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Des
Mau
x, d
es m
usée
s, de
s m
ots
Cura
ting
a Cu
lture
of R
espe
ct
In their Words
emotions at
work
© m
usée
Fab
re, M
ontp
ellie
r Méd
iterr
anée
Mét
ropo
le, c
liché
F. Ja
ulm
es
Emot
ions
at W
ork
- Cu
ratin
g a
Cultu
re o
f Res
pect
Paolo Caliari, called Veronese, The Mystic Marriage of St Catherine, 1560-1565 (detail)
© m
usée
Fab
re, M
ontp
ellie
r Méd
iterr
anée
Mét
ropo
le, c
liché
F. Ja
ulm
es
Emot
ions
at W
ork
- Cu
ratin
g a
Cultu
re o
f Res
pect
Leonello Spada, Lamentation over the Dead Christ, before 1615
© m
usée
Fab
re, M
ontp
ellie
r Méd
iterr
anée
Mét
ropo
le, c
liché
F. Ja
ulm
es
Emot
ions
at W
ork
- Cu
ratin
g a
Cultu
re o
f Res
pect
Antoine Coypel, Aeneas and Achates Appearing Before Dido, circa 1715-1717
© m
usée
Fab
re, M
ontp
ellie
r Méd
iterr
anée
Mét
ropo
le, c
liché
F. Ja
ulm
es
Emot
ions
at W
ork
- Cu
ratin
g a
Cultu
re o
f Res
pect
François-Xavier Fabre, Ulysses and Neoptolemus Taking Hercules’ Arrows from Philoctetes, 1800
© m
usée
Fab
re, M
ontp
ellie
r Méd
iterr
anée
Mét
ropo
le, c
liché
F. Ja
ulm
es
Emot
ions
at W
ork
- Cu
ratin
g a
Cultu
re o
f Res
pect
Raymond-Auguste-Quinsac Monvoisin, The Death of Charles IX, 1834
© m
usée
Fab
re, M
ontp
ellie
r Méd
iterr
anée
Mét
ropo
le, c
liché
F. Ja
ulm
es
Emot
ions
at W
ork
- Cu
ratin
g a
Cultu
re o
f Res
pect
Jean-Charles Joseph Remond, The Death of Abel. Historic Landscape, 1838
© m
usée
Fab
re, M
ontp
ellie
r Méd
iterr
anée
Mét
ropo
le, c
liché
F. Ja
ulm
es
Emot
ions
at W
ork
- Cu
ratin
g a
Cultu
re o
f Res
pect
Alexandre Cabanel, Phaedra, 1880
© m
usée
Fab
re, M
ontp
ellie
r Méd
iterr
anée
Mét
ropo
le, c
liché
F. Ja
ulm
es
Emot
ions
at W
ork
- Cu
ratin
g a
Cultu
re o
f Res
pect
Fréderic Bazille, Ruth and Boaz, circa 1870