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IN THIS ISSUE
Presidents Report
Director's Report
Boeing Boeing Review
2016 Playbill
Sponsors
UPCOMING AUDITIONS
SEMINAR
Sunday, 9th April
Tuesday, 11th April
THE WEEKEND
Sunday, 26th June
Tuesday, 28th June
40TH ANNIVERSARY
Saturday, 15th October
PRESIDENT'SREPORTWelcomebacktoalloftheEssendonTheatreCompanymembersandfriends.2015wasanotherhighlysuccessfulyearforETCwithourfourproductions,TheFreedomoftheCitydirectedbyTravisHandcock,PrivateLivesdirectedbyJoshuaWolter,AladdindirectedbyMicheleHaywoodandfinishedwiththehilariousBoeingBoeingdirectedbyTessMaurici-Ryan.Wewereveryproudofalloftheplayswepresentedandwearegratefulforallthehardworkthedirectors,castandcrewputintoproducethem.Eachplaywaswellreceivedbyappreciativeaudiences.Wehavebegunimprovementsinourlightingsystemin2015thankstoMichaelBond,TravisHandcockandStephMorrellandwewillcontinuetoimproveourlightingset-upin2016.OurCommitteefor2016hasbeenchosenandIwelcometotheteam:TravisHandcockasVice-PresidentandNewsletterEditor,CeinwinOpieasSecretary,ChristineNilssonasTreasurer,RosShafik-EidasPropsManager,MicheleHeywoodasFrontofHouseManager,assistedbyStephanieKing,StephanieMorellasTechnicalManagerwithassistantsLaurenIeloandBenBarraclaugh,MichaelBondasLightingManagerandColinBurchallasSetManager.Webeginour2016seasonwith“FiveWomenWearingtheSameDress”whichiscapablydirectedbyNatashaBoyd.Natashaishappywithhercastwhoareworkingwelltogetherandareontrackforagreatseason.Christinehasbeenuptoherneckingreenchiffonmakingthefivebridesmaidsdresseswhich,I’msure,willbesensational.Thesetisalmostcompleteandlookinggood.Makesuretogetyourbookingsinsoonsoyoudon’tmissout.Bringingqualitytheatretothecommunityisthemissionofourcompanyandwerelyonyoutohelpustobuildouraudiencebase.Wehavefourexcellentplaysplannedfor2016andwehopetoseeyouandyourfriendsateachandeveryoneofthem.Lookingforwardtoseeingyouat“FiveWomen”,
Cheers,Dawn
Essendon Theatre Company 9 - 11 Bradshaw Street, Essendon For bookings SMS 0422 029 483 or Online www.essendontheatrecompany.com.au
etc quarterly 2016 Issue 1, April 2016
It’sexcitingtobebackdirectingatETCafter5yearswithFiveWomenWearingtheSameDressbyAlanBall.IwasdrawnbyBall'squirkymixoflightandshade,thesettingofa1988Tennesseeweddingreceptionandthefocusonitbeingbothcomedyanddrama.ToseethatthisplayhadonlybeenstagedtwiceinAustralia,intriguedmeasthereisnoinfluenceonhowtostageitorperformit.MadeleineMcKinlay.playingMeredithandClareHayes,playingMindyhavebeenstretchedoutoftheircomfortzonefromwhatthey'veindividuallydonebefore,whichhasbeengreattowatch.KylieRyanandJuliaLambert,playingTriciaandGeorgeanne,havebroughtenergy,ideasandmethodstothisensemblepeice.andSophiePower,playsthedeceptivelyquieterroleofFrances,thebride'sveryreligiouscousin.RoundingoutthecastisRowanHoward.Rowan'stalentandideashasbeentrulywonderful,especialyinhissceneswithKylie.Thejourneyofallsixofushas,indeed,reallyallowedustoembracetheindividualityofthesecharacters’momentsandmoodchangesonstageyetmakingitseemallonecohesiveappealingpiece.ThesuppotofETChasbeengreat.Hugeshout-outsneedtogotoDawnHinrichsenourSetBuildCaptain,ChristineNilssonourCostumecreatorandourstagemanagerCarmelO'Sullivan.Ofcourse,thisisonlythreeofthevitalcrewpeopleinvolved–somanymoretobenamedintheprogrammeandIgratefullythankthemall.Aswemoveintothelastweekofnittygritty,scriptsgodown,accentsrefined,movesandmoodfinessed,lightsandsoundadded–sometimesyouwonderwillitallgetdone.ButwiththetalentedteamonstageandagreatsupportbehindthescenesIhavenodoubtthiswillbeashowtowatch,enjoyandappreciateasanewwork.Bookingscanbemadeatessendontheatrecompany.com.auNatasha
FIVE WOMEN WEARING THE SAME DRESS By Alan Ball
Directed by Natasha Boyd
BOEINGBOEINGByMarcCamolettiTranslatedbyBeverleyCrossEssendonTheatreCompanyDirectedbyTereseMauriciRyanReviewedbyRichardBurman-November28,2015BoeingBoeingwasone(of)thebestFrenchfarcesoftheTwentiethCentury,fullofone-dimensionalcharacters,bubblyfrothandplentyofdoorsformembersofthecasttorushinandoutthrough.Thescriptmustbedeliveredatterrificpace,whichmatchestheactionoftheactorsonthestage.Actingfarcemayseemstraightforwardandeasy,butitisnot.Itrequiresaslick,over-the-topverbalandphysicaldeliverythatlandseverypointmadeandsteptakenquicklyandclearlyinthelapoftheaudience.Thesimpleplotofthisplayrevolvesaroundasmugplayboy,Bernard,whohasthreefiancées,allairhostesses,whomhehasmanagedtokeepfromseeingeachotherbystudyingtheirflightschedules.Fromlineoneoftheplayweknowthatthissituationisgoingtocollapseintochaos-whichitdoeswithalltheairhostessesendingupintheflatatthesametime.Heishelpedtopreventthemseeing
eachotherbyhisrathersourhousekeepers,Berthe,andanoldschoolfriendwhodropsin,theinnocentRobert.Sohereitwas,inplayingtheroleofRobert,thatJamesAntonaspresentedafirst-classexampleofhowtoactfarce.Hisabilityontheonehandtostandstillandsilentasmayhemwasdevelopingaroundhim,andthenontheothertobesuddenlycaughtup,physicallyandverballyinthepandemonium,wasanobjectlessoninperformingthissortofplay.Everywordwascrystalclear,andtheuseofhisbodyskilful(sic)andfunny.ThesuccessofthisplayrestsontheshouldersoftheactorplayingRobertandhereJamesdidEssendonTheatreCompanyproud.Anoutstandingperformance.JameswasablyaidedandabettedbyMargaretRawlinsonasthecheerlesshousekeeper.HerperformancewasinallrespectsdeliveredmoreslowlythanthatofJamesandthecontrastbetweenthesetwoassistedandheightenedtheperformanceoftheother.Herjoylesscharacterwasskillfullycreated.XavierRyanasBernard,theplayboy,hadamoredifficult
Boeing Boeing Review Published in Theatrecraft by the Victorian Drama League
role,asalargepartofActOneisexpositionbyhimofthefoundationonwhichtheplayrests.Wisely,Xavierkeptthedialoguemovingbrisklyandensuredthattheaudiencegoteverypoint.Hisdeteriorationintopaniclaterintheplaywhenhisplansfallapartwaswellportrayed.AmyLarsen,MelissaTracinaandGabriellaMazzarinowerecastasthethreeairhostessesandeachbroughtoutthenuancesoftheirrespectivecharacters.AmyplayedGloria,theindependentAmerican;MelissawasGabriella,themoreromanticItalian;andGabriellawascastasthedominatingGerman,Gretchen.Thereisnothingsubtleinfarceandthesethreecharactersarealmostcartoonrepresentationsofvariousnationalities,whichtheactressesplayedtothefull.Itfelltothemalsotobetheperformerswhowentswiftlybackandforththroughdoorsthemost.Inthistheyhadbeenwellrehearsedbythedirector,TereseMauriciRyan,astheirtimingwasspoton.Thiswasanexcellentproduction.However,therewereoneortwopointswhichwereslightlydistracting.WhileMelissaandGabriellaastheEuropeanairhostesseswereperformingexcellentlywithaccentsto
matchtheircharacters,theybecameindistinctintheiraccenteddialoguewhenuproarwasoccuringonthestageandeveryonewasshoutingateachother.Thesetwassimplewiththeneccesarynumberofentrances(inthiscase,six)andwasveryplainwhite.Thisshowedofftheverysmartcoloureduniformsofthegirlswell,butitwaswiththelightingofthewallsandactingareawheretherewasaproblem,causedbyadarkerareaupstageright.ThiswasunfortunateasitwasinthisspotthatMargaretRawlinsonand,especially,JamesAntonashadtostandatdifferenttimes.Thewhitenessandbrightnessoftherestofthesetandactingareamadethisparticularspotseemdarkerthanitmostprobablywas.Butallinallthiswasawell-drilledproductionbyTereseMauriciRyanofaclassicFrenchfarcethattheaudiencegreatlyenjoyed.
FIVEWOMENWEARINGTHESAMEDRESSByAlanBall
DirectedbyNatashaBoyd
Read-Through:**CLOSED**
Auditions:**CLOSED**
ProductionDates:April7-16
AuditionBookingsContact
SEMINARByTheresaRebeck
DirectedbyTravisHandcock
Auditions:Sunday9thApril6:00PM&Tuesday12thApril
7:30PMCallbacks:Sunday17thApril12:00PM
ProductionDates:June23-July2
AuditionBookingsContact
2016 PLAYBILL
THEWEEKENDByMichaelPalin
DirectedbyMichaelBond
Auditions:Tuesday28thJune7:30PM&Sunday26thJune6:00PM
ProductionDates:September8-17
AuditionBookingsContact
40THANNIVERSARYCELEBRATION15thOCTOBER2016
That'sright!ETCisturning40andwe'dloveyoutocomeand
celebratewithus.
Venue:TBA
DRESS:ComeasyourfavouritecharacterthatyouhaveEITHERPLAYEDatETCorSEENatETCoverthepast40years
SAVETHEDATE-OCTOBER15,2016
WITNESSFORTHEPROSECUTIONByAgathaChristie
DirectedbyMicheleHaywood
Auditions:Sunday11thSeptember6:00PM&Tuesday13thSeptember7:30PM&Sunday18thSeptember2:00PM
ProductionDates:November24-December3
AuditionBookingContact