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EXTREME WIDE SHOT

The view is so far from the subject that he isn't even visible Often use! as an establishin" shot

#ER$ WIDE SHOT

The subject is visible %barel&( but the em)hasis is still on )lacin" him in his environment

WIDE SHOT

The subject ta*es u) the full frame( or at least as much as comfortabl& )ossible

+,+-lon" shot( full shot

http://www.mediacollege.com/video/shots/long-shot.htmlhttp://www.mediacollege.com/video/shots/full-shot.htmlhttp://www.mediacollege.com/video/shots/full-shot.htmlhttp://www.mediacollege.com/video/shots/long-shot.html

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MIDI.M SHOT

Shows some )art of the subject in more !etail while still "ivin" an im)ression of the whole subject

MEDI.M /0OSE .1 SHOT

Half wa& between a MEDI.M SHOT an! /0OSE .1

/0OSE .1 SHOT

+ certain feature or )art of the subject ta*es u) the whole frame

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O#ER THE SHO.0DER SHOT

0oo*in" from behin! a )erson at the subject

2ODD$ SHOT

.suall& refers to a shot of the interviewer listenin" an! reactin" to the subject

TWO SHOT+ shot of two )eo)le( frame! similarl& to a mi! shot

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1OI2T O3 #IEW

Shows a view from the subject's )ers)ective

/.T4I2 SHOT

Shows some %other )art of the subject in !etail

EXTREME /0OSE .1 SHOT

The E/. "ets ri"ht in an! shows e5treme !etail

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6IRDS E$E #IEW

This shows a scene from !irectl& overhea!( a ver& unnatural an! stran"e an"le

WORMS E$E #IEW

7ettin" !own as low as )ossible when &ou shoot "ives a sli"htl& surreal 8worm9s4e&e view9 of the

worl! It9s a :uic* an! eas& wa& liven u) &our shots of flowers( buil!in"s an! even )eo)le

O60I;.E SHOT

Sometimes the camera is tilte! %ie is not )lace! hori

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KINDS

OF

SHOTS

B SUBMITTED BY: CHRISTINE T. PANGAN

SUBMITTED TO: MR.

GALOS