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Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 1: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 2: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 3: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 4: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 5: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 6: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 7: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 8: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 9: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 10: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 11: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 12: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 13: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 14: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
malupa
Nota
the "window" definition
Page 15: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 16: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 17: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 18: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 19: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 20: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 21: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 22: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 23: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 24: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 25: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 26: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 27: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 28: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
malupa
Nota
Ambrogio Lorenzetti's Annunciation the visible orthogonals of the ground plane are here for the first time all oriented toward a single point… the vanishing point… but the picture is equally important for the completely new meaning it bestows upon the ground plane as such.
malupa
Nota
the ground plane >> The checkboard tile pattern,
Page 29: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
malupa
Nota
We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will henceforth be repeated and modified with a fanaticism… It is not too much to claim that a pattern of tiles used in this sense represents the modern "systematic space" in an artistically concrete sphere, well before it had been postulated by abstract mathematical thought.
Page 30: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 31: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
malupa
Nota
Page 32: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
malupa
Nota
Alberti: Perspectival construction of the checkerboard-type "ground sqaure"
malupa
Nota
Once again this perspectival achievement is nothing other than a concrete expression of a contemporary advance in epistomology or natural philosophy.
malupa
Nota
…abandoning the Schlastic idea of a cosmos with the middle of the earth as its absolute center and with the outermost celestial sphere as its absolute limit; the resul was the cocept of infinity.
Page 33: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
malupa
Nota
The vision of the universe is detheologized
malupa
Nota
The result was a translation of psychophysiological space into mathematical space: an objectification of the subjective
Page 34: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 35: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 36: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 37: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 38: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 39: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 40: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 41: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 42: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 43: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 44: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 45: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 46: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 47: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 48: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 49: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 50: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 51: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 52: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 53: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 54: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 55: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 56: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 57: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 58: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 59: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 60: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 61: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 62: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 63: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 64: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 65: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 66: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 67: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 68: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 69: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 70: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 71: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 72: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 73: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 74: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 75: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 76: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 77: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 78: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

PLAn .. Fr:ogmen' 01. ... 011 dtc .... 'lon In'tllCc .. . n<! poin' '- IIooccw.k

In ,he "fOurth styl •• " A .. , «.IUI), A.O. Nlpl ... Mu""", NI>lon.oli.

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Page 79: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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fourth cen'ury B.C. H.mburg. MUICum /Il, Kun" "rod Co .... ,,,",. (See PI ... 2.)

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Page 80: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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tho Vi. G<nioY on tho Esq.i!;".. font contury A.D. Rotnt, Bibjotoc. Apostolic>

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Page 81: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 82: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 83: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

l'cAn .0. Ducc;od; 8,..,";"oeg"'. 1.4" 5upp" from lheM..nJ. 1101_1308.

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Page 84: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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. ., P'A TO 'J. M .. , .. a. .. ,.m or Minden. c .... , .... of <it. H", ..... r<em .he Pe,ri

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Page 85: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 86: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 87: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 88: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 89: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 90: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 91: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 92: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 93: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 94: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 95: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 96: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 97: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

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Page 98: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will
Page 99: Erwin Panofsky – Perspective as Symbolic Form · We can actually express both bodies and intervals numerically, as a number of floor squares. This is a pictorial motif that will

In Memoriam ERWIN PANOFSKYIN MEMORIAM ERWIN PANOFSKY 5 about his own activities as maecenas (Suger's Liber de rebus in administratione sua gestis, among others5) is considered bymany

In Memoriam ERWIN PANOFSKYIN MEMORIAM ERWIN PANOFSKY 5 about his own activities as maecenas (Suger's Liber de rebus in administratione sua gestis, among others5) is considered bymany

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Panofsky Erwin - Significado Artes Visuales

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ERWIN PANOFSKYstudy with Erwin Panofsky, the teacher I had chosen was still a young man. He was then under forty, and everybody took his ex uberant vitality for granted. Some of his

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