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In our time Couturier creations Balenciaga Avant-garde and fashion The Afrancesados and the Bourgeoisie The Enlightenment Admire and preserve Bygone days Floor floor Learning and Multi-sensory Area Belle Époque Fortuny From the crinoline to the bustle Regional dress Temporary exhibitions Access to Permanent Exhibition Library Activity workshop 1 Activity workshop 2 Avenida Juan de Herrera Calle Paul Guinard Auditorium Reduced mobility access Temporary exhibitions Universidad Complutense Room Polivalent room Entrance/Exit Access to Learning and Multi-sensory Area Information Ticket Oce Cloakroom Safe deposit Disabled toilet Room coupling Disabled lift Cafeteria Restaurant Shop More information overleaf The Museum recommends Exit Entrance

ENC TRAJE ING - Ministerio de Cultura y Deporte50ec... · the serpentine shape associated with Art Nouveau to the liberating creations of Poiret and Fortuny. 7 Typical 1920’s women

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Page 1: ENC TRAJE ING - Ministerio de Cultura y Deporte50ec... · the serpentine shape associated with Art Nouveau to the liberating creations of Poiret and Fortuny. 7 Typical 1920’s women

In our time

Couturier creations

Balenciaga

Avant-garde and fashion

The Afrancesados and the

Bourgeoisie

The Enlightenment

Admire and preserve

Bygone days

Floor

fl oor

Learning and Multi-sensory Area

Belle Époque

Fortuny

From the crinoline to the bustle

Regional dress

Temporary exhibitions

Access to Permanent Exhibition

Library

Activity workshop 1

Activity workshop 2

Avenida Ju

an de Herre

ra

Calle Paul Guinard

Auditorium

Reduced mobility access

Temporary exhibitions

Universidad Complutense Room

Polivalent room

Entrance/Exit

Access to Learning and Multi-sensory Area

Information Ticket Offi ce

Cloakroom

Safe deposit

Disabled toilet

Room coupling

Disabled lift

CafeteriaRestaurant

Shop

More information

overleaf

The Museum recommends

Exit

Entrance

Page 2: ENC TRAJE ING - Ministerio de Cultura y Deporte50ec... · the serpentine shape associated with Art Nouveau to the liberating creations of Poiret and Fortuny. 7 Typical 1920’s women

Discover and enjoy the collection With audio guides, information sheets, and computer terminals in each area that will give you more information on your favourite items. The Learning and Multi-sensory Area off ers you a personal experience of everything you have learnt about in the Permanent Exhibition.

Rest areasThere are rest areas in various parts of the Museum where you can, read, watch, look something up, etc.

Come back another dayBecause our Permanent Exhibition is constantly changing, so each time you come back you will visit a new Museo del Traje. You can also take part in the activities we off er: children’s workshops, guided visits, courses, fi lm seasons, etc. Check the programme at the ticket offi ce, at museodeltraje.mcu.es or on social media.

Support the MuseumYou can help us continue our work of promoting knowledge about costume and fashion through our Asociación de Amigos, (Friends of the Museum) at amigosmuseodeltraje.com.

Opening timesAdmission is free for everyone on Saturday afternoons and all day Sunday.From Tuesday to Sunday we open from 9.30 to 7.00 p.m. and

on Sundays and public holidays, from 10.00 a.m. to 3.00 p.m.Closed on Mondays throughout the year, and on 1 January, 1 May, 24, 25 and 31 December and two local holidays.Our library is open from Tuesday to Friday from 9.30 a.m. to 2.30 p.m.

Services• Audio guides• Wheelchairs• Hearing loop• Amplifi ers

Other Museums to visit in the area:Museo de América

Avenida Reyes Católicos, 6Museo Cerralbo

Calle Ventura Rodríguez, 17

Servicios

1 We carefully preserve the oldest garments in the collection because of their exceptional value and the fragility of

the fabrics.

2 New French fashions were introduced by the Bourbons in the 18th century.

3 After the French Revolution,

the chemise dress was imposed by the new ideology; it was made of cotton fabrics.

4 Corset and crinolines shaped the characteristic

silhouettes of the Romantic period,

which started in the 1820’s.

5 Traditional costumes can refl ect wealth and social class, and are often linked to a community’s rituals and

ceremonies.

6 In the Belle Époque fashion changed from the serpentine shape associated with Art Nouveau to the liberating

creations of Poiret and Fortuny.

7 Typical 1920’s women wore short, leg-revealing dresses, whose straight lines shaped the boyish silhouette then in favour.

8 Haute Couture re-emerged in the 1940s favouring a more classical silhouette. The creations of Balenciaga and Dior led the way.

9 The 1950s and ’60s are the golden age of Spanish Haute Couture. Pedro Rodríguez is one of its leading representatives.

10 Fashion became more accessible at the end of the 20th century: more designers

developed their own personal look and

prêt-à-porter became well established.

fter French olution, e dressd by the y; it was ton

The Museum recommends

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Published by © Ministry of Education, Culture and Sports. General Technical Secretariat. S.G. of Documentation and Publications. Design and digital graphics: Marcos Balfagón Sierra.NIPO: 030-14-005-8. Legal Deposit: M-6468-2014.Printed by: Egraf, S.A. on recycled paper.

Museo del Traje. CIPEAvenida Juan de Herrera, 2. 28040 MadridTel. 34-915 504 700 • [email protected]