T: 021 438 9066 / F: 088 021 438 9066W: www.establishment.co.za / E: products@establishment.co.zaPO Box 50930, V&A Waterfront, Cape Town, 8002, South Africa

No.7Established & Sons

Principal & Estd Collection

Waterloo

Bloomsbury

CoNteNts5

Holborn Viaduct

Foreword . . . . . . 9 Lighting . . . . . . 15 Audrey Light . . . . . . . . . . . . . 16Beam Lights . . . . . . . . . . . . . 17 Buggs Light . . . . . . . . . . . . . 18 Column . . . . . . . . . . . . . . . . . 19 Corner Light . . . . . . . . . . . . . 20 Corona . . . . . . . . . . . . . . . . . 22 Dame . . . . . . . . . . . . . . . . . . . 24 Edge . . . . . . . . . . . . . . . . . . . 26 Flatliner . . . . . . . . . . . . . . . . . 27 Fold Corten . . . . . . . . . . . . . . 29Fold . . . . . . . . . . . . . . . . . . . . 30 Globe . . . . . . . . . . . . . . . . . . . 32 Landmarks . . . . . . . . . . . . . . . 33 LightHouse . . . . . . . . . . . . . . 34 Louvre Light . . . . . . . . . . . . . 36 Pipe . . . . . . . . . . . . . . . . . . . . 38 Pole Light . . . . . . . . . . . . . . . 39 Print . . . . . . . . . . . . . . . . . . . . 40 Super Conic . . . . . . . . . . . . . 42 Tank . . . . . . . . . . . . . . . . . . . . 44 Topp . . . . . . . . . . . . . . . . . . . . 47 Torch Light . . . . . . . . . . . . . . 48 Yellow, Pink, White Light . . . 53

Accessories . . . 61Audrey Vase . . . . . . . . . . . . . 62 Blob . . . . . . . . . . . . . . . . . . . . 63 Butte . . . . . . . . . . . . . . . . . . . .64 Convex Mirror . . . . . . . . . . . . 65 Cuboid . . . . . . . . . . . . . . . . . . 66 Font Clock . . . . . . . . . . . . . . 67 Hang . . . . . . . . . . . . . . . . . . . 68 Hold . . . . . . . . . . . . . . . . . . . . 69 Potto . . . . . . . . . . . . . . . . . . . 71 Pour . . . . . . . . . . . . . . . . . . . . 72 Shade Mirror . . . . . . . . . . . . . 73 Soft Grid . . . . . . . . . . . . . . . . 74 Store . . . . . . . . . . . . . . . . . . 76 Two Timer . . . . . . . . . . . . . . . 77

Seating . . . . . . . 85A-Bench . . . . . . . . . . . . . . . . 86 Alto . . . . . . . . . . . . . . . . . . . . 87 Bricks & Mortar . . . . . . . . . . . 88 Butt . . . . . . . . . . . . . . . . . . . . 90 Cape . . . . . . . . . . . . . . . . . . . . 92 Crash . . . . . . . . . . . . . . . . . . . 96 Crate Series No.8 . . . . . . . . . . 97 De La Warr Pavilion Chair . . . 98 Drift . . . . . . . . . . . . . . . . . . . .100 Drift Concrete . . . . . . . . . . . 102 Drift-In, Drift-Out . . . . . . . . .103 Easy . . . . . . . . . . . . . . . . . . . 104 Frame Chair . . . . . . . . . . . . 106 Hay Bale . . . . . . . . . . . . . . . 108 Heidi . . . . . . . . . . . . . . . . . . 110 Jumper . . . . . . . . . . . . . . . . .112 Nekton . . . . . . . . . . . . . . . . . 114 Panoramic . . . . . . . . . . . . . . 115 Quilt . . . . . . . . . . . . . . . . . . . 116 Quilt The Thing . . . . . . . . . . 119Revolver . . . . . . . . . . . . . . . .120 Sessel . . . . . . . . . . . . . . . . . .121 Standard Unique . . . . . . . . .122 Table, Bench, Chair . . . . . . .123 Tudor Chair . . . . . . . . . . . . . 124

Tables . . . . . . 135Aqua Table . . . . . . . . . . . . . 136 Bend . . . . . . . . . . . . . . . . . . .138 Blow . . . . . . . . . . . . . . . . . . .139 Delta . . . . . . . . . . . . . . . . . . .140 M5 . . . . . . . . . . . . . . . . . . . . .141 Open Room No.1 . . . . . . . . .144 Spin Table . . . . . . . . . . . . . . 145 Surface Table . . . . . . . . . . . 146 Surface Table Ø1480 . . . . . . 149 Table . . . . . . . . . . . . . . . . . . .150 Zero-In . . . . . . . . . . . . . . . . . 152 Zipzi . . . . . . . . . . . . . . . . . . . 155

Storage . . . . . 163Amsterdam Armoire . . . . . . 164 The Crate . . . . . . . . . . . . . . . 166Crate Series . . . . . . . . . . . . .167 Folio . . . . . . . . . . . . . . . . . . .168 Perspective . . . . . . . . . . . . .170 Punch . . . . . . . . . . . . . . . . . 171 Stack . . . . . . . . . . . . . . . . . . 172 Standard Issue . . . . . . . . . . 177 Tudor Cabinet . . . . . . . . . . . 178 Wrongwoods . . . . . . . . . . . 180

Wall to Wall . . . . . . . . . . . . . 193 Wood Rug . . . . . . . . . . . . . . 194

Designers. . . . 200 Awards . . . . . . 207 Specifications210 Overview . . . . 248 Notes . . . . . . . 256

Flooring . . . . . 191

Southbank

Foreword9

Established & Sons is a uniquely positioned British design company focused on producing and represen-ting all that is innovative in contemporary design. Since its inception in 2005, Established & Sons has become internationally respected for groundbreaking projects with leading designers, architects, artists and artisan studios, and for introducing up-and-coming creative talent from around the world. Established & Sons employs skilled craftsmen and uses high quality manufacturing techniques in the realisation of its designs, delivering original collections thatarebothsignificantandpioneering.

It is not by chance that the Established & Sons HQ is in London. This is a city with an outstanding and particular design culture, where ideas are nurtured in its excellent art schools,refinedinitsmultipledesign studios and discussed in its plentiful mix of bars, clubs and restaurants. The company’s own agenda – of contemporary quality and vibrant imagination – is the agenda of creative London at its best, where art, design and technology meet and ideas multiply. For 2011, Established & Sons has launched an elite and enterprising new collection by designers from several continents, who have created remarkable new pieces, including furniture, storage, lighting and accessories. Some designs are the result of unexpected ways of working with technology, some contain subtle elements of surprise, others are pure aesthetic triumphs, or the culmination of a cherished craft process. All are linked by Established & Sons’ enduring commitment to excellence; to make design that is delightful and liveable and yet beyond the ordinary.

New accessories have also been added to the successful Estd range, a group of useful objects, which was introduced in April 2010. From the outset, thedefiningobjectivesofEstd were integrity, economy, character and materiality, and the new pieces are no exception, each intended to enhance everyday life with an extra design twist. Newer still is My London – a fresh Established & Sons initiative that looks to the heart of its home city and the creative minds who live and work there. A roster of London-based talents – from the worlds of design, art and architecture – have been invited on board to work on collaborations, installations and objects that crystallize their idea of the city. But with its outward-looking attitude, the company has also asked exciting international names from a range of artistic disciplines to sum up what London means to them. The results will be on show globally throughout 2012. There should be a fair few surprises in store.

City

St. Paul’s

Holborn Viaduct

LightiNg15

Hampstead Heath

Beam Light audrey LightMichael Eden

16IndustrialFacility⁄ SamHecht

17

Suspension&matchingfloorlight with two height options using a contrasting palette of spun metal and blown glass, Beam provides a combination

of ambient and directional light, seamlessly combined.Beam is presented as pendant andfloorlightswithvariouscolour options.

Michael Eden’s interpretation ofContinuousProfile-Headof Mussolini, 1933 using the profileofclassicbeauty,AudreyHepburn is again used for the Audrey Light, creating the illusionofaninfiniteprofile.

All components of the light are hand-blown and together with a historical source of inspiration, enable the designer to portray age-old ideas and methods in a modern and exquisite form.

Sebastian Wrong has subverted a traditional lighting type and infected it with his own dark humour. Buggs Light is a beautifully crafted hand-blown glass sphere, with the opal glass form baring the addition of a familiar face. With a soft matt surface, the characterised

figureproducesawarmbutfunctional light. ‘My play on the classic Bauhaus design of an opal glass, spherical lamp is mutated by a pop culture reference. I wanted to twist the simple sphere and inflateitwithacheekygrin.Hand-blown glass perfection

and purity is challenged. The controlled and conditioned process is infected,’ says Sebastian Wrong. Available as asuspensionandfloorlight,and a table light with a concrete base, Buggs is a modern take on a classic design.

Buggs Light CoLumN Sebastian Wrong

18Sebastian Wrong

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Sebastian Wrong’s Column Light captures the spirit of Venini through a use of colour and playfulness. A concrete base supports a neck of hand-blown, multi-coloured glass.A cone shade, made from fabric rests on top of the neck.

Placed where the wall and ceiling meet, the Corner Light creates an equilateral triangle of light nestled in the corner of a room. The integrated form implies the lamp is part of the architecture of the room,

but the purposefully exposed cable reveals that the light’s placement is temporary. The light is held up with a simple steel bracket that mounts to the wall and steel frame; a fabric diffuser magnetically attaches

to the frame to complete the lamp. Available in two sizes, the novel idea and clever execution of Corner Light makes a contradictory statement that is both inherently iconic and minimalist at the same time.

CorNer Light Peter Bristol

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Corona was conceived as homage to the soon to be lost Crown Silvered light bulb. Designed to echo the lamp bulb’s brilliant function and by increasing the scale also to amplify the ability to create

playful spin offs from the mirroring, Corona is made from a glazed slip cast earthenware ceramic with blown glass and a silver diffuser. Corona is not only a very functional light source but also something

that one can admire when not performing its primary function of giving light whether in the home or in a commercial environment.

CoroNa Frank

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The traditional glass lanterns made on the island of Murano are the inspiration for Dame, a collection of lamps designed to illuminate large environments or far more intimate spaces depending on the manner in which the various component parts are assembled. Dame’s

aesthetic recalls both Tiffany lampshades and the stained-glass rose windows found in churches. Dame’s unique appearance is the result of the effect caused when its illumination is diffused through the lamp’s decorated inner thermoformed shade.

The innovative layering of materials is borrowed from automotive manufacturing and has never been used in theproductionoflightfixturesbefore. Dame is available in a varietyofselectedconfigura-tions to suit any space.

dame Luca Nichetto

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In collaboration with PhilipsEdge is driven by a desire to exploit a technology that is in its infancy but is destined to change the way we see light. Dubbed the “new lighting technology of the 21st century”, an OLED is essentially an extremelyflat,lightweightpanel. When switched off, the panel resembles a mirror, but

as soon as a current is applied, the whole panel lights up, casting out a gentle, evenly dispersed glow of light. Philips has named this technology Lumiblade. Unlike traditional light bulbs, Lumiblade gives no flickeringoflight,noglareandno excessive heat emission. Instead, there is simply a subtle sheen of light. Levete wanted to

reveal the wafer thin essence of OLEDs and create a light that is completely reductive in its simplicity.Aflatribbonofsteelis twisted into a self-supporting form. A groove is then cut into the steel, off centre, to allow the cable to be expressed and to exaggerate the movement of the piece.

edge AL_A ⁄AmandaLevete

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FLatLiNer Jason Bruges

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Jason Bruges has interpreted a classic lamp, rethinking its form and experiments with intelligent surfaces, creating an element of the unexpected. The seemingly impossibly thin

black acrylic disc embedded with240LEDsisbothrefinedand durable whilst providing a warm functional light. The energyefficientFlatlinerisinteractive and dimmable by

the touch of your hand to the surface. Flatliner is available in afloorandtablelightaswellas the particularly impressive suspension light.

FoLd CorteN Alexander Taylor

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This version of the Fold light is produced in Corten steel, a material more commonly applied to architecture than design. The properties of Corten steel; an unusual textured patina caused by

weathering, are employed here as a decorative feature. The process of folding sheet steel to achieve three-dimensional structure is the key feature of the Fold lamps. The resulting silhouetted form of the Fold

is representative of the basic outline of a traditional light. The Fold light is available as a table light in two sizes and matchingfloorlight.

FoLd Alexander Taylor

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This design derives its name from the production process where a metal sheet is subjected to multiple folding. This forms the basis of the design of the small Fold lamp. The Fold family of products incorporates a small table lamp,

mediumtablelampandfloorlamp. The silhouetted form of the Fold is representative of a traditional, basic light – it even incorporates a classic braided fabric cable. This nostalgic reference to traditional lighting is made all the more potent

by the modern materials and construction techniques applied in the manufacture of the lamps.

Elle Decoration International Design Award 2005

Wrong’s Globe light uses the same techniques as the Column Light, where coloured canes of drawn glass are employed to decorative effect. Pieces of these are put into a mould and blown, meaning

that the resulting products are uniform in shape but the colour and pattern vary. The shade consists of a hand-blown, perfect sphere. The components of the Globe rest on a marble base.

gLoBe Sebastian Wrong

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LaNdmarks Sylvain Willenz

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“The inspiration for this family ofdeskandfloorlightscomesfrom signage found alongside the roads and motor-ways. The idea was to bring rough and functional typologies into the domestic environment, for indoor use,” explains

Sylvain Willenz. Willenz’s usual starting point for a design will begin with a material, but with LandMarks, he began with an idea, a sketch and a reference. He has developed the initial concept into a functional domesticproductthatreflects

perfect proportions, colours and lines, presenting a strong form. These engaging, graphic forms have been reworked in powder-coated sheet steel and an opal, acrylic diffuser added. The lights are available in table andfloorversions.

When designing for Established & Sons and Venini, Ronan and Erwan Bouroullec’s idea was to light up a voluminous round glass structure that would be balanced on a delicate aluminium support. Drawing

attention to the precariousness of the equilibrium Ronan and Erwan wanted to present the vulnerability of the object. What was also interesting to them was the mix of techniques to make the three elements that

craft this lamp: the base and the support are industrially made in opposition to the hand-blown glass which uses traditional artisan skills.

LighthouseRonan & Erwan Bouroullec

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References to window blinds, Scandinavian lighting and the rear windows of 1980s ‘muscle’ cars are all apparent in this family of suspension lights designed by Andre Klauser and Ed Carpenter. Seamless pressed aluminium louvres with compound-curved corners are repeated layer upon layer. This creates a multifaceted

shade that provides glare-free, directional and ambient light. It’s both a practical light source and a fascinating and formally enticing object in its own right. The long proportions and scale of Louvre make it ideal for hanging over a dining table. It is available in two sizes and offered in a variety of metal finisheswhichinclude

powder-coated and coloured anodised aluminium or patinated brass.“Our aim was to illuminate the space as well as the light itself. Above that we think Louvre is like a canvas that can change character depending on the colour and finish.”Klauser&Carpenter.

Louvre Light Klauser & Carpenter

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Pipe is a multifunctional lamp with a clean, linear form capable of producing different kinds of illumination. The lamp’s light source is situated inside a cylindrical glass shade and its intensity can be regulated

using a dimmer. Pipe’s tubular shape can generate either direct or diffused lighting with varying degrees of intensity. This lamp is the beginning of a line designed to work equally wellintheofficeandathome,

anditsfirstincarnationstakethe form of a table lamp and a sconce, both of which can be rotated, an aspect of their design that further underscores their versatility.

Thiseleganttableandfloorlight challenges the common perception that light travels in a straight line. It provides ambient light as well as a dimmable, focussed, directional beam. Using a minimum of materials and components, it is surprisingly simple but provides

a spectacle rarely found in such an everyday domestic lighting product. Light travels from a light source embedded deep within a grey concrete or black base and up through an optical grade, precisely curved, transparent acrylic rod and eventually culminates in

a bright beam appearing at more than a metre from its source. “I wanted to create the illusion of bending light on an everyday scale. In order to achieve this I needed to send rays of light on a journey ofinternalreflection.”PaulCocksedge.

PoLe LightPaul Cocksedge

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PiPeLuca Nichetto

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Willenz’s Print Lamp gathers within a single bubble of blown glass components usually found as separate items in pendant lighting. In effect, the

shade,thecolour,thereflectorand the diffuser have all been produced within one gesture. Onlythelightfittingisaddedina second phase of production.

This logic and attention to process, applied to a carefully andwellproportionedflatglobe,offers a bright reinterpretation of a classic piece.

PriNt Sylvain Willenz

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‘Light is a medium on which Iparticularlyliketoreflectasitconspires to reveal the intimate dimensions of the area,’ says designer Matali Crasset. The Super Conic pendant light

not only reveals details of the area it illuminates, it also adds its own delicate beauty to its surroundings. Made from a bouquet of white glass cones arranged around a light-

diffusing cone in the centre, the light shining through reveals the luminous contours of the glass and creates a beautiful focal point of interplaying light and layers.

suPer CoNiCMatali Crasset

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taNk Alexander Taylor

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The Tank suspension light boasts a simple archetypal design. Repetitious and rhythmic folds made in a sheet of metal produce a dramatic effect. The pendant lamp is available in various colours andisfinishedwithafrostedglass diffuser. The Tank light

evokes the familiar form of a pleated fabric shade but it is an industrial, graphic and highly contemporary product. The Tank light is available in two sizes and is suited to both domestic and contract environments. The Tank range was expanded in 2007 following

on from the success of the pendant version of this folded, aluminium light. The Tall Tank, which stands at 1.8m, has a cast aluminium base with a tubular steel stem and is offered in various powder-coated colours.

The Topp Lamp draws its inspiration from two distinctive silhouettes: the classic ‘Atollo’ lamp by Viso Magistretti and a graphic arrow. The foot is of strong resin available in white and yellow. Each colour

contrasts strikingly with the aluminium shade. The beautiful spun top allows the geometric simplicity of the shapes that make up the lamp to be appreciated fully – the triangular and rectangular shapes are

distinct but compliment each other to create a pleasing, arresting whole. Topp’s presence will add contempo-rary sophistication to domestic or contract interiors.

toPPHallgeir Homstvedt Design

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A variety of non-domestic, but yet familiar and functional forms of lighting inspired Sylvain Willenz’s design. Torch Light, owes elements of its form to the typical torch and the car headlight. PVC dipped polymergivesatactilefinish,

referencing the handheld nature of a torch, whilst light shines through a clear, diamond textured polycarbonate diffuser (akin to the textured glass of a car headlight) creating an ambient light. The Torch Light is available as a table light in two

sizes, suspension light in three sizes and as a grouped bunch of suspension lights of 10 or 20.

Elle Decoration International Design Award 2009Grand Design Awards 2009

torCh Light Sylvain Willenz

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yeLLow Light, PiNk Lightwhite Light

Scholten & Baijings53

Scholten & Baijings’ starting point for the light design was the use of colour in combination with a natural working or reading light. The elegant glass bulb is hand-blown whilst the

different colours are applied with a spray-paint technique. The gradient gives the light the special effect that appears as if the light is on when it is in fact off.

BarbicanBarbican

Farringdon

Bloomsbury

aCCessories61

Mayfair

The Blob desk organiser and paperweight is a celebration of the many qualities of glass. Inspired by the bulbous globules of waste material that are a by-product of the glass blowing process, the Blob is a heavy, organic, seemingly

molten mass of glossy material. Into its surface are pressed indentation that give the desk organiser its function as a holder of pens, pencils and ruler, whilst the mass of the piece makes it a natural paperweight.

BLoBaudrey vase Michael Eden

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Michael Eden found inspiration for his Audrey light and vase in Renato Giuseppe Bertelli’s interpretation of portraiture with the sculpture Continuous Profile–HeadofMussolini,1933. Eden has reworked the concept by replacing the powerfulprofileofMussolini

withonethatrepresentsinfiniteclassic beauty, Audrey Hepburn. The idea of mirror imaging silhouettes resonates in Eden’s design. All the pieces of his vase are individually hand-blown, either free-blown where the form is controlled by the skill of the blower or blown into

moulds where more complex shapes are required. The vase uses the contrast between the inside and outside components to juxtapose strong and subtle colours. The heads appear to the viewer inside the outer boundary of the vase.

Estd

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Sebastian Wrong took direct inspiration from an everyday automotive piece of equipment, the rear-view mirror, and created a humorous design. He enlarged this well-known form and placed

it in an unfamiliar interior environment, to great effect. Sebastian Wrong has chosen to make iconic a most non-iconic object. The wall-mounted mirror can be rotated and

moved on any axis and the convex curve of the mirror surface is manufactured using the instrument quality mirror technology normally reserved for use in aircraft simulators.

CoNvex mirrorSebastian Wrong

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Butte is a Dutch age-old wooden travel case. Scholten & Baijings have developed new production techniques to translate the handcraftsmanship to storage boxes. The wooden travel case is made of wood

and veneered the inside of the case and the inside of the lid is paintedwithfluorescentorange,blue or pink. Available in three different sizes, each telling their own story through hand drawn printed illustrations.

The drawings visualise ‘the lifeofatunafish’,‘thelifeofa turtle’ and ‘the life of a tree’, raising the environmental implications of over farming and deforestation.

ButteScholten & Baijings

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Made from coir, natural coconut fibre,thisabstractdesignisfar more intriguing than a mere ‘Welcome’ doormat. The illusion of three dimensions created by the shape and shading invites interaction with an object that is

usually overlooked. Although its function of being a practical entrance mat remains unchanged, Cuboid also takes time to remind us to pay attention to the little things.

CuBoidEstd

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FoNt CLoCkSebastian Wrong

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Sebastian Wrong has transformed a timeless masterpiece into a contem-porary classic. The Font Clock is based on a simple idea, to take the iconic calendar clock with its distinctive form and flipmechanismandintroducesa variety of contemporary

prefaces in an ever-changing display. The Font Clock employs twelve different typefaces. These range from modern renditions of classic type families like Bodoni to 20th century classics like Franklin Gothic and Helvetica. True to its philosophy of working with and

promoting the very best of British design, Established & Sons has chosen to work with Grayson Time Management system. Grayson is responsible for providing the timekeeping for institutions such as the London Stock Exchange. The Font Clock comes in three sizes.

Constructed in a concertina pattern, a gentle pull unfolds the Hang coat stand to its full width. When closed, the coat stand is compact and neat, easy to store or transport. When expanded it is a most purposeful piece of

furniture; its design allows for plenty of garments to be stored upon it and a series of hooks at a lower level mean children can use it too. Hang is made using Ash wood with metallic finishedhooks.

haNgEstd

68Estd

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The gentle overspill of material created by the ninety degree fold of these ceramic hooks is a pleasing and wholly unusual feature. In direct comparison to a more industrial, and expected

aesthetic, the kinked hooks inspirecomparisonstofleshand are curvaceous in form. The choice of glazed ceramic accentuates the tactility of these objects.

hoLd

These Japanese Tokoname pots show the unique and beautiful material qualities of this world famous black ceramic. They are appealing and sensible storage solutions for cooking ingredients such as sugar, garlic and shallots. The sugar bowl is complete

with a beautifully handcrafted Japanese wooden sugar spoon that makes the act of spooning sugar more satisfying and contemplative. The ingredients pots have equally thoughtful details: holes in the lid for ventilation and easy opening. Cleverlydesignedtofitone

atop the other; the foot ring of each pot sits securely on the thick rubber lid of the next size up so they will not slip. As a tower they take up little workspace and make a unique display in the home. Potto is meant to be touched, used and enjoyed.

PottoEstd

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Shade is an oval shaped wall-hung mirror with a materialised hand drawn graphic illustration by Front Design, bonding a 2D sketch with a 3D product. Front Design are investigating the

transitionofadrawingtoafinalproduct, and question when the former actually becomes an object. By fusing the two forms together the Swedish designers have made the illustration

appear as tangible as the oval mirror itself. The illusion of the hand-drawn sketch marks on the surface of the mirror is achieved through a unique etching technique.

shade mirrorFront

73

The two intersecting cones that make up the body of these handsome pewter jugs drew inspiration from old-style oil cans on which the funnel was connected to the main body.

Each jug is beautifully hand crafted – cut, rolled, soldered and polished – from solid pewter sheets. Available in 1/2 pint, l pint and 750 milliliters, they’re perfect for water, milk

or decanting a bottle of wine. The funnel spout is designed to pour a precise and controllable flowofliquid.

PourEstd

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These luxurious double- sided Merino wool blankets are a pure celebration of pattern and colour. The grid that forms part of the textural pattern is stitched on top of the woven blankets creating

a decidedly striking graphic andafascinatingfinish.Pastelandfluorescentcolourscombine with luxurious textures and unique design in these extra-ordinary pieces of textile design.

soFt gridEstd

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two timerIndustrialFacility⁄SamHecht

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Many cities, with London as no exception, continue to experience the mass movement of people. It’s as if everyone these days has come from somewhere else. The Two Timer clock acknowledges this modern condition with two clocks sharing the same dial. How curious an idea - it’s as if afingerhasstretchedaround

clock to form a little corner – an offspring, if you like. Two quartz movements, with a carefully devised dial, are housed in a steel frame. Designed in two sizes, it will sit happilyinthehome,theoffice,the hospital, the hotel, the airline lounge, or the foyer of afinancialbuilding.Itillustratesthat even with different time

zones we are of one-world. “It’s as if everyone these days has come from or is going to, somewhere else...Two-Timer is a useful expression to this modern condition, merging two different time zones into one clock.” Sam Hecht.

Creative Review Award; Graphic Design 2009

The gently obtuse angles to be found on this collection of storage jars are inspired by the forms of space capsules. The unlikely homage to all things space age is continued in a palette of subtle metallic glazes.

Additional detail is given by the application of a matt glaze on the base of the jars: allowing a convenient grip to the work surface. The jars are available in four sizes.

storeEstd

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Bank

Shoreditch

Barbican

Bank

seatiNg85

Alto is a family of elegant stoolscreatedtofulfillanumberof seating applications. The curved leather and ply seat of each stool sits, cantilevered, on topofafluidframe.Thestoolsare available in three sizes, the

largest being intended for use as a high bar stool. “I designed Alto as a cantilever stool that usesflatovalsectionsteeltubeto structural advantage, offering a visual and literal lightness.” Michael Marriot.

aLtoMichael Marriott

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A-Bench is a versatile indoor or outdoor, domestic or contract bench. Made from mirroring and repeating two different components, A-Bench has a symmetry that allows it to be

approached and used from any angle. The bench’s uplifting, striking angles and carefully balanced proportions are a result of how the materials are formed and the functions

they must serve. Great comfort is revealed upon use, and is achieved by the angled solid larch wood sections.

a-BeNCh Felix de Pass

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British artist Richard Woods and designer Sebastian Wrong have collaborated on the design of this series of sofas and chairs. The upholstery bares a classic Woods’ screen print that turns recycled, domestic motif into applied ‘icons’. The irony of the ‘Bricks & Mortar’ design

lies in the extreme comfort of the chair in comparison to the perceived ‘hardness’ of the print. The elegant, fundamental shape of the single seat chair, two-seater sofa and footstool provide the ideal vehicle for Woods’ bold design. “The inspiration behind the

Bricks & Mortar collaboration was a natural progression into upholstered surfaces using Woods’ brick print. The scale and layout of the bricks dictated the scale of the seat and sofa so the mortar lines correspond with the geometry of the object,” says Sebastian Wrong.

BriCks & mortar Richard Woods & Sebastian Wrong

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Versatile, comfortable and economical, this stackable plastic stool is a hard-working piece of furniture. The Butt stool’s ergonomic top borrows its form from a generic tractor

seat. Within this are drilled three holes (reminiscent of those found in bowling balls) with which to lift the piece. A more lateral piece of design ishardtofind.

ButtEstd

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Cape is an upholstered sofa with an overlay cover. Cape grew organically from the initial design challenge to create covered seating with a casual yet luxurious feel to it. The inspiration came from the

informal way in which loose fabric is draped over a piece of furniture for its preservation as done in hotels or country estates off season. Multiple fabric and colour options are available making it more

usable all year round: heavier fabric for warmth in the winter, lighter fabric for comfort in the summer. It also allows for an instant update as an interior changes. Cape is available in one and two seat options.

CaPe Konstantin Grcic

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CaPe Konstantin Grcic

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The elementary properties of a found wine crate continue to inspire Jasper Morrison and they are apparent again in these latest additions to his Crate Series. The multifunctional characteristics of series 1-4 are now complemented by the more definedtypologyofCrateSeries

No. 8 in the form of a Low Chair. The chair is constructed from the same solid pine whilst the familiar fabric hinge is also used linking multiple wooden slats to form a seat and back which then rests on a generous tubular steel frame. The emphasis on honest materials,

proportion and usability is the thread that links this whole series and its evolution is a fascinating insight into how the most basic of found, functional objects can inspire a focused and cohesive collection of furniture.

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Crash is an upholstered armchair. It consists of a tubular chair frame and a loose foam cover. The project reinterprets the construction of an upholstered armchair by separating the supportive

frame from the soft upholstered upper. Splitting the chair into its two constructive elements rationalises production and simplifiestransportationandstorage. A two-inch thick layer offoam,whichismoldedtofit

the metal frame, determines the formal language of the chair. Characteristics for Crash are its soft and voluminous curves. Crash is available in various cover materials.

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This chair was intended for use in the renovated De La Warr Pavilion at Bexhill-On- Sea,soitwasonlyfitting thatitsdesignreflectedthe stunning modernist structure in which it was to be housed.

The cast aluminium used in the construction of the chair was inspired by the balustrade and detailing of the original building. The distinctive skid leg of this chair was created in response to the observation

that many chairs, particularly diningchairs,arefirstviewedfrom the rear. The chair is avai- lableinapowder-coatedfinish with the addition of a wool or leather upholstered seat.

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A piece of found driftwood initiated the design for the Drift bench. The naturally formed fluidlinesofthatfoundobjectprovided inspiration for Amanda Levete’s exercises in complex curves, angles and subtracted

spaces. The Drift bench is an extremely sculptural design whose function, as a seating object, is clear although the primary concern for Levete has been translating her organic, highly sensual architectural

language into a condensed form. Drift bench is constructed from glass reinforced polyester and is available in either satin-matt or high-gloss paint finishes.

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Drift-In and Drift-Out are evolutions of the original Drift bench designed in 2006. These are smaller, curved Fordacal two-seater benches that can be used singularly or positioned

together to create multiple seatinginmanyconfigurations.“Drift-In, Drift-Out is a natural evolution of the Drift bench. I wanted to use the same conceptual language of a line

drifting backwards on these much smaller scale, versatile, modular pieces.” Amanda Levete, AL_A.

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A piece of found driftwood initiated the design for the Drift bench. The naturally formed fluidlinesofthatfoundobjectprovided inspiration for Amanda Levete’s exercises in complex

curves, angles and subtracted spaces. The Drift bench is an extremely sculptural design whose function, as a seating object, is clear although the primary concern for Levete has

been translating her organic, highly sensual architectural language into a condensed form. This cast concrete version of the bench is suitable for permanent outdoor use.

driFt CoNCrete Amanda Levete

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This compact one and two-seater upholstered seating system is available with or without arms and is positioned on a contrasting metal frame.

EasyhassoftbutdefinedformsthatfitsnuglyintotheEstablished & Sons collection, and it is equally at home in domestic and contract markets.

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Wouter Scheublin liaises functionality with the beauty of construction and shows arefinedeyefordetailinhisdesign of the Frame Chair. Blessed with good proportions and seating comfort, the chair is full of cleverly engineered,

reasoned character and achieves a unique formality that is rare within the competitive, overcrowded realms of chair design. Beech laths are covered with a seat and backrest of ply with oak veneer thus providing a subtle texture that shows

throughalacquerfinish.Framechair is offered in painted or shownwoodfinishes.“Iliketheway a construction of simple laths, when assembled, suddenly transforms into a form with character.” Wouter Scheublin

Hay Bale continues the collaborative design relationship between Sebastian Wrong and Richard Woods. Hay Bale is intended to create flexibleseatinglandscapessuitable for contract and domestic use. The piece has both the fun and functionality

one expects from a Wrong Woods collaboration. All four sides are upholstered for comfortable seating, which makes for maximum versatility. Thoughtful details like the cottonweb handles and removable covers make Hay Bale easy to move and

maintain. The characteristic all-over Woods print and the string-like stitching give Hay Bale a casual, relaxed attitude that suits the multipurpose goals behind the design, but belies the attention and careful planning that has been applied to the piece.

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This stool design is about basic simplicity of form and function; combining a classic tractor seat, for its shape and comfort, with a nostalgic, rustic, three leg, timber milking stool. Made from pigmented polyurethane

resin and oiled European Oak the stool cleverly combines the clunky mass of a solid coloured seat with an elegant tapered, geometric timber leg construction. Heidi stool is available in three heights with

the option of a red, ivory or black seat and now in a solid wood style. “The experience of sitting on these stools should be reassuring, tactile and aesthetic” says Sebastian Wrong.

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Jumper consists of one continuous oversized woolen knitted cover, with qualities very much like that of a jumper, includingbuttonsthatfixthecover together on the underside of the chair, once the knitted cover is wrapped over the solid

wooden structure and bent steel legs. The cover is knitted on a ‘Knit and Wear’ machine that is skilled for clothing garments, but this is where the fashion and design production processes divide. Once the garment is completed it is

then run through a high degree wash to attain a seamless and upholstered effect eradicating most of the stretch from the wool but presenting a high quality fabric that layers the structure with precision and rigor.

This comfortable sofa system isdesignedtofitanydomestic,hotel or reception environment. It is composed of sculptural side and back panels in moulded polyurethane foam,

with seat and back cushions made from a combination of foam and goose down.

Elle Decoration International Design Award 2007

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This set of four sculptural low stools is the latest manifestation of the now-famous Zaha Hadid aesthetic. The Nekton stools are cur-vaceous and tactile.

They can be scattered and used individually or combined in clusters as a whole seating system that can be customised to suit any space. “The Nekton stools can constantly

be adapted and changed to accommodate any seating need by expanding both the interlocked and individual pieces.” Zaha Hadid.

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The Bouroullec’s iconic Quilt series of feature seating is now available in a vibrant new colourway, taking inspiration from iconic comic book superheroes. The Quilt chair and sofa consist of an

upholstered, honeycomb-like skin of hi-tech stretch fabric with individual foam inserts,whichisfittedoverafibreglassshell.Thepatchworkcomponents are mathematical in design, as well as decorative,

and give a comforting and reassuring feel to this functional chair. Quilt is an antithesis to the formal, structured sofa and seating designs we have become familiar with.

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QuiLt, the thiNg Ronan & Erwan Bouroullec

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With his exhibition “100 chairs in 100 days” Gamper celebrated the fact that there is no perfect chair by studying and reassembling every archetype in a somewhat impulsive fashion. His creation of the Sessel chair was driven by a fascination of the traditional bentwood archetype and the way in which its industrialised

production has been mastered throughout its 150 year long history. Aspiring to create his firstproductionchair,Gamperdissembled the bentwood archetype to then rejoin the components and let the assembly of the pieces create the Sessel’s shape. Rather than aiming to revolutionise the bentwood chair, Gamper

decided to tweak the iconic original. He intelligently added strength to the joins through square bentwood panels eliminating the need for a supportive ring and creating a more angular aesthetic. Gamper further injected his own spirit by utilizing different woods and colours.

Revolver is a well-known object with an element of surprise. It is a four-legged rotating barstool that integrates a ball bearing into the lower ring. This enables it to take on another level of

functionality: the foot rest turns with the seat so the user can turn 360 degrees. By allowing one’s entire body to turn at once, Revolver ensures that the barstool is put to its best

use: socializing with friends. In addition, Revolver would be equally at home in a domestic kitchen as it would in a contract interior.

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The inspiration for Table, Bench, Chair derives from the interior communication of the Yamonote line on Tokyo’s Metro. Japanese trains generally have benches with armrests dividing the spaces, however the Yamonote line has a green bench with a single gold seat in the middle, subconsciously passengers are

drawn to the isolated space in a mathematical manner creating spatial awareness. Hecht has investigated this concept with the versatile series of Table, Bench Chair, with reference to traditional Bentwood furniture. The design is extremely simple, whilst cleverly it has no physical connections between the different components or

joints, further merging the worlds of a table and chair, allowing the seating to cross over into both. Three versions of Table, Bench, Chair are available; a chair, bench and love seat. Designated seating spaceisprofiledintothesolidoak base.

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Standard Unique derives from the concept of creating variations within a mass produced context. Using an archetypal Dutch kitchen chair, Bass has created 5 patterns for the hand-sculpted chairs, with

each chair being made up of 16 components. All the patterns share common joining points so these component parts replicating CNC technology, can be interchangeable. Therefore, from the original

patterns you can make hundreds of thousands of variations. The result is a hand-produced design using mass production.

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This series of six dining chairs was inspired by the six wives of Henry VIII. They are all formally linked but each with its own individual upholstery, finishingandpersonality.Thedesigns are a clever reference

to a rich part of British history, but are particularly fascinating and relevant as they emanate from the arrival and objective perception of Spanish designer Jaime Hayon.

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This acclaimed table is a tour de force of contemporary furniture design,andfluidityisthekeycharacteristic. It consists of threefin-likelegsthatappearto be in motion and register

as gradients on the gently undulating tabletop. The Aqua Table is an uninterrupted whole, a curious and curvaceous form that invites viewers to engage with it. The Aqua Table

is available in both satin matt andhighglosshandfinishes.This design is challenging, daring and the work of one of the greatest talents in contemporary design.

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Konstantin Grcic’s Blow uses Venini’s artisan hand-blown glass to create a voluptuous organic form. Blow explores the physical boundaries

of hand-blown glass. The fascination of the piece lies in the large scale of blown glass as well as in the combination of translucent Venini colours.

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Wrong’s Bend side table is focused on material and detail. The slip cast production of the ceramic table has a semi-translucent glaze, which in

turn resonates inconsistencies withinthesurfacefinish.Wrongexperimented with the aesthetic of folds in tube structures using kinked balloons, and has subse-

quently emulated the detail and its tangibility with the Bend side table. The minimalist design of the table gives way to the authenticity of its detailed kink.

The M5 is a functional piece of furniture. It is strong, elegant and simple to assemble. M5 is made from three individual sections that slot together easily, making the table

instantly usable. Inspiration came from a motorway bridge and the association between engineered form and the M5 is easy to note. The smaller M5 table uses only a single piece

of ply in its construction, which makes it economical too. The functions of the table know no bounds and it can be employed for any use; dining, canteen, meeting,officeorstudio.

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The design of this versatile side table derives from the observation that a triangular shapefitseffectivelyinmanyarrangements within an interior: free-standing, against

a wall, between or next to other pieces of furniture. The tables are cast from a single material: a resin that has a hollow core and provides a high-gloss finishwithanunusualdepth.

Offered in two sizes, the low height table functions as a coffee table or bedside table, whilst the higher version can be used as an occasional table or plinth.

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Open Room No.1 is intended to act as a room within a room. It is an architecturally minded product design with a clear function. Although it is without walls, Crasset explains that this workstation has implied boundaries formed by the angles of a white steel structure linking a brightly

coloured red table, orange cupboard, glowing yellow acrylic lamp, black rug and small yellow metal container. “The iconic blocks of colour eachdefinethedifferentfunctions within the whole unit. Open Room No.1 is a platform for living.” says Crasset.

Spin is far from a static piece of furniture. Thanks to a profusion of mismatched castor wheels this table is able to follow you wherever you wish. Spin’s oddly contrary feet are the source of its unique character.

Each of its versions; dining table, coffee table and side table, boast a different array of wheels (with lockable castors). Spinisaflatpackpieceoffurniture, thereby furthering its functional nature.

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retrospective of architect’s John Pawson’s work by Alison Morris. 20:50 plays with viewer’s perceptions of space byperfectlyreflectinganentireroom in a smooth black mirror of sump oil. ‘The table being compared to a work of that importance made me realise

thatthereflectioninthefinishisextraordinary in its own right.’ says Woodgate. It seems that by expanding the Surface Table collection, the original search for perfection that sparked the design is continuing.

Wallpaper* Design Award 2008Design Week Award 2009Homes & Gardens Magazine in association with the V&A Museum Award 2009

In 2008, international attention was caught when two Royal Designers for Industry, one from the world of furniture design and one from the world of Formula One racing car design, collaborated to create the Surface Table, a super slim composite table. Using

state-of-the-artautosport⁄aerospace technology to exploit the inherent rigidity of carbon fibremadecreatingtheoriginalSurface Table possible. Building on the success of the Surface collection, 2011 sees a new addition – a circular Surface Table. Woodgate explains,

‘With the new Surface Table the emphasisisonthereflectivequality that the ultra thin black surface creates.’ Woodgate was inspired to consider this aesthetic when he saw the original table compared to Richard Wilson’s extraordinary work 20:50 in Plain Space, the

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surFaCe taBLe Ø1480Terence Woodgate & John Barnard

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This table, like much of Caruso St John’s work, refers to a familiar type. It looks like a table, it is rectilinear, it has a top, four legs, and it’s made of wood. By making it out of lumber board, an engineered timber product used for construction site hoardings,

the duo presents an everyday material resembling giant plywood that is strong, stable, referential yet unfamiliar within the context of furniture design. Table is available in white Corian and black linoleum table surface options. “I like the idea of wood for a table. I also

like the similarity between the legs and the top, and how the muteness of the joints make the table look abstract. It is not builderly. It looks like a picture of a table, a bit like a sculpture by Richard Artschwager.” Adam Caruso.

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Constructed from an apparently seamless ribbon of moulded polyester and a glass top, the Zero-In table utilises a dual wall construction to create the visual illusion that the sides of the table converge at a greater pitch than expected. The design was developed

using sophisticated production techniques usually reserved for automotive manufacturing. TheZero-Inisavailableinfivecolourways, including black with black-tinted glass top and a dual colourway, of white outer base with an orange interior.

The FX Design Award 2005Red Dot Award 2006Homes & Gardens Magazine in association with the V&A Museum Award 2006

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These remarkable glass-topped tables utilise a unique and ancient oriental process of interlocking folded paper. Individual paper components knitted together form the table base and create engaging visual patterns and textures

whilst also providing incredible structural support for the glass tabletop. “Walking through the streets of Shueng Wan in Hong Kong I was charmed to see a tiny little folded paper ball. My head was full of cold factories and machines which gave me

a determination to work on what I thought to be this most regressive progressive project – an old Chinese technique of creating intricate objects by assembling folded paper – and thus the idea was born.” Michael Young

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Amsterdam Armoire is a typi-cally Dutch design, a traditional piece of furniture taking on a contemporary form. With two upper doors, a drawer over the full weight and two under doors, the front colour pattern is made from a ‘High

Pressure Laminate’ (HPL) sheet. The two round feet are made of light pink hand-blown glass. The inside of every door has details of still life photography. These images are made in collaboration with the Dutch photographers Maurice

Scheltens & Liesbeth Abbenes, depicting the work method of Scholten & Baijings and made with paper and cardboard models of the design duo. The shelves and the drawer are covered with a printed grid.

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Crate seriesJasper Morrison

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the CrateJasper Morrison

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The Crate Series consists of fiveunitsofvaryingsizesandscales that share the same elementary properties and multi-functional characteristics as the original Crate design. An emphasis on honest materials

(solid pine), proportion and usability reveal the utilitarian nature of this important series.Thefiveunitscanbeused as tables and cabinets. “I wanted the Crate Series to give the impression they were

home made, as if someone had the idea and then made it for themselves. So although it’s very well made it has an exaggeratedly visible construction.” Jasper Morrison.

Thequestionoffindinginventive, simple ways to tidy up a room has always been a recurrent topic for Ronan and Erwan Bouroullec. Folio offers a new typology of furniture as it occupies a space between the functionality of basic

shelves and the more elaborate option provided by a chest with mechanical doors, while also retaining an unexpected sculptural quality. It provides the possibility to hide some, or the totality, of the objects that stand on Folio’s oak

shelves just by moving a fabric adornment that runs delicately along a discreet aluminium track. Folio is a simple, light and easy-to-use system.

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The Punch collection is the second family of products designed by Alexander Taylor for Established & Sons. Once again Taylor has drawn inspiration from a domestic environment looking into the language of audio speakers; the repetitive pattern of

spots and indentations and the strong frame that often encapsulates them. The minimalist family of 4 units is also a continuation of Taylor’s development of mild steel. An understated modernist quality is evident in the Punch collection with the use of

bevel edges on the individual holes that are repeated in the frame. The punch holes have a structural purpose and have been made in order to add maximum strength to the thin gauge metal aluminum used.

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This simple plywood with larch veneer construction functions as a wall mounted shelf that plays on perspective form. Wrong cites the aesthetic of Modern Architecture pioneer Le Corbusier, particularly the oak cabin Le Corbusier built as a study in minimalism,

as his stimulus. Perspective questions normality and challenges our interaction with the object and our own space. ‘I wanted the piece to refer to this era and beyond to the present day where art and design have become less defined’saysWrong.

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It can be appreciated from all angles as a sculptural object as well as an entirely functional, practical item of furniture. Stack is offered in two standard sizes (8 drawer unit and 13 drawer unit) together with two multi-colour variants and a

wood veneer variant. “I think chests of drawers look more intriguing when the drawers are left partly open.”Shay Alkalay

Homes & Gardens Magazine in association with the V&A Museum Award 2009Elle Decoration International Design Award 2009

Usually a chest of drawers consists of an exterior frame, back panel and runners on each drawer. The height is limited to the size of the frame and the drawer can only be opened in one direction. With ‘Stack’ Shay Alkalay has

questioned these elements and challenged our perception of what a drawer unit can be. These individual, multi-coloured,‘floating’drawerunitsare built up to different heights, creating a tower of drawers that can be pushed and pulled

in both directions. This will often result in a random and irregular formality that is both fascinating and unusual to the eye. Positioned against a wall or in the centre of a room Stack creates a rich and wonderful spectacle of colour and form.

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The ambition of this industrial design was to elevate the archetype of a fabricated metal shelf by exposing the beauty and integrity of its structure. A passion for engineering

and structural solutions characterises all of Frank’s work and so it is little surprise that Standard Issue shelving is born out of a fascination with a simple manufacturing idea.

Tudor is a continuation of the gothic and historically inspired Tudor Chairs. The family of storage systems uses simple symbolic forms to emulate the theatrical architecture, opulence and culture of the

16th Century. Iconic forms loyal to the Tudor period are evident throughout the design of the cabinet’s subtle referencing to the inspiration of the designs particularly in the tinted panels. The cabinets are formed from

glass, lacquered MDF and plastic. They are available in 2 and 3 door variations and white, red and black colourings.

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wroNgwoodsRichard Woods & Sebastian Wrong

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Relaunch 2009 in black & white and 2010 in pink & blue British artist Richard Woods is renowned for his work with garish and repetitious motifs. He has applied thesetofacades,floorsandwalls across the world in commissioned work and gallery installations. These

‘logos’ are often abstractions and interpretations of domestic pattern – the woodblock print being a particularly recognisable signature print. Designer Sebastian Wrong teamed up with Woods in the firstdesignforEstablished& Sons’ programme of ‘Collaborations’ where

individuals from two creative fieldsworktogether.Woods’block printed motifs were applied to Wrong’s utilitarian cabinets. These are reminiscent of1950sfurniture–afittingvehicle because much of Woods’ work is based on a nostalgia for mid-century domestic interiors.

The result is a family of storage cabinets: a small night table with a spring-touch drawer, a chest of drawers, a long low credenza and a wall unit. The WrongWoods series is currently available in four of Woods’ signature colourways. “This aesthetic, combined with Richard Woods vibrant, graphic

wood block print, puts the idea of ‘DIY’ back into design and adds decoration with a twist.” Sebastian Wrong. “The utilitarian feel of the furniture that we have made is somewhat at odds with the cartoon graphic surface that covers it, and I feel this marriage illustrates perfectly

the success of the collaborative process. This is a new body of work that is both playful as well as being respectful to its aesthetic origins.” Richard Woods.

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Shay Alkalay and Yael Mer presented Wall to Wall, an innovativenewflooringdesignduring Frieze Art Fair 2009. Wall to Wall uses waxed oak bricks which create a beautiful

herringboneparquetflooring.Takingatime-honouredfloortype, Alkalay & Mer have developedthetraditionalfinishby staining the individual bricks from a pallet of 15

different colours. By taking an everyday product and twisting the core element of it they have developed a very characteristic mosaic design.

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Richard Woods uses traditional wood block printmaking techniques to ‘print’ graphic realisations of building materials and styles, piecing them together to block out sections of existing architectural coverings. Woods cuts in close to normality

and re-presents it to us in a stylised and hyperreal visual formulation of itself. As panels ofwoodenflooring,wallpapersor brick walls, his pieces are functional and capable of standing in place for their actual counterparts. As works of art they are designed to be

lived with and to act as the subjects they imitate. Wood Rug does just this, a ‘soft’ imitation sitting atop the real thing.

Elle Decoration International Design Award 2010

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Peter Bristol StudioOccupation: DesignerNationality: USABorn: 1980Product: Corner LightAthoughtfulandprolificdesigner with an impressive client list, multiple design award winner Peter Bristol works to develop, evolve and refineideasandbringthemto life in the right way. As a lead designer at Seattle, USA based Carbon Design Group, he is a key contributor to many challenging projects. Critical thinking, high expectations and a collaborative approach are what Peter uses to continually help people, companies and himself make the right decisions as they work to develop new products and new directions.

Jason Bruges StudioOccupation: DesignerNationality: BritishBorn: 1972Product: FlatlinerLondon based Jason Bruges Studio produces innovative installations, interventions and products for clients across the globe. They have become known for interactive spaces and surfaces that sit between the worlds of architecture, interactive design andsite-specificinstallationart. Projects range from large scale building facades and public art to interactive interior environments and products. The team strives to push the boundaries of technology and materials to achieve unique results.

Caruso St John ArchitectsAdam Caruso & Peter St JohnOccupation: ArchitectsNationality:AdamCaruso⁄Canadian: British PeterStJohn⁄BritishBorn:1962⁄1959Product: TableCaruso St John was established by Adam Caruso and Peter St John in 1990. The practice gained an international reputation for the New Art Gallery in Walsall which opened to wide public acclaim in 2000. Since the completion of the New Art Gallery, the practice has worked for many institutional and private clients inthefieldofmuseumsandgalleries. They have worked for the Victoria & Albert Museum on the restructuring and extension of the Museumof Childhood in London. In 2004 they completed the Gagosian Gallery in Britannia Street, London, and have subsequently designed the gallery’s spaces in Davies Street, London, and Via Crispi, Rome. The practice is recently designed the new Centre for Contemporary Art in Nottingham that opened at the beginning of 2009. At the beginning of 2007, Caruso St John was appointed architects for Tate Britain. They were also the architects for Frieze Art Fair 2009, in London.

Paul CocksedgeOccupation: DesignerNationality: BritishBorn: 1978Product: Pole LightPaul Cocksedge is one of the UK’s most inventive young designers. Driven by anambitiontoredefinetheaesthetics of contemporary design, he creates visually spectacular and technically ingenious lights that celebrate the magical and transformative qualities of illumination. Cocksedge studied industrial designatSheffieldHallamUniversity and product design under Ron Arad at the Royal College of Art in London. Since graduating in 2002, Cocksedge has exhibited at the Design Museum and Powerhouse Museum and his work is part of the Victoria & Albert Museum, Pinakothek der Moderne Die Neue Sammlung and Museum of Modern Art permanent collections.

Matali CrassetOccupation: DesignerNationality: FrenchBorn: 1965Product: Open Room No. 1, Super ConicGraduating from Les Ateliers E.N.S.C.I. in 1991, Matali Crasset went on to work with Denis Sanatachiara in Milan, Philippe Stark and Thompson Media in Paris before leaving to start up her own studio in 1998. Crasset has developed the notion of domestic rituals when designing furniture, enhancing urban furniture with new technologies. She was awarded the Grand Prix du Design of the City of Paris in 1996. Crasset regularly lectures in Paris, Copenhagen, Milan and Amsterdam.

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Maarten BaasOccupation: DesignerNationality: DutchBorn: 1978Product: Standard UniqueMaarten Baas graduated from the Design Academy Eindhoven in 2002 and has since gone from strength to strength with exhibitions at the Victoria & Albert Museum in London, Moss and ICFF in New York, Salone del Mobile in Milan and Art Basel in Miami, amongst others.

BarberOsgerby Edward Barber & Jay OsgerbyOccupation: DesignersNationality: BritishBorn:1969⁄1969 Product: Zero-In, De La Warr Pavilion Chair, Panoramic, Delta Edward Barber and Jay Osgerby met whilst studying at London’s Royal College of Art. They formed their design studio ‘BarberOsgerby’ in 1996. Edward and Jay have developed collections for leading international manufacturers and clients such as Cappellini, Magis, Authentics, Venini and Isokon. The partnership has exhibited widely and won many accolades,amongstthem⁄Best New Designer ICFF 1998, Best Furniture Design from Design Week magazine 2003 and 2004 and the prestigious Jerwood Prize for the Applied Arts in September 2004, Elle Decoration Award for Designer of the Year in 2007. In 2007 they were made Royal Designers for Industry.

TerenceWoodgate & John BarnardTerence WoodgateOccupation: Industrial DesignerNationality: BritishBorn: 1953Product: Surface TableTerence Woodgate is a designer of lighting and furniture. A modernist at heart, he is known for his simple, thoughtful and understated designs. Woodgate works from his studio in East Sussex where he continues to quietly seek new expressions in design. In 2003 he was elected a Royal Designer for Industry (RDI). He has received several international design industry awards including the German Red Dot ‘Best of the best’ award and the IF ecology award. In the UK he has won the Observer⁄ElleDecorationdesignaward for furniture and recently a Wallpaper* magazine 2008 design award. Examples of his work are held in the permanent collections of the Museu d’Arts Decoratives, Barcelona and the Victoria & Albert Museum, London.

John BarnardOccupation: Design EngineerNationality: BritishBorn: 1946Product: Surface TableJohn Barnard is one of the most innovative racing car design engineers of his generation.Hewasfirstthrownin the limelight after he won the USAC series and Indianapolis 500. He pioneered and built theworld’sfirstcarbonfibremonocoque, winning three consecutive Formula One world championships for McLaren. Uniquely he has been technical director⁄chiefdesigneratboth Ferrari and McLaren. Headhunted by Ferrari he pioneeredforthemthefirsthydro electronic gearbox, a system that is now used by all F1 teams. His system of using paddles on the steering wheel and an automatic clutch has

now migrated to road cars. Asked to rejoin Ferrari in 1992 he designed and built Ferraris in Guildford from 1993-1997. His Ferrari 641, one of the most beautiful Ferrari racing cars, is in the New York Museum of Modern Art permanent collection.Hisinfluencecan be seen in every single car on the grid today.

Ronan & Erwan BouroullecOccupation: DesignersNationality: FrenchBorn:1971⁄1976Product: Quilt, Quilt The Thing, LightHouse, FolioRonan & Erwan Bouroullec have been working together for over ten years, bonded by diligence and challenged by their distinct personalities. In 2007, they were spotted by Cappellini, giving them their firstindustrialdesignprojects.They have gone on to work with Vitra, Magis, Ligne Roset, Kvadrat, Issey Miyakeand more recently Axor and Alessi. From designing spaces to furniture, taking on architectural projects to designing textile wall systems or comprehensive collections, the designer brothers maintain experimental activity, which is essential to the development of their work. Several exhibitions have been devoted to Ronan & Erwan Bouroullec including the Design Museum, London and the Museum of Contemporary Art, Los Angeles. In late 2011, the Centre Pompidou Metz will invite them to do a major monographic exhibition.

Konstantin GrcicOccupation: DesignerNationality: GermanBorn: 1965Product: Blow, Crash, CapeKonstantin Grcic completed his MA in Industrial Design at the Royal College of Art, London in 1990 and went on to work for Jasper Morrison, where he honed his approach to design. Grcic’s designs remain true to form and are characterised by careful research and a passion for technology and materials. In 1991, Konstantin Grcic Industrial Design (KGID) was founded. Many KGID designs have received international design awards and are also a part of the permanent collections at MoMA, New York, Centre Goerges Pompiodou, Paris and Die Neue Sammlung, Munich. In 2010, Konstantin Grcic was awarded ‘Designer of the Year’ by Design Miami.

Zaha HadidOccupation: DesignerNationality: Iraqi born British citizenBorn: 1950Product: Aqua Table, NektonZahaHadidwasthefirstwoman to be awarded the distinguished Pritzker Architecture Prize in 2004, and is internationally known for both her theoreticaland academic work. Hadid’s remarkable style is characterised by fragmented geometryandboldfluidforms.Hadid is currently working on high-speed trainstations in Naples and Durago, opera houses in Dubai and China, the Museum of Contemporary Arts in Sardinia, as well as major master-planning projects in Bilbao, Istanbul and the Middle East.

Hallgeir Homstvedt DesignOccupation: DesignerNationality: NorwegianBorn: 1977Product: ToppHallgeir Homstvedt is a product and furniture designer based in Oslo. Since he opened his own design studio in 2009 he has been exhibiting in London, Tokyo, Oslo and Milan to establish himself as an independent designer. Previously he worked at the design studio of Norway Says and specialized in concept development and 3D modeling. He is currently working with both Norwegian and international furniture manufactures.

Jaime HayonOccupation: DesignerNationality: SpanishBorn: 1974Product: Tudor Chairs, Tudor CabinetJaime Hayon has had a long and illustrious career for somebody so young. He trained as an industrial designer in Madrid and Paris and went on, in 1997, to work as a researcher in Fabrica, Benetton Group’s communication research centre in Treviso, Italy. In 2004, he set out on his own and has kept his hands full with eclectic projects: from toys, to furniture and interior design as well as artistic installations. His boldness has been transcending the borders of the often separated worlds of art and design. Hayon’s work has developed in diverse areas: from curatorial roles, to those of an artist, to that of a designer. He has developed numerous collections in the furniture, lighting, bathroom, ceramicsandinteriorsfieldsand his art installations have been a constant throughout his independent career. Hayon has received awards from Elle Decoration, Wallpaper*, the London Design Festival as well as many others.

IndustrialFacility⁄Sam HechtOccupation: DesignerNationality: BritishBorn: 1969Product: Beam Light, Two-Timer Clock & Table, Bench, ChairIndustrial Facility is a design officeformedbydesignerSam Hecht and architect Kim Colin in 2002. The studio follows a rigorous path of investigation and analysis in its work. Its belief is in the importance of design as a means of simplifying our lives in an inspirational way. Sam Hecht is probably best known for his contribution to the development of technically demanding projects for Muji, for which he has produced over 50 products and where he is currently Design Advisor for Europe. Other recent collaborations include the ‘Twice’ clock and ‘Once’ watch for Lexon France, the FlexLamp for Droog and the ‘Equipment’ project for Whirlpool (2004). For Epson Japan he has producedaDVD⁄LCDprojector(2004) and the third generation Picturemate printer (2006), both of which have been awarded a G-mark from Japan, and an IF Gold Award from Germany. In total, Hecht and Industrial Facility have earned themselves over 30 design awards in the past few years. Hecht has been honoured with a Royal Designer for Industry (RDI) award.

Felix de PassOccupation: DesignerNationality: BritishBorn: 1984Product: A-BenchAfter graduating in 2006 from Manchester Metropolitan UniversitywithafirstclassBA Honours degree in Three Dimensional Design, Felix de Pass went to work for UK based design duo, Klauser & Carpenter. He then continued his studies at the Royal College of Art. He graduated from the MA Design Products course in 2009. After time spent working for a design studio in Japan he came back to London and founded his own design studio. He has since worked onproduct,furnitureandofficeinterior design projects. He has adeterminationtodesignfinelyconsidered, highly functional, timeless pieces and believes that aesthetics should derive from material construction, rational thinking and necessity.

Stefan DiezOccupation: DesignerNationality: GermanBorn: 1971Product: New OrderStefan Diez’s introduction to furniture design started in 1991 when he worked as a cabinetmaker for three years. Diez went on to study at Staatliche Akademie der Bildenden Kunste in Stuttgart in 1996 where he attained a Diploma in Industrial Design. Diez founded his studio in 2003 and since has worked in variousfieldsofdesignrangingfrom furniture and tableware to industrial design, fashion as well as exhibition design. Diez works intensively with materials, technology and is passionate in his quest to fathom out their limitations. Togetherwithhisofficehedevelops products that are precise, yet simple and above all are meant to meet human needs.

FrankOccupation: DesignersNationality: BritishBorn: 1974Product: M5, Standard Issue, CoronaFrank is the creative partnership of Pam West and Matt Edmonds. They established their London based design studio in 2001 having worked together informally for some time after studying furniture design at Buckinghamshire College. Frank’s approach can be definedasawayofthinking,allowingthemtheflexibilitytoworkwithinvariousfieldsofdesign ranging from furniture and projects to exhibition design and interior projects. While their designs often express a complex simplicity and share both a respect for industrial elegance and the desire to design for industrial production, their practice is detached from design pre-occupied with style. Rather they believe thateachprojectdefinesitsown method creating its own unique outcomes to which they employ a rigorous pragmatism combined with imagination. The importance of ideas is crucial to Frank and remains at the core of every project.

Front DesignOccupation: DesignersNationality: SwedishProduct: Shade MirrorSwedish design group Front consistsofSofiaLagerkvist,Charlotte von der Lancken and Anna Lindgren, they work as a team with all members being integral in the eclectic design process. Exploration is key to their design process, re-thinking conventions and expectations of the materials they work with. Drawing inspiration from everyday objects and developing their tangibility Front bring an element of the surreal to their designs. Previous exhibitions have included The Museum of Modern Art, New York, Pompidou Centre, Paris, and The Design Museum, London.

Martino GamperOccupation: DesignerNationality: ItalianBorn: 1972Product: SesselAfter an apprenticeship in cabinet making, Martino Gamper studied sculpture and product design at the Fine Arts Academy in Vienna. After a few months Gamper soon transferred to product design under the leadership of architect and designer Matheo Thun. In 1994 before his degree was complete he was employed by Thun’s studio in Milan where he went on to design products and furniture. By 1997 Gamper moved to London to study at the Royal College of Art and has made the UK his home. The exhibition “100 Chairs in 100 Days” in 2007, saw Gamper make 100 chairs in as many days allowing his deep rooted curiosity, knowledge and respect of design history to emanate through his designs.

Michael EdenOccupation: DesignerNationality: EnglishBorn: 1955Product: Audrey Vase & LightMichael Eden’s work explores the relationship between hand and digital tools, investigating experimental manufacturing technology and materials. For twenty years he successfully ran a ceramics business with Vicky Eden, supplying to stores and galleries internationally. It was during 2006 and 2008 after deciding to undertake an MPhil research project at RCA that his interest into digital design and manufacturing could be combined with his previous ceramic experience, and could really begin to evolve. One of the outcomes of this was winning an RSA Design Directions competition.Since then he’s continued to design a series of pieces which are inspired by historical objects and contemporary themes.They’ve attracted wide media and public attention, having been exhibited internationally and Apollo magazine listed the piece acquired by The Crafts Council for their collection as one of the 24 most important worldwide museum acquisitions of 2010. He is also a Lecturer at Manchester College of Art and RCA, London.

Luca NichettoOccupation: DesignerNationality: ItalianBorn: 1976Product: Pipe, DameLuca Nichetto was born in Venice, where he studied at the Art Institute. Afterwards he attended the IUAV, the University Institute of Architecture of Venice, where he graduated in Industrial Design. He began his business career in 1999 by designinghisfirstproductsmade of Murano glass for Salviati. In the same year he began his cooperation with Foscarini: besides designing products, he also worked for them as a consultant for new material research and product development. In 2006, he founded his own agency, Nichetto&Partners, which deals both with Industrial Design and Design Consultation. He has received many international prizes, among them the Grand Design Award 2008, the Chicago Atheneum Museum of Architecture Good Design Award 2008, the IF Product Design Award 2008 and the Elle Decoration International Design Awards 2009 (EDIDA) as Designer of the Year in the Young Designer Talent section. He has held workshops in various Italian and international universities and he has takenpart in exhibitions in Europe, in the United States and Japan.

Bertjan PotOccupation: DesignerNationality: DutchBorn: 1975Product: JumperBorn in Nieuwleusen, Holland Bertjan Pot went on to study at the Design Academy Eindhoven. After graduating in 1998 Pot founded his own design studio enabling him to experiment with materials, out of which came some of his most recognisable designs for clients such as Moooi and Acro. Pot focuses on the material and technique and thenthemostbeneficialway to implement it into design of interiors.

RawEdges⁄ShayAlkalayOccupation: DesignerNationality: Israeli born, London basedBorn: 1976Product: Stack, Wall To WallShay Alkalay is one of the UK’s most exciting new design imports. After graduating with an MA in Product Design from the Royal College of Art, he set up Raw Edges, a London-based design studio with fellow graduate, Yael Mer. Alkalay’s designs take inspiration from products in animation to create pieces that are highly functional and desirable. Alkalay’s Stack was included in the Museum of Modern Art, USA permanent collection in 2008 and in 2009 was awarded Designers of the Future Award 2009 at Design Miami.

Leon RansmeierOccupation: DesignerNationality: USABorn: 1979Product: RevolverLeon Ransmeier graduated in 2001 from the Rhode Island School of Design. Several of his products were recently exhibited in the 2010 Design Triennial, ‘Why Design Now?’ at the Cooper-Hewitt National Design Museum where his work is also included in the permanent collection. Ransmeier believes that reductionism can be more than just styling, and strives to utilise the absence of formal distractions to focus on clear, informed interactions. His work explores intuition and object behaviour.

Wouter ScheublinOccupation: International DesignerNationality: DutchBorn: 1979Product: Frame ChairWouter Scheublin is a young designer from the Netherlands. After studying Industrial Design at both the Technical University of Delft and the Design Academy Eindhoven, he established his own design studio in 2005. Scheublin’s work varies from autonomous to highly functional design. This diversity comes together in a fascination for construction and mechanics, resulting, for instance, in a ‘walking furniture’ series that addresses our relation and affection with the language of mechanics. Since the launch of his design studio, Wouter Scheublin has been working on self-initiated projects as well as the development of independent, prestigious projects with various collaborating designers.

Klauser &CarpenterOccupation: DesignersNationality:German⁄BritishBorn:1972⁄1975Product: Easy, Louvre LightAndreandEdfirstmetwhilststudying on the Design Products course at the Royal College of Art in 2000. Each of them set up their individual practice immediately after leaving and built an exceptional portfolio of work. It was mainly through their shared client Thorsten van Elten that Ed and AndreÅL kept in contact in the following years. They formed Klauser & Carpenter on the back of some successful collaborations. They have since built an impressive list of clients, in the UK and internationally, working on a wide range of design projects. They are also partners in the design and production company Very Good & Proper. Andre Klauser was born in Hanover, Germany. He graduated in Design at the Fachhochschule Munster in 2000. From 1999 he worked for Jasper Morrison at OfficeforDesigninLondon,then graduated from the RCA Design Products course in 2002. Klauser lives and works in London. In addition to his design work, he is a Tutor on the Design Products course at the Royal College of Art. Carpenter originally trained as a sculptor at Kingston University before completing an MA in Design Products at the Royal College of Art. Perhaps Carpenter’smostprolificworkto date has been the ‘Pigeon Light’ produced for Thorsten Van Elten.

Amanda LeveteOccupation: DesignerNationality: BritishBorn: 1955Product: Drift, Drift-In Drift-Out, EdgeCelebrated for her creation of innovative structures and unique application of construction materials and courageous architectural schemes, Amanda Levete, as a founding partner of much renowned architectural practice Future Systems, has established a particularly impressive reputation as one of Britain’s leading creatives. Having left the practice in 2009 and set up Amanda Levete Architects, Levete’s ability to challenge traditional pre-conceptions of space continue to characterise her work.

Michael MarriottOccupation: DesignerNationality: BritishBorn: 1963Product: AltoMichael Marriott is often cited as one of Britain’s most highly regarded designers. Since graduating from the Royal College of Art in 1993, Michael has produced a wealth of covetable, functional designs that have proven pivotal in the renaissance of contemporary British design. Marriott has a well-earned reputation for producing engaging, intelligent and problem solving products; he has designed for both SCP andInflateinrecentyearsaswell as producing his own designs. His innovative use of the everyday materials and his ability to source the most appropriate manufacturing techniques sets Marriott apart. Marriott was the winner of the Jerwood prize in 1999 and has curated several design installations and exhibitions.

Jasper MorrisonOccupation: DesignerNationality: BritishBorn: 1959Product: The Crate, The Crate Series No. 1-8Jasper Morrison set up his London-basedOfficeforDesignin 1986 after an education in furniture design at Kingston Polytechnic and the Royal College of Art. Morrison now divides his time between studios in Paris and London. Since the late 1980s Morrison hasproducedrefinedobjectsfor everyday life and his original, intellectual approach to design has earned him many accolades. Industrial production applied to archetypal objects and a preoccupation with rationaldesigndefineMorrison’s oeuvre and this has won him commissions for trams, tableware, electrical goods, furniture and crockery. Morrison has always been interestedintheinfluenceobjects have on everyday atmosphere and cites the earlyModernistsaswhatfirstinspired him to design.

awards207

Company Awards2006‘Designer Of The Future’ Award Design Miami/ Basel ‘Most Inspiring British Company’ Hidden Art Award

2007‘Best British Design Brand’ Elle Decoration International Design Awards

2008‘Best British Established Design Brand’ Elle Decoration International Design Award

2009‘Hall of Fame for Outstanding Contribution to the Design Industry’ Design Week Award

‘British Luxury Design Talent’ Walpole Awards for Excellence

2010Wallpaper* Wallpaper* Domestic Design Awards Elle Decoration Elle Decoration International Design Award

Product AwardsFold⁄AlexanderTaylorElle Decoration International Design Award 2005

Zero-In⁄BarberOsgerbyThe FX Design Award 2005Red Dot Award 2006Homes & Gardens Magazine in association with the V&A Museum Award 2006

Drift⁄AmandaLeveteDesign Week Award 2007

Panoramic⁄BarberOsgerbyElle Decoration International Design Award 2007

BeamLight⁄IndustrialFacilitySam HechtGrand Designs Award 2008

SurfaceTable⁄TerenceWoodgate & John BarnardWallpaper* Design Award 2008Design Week Award 2009Homes & Gardens Magazine in association with the V&A Museum Award 2009

Two-Timer⁄IndustrialFacilitySam HechtCreative Review Award, Graphic Design 2009

Stack⁄RawEdgesShay AlkalayHomes & Gardens Magazine in association with the V&A Museum Award 2009Elle Decoration International Design Award 2009

TorchLight⁄SylvainWillenzElle Decoration International Design Award 2009Grand Design Awards 2009

Join⁄BcxyWallpaper* Domestic Design Awards 2010

WoodRug⁄RichardWoodsElle Decoration International Design Award 2010

Scholten & BaijingsOccupation: DesignersNationality: DutchBorn:1972⁄1973Product: Amsterdam Armoire, Butte Tuna, Butte Tree,Butte Turtle, Yellow Light, Pink Light, White Light Stefan Scholten and Carole Baijings established Scholten & Baijings, Studio for Design, in 2000.Scholten & Baijings produce both independent and commissioned work, which is presented in galleries and museums and sold worldwide. In their designs they make use of grids, light effects, colour, transparency, layered patterns and above all master craftsmanship. In addition, minimal design and a keen eye for detail characterise their work.

Alexander TaylorOccupation: DesignerNationalityBritishBorn: 1975Product: Fold, Tank, PunchTable, Wall TankAlexander Taylor is one of the UK’s leading young designers and was launched onto an international platform in 2004 with the award-winning ‘Antlers’ coat hook designed for London manufacturer, Thorsten Van Elten. He studied Furniture and Product Design at Nottingham Trent University then started his career working with Procter:Rihl before establishing his own design studio in 2002. Taylor continues to earn the praise of the design industry and in 2006 his Fold light was acquired for the permanent collections by the Museum of Modern Art in New York and the Art Institute of Chicago.

Sylvain WillenzOccupation: DesignerNationality: BelgianBorn: 1978Product: Torch Light, LandMarks, PrintSylvain Willenz is one of Belgium’s leading young designers. After graduating from the Royal College of Art in 2003 and having lived in the UK for seven years, Willenz established his own studio in Brussels in 2004. Willenz’s firstcollectionsofworksawhim experimenting with natural rubber, since that time he has explored the qualities of many new materials and new techniques. Similarly, Willenz’s work is often inspired by archetypal objects and the simplicity and familiarity with which they are associated. Willenz will seek to interpret these forms and qualities in new designs. Winner of Interieur Kortrijk awards in 2002 and nominated Brussels’ Most Promising Designer in 2005.

Richard WoodsOccupation: ArtistNationality: BritishBorn: 1966Product: Bricks & Mortar, Hay Bale, WrongWoods,Wood RugArtist Richard Woods is a graduate of The Slade School of Fine Art. His well-documented work crosses boundaries between art, architecture and design and is most often made up of exaggerated, garish representations of traditional British architectural and interior motifs, such as wooden flooring,chintzwallpapers,crazy paving or red bricks. These ‘logos of reality’ are created using traditional woodblock techniques and then applied to walls as a second skin covering interior floorsandwalls.Itwasappliedto a courtyard in the Henry Moore Project at the Venice Biennale 2004, to a residential building in upstate New York 2006, and a store interior for Comme des Garcons in Osaka in 2003. In these instances, Woods’ art expresses an extreme version of Englishness by taking over a space and saturating it with iconography.

Woods has also recently produced work for the London Underground, Paul Smith, collaborated on architectural projects in Sicily and Tokyo and is currently working on a host of projects including a solo show in Athens, plus further architectural commissions in New York and London.

Sebastian WrongOccupation: DesignerNationality: BritishBorn: 1971Product: Convex Mirror, Font Clock, WrongWoods, HeidiStool, Buggs Light, Bend, Column, Globe, Perspective,Hay Bale, Zig ZagSebastian Wrong’s ten year career in the manufacturing sector has accumulated in an impressive array of technical skills.Wrongfirststudiedsculpture before going on to establish his own successful manufacturing company. The Spun lamp, designed by Wrong in 2002 and produced by Flos, won the prestigious Red Dot Design Award. Wrong is also a founding member and currently the Design Director of Established & Sons. His manufacturing prowess has lent substantial credibility to the organisation. Wrong continues to exercise hisabilitiesinthefieldofmanufacturing at Established &Sonsaswellasflexhisconsiderable creative skills as a product designer.

Michael YoungOccupation: DesignerNationality: BritishBorn: 1966Product: ZipziConsidered one of the most successful and exciting designers of his generation, Michael Young is widely applauded for his innovative design solutions and individual creative style. After graduating in 1992 from the industrial design course at Kingston University, Young has worked with many key clients such as Magis and Cappellini. Young’s studio is now based in Hong Kong and he continues to work on a diverse array of commissions.

sPeCiFiCatioNsPrincipal Collection

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Bermondsey

Sebastian WrongCollaboration with VeniniDesign: 2010Description: Table light Light Emission: In-direct and diffused LightFitting:T1:E27,1xmax60W,220⁄240V,clearPVCcable,inlinedimmableon⁄offswitchDimensions: T1: H710mm, shade Ø365mm x H270mm, base L160mm x D160mm, cable L1500mm, 7kg Notes: Artisan material and process, variations occurMaterials: Hand blown Venini glass, natural concrete, off-white fabric shadeCompliant: CE marking Colour: Venini signature multicolour

Michael EdenCollaboration with VeniniDesign: 2010Description: Suspension lightLight Emission: Direct, in-direct and diffusedLightFitting:S1:E27,1x20WCFL,220⁄240V,clearPVCcableDimensions: S1: Ø525mm x H265mm, cable L3000mm, 6.2kgNotes: Artisan material and process, variations occurMaterials:HandblownVeniniglass,powder-coatedsteelfixings,steelsuspensioncableCompliant: CE markingColours: Venini opaline red, Venini opaline sapphire

IndustrialFacility⁄SamHechtDesign: 2007Description:SuspensionandmatchingfloorlightwithtwoheightoptionsLight Emission: Direct and diffusedLight Fitting: S1:E27,1x11WCFL,220⁄240V,clearPVCcableF1:E27,2x11WCFL,220⁄240V,clearPVCcable,inlineon⁄offswitchF2:E27,2x11WCFL,220⁄240V,clearPVCcable,inlineon⁄offswitchDimensions: S1: shade Ø400mm x H300mm, cable L4000mm, 4.8kg F1: H1200mm, shade Ø360mm x H300mm, base Ø300mm, cable L2000mm, 14.5kg F2: H1500mm, shade Ø360mm x H300mm, base Ø300mm, cable L2000mm, 19.3kgMaterials: Powder-coated spun aluminium shade with frosted blown glass, powder-coated steel Compliant: CE marking Colours: Papyrus white RAL 9018, signal red RAL 3001, umbra grey RAL 7022

Sebastian WrongDesign: 2009 Description: Suspension light in two sizes with matching basic light Light Emission: DiffusedLight Fitting: S1:E27,1xmax75W,220⁄240V,clearPVCcableS2:E27,1xmax100W,220⁄240V,clearPVCcableB1:E27,1xmax75W,220⁄240V,clearPVCcable,inlinecontinoustouchdimmableswitchDimensions: S1: shade Ø300mm x H300mm, cable L3500mm, 3.6kgS2: shade Ø420mm x H420mm, cable L3500mm, 6.2kg B1: shade Ø300mm x H305mm, base Ø100mm, cable L1500mm, 3.2kgMaterials:Handblownglass,ceramicceilingfixing(S1,S2),transparentpolycarbonatefixingsCompliant: CE markingColour: Satin-opaque opal

Beam Lights

audrey Light

LightiNg210

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Buggs Light

265

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Ø360

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305

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0

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0

710

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Peter BristolDesign: 2011Description: Wall light in two sizesLight Emission: Diffused Light Fitting: W1:E27,1xmax60WmirroredGLS,220⁄240V,redPVCcable,inline continuous touch dimmable foot switchW2:E27,1xmax60WmirroredGLS,220⁄240V,redPVCcable,inline continuous touch dimmable foot switchDimensions: W1: 60° Triangle: L700mm x L700mm x D250mm, cable L1500mm, 2.5kg W2: 60° Triangle: L1200mm x L1200mm x D350mm, cable L1500mm, 3.0kgMaterials: Steel, stretch fabric diffuser, steel cable weightCompliant: CE markingColour: Off-white

CoroNa

Luca NichettoDesign: 2011Description: Suspension light in three sizesLight Emission: Direct and diffusedLight Fitting: S1:E27,1xmax60W,220⁄240V,clearPVCcableS2:E27,1xmax60W,220⁄240V,clearPVCcableS3:E27,1xmax60W,220⁄240V,clearPVCcableDimensions: S1: H500mm, shade Ø470mm, cable L2000mm, 1.0kgS2: H630mm, shade Ø480mm, cable L2000mm, 2.1kg S3: H7400mm, shade Ø750mm, cable L2000mm, 3.6kgMaterials:Lycraandpolystyrenefoamcomposite,nickelplatedsteelfixings,steelsuspensioncableCompliant: CE markingColour: Off-white

AL_A⁄AmandaLeveteincollaborationwithPhilipsDesign: 2010Description: Table light Light Emission: Direct LightFitting:T1:2xOLEDlightpanels,220⁄240V,colourPVCcable,in-lineon⁄offswitchDimensions: T1: H285mm x L500mm x D370mm, cable L2000mm, 2.8kg Materials: Matt powder-coated or polished stainless steel, electrical componentsCompliant: CE markingColours: Black RAL 9055 with red cable, black RAL 9055 with yellow cable, polished steel with blue cable

CorNer Light

edge

dame

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125

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Ø480FrankDesign: 2010Description: Suspension light in two sizes Light Emission: Direct Light Fitting: S1:G9,1xmax60W,220⁄240V,clearPVCcableS2:G9,1xmax75W,220⁄240V,clearPVCcableDimensions: S1: Ø380mm x H125mm, cable L4000mm, 2.8kg S2: Ø490mm x H170mm, cable L4000mm, 6.2kgNotes: Artisan material and process, variations occur (ceramic glazes)Materials: Ceramic or aluminium spun shade, opal hand blown glass with polished stainless steelreflector,powder-coatedsteelfixings,steelsuspensioncableCompliant: CE markingColours: White gloss interior with white matt exterior Yellow gloss interior with black gloss exterior White gloss interior with metalic copper exterior

605

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350 1200

Alexander TaylorDesign: 2005Limited Production Run Corten: T1: 500, T2: 300, F1: 200Description:TablelightintwosizeswithmatchingfloorlightLight Emission: Direct and in-directLight Fitting: T1:E14,1xmax60W,220⁄240V,braidedfabrictwistedcable,inlineon⁄offswitchT2:E27,1xmax100W,220⁄240V,braidedfabrictwistedcable,inlineon⁄offswitchF1:E27,1xmax150W,220⁄240V,braidedfabrictwistedcable,inlineon⁄offswitchDimensions: T1: H230mm, shade L120mm x D120mm, base Ø120mm, cable L750mm, 0.8kg T2: H450mm, shade L260mm x D260mm, base Ø260mm, cable L1500mm, 2.7kg F1: H1550mm, shade L450mm x D450mm, base Ø460mm, cable L2000mm, 11.3kgNotes: Artisan material and process, variations occur (Corten)Materials: Powder-coated steel, corten steel with clear laquerCompliant: CE marking Colours: Signal white RAL 9003 with red cable, sulphur yellow RAL 1016 with black cable, textured black RAL 9017 with red cable, corten steel with black cable

Sebastian WrongCollaboration with VeniniDesign: 2010Description: Table light Light Emission: Diffused LightFitting:T1:E27,1xmax60W,220⁄240V,clearPVCcable,inlinedimmableon⁄offswitchDimensions: T1: H575mm, shade Ø300mm, base Ø160mm, cable L1500mm, 8kg Notes: Artisan material and process, variations occurMaterials: Hand blown Venini glass, gloss Belgian black marbleCompliant: CE markingColour: Venini medusa with Venini red-white-black multicolour

Jason Bruges StudioDesign: 2009 Description:Suspensionlightwithmatchingtableandfloorlight(shaderotation180º)Light Emission: Direct and in-directLight Fitting: S1: 240x warm white LED, 220⁄240V, suspension rod, integrated continuous touch dimmable switchT1: 240x warm white LED, 220⁄240V, black PVC cable, integrated continuous touch dimmable switchF1: 240x warm white LED, 220⁄240V, black PVC cable, integrated continuous touch dimmable switchDimensions: S1: shade Ø305mm x D10mm,1.6kg T1: H310mm, shade Ø305mm x D10mm, base Ø250mm, cable L1500 mm, 5.0kgF1: H1650mm, shade Ø305mm x D10mm, base Ø305mm, cable L2000 mm, 7.5kgMaterials:Polishedacrylicdisk,blackelectro-platedaluminiumfixings,blacksteelbandCompliant: CE markingColour: Black RAL 9005

gLoBe

FoLd

FLatLiNer

120

460

230

450

1550

260

575

160

Ø300

Sylvain WillenzDesign: 2009 Description:Tablelight(cone,roof)withmatchingfloorlight(coneintwoheightoptions,roof)Light Emission: DirectLight Fitting: T1(cone):E27,1x20WCFL,220⁄240V,PVCcable,inlineon⁄offswitchT1(roof):E27,2x20WCFL,220⁄240V,PVCcable,inlineon⁄offswitchF1(cone):E27,1x20WCFL,220⁄240V,PVCcable,inlineon⁄offswitchF2(cone):E27,1x20WCFL,220⁄240V,PVCcable,inlineon⁄offswitchF2(roof):E27,2x25WCFL,220⁄240V,PVCcable,inlineon⁄offswitchDimensions: T1 (cone): H380mm, shade L250mm x D120mm, base Ø200mm, cable L1500mm, 3.7kg T1 (roof): H380mm, shade L320mm x D210mm, base Ø200mm, cable L1500mm, 5.2kgF1 (cone): H1250mm, shade L250mm xD120mm, base Ø260mm, cable L2000mm, 6.4kgF2 (cone): H1750mm, shade L370mm x D150mm, base Ø300mm, cable L2000mm, 8.5kgF2 (roof): H1750mm, shade L370mm x D300mm, base Ø300mm, cable L2000mm, 11kgMaterials: Powder-coated steel, acrylic diffuser, silicon rubberCompliant: CE markingColours: Cone: Black RAL 9005 with black cable, Cone, roof: Grey RAL 7038 and orange RAL 2008 with orange cable

LaNdmarks

320210 300 370

Ø300

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Ronan & Erwan BouroullecCollaboration with VeniniDesign: 2010Description: Table light Light Emission: Diffused LightFitting:T1:G9,1xmax75W,220⁄240V,braidedfabriccable,integrateddimmableon⁄offswitchDimensions: T1: H695mm, shade Ø370mm x H465mm, base Ø100mm, cable L1500mm, 13kg Notes: Artisan material and process, variations occurMaterials: Hand blown Venini glass, anodised aluminium, marbleCompliant: CE markingColours: Venini talpa grey, matt Carrara white marble with light grey cableVenini talpa grey, matt Belgian black marble with black cableVenini te amber, matt Belgian black marble with black cable

Lighthouse

Klauser & CarpenterDesign: 2008 Description: Suspension light Light Emission: Direct and in-directLightFitting:S1:2xT5linearfluorescent39W(electronicballast),220⁄240V,PVCclearcable,dimmableballastonrequestDimensions: S1: Shade L950mm x D210mm x H215mm, cable L2000mm, 6.8kg Materials: Anodised aluminium, polycarbonate diffuser, powder-coatedaluminiumandsteelfixings,steelsuspensioncableCompliant: CE markingColours: Anodised black, anodised natural, anodised bronze

Louvre Light

695

100

Ø370

950 210

215

Luca NichettoDesign: 2010Description: Table light in two sizes with matching wall light in two sizesLight Emission: Diffused Light Fitting: W1:G9,1xmax75W,220⁄240VW2:G9,1xmax75W,220⁄240VT1:E27,1xmax100W,220⁄240V,blackbraidedfabriccable,inlinedimmableon⁄offswitchT2:E27,1xmax100W,220⁄240V,blackbraidedfabriccable,inlinedimmableon⁄offswitchDimensions: W1: Ø90mm x H200mm, 1.2kg W2: Ø110mm x H255mm, 2.4kgT1: Ø115mm x H375mm, cable L1500mm, 2.8kg T2: Ø170mm x H435mm, cable L1500mm, 6.2kgMaterials: Interior etched pyrex® glass, powder-coated aluminiumCompliant: CE markingColours: Matt black RAL 9017, matt cool grey RAL 7035, gloss red RAL 3020

PiPe

375

435

Ø90

Ø11

0

200

255

Ø115 Ø170

Paul CocksedgeDesign: 2008 Description:TablelightwithmatchingfloorlightLight Emission: Direct and diffusedLight Fitting: T1:3xwhiteLED,220⁄240V,clearPVCcable,inlineon⁄offswitchF1:6xwhiteLED,220⁄240V,clearPVCcable,inlineon⁄offswitchDimensions: T1: H750mm, base Ø140mm x H160mm, cable L1500mm, 2.2kg F1: H1770mm, base Ø250mm x H260mm, cable L2000mm, 7.8kgMaterials: Clear acrylic rod, concrete base, paint (optional)Compliant: CE markingColours: Natural, black RAL 9017

PoLe Light

160

750

260

1770

Ø140 Ø250

Sylvain WillenzDesign: 2010Description: Suspension lightLight Emission: Diffused LightFitting:S1:E27,1xmax75W,220⁄240V,clearPVCcableDimensions: S1: Ø400mm x H300mm, cable L4000mm, 2.8kg Notes: Artisan material and process, variations occurMaterials:Handblownglasswithdiffuserrelief,powder-coatedsteelfixings,steelsuspensioncableCompliant: CE markingColours: Interior etched grey, interior etched white, gradated grey, gradated white

PriNt

Matali CrassetDesign: 2011Description: Suspension light Light Emission: Direct and diffused LightFitting:S1:E27,1xmax100W,220⁄240V,clearPVCcableDimensions: S1: Ø460mm x H400mm, cable L1500mm, 16kgNotes: Artisan material and process, variations occurMaterials:Handblownglass,powder-coatedsteelceilingfixing,steelsuspensioncableCompliant: CE markingColour: White

Alexander TaylorDesign: 2006 Description: Suspension light in two sizes, table light in two sizes with matching floorlightandwalllight(shadepivot120°)Light Emission: Direct and in-directLight Fitting: S1:E27,1xmax100W,220⁄240V,clearPVCcableS2:E27,1xmax150W,220⁄240V,clearPVCcableT1:E14,1xmax60W,220⁄240V,clearPVCcable,inlinecontinuoustouchdimmableswitchT2:E27,1xmax60W,220⁄240V,clearPVCcable,inlinecontinuoustouchdimmableswitchF1:E27,1xmax100W,220⁄240V,clearPVCcable,inlinecontinuoustouchdimmablefootswitchW1:E14,1xmax60W,220⁄240V,clearPVCcableDimensions: S1: Ø500mm x H350mm, cable L4000mm, 3.9kgS2: Ø720mm x H5000mm, cable L4000mm, 7.2kgT1: H475mm, shade Ø230mm x H170mm, base Ø215mm, cable L1500mm, 0.7kgT2: H665mm, shade Ø350mm x H260mm, base Ø330mm, cable L1500mm, 3.2kgF1: H1800mm, shade Ø500mm x H370mm, base Ø500mm, cable L2000mm, 23kgW1:H165mm,shadeØ170mmxD260mm,wallfixingØ90mm,0.5kgMaterials: Powder-coated aluminium (shade), powder coated steel, frosted glass diffuser (S1, S2) Compliant: CE markingColours: Black RAL 9005, cocoa grey RAL 8019, pea green RAL 6018, signal white RAL 9003W1: Cocoa grey RAL 8019, signal white RAL 9003

taNk

suPer CoNiC

Ø400

Ø460

400 Hallgeir Homstvedt

Design: 2011Description: Table light Light Emission: Direct LightFitting:T1:E27,3xmax11WCFL,220⁄240V,blackPVCcable,inlineon/offswitchDimensions: T1: H500mm, shade Ø480mm x H200mm, base Ø130mm, cable L1500mm, 7.5kgMaterials: Powder-coated spun aluminium (shade), frosted glass diffuser, resin (base) Compliant: CE markingColours: White with yellow base

toPP

260

Ø170

Ø500

Ø500

Ø500

Ø720

Ø90

165

475

Ø330 Ø215

665

350

1800

500

Ø350 Ø230

500

Ø480

Ø130

300

Sylvain WillenzDesign: 2008Description: Table light (cone, round), suspension light (cone in three sizes, round), group suspension light in two sizesLight Emission: DirectLight Fitting: T1,T2:E27,1x9WCFL,220⁄240VPVCcable,inlineon⁄offswitchS1,S2,S3:E27,1x9WCFL,220⁄240VPVCcableS4,S5:E27,10x9WCFL,220⁄240VPVCcableS6,S7:E27,20x9WCFL,220⁄240VPVCcableS8coneØ500:E27,1xmax20WCFL,220⁄240V,PVCcableDimensions: T1 (cone small): Ø150mm x H210mm, cable L2000mm, 0.6kgT2 (round small): Ø150mm x H210mm, cable L2000mm, 0.6kgS1 (cone small): Ø150mm x H210mm, cable L2000mm, 0.6kgS2 (round small): Ø150mm x H210mm, cable L2000mm, 0.6kgS3 (cone large): Ø300mm x H205mm, cable L2000mm, 0.8kgS4,S5(torchbunch10):6xS1,3xS2,1xS3,approxØ400mm,cableL1800mm⁄L3000mm,6.0kgS6,S7(torchbunch20):12xS1,7xS2,1xS3,approxØ600mm,cableL1800mm⁄L3000mm,12.0kgS8 cone Ø500: Ø500mm x H320mm, cable L2000mm, 3.5kgNotes:ClientspecifiedcablelengthormixedcolouroptionsinTorchbunchquotedonrequestMaterials:PVCdippedpolymershadeandceilingfixing,cleardiamondtexturedpolycarbonatediffuser, aluminium (S8 cone Ø500 only)Compliant: CE marking Colours: Black with black cable, black with red cable, signal grey with red cable, signal grey with yellow cable, cocoa grey with red cable, red with red cable, yellow with yellow cableS8 cone Ø500: Black with black cable

torCh LightScholten & BajingsDesign: 2010Description: Suspension light in two sizes Light Emission: Diffused Light Fitting: S1:E27,1xmax60W,220⁄240V,clearPVCcableS2:E27,1xmax75W,220⁄240V,clearPVCcableDimensions: S1: Ø285mm x H345mm, cable L4000mm, 2.8kg S2: Ø370mm x H450mm, cable L4000mm, 6.2kgNotes: Artisan material and process, variations occurMaterials: Acid etched hand blown glass, airbrushed paint (yellow, pink), powder-coatedsteelfixings,steelsuspensioncableCompliant: CE markingColours: Yellow, pink, white

yeLLow Light, PiNk Light, white Light

Ø400

Ø600

Ø150 Ø150 Ø300

Ø500

210210

150

Ø370Ø285

345

450

Michael Eden Collaboration with VeniniDesign: 2010Description: VaseDimensions: Glass Ø335mm x H365mm, base Ø370mm x H15mm, 9kgNotes: Artisan material and process, variations occurMaterials: Hand blown Venini glass, matt Carrara white marbleColour: Venini amethyst outer glass with Venini opaline red inner glass

Estd CollectionDesign: 2010Description: Desk organiser and paperweightDimensions: Asymmetric oval approx. L180mm x D150mm xH80mmNotes: Artisan material and process, variations occurMaterials: Hand blown glassColours: Yellow, black, grey, transparent

BLoB

audrey vase

aCCessories222

Scholten & BaijingsDesign: 2010Description: Storage boxesDimensions: Butte Tuna: Ø220mm x H160mmButte Tree: Ø165mm x H210mmButte Turtle: Ø250mm x H130mmMaterials: Oak veneer, black printed illustration, paint, UV protective clear matt lacquerColours: Butte Tuna: Orange PANTONE 805M interiorButte Tree: Blue PANTONE 801M interiorButte Turtle: Pink PANTONE 806M interior

Sebastian WrongDesign: 2005Description: Adjustable wall-mounted mirrorDimensions: L300mm x D250mm x H900mm, 4.8kgMaterials: Injection-moulded polymer frame, mirrored glass, blackpowder-coatedsteelwallfixing,balljoint(brass,aluminium,steel)Colours: White, black, red

Estd CollectionDesign: 2011Description: Entrance MatDimensions: L710mm x D520mm X H15mmMaterials: Coir, PVC backingColour: 3 colour motif, (black, dark grey, light grey)

CoNvex mirror

Butte

CuBoid

365

Ø370

300 250

900

520

710

80

180

210

160

130

Ø165Ø220 Ø250

Sebastian WrongDesign: 2007Description: Wall-mounted clock Dimensions: G100: L290mm x D110mm x H140mm, 1.2kgG225: L420mm x D120mm x H320mm, 2.4kg G270: L475mm x D160mm x H565mm, 5.0kgNotes: G100 free-standing base (option), please follow start up instructionsMaterials: White ABS plastic, clearview perspex, battery powered

Estd CollectionDesign: 2010Description: Coat standDimensions: H1600mm x Ø300mm (adjustable)Materials: Natural waxed ash, nylon hooks Hook colours: Black, blue, red

Estd CollectionDesign: 2010Description: Wall-mounted hooksDimensions: H80mm x Ø30mmNotes: Artisan material and process, variations occurMaterials:Glossglazedceramic,steelfixingColours: White, black, navy blue, pink, orange, grey, yellow, metalic gold, metalic platinum

FoNt CLoCk

haNg

hoLd

Estd CollectionDesign: 2011Description: Storage containersDimensions: Ø105mm x H85mm, Ø125mm x H100mm, Ø145mm x H120mmNotes: Artisan material and process, variations occur, Ø105mm supplied with wooden sugar spoonMaterials: Japanese Tokoname ceramic, rubber, woodColour: As shown

Estd CollectionDesign: 2011Description: Serving jugsDimensions: 300ml half pint: Ø75mm x H125mm580ml pint: Ø95mm x H155mm 750ml wine bottle: Ø100mm x H170mmMaterials: Hand-crafted polished pewter

FrontDesign: 2009Description: Wall-mounted mirror with shade detailDimensions: Oval: H750mm x L450mm x D30mm, 4.2kgOval: H1350mm x L650mm x D30, 12.5kgOval: H1750mm x L760mm x D30, 18kgMaterials:Mirrorglasswithbevellededge,woodconglomerate,aluminiumkeyholefixingColour: Black etched detail

Pour

shade mirror

Potto

475420290

140

320

565

1600

Ø300

80

30

85 100

120

Ø105 Ø125 Ø145

155

170

125

Ø100Ø95Ø75

1750

1350

750

760650450

Estd CollectionDesign: 2010Description: BlanketDimensions: L1800mm x D1400mmNotes: Dry clean onlyMaterials: 100% Merino woolColours:Fluorescentpinkgridpattern,fluorescentyellowgridpattern,purplegridpattern

Estd CollectionDesign: 2010Description: Storage containersDimensions: Ø140mm x H140mm, Ø140mm x H175mm, Ø140mm x H210mm, Ø215mm x H180mmNotes: Artisan material and process, variations occurMaterials: Matt and gloss glazed ceramic, cork lid, silicon sealColours: Gloss yellow with matt white base, gloss natural white with matt white base, gloss grey with matt black base, matt black with gloss black base, metalic platinum, metalic copper

IndustrialFacility⁄SamHechtDesign: 2008Description: Wall-mounted clockDimensions: Ø300mm x D40mm, 1.5kg, Ø600mm x D65mm, 4.5kgMaterials: Glass, aluminium, ABS plastic, quartz movement, battery poweredColours: White, black, red

store

soFt grid

two timer

Felix De PassDesign: 2011Description: Bench Dimensions: L1800mm x D425mm x H455mmNotes: Suitable for outdoor use (ground anchor plate supplied)Materials: Solid larch wood, oil, powder-coated steelColour: Natural larch with anthracite grey RAL 7016

Michael MarriottDesign: 2007Description: StoolDimensions: H710mm x L480mm x D370mm, seat height 640mm H875mm x L535mm x D395mm, seat height 805mmMaterials: Powder-coated steel, black nickel plated steel, nylon anti-tilt feet, birchplywood,fixednon-removableleatherupholstery(optional)Frame Colour: Black RAL 9005 with black nickel plated footrestSeat Options: Black stained birch plywood, black leather upholstery

aLto

a-BeNCh

seatiNg227

1800

1400 1400 1400

120

155

190

160

Ø140 Ø140 Ø140 Ø215

Ø30

0

Ø60

0

1800

455

425

455

875

805

395 535

710

640

370 480

Richard Woods & Sebastian Wrong Design: 2009 Description: SeatingDimensions: Ottoman: L680mm x D680mm x H370mmChair: L680mm x D840mm x H680mm, seat height 370mmSofa: L2015mm x D840mm x H680mm, seat height 370mm Materials: Timber frame, foam core, foam cushions, feather cushions (sofa), screen printed removable upholstery Upholstery: Light grey with black, dark grey with black, red with white

Estd CollectionDesign: 2010Description: StoolDimensions: H490mm x L410mm x D380mmNotes: Suitable for outdoor use, polypropylene includes UV stabilisers for minimal fadingMaterials: PolypropyleneColours: Black, white, bright blue, navy blue, green, red, orange

Konstantin GrcicDesign: 2011Description: SeatingDimensions: Armchair: L930mm x D810mm x H680mm, seat height 400mmTwo seater: L2000mm x D900 x H680mm, seat height 400mmNotes: Removable over-covers sold separately to provide interchangeable optionsMaterials: Timber frame, foam core, non-removable upholstery base cover, removable upholstery over-coverUpholstery: For fabric options please contact Established & Sons

Butt

CaPe

BriCks & mortar

Konstantin GrcicDesign: 2010Description: SeatingDimensions: L1000mm x D720mm x H800mm, seat height 430mmNotes:Bespokefinishesquotedforordersoverqty6Materials: Powder-coated tubular steel, foam, removable upholstery coverUpholstery: Black technical fabric with black leather, red technical fabric with red new wool

Jasper MorrisonDesign: 2008Description: Chair with armsDimensions: L690mm x D660mm x H650mm, seat height 360mm, arm height 570mmNotes: Treated for occasional light outdoor use Materials: Powder-coated steel, ash wood, wax, synthetic webbingColours: Brown RAL 8016, red RAL 3020

BarberOsgerbyDesign: 2006Description: Chair with armsDimensions: L585mm x D565mm x H780mm, seat height 450mm, arm height 665mmNotes: Non-upholstered suitable for occasional light outdoor use, this design is non stackableMaterials: Cast and pressed aluminium, steel, nylon Frame Colours: White RAL 9003, red RAL 3001, black RAL 9005, may green RAL 6017Upholstery (optional, seat only): For fabric and leather options please contact Established & Sons

Crate series No.8

de La warr PaviLioN Chair

Crash

840

680

680 840 2015

680

370

410 380

490

400

930 2000

80

0

1000 720

360

650

690 660

780

570

450

585 565

Amanda LeveteDesign: 2006Description: BenchDimensions: L2880mm x D870mm x H420mm, seat depth 420mmNotes: This design should not be exposed to direct sunlight or extreme temperatures, bespokecolourfinishesquotedonrequestMaterials: Glass reinforced polyester Colours: Satin-matt: Black RAL 9005, orange RAL 2009, white RAL 9003, High-gloss: Black RAL 9005, orange RAL 2009, white RAL 9003, luminous orange (UV sensitive)

Amanda LeveteDesign: 2006Description: BenchDimensions: L2880mm x D870mm x H420mm, seat depth 420mmNotes: Suitable for permanent outdoor useMaterials: Cement and crushed white limestone with sealerColour: Natural

Amanda LeveteDesign: 2007Description: Flexible seating segments Dimensions: L1390mm x D590mm x H400mm, seat depth 400mm Notes:NotrecommendedforusewithinhightrafficareasMaterials: FordacalColour: Natural (off-white)

driFt CoNCrete

driFt

driFt-iN, driFt-out

Klauser & CarpenterDesign: 2007Description: SeatingDimensions: Single(withorwithoutarms):L790⁄700mmxD765mmxH715mm,seatheight410mmTwoseater(withorwithoutarms):L1440⁄1350mmxD765mmxH715mm,seatheight410mmNotes: Bespoke RAL powder-coated frame colours and COM, COL quoted on requestMaterials:Nickelplatedsteel,mouldedfoam,fixednon-removableupholsterycoverUpholstery: For fabric and leather options please contact Established & Sons

Wouter ScheublinDesign: 2008Description: ChairDimensions: L400mm x D610mm x H785mm, seat height 440mmNotes:Bespokefinishesavailableforprojectordersoverqty12,setoftwoMaterials:Europeanoak,oil,steelfixings,satin-mattpaintedoakveneerbirchplywood(option)Colours: Natural oak, painted grey RAL 7010

Richard Woods & Sebastian WrongDesign: 2011Description: Flexible seating landscapeDimensions: L450 x D900 x H350, seat height 450mm or 350mmNotes: Not suitable for permanent outdoor useMaterials: Foam, polystyrene, hand printed removable fabric cover, nylonColour: 3 coloured fabric (black, white, yellow) with black strap and handle

Frame Chair

hay BaLe

easy

420

870

420

2880

420

870

420

2880

1390 1390

590

400

590

400

400

400

790 7651440

715

410

700 7651350

410

715

785

440

400 610

900

350

450

Zaha HadidDesign: 2007Description: Seating Dimensions: L870mm x D500mm x H510mmL1020mm x D720mm x H520mmL1030mm x D630mm x H500mmL1120mm x D900mm x H500mmNotes: Sold singly or as a set of four, notrecommendedforusewithinhightrafficareasMaterials: FordacalColour: Natural (off-white)

Sebastian WrongDesign: 2008Description: StoolDimensions: H500mm x L450mm x D425mmH650mm x L450mm x D425mm H800mm x L450mm x D425mmMaterials: Heat-formed acrylic, polyurethene, european oak, oilColours: White, black, red, natural oak

Bertjan Pot Design: 2010 Description: Chair with arms Dimensions: L735mm x D700mm x H745mm, seat height 410mm, arm height 620mmNotes: Artisan material and process, variations occur, upholstery cover knitted as one pieceMaterials: Powder-coated steel, beech ply seat and back, foam, fixednonremovablefeltedwoolcoverUpholstery: Dark grey with light grey stripes, Dark grey with red stripes

JumPer

heidi NektoN

BarberOsgerbyDesign: 2007 Description: Sofa with matching ottomanDimensions: Sofa with arms: L1900mm x D800mm x H820mm, seat height 440mmOttoman: L770mm x D770mm x H440mmNotes: Modular system, COM quoted on requestMaterials:Woodenframe,nylonglide,mouldedfoamwithfixednon-removableupholsterycover,feather and foam cushions with removable upholstery coversUpholstery: For fabric and leather options please contact Established & Sons

PaNoramiC

800

500

650

450 450450425

745

735 700

520

500

1120

900

1900 800

820

440

820

440

770

440

3100

3100

Ronan & Erwan Bouroullec Design: 2009Description: Seating Dimensions: Chair: L1400mm x D1200mm x H750mm, seat height 350mm Sofa: L2100mm x D1200mm x H750mm, seat height 350mm Ottoman: L600mm x D800mm x H300mm Materials:Powder-coatedsteelframe,fibreglasscore,foaminserts,fixednon-removableupholsterycover,rubberfeetFrame: Black RAL 9011Upholstery: Black, navy blue, redThe Thing: Red motif digitally printed onto grey

Leon RansmeierDesign: 2011Description: Stool, 360° seat rotationDimensions: H650mm x Ø400mm, H760 x Ø400mmMaterials: Powder-coated steel, steel bearingColours: Textured black RAL 9005

Martino GamperDesign: 2010Description: ChairDimensions: L470mm x D505mm x H770mm, seat height 440mmNotes: Artisan material and process, variations occur (wood stain)Materials: Natural waxed beech, wood stain (optional) Colours: Natural, yellow stained frame with grey stained backrest

QuiLtMaarten Baas Design: 2009 Description: Chair Dimensions: L430mm x D430mm x H900-1000mm, seat height 465mm Materials: Matt painted beech Colours: Black grey RAL 7021, off-white RAL 1013

IndustrialFacility⁄SamHechtDesign: 2009 Description: Seating Dimensions: Chair: L880mm x D540mm x H820mm, seat height 460mm Bench: L1760mm x D540mm x H820mm, seat height 460mm Loveseat: L1760mm x D540mm x H820mm, seat height 460mm Materials: Beech, natural waxed oakColours: Natural waxed oak seat with black stained beech frame, natural waxed oak seat with natural beech frame

sesseL

revoLver

staNdard uNiQue

1400600

350

750

2100

770

470 505

900

- 10

00

465

430430

taBLe, BeNCh, Chair

880 540 1760 540

820

460

1760 540

Jaime HayonDesign: 2008Description: Chair, chair with armsDimensions: L460mm x D560mm x H920mm, seat height 440mm Notes: Bespoke upholstery, COM, COL quoted for orders over qty 8Materials: Metal plated steel, composite, foam, non-removable upholstery, powder-coated steel (optional, arms)Colours(legs):Chromefinish,goldfinishUpholstery (leather): Black or white, leaf or diamond stitched pattern

tudor Chair

920

460 560

440

460 560

Ø 400

650

760

FrankDesign: 2006Description: TableDimensions: L1700mm x D800mm x H745mm, L2200mm x D900mm x H745mmNotes: Bespoke cable management quoted for orders over qty 5Materials: Birch plywood, clear lacquer, high-pressure laminateVeneer: Natural birchLaminates: Black, white, green, yellow

Zaha HadidDesign: 2005Description: TableDimensions: L3050mm x D1350mm x H760mmNotes: This design should not be exposed to direct sunlight or extreme temperatures, bespokecolourfinishesquotedonrequestMaterials: Glass reinforced polyester Colours: Satin-matt: White RAL 9003, black RAL 9005High-gloss: White RAL 9003, black RAL 9005

Sebastian Wrong Design: 2010Description: Side tableDimensions: Ø450mm x H550mmNotes: Artisan material and process, variations occurMaterials:Glazedceramic,powder-coatedsteelfixings,internalleadweightColours: Grey top with grey base, black top with orange base, navy blue top with yellow base, turquoise blue top with pink base

BeNd

aQua taBLe

taBLes236

1220

720

1350

760

3050

550

Ø 450

Konstantin GrcicCollaboration with VeniniDesign: 2010Description: Side tableDimensions: H415: Base Ø405mm, asymmetric oval top approx. L500mm x D450mm, 16kgH515: Base Ø410mm, asymmetric oval top approx. L500mm x D450mm, 17kgNotes: Artisan material and process, variations occurMaterials: Hand blown Venini glassColours: Venini sapphire, Venini red

BarberOsgerbyDesign: 2008Description: Side tableDimensions: H450mm x L410mm x D410mm, H700mm x L410mm x D410mmNotes:Bespokecoloursfinishesquotedforordersoverqty6Materials: High-gloss painted glass reinforced polyester Colours: Blue PANTONE 640M, grey RAL 7026, white RAL 9010

deLta

m5

BLow

415

515

Ø405

500 450

Ø410

500 450

410410

700

410

450

410

1700 2200

745

800

745

900

Matali Crasset Design: 2009 Description:OfficesolutionDimensions: L2000mm x D1300mm x H2080mm, table height 750mm Materials: Powder-coated aluminium extrusion, powder-coated steel, matt laminate table surface, painted wood conglomerate, acrylic, wool rugColours: As shown

FrontDesign: 2010Description: Side and low tableDimensions: L500mm x D500mm x H500mm L900mm x D600mm x H400mmMaterials: Wood conglomerate, high-pressure laminate, powder-coatedsteelfixings,castors(mixed)Colour: Black

sPiN

oPeN room No. 1

2080

750

2000 1300

Terence Woodgate & John BarnardDesign: 2008 Limited Production Run L3000mm: 99Description: TableDimensions: L2400mm x D1000mm x H750mmL3000mm x D1000mm x H750mmØ1480mm x H750mmNotes: Artisan material and process, variations occur, bespoke sizes quoted on requestMaterials:Unidirectionalcarbonfibre(L2400,L3000),wovencarbonfibre(Ø1480),lacquer,steel(legs)Colours:L2400,L3000:Naturalcarbonfibre,highglosslacquerwithblacklacquerlegsL2400,L3000:Naturalcarbonfibre,satinmattlacquerwithblacklacquerlegsØ1480:Wovencarbonfibre,highglosslacquerwithblacklacquerlegs

Caruso St JohnDesign: 2008Description: TableDimensions: L2400mm x D900mm x H750mmL1800mm x D1800mm x H750mmNotes: Bespoke sizes quoted on requestMaterials: Spruce lumber triboard, linoleum, Corian®Colours: Black linoleum, glacier white Corian®

surFaCe taBLe

taBLe

750

Ø14

80

1800

2400

1800

900

750

50

0

500 900

500

400

600

750

1000

2400 3000

BarberOsgerbyDesign: 2008Description: Low tableDimensions: L900mm x W900mm x H350mmMaterials:Satin-finishpolyestermouldedcompound,4mmtoughenedglassColours: White RAL 9003, umbra grey RAL 7022Special Finishes: White RAL 9003 exterior with Nissan orange interior (approx. PANTONE 165C),Black RAL 9005 with black tinted glass

Michael YoungDesign: 2007Description: Side tableDimensions: Ø500mm x H500mmØ900mm x H350mmMaterials: FR resin coated paper, steel, toughened 8mm glassColours: Ø500: Pattern 1 (fresh hues): White, lime green, green, umbra grey Ø900: Pattern 2 (cool hues): White, pale green, pale blue, umbra grey Ø500, Ø900: Pattern 3 (warm hues): White, pink, red, umbra grey

Zero-iN

ZiPZi

900

350

900

Ø500 Ø900

Scholten & BaijingsDesign: 2010Description: CabinetDimensions: L1215mm x D600mm x H1725mmMaterials: Fibre board, printed laminate, steel, hand blown glassColours: As shownPrinted laminate: grey, grey grid pattern, multicolour grid pattern, black and white still life photography

Jasper MorrisonDesign: 2006Description: Storage unitsDimensions: The Crate: L375mm x D175mm x H500mmCrate Series No.1: L700mm x D700mm x H420mmCrate Series No.2: L1200mm x D360mm x H515mmCrate Series No.3: L1180mm x D800mm x H295mmCrate Series No.4: L1000mm x D1000mm x H295mmMaterials: Yellow pine, wax, synthetic webbingNo.1-4 hinge colour: red

the Crate, Crate series No.1-4

amsterdam armoire

storage241

1725

1215 600

700

No.1

1200

No.2

700

420

360

800

515

295

1000

295

1180

No.3

1000

No.4

375

500

175

500

350

Erwan & Ronan BouroullecDesign: 2011Description: Wall-mounted shelving with double sliding screensDimensions: Two shelf: L2500mm x D360mm x H690mm Four shelf: L2000mm x D350mm x H1350mmMaterials:Oakveneer,woodconglomerate,steelrunners,concealedsteelwallfixing,4mmfeltScreen colours: Navy, burgundy

Sebastian WrongDesign: 2011Description: Wall-mounted shelving unitDimensions: L1430mm x D340mm x H950mmMaterials:Larchveneer,birchplywood,naturalwax,aluminiumkeyholefixingsColour: Natural

PersPeCtive

FoLio

1430

340 950

Alexander Taylor Design: 2009 Description: Storage Dimensions: L1800mm x D450mm x H650mm Materials:Woodconglomerate,satin-finishpaintColours: White RAL 9016, graphite black RAL 9017

PuNCh

650

1800 450

Raw Edges: Shay AlkalayDesign: 2008Description: Tower of drawersDimensions: 8 drawers: H1080mm x L565mm x D615mm13 drawers: H1780mm x L565mm x D615mmNotes: Please refer to installation instructions before unpackingMaterials:Birchplywood,fibreboard,steel,clearlacquerColour Palettes: Green, red, neutral, wood veneer

FrankDesign: 2007Description: Wall-mounted shelvingDimensions: Singleshelf:L1200mmxD300mmxH100mm,concealedwallfixingWall-mounted (4 shelves): L1200mm x D335mm x H1200mm, uprightwallfixing,adjustableshelfpositionsBookends: L100mm x D220mm x H240mmMaterials: Powder-coated steelShelving colours: Papyrus white RAL 9018, umbra grey RAL 7022Bookend colours: Sulphur yellow RAL 1016, azure blue RAL 5009

staCk

staNdard issue

565 615 565 615

1780

1080

300

1200 1200 335

1200

100

20003602500 360

1350

690

Jaime HayonDesign: 2009 Description: CabinetDimensions: 2 doors closed: open: L950mm x D400mm x H1800mm3 doors closed: open: L1450mm x D400mm x H1800mm Materials: Satin-matt painted wood conglomerate, 6mm low iron toughened glassColours: White RAL 9010 with transparent glass, red RAL 3003 with transparent glass, black RAL 9005 with smoke grey tinted glass

Richard Woods & Sebastian WrongDesign: 2007Description: Storage unitsDimensions:Night table: L585mm x D355mm x H595mmChest of drawers: L1090mm x D510mm x H735mmLow cabinet: L1500mm x D405mm x H645mmLong low cabinet: L2600mm x D405mm x H645mmNotes: Artisan material and process, variations occurMaterials: Plywood, timber, paint, clear lacquerColours: White with green, yellow with red, pink with blue, white with black

wroNgwoods

tudor CaBiNet

1800

1450 400400950

Shay Alkalay & Yael MerDesign: 2009Description: Flooring installationDimensions: Variable by bespoke quotationNotes: Design service, material cost by m2 and installation quoted seperatelyMaterials:Colourstainedoakparquetbrickflooring,lacquerColour: Bespoke selection

Richard WoodsDesign: 2010Description: RugDimensions: L3200mm x D2400mmMaterials: Hand knotted 100% Pure New Zealand woolColour: 8 colour pattern with black motif, white with black motif

waLL to waLL

wood rug

FLooriNg245

2400

3200

595

355

585

735

510

1090

645

405

2600

645

405

1500

Shoreditch

Audrey Light: 16

Globe: 32 Pole Light: 39

Print: 40

Super Conic: 42

Tank: 44

Topp: 47

Torch Light: 48

Yellow, Pink, White Light: 53

Column: 19

Beam Lights: 17

Buggs Light: 18

Corner Light: 20

Dame: 24

Edge: 26

Flatliner: 27

Landmarks: 33

LightHouse: 34

Louvre Light: 36

Pipe: 38

Corona: 22

Fold: 29

LightiNg248

aCCessories249

Audrey Vase: 62

Cuboid: 66

Blob: 63

Butte: 64

Font Clock: 67

Pour: 72

Shade Mirror: 73

Soft Grid: 74

Hang: 68

Store: 76

Hold: 69

Potto: 71

Convex Mirror: 65

Two Timer: 77

seatiNg250

A-Bench: 86Cape: 92

Alto: 87

Bricks and Mortar: 88

Crash: 96

Drift-In, Drift-Out: 103

Drift Concrete: 102

Easy: 104

Frame Chair: 106

Crate Series No. 8: 97

De La Warr Pavilion Chair: 98

Drift: 100

Butt: 90

Jumper: 112

Hay Bale: 108

Heidi: 110

Nekton: 114

Panoramic: 115

Quilt: 116

Quilt The Thing: 119

Revolver: 120

Sessel: 121

Standard Unique: 122

Table, Bench, Chair: 123

Tudor Chair: 124

Aqua Table: 136

Zipzi: 155

Delta: 140

Bend: 138

Blow: 139

M5: 141

Spin Table: 145

Surface Table: 146

Surface Table Ø1480: 149

Table: 150

Open Room No.1: 144

Zero-In: 152

taBLes252

Amsterdam Armoire: 164

Wrongwoods: 180

Perspective: 170Crate Series: 167

The Crate: 166

Folio: 168

Punch: 171

Standard Issue: 177

Tudor Cabinet: 178

Stack: 172

storage253

FLooriNg

Wall to Wall: 193Wood Rug: 194

Rotherhithe

Notes256

Whilst every effort is made to ensure accurate representation ofproductcolours,finishes,dimensions, Established & Sons reserve the right to alter these details without notice in compliance with its own production needs, technological changes or in response to the current market need. Fabric and colour swatches are for reference only, Established & Sons cannot guarantee exact colour matchforproductfinishes,wood or fabric variances.

All the designs shown here are protected under copyright law. Established & Sons has the property rights to manufac-ture and sell these products and holds the exclusive manufacturing and distri- bution rights worldwide.Copying will be prosecuted.

Creative Partners: Micha Weidmann StudioEditorial Photography: Peer LindgreenProduct Photography: Peter Guenzel (with the excep-tions of page 193 by Ed Reeve and page 169 by Nick Ballon)

Established & Sons5–7 Wenlock Road, London, N1 7SL, United KingdomPhone: +44 (0)20 7608 0990Fax: +44 (0)20 7608 0110 info@establishedandsons.comwww.establishedandsons.com

T: 021 438 9066 / F: 088 021 438 9066W: www.establishment.co.za / E: products@establishment.co.zaPO Box 50930, V&A Waterfront, Cape Town, 8002, South Africa