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Enlightenment and Sentiment: Lecture Outline
Enlightenment and Sentiment
Introduction and DefinitionsThree Examples: Light, Laws, Reason
Joseph Wright of Derby, The Philosopher Giving a Lecture (1766) Montesquieu, Spirit of the Laws (1748)Diderot
and D’Alembert, eds., The Encyclopédie
(1751-1772)
Do Books Make Revolutions?“Enlightened Absolutism”Popular Literacy
Sentiment and the Limits of Reason (two examples)Rousseau’s works (1751-1780)
Joseph Wright of Derby, Experiment…
(1768)
Jean-Baptiste Pigalle, Voltaire, Naked (1776)
Enlightenment and Sentiment: Introduction
It is common to say that eighteenth-century Europe was a time of “Enlightenment,”that it was an “Age of Reason”
and that these new ways of thinking contributed to the outbreak of the cultural-social-political conflict we call “the French Revolution.”
-
for instance, you may have learned this in high school
Goal for today is to push this analysis, to ask how
(if at all) ideas make revolutions.And, in order to do this, we need to think a bit more about what
we understand bythe word “Enlightenment”
(a term not used in English for this period until the latenineteenth century).
In all the most relevant languages (English, French, German) the
dominant metaphoris one of “light”
and so we might want to consider how/why that becomes so significant.
All things must be debated, examined, investigated without exception andwithout regard for anyone’s feelings…
We must ride rough shod over all ourancient childish fears, we must overturn the barriers that reason nevererected, and give back to the arts and sciences the liberty that
is so preciousto them….
Denis Diderot, entry “Encyclopedia,”
in Diderot
and D’Alembert, eds., Encyclopédie (1751-1772).
Each century will add new enlightenment to that of the century preceding it, and this progress, which nothing from now on can stop or suspend, will haveno other limits than those of the duration of the universe. . .
Marquis de Condorcet, Perpetual Secretary of the Royal Academy of Sciences (1782).
Enlightenment: Introduction and Definitions
For instance, while the word “Enlightenment”
was not used in eighteenth-centuryEnglish, French readers and writers referred to a body of learning and knowledge as
les lumières
(lights) and those writers associated with those texts as philosophes
(this does not mean “philosopher”
in a narrow sense but, as the etymology suggests, “lover of knowledge”). Similarly, in German, writers referred to
Aufklärung. Key to this was questioning received wisdom:
Enlightenment: Introduction and Definitions
Though we often refer to “the Enlightenment”
as if it were a unified movement, it was not. “It”
had no manifesto, no party headquarters, no conventions, no elected or named officials.
However, as we saw with Barruel’s
analysis of Jacobinism, in the context of the French Revolution (and even before) some authors did argue that “Enlightenment”
must have been an organized plot, a conspiracy by Voltaire, Diderot, and a few others to destroy everything that was good (Catholic Church, monarchy) about the Old Regime.
Barruel, like the consumers Steve Kaplan studied, found it comforting to think that there was a plot. If the Enlightenment was a plot, then one ought to be able to find the plottersand punish them.
But, there was no plot. There was no coherent “movement.”
Rousseau, often mentioned in textbooks as a key Enlightenment thinker was as much an anti-philosophe
as anythingelse.
So, since there was no conspiracy, no “declaration of enlightenment,”
how are we to understand what was enlightenment? Let’s start by looking at a few examples fromthe culture of the 1740s-1780s. Such as the painting on the next slide (and analysis of it on the following slide).
To understand this painting, need to know that Joseph Wright was
from provincial England,but was trying to establish a reputation in London. You also need to know that an “orrery”is a model of the solar system—with a candle in the place of the sun.
This painting shows a “philosopher”
(today we might say, “scientist”) giving a lecture withthe help of this device. The significance of “light”
here is that it does not come from God(who in the Bible, of course, says “let there be light”) and it does not come from the Sun King.It comes from a natural phenomenon which the philosopher can explain in rational
terms.Enlightenment, we might say is based on reasoning, not on faith.
Notice that all his listeners (unlike some students in lectures today) are clearly interested by the model and by what he has to say. The very serious young woman on the far left, theyoung man taking notes, the little children—all
are interested. That is because the facts of nature are of universal
relevance. Gravity is not optional.
Enlightenment reason, textbooks say, was concerned to identify universals. Things that were true in all
cases.
But is that really the case? Think about the Montesquieu you read two weeks ago. He does describe some laws as universal (the laws of nature). But man-made, social, “positive”
lawsare not universal. They vary with time, place, climate.
As we see that the world, formed by the motionof matter and devoid of intelligence, still continuesto exist, we learn that its motions must haveinvariable laws; and if one could imagine anotherworld than this, it would have consistent rulesor it would be destroyed…
Charles de Secondat, baron de Montesquieu, The Spirit of the Laws, or on the Relation that the Laws MustHave with the Constitution of Each Government, with the People’s Customs and Manners, with Climate, with Religion, with Commerce, etc. etc. etc. (first published, 1748).
… cold air contracts the extremities of the body’ssurface fibers, this increases their spring and favors
the return of blood from the extremities to the heart…
hot air, by contrast, relaxes those extremities…
Therefore, men are more vigorousin cold climates, where the blood is pushed hardertoward the heart
Godfrey Kneller, Sir Isaac Newton (1689).
Enlightenment Example: Laws
So, here, notice that it’s an invariable law that cold air makes “men”
more vigorous bit it isnot universal that “men”
are “vigorous.”
They vary with their climate. M says that is why Italian theater audiences are so loud.
In order to reach his conclusions about the effect of hot and cold air, Montesquieu lookedat a sheep’s tongue under a microscope. And the tastebuds
were smaller when the tonguewas frozen. From which he concluded that people in cold climates
could feel less (whichwas why you had to really beat servants in Russia to get them to
do anything).
Montesquieu was re-working a Renaissance and Classical tradition in which southerners(around the Mediterranean) were defined as “civilized”
and northerners (Russians, Scots,Poles) were “barbarian”
(based on whether or not they had been part of the Roman Empire.)For Montesquieu, the difference is overwhelmingly due to climate. So if you took a Russian baby to Rome, s/he could grow up to be civilized.
Difference, in other words, is not inherent in people, but is a product of their environment.If you change the environment, you can change the people.
This mode of reasoning exempts explanation from history. The Russians are the way theyare because of where
they are, not because of everything that has happened before.
We can generalize from Montesquieu and the sheep’s tongue to say that in this mode of analysis (which we might want to call “rational”
or “enlightened”
or “scientific”) claims are made valid by experiment—what happens if I heat the sheep’s tongue? what if I try apig’s tongue?—and by replicable experience. In other words, Montesquieu can have the experience of freezing a sheep’s tongue and looking at it, and so can “anybody”
else.
Well, “anybody”
with some animal’s tongue and a microscope.
So his knowledge comes not from divine revelation, or through a “great chain of being,”but by the observing power of individual humans. If lots of humans observe the same thing and reach the same conclusions, it must be true.
The most famous work of the French Enlightenment is, therefore and unsurprisingly, amassive collaborative project, the Encyclopédie
(1751-1772). There had been encyclopedias before but none of this scale. Edited by Denis Diderot
and Jean le Rond
d’Alembert, it was enormous.
An on-going collaborative project to translate it into English is here:http://quod.lib.umich.edu/d/did/
Encyclopédie
(1751-1772)
71,818 articles; 2,855 plates (pages of illustrations)28 volumes in-folio (approx. 19”
x 12”
x 2.5”)17 volumes of text (1751-1765); 11 of images (1762-1772)subscriber’s cost for the first edition, 980 livres *
other folio editions: Geneva reprint of original; contraband versions elsewhere
quarto editions (approx. 12”
x 9.5”) published in Geneva, Neufchatel, 1777-79;36 volumes of text and 3 of images(print run: approx. 8400)
ocatavo
editions (approx. 9”
x 6”) published in Lausanne, Bern, 1778-1782;
TOTAL: approx 23,500 copies
* when skilled workers earned 2-5 livres/day and approx. ten pounds of bread could be bought for one livre
“Pin Making (iii)” from the Encyclopédie
Enlightenment Examples: The Encyclopédie
Encyclopedism
and authorship
at least 140 contributors
no known author: 40%
de Jaucourt: wrote close to 25% of the articles
Diderot, abbé
Mallet, Boucher d’Argis:together responsible for another 20-25%
one-third of identified authors wrote only one article
Louis Michel van Loo, Portrait of Diderot oil on canvas, 81 cm. x 65 cm. (1767)Louvre (Paris, France)
Enlightenment Examples: The Encyclopédie
The Encyclopédie is perhaps best known today because it was banned in 1759 for being “irreligious.”
This was not a response to any particular article, but part of a general crackdown on publishing. In 1758, Helvétius
(who was friendly with Diderotand others who contributed articles) published De l’esprit
(On the Spirit) in which he argued that morality had not advanced as far as sciences and the
arts. Why not? He said that while anyone could do scientific research, only special people (the clergy) were allowed to make discoveries in morality but they were hypocrites and intolerant fanatics (remember the Wars of Religion!) who only pretended to be moral. He argued that we should base morality on the basis of our own feelings and experiences. The book’s publication increased royal concern about atheism and immorality in wartime—at this point, the Seven Years’
War, 1756-1763, wasgoing
very badly for France—and resulted in expanded censorship.
The three verbs to ADORE, to honor, and to revere are used for both religious and secular forms of worship. In religious worship one adores God, one honors the saints, and one reveres relics and images. In the secular form of worship, one adores a mistress, one honors decent people, and one reveres
illustrious individuals. …
The manner of adoring the true God must never deviate from the standards of reason, because God is the author of reason and
He wanted people to use it even in judging what is suitable to do or not to do regarding Him. Perhaps during the first centuries of the Church the saints
were not honored and their images and relics were not revered, as they have been since that time; people than had an aversion to idolatry and maintained a cautious attitude toward the rituals of worship
Unknown author, article “Adore,”Encyclopédie vol. 1, p. 144.
Enlightenment Examples: The Encyclopédie“The Manufacture of Rosary Beads,” Encyclopédie
1745—publishers acquire the “privilege”
(i.e., arelicensed) to produce a multi-volume encyclopediato be edited by Denis Diderot and Jean le Rond
d’Alembert
1751—first volume, “A-Azymites”
published
1756—Seven Years’
War begins
1757—Damiens
attempts to kill Louis XV
1758—Helvétius, De l’Esprit
advocates a materialbasis for morality
1759 –Encyclopédie
banned by Paris Parlement; added to the Index of books that Catholics were forbidden to read; Pope Clement XIII told the faithful to have their copies burnt by a priest or be excommunicated
1765—volume 8 (“H-Itzehoa”) published
“Ut Primum”—papal encyclical banningthe Encyclopédie (September 1759)
Enlightenment Examples: The Encyclopédie
SO, from all that, you probably get a sense that the Encyclopédie
was revolutionary and that it somehow “led to”
the Revolution. Does that really make sense?
DO books make revolutions?
Well, let’s think about that….
Do Books Make Revolutions?: Enlightened Absolutism
Who supported the philosophes?
Diderot’s voyage to (blue) and from (red) St. Petersburg
Voltaire—Frederick II (the Great), King of Prussia
Diderot—Catherine II (the Great), Empress of Russia
Turgot—Louis XVI, King of France
As with attacks on “privilege,”
much support for the Enlightenment (or, rather, the authorswe associate with that word) came from kings and queens. “Universal laws”
after all are appealing if you are trying to govern a huge empire.
Do Books Make Revolutions?: Popular Literacy
Fragonard, The Love Letter (c.1770).
Who Could Read? How do we know?usually measured by signatures on wedding contracts but being able to sign your name and being able to read are two different things!
Literacy in France (average)men women
1686-1690 29% 14%1786-1790 47% 27%
What did they read? How do we know?We know from permissions granted by the Royal Censors’
Office—so that doesn’ttell us about the books that could not be published in France but that were published in the Netherlands or Switzerland and imported.
Religious works as % of permitted publications:1700: 50%; 1720s: 33%; 1750s: 20%; 1780s: 10%
Prohibited Books: “philosophical”pornographicscandal/rumor reporting
How “enlightened”
was Enlightenment Europe?
Even within Montesquieu’s
universal laws and the ideal of scientific observation, there was the possibility that some could not participate in “philosophy”
because they could not read or could not afford a microscope (or a book). Reason claims to be “universal”
but it is in many ways socially specific.
There is also always the possibility of difference based on individual’s nerves (what in the eighteenth century would have been called “sensibility”).
The most famous critic of the philosophes, Jean-Jacques Rousseau, based much of what he wrote not on claims about universal reason but on his own “sensitivity”
which he believed—and many readers did, too!—was much more acute than other people’s.And, in fact, his very, very long novel, Julie, was a best seller, but The Social Contract wasn’t.Julie, or the New Heloise [note to students: you should go look up “Heloise’
right now] is about a young woman who falls in love with her tutor but then follows her father’s wishes and marries a much older man. Which is fine, and they live in a little village in the Alps and where peasants love them and the sheep are happy and the gardens
are beautiful, untilthe tutor comes back and lives with them! So she is sorely tempted but just when she might do something she shouldn’t, she instead jumps into a lake to rescue her child and the child is saved …
but she drowns. (this takes 1200 pages and is all told as letters)
Enlightenment and Sentiment: Rousseau’s works
500 eighteenth-century inventories of people’s books185 copies of La Nouvelle Héloïse1 copy of The Social Contract
early edition of La Nouvelle Héloïse ,
published under the original title, Letters of Two Lovers Living in a little Village at the Foot of the Alps collected by Jean-Jacques Rousseau
Man is born free, and everywhere he is in chains.Jean-Jacques Rousseau, The Social Contract
(1762).
In me are united two almost irreconcilable characteristics…I have a passionate temperament and headstrong emotions.But my thoughts arise slowly and confusedly, such thatthey are never ready until it is too late. It is as if my heartand my brain belong to different people.
Jean-Jacques Rousseau, The Confessions (pub. 1780).
And if we look at one more Joseph Wright painting, here is the “philosopher”
again.Now he is demonstrating an “air pump”—this was a device for proving that “air”
actually is something. So you put an apple in the air pump and pump out all the air, and the appleexplodes (because there isn’t any air pressure to hold it together). And you put a canary in an air pump and you pump out all the air…
and the bird dies. Isn’t science wonderful?
What Wright suggests in this painting is that maybe science, reason, Enlightenment isn’t for everybody. Notice the girl in the center (pink dress with blue bows) who can’t bear to watch. Her sensitive nerves actually prevent her from a scientist. Or notice the couple to the left, who are taking advantage of the darkened room to make lovey-dovey eyes at each other.
Maybe enlightenment is “universal”—if the universe consists of adult, white, men.
Image Credits1. Grand Rue (“Main Street”), Geneva, Switzerland; photo RLSpang2. Annonces, affiches, et avis divers de la Haute et Basse
Normandie
(1779); Archives départementalesde la Seine Maritime (Rouen); http://www.archivesdepartementales76.net/cles/35-journaux-et-periodiques.html
3. anonymous, “Ceremonial Costumes of the Three Orders”
(1789), watercolor and engraving; photo from www.photo.rmn.fr
4. Hyacinthe
Rigaud, Portrait of Samuel Bernard
(1726), oil on canvas, 2.65 x1.665 meters; Versailles.François Boucher, The Beautiful Cook
(before 1735), oil on wood, .555 x 432 meters; Paris, MuséeCognacq-Jay;
photos, http://www.photo.rmn.fr5. Affiches
de Toulouse
available at gallica.bnf.fr6. Jean-Baptiste
Pigalle, Voltaire, nu
(1776), marble sculpture, 1.5 x .89 x .77 meters; Paris, LouvreMuseum; adapted from a photo at http://www.photo.rmn.fr
8. photo from www.derby.gov.uk9. Godfrey Kneller, Sir Isaac Newton
(1689); photo, wikimedia.org10-13. statistics from Robert Darnton, The Business of Enlightenment: A Publishing History of the Encyclopédie
(Cambridge, Mass.: Harvard University Press, 1979). 10. http://encyclopedie.uchicago.edu11. Van Loo, Portrait of Diderot
www.photo.rmn.fr12. http://encyclopedie.uchicago.edu13. image and full text of encyclical (in Latin) at http://encyclopedie.uchicago.edu/node/11715. Jean Honoré
Fragonard, The Love Letter
(1770?), oil on canvas, .83 x .67 meters; New York;Metropolitan Museum of Art; photo. www. photo.rmn.fr; statistics from Roger Chartier,The Cultural Origins of the French Revolution, trans. Lydia Cochrane (Durham: Duke UniversityPress, 1991).
16. Statistics from Daniel Mornet, “L’Influence
de Jean-Jacques Rousseau au xviiie
siècle,”
cited in Robert Darnton, Mesmerism and the End of the Enlightenment
(Cambridge: Harvard Univ
Press, 1968).