Ernesto Oroza 1

Ernesto Oroza] Ernesto Oroza (born 1968) is a Cuban contemporary artist and designer.

BiographyHe earned a degree at the Havana Superior Institute of Design. He was visiting professor in Les Ateliers, EcoleNationale Superieure de Creation Industrielle (ENSCI) in Paris (1998), and professor of the Polytechnic Institute ofDesign of Havana from 1995 to 2000.His work has been exhibited in museums, galleries and cultural spaces such as Haute Definition Gallery, in Paris(France), The Montreal Museum of Fine Arts, Canada, The Museum of Modern Art, MoMA, in NY (USA),LABoral Centro de Arte y Creación Industrial,[1] in Spain and the Groninger Museum, The Netherlands.Oroza was co-founder (1999) of Laboratory Maldeojo (with Fabian Martinez and Nelson Rossell), member until2004 (Havana, Cuba) and co-founder (1995) of Ordo Amoris Cabinet (with Diango Hernandez, Juan Bernal, AbelFrancis), member until 1996 (Havana, Cuba)

Awards- Artist in residence, Karl Hofer Gessellschaft, Universitat der Kunst, Berlin. 2011.- Harpo Foundation Grant [2], Los Angeles. 2010.- Here and There, Berlin Residency, Bass Museum. 2010.- Vizcaya Museum and Gardens, Miami, FL. 2010.- Cintas Foundation Fellowship, 2008, NY.[3] [4][5]

- Guggenheim Fellowship[6], 2007 NY.- Artist in Residence, Christoph Merian Stiftung, Basel, 2006. [7]- Danish Center for Cultural Development. [8](with Maja Aasa, Greta Garcia and Mira Kongstein, 2005.- Ludwig Foundation Fellowship, Cuba, 2001-2004.- Direction aux Arts Plastiques (DAP) FIACRE (with Penelope de Bozzi). France, 1999-2000.

Books by Ernesto Oroza-Editing Havana- Stories of Popular Housing Maja Asaa, Mira Kongstein and Ernesto Oroza with photographs byFrederikke Friderichsen, 2011. ISBN 978-87-91984-17-4. Published by Aristo Bogforlag.-"RIKIMBILI. Une étude sur la désobéissance technologique et quelques formes de réinvention." Ernesto Oroza,2009. Préfacier: Marie-Haude Caraës Traducteur: Nicole Marchand-Zanartu. ISBN 978-2-86272-527-7. Publicationsde l’Université de Saint-Étienne, 2009. Cité du design.-Statement of Necessity. Ernesto Oroza. 2008. Alonso Art, US.-Pentagram Paper no. 32 “NO WASTE.” Ernesto Oroza and Laboratory Maldeojo, 2003. With an introduction byAlex Marashian and design by Fernando Gutierrez. London, Pentagram Design.-Objets Réinventé. La création populaire a Cuba.[9] [10] Ernesto Oroza and Penélope de Bozzi, 2002. Paris: ËditionsAlternatives.

Ernesto Oroza 2

References[1] Nowhere/Now/Here. Laboral Ciudad de La Cultura, 2008 ISBN 84-612-6674-9 http:/ / books. google. com/ books?id=rs1cPQAACAAJ&

dq=%22Ernesto+ Oroza%22& lr=[2] http:/ / www. harpofoundation. org/ recipients/ 2010/ Ernesto_Oroza/ index. html[3] http:/ / www. cintasfoundation. org/ fellows_artists_o. htm[4] http:/ / www. pr. com/ press-release/ 83830[5] http:/ / www. artinfo. com/ news/ story/ 27661/ cintas-foundation-award-goes-to-ernesto-oroza/[6] http:/ / www. gf. org/ fellows/ 11004-ernesto-oroza[7] http:/ / www. iaab. ch/ iaab-e-121. asp?id=54& status=2[8] http:/ / www. dccd. dk/ dccd/ cku. nsf/ Bevillinger/ 2DE05C38AA5E6881C1256F9700109B6D[9] Sullivan, Edward J. (2007). The Language of Objects in the Art of the Americas. Yale University Press. p. 297. ISBN 0-300-11106-1. http:/ /

books. google. com/ books?id=jKQh37lGr_8C& pg=PA297& dq=%22Ernesto+ Oroza%22[10] http:/ / documentation. ensci. com/ Record. htm?idlist=1& record=346712416499

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Article Sources and ContributorsErnesto Oroza  Source: http://en.wikipedia.org/w/index.php?oldid=523517690  Contributors: COMPFUNK2, CommonsDelinker, Fadesga, Laalcanciadelartesano,Lasegundaalcanciadelartesano, Rjwilmsi, Ruiguerra, Ser Amantio di Nicolao, Smartse, Woohookitty, 23 anonymous edits

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