotation,

on newsprint pap er, the f ull sheet, signed,

titled and dated ‘19 9 8’ in p encil, printed by

the ar tis t, f ramed.

S. 29. 5 x 41.8 cm ( 11 5 / 8 x 16 1 / 2 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ♠



Domine, ne in furore, 2010


on wove pap er, with f ull margins, signed

and numb ered 11/ 5 0 in p encil (there were

also 10 ar tis t ’s proofs), published by O ther

Criteria Ltd., London (with their and the ar tis t ’s

blinds tamps), f ramed.

I. 6 0. 5 cm (2 3 7/ 8 in.) diameter

S. 74 x 7 1. 5 cm (29 1 / 8 x 28 1 / 8 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 ♠




The Dead (Silver Gloss/Topaz Skull), 20 0 9

Foil block print in colours, on Arches 8 8 pap er,

with f ull margins, signed and numb ered 8/ 15

in p encil (there were also 5 ar tis t ’s proofs), co-

published by Paul Stolp er and O ther Criteria Ltd.,

London, f ramed.

I. 41 x 30 cm ( 16 1 / 8 x 11 3 / 4 in.)

S. 7 2 x 51 cm (28 3 / 8 x 20 1 / 8 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ♠





Nopaline, 2011

Woo dcut in colours, on Somerset Tex tured pap er,

the f ull sheet, signed on the f ront and numb ered

7/ 55 in p encil on the reverse (there were also 10


London, f ramed.

S. 53. 3 x 53. 5 cm (20 7/ 8 x 21 1 / 8 in.)

Estimate

£ 2, 5 0 0 -3, 5 0 0 $3,6 0 0 -5,0 0 0 € 3,20 0 -4,4 0 0 ♠




Xylene Cyanol Dye Solution, 20 05

Aquatint in colours, on Hahnemühle etching

pap er, with f ull margins, signed on the f ront and

inscrib ed ‘AP ’ in p encil on the reverse (one of

20 ar tis t ’s proofs, the edition was 65 ), published

by The Paragon Press, London, f ramed.

I. 5 8 x 3 8 cm (2 2 7/ 8 x 14 7/ 8 in.)

S. 9 6. 5 x 7 3 cm ( 37 7/ 8 x 28 3 / 4 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0 ♠

Literature

The Paragon Press 20 01-20 0 6 pp. 2 5 8-2 59




This lot is sold to beneft The National Autistic Society


All You Need Is Love, Love, Love, 20 0 8

Screenprint in colours, on wove pap er, with f ull

margins, signed, inscrib ed ‘ for Lisa, Thank s for all

the help’ and numebred 10 0/ 15 0 in p encil (there were

also 10 ar tis t ’s proofs), published by O ther Criteria Ltd.,

London, f ramed.

I. 9 0 x 87 cm ( 36 x 36 in.)

S. 114 x 102 cm (4 4 7/ 8 x 4 0 1 / 8 in.)

Estimate

£ 10,0 0 0 -15,0 0 0 $ 14,4 0 0 -21,6 0 0 € 12,6 0 0 -19,0 0 0 ♠





Winter 68, 2012

Digital print in colours, laminated to glass and

mounted to acr ylic (as issued), the f ull sheet,

signed in black ink and numb ered 3/ 3 (printed)

on a lab el afxed to the reverse (there was also

1 ar tis t ’s proofs), published by Alan Cris tea

Galler y, London.

6 8 x 121 cm (26 3 / 4 x 47 5 / 8 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 ♠

Literature

Alan Cris tea 24 6


Imagine You are Driving (Fast)/Rio/Helmet, 20 02

L amb da print in colours, on Fujicolour

photographic pap er dr y-mounted to PVC

(as issued), the f ull sheet, signed and numb ered

12 / 5 0 in black marker on the reverse (there were

also 11 ar tis t ’s proofs), published by Alan Cris tea

Galler y, London, f ramed.

S. 55.8 x 120 cm (21 7/ 8 x 47 1 / 4 in.)

Estimate

£ 2, 5 0 0 -3, 5 0 0 $3,6 0 0 -5,0 0 0 € 3,20 0 -4,4 0 0 ♠

Literature

Alan Cris tea 37


Imagine You Are Driving (Fast)/Jacques, 20 02

L amb da print in colours, on Fujicolour

photographic pap er dr y-mounted to PVC

(as issued), the full sheet, signed and annotated

‘AP 1/11’ in black marker on the reverse (an ar tist ’s

proof, the edition was 50), published by Alan

Cristea Galler y, London, framed.

S. 55.8 x 120 cm (21 7/ 8 x 47 1 / 4 in.)

Estimate

£ 2, 5 0 0 -3, 5 0 0 $3,6 0 0 -5,0 0 0 € 3,20 0 -4,4 0 0 ♠

Literature

Alan Cris tea 33



View of the Mountains from the Nihon Alps

Salada Road, 20 0 9

Lenticular acr ylic panel, comprised of an inkjet

print in colours, on sp ecialis t pap er, mounted to

t went y line 3D and iMotion lenses, signed in black

ink and numb ered 2 2 / 5 0 (printed) on a lab el

afxed to the reverse of the f rame (there were

also 5 ar tis t ’s proofs), published by Alan Cris tea

Galler y, London, contained in a white sprayed

aluminium f rame sp ecifed by the ar tis t.

9 0 x 12 5 x 4 cm ( 35 3 / 8 x 49 1 / 4 x 1 5 / 8 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ♠

Literature

Alan Cris tea 139



View from my Bedroom Window, 20 07

LCD animation presented as a continuous computer

animation on a 48 second loop, with memory card

supplied, programmed and ftted in LCD screen,

contained in a custom made, black powder-coated

metal surround, signed in black ink and numbered

249/300 (printed) on a label afxed to the reverse

(there were also 15 artist’s proofs), published by

Alan Cristea Gallery, London, with adaptor and

remote control, contained in the original foam-lined

corrugated cardboard box.

24.8 x 31.1 x 4 cm (9 3 / 4 x 12 1 / 4 x 1 5 / 8 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 • ‡ ♠

Literature

Alan Cristea Gallery 104



View from My Hotel Room, 20 0 8

LCD animation presented as a continuous computer

animation on a 3 minute and 39 second loop, with

memor y card supplied, programmed and ft ted

in LCD screen, contained in a cus tom made, silver

p owder-coated metal surround, signed in black ink

and numb ered 61/20 0 (printed) on a lab el afxed

to the reverse (there were also 20 ar tis t ’s proofs),

published by Alan Cris tea Galler y, London, with

various adapters, contained in original foam-lined

corr ugated cardb oard b ox.

27. 5 x 35. 3 x 4. 5 cm ( 10 7/ 8 x 13 7/ 8 x 1 3 / 4 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 • ♠

Literature

Alan Cris tea 105



Luc and Ludivine Get Married (4), 20 07

The pair of laser-cut Somerset Velvet black pap er

silhouet tes, dr y-mounted onto Clairefontaine

Mayo pap er (as issued), the f ull sheet s, signed

in black marker p en and numb ered 7/ 10 (printed)

on a lab el afxed to the reverse of the lef

f rame (there was also 1 ar tis t ’s proof for the

pair), published by Alan Cris tea Galler y, London,

in original oval black woo d f rames, gla zed with

vacuum formed p olycarb onate, ft ted with a

top fxing screw ring as sp ecifed by the ar tis t.

each 4 8.7 x 4 0 x 7 cm ( 19 1 / 8 x 15 3 / 4 x 2 3 / 4 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ♠

Literature

Alan Cris tea 110


Twenty Six Portraits, 20 0 6

The complete b ook of 26 print s in colours,

comprised of 16 lithographs b ound (as issued),

fve L amb da print s and fve screenprint s tipp ed-

in (as issued), on wove pap er, the f ull sheet s,

with tex t by the ar tis t, signed and numb ered

49/2 5 0 in p encil on the jus tifcation page (there

were also 5 0 ar tis t ’s proofs), published by Alan

Cris tea Galler y, b ound in the original cloth cover,

contained in the original nav y silk slip case.

42.7 x 30.4 x 2 cm ( 16 3 / 4 x 11 7/ 8 x 3 / 4 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠

Literature

Alan Cris tea 95



This is Shahnoza 4, 20 0 6

Screenprint, on Somerset Satin pap er, with f ull

margins, signed and numb ered 2 3/4 0 in p encil


Alan Cris tea Galler y, London, f ramed.

I. 5 0 x 115 cm ( 19 5 / 8 x 45 1 / 4 in.)

S. 5 6.8 x 135. 3 cm (2 2 3 / 8 x 53 1 / 4 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0 ♠

Literature

Alan Cris tea Galler y 61

188. Peter Doig b. 1959

Canoe Island, 20 0 0

Screenprint in colours, on Somerset pap er, the f ull

sheet, signed and numb ered 136/ 30 0 in p encil on

the reverse (there were also 30 ar tis t ’s proofs),

published by Counter Editions, London, f ramed.

S. 7 3.1 x 9 9.7 cm (28 3 / 4 x 39 1 / 4 in.)

Estimate

£ 2, 5 0 0 -3, 5 0 0 $3,6 0 0 -5,0 0 0 € 3,20 0 -4,4 0 0 ♠


Ika (2), 2011

Inkjet print in colours, on Epson Premium Semigloss

Photo pap er dr y-mounted to aluminium (as issued),

the f ull sheet, signed in black ink and numb ered 15/4 0

(printed) on a lab el afxed to the reverse of the f rame


Alan Cris tea Galler y, London, contained in the

original black tulip woo d f rame sp ecifed by the ar tis t.

S. 117. 5 x 8 0. 5 cm (4 6 1 / 4 x 31 3 / 4 in.)

including frame 127.5 x 90.2 x 6.5 cm (50 1 / 4 x 35 1 / 2 x 2 1 / 2 in.)

Estimate

£ 3, 5 0 0 -5,0 0 0 $5,0 0 0 -7,20 0 €4,4 0 0 - 6, 30 0 ♠

Literature

Alan Cris tea 161


189. Banksy b. 1975

Soup Can (Pink/Emerald/Rasberry), 20 05


margins, signed, dated ‘05’ and numb ered 7/ 10

in p encil, published by Pic tures on Walls, London

(with their blinds tamp), with the accompanying

Cer tifcate of Authenticit y issued by Pes t

Control, f ramed.

I. 2 5. 5 x 15 cm ( 10 x 5 7/ 8 in.)

S. 5 0 x 3 4.7 cm ( 19 5 / 8 x 13 5 / 8 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0 ♠

190. Banksy b. 1975

Soup Can (Lilac/Emerald/Purple), 20 05

Screenprint in colours, on wove pap er, with

f ull margins, signed, dated ‘05’ and numb ered

7/ 10 in p encil, published by Pic tures on Walls,

London (with their blinds tamp), with the

accompanying Cer tifcate of Authenticit y

issued by Pes t Control, f ramed.

I. 2 5. 5 x 15 cm ( 10 x 5 7/ 8 in.)

S. 5 0 x 3 4.7 cm ( 19 5 / 8 x 13 5 / 8 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0 ♠


192. Banksy b. 1975

Flying Copper, 20 03

Screenprint in colours, on wove pap er, the

f ull sheet, numb ered 424/6 0 0 in p encil, f rom

the unsigned edition published by Pic tures on

Walls, London (with their blinds tamp), with the

accompanying Cer tifcate of Authenticit y issued

by Pes t Control, f ramed.

S. 9 8.7 x 6 8.9 cm ( 3 8 7/ 8 x 27 1 / 8 in.)

Estimate

£ 3,0 0 0 -4,0 0 0 $ 4, 30 0 -5,8 0 0 € 3,8 0 0 -5,10 0 ♠

191. Banksy b. 1975

Happy Chopper, 20 03


margins, numb ered 5 82 / 75 0 in p encil, f rom the

unsigned edition published by Pic tures on Walls,

London, with the accompanying Cer tifcate of

Authenticit y issued by Pes t Control, f ramed.

I. 67 x 47 cm (26 3 / 8 x 18 1 / 2 in.)

S. 69.6 x 49.6 cm (27 3 / 8 x 19 1 / 2 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ♠

193. Banksy b. 1975

Gangsta Rat, 20 0 4


margins, numb ered 2 39/ 35 0 in p encil, f rom

the unsigned edition published by Pic tures on

Walls, London (with their blinds tamp), with the

accompanying Cer tifcate of Authenticit y issued

by Pes t Control, f ramed.

I. 36 x 2 3 cm ( 14 1 / 8 x 9 in.)

S. 49.8 x 3 4.9 cm ( 19 5 / 8 x 13 3 / 4 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ♠


194. Stik

Liberty (Silver), 2013-14

Screenprint in silver, on wove pap er,

with f ull margins, signed and inscrib ed

‘AP ’ in p encil (an ar tis t ’s proof aside f rom

the edition of 12), with the accompanying

Cer tifcate of Authenticit y, published by

Squarit y (with their blinds tamp), f ramed.

I. 10 6 x 36 cm (41 3 / 4 x 14 1 / 8 in.)

S. 112 x 49 cm (4 4 1 / 8 x 19 1 / 4 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0

€ 2, 5 0 0 -3,8 0 0 ♠

195. Stik

Liberty (Orange), 2013

Screenprint in colours, on Somerset

pap er, with f ull margins, signed

and annotated ‘PP 3/ 3’ in p encil

(a printer ’s proof aside f rom the

edition of 2 5 ), with the accompanying

Cer tifcate of Authenticit y, published

by Squarit y, f ramed.

I. 105.7 x 35.7 cm (41 5 / 8 x 14 in.)

S. 111.1 x 4 0.7 cm (4 3 3 / 4 x 16 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0

€ 2, 5 0 0 -3,8 0 0 ♠

196. KAWS b. 1974

Presenting the Past, 2014

Screenprint in colours, on Sanders

Water ford pap er, the f ull sheet, signed,

dated ‘14’ and numb ered f rom the edition

of 2 5 0 in p encil (there were also 5 0 ar tis t ’s

proofs), published by the ar tis t, unf ramed.

S. 81.2 x 81.2 cm ( 31 7/ 8 x 31 7/ 8 in.)

Estimate

£ 2, 5 0 0 -3, 5 0 0 $3,6 0 0 -5,0 0 0

€ 3,20 0 -4,4 0 0

Exhibited

Hong Kong, Harb our Cit y, KAWS: Clean

Slate, 18 Sept - 19 O c t 2014 (another

impression exhibited)


197. Harland Miller b. 19 6 4

Death, What’s in it for Me?, 2011/2014

Screenprint in colours with ex tensive hand-

colouring in oil and acr ylic, on Somerset pap er,

the f ull sheet, signed, dated ‘2014’ and inscrib ed

‘Hand Finished ’ in p encil, f rom the edition of 10

unique hand-coloured ar tis t ’s proofs, f ramed.

S. 95.7 x 6 6 cm ( 37 5 / 8 x 2 5 7/ 8 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0 ♠


198. Darren Almond b. 197 1

Primo, 20 07

Cas t aluminium painted in maroon, signed,

dated ‘20 07 ’ and numb ered 2 / 7 in black ink on

the reverse (there were also 2 ar tis t ’s proofs).

2 5.2 x 78.7 x 2 cm (9 7/ 8 x 30 7/ 8 x 0 3 / 4 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 ‡ ♠

Provenance

Galerie Ma x Het zler, Berlin

199. Matthew Day Jackson b. 1974

Missing Link (Lady Liberty), f rom The Dymaxion

Series, 20 07

The complete set of three print s, comprised of one

screenprint in colours with collage, on found p os ter

laminated on Coventr y Rag pap er, and t wo etchings

and aquatint s in colours with spit-bite and hand-

painting on Hahnemühle Copp erplate pap er, the f ull

sheet s, the screenprint signed and dated ‘20 07, the

etchings signed with initials, all numb ered 30/ 35

and annotated ‘A’ ‘B’ and ‘C’ resp ec tively in p encil on

the reverse (there were also 5 ar tis t ’s proofs and 5 in

Roman numerals), published by Peter Blum Edition,

New York, all f ramed.

screenprint 91 x 55. 5 cm ( 35 7/ 8 x 21 7/ 8 in.)

etchings 9 0 x 59.6 cm ( 35 3 / 8 x 2 3 1 / 2 in.) (one horizontal)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0


200. Rashid Johnson b. 197 7

Crosshair Brand, 2011

Painted s teel and red oak with charring, signed

in black ink on the underside and numb ered 8/20

(printed) on the accompanying Cer tifcate of

Authenticit y (there were also 3 ar tis t ’s proofs),

published by SculptureCenter, New York.

brand 51 x 29 x 29 cm (20 1 / 8 x 11 3 / 8 x 11 3 / 8 in.)

base 39. 5 x 65 x 5. 5 cm ( 15 1 / 2 x 2 5 5 / 8 x 2 1 / 8 in.)

Estimate

£ 6,0 0 0 -8,0 0 0 $ 8,70 0 -11, 5 0 0 € 7,6 0 0 -10,10 0


201. Maurizio Cattelan b. 19 6 0

The 1:6 Scale Wrong Gallery, 20 05

Woo d, brass, s teel, aluminium, resin, plas tic,

glass and elec tric lighting, with accompanying

Elizab eth Pey ton photo-screenprint in colours

on glass with resin f rame, numb ered 8 6/2 5 0 0

in black ink on the base, with the printed

Cat telan/Sub otnick /Gioni 20 05 copyright

s tamp, published by Cerealar t Multiples,

Philadelphia, the Pey ton contained in the

original cardb oard b ox.

47 x 29 x 17 cm ( 18 1 / 2 x 11 3 / 8 x 6 3 / 4 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 • ♠


204. JR b. 19 8 4

Self-Portrait in a Woman’s Eye, Kenya,

f rom 28 Milimetres, Women are Heroes, 2010

Giclée print, on Magnani pap er, with f ull margins,

signed with initials, dated ‘2010 ’ and numb ered

142 / 15 0 in p encil, f ur ther s tamp-signed with

initials, published by the Circle Culture Galler y,

Berlin, f ramed.

I. 65.8 x 87.8 cm (2 5 7/ 8 x 3 4 5 / 8 in.)

S. 69. 5 x 93 cm (27 3 / 8 x 36 5 / 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠

202. Nate Lowman b. 1979

My Favorite Part of My Favorite Painting, 2011

Archival inkjet print in colours, on canvas

s tretched onto a woo d s tretcher, signed and

numb ered 36/ 5 0 in black ink on the reverse,

published by E xhibition A , New York, unf ramed.

51 x 41 cm (20 1 / 8 x 16 1 / 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0

203. Hiroshi Sugimoto b. 19 4 8

U.A. Walker, New York, 1978/20 0 0

Photo-etching, on BFK Rives pap er, with f ull

margins, with accompanying b ound b ook,

signed in p encil and numb ered 070 9/ 10 0 0

(printed) on a lab el afxed to the case, published

by Eyes torm, London and Sonnab end Sundell

Editions, New York, the photo-etching contained

in the original metal hinged case, the b ook

contained in a silver cardb oard slip case.

I. 29.2 x 37. 5 cm ( 11 1 / 2 x 14 3 / 4 in.)

S. 4 3.2 x 53. 3 cm ( 17 x 20 7/ 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0



Untitled (Kölnischer Kunstverein), 19 91

Lithograph in colours, on smooth laid pap er,

with f ull margins, signed, dated ‘19 91’ and

numb ered 30/4 0 in p encil on the reverse,

published by Edition Kölnischer Kuns t verein,

Cologne, f ramed.

I. 97.7 x 63.8 cm ( 3 8 1 / 2 x 2 5 1 / 8 in.)

S. 9 8. 5 x 6 4.9 cm ( 3 8 3 / 4 x 2 5 1 / 2 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0

205. Luc Tuymans b. 195 8

Illusion and Reality, 20 05


margins, with the accompanying b ook, Illusuion

and Memory by Chris topher Caudwell, and printed

b ookplate, the print and b ookplate b oth signed

and numb ered 18/ 5 0 in p encil, published by Salon

Verlag, Cologne, contained in the original blue

f abric-covered p or folio with b ook inset.

4 8. 5 x 3 8 x 4. 5 cm ( 19 1 / 8 x 14 7/ 8 x 1 3 / 4 in.)

Estimate

£ 1,0 0 0 -1,20 0 $ 1,4 0 0 -1,70 0 € 1, 30 0 -1, 5 0 0 ♠


208. Ai Weiwei b. 1957

Art Edition, 2014

Chinese marble (Fangshan Dis tric t), Hab otai silk

scar f and cloth-b ound b ook, signed in red ink and

s tamp-numb ered 020/ 10 0 on the accompanying

Cer tifcate of Authenticit y (there were also a numb er

of ar tis t ’s proofs), f ur ther numb ered ‘020 ’ on the

slip case spine and again on the original, branded

packaging, with the original slip case.

marble 18.8 x 76. 5 x 51.4 cm ( 7 3 / 8 x 30 1 / 8 x 20 1 / 4 in.)

wrapp ed b ook 45 x 35. 5 x 11 cm ( 17 3 / 4 x 13 7/ 8 x 4 3 / 8 in.)

ins talled 21. 5 x 76.2 x 52 cm (8 1 / 2 x 30 x 20 1 / 2 in.)

Estimate

£ 6,0 0 0 -8,0 0 0 $ 8,70 0 -11, 5 0 0 € 7,6 0 0 -10,10 0

207. Zaha Hadid 195 0 -2016

Solid (Edition No. 31), 20 05

Vacuum cas t p olyurethane resin, with

accompanying light-b ox, with emb ossed

signature and numb ered 15 4/2 5 0, published

by Deut sche Gug genheim, Berlin, on the

occasion of their 2 5th anniversar y, contained

in the original plas tic b ox.

4.8 x 37 x 6. 5 cm ( 1 7/ 8 x 14 5 / 8 x 2 1 / 2 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ♠


209. Ai Weiwei b. 1957

Blue 5, 2015

Indus trial paint in blue, on Munken Polar pap er

dus t-jacket, with the accompanying b oxed

exhibition catalog ue, signed in p encil on the

right folded panel (visible on the reverse),

f ur ther signed (printed) and numb ered

2 5/ 10 8 in black ink on the accompanying

Cer tifcate of Authenticit y, f rom the edition

of unique variant s in ten colours, published

by the Royal Academy of Ar t s, London, for the

ar tis t edition of their Ai Weiwei retrosp ec tive,

19 Sept - 13 Dec 2015, f ramed.

I. 29. 5 x 57 cm ( 11 5 / 8 x 2 2 1 / 2 in.)

unfolded S. 30. 5 x 10 0 cm ( 12 x 39 3 / 8 in.)

Estimate

£ 7,0 0 0 -9,0 0 0 $ 10,10 0 -13,0 0 0 € 8,9 0 0 -11,4 0 0



Haggadah (P2), 20 0 6/2013

Chromogenic print, fush-mounted to aluminium

with metal s trainer on the reverse (as issued),

the f ull sheet, this f ac simile objec t is unsigned

and numb ered 175/ 5 0 0 in black ink on the

reverse, published by Fondation Beyeler,

Basel,2013.

10 0 x 10 0 cm ( 39 3 / 8 x 39 3 / 8 in.)

Estimate

£ 6,0 0 0 -8,0 0 0 $ 8,70 0 -11, 5 0 0 € 7,6 0 0 -10,10 0 ♠

Literature

Heni Pro duc tions P 2


Abstraktes Bild (P1), 19 9 0/2013

Chromogenic print, fush-mounted to aluminium

with metal s trainer on the reverse (as issued),

the f ull sheet, this f ac simile objec t is unsigned

and numb ered 4 0 9/ 5 0 0 in black ink on the

reverse, published by Fondation Beyeler,

Basel, 2013.

91.8 x 12 5.4 cm ( 36 1 / 8 x 49 3 / 8 in.)

Estimate

£ 8,0 0 0 -12,0 0 0 $ 11, 5 0 0 -17, 30 0 € 10,10 0 -15,20 0 ‡♠

Literature

Heni Pro duc tions P 1




Bouquet (P3), 20 0 6/2013

Chromogenic print, fush-mounted to

aluminium with metal s trainer on the reverse

(as issued), the f ull sheet, this f ac simile objec t

is unsigned and numb ered 175/ 5 0 0 in black ink

on the reverse, published by Fondation Beyeler,

Basel, 2013.

6 0 x 8 8. 5 cm (2 3 5 / 8 x 3 4 7/ 8 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 ♠

Literature

Heni Pro duc tions P3


Victoria I and II, 20 03

Two of set lithographs in colours,

on smooth wove pap er, with f ull

margins, b oth with printed signature,

date ‘20 03’ and title, the edition size

unknown, published by Achenbach Ar t

Edition, Düsseldor f, b oth unf ramed.

b oth I. 6 0 x 4 0 cm (2 3 5 / 8 x 15 3 / 4 in.)

b oth S. 8 0 x 6 0 cm ( 31 1 / 2 x 2 3 5 / 8 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0

€ 2, 5 0 0 -3,8 0 0 ♠


Victoria I, 19 87

O f set lithograph in colours, on smooth

wove pap er, with f ull margins, with printed

signature and date ‘19 87 ’, the edition size

unknown, published by Achenbach Ar t

Edition, Düsseldor f, unf ramed.

I. 6 0 x 4 0 cm (2 3 5 / 8 x 15 3 / 4 in.)

S. 79.8 x 6 0 cm ( 31 3 / 8 x 2 3 5 / 8 in.)

Estimate

£ 1,20 0 -1, 5 0 0 $ 1,70 0 -2,20 0 € 1, 5 0 0 -1,9 0 0 ♠



Infatable Balloon Flower (Yellow), 19 97

Yellow PVC balloon, signed, dated ‘ 97 ’

and numb ered f rom the edition of 10 0 in

red marker on the balloon (there were also 4 0

ar tis t ’s proofs in Roman numerals), published by

Parket t Editions, Zurich and New York,

contained in original cardb oard b ox.

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0

Literature

Edition for Parket t 5 0/ 51

215. Keith Haring 195 8-19 9 0

Untitled (Pop Shop Tokyo, Rice Bowl), 19 87

Unique ceramic b owl painted in dark teal with

gla ze, signed and dated ‘87 ’ in dark teal on the

underside, f rom the series of unknown size

each hand-painted by the ar tis t in a unique

design, pro duced for the op ening of Keith

Haring ’s Tok yo based Pop Shop.

6 x 13 x 13 cm (2 3 / 8 x 5 1 / 8 x 5 1 / 8 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0


Balloon Dog (Red), 19 95

Porcelain painted in chrome, numb ered

16 05/2 30 0 in black ink on a lab el afxed to

the underside, published by the Museum of

Contemp orar y Ar t, Los Angeles, with original

plas tic s tand, contained in original p olys t yrene-

lined cardb oard b ox.

26.7 cm ( 10 1 / 2 in.) diameter

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0


219. Yayoi Kusama b. 1929

Snail, 19 89

Screenprint in colours, on Izumi pap er,

with f ull margins, signed, titled in Japanese,

dated ‘19 89 ’ and numb ered 26/ 10 0 in p encil

(there were also 8 ar tis t ’s proofs), f ramed.

I. 45.2 x 52.7 cm ( 17 3 / 4 x 20 3 / 4 in.)

S. 53. 5 x 61 cm (21 1 / 8 x 24 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0

Literature

Yayoi Kusama 127


Sea, 19 89

Screenprint in colours, on Izumi pap er,

with f ull margins, signed, titled in Japanese,

dated ‘19 89 ’ and numb ered 61/ 10 0 in p encil

(there were also 10 ar tis t ’s proofs), f ramed.

I. 4 4.8 x 52. 5 cm ( 17 5 / 8 x 20 5 / 8 in.)

S. 53. 5 x 61 cm (21 1 / 8 x 24 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0

Literature

Yayoi Kusama 136


Infnity Nets (B), 19 9 4

Etching, on Arches pap er, with f ull margins,

signed, titled in Japanese, dated ‘19 9 4’

and numb ered 39/ 5 0 in p encil (there were

also 5 ar tis t ’s proofs), f ramed.

I. 29. 5 x 41.8 cm ( 11 5 / 8 x 16 1 / 2 in.)

S. 45.2 x 62.7 cm ( 17 3 / 4 x 24 5 / 8 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 ‡

Literature

Yayoi Kusama 20 4



Infnity, 19 95

Etching, on Fukui-shi pap er, with f ull margins,

signed, titled in Japanese, dated ‘19 95’ and

numb ered 30/ 5 0 in p encil (there were also

8 ar tis t ’s proofs), f ramed.

I. 39. 5 x 5 4. 5 cm ( 15 1 / 2 x 21 1 / 2 in.)

S. 5 6. 5 x 75. 5 cm (2 2 1 / 4 x 29 3 / 4 in.)

Estimate

£ 2, 5 0 0 -3, 5 0 0 $3,6 0 0 -5,0 0 0 € 3,20 0 -4,4 0 0 ‡

Literature

Yayoi Kusama 2 24


Infnity, 1953-19 8 4


signed, titled, dated ‘1953-19 8 4’ and

numb ered 8/ 30 in p encil (there were also

3 ar tis t ’s proofs), f ramed.

I. 19.7 x 36.2 cm ( 7 3 / 4 x 14 1 / 4 in.)

S. 45. 5 x 62.8 cm ( 17 7/ 8 x 24 3 / 4 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 ‡

Literature

Yayoi Kusama 57


River Wave, 19 93


signed, titled in Japanese, dated ‘19 93’ and

numb ered 4 3/ 5 0 in p encil, f ramed.

I. 27. 3 x 21.7 cm ( 10 3 / 4 x 8 1 / 2 in.)

S. 4 8.8 x 3 8.2 cm ( 19 1 / 4 x 15 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 ‡

Literature

Yayoi Kusama 17 2


Waves, 19 9 4


signed, titled in Japanese, dated ‘19 9 4’ and

numb ered 35/ 5 0 in p encil (there were also 8

ar tis t ’s proofs), f ramed.

I. 41.7 x 29.7 cm ( 16 3 / 8 x 11 3 / 4 in.)

S. 62.7 x 45. 5 cm (24 5 / 8 x 17 7/ 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 ‡

Literature

Yayoi Kusama 19 9

2 2 1 2 2 2



Woodcut.

The earliest and most enduring form of printmaking.

Knives and gouges are used to cut away the areas

around the image to be printed, leaving the design in

relief. A dauber or roller applies the ink to the block

before the paper is laid down onto the inked surface

and rubbed from the back with the palm of the hand,

or a wooden spoon.

The transferred image, built in layers from light to

dark, retains the wood grain.


226. Yoshitomo Nara b. 1959

S.O.S., 2010

Ukiyo-e woo dcut in colours, on Japan pap er,


in p encil (there were also 12 ar tis t 's proofs),

co-published by Pace Editions Inc. and Tomio

Koyama Galler y, New York and Tok yo, f ramed.

S. 42 x 29.8 cm ( 16 1 / 2 x 11 3 / 4 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0 ‡

Literature

N. Miyamura and S. Suzuki, eds. E-2010 - 011


Pissed Of!, 2010

Ukiyo-e woo dcut in colours, on Japan pap er,

with f ull margins, signed, dated '2010' and

numb ered 37/ 5 0 in p encil (there were also 12

ar tis t 's proofs), co-published by Pace Editions

Inc. and Tomio Koyama Galler y, New York and

Tok yo, f ramed.

I. 3 4. 5 x 2 5 cm ( 13 5 / 8 x 9 7/ 8 in.)

S. 42 x 29. 3 cm ( 16 1 / 2 x 11 1 / 2 in.)

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0 ‡

Literature

N. Miyamura and S. Suzuki, eds. E-2010 - 010



Don’t Cry, 2012

Ukiyo-e woodcut in colours, on Japan paper,

the full sheet, signed, dated '2012' and numbered

39/50 in pencil (there were also 12 artist's proofs),

co-published by Pace Editions, Inc. and Tomio

Koyama Gallery, New York and Tokyo, framed.

S. 42 x 29.2 cm (16 1/ 2 x 11 1/ 2 in.)

Estimate

£5,000-7,000 $7,200-10,100 €6,300-8,900 ‡


Poindexter, 2010

Ukiyo-e woodcut in colours, on Japan paper,

the full sheet, signed, dated '2010' and numbered

26/50 in pencil (there were also 12 artist's proofs),

published by Pace Editions, Inc. and Tomio

Koyama Gallery, New York and Tokyo, framed.

S. 42 x 29.5 cm (16 1/ 2 x 11 5/ 8 in.)

Estimate

£5,000-7,000 $7,200-10,100 €6,300-8,900 ‡

Literature

N. Miyamura and S. Suzuki, eds. E-2010-009


230. Takashi Murakami b. 19 62

Project KO² Perfect, 19 9 9

Plas tic and woo d painted in colours, f rom the edition

of 20 0, mas ter mo del made by BOME (Kaiyo do).

52 x 13 x 2 3 cm (20 1 / 2 x 5 1 / 8 x 9 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 ‡

Ar t work ©19 9 9 Takashi Murakami/Kaikai K iki

Co. Ltd., All Right s Reser ved.


Time Goes On; and Universal Soldier, 20 02- 0 4;

and 20 0 4

O ne photogravure and aquatint, and one

etching, b oth on wove pap er, b oth with

f ull margins, Time Goes On signed, dated

‘20 02- 0 4’ and numb ered 4 6/ 52 in p encil,

published by KIDO Press, Inc., Tok yo (with their

blinds tamp), Universal Soldier signed in p encil,

an unnumb ered impression f rom the edition of

4 0 0 printed for the calendar of the Depar tment

of Painting and Printmaking, Tok yo Universit y

of the Ar t s, b oth unf ramed.

b oth I. various sizes,

one S. 4 8 x 3 8 cm ( 18 7/ 8 x 14 7/ 8 in.)

one S. 15 x 19.2 cm ( 5 7/ 8 x 7 1 / 2 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0

Literature

N. Miyamura and S. Suzuki, eds. E-20 0 4- 0 0 6



Plush Flowerball (set of three), 20 03

Three p olyes ter, acr ylic b oa, cot ton, and

p olyurethane sculptures, each numb ered

0 81/ 30 0, 057/20 0 and 03 8/ 10 0 (printed)

on a f abric tag afxed to each work

(there were also 5 ar tis t ’s proofs) f ur ther

s tamp-numb ered on the accompanying

Cer tifcates of Authenticit y, published by

Kaikai K iki Ltd., Tok yo.

(i) 2 5 cm (9 7/ 8 in.) diameter

(ii) 4 0 cm ( 15 3 / 4 in.) diameter

(iii) 6 0 cm (2 3 5 / 8 in.) diameter

Estimate

£ 5,0 0 0 -7,0 0 0 $7,20 0 -10,10 0 €6, 30 0 -8,9 0 0 ‡

Ar t work ©20 0 8 Takashi Murakami/Kaikai

K iki Co. Ltd., All Right s Reser ved.



Flowers With Smiley Faces; Such Cute Flowers;

Flowers, Flowers, Flowers; Open Your Hands Wide,

Embrace Happiness!; Field of Smiling Flowers;

If I Could Reach That Field of Flowers, I Would

Die Happy; Maiden In The Yellow Straw Hat;

The Future Will Be Full of Smile! For Sure!;

and Poporoke Forest, 2010 -2014

Nine of set lithographs in colours, on smooth

wove pap er, the f ull sheet s, all signed and

numb ered variously f rom the edition of 30 0

in silver ink, published by Kaikai K iki Co., Ltd.,

Tok yo, all f ramed.

one S. 8 6 x 67 cm ( 33 7/ 8 x 26 3 / 8 in.)

three S. 67 x 67 cm (26 3 / 8 x 26 3 / 8 in.)

t wo S. 6 0 x 6 0 cm (2 3 5 / 8 x 2 3 5 / 8 in.)

three S. 5 0 x 5 0 cm ( 19 5 / 8 x 19 5 / 8 in.)

Estimate

£ 2, 5 0 0 -3,0 0 0 $3,6 0 0 -4, 30 0 € 3,20 0 -3,8 0 0 • ‡

Ar t work s ©2010, 2011, 2013 and 2014 Takashi

Murakami/Kaikai K iki Co. Ltd., All Right s Reser ved.




Flowerball sexual Violet No. 1 (3D); Flowerball (3-D)

Sequoia sempervirens; Flower Ball (3-D) Autumn

2004; Flowerball (3D) From the Realm of the Dead;

Flower Ball (3D); Flower Ball (Lots of Colors);

Flower Ball (3-D) Kindergarten; Flowerball Pink;

Flower Ball (3-D) Sunfower; Flowerball Brown;

Right There, The Breadth of the Human Heart;

and Flowerball Margaret (3D), 20 02-2013

Four teen of set lithographs in colours, on smooth

wove pap er, the f ull sheet s, all signed and numb ered

variously f rom the edition of 30 0 in silver ink,

published by Kaikai K iki Co., Ltd., Tok yo, all f ramed.

all S. 7 1 cm (27 7/ 8 in.) diameter

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 • ‡

Ar t work s ©20 02, 20 07, 20 0 8, 20 0 9, 2013 Takashi





Flower Ball (Algae Ball); and Flower Dumpling, 2013

Two of set lithographs in colours, on smooth wove

pap er, the f ull sheet s, b oth signed and numb ered

variously f rom the edition of 30 0 in silver ink,

published by Kaikai K iki Co., Ltd., Tok yo, b oth f ramed.

b oth S. 4 6 cm ( 18 1 / 8 in.) diameter

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 • ‡

Ar t work s ©2013 Takashi Murakami/Kaikai K iki




Flowerball Red (3D) The Magic Flute; Flowerball

(3D) - Turn Red; Flowerball (3D) - Red Ball;

Flowerball (3D) - Red, Pink, Blue; Flowerball (3D) -

Papyrus; Flowerball (3D) - Blue, Red; Groping

for the Truth; Flowerball - Goldfsh Colors (3D);

There is Nothing Eternal in this World. That is

Why You are Beautiful; Letter to Picasso;

Comprehending the 51st Dimension; and Hey!

You! Do You Feel What I Feel?, 20 0 8-2014

Twelve of set lithographs in colours, on smooth






Estimate

£ 7,000-10,000 $10,100-14,4 00 €8,900-12,600 • ‡

Ar t works ©2008, 2009, 2013 and 2014 Takashi

Murakami/Kaikai Kiki Co. Ltd., All Rights Reser ved.




An Homage to IKB 1957 B; An Homage to Monopink

1060 C; An Homage to Monogold 1960 C; An Homage

to Yves Klein, Multicolor C; An Homage to Monopink

1960 D; An Homage to Monogold 1960 B; An Homage

to Yves Klein, Multicolor D; An Homage to IKB 1957 C;

An Homage to Monogold 1960 D; An Homage

to IKB 1957 D; An Homage to Monopink 1960 B;

and An Homage to Yves Klein, Multicolor B, 2012

Twelve of set lithographs in colours, on smooth

wove pap er, the f ull sheet s, all signed and numb ered

variously f rom the edition of 30 0 in black or silver ink,


all S. 7 3. 5 x 53 cm (28 7/ 8 x 20 7/ 8 in.)

Estimate

£4,0 0 0 - 6,0 0 0 $5,8 0 0 -8,70 0 € 5,10 0 -7,6 0 0 • ‡

Ar t work s ©2012 Takashi Murakami/Kaikai K iki





And then and then and then and then and then (Pink);

AND THEN Platinum; And then and then and then and

then and then (Aqua Blue); AND THEN Black; And then

and then and then and then and then (Blue); And then

and then and then and then and then (Red); Melting

DOB A; And then and then and then and then and then

(Yellow); and AND THEN Ichimatsu Pattern, 19 9 9 -20 0 6

Nine of set lithographs in colours, on smooth wove

pap er, the f ull sheet s, all signed and numb ered

variously f rom the edition of 30 0 in black or silver ink,


all S. 6 8 x 6 8 cm (26 3 / 4 x 26 3 / 4 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 • ‡

Ar t work s ©19 9 9, 20 05 and 20 0 6 Takashi Murakami

/Kaikai K iki Co. Ltd., All Right s Reser ved.




Jelly fsh; This World and the World Beyond;

and Backbeard, 20 03; and 2013

Three of set lithographs in colours, on smooth



in black or silver ink, published by Kaikai K iki

Co.,. Ltd., Tok yo, all f ramed.

all S. 6 8 x 6 8 cm (26 3 / 4 x 26 3 / 4 in.)

Estimate

£ 8 0 0 -1,20 0 $ 1,20 0 -1,70 0 € 1,0 0 0 -1, 5 0 0 • ‡

Ar t work ©20 03 and 2013 Takashi Murakami/

Kaikai K iki Co. Ltd., All Right s Reser ved.



And Then x 6 (White: The Superfat Method,

Blue and Yellow Ears); And Then x 6 (Blue:

The Superfat Method); And Then, And Then

And Then And Then And Then. Yellow Universe;

DOB in Pure White Robe (Pink & Blue); And then,

and then and then and then and then / Kappa;

And then x 6 (Red: The Superfat Method); and

DOB in Pure White Robe (Navy & Vermilion),

20 0 6; and 2013

Seven of set lithographs in colours, on smooth



in black or silver ink, published by Kaikai K iki Co.,

Ltd., Tok yo, all f ramed.

all S. 5 0 x 5 0 cm ( 19 5 / 8 x 19 5 / 8 in.)

Estimate

£ 3,0 0 0 -5,0 0 0 $ 4, 30 0 -7,20 0 € 3,8 0 0 - 6, 30 0 • ‡

Ar t work s ©20 0 6 and 2013 Takashi Murakami/





Floating Campsite; Flower; Open Your Hands Wide;

Warm and Sunny; and Flower 2, 20 02-2011

Five of set lithographs in colours, on smooth wove


variously f rom the edition of 30 0 in black or silver

ink, published by Kaikai K iki Co., Ltd., Tok yo,

all f ramed.

one S. 76. 5 x 92 cm ( 30 1 / 8 x 36 1 / 4 in.)

one S. 7 1 cm (27 7/ 8 in.) diameter

one S. 6 8 x 6 8 cm (26 3 / 4 x 26 3 / 4 in.)

t wo S. 52. 5 x 52. 5 cm (20 5 / 8 x 20 5 / 8 in.)

Estimate

£ 2,0 0 0 -3,0 0 0 $2,9 0 0 -4, 30 0 € 2, 5 0 0 -3,8 0 0 • ‡

Ar t work s ©20 02, 2010 and 2011 Takashi Murakami/




Flowers for Algernon; Even The Digital Realm

Has Flowers To Ofer!; Warhol/Silver; and

Purple Flowers In A Bouquet, 20 0 9; and 2010

Four of set lithographs in colours, on smooth



resp ec tively in silver ink, published by Kaikai

K iki Co., Ltd., all f ramed.


Estimate

£ 1,000-1,500 $1,4 00-2,200 € 1,300-1,900 • ‡

Ar t works ©2009 and 2010 Takashi Murakami/

Kaikai Kiki Co. Ltd., All Rights Reser ved.




Kaikai Kiki And Me - The Shocking Truth

Revealed!; Kaikai and Kiki: Lots of Fun; Kaikai

Kiki And Me - For Better Or Worse In Good

Times And Bad. The Weather Is Fine; and Me

and Mr. DOB, 20 0 9; and 2010

Four of set lithographs in colours, on smooth





all S. 6 8 x 6 8 cm (26 3 / 4 x 26 3 / 4 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 • ‡

Ar t work s ©20 0 9 and 2010 Takashi Murakami/




Acupuncture Painting “Opening Wide,

Squeezing Tight” - Terre Verte (Squeezing Tight);

Acupuncture/Flowers (Checkers); Acupuncture/

Flowers; and Acupuncture Painting “Opening

Wide, Squeezing Tight” - Smell of Blood

(Squeezing Tight), 20 0 6; and 20 0 8

Four of set lithographs in colours, on smooth wove


variously f rom the edition of 30 0 resp ec tively in

black or silver ink, published by Kaikai K iki Co.,

Ltd., Tok yo, all f ramed.

t wo S. 6 8 x 6 8 cm (26 3 / 4 x 26 3 / 4 in.)

t wo S. 5 0 x 5 0 cm ( 19 5 / 8 x 19 5 / 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 • ‡

Ar t work s ©20 0 6 and 20 0 8 Takashi Murakami/




245. Mark Grotjahn and Takashi Murakami b. 19 6 8 and b. 19 62

Untitled (Canary Yellow and Black Butterfy 830);

and Untitled (Scarlet Lake and Indigo Blue Butterfy

826), 20 0 8-2010

Two of set lithographs in colour, on smooth wove

pap er, the f ull sheet s, b oth signed and numb ered

variously f rom the edition of 30 0 resp ec tively in

silver ink, published by Kaikai K iki, Co., Ltd., Tok yo,

b oth f ramed.

b oth S. 70 x 55.6 cm (27 1 / 2 x 21 7/ 8 in.)

Estimate

£ 1,0 0 0 -1, 5 0 0 $ 1,4 0 0 -2,20 0 € 1, 30 0 -1,9 0 0 • ‡

Ar t work s ©20 0 8-2010 Takashi Murakami/Kaikai

K iki Co. Ltd., All Right s Reser ved.



Jellyfsh Eyes Cream; Jellyfsh Eyes – White4;

Jellyfsh Eyes - Black 5; Jellyfsh Eyes - White1;

Jellyfsh Eyes - Black 1; and Jellyfsh Eyes, 20 01-2013

Six of set lithographs in colours, on smooth wove


variously f rom the edition of 30 0 in black or silver

ink, published by Kaikai K iki Co., Ltd., Tok yo,

all f ramed.

all S. 5 0 x 5 0 cm ( 19 5 / 8 x 19 5 / 8 in.)

Estimate

£ 1, 5 0 0 -2,0 0 0 $2,20 0 -2,9 0 0 € 1,9 0 0 -2, 5 0 0 • ‡

Ar t work s ©20 01, 20 0 4, 20 0 6 and 2013 Takashi



Guide for Prospective Buyers

Buying at Auction

The following pages are designed to offer you information on how to buy at

auction at Phillips. Our staff will be happy to assist you.

Conditions of Sale

The Conditions of Sale and Authorship Warranty which appear later in this

catalogue govern the auction. Bidders are strongly encouraged to read them as

they outline the legal relationship among Phillips, the seller and the buyer and

describe the terms upon which property is bought at auction. Please be advised

that Phillips generally acts as agent for the seller. Bidders should also read the

Important Notices and VAT information immediately following this Guide for

Prospective Buyers.

Buyer’s Premium

Phillips charges the successful bidder a commission, or buyer’s premium, on the

hammer price of each lot sold. The buyer’s premium is payable by the buyer as part

of the total purchase price at the following rates: 25% of the hammer price up to and

including £50,000, 20% of the portion of the hammer price above £50,000 up to and

including £1,000,000 and 12% of the portion of the hammer price above £1,000,000.

VAT

Value added tax (VAT) may be payable on the hammer price and/or the buyer’s

premium. The buyer’s premium may attract a charge in lieu of VAT. Please read

carefully the VAT and Other Tax Information for Buyers section in this catalogue.

1 Prior to Auction

Catalogue Subscriptions

If you would like to purchase a catalogue for this auction or any other Phillips sale,

please contact us at +44 20 7318 4010 or +1 212 940 1240.

Pre-Sale Estimates

Pre-sale estimates are intended as a guide for prospective buyers. Any bid within

the high and low estimate range should, in our opinion, offer a chance of success.

However, many lots achieve prices below or above the pre-sale estimates. Where

‘Estimate on Request’ appears, please contact the specialist department for

further information. It is advisable to contact us closer to the time of the auction as

estimates can be subject to revision. Pre-sale estimates do not include the buyer’s

premium or VAT.

Pre-Sale Estimates in US Dollars and Euros

Although the sale is conducted in pounds sterling, the pre-sale estimates in the

auction catalogues may also be printed in US dollars and/or euros. Since the

exchange rate is that at the time of catalogue production and not at the date of

auction, you should treat estimates in US dollars or euros as a guide only.

Catalogue Entries

Phillips may print in the catalogue entry the history of ownership of a work of art,

as well as the exhibition history of the property and references to the work in art

publications. While we are careful in the cataloguing process, provenance, exhibition

and literature references may not be exhaustive and in some cases we may

intentionally refrain from disclosing the identity of previous owners. Please note that

all dimensions of the property set forth in the catalogue entry are approximate.

Condition of Lots

Our catalogues include references to condition only in the descriptions of multiple

works (e.g., prints). Such references, though, do not amount to a full description of

condition. The absence of reference to the condition of a lot in the catalogue entry

does not imply that the lot is free from faults or imperfections. Solely as a

convenience to clients, Phillips may provide condition reports. In preparing such

reports, our specialists assess the condition in a manner appropriate to the

estimated value of the property and the nature of the auction in which it is

included. While condition reports are prepared honestly and carefully, our staff are

not professional restorers or trained conservators. We therefore encourage all

prospective buyers to inspect the property at the pre-sale exhibitions and

recommend, particularly in the case of any lot of significant value, that you retain

your own restorer or professional advisor to report to you on the property’s

condition prior to bidding. Any prospective buyer of photographs or prints should

always request a condition report because all such property is sold unframed,

unless otherwise indicated in the condition report. If a lot is sold framed, Phillips

accepts no liability for the condition of the frame. If we sell any lot unframed, we

will be pleased to refer the purchaser to a professional framer.

Pre-Auction Viewing

Pre-auction viewings are open to the public and free of charge. Our specialists are

available to give advice and condition reports at viewings or by appointment.

Electrical and Mechanical Lots

All lots with electrical and/or mechanical features are sold on the basis of their

decorative value only and should not be assumed to be operative. It is essential

that, prior to any intended use, the electrical system is verified and approved by a

qualified electrician.

Symbol Key

The following key explains the symbols you may see inside this catalogue.

O ♦ Guaranteed Property

The seller of lots designated with the symbol O has been guaranteed a minimum

price f nanced solely by Phillips. Where the guarantee is provided by a third party

or jointly by us and a third party, the property will be denoted with the symbols O ♦.

When a third party has f nanced all or part of our f nancial interest in a lot, it assumes

all or part of the risk that the lot will not be sold and will be remunerated accordingly.

The compensation will be a f xed fee, a percentage of the hammer price or the

buyer’s premium or some combination of the foregoing. The third party may bid on

the guaranteed lot during the auction. If the third party is the successful bidder, the

remuneration may be netted against the f nal purchase price. If the lot is not sold,

the third party may incur a loss.

∆ Property in which Phillips has an Ownership Interest

Lots with this symbol indicate that Phillips owns the lot in whole or in part or has an

economic interest in the lot equivalent to an ownership interest.

• No Reserve

Unless indicated by a •, all lots in this catalogue are offered subject to a reserve.

A reserve is the confidential value established between Phillips and the seller and

below which a lot may not be sold. The reserve for each lot is generally set at a

percentage of the low estimate and will not exceed the low pre-sale estimate.

♠ Property Subject to the Artist’s Resale Right

Lots marked with ♠ are subject to the Artist’s Resale Right calculated as a

percentage of the hammer price and payable as part of the purchase price as follows:

Portion of the Hammer Price (in EUR) Royalty Rate

From 0 to 50,000 4%

From 50,000.01 to 200,000 3%

From 200,000.01 to 350,000 1%

From 350,000.01 to 500,000 0.5%

Exceeding 500,000 0.25%

The Artist’s Resale Right applies where the hammer price is EUR 1,000 or more,

subject to a maximum royalty per lot of EUR 12,500. Calculation of the Artist’s

Resale Right will be based on the pounds sterling/euro reference exchange rate

quoted on the date of the sale by the European Central Bank.

∑ Endangered Species

Lots with this symbol have been identified at the time of cataloguing as containing

endangered or other protected species of wildlife which may be subject to

restrictions regarding export or import and which may require permits for export

as well as import. Please refer to Paragraph 4 of the Guide for Prospective Buyers

and Paragraph 11 of the Conditions of Sale.

†, §, ‡, or Ω Property Subject to VAT

Please refer to the section entitled ‘VAT and Other Tax Information for Buyers’

in this catalogue for additional information.

2 Bidding in the Sale

Bidding at Auction

Bids may be executed during the auction in person by paddle, by telephone, online

or prior to the sale in writing by absentee bid. Proof of identity in the form of

government-issued identification will be required, as will an original signature.

We may also require that you furnish us with a bank reference. Please note that

buyers bidding in person, by telephone, online or by absentee bid will not have

the right to cancel the sale of any lot purchased under the Consumer Contracts

(Information, Cancellation and Additional Charges) Regulations 2013.


Rose Blake

Blue Sunday, 2015 (detail)

106 x 160 cm (413/4 x 63 in.)© Rose Blake

Stencil.Ink.Screenprint.

Print-making Workshop4 June 2016, 10am–5pm

Phillips invites you to join us for an all-day

print-making exhibition and workshop,

in collaboration with artist Rose Blake

and Worton Hall Studios. Coinciding with

the public preview of our June Editions sales,

the print-making will continue throughout

the day – with an opportunity for guests

to make their own limited edition screenprint,

and a Q&A with the artist.

Phillips, 30 Berkeley Square, London W1J 6EX

11.30 Participatory print-making session 1

12.30 Q&A

14.30 Participatory print-making session 2

RSVP

Milda Steinboka

[email protected]

+44 20 7318 4069


Bidding in Person

To bid in person, you will need to register for and collect a paddle before the auction

begins. New clients are encouraged to register at least 48 hours in advance of a sale to

allow sufficient time for us to process your information. All lots sold will be invoiced

to the name and address to which the paddle has been registered and invoices

cannot be transferred to other names and addresses. Please do not misplace your

paddle. In the event you lose it, inform a Phillips staff member immediately. At the

end of the auction, please return your paddle to the registration desk.

Bidding by Telephone

If you cannot attend the auction, you may bid live on the telephone with one of our

multilingual staff members. This service must be arranged at least 24 hours in

advance of the sale and is available for lots whose low pre-sale estimate is at least

£500. Telephone bids may be recorded. By bidding on the telephone, you consent

to the recording of your conversation. We suggest that you leave a maximum bid,

excluding the buyer’s premium and VAT, which we can execute on your behalf in

the event we are unable to reach you by telephone.

Online Bidding

If you cannot attend the auction in person, you may bid online on our online live bidding

platform available on our website at www.phillips.com. The digital saleroom is

optimised to run on Google Chrome, Firefox, Opera and Internet Explorer browsers.

Clients who wish to run the platform on Safari will need to install Adobe Flash Player.

Follow the links to ‘Auctions’ and ‘Digital Saleroom’ and then pre-register by clicking

on ‘Register to Bid Live.’ The first time you register you will be required to create an

account; thereafter you will only need to register for each sale. You must pre-register

at least 24 hours before the start of the auction in order to be approved by our bid

department. Please note that corporate firewalls may cause difficulties for online bidders.

Absentee Bids

If you are unable to attend the auction and cannot participate by telephone,

Phillips will be happy to execute written bids on your behalf. A bidding form can be

found at the back of this catalogue. This service is free and confidential. Bids must

be placed in the currency of the sale. Our staff will attempt to execute an absentee

bid at the lowest possible price taking into account the reserve and other bidders.

Always indicate a maximum bid, excluding the buyer’s premium and VAT. Unlimited

bids will not be accepted. Any absentee bid must be received at least

24 hours in advance of the sale. In the event of identical bids, the earliest bid

received will take precedence.

Employee Bidding

Employees of Phillips and our affiliated companies, including the auctioneer, may

bid at the auction by placing absentee bids so long as they do not know the reserve

when submitting their absentee bids and otherwise comply with our employee

bidding procedures.

Bidding Increments

Bidding generally opens below the low estimate and advances in increments of up

to 10%, subject to the auctioneer’s discretion. Absentee bids that do not conform

to the increments set below may be lowered to the next bidding increment.

UK£50 to UK£1,000 by UK£50s

UK£1,000 to UK£2,000 by UK£100s

UK£2,000 to UK£3,000 by UK£200s

UK£3,000 to UK£5,000 by UK£200s, 500, 800 (e.g. UK£4,200, 4,500, 4,800)

UK£5,000 to UK£10,000 by UK£500s

UK£10,000 to UK£20,000 by UK£1,000s

UK£20,000 to UK£30,000 by UK£2,000s

UK£30,000 to UK£50,000 by UK£2,000s, 5,000, 8,000

UK£50,000 to UK£100,000 by UK£5,000s

UK£100,000 to UK£200,000 by UK£10,000s

above UK£200,000 at the auctioneer’s discretion

The auctioneer may vary the increments during the course of the auction at his or

her own discretion.

3 The Auction

Conditions of Sale

As noted above, the auction is governed by the Conditions of Sale and Authorship

Warranty. All prospective bidders should read them carefully. They may be

amended by saleroom addendum or auctioneer’s announcement.

Interested Parties Announcement

In situations where a person allowed to bid on a lot has a direct or indirect interest

in such lot, such as the beneficiary or executor of an estate selling the lot, a joint

owner of the lot or a party providing or participating in a guarantee on the lot,

Phillips will make an announcement in the saleroom that interested parties may

bid on the lot.

Consecutive and Responsive Bidding; No Reserve Lots

The auctioneer may open the bidding on any lot by placing a bid on behalf of the

seller. The auctioneer may further bid on behalf of the seller up to the amount of

the reserve by placing consecutive bids or bids in response to other bidders. If a lot

is offered without reserve, unless there are already competing absentee bids, the

auctioneer will generally open the bidding at 50% of the lot’s low pre-sale estimate.

In the absence of a bid at that level, the auctioneer will proceed backwards at his or

her discretion until a bid is recognized and will then advance the bidding from that

amount. Absentee bids on no reserve lots will, in the absence of a higher bid, be

executed at approximately 50% of the low pre-sale estimate or at the amount of

the bid if it is less than 50% of the low pre-sale estimate. If there is no bid

whatsoever on a no reserve lot, the auctioneer may deem such lot unsold.

4 After the Auction

Payment

Buyers are required to pay for purchases immediately following the auction unless

other arrangements have been agreed with Phillips in writing in advance of the

sale. Payment must be made in pounds sterling either by cash, cheque drawn on a

UK bank or wire transfer, as noted in Paragraph 6 of the Conditions of Sale. It is our

corporate policy not to make or accept single or multiple payments in cash or cash

equivalents in excess of the local currency equivalent of US$10,000.

Credit Cards

As a courtesy to clients, Phillips will accept American Express, Visa, MasterCard,

UnionPay (for in-person transactions only) and UK-issued debit cards to pay for

invoices of £50,000 or less. A processing fee will apply.

Collection

It is our policy to request proof of identity on collection of a lot. A lot will be

released to the buyer or the buyer’s authorized representative when Phillips has

received full and cleared payment and we are not owed any other amount by the

buyer. After the auction, we will transfer all lots to our fine art storage facility

located near Wimbledon and will so advise all buyers. If you are in doubt about the

location of your purchase, please contact the Shipping Department prior to

arranging collection. We will levy removal, interest, storage and handling charges

on uncollected lots.

Loss or Damage

Buyers are reminded that Phillips accepts liability for loss or damage to lots for a

maximum of seven days following the auction.

Transport and Shipping

As a free service for buyers, Phillips will wrap purchased lots for hand carry only.

We do not provide packing, handling or shipping services directly. However, we will

coordinate with shipping agents instructed by you in order to facilitate the packing,

handling and shipping of property purchased at Phillips. Please refer to Paragraph

7 of the Conditions of Sale for more information.

Export and Import Licences

Before bidding for any property, prospective bidders are advised to make

independent enquiries as to whether a licence is required to export the property

from the United Kingdom or to import it into another country. It is the buyer’s sole

responsibility to comply with all import and export laws and to obtain any

necessary licences or permits. The denial of any required licence or permit or any

delay in obtaining such documentation will not justify the cancellation of the sale or

any delay in making full payment for the lot.

Endangered Species

Items made of or incorporating plant or animal material, such as coral, crocodile,

ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective

of age, percentage or value, may require a licence or certificate prior to exportation

and additional licences or certificates upon importation to the US or to any country

within or outside the European Union (EU). Please note that the ability to obtain an

export licence or certificate does not ensure the ability to obtain an import licence


or certificate in another country, and vice versa. We suggest that prospective

bidders check with their own government regarding wildlife import requirements

prior to placing a bid. It is the buyer’s sole responsibility to obtain any necessary

export or import licences or certificates as well as any other required

documentation. Please note that the US prohibits the importation of any item

containing African elephant ivory. Asian elephant ivory may be imported in to the

US only if accompanied by independent scientific analysis regarding continent of

origin and confirmation the object is more than 100 years old. We have not

obtained a scientific analysis on any lot prior to sale and cannot indicate whether

elephant ivory in a particular lot is African or Asian elephant. Buyers purchase

these lots at their own risk and will be responsible for the costs of obtaining any

scientific analysis or other report required in connection with their proposed

import of such property into the US.

With regard to any item containing endangered species other than elephant ivory,

an importer into the US must provide documented evidence of the species

identification and age of an object in order to demonstrate that the object qualifies

as an antique. This will require the buyer to obtain an independent appraisal

certifying the species of endangered material on the object and certifying that the

object is not less than 100 years of age. A prospective buyer planning to import an

object into the US may not rely on Phillips cataloguing to establish the species of

endangered material on the object or to establish the age of the object and must

consult with a qualified independent appraiser prior to placing a bid on the lot.

Please note that lots containing potentially regulated plant or animal material are

marked as a convenience to our clients, but Phillips does not accept liability for

errors or for failing to mark lots containing protected or regulated species.

Important Notices

Items Sold under Temporary Admission

We wish to draw your attention to changes recently made to items sold under

temporary admission (originally called temporary importation). The cancelling or

refunding of applicable VAT is now subject to items being exported from the EU

within 30 days of payment, rather than 90 days from the date of sale as previously

required. For up-to-date information on this matter, please refer to the section

entitled VAT and Other Tax Information for Buyers below.

Identification of Business or Trade Buyers

As of January 2010, Her Majesty’s Revenue & Customs (‘HMRC’) has made it an

official requirement for auction houses to hold evidence of a buyer’s business

status, due to the revised VAT rules regarding buyer’s premium for lots with

symbols for businesses outside the UK.

• Where the buyer is a non-EU business, Phillips requires evidence of the business

status by means of the company identification, Certificate of Incorporation,

Articles of Association or government-issued documents showing that the

company exists.

• Where the buyer is an EU VAT registered business, Phillips requires the business’s

VAT registration number.

These details can be scanned and emailed to us, or alternatively they can be faxed

or mailed. If these requirements are not met, we will be unable to cancel/refund

any applicable VAT.

VAT and Other Tax Information for Buyers

The following paragraphs provide general information to buyers on the VAT and

certain other potential tax implications of purchasing property at Phillips. This

information is not intended to be complete. In all cases, the relevant tax legislation

takes precedence, and the VAT rates in effect on the day of the auction will be the

rates charged. It should be noted that, for VAT purposes only, Phillips is not usually

treated as agent and most property is sold as if it is the property of Phillips. In the

following paragraphs, reference to VAT symbols shall mean those symbols located

beside the lot number or the pre-sale estimates in the catalogue (or amending

saleroom addendum).

1 Property with No VAT Symbol

Where there is no VAT symbol, Phillips is able to use the Auctioneer’s Margin

Scheme, and VAT will not normally be charged on the hammer price. Phillips must

bear VAT on the buyer’s premium. Therefore, we will charge an amount in lieu of

VAT at 20% on the buyer’s premium. This amount will form part of the buyer’s

premium on our invoice and will not be separately identified.

2 Property with a † Symbol

These lots will be sold under the normal UK VAT rules, and VAT will be charged at

20% on both the hammer price and buyer’s premium. Where the buyer is a relevant

business person in the EU (non-UK) or is a relevant business person in a non-EU

country then no VAT will be charged on the buyer’s premium. This is subject to

Phillips being provided with evidence of the buyer’s VAT registration number in

the relevant Member State (non-UK) or the buyer’s business status in a non-EU

country such as the buyer’s Tax Registration Certificate. Should this evidence not

be provided then VAT will be charged on the buyer’s premium.

3 Property with a § Symbol

Lots sold to buyers whose registered address is in the EU will be assumed to be

remaining in the EU. The property will be invoiced as if it had no VAT symbol.

However, if an EU buyer advises us that the property is to be exported from the EU,

Phillips will re-invoice the property under the normal VAT rules. Lots sold to buyers

whose address is outside the EU will be assumed to be exported from the EU. The

property will be invoiced under the normal VAT rules. Although the hammer price

will be subject to VAT, the VAT will be cancelled or refunded upon export. The

buyer’s premium will always bear VAT unless the buyer is a relevant business

person in the EU (non-UK) or is a relevant business person in a non-EU country,

subject to Phillips receiving evidence of the buyer’s VAT registration number in



be provided VAT will be charged on the buyer’s premium.

4 Property Sold with a ‡ or Ω Symbol

These lots have been imported from outside the EU to be sold at auction under

temporary admission. Property subject to temporary admission will be offered

under the Auctioneer’s Margin Scheme and will be subject to import VAT of either

5% or 20%, marked by ‡ and Ω respectively, on the hammer price and an amount in

lieu of VAT at 20% on the buyer’s premium. Anyone who wishes to buy outside the

Auctioneer’s Margin Scheme should notify the Client Accounting Department

before the sale.

Where lots are sold outside the Auctioneer’s Margin Scheme and the buyer is a

relevant business person in the EU (non-UK) or is a relevant business person in a

non-EU country then no VAT will be charged on the buyer’s premium. This is

subject to Phillips receiving evidence of the buyer’s VAT registration number in



be provided VAT will be charged on the buyer’s premium.


5 Exports from the European Union

The following types of VAT may be cancelled or refunded by Phillips on exports

made within three months of the sale date if strict conditions are met:

• The amount in lieu of VAT charged on the buyer’s premium for property sold

under the Auctioneer’s Margin Scheme (i.e., without a VAT symbol).

• The VAT on the hammer price for property sold under the normal VAT rules

(i.e., with a † or a § symbol).

The following type of VAT may be cancelled or refunded by Phillips on exports

made within 30 days of payment date if strict conditions are met:

• The import VAT charged on the hammer price and an amount in lieu of VAT on the

buyer’s premium for property sold under temporary admission (i.e., with a ‡ or a

Ω symbol) under the Auctioneer’s Margin Scheme.

In each of the above examples, where the appropriate conditions are satisfied, no

VAT will be charged if, at or before the time of invoicing, the buyer instructs Phillips

to export the property from the EU. This will require acceptance of an export

quotation provided by Phillips. If such instruction is received after payment, a

refund of the VAT amount will be made.

Where the buyer carries purchases from the EU personally or uses the services of a

third party, Phillips will charge the VAT amount due as a deposit and refund it if the

lot has been exported within the timelines specified below and either of the

following conditions are met:

• For lots sold under the Auctioneer’s Margin Scheme or the normal VAT rules,

Phillips is provided with appropriate original documentary proof of export from

the EU within three months of the date of sale. Buyers carrying their own

property should obtain hand-carry papers from the Shipping Department to

facilitate this process.

• For lots sold under temporary admission, Phillips is provided with the original

correct paperwork duly completed and stamped by HMRC which shows the

property has been exported from the EU via the UK within 30 days of payment

date. It is essential for shippers acting on behalf of buyers to collect copies of

original import papers from our Shipping Department. HMRC insist that the

correct customs procedures are followed and Phillips will not be able to issue

any refunds where the export documents do not exactly comply with

governmental regulations. Property subject to temporary admission must be

transferred to another customs procedure immediately if any restoration or

repair work is to be carried out.

Buyers carrying their own property must obtain hand-carry papers from the

Shipping Department, for which a charge of £20 will be made. The VAT refund will

be processed once the appropriate paperwork has been returned to Phillips.

Phillips is not able to cancel or refund any VAT charged on sales made to UK or EU

private residents unless the lot is subject to temporary admission and the property

is exported from the EU within 30 days of payment date. Any refund of VAT is

subject to a minimum of £50 per shipment and a processing charge of £20.

Buyers intending to export, repair, restore or alter lots under temporary admission

should notify the Shipping Department before collection. Failure to do so may

result in the import VAT becoming payable immediately and Phillips being unable

to refund the VAT charged on deposit.

6 VAT Refunds from HM Revenue & Customs

Where VAT charged cannot be cancelled or refunded by Phillips, it may be possible

to seek repayment from HMRC . Repayments in this manner are limited to

businesses located outside the UK and may be considered for example for Import

VAT charged on the hammer price for lots sold under temporary admission.

All claims made by customers located in another member state to the UK will need

to be made under a new mechanism from 1 January 2010. The process prior to 1

January 2010 is no longer in operation.

If you are located in an EU member state other than the UK you will now need to

apply for a refund of UK VAT directly to your local tax authority. This is done via

submission of an electronically based claim form which should be accessed

through the website of your local tax authority. As a result, your form may include

VAT incurred in a number of member states. Furthermore, from 1 January 2010 you

should only submit one form per year, rather than submitting forms throughout

the year.

Please note that the time limits by which you must make a claim have been

extended. When making a claim for VAT incurred in another EU member state any

claim will still be made on a calendar year basis but must now be made no later

than 30 September following that calendar year. This effectively extends the time

by which claims should be made by three months (e.g., for VAT incurred in the year

1 January to 31 December 2010 you should make a claim to your local tax authority

no later than 30 September 2011). Once you have submitted the electronic form to

your local tax authority it is their responsibility to ensure that payment is obtained

from the relevant member states. This should be completed within four months. If

this time limit is not adhered to you may receive interest on the unpaid amounts.

If you are located outside the EU you should apply for a refund of UK VAT directly to

HMRC (the rules for those located outside of the EU have not changed). Claim

forms are only available from the HMRC website. Go to hmrc.gov.uk, select Forms

under Quick Links and then Find a Form. The relevant form is VAT65A. Completed

forms should be returned to: HM Revenue & Customs, VAT Overseas Repayments,

8th/13th Directive, PO Box 34, Foyle House, Duncreggan Road, Londonderry

BT48 7AE, Northern Ireland, (tel) +44 (0)2871 305100 (fax) +44 (0)2871 305101,

email [email protected].

You should submit claims for VAT to HMRC no later than six months from the end

of the 12 month period ending 30 June (e.g., claims for the period 1 July 2011 to 30

June 2012 should be made no later than 31 December 2012).

Please note that refunds of VAT will only be made where VAT has been incurred for

a business purpose. Any VAT incurred on articles bought for personal use will not

be refunded.

7 Sales and Use Taxes

Buyers from outside the UK should note that local sales taxes or use taxes may

become payable upon import of lots following purchase. Buyers should consult

their own tax advisors.


Conditions of Sale

The Conditions of Sale and Authorship Warranty set forth below govern the

relationship between bidders and buyers, on the one hand, and Phillips and sellers,

on the other hand. All prospective buyers should read these Conditions of Sale, the

Important Notices and VAT information following the Guide for Prospective Buyers

and the Authorship Warranty carefully before bidding.

1 Introduction

Each lot in this catalogue is offered for sale and sold subject to: (a) the Conditions

of Sale and Authorship Warranty; (b) additional notices and terms printed in other

places in this catalogue, including the Guide for Prospective Buyers and (c)

supplements to this catalogue or other written material posted by Phillips in the

saleroom, in each case as amended by any addendum or announcement by the

auctioneer prior to the auction.

By bidding at the auction, whether in person, through an agent, by written bid, by

telephone bid or other means, bidders and buyers agree to be bound by these

Conditions of Sale, as so changed or supplemented, and Authorship Warranty.

These Conditions of Sale, as so changed or supplemented, and Authorship

Warranty contain all the terms on which Phillips and the seller contract with the

buyer.

2 Phillips as Agent

Phillips acts as an agent for the seller, unless otherwise indicated in this catalogue

or at the time of auction. On occasion, Phillips may own a lot directly, in which case

we will act in a principal capacity as a consignor, or a company affiliated with Phillips

may own a lot, in which case we will act as agent for that company, or Phillips or an

affiliated company may have a legal, beneficial or financial interest in a lot as a

secured creditor or otherwise.

3 Catalogue Descriptions and Condition of Property

Lots are sold subject to the Authorship Warranty, as described in the catalogue

(unless such description is changed or supplemented, as provided in Paragraph 1

above) and in the condition that they are in at the time of the sale on the following

basis.

(a) The knowledge of Phillips in relation to each lot is partially dependent on

information provided to us by the seller and Phillips is not able to and does not

carry out exhaustive due diligence on each lot. Prospective buyers acknowledge

this fact and accept responsibility for carrying out inspections and investigations

to satisfy themselves as to the lots in which they may be interested.

Notwithstanding the foregoing, we shall exercise such reasonable care when

making express statements in catalogue descriptions or condition reports as is

consistent with our role as auctioneer of lots in this sale and in light of (i) the

information provided to us by the seller; (ii) scholarship and technical knowledge

and (iii) the generally accepted opinions of relevant experts, in each case at the

time any such express statement is made.

(b) Each lot offered for sale at Phillips is available for inspection by prospective

buyers prior to the auction. Phillips accepts bids on lots on the basis that bidders

(and independent experts on their behalf, to the extent appropriate given the

nature and value of the lot and the bidder’s own expertise) have fully inspected the

lot prior to bidding and have satisfied themselves as to both the condition of the

lot and the accuracy of its description.

(c) Prospective buyers acknowledge that many lots are of an age and type which

means that they are not in perfect condition. As a courtesy to clients, Phillips may

prepare and provide condition reports to assist prospective buyers when they are

inspecting lots. Catalogue descriptions and condition reports may make reference

to particular imperfections of a lot, but bidders should note that lots may have

other faults not expressly referred to in the catalogue or condition report. All

dimensions are approximate. Illustrations are for identification purposes only and

cannot be used as precise indications of size or to convey full information as to the

actual condition of lots.

(d) Information provided to prospective buyers in respect of any lot, including any

pre-sale estimate, whether written or oral, and information in any catalogue,

condition or other report, commentary or valuation, is not a representation of fact

but rather a statement of opinion held by Phillips. Any pre-sale estimate may not

be relied on as a prediction of the selling price or value of the lot and may be

revised from time to time by Phillips at our absolute discretion. Neither Phillips nor

any of our affiliated companies shall be liable for any difference between the pre-

sale estimates for any lot and the actual price achieved at auction or upon resale.

4 Bidding at Auction

(a) Phillips has absolute discretion to refuse admission to the auction or

participation in the sale. All bidders must register for a paddle prior to bidding,

supplying such information and references as required by Phillips.

(b) As a convenience to bidders who cannot attend the auction in person, Phillips

may, if so instructed by the bidder, execute written absentee bids on a bidder’s

behalf. Absentee bidders are required to submit bids on the Absentee Bid Form, a

copy of which is printed in this catalogue or otherwise available from Phillips. Bids

must be placed in the currency of the sale. The bidder must clearly indicate the

maximum amount he or she intends to bid, excluding the buyer’s premium and

value added tax (VAT). The auctioneer will not accept an instruction to execute an

absentee bid which does not indicate such maximum bid. Our staff will attempt to

execute an absentee bid at the lowest possible price taking into account the

reserve and other bidders. Any absentee bid must be received at least 24 hours in

advance of the sale. In the event of identical bids, the earliest bid received will take

precedence.

(c) Telephone bidders are required to submit bids on the Telephone Bid Form, a

copy of which is printed in this catalogue or otherwise available from Phillips.

Telephone bidding is available for lots whose low pre-sale estimate is at least £500.

Phillips reserves the right to require written confirmation of a successful bid from a

telephone bidder by fax or otherwise immediately after such bid is accepted by the

auctioneer. Telephone bids may be recorded and, by bidding on the telephone, a

bidder consents to the recording of the conversation.

(d) Bidders may participate in an auction by bidding online through Phillips’s online

live bidding platform available on our website at www.phillips.com. To bid online,

bidders must register online at least 24 hours before the start of the auction. Online

bidding is subject to approval by Phillips’s bid department in our sole discretion. As

noted in Paragraph 3 above, Phillips encourages online bidders to inspect prior to

the auction any lot(s) on which they may bid, and condition reports are available

upon request. Bidding in a live auction can progress quickly. To ensure that online

bidders are not placed at a disadvantage when bidding against bidders in the room

or on the telephone, the procedure for placing bids through Phillips’s online bidding

platform is a one-step process. By clicking the bid button on the computer screen, a

bidder submits a bid. Online bidders acknowledge and agree that bids so submitted

are final and may not under any circumstances be amended or retracted. During a

live auction, when bids other than online bids are placed, they will be displayed on

the online bidder’s computer screen as ‘floor’ bids. ‘Floor’ bids include bids made by

the auctioneer to protect the reserve. In the event that an online bid and a ‘floor’ or

‘phone’ bid are identical, the ‘floor’ bid may take precedence at the auctioneer’s

discretion. The next bidding increment is shown for the convenience of online

bidders in the bid button. The bidding increment available to online bidders may

vary from the next bid actually taken by the auctioneer, as the auctioneer may

deviate from Phillips’s standard increments at any time at his or her discretion, but

an online bidder may only place a bid in a whole bidding increment. Phillips’s bidding

increments are published in the Guide for Prospective Buyers.

(e) When making a bid, whether in person, by absentee bid, on the telephone or

online, a bidder accepts personal liability to pay the purchase price, as described

more fully in Paragraph 6 (a) below, plus all other applicable charges unless it has

been explicitly agreed in writing with Phillips before the commencement of the

auction that the bidder is acting as agent on behalf of an identified third party

acceptable to Phillips and that we will only look to the principal for such payment.

(f) By participating in the auction, whether in person, by absentee bid, on the

telephone or online, each prospective buyer represents and warrants that any bids

placed by such person, or on such person’s behalf, are not the product of any

collusive or other anti-competitive agreement and are otherwise consistent with

federal and state antitrust law.

(g) Arranging absentee, telephone and online bids is a free service provided by

Phillips to prospective buyers. While we undertake to exercise reasonable care in

undertaking such activity, we cannot accept liability for failure to execute such bids

except where such failure is caused by our willful misconduct.

(h) Employees of Phillips and our affiliated companies, including the auctioneer,

may bid at the auction by placing absentee bids so long as they do not know the

reserve when submitting their absentee bids and otherwise comply with our

employee bidding procedures.


5 Conduct of the Auction

(a) Unless otherwise indicated by the symbol •, each lot is offered subject to a

reserve, which is the confidential minimum selling price agreed by Phillips with the

seller. The reserve will not exceed the low pre-sale estimate at the time of the auction.

(b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot,

re-offer a lot for sale (including after the fall of the hammer) if he or she believes

there may be error or dispute and take such other action as he or she deems

reasonably appropriate. Phillips shall have no liability whatsoever for any such

action taken by the auctioneer. If any dispute arises after the sale, our sale record

is conclusive. The auctioneer may accept bids made by a company affiliated with

Phillips provided that the bidder does not know the reserve placed on the lot.

(c) The auctioneer will commence and advance the bidding at levels and in

increments he or she considers appropriate. In order to protect the reserve on any

lot, the auctioneer may place one or more bids on behalf of the seller up to the

reserve without indicating he or she is doing so, either by placing consecutive bids

or bids in response to other bidders. If a lot is offered without reserve, unless there

are already competing absentee bids, the auctioneer will generally open the

bidding at 50% of the lot’s low pre-sale estimate. In the absence of a bid at that

level, the auctioneer will proceed backwards at his or her discretion until a bid is

recognized and will then advance the bidding from that amount. Absentee bids on

no reserve lots will, in the absence of a higher bid, be executed at approximately

50% of the low pre-sale estimate or at the amount of the bid if it is less than 50% of

the low pre-sale estimate. If there is no bid whatsoever on a no reserve lot, the

auctioneer may deem such lot unsold.

(d) The sale will be conducted in pounds sterling and payment is due in pounds

sterling. For the benefit of international clients, pre-sale estimates in the auction

catalogue may be shown in US dollars and/or euros and, if so, will reflect

approximate exchange rates. Accordingly, estimates in US dollars or euros should

be treated only as a guide. If a currency converter is operated during the sale, it is

done so as a courtesy to bidders, but Phillips accepts no responsibility for any

errors in currency conversion calculation.

(e) Subject to the auctioneer’s reasonable discretion, the highest bidder accepted

by the auctioneer will be the buyer and the striking of the hammer marks the

acceptance of the highest bid and the conclusion of a contract for sale between the

seller and the buyer. Risk and responsibility for the lot passes to the buyer as set

forth in Paragraph 7 below.

(f) If a lot is not sold, the auctioneer will announce that it has been ‘passed’,

‘withdrawn’, ‘returned to owner’ or ‘bought-in’.

(g) Any post-auction sale of lots offered at auction shall incorporate these

Conditions of Sale and Authorship Warranty as if sold in the auction.

6 Purchase Price and Payment

(a) The buyer agrees to pay us, in addition to the hammer price of the lot, the

buyer’s premium, plus any applicable value added tax (VAT) and any applicable

resale royalty (the ‘Purchase Price’). The buyer’s premium is 25% of the hammer

price up to and including £50,000, 20% of the portion of the hammer price above

£50,000 up to and including £1,000,000 and 12% of the portion of the hammer

price above £1,000,000. Phillips reserves the right to pay from our compensation

an introductory commission to one or more third parties for assisting in the sale of

property offered and sold at auction.

(b) VAT is payable in accordance with applicable law. All prices, fees, charges and

expenses set out in these Conditions of Sale are quoted exclusive of VAT.

(c) If the Artist’s Resale Right Regulations 2006 apply to the lot, the buyer agrees

to pay to us an amount equal to the resale royalty provided for in those regulations

and we undertake to the buyer to pay such amount to the artist’s collection agent.

In circumstances where (i) we are on notice that the resale royalty is payable or (ii)

we have not been able to ascertain the nationality of the artist, we will identify the

lot with the symbol ♠ next to the lot number and will invoice the resale royalty to

the buyer. If we subsequently determine that the nationality of the artist does not

entitle him/her to the resale royalty on the lot, we will arrange a refund to the

buyer of the amount of the royalty paid to us. If, after a sale in which we did not

collect the resale royalty on a particular lot, we become aware that information

provided to us prior to the auction concerning an artist’s nationality was incorrect

and the artist is entitled to the resale royalty on the lot, the buyer shall pay the

resale royalty to us upon receipt of an invoice.

(d) Unless otherwise agreed, a buyer is required to pay for a purchased lot

immediately following the auction regardless of any intention to obtain an export

or import license or other permit for such lot. Payments must be made by the

invoiced party in pounds sterling either by cash, cheque drawn on a UK bank or

wire transfer, as follows:

(i) Phillips will accept payment in cash provided that the total amount paid in cash

or cash equivalents does not exceed the local currency equivalent of US$10,000.

(ii) Personal cheques and banker’s draf s are accepted if drawn on a UK bank and

the buyer provides to us acceptable government-issued identif cation. Cheques and

banker’s draf s should be made payable to Phillips Auctioneers Ltd. If payment is

sent by post, please send the cheque or banker’s draf to the attention of the Client

Accounting Department at

30 Berkeley Square, London, W1J6EX and ensure that the sale number is written on

the cheque. Cheques or banker’s draf s drawn by third parties will not be accepted.

(iii) Payment by wire transfer may be sent directly to Phillips. Bank transfer details:

Bank of Scotland

Gordon Street, Glasgow G1 3RS, Scotland

Account of Phillips Auctioneers Ltd.

Account No: 00440780

Sort code: 80-54-01

SWIFT/BIC: BOFSGB21138

IBAN: GB36BOFS80540100440780

(e) As a courtesy to clients, Phillips will accept American Express, Visa,

MasterCard, UnionPay (for in-person transactions only) and UK-issued debit cards

to pay for invoices of £50,000 or less. A processing fee will apply.

(f) Title in a purchased lot will not pass until Phillips has received the Purchase

Price for that lot in cleared funds. Phillips is not obliged to release a lot to the buyer

until title in the lot has passed and appropriate identification has been provided,

and any earlier release does not affect the passing of title or the buyer’s

unconditional obligation to pay the Purchase Price.

7 Collection of Property

(a) Phillips will not release a lot to the buyer until we have received payment of its

Purchase Price in full in cleared funds, the buyer has paid all outstanding amounts

due to Phillips or any of our affiliated companies, including any charges payable

pursuant to Paragraph 8 (a) below, and the buyer has satisfied such other terms as

we in our sole discretion shall require, including completing any anti-money

laundering or anti-terrorism financing checks. As soon as a buyer has satisfied all

of the foregoing conditions, he or she should contact us at +44 (0) 207 318 4081 or

+44 (0) 207 318 4082 to arrange for collection of purchased property.

(b) The buyer must arrange for collection of a purchased lot within seven days of

the date of the auction. After the auction, we will transfer all lots to our fine art

storage facility located near Wimbledon and will so advise all buyers. Purchased

lots are at the buyer’s risk, including the responsibility for insurance, from (i) the

date of collection or (ii) seven days after the auction, whichever is the earlier. Until

risk passes, Phillips will compensate the buyer for any loss or damage to a

purchased lot up to a maximum of the Purchase Price paid, subject to our usual

exclusions for loss or damage to property.

(c) As a courtesy to clients, Phillips will, without charge, wrap purchased lots for

hand carry only. We do not provide packing, handling, insurance or shipping

services. We will coordinate with shipping agents instructed by the buyer, whether

or not recommended by Phillips, in order to facilitate the packing, handling,

insurance and shipping of property bought at Phillips. Any such instruction is

entirely at the buyer’s risk and responsibility, and we will not be liable for acts or

omissions of third party packers or shippers.

(d) Phillips will require presentation of government-issued identification prior to

release of a lot to the buyer or the buyer’s authorized representative.

8 Failure to Collect Purchases

(a) If the buyer pays the Purchase Price but fails to collect a purchased lot within

30 days of the auction, the buyer will incur a storage fee of £10 per day for each

uncollected lot. Additional charges may apply to oversized lots. We will not release

purchased lots to the buyer until all such charges have been paid in full.


(b) If a purchased lot is paid for but not collected within six months of the auction,

the buyer authorizes Phillips, upon notice, to arrange a resale of the item by

auction or private sale, with estimates and a reserve set at Phillips’s reasonable

discretion. The proceeds of such sale will be applied to pay for storage charges and

any other outstanding costs and expenses owed by the buyer to Phillips or our

affiliated companies and the remainder will be forfeited unless collected by the

buyer within two years of the original auction.

9 Remedies for Non-Payment

(a) Without prejudice to any rights the seller may have, if the buyer without prior

agreement fails to make payment of the Purchase Price for a lot in cleared funds

within seven days of the auction, Phillips may in our sole discretion exercise one or

more of the following remedies: (i) store the lot at Phillips‘s premises or elsewhere

at the buyer’s sole risk and expense; (ii) cancel the sale of the lot, retaining any

partial payment of the Purchase Price as liquidated damages; (iii) reject future bids

from the buyer or render such bids subject to payment of a deposit; (iv) charge

interest at 12% per annum from the date payment became due until the date the

Purchase Price is received in cleared funds; (v) subject to notification of the buyer,

exercise a lien over any of the buyer’s property which is in the possession of Phillips

and instruct our affiliated companies to exercise a lien over any of the buyer’s

property which is in their possession and, in each case, no earlier than 30 days from

the date of such notice arrange the sale of such property and apply the proceeds to

the amount owed to Phillips or any of our affiliated companies after the deduction

from sale proceeds of our standard vendor’s commission, all sale-related expenses

and any applicable taxes thereon; (vi) resell the lot by auction or private sale, with

estimates and a reserve set at Phillips’s reasonable discretion, it being understood

that in the event such resale is for less than the original hammer price and buyer’s

premium for that lot, the buyer will remain liable for the shortfall together with all

costs incurred in such resale; (vii) commence legal proceedings to recover the

hammer price and buyer’s premium for that lot, together with interest and the

costs of such proceedings; (viii) set off the outstanding amount remaining unpaid

by the buyer against any amounts which we or any of our affiliated companies may

owe the buyer in any other transactions; (ix) release the name and address of the

buyer to the seller to enable the seller to commence legal proceedings to recover

the amounts due and legal costs; or (x) take such other action as we deem

necessary or appropriate.

(b) The buyer irrevocably authorizes Phillips to exercise a lien over the buyer’s

property which is in our possession upon notification by any of our affiliated

companies that the buyer is in default of payment. Phillips will notify the buyer of

any such lien. The buyer also irrevocably authorizes Phillips, upon notification by

any of our affiliated companies that the buyer is in default of payment, to pledge

the buyer’s property in our possession by actual or constructive delivery to our

affiliated company as security for the payment of any outstanding amount due.

Phillips will notify the buyer if the buyer’s property has been delivered to an

affiliated company by way of pledge.

(c) If the buyer is in default of payment, the buyer irrevocably authorizes Phillips to

instruct any of our affiliated companies in possession of the buyer’s property to

deliver the property by way of pledge as the buyer’s agent to a third party instructed

by Phillips to hold the property on our behalf as security for the payment of the

Purchase Price and any other amount due and, no earlier than 30 days from the date

of written notice to the buyer, to sell the property in such manner and for such

consideration as can reasonably be obtained on a forced sale basis and to apply the

proceeds to any amount owed to Phillips or any of our affiliated companies after the

deduction from sale proceeds of our standard vendor’s commission, all sale-related

expenses and any applicable taxes thereon.

10 Rescission by Phillips

Phillips shall have the right, but not the obligation, to rescind a sale without notice

to the buyer if we reasonably believe that there is a material breach of the seller’s

representations and warranties or the Authorship Warranty or an adverse claim is

made by a third party. Upon notice of Phillips election to rescind the sale, the buyer

will promptly return the lot to Phillips, and we will then refund the Purchase Price

paid to us. As described more fully in Paragraph 13 below, the refund shall

constitute the sole remedy and recourse of the buyer against Phillips and the seller

with respect to such rescinded sale.

11 Export, Import and Endangered Species Licences and Permits

Before bidding for any property, prospective buyers are advised to make their own

enquiries as to whether a licence is required to export a lot from the United

Kingdom or to import it into another country. Prospective buyers are advised that

some countries prohibit the import of property made of or incorporating plant or

animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood,

rhinoceros horn or tortoiseshell, irrespective of age, percentage or value.

Accordingly, prior to bidding, prospective buyers considering export of purchased

lots should familiarize themselves with relevant export and import regulations of

the countries concerned. Please note that the US prohibits the importation of any

item containing African elephant ivory. Asian elephant ivory may be imported in to

the US only if accompanied by independent scientif c analysis of continent of origin

and conf rmation the object is more than 100 years old.

With regard to any item containing endangered species other than elephant ivory,

an importer into the US must provide documented evidence of the species

identif cation and age of an object in order to demonstrate that the item qualif es

as an antique. This will require the buyer to obtain an independent appraisal

certify the species of endangered material on the object and certifying that the

object is not less than 100 years of age. A prospective buyer planning to import an

object containing endangered species into the US may not rely on Phillips

cataloguing to establish the species of endangered material on the object or to

establish the age of the object and must consult with a qualif ed independent

appraiser prior to placing a bid on the lot.

It is solely the buyer’s responsibility to comply with these laws and to obtain any

necessary export, import and endangered species licences or permits. Failure to

obtain a licence or permit or delay in so doing will not justify the cancellation of the

sale or any delay in making full payment for the lot. As a courtesy to clients,

Phillips has marked in the catalogue lots containing potentially regulated plant or

animal material, but we do not accept liability for errors or for failing to mark lots

containing protected or regulated species.

12 Data Protection

(a) In connection with the supply of auction and related services, or as required by

law, Phillips may ask clients to provide personal data. Phillips may take and retain a

copy of government-issued identification such as a passport or driving licence. We

will use your personal data (i) to provide auction and related services; (ii) to enforce

these Conditions of Sale; (iii) to carry out identity and credit checks; (iv) to

implement and improve the management and operations of our business and (v)

for other purposes set out in our Privacy Policy published on the Phillips website at

www.phillips.com (the ‘Privacy Policy’) and available on request by emailing

[email protected]. By agreeing to these Conditions of Sale, you consent

to our use of your personal data, including sensitive personal data, in accordance

with the Privacy Policy. The personal data we may collect and process is listed, and

sensitive personal data is defined, in our Privacy Policy. Phillips may also, from time

to time, send you promotional and marketing materials about us and our services.

If you would prefer not to receive such information, please email us at

[email protected]. Please also email us at this address to receive

information about your personal data or to advise us if the personal data we hold

about you is inaccurate or out of date.

(b) In order to provide our services, we may disclose your personal data to third

parties, including professional advisors, shippers and credit agencies. We will

disclose, share with and transfer your personal data to Phillips’s affiliated persons

(natural or legal) for administration, sale and auction related purposes, including to

persons outside the European Economic Area (EEA), where national laws may not

provide an equivalent level of protection to personal data as that provided within

the EEA. You expressly consent to such transfer of your personal data, including

sensitive personal data, outside the EEA. We will not sell, rent or otherwise

transfer any of your personal data to third parties except as otherwise expressly

provided in this Paragraph 12.

(c) Phillips’s premises may be subject to video surveillance and recording.

Telephone calls (e.g., telephone bidding) may also be recorded. We may process

that information in accordance with our Privacy Policy.

13 Limitation of Liability

(a) Subject to sub-paragraph (e) below, the total liability of Phillips, our affiliated

companies and the seller to the buyer in connection with the sale of a lot shall be

limited to the Purchase Price actually paid by the buyer for the lot.

(b) Except as otherwise provided in this Paragraph 13, none of Phillips, any of our

affiliated companies or the seller (i) is liable for any errors or omissions, whether

orally or in writing, in information provided to prospective buyers by Phillips or any of

our affiliated companies or (ii) accepts responsibility to any bidder in respect of acts


or omissions, whether negligent or otherwise, by Phillips or any of our affiliated

companies in connection with the conduct of the auction or for any other matter

relating to the sale of any lot.

(c) All warranties other than the Authorship Warranty, express or implied, including

any warranty of satisfactory quality and fitness for purpose, are specifically

excluded by Phillips, our affiliated companies and the seller to the fullest extent

permitted by law.

(d) Subject to sub-paragraph (e) below, none of Phillips, any of our affiliated

companies or the seller shall be liable to the buyer for any loss or damage beyond

the refund of the Purchase Price referred to in sub-paragraph (a) above, whether

such loss or damage is characterised as direct, indirect, special, incidental or

consequential, or for the payment of interest on the Purchase Price to the fullest

extent permitted by law.

(e) No provision in these Conditions of Sale shall be deemed to exclude or limit the

liability of Phillips or any of our affiliated companies to the buyer in respect of any

fraud or fraudulent misrepresentation made by any of us or in respect of death or

personal injury caused by our negligent acts or omissions.

14 Copyright

The copyright in all images, illustrations and written materials produced by or for

Phillips relating to a lot, including the contents of this catalogue, is and shall remain

at all times the property of Phillips and, subject to the provisions of the Copyright,

Designs and Patents Act 1988, such images and materials may not be used by the

buyer or any other party without our prior written consent. Phillips and the seller

make no representations or warranties that the buyer of a lot will acquire any

copyright or other reproduction rights in it.

15 General

(a) These Conditions of Sale, as changed or supplemented as provided in Paragraph 1

above, and Authorship Warranty set out the entire agreement between the parties

with respect to the transactions contemplated herein and supersede all prior and

contemporaneous written, oral or implied understandings, representations and

agreements.

(b) Notices to Phillips shall be in writing and addressed to the department in charge of

the sale, quoting the reference number specified at the beginning of the sale

catalogue. Notices to clients shall be addressed to the last address notified by them in

writing to Phillips.

(c) These Conditions of Sale are not assignable by any buyer without our prior

written consent but are binding on the buyer’s successors, assigns and

representatives.

(d) Should any provision of these Conditions of Sale be held void, invalid or

unenforceable for any reason, the remaining provisions shall remain in full force

and effect. No failure by any party to exercise, nor any delay in exercising, any right

or remedy under these Conditions of Sale shall act as a waiver or release thereof in

whole or in part.

(e) No term of these Conditions of Sale shall be enforceable under the Contracts

(Rights of Third Parties) Act 1999 by anyone other than the buyer.

16 Law and Jurisdiction

(a) The rights and obligations of the parties with respect to these Conditions of

Sale and Authorship Warranty, the conduct of the auction and any matters related

to any of the foregoing shall be governed by and interpreted in accordance with

English law.

(b) For the benefit of Phillips, all bidders and sellers agree that the Courts of

England are to have exclusive jurisdiction to settle all disputes arising in connection

with all aspects of all matters or transactions to which these Conditions of Sale and

Authorship Warranty relate or apply. All parties agree that Phillips shall retain the

right to bring proceedings in any court other than the Courts of England.

(c) All bidders and sellers irrevocably consent to service of process or any other

documents in connection with proceedings in any court by facsimile transmission,

personal service, delivery by mail or in any other manner permitted by English law,

the law of the place of service or the law of the jurisdiction where proceedings are

instituted at the last address of the bidder or seller known to Phillips.

Authorship Warranty

Phillips warrants the authorship of property in this auction catalogue described in

headings in BOLD or CAPITALIZED type for a period of five years from date of sale

by Phillips, subject to the exclusions and limitations set forth below.

(a) Phillips gives this Authorship Warranty only to the original buyer of record (i.e.,

the registered successful bidder) of any lot. This Authorship Warranty does not

extend to (i) subsequent owners of the property, including purchasers or recipients

by way of gift from the original buyer, heirs, successors, beneficiaries and assigns;

(ii) property where the description in the catalogue states that there is a conflict of

opinion on the authorship of the property; (iii) property where our attribution of

authorship was on the date of sale consistent with the generally accepted opinions

of specialists, scholars or other experts; (iv) property whose description or dating is

proved inaccurate by means of scientific methods or tests not generally accepted

for use at the time of the publication of the catalogue or which were at such time

deemed unreasonably expensive or impractical to use or likely in our reasonable

opinion to have caused damage or loss in value to the lot or (v) property where there

has been no material loss in value from the value of the lot had it been as described

in the heading of the catalogue entry.

(b) In any claim for breach of the Authorship Warranty, Phillips reserves the right,

as a condition to rescinding any sale under this warranty, to require the buyer to

provide to us at the buyer’s expense the written opinions of two recognized experts

approved in advance by Phillips. We shall not be bound by any expert report

produced by the buyer and reserve the right to consult our own experts at our

expense. If Phillips agrees to rescind a sale under the Authorship Warranty, we shall

refund to the buyer the reasonable costs charged by the experts commissioned by

the buyer and approved in advance by us.

(c) Subject to the exclusions set forth in subparagraph (a) above, the buyer may

bring a claim for breach of the Authorship Warranty provided that (i) he or she has

notified Phillips in writing within three months of receiving any information which

causes the buyer to question the authorship of the lot, specifying the auction in

which the property was included, the lot number in the auction catalogue and the

reasons why the authorship of the lot is being questioned and (ii) the buyer returns

the lot to Phillips to the saleroom in which it was purchased in the same condition as

at the time of its auction and is able to transfer good and marketable title in the lot

free from any third party claim arising after the date of the auction. Phillips has

discretion to waive any of the foregoing requirements set forth in this subparagraph

(c) or subparagraph (b) above.

(d) The buyer understands and agrees that the exclusive remedy for any breach of

the Authorship Warranty shall be rescission of the sale and refund of the original

Purchase Price paid. This remedy shall constitute the sole remedy and recourse of

the buyer against Phillips, any of our affiliated companies and the seller and is in lieu

of any other remedy available as a matter of law or equity. This means that none of

Phillips, any of our affiliated companies or the seller shall be liable for loss or

damage beyond the remedy expressly provided in this Authorship Warranty,

whether such loss or damage is characterized as direct, indirect, special, incidental

or consequential, or for the payment of interest on the original Purchase Price.


Berlin

Martin Klosterfelde

Director and International Specialist,

Contemporary Art

+49 177 628 4110

Chicago

Carol Ehlers

Specialist, Consultant, Photographs

+1 773 230 9192

Cologne

Dr. Alice Trier

Specialist, Contemporary Art

+49 173 25 111 69

Denver

Melyora de Koning

Senior Specialist, Contemporary Art

+1 917 657 7193

Geneva

Oksana Katchaluba


+41 22 906 80 00

Istanbul

Deniz Atac

Specialist, Consultant

+90 533 374 1198

Italy

Carolina Lanfranchi

Specialist, Consultant

+39 33 8924 1720

Paris

Maria Cifuentes Caruncho

Specialist

+33 142 78 67 77

Portugal

Maura Marvão

Specialist, Consultant,

Contemporary Art

+351 917 564 427

Zurich

Niklaus Kuenzler


+41 79 533 90 00

New York

450 Park Avenue

New York, NY 10022, USA

tel +1 212 940 1200

fax +1 212 940 1378

London

30 Berkeley Square

London W1J 6EX, United Kingdom

tel +44 20 7318 4010

fax +44 20 7318 4011

Geneva

15 quai de l’Ile

1204 Geneva, Switzerland

tel +41 22 317 81 81

fax +41 22 317 81 80

Hong Kong

Room 1301-13/F, York House,

The Landmark Building,

15 Queen’s Road Central, Hong Kong

tel +852 2318 2000

fax +852 2318 2002

Berlin

Kurfürstendamm 193

10707 Berlin, Germany

tel +49 30 887 297 44

Istanbul

Meclisi Mebusan Caddesi

Deniz Apartmani No. 79/8

Istanbul Beyoglu 34427, Turkey

tel +90 533 374 1198

Milan

Via Monte di Pietà, 1/A

Milan 20121

Moscow

Nikolskaya Str 19–21, 5th f oor,

109012 Moscow, Russia

tel +7 495 225 88 22

fax +7 495 225 88 87

Paris

46 rue du Bac,

75007 Paris, France

tel +33 1 42 78 67 77

fax +33 1 42 78 23 07

Zurich

Restelbergstrasse 89,

8044 Zurich, Switzerland

tel +41 79 533 90 00

Sale Rooms Regional Of ces

Executive Management

Chief of Staf

Lisa King

Chief Financial Of cer

Annette Schwaer

Chief Creative & Marketing Of cer

Damien Whitmore

Chief Communications & PR Of cer

Michael Sherman

Chief Counsel

Richard Aydon

Chief Operating Of cer, Americas

Sean Cleary

Chief Operating Of cer, UK Europe & Asia

Frank Lasry

International Business Directors

Bart van Son, 20th Century & Contemporary Art

Myriam Christinaz, Jewelry, Watches, & Business Development

Senior Directors, Human Resources

Jennifer Garvin

Nicola Mason

Strategy Projects Director

Caroline Conegliano

Associate General Counsel

Jonathan Illari

Chairman, UK & Europe

Hugues Joffre

Worldwide Deputy Chairman

Svetlana Marich

Head of Business Development &

Deputy Chairman

Matt Carey-Williams

Deputy Chairman, Europe & Asia

Finn Schouenborg Dombernowsky

Deputy Chairman, Asia

Jonathan Crockett

Deputy Chairmen, Americas

David Georgiades

August O. Uribe

Chairman & CEO

Edward Dolman

Senior Directors

Jean-Paul Engelen

Henry Allsopp

Vanessa Hallett

Sam Hines

Alexander Payne

Jean-Michel Placent

Peter Sumner

Senior Consultants

Aurel Bacs

Livia Russo

Senior Advisors to

Chairman & CEO

Francesco Bonami

Arnold Lehman

Directors

Alex Heminway

Nazgol Jahan

Martin Klosterfelde

Cary Leibowitz

Paul Maudsley

Zach Miner

Kelly Troester

International Specialists Worldwide Of ces

Front Cover

Lot 41, Andy Warhol, Queen Elizabeth II of the United Kingdom, from Reigning Queens, 1985, © 2016 The

Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and DACS, London.

Back Cover

Lot 28, Sigmar Polke, Freundinnen I (Girlfriends I), 1967 (detail), © The Estate of Sigmar Polke, Cologne, DACS 2016

UK_EDIITONS_JUN16_176-179_FE_COR WEB.indd 177 16/05/16 18:48

Design

Alexander Payne, Senior Director

and Worldwide Head, Design +44 20 7318 4052

London

Domenico Raimondo +44 20 7318 4016

Adam Clay +44 20 7318 4048

Madalena Horta e Costa, Head of Sale +44 20 7318 4019

Marcus McDonald +44 20 7318 4095

Sofia Sayn-Wittgenstein +44 20 7318 4023

Marta De Roia +44 20 7318 4096

Lisa Stevenson +44 20 7901 7926

Ben Williams +44 7769 94 7177

New York

Alex Heminway, New York Director +1 212 940 1268

Meaghan Roddy +1 212 940 1266

Cordelia Lembo +1 212 940 1265

Kimberly Sørensen +1 212 940 1259

Jillian Pf f erling +1 212 940 1268

Marcus Tremonto +1 212 940 1268

Photographs

Vanessa Hallett, Senior Director +1 212 940 1243

and Worldwide Head, Photographs

London

Genevieve Janvrin, Head of Photographs, Europe +44 20 7318 7996

Yuka Yamaji +44 20 7318 4098

Alexandra Bibby +44 20 7318 4087

Sophie Busby +44 20 7318 4092

New York

Sarah Krueger, Head of Sale +1 212 940 1225

Caroline Deck +1 212 940 1247

Rachel Peart +1 212 940 1246

Marijana Rayl +1 212 940 1386

Kelly Van Ingen +1 212 940 1245

Chicago

Carol Ehlers +1 773 230 9192

Watches

Sam Hines, International Head of Watches +852 2318 2030

Geneva

Aurel Bacs, Senior Consultant Bacs & Russo +41 22 317 81 85

Livia Russo, Senior Consultant Bacs & Russo +41 22 317 81 86

Justine Séchaud, Bacs & Russo +41 22 317 8188

Alexandre Ghotbi +41 22 317 8181

Dr. Nathalie Monbaron +41 22 317 81 83

Virginie Liatard-Roessli +41 22 317 81 82

Diana Ortega +41 22 317 8187

London

Paul David Maudsley +44 20 7901 7916

Kate Lacey +44 20 7901 2907

New York

Paul Boutros +1 212 940 1293

Douglas Escribano +1 212 940 1382

Leigh Zagoory +1 212 940 1285

Hong Kong

Amy Chow +852 2318 2035

Jill Chen +852 2318 2000

Joey Luk +852 2318 2032

Tiffany To +852 2318 2036

Angel Ho +852 2318 2031

20th Century & Contemporary Art

Hugues Joffre, Worldwide Head of 20th Century Art +44 20 7318 7923

Jean-Paul Engelen, Worldwide Head of Contemporary Art +1 212 940 1390

Jonathan Crockett,

Head of 20th Century & Contemporary Art, Asia +852 2318 2023

David Georgiades +1 212 940 1280

August O. Uribe +1 212 940 1208

Bart Van Son +44 20 7318 7912

London

Peter Sumner, Head of Contemporary Art, London +44 20 7318 4063

Henry Highley, Head of Day Sale +44 20 7318 4061

Tamila Kerimova, Head of New Now Sale +44 20 7318 4065

Jonathan Horwich +44 20 7901 7935

Nathalie Zaquin-Boulakia +44 20 7901 7931

Matt Langton +44 20 7318 4074

Iori Endo +44 20 7318 4039

Simon Tovey +44 20 7318 4084

Hannah Tjaden +44 20 7318 4093

Alex Dolman +44 20 7901 7911

Ava Carleton-Williams +44 20 7901 7904

Chiara Panarello +44 20 7318 4073

Florencia Moscova +44 20 7318 4082

New York

Kate Bryan, Head of Evening Sale +1 212 940 1267

John McCord, Head of Day Sale +1 212 940 1261

Rebekah Bowling, Head of New Now Sale +1 212 940 1250

Jean-Michel Placent +1 212 940 1263

Zach Miner +1 212 940 1256

Rachel Adler Rosan +1 212 940 1333

Karen Garka-Prince +1 212 940 1204

Amanda Lo Iacono +1 212 940 1260

Katherine Lukacher +1 212 940 1215

Samuel Mansour +1 212 940 1219

Nicole Smith +1 212 940 1387

Courtney Raterman +1 212 940 1392

Paula Campolieto +1 212 940 1255

Annie Dolan +1 212 940 1288

Carolyn Mayer +1 212 940 1212

Hong Kong

Sandy Ma +852 2318 2025

Charlotte Raybaud +852 2318 2026

Annie Tang +852 2318 2024

Latin American Art

Henry Allsopp, Worldwide Head +44 20 7318 4060

Kaeli Deane, Head of Sale +1 212 940 1352

Valentina Garcia +1 917 583 4983

Carolina Scarborough +1 212 940 1391

Isabel Suarez +1 212 940 1227

Modern and Contemporary Editions

Cary Leibowitz, Worldwide Co-Head +1 212 940 1222

Kelly Troester, Worldwide Co-Head +1 212 940 1221

London

Robert Kennan, Head of Editions, Europe +44 20 7318 4075


Ross Thomas +44 20 7318 4077


Eliza Allan +44 20 7318 4069

New York

Jannah Greenblatt +1 212 940 1332

Jason Osborne +1 212 940 1322

Kaissa Karhu +1 212 940 1238

Specialists and Departments


Jewels

Nazgol Jahan, Worldwide Director +1 212 940 1283

London

Lane Clements McLean +44 20 7318 4032

New York

Kristen Dowling +1 212 940 1302

Christina Alford +1 212 940 1365

Hong Kong

Anellie Manolas +825 9383 3041

Exhibitions

Edwin Pennicott +44 20 7901 2909

Arts Partnerships

London

Isa Tharin +44 20 7318 4024

New York

Lauren Shadford +1 212 940 1257

Cecilia Wolfson +1 212 940 1258

Private Sales

Susanna Brockman +44 20 7318 4041

Proposals

Lauren Zanedis +1 212 940 1271

Of ce of the Chairman and Chief Executive Of cer

Mariangela Renshaw +1 212 940 1207, +44 207 318 4029

Executive Assistant to the Senior Executives

Elizabeth Anne Wallace +1 212 940 1303

Specialists and Departments

Client Advisory

London

Guy Vesey +44 20 7901 7934

Dawn Zhu +44 20 7318 4017

Lily Atherton Hanbury +44 20 7318 4071

Fiona M. McGovern +44 20 7318 4054

New York

Philae Knight +1 212 940 1313

Sara Tayeb-Khalifa +1 212 940 1383

Communications and Marketing

Michael Sherman, Chief Communications

and Public Relations Of cer +1 212 940 1384

Jaime Israni, PR Specialist +1 212 940 1398

Trish Walsh, Director of Marketing & Events +1 212 940 1224

Emma Miller Gelberg, Associate Manager,

Marketing and Business Development +1 212 940 1291

Charlotte Adlard, Marketing Associate +44 207 901 7905

Georgia Trotter, Events Manager +44 20 7318 4085

Creative Services

Andrea Koronkiewicz, Director of Creative Services +1 212 940 1326

Orlann Capazorio, Director of Production +1 212 940 1281

London

Eve Campbell, Creative Services Manager +44 20 7901 7919

Moira Gil, Graphic Designer +44 20 7901 7917

Laurie-Ann Ward, Graphic Designer +44 20 7901 7918

New York

Jef Velazquez, Production Artist +1 212 940 1211

Christine Knorr, Graphic Designer +1 212 940 1325

James Reeder, Graphic Designer +1 212 940 1296

Sale Information

Editions Day & Evening Sale

Auction and Viewing Location

30 Berkeley Square, London W1J 6EX

Auctions

9 June 2016, 2pm and 6pm

Evening Auction

Lot 1 - 69, 6pm

Day Auction

Lot 70 - 245, 2pm

Viewing

3 – 9 June 2016

Monday – Saturday 10am – 6pm

Sunday 12pm – 6pm

Sale Designation

In sending in written bids or making

enquiries please refer to this sales as

UK030216 or Editions

Absentee and Telephone Bids

tel +44 20 7318 4045

fax +44 20 7318 4035

Susanna Brockman +44 20 7318 4041

Rebecca Coombs +44 20 7901 7927

[email protected]

Sale Department

Head of Sale

Robert Kennan +44 20 7318 4075

[email protected]

Specialists


[email protected]

Ross Thomas +44 20 7318 4077

[email protected]

Cataloguer


[email protected]

Administrator

Eliza Allan +44 20 7318 4069

[email protected]

Property Manager

Surya Buck +447867 430097

[email protected]

Photographers

Jean Bourbon

Kent Pell

Marta Zagozdzon

Auctioneers

Henry Highley

Adam Clay

Hugues Joffre

Susanna Brockman

Catalogues

New York +1 212 940 1240

London +44 20 7901 7927

[email protected]

£22/€25/$35 at the gallery

Client Accounting

Richard Addington, Head of Client Accounting

+44 20 7901 7914

Buyer Accounts

Carolyn Whitehead +44 20 7318 4020

Seller Accounts

Surbjit Dass +44 20 7318 4072

Client Services

30 Berkeley Square, London W1J 6EX

+44 20 7318 4010

Shipping

Jan Navratil +44 20 7318 4081

William Saint-Prix +44 20 7901 7830

Charlotte Turner +44 20 7318 4047

UK_EDIITONS_JUN16_176-179_FE_COR WEB.indd 179 16/05/16 18:48

• Private Purchases: Proof of identity in the form of

government-issued identification will be required.

• Company Purchases: We require a copy of government-issued

identif cation (such as the certif cate of incorporation) to verify the

status of the company. This should be accompanied by an of cial

document conf rming the company’s EU VAT registration number,

if applicable, which we are now required by HMRC to hold.

• Conditions of Sale: All bids are placed and executed, and all lots

are sold and purchased, subject to the Conditions of Sale printed in

the catalogue. Please read them carefully before placing a bid. Your

attention is drawn to Paragraph 4 of the Conditions of Sale.

• If you cannot attend the sale, we can execute bids conf dentially

on your behalf.

• Phillips charges the successful bidder a commission, or buyer’s

premium, on the hammer price of each lot sold. The buyer’s

premium is payable by the buyer as part of the total purchase

price at the following rates: 25% of the hammer price up to and

including £50,000, 20% of the portion of the hammer price

above £50,000 up to and including £1,000,000 and 12% of the

portion of the hammer price above £1,000,000.

• “Buy” or unlimited bids will not be accepted. Alternative bids can

be placed by using the word “OR” between lot numbers.

• For absentee bids, indicate your maximum limit for each lot,

excluding the buyer’s premium and any applicable VAT. Your bid

will be executed at the lowest price taking into account the

reserve and other bidders. On no reserve lots, in the absence of

other bids, your bid will be executed at approximately 50% of

the low pre-sale estimate or at the amount specif ed, if less

than 50% of the low estimate.

• Your bid must be submitted in the currency of the sale and will

be rounded down to the nearest amount consistent with the

auctioneer’s bidding increments.

• If we receive identical bids, the f rst bid received will

take precedence.

• Arranging absentee and telephone bids is a free service provided

by us to prospective buyers. While we will exercise reasonable care

in undertaking such activity, we cannot accept liability for errors

relating to execution of your bids except in cases of wilful misconduct.

Agreement to bid by telephone must be conf rmed by you

promptly in writing or by fax. Telephone bid lines may be recorded.

• Please submit your bids to the Bid Department

by fax at +44 20 7318 4035 or scan and email to

[email protected] at least 24 hours before the sale. You

will receive conf rmation by email within one business day. To

reach the Bid Department by phone please call +44 20 7318 4045.

• Absent prior payment arrangements, please provide a bank

reference. Payment for lots can be made by cash (up to £5,000),

credit card (up to £50,000) using Visa, American Express,

Mastercard or Union Pay (for in person transactions only), UK

debit cards, wire transfer, banker’s draf or personal cheque with

identif cation, drawn on UK banks. Please note that credit cards

are subject to a surcharge.

• Lots cannot be collected until payment has cleared and all

charges have been paid.

• You will not have the right to cancel the sale of any lot

purchased by you under the Consumer Contracts (Information,

Cancellation and Additional Charges) Regulations 2013.

• By signing this Bid Form, you consent to our use of your

personal data, including sensitive personal data, in accordance

with Phillips’s Privacy Policy published on our website at

www.phillips.com or available on request by emailing

[email protected]. We may send you materials

about us and our services or other information which we think

you may f nd interesting. If you would prefer not to receive such

information, please email us at [email protected].

• Phillips’s premises may be subject to video surveillance and

recording. Telephone calls (e.g., telephone bidding) may also be

recorded. We may process that information in accordance with

our Privacy Policy.

Sale Title Sale Number Sale Date

Title First Name Surname

Company (if applicable) Account Number

VAT number (if applicable)

Address

City State/Country

Post Code

Phone Mobile

Email Fax

Phone number to call at the time of sale (for Phone Bidding only)

1. 2.

Signature Date

By signing this form, you accept the Conditions of Sale of Phillips as stated in our catalogues and on our website.

30 Berkeley Square, London, W1J 6EX

phillips.com +44 20 7318 4010

[email protected]

Please return this form by fax to +44 20 7318 4035 or email it to [email protected] at least

24 hours before the sale. Please read carefully the information in the right column and note that it

is important that you indicate whether you are applying as an individual or on behalf of a company.

Please select the type of bid you wish to make with this form (please select one):

In-person

Absentee Bidding

Telephone Bidding

Please indicate in what capacity you will be bidding (please select one):

As a private individual

On behalf of a company

Financial Information

For your bid to be accepted, we require the following information for our reference only. Please note that you

may be contacted to provide a bank reference:

Credit Card Type Expiration Date

Credit Card Number

Paddle Number

Please complete the following section for telephone and absentee bids only

Lot number Brief description Maximum pound sterling price*In Consecutive Order Absentee Bids Only

* Excluding Buyer’s Premium and VAT


Editions/Editions

This fall, our Modern & Contemporary

Editions auction will be full of fresh,

museum quality, original prints, multiples

and works on paper. Contact us early

to ensure your works are a part of our

dynamic selection bringing record prices.

Auction 24 October 2016, New York

Kelly Troester (Modern)

+1 212 940 1221, [email protected]

Cary Leibowitz (Contemporary)

+1 212 940 1222, [email protected]

Success with us.

Six of our Top 10 prices were world records in April.



70. Pablo Picasso

Index

Almond, D. 198

Auerbach, T. 67

Bacon, F. (afer) 111, 112

Bacon, F. 17, 18

Banksy 189, 190, 191, 192, 193

Baselitz, G. 156

Basquiat, J-M. (afer) 47, 48, 49, 50

Beuys, J. 145, 146

Beuys, J. and Byars, J. L. 147

Blake, P. 117, 118, 119

Bourgeois, L. 22

Cattelan, M. 201

Chagall, M. 13, 14

Chapman, J. and D. 51, 52

Chillida, E. 91

Christo and Jeanne-Claude 85, 86,

87, 88, 89

Claisse, G. 100

Condo, G. 164

Cragg, T. 65

Cruz-Diez, C. 101

Dalí, S. 81, 82, 83, 84

Day Jackson, M. 199

Dine, J. 129, 130

Dix, O. 75

Doig, P. 188

Dubufet, J. 90

Duchamp, M. 21

Duchamp, M. and Villon, J. 20

Emin, T. 169, 170, 171, 172

Förg, G. 151, 152, 153, 154

Gober, R. 155

Grotjahn, M. and Murakami, T. 245

Hadid, Z. 207

Hamilton, R. 19, 115

Haring, K. 215

Hirst, D. 53, 54, 55, 56, 57, 58, 59, 60,

173, 174, 175, 176, 177

Hockney, D. 114

Hodgkin, H. 105, 106, 107, 108, 109,

110

Indiana, R. 132, 133

Johnson, R. 200

JR 204

Judd, D. 134, 135

KAWS 61, 196

Kelly, E. 138

Kippenberger, M. 148, 149

Knoebel, I. 143, 144

Koons, J. 66, 216, 217

Kounellis, J. 150

Kusama, Y. 218, 219, 220, 221, 222,

223, 224

Lichtenstein, R. 29, 30, 31, 32, 33,

127, 128

Longo, R. 62, 63, 124, 125, 126

Lowman, N. 202

Magritte, R. (afer) 76

Miller, H. 197

Miró, J. 15

Moore, H. 80

Mortensen, R. 98, 99

Munch, E. 73, 74

Murakami, T. 230, 231, 232, 233, 234,

235, 236, 237, 238, 239, 240, 241,

242, 243, 244

Nara, Y. 225, 226, 227, 228, 229

Noland, K. 139, 140

Opie, J. 64, 178, 179, 180, 181, 182, 183,

184, 185, 186, 187

Penck, A. R. 94

Perry, G. 166, 167, 168

Picasso, P. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10,

11, 12, 70, 71, 72

Polke, S. 28

Pollock, J. 16

Prince, R. 162

Richter, G. 27, 210, 211, 212, 213, 214

Richter, G. and Genzken, I. 26

Riley, B. 141, 142

Rosenquist, J. 120, 121, 122

Rotella, M. 116

Ruscha, E. 131

Saville, J. 165

Schöfer, N. 96, 97

Sedgley, P. 95

Sherman, C. 159, 160, 161

Soulages, P. 92

Stella, F. 136, 137

Stik 194, 195

Sugimoto, H. 203

Tamayo, R. 78, 79

Tàpies, A. 93

Testino, M. 163

Tilson, J. 113

Tsuguharu Foujita, L. 77

Tuymans, L. 205

Twombly, C. 23

Ufan, L. 24, 25

Various Artists 157, 158

Vasarely, V. 102

Warhol, A. 34, 35, 36, 37, 38, 39, 40, 41,

42, 43, 44, 45, 46

Weiwei, A. 208, 209

Wesselmann, T. 123

Wool, C. 68, 69, 206

Yvaral (Vasarely, J-P.) 103, 104


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