Emily Carr Continuing Studies: Fall 2014 Catalogue

FALL2014continuing studies courses + programs

ecuad.ca/cs

Continuing Studies Essentials Programs

The Essentials are intensive programs that focus on gaining the creative experience and technical knowledge to enter industry, job-ready.

We are excited to announce that Design Essentials graduates will now be able to receivetransfer credits into Emily Carr University’s Communication Design 4-year Degree program! For more information visit ecuad.ca/cs.

Design Essentials Start Dates: October 2014 + April 2015

An innovative communication design program where Emily Carr provides creative, conceptual design fundamentals and BCIT provides technical knowledge, Design Essentials offers a unique opportunity for study focusing on the key elements of the creative design process, the principles and practices of graphic design and the technical skills required in the industry.

Interaction Design EssentialsStart Dates: September 2014 + March 2015

With a blend of design principles and technical training, this innovative program gives students the foundational skills to begin a career in interaction design, such as designing for mobile devices and websites, developing websites, utilizing XML, PHP and JavaScript, and effectively managing projects.

Graduates enter creative fields of communication design, web design, web development and mobile application development. The Essentials Programs are perfect for those looking to gain foundational skills towards career transition or enhancement.

Accepting Applications

Now!

REGISTRATION BEGINS AUGUST 6, 2014 / HOW TO REGISTER p. 4

FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 1

CERTIFICATES

Our Certificate Programs give you:

• A Recommended Pathway through Courses

• Assessment and Feedback from your Faculty

• Graded Transcripts

• A Certificate of Completion

• Advance Registration

Emily Carr Continuing Studies Certificate Programs allow focused

and serious exploration of art and design in a creative community

of like-minded individuals. Explore or further deepen your

understanding of your creative practice through our certificates.

INTRODUCTORY STUDY CERTIFICATESExplore the fundamentals;

master the basics

Fine Arts2D Design3D Design Photography

ADVANCED STUDY CERTIFICATESExpand your knowledge;

hone your skills

Drawing PaintingIllustration Sculpture

2

A multi-disciplinary resourced studio space for creators

The Leeway gives artists and designers a dynamic space and a community to engage in their creative

practices. Access to our Studio Technicians, professional equipment and tools gives members of the

Leeway a unique opportunity to create and learn within Emily Carr University of Art + Design.

ecuad.ca/cs/theleeway [email protected] 604 844 3810

1-HOUR FREE DEMOS Framing for Exhibition ............................... pg 6 Image Transfer and Surface Treatment Techniques .................. pg 6 Scanning and Archiving for Digital Output ............................................ pg 15 Sewing: Modern Patchwork ...................... pg 31 Shaped Panels and Canvases..................... pg 37 Introduction to the Proofing Press ............. pg43 Screen Printing: Stencil Techniques ........... pg 43

3-HOUR WORKSHOPS $65 Tin Can Studio Workshop .......................... pg 6 Photo-Documentation for Portfolio part I .... pg 8 Photo-Documentation for Portfolio part 2 ... pg 8 Exploring Hand-Lettering.......................... pg 10 Stop Motion Animation .............................. pg 14 Collaborative Drawing Night ...................... pg 19 Experimental Mark Making: Charcoal ........ pg 19 Experimental Mark Making: Ink ................. pg 19 Small-Scale Tapestry ................................ pg 31 Non-Toxic Painting: Egg Tempera from Scratch ........................ pg 37 MIG Welding for Beginners......................... pg 44

Demos +Workshops

Leeway Membership UPCOMING TERMS

DISCOUNTED MEMBERSHIP (seniors, degree + CS certificate alumni, staff)

$150 month $465 term $1,250 year*

FEES

$200 month $635 term $1,750 year*

*Year-long memberships are only available at the start of each term

The Leeway is an ideal studio space for artists and designers, who are looking to forge a sense of community within a space where they can cultivate their creative practice, explore new techniques and processes, work with other makers and learn from experienced technicians and instructors through demonstrations and workshops.

Even after the first few days in the studio, I felt a sense of

belonging. Credit this to the amazing support of the Tech Team,

and to the dedicated interest of the members of this newly

evolving community. The clean, orderly, spacious feel of the

room, the generous access to equipment—easels, tables, tools,

advice! This is a “working” environment, one which manages to

cultivate intense focus within an atmosphere of activity—busy,

yet respectfully non-intrusive.

- COLETTE GAGNON, LEEWAY MEMBER SINCE JANUARY 2013

MAY JUNE JULY AUG

SummerJAN FEB MAR APR

SpringS E P T O C T N O V

Fall

Love learning but short on time?

Sign up for a Leeway Demonstration or Workshop.



Table of ContentsCertifi cate Programs 1How to Register 4Courses + Workshops

Th e Leeway 2Core Skills 5

Professionalising Your Practice 7

Includes Portfolio Development Communication Design 8Cultural Studies 10Digital Skills, Media +

Technologies 11 Drawing 16 Graphic Novel 20 Illustration 21

Architectural Design Cluster 24 Industrial Design 29

Includes Architectural Design, Fashion Design + Textiles

Painting 32 Photography 38 Printmaking 41 Includes Book Arts Sculpture + Installation 43Timetable 26Frequently Asked Questions 45Registration Policies andGeneral Information 46Registration Form 48

Instructor biographies are availableat ecuad.ca/people/faculty/cs

Registration Opens August 6, 2014

FALLFALL20142014FALLFALL2014FALLFALL

James Lindfi eld June 27, 1952 - June 21, 2014

It is with great sorrow that we announce the death of James Lindfi eld on June 21st,

from pneumonia. James will be remembered as a devoted father, passionate teacher,

committed artist, and as a perceptive and loving husband, brother, uncle and friend.

James was a greatly respected part of the Emily Carr community, having taught at

Emily Carr for over 15 years, and having taught a total of 184 classes. James will be

deeply missed by staff , faculty and students.

4 EMILY CARR UNIVERSITY OF ART + DESIGN / FALL 2014

T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

In PersonDrop by the Continuing Studies office at 1399 Johnston Street on Granville Island in Vancouver.

By PhoneGive us a call at 604 844 3810.

By FaxFax your completed Registration Form (page 48) with credit card payment information to 604 630 4535.

By MailMail your completed Registration Form (page 48) with credit card payment information (or a cheque made payable to Emily Carr University of Art + Design).

Onlineecuad.ca/csYou have the power! Online registration is easy, fast and secure and you can do it anytime from anywhere in the world. To get your registration access in advance of the registration opening date, or for instructions on how to use our online registration system, insideEC, visit our website: ecuad.ca/program/cs/how_to_enroll

Questions about prerequisites or language requirements? See our FAQs and Registration Policies on page 45.

Find us Online!Continuing Studies Office Hours

Monday to Thursday 8:30 am – 4:00 pm Friday 8:30 am – 12:30 pm

Note: Cash and Interac payments accepted during Accounting Office hours only: Monday to Thursday 8:30 am – 4:00 pmFriday 10:00 am – 4:00 pm

Holidays: Emily Carr Continuing Studies will not run any courses on September 1, October 13, or November 11.

Emily Carr Continuing Studies Fall Registration opens at 9:00 am August 6, 2014.

Continuing Studies has a variety of ways you can register:

Gift CertificatesGift certificates for Continuing Studies courses and programs are available for purchase for full course fees or in denominations of your choice.

PURCHASE BY PHONE OR IN PERSON AT:

Continuing Studies Emily Carr University of Art + Design 1399 Johnston Street Granville Island, Vancouver, BC

Tel 604 844 3810

www.twitter.com/EmilyCarrCSwww.youtube.com/EmilyCarrUniversitysearch “Emily Carr University” on Facebook

HOW TO REGISTER



BASICS OF COMPOSITION AND FORMThis course introduces you to the relationship of concept and composition in 2D art practices. You will develop skills in composition by investigating how line, shape, colour, texture and surface treatment enhance and influence form. Experimentation with a variety of media allows you to explore aesthetics and meaning by applying the elements and principles of composition. You will learn to reference historical and contemporary theories and image sources as inspirations for art making.

Prerequisite: None

CORE SKILLSThese foundational courses focus on core skills that are applicable across all practices + art forms.

Rebecca Bayer

CEFA 160 F001

Sep 20 - Nov 15

Sat 1:30 pm - 4:30 pm

8 sessions / 24 total hrs

$350

Register by Sep 15

No class Oct 11

Natalie Purschwitz

CEFA 160 F002

Sep 25 - Nov 20

Thu 6:30 pm - 9:30 pm


$350

Register by Sep 20

No class Nov 6

Ian Forbes

CEFA 170 F001

Oct 18 – Nov 15

Sat 9:30am – 12:45pm


$250

Register by Oct 13

Keith Langergraber

CEFA 260 F001

Sep 30 - Nov 25

Tue 6:30 pm - 9:30 pm


$245

Register by Sep 25

MATERIALS, MEDIA AND CONTEXT In this course you will explore the relation-ship between ideas, materials, media and context, and how these are used to create 3D objects. Both traditional and unconventional materials and processes will be employed in exercises and projects. Topics include space, mass, volume, plane and texture, as well as how these elements can be manipu-lated through your choice of materials.

Prerequisite: None

DEVELOP YOUR ARTISTIC STYLEThis course provides an opportunity to work on developing your own artistic style. This course is designed to merge hands-on practice with your creative ideas by experimenting with numerous materials and techniques. Throughout the course you will analyze your creative process and refine your aesthetic abilities. This is a unique opportunity to work on defining your own practice and receiving guidance and feedback from experienced instructors.

Prerequisite: Some drawing or painting experience is recommended

FUNDAMENTALS


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SKILL BUILDING3D FORMSThis intermediate studio course allows you to further develop your abilities in 3D language by exploring more sophisticated concepts, materials and techniques. Emphasis will be on the development of a personal, three dimensional language, which you will refine through creative process exercises, materials research, drawing, collage and related projects. Through understanding relationships between concepts and mixed media materials, your will increase your confi-dence in the development of 3D projects.

Prerequisite: CEFA 170 Materials, Media and Context

CORE SKILLS (CONT’D)

Karen Kazmer

CEFA 270 F001

Nov 9 - Nov 30

Sun 1:30 pm - 5:30 pm


$250

Register by Nov 4

Caroline Ballhorn +

Jenny Lee Craig

CEFA 999 F001

Sep 25

Thu 6:00 pm - 9:00 pm

1 session / 3 total hrs

$65

Register by Sep 20

Jacqueline Robins

CEFA 900 F001

Oct 15

Wed 7:00 pm - 8:00 pm

1 session / 1 total hr

FREE

Register by Oct 10

WORKSHOPS + DEMOSTIN CAN STUDIO WORKSHOPJoin Jenny Lee Craig and Caroline Ballhorn of Tin Can Studio in a series of explorations of collaboration and communication within the creative process. In this workshop you will work as part of a group with a variety of media and will move between the Leeway studio and the Tin Can Studio’s mobile project space.

Prerequisite: None

IMAGE TRANSFER AND SURFACE TREATMENT TECHNIQUELearn new image transfer techniques and surface treatments for use on a variety of three-dimensional surfaces. Clay bodies, including self-hardening clays, will also be discussed.

Prerequisite: None

FRAMING FOR EXHIBITIONFraming your artwork can have a big impact on how it is perceived. In this demo you will learn the varying options for frame, matte, mounting board and glass and what aspects to consider for framing different types of artwork.

Prerequisite: None

Yang Hong

CEPD 900 F001

Nov 19

Wed 7:00 pm - 8:00 pm


FREE

Register by Nov 14

free!

free!

new!



THE BUSINESS OF ART PRACTICEThis course introduces you to basic professional skills that will be integral in your pursuit of a career in the visual arts. This course is focused on the business of art practice: record keeping, seeking representation and exhibition, pricing, marketing, publicity and legal consider-ations. You will work on creating a basic business plan, as well as core portfolio materials and will learn the basics of sourcing financial, space, equipment and other professional resources.

Prerequisite: For practicing artists and designers, and those just starting out

PROFESSIONALISING YOUR PRACTICE

Chris Tyrell Loranger

CEPD 190 F001

Sep 27 - Nov 15

Sat 1:30 pm - 4:30 pm


$245

Register by Sep 22

Chris Tyrell Loranger

CEPD 190 F002

Oct 8 - Nov 26

Wed 6:30 pm - 9:30 pm


$245

Register by Oct 3

Tony O’Regan

CEPD 210 F001

Oct 1 - Nov 19

Wed 6:30 pm - 9:30 pm

8 sessions/ 24 total hours

$225

Register by Sep 26

Marni Norwich

CESM 110 F001

Sep 22 - Nov 17

Mon 6:30 pm - 9:30 pm


$350

Register by Sep 17

PORTFOLIO WORKSHOP FOR TEENSThis intensive workshop focuses on the production of digital and physical portfolios, writing your artist statement and developing your skills in documentation. You will have the opportunity to have your current portfolio reviewed for effectiveness by both peers and the instructor. Issues surrounding selection of work, photo documentation and practical approaches to building a strong portfolio will be discussed. This workshop is ideal for students looking to study art and design at the post-secondary level.

Prerequisite: None

PORTFOLIO DEVELOPMENT

BUSINESS OF DESIGN PRACTICEHow you present yourself to the public can make or break your design practice. Through lecture and discussion, this practical workshop will introduce strategies and techniques for the profitable marketing of your creative design services. Determining who your clients are, identifying your distinctive qualities as a creative professional, crafting your communica-tions to connect effectively with your potential clients, discovering professional resources, develop-ing a marketing plan and making a winning presentation will be covered. This course is ideal for those involved in design practice or for students just discovering design.

Prerequisite: For practicing communication, graphic and publication designers, and those just starting out

SOCIAL MEDIA FOR YOUR PRACTICEThe terrain of social media is vast and daunting, yet fundamental to marketing your art practice or creative service. This hands-on course will provide you with the building blocks to create an online presence for yourself and your art. Learn the basic tenets of social media for artists, from the philosophical to the technical. Learn how to write for the web and create exemplary content for websites, newsletters, media releases, blogs and more. Introduce your art to the world by applying your creativity to the realm of social media!

Prerequisite: None

PHOTO-DOCUMENTATION FOR PORTFOLIO PART 1Prepare to document your artwork for portfolio by learning about the funda-mental techniques for photo-documen-tation, including proper lighting, camera function, basic post-production and file management. You must bring a camera and either a USB or a link to previous documentation of work for discussion.

Prerequisite: None

PHOTO-DOCUMENTATION FOR PORTFOLIO PART 2Students who have a solid understanding of the manual functions on their camera can skip ahead to this workshop for the opportunity to begin to document artwork and trouble-shoot issues on the spot with an experienced instructor.

Prerequisite: None

Laura Kozak

CETP 175 F001

Nov 2 - Nov 9

Sun 10:00 am - 4:00 pm


$195

Register by Oct 28

Josh Hite

CEPD 999 F001

Nov 6

Thu 6:00 pm – 9:00 pm


$65

Register by Nov 1

Josh Hite

CEPD 999 F002

Nov 13

Thu 6:00 pm – 9:00 pm


$65

Register by Nov 8


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

Carolina Becerra

CECD 110 F001

Sep 24 - Oct 29

Wed 6:30 pm - 9:30 pm


$265

Register by Sep 19

Carolina Becerra

CECD 110 F002

Nov 5 - Dec 10

Wed 6:30 pm - 9:30 pm


$265

Register by Oct 31

FUNDAMENTALSBASICS OF COMMUNICATION DESIGNLearn the fundamentals of communication design including process, ideation, research, analysis, concept development, problem definition, and creative problem solving. Through collaborative exercises, you will be introduced to design process, from development through to the creation of a mock-up and a short design presentation.

Prerequisite: None

COMMUNICATION DESIGN



DESIGN: IDEATION AND CRITICAL THINKINGThis course will introduce you to a range of ideation and critical thinking techniques to help your design process. From concept development and iteration to techniques for effectively communi-cating your design ideas, this course encourages an active learning environment that supports you to think beyond the ordinary and to brainstorm, test and develop new concepts through individual and group projects. While considering current issues in design theory and practice, the course will include a variety of media, methods and processes in order to provide you with a varied and useful toolkit for your design practice.

Prerequisite: None

Vjeko Sager

CECD 280 F001

Oct 19 - Dec 7

Sun 1:30 pm - 4:30 pm


$285

Register by Oct 14

SKILL BUILDINGDRAWING FOR DESIGNDrawing is an essential process in design. It is a necessary tool for concept development and is used to communicate with clients and other design professionals throughout the design and production process. This course introduces you to the basic principles of drawing with a specific focus on applications in design including: point, line, form, tone and value, the representation of mass and volume and composition. Assignments incorporate exercises in drawing techniques combined with problem solving skills and basic design principles.

Prerequisite: None

THE ART OF FONTSThis course introduces you to the anatomy of letterforms and the principles of typographic usage. From the fundamentals of choosing and combining type to the terminology of typography, you will explore distinctions between typefaces, typographic usage and shaping the page with type. By the end of the course, you will be able to apply your typographic knowledge to a range of print and digital media projects.

Prerequisite: None

TYPOGRAPHYThis course is perfect for those ready to pursue a more in-depth study of typography. Building on your basic knowledge of fonts, you will further develop your understanding of letterform anatomy, typographic principles and classification systems. Influential typographers, both historical and contemporary, will be discussed. Through hands-on individual and group assignments, you will develop techniques to shape the page with type as a dominant element.

Prerequisite: Working knowledge of Illustrator, Photoshop or InDesign

APPLIED TECHNIQUESPUBLICATION DESIGNThrough this course you will design a publication while learning basic principles of design including layout strategies for multi-page documents and considerations for commercial and small-run printing. You must have prior knowledge of Adobe InDesign and Photoshop, and you are encouraged to bring in a project and all related materials for the first day of class. On completion of the course, you will have a draft multi-page publication, as well as a deeper understanding of publication design concerns.

Prerequisite: A working knowledge of Photoshop, and QuarkXPress or InDesign is required; expertise with Illustrator is recommended

Vjeko Sager

CECD 160 F001

Oct 19 - Dec 7

Sun 9:30 am - 12:30 pm


$310

Register by Oct 14

Linda Coe

CECD 112 F001

Oct 5 - Nov 2

Sun 1:30 pm - 4:30 pm


$225

Register by Sep 30

No class Oct 12

Linda Coe

CECD 320 F001

Sep 14 - Nov 9

Sun 9:30 am - 12:30 pm


$285

Register by Sep 9

No class Oct 12

Hope Forstenzer

CECD 330 F001

Sep 22 - Nov 17

Mon 6:30 pm - 9:30 pm


$340

Register by Sep 17


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

Ramon Kubicek

CESE 110 F001

Oct 5 - Nov 30

Sun 10:30 am - 1:30 pm


$295

Register by Sep 30

No class Oct 12

Ramon Kubicek

CESE 160 F001

Oct 4 - Nov 29

Sat 10:30 am - 1:30 pm


$295

Register by Sep 29

No class Oct 11

Rajdeep Gill

CESE 180 F001

Sep 30 - Nov 25

Tue 6:30 pm - 9:30 pm


$260

Register by Oct 2

ISSUES IN CONTEMPORARY DESIGNThis course examines a range of contemporary debates, themes and issues that affect designers today. Topics are examined through reading, writing, discussions and projects. Issues discussed include ‘wicked problems’ in design, social responsibility, design thinking, architecture and urban planning, user-centered design, objects we think with and many others. In addition to weekly readings and discussions, you will work in teams to address contemporary design challenges, moving from talking about design to the practical implications of developing design proposals. You will receive an overview of the vocabulary and thought that informs contemporary design practice, and develop a greater awareness of the ways in which design is connected to your everyday life.

Prerequisite: None

ISSUES IN CONTEMPORARY ARTThis course introduces you to a range of issues affecting contemporary art from the mid-20th century to today. You will examine a number of themes including the changing role of the artist, the problem of the avant-garde and originality, the idea of discourse, postmodernism and beyond, the problem of ‘beauty’, nature as subject, pastoral tradition and nostalgia, ecological art, new feminism, radical art, cyber-culture and the post-human, and the new sublime. You will complete an exhibition review and a portfolio of research and writing exercises.

Prerequisite: None

A SURVEY AND HISTORY OF ARTThis course offers an introduction to the history of Western art, focusing on the cultures and individuals that shaped art and architecture over the last 1000 years. Linking historical precedents to contemporary artistic practices, this course will provide you with a general introduction to art history. This course is ideal if you want to be better informed when visiting museums or galleries, or if you wish to understand your own practice in the context of what went before.

Prerequisite: None

CULTURAL STUDIES

COMMUNICATION DESIGN (CONT’D)

Renee Alexander

CECD 999 F001

Sep 18

Thu 6:00 pm – 9:00pm


$65

Register by Sep 13

WORKSHOPS + DEMOSEXPLORING HAND-LETTERING: FROM FORM TO FREEDOMThis workshop focusses on hand-lettering. First, the classical shapes and spacing of Roman Inscription Capitals will be covered. From there students will learn how to make these shapes more ‘hand friendly’. Students will then experiment with having the capitals dance across the page, build a contemporary tower of letters and add some individual touches.

Prerequisite: None



FUNDAMENTALSINTRODUCTION TO MAYADevelop your design and computer skills through an introduction to computer animation in this two-day intensive workshop offering an introduction to Autodesk Maya. Learn fundamentals of modeling, texturing, animation, lighting, and rendering in three-dimensional space. Create assets and environments and apply them to animation for broadcast, film, video games and visualization. Projects investigate the conceptual, aesthetic and expressive potential of the 3D environment, and demonstrate various design strategies for 3D imaging and animation. By the end of the course you will be comfortable using Autodesk Maya and able to create simple films or simulations.

Prerequisite: Basic computer skills

INTRODUCTION TO SOLIDWORKSIn this course you will learn how to use the basics of SolidWorks mechanical design automation software. Helping designers to move from 2D planning to 3D design, this course explores how to build parametric models of parts and assemblies, and how to make drawings of those parts and assemblies in SolidWorks. This course is ideally suited for designers, engineers and other creative professionals interested in exploring tools for product design.

Prerequisite: None

INTRODUCTION TO RHINOLearn how to model, edit and analyze organic 3D surfaces using the industry’s powerful standard software, Rhinoceros. In this two-day intensive weekend workshop you will acquire hands-on 3D prototyping skills by working from real-life scenarios and problem solving with professional and personal projects as examples. This course is ideal for industrial designers, jewelry makers, product designers and anyone who needs to model or prototype products for manufacturing.

Prerequisite: None

DIGITAL SKILLS, MEDIA + TECHNOLOGIES

Thomas Groppi

CEAN 152 F001

Oct 4 + Oct 5

Sat + Sun 10:00 am - 4:30 pm


$225

Register by Sep 29

Philip Robbins

CEID 231 F001

Nov 12 - Dec 3

Wed 6:30 pm – 9:30 pm


$215

Register by Nov 7

Thomas Groppi

CEID 235 F001

Sep 20 + Sep 21

Sat + Sun 10:00 am - 4:30 pm


$215

Register by Sep 15


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

In anticipation of our move to a new campus, Emily Carr is pleased to present Imagining Our Future, a series of events and activities that explore the geographical, historical, pedagogical and cultural context of our relocation to the False Creek Flats (Senákw).

Expansive, experimental and provocative, the series brings together practitioners from across a range of practices and fields of inquiry, evoking both radical and practical propositions for how we inhabit our new campus, and how we imagine the art, media and design university of the 21st century. This fall, you are invited to participate in public discussions, forums, activities and events, including:

Working Space (public discussion series): October – November, 2014

The Commons: October 27 – November 1, 2014, Emily Carr Concourse Gallery

More information at imagining.ecuad.ca.

IMAGINING OUR FUTURE



ADOBE ILLUSTRATOR: THE BASICSAdobe Illustrator is a powerful digital tool for many applications including illustration, drawing and design. Learn the key features of this program and become familiar with the basics of digital drawing and painting by creating and modifying geometric shapes, drawing with Bézier curves, utilizing gradients and patterns. Small weekly assignments and one larger illustration project will allow you to apply all the skills learned in class. Note: This course is taught in our Mac Labs using Creative Cloud.

Prerequisite: Experience with Macintosh Computer is highly recommended

PHOTOSHOP: THE BASICSExplore the creative potential of Adobe Photoshop for digital image processing and photo editing. Learn the basics of image manipulation including simple retouching, applying filters, blending and combining image, and adding text to image. Other topics include resolution, masks, channels and paths. This course is an ideal introduction to the skills and techniques needed to work in this industry-standard program, and will allow you to immediately apply your knowledge to practical projects. Note: This course is taught in our Mac Labs using Creative Cloud.


DIGITAL SKILLS, MEDIA + TECHNOLOGIES (CONT’D)

Kathryn Mussallem

CECS 131 F001

Sep 20 - Nov 15

Sat 9:30 am - 12:30 pm


$480

Register by Sep 15

No class Oct 11

Jen Hiebert

CECS 131 F002

Oct 19 - Dec 7

Sun 9:30 am - 12:30 pm


$480

Register by Oct 14

Brooke Allen

CECS 133 F001

Sep 30 – Nov 25

Tue 6:30pm – 9:30 pm


$480

Register by Sep 25

INDESIGN: THE BASICSAdobe InDesign is a powerful tool for design, page-layout and production, and it is the ideal platform to bring together work created in Photoshop, Illustrator and Acrobat. In this course you will gain basic experience with the software as you work with page layout, creating and formating text, inputting and manipulating images, and gaining a basic understanding of colour as it relates to printing. Note: This course is taught in our Mac Labs using Creative Cloud.

Prerequisite: Experience with Macintosh Computer is highly recommended; familiarity with a word processing program such as Word is strongly recommended; experience with Illustrator is an asset

INTRODUCTION TO DIGITAL ANIMATION USING AFTER EFFECTSThis introductory class will focus on how to use After Effects for animation. This course is aimed at working professionals looking to expand their skill set through animation. Topics will include motion graphics, animated text and digital cut-out animated characters. Through practical exercises, you will learn animation principles, key-frames, motion-paths, how to work with layers, nested compositions, rendering, adding sound to animation using Adobe Premiere and much more.

Prerequisite: Working knowledge of Adobe Photoshop and/or Illustrator would be an asset

Ceile Prowse

CEDA 140 F001

Sep 29 – Nov 24

Mon 6:30pm – 9:30pm


$390

Register by Sep 24

Jaime Clay

CECS 130 F001

Oct 4 - Nov 22

Sat 9:30 am - 12:30 pm


$480

Register by Sep 29

new!

Fundamentals (Cont’d)

No experience on a Mac? Please contact us to arrange a quick class to get you ready for any digital media course


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Fundamentals (Cont’d)

INTRODUCTION TO WEB DESIGNThis course will give you an understanding of how web pages are made, plus the ability to create your very own. Content covers the technical and aesthetic issues of developing a web site including how to write code that works on any range of browsers, and how to create pages that work equally well on large desktop monitors and the more restricted displays of smart phones. If you currently use a Content Management System such as WordPress, knowing how to write HTML and CSS will allow you to take your projects to the next level. that promotes your own work or that of your clients.

Prerequisite: General computer and internet proficiency

INTRODUCTION TO WORDPRESSAs an introduction to web design using the WordPress platform, this course offers an in-depth look at the technology and skills required to develop a content-managed web site. Through the production of your own site, you will learn how to install WordPress and make posts, pages and galleries. In addition, you will learn how to use WordPress themes, plugins, widgets, comment forms and more. The course will demonstrate a variety of the easiest and most effective ways of designing, managing and securing your personal WordPress site. Additional topics will include how to get a domain and web hosting, how to set up a WordPress testing environment, and auditioning plugins, themes and more before committing them to your live site.

Prerequisite: Basic computer and internet skills

STOP MOTION ANIMATIONStop motion animation is an accesible and versatile film-making technique. This workshop will introduce the fundamentals of stop motion via an exploration of armature techniques, tools and materials.

Prerequisite: None

Eduardo Rodriguez

CECS 136 F001

Sep 24 - Nov 19

Wed 6:00 pm - 9:30 pm


$525

Register by Sep 19

Last class 4 hrs

Jen Hiebert

CECS 136 F002

Oct 19 - Dec 7

Sun 1:30 pm - 5:30 pm


$525

Register by Oct 14

Kevin McMillan

CEDA 320 F001

Nov 9 - Nov 30

Sun 10:00 am - 4:30 pm


$385

Register by Nov 4

DIGITAL SKILLS, MEDIA + TECHNOLOGIES (CONT’D)

Callum Paterson

CEAN 999 F001

Oct 2

Thu 6:00 pm - 9:00 pm


$65

Register by Sep 27

Kevin McMillan

CEDA 250 F001

Sep 21 - Oct 19

Sun 10:00 am - 4:30 pm


$385

Register by Sep 16

No class Oct 12

Kevin McMillan

CEDA 232 F001

Sep 20 - Nov 8

Sat 9:30 am - 12:30 pm


$385

Register by Sep 15

SKILL BUILDINGTHE ADOBE SUITE FOR DESIGN AND PRODUCTIONThis course is a comprehensive introduction to the Adobe Suite including Illustrator, Photoshop and InDesign as an integrated software tool for the design and production of print and digital media. Focus is on gaining basic knowledge of each program, and a deeper understanding of how they work as part of an integrated toolkit. You will learn to use the Suite in document layout, typeset-ting and combining both vector art and raster art to design and produce work for print and digital outputs. Note: This course is taught in our Mac Labs using Creative Cloud.


WORDPRESS IIThis course builds on the knowledge of Introduction to WordPress, and is ideal for you if you are interested in designing your own WordPress themes. Understanding how WordPress pulls your content from a site’s database and then outputs it to a browser will give you the ability to make an amazing range of websites. You will learn how to set up a testing server with which to build and test your themes, and how to transfer your themes and content to your live website. Course content includes: template hierarchy as well as writing child themes and themes from scratch. Note: You must have HTML and CSS experience before taking this course.

Prerequisite: CEDA 232 Introduction to Web Design; CEDA 250 Introduction to WordPress; or equivalent

new!



Skill Building (Cont’d)

WEB DESIGN IIThis advanced course builds on the HTML and CSS skills gained in Introduction to Web Design as well as Introduction to WordPress. You will start by learning the interface and metaphors of the program before moving to designing child themes and integrating blogs, image galleries, social media APIs and plugins into your site. You will also learn basic troubleshooting and security options. By the end of the course, you will have the tools to make a website that is functional, beautiful, accessible, reliable, and extensible.

Prerequisite: CEDA 232 Introduction to Web Design; CEDA 250 Introduction to WordPress or equivalent

WORKSHOPS + DEMOSSCANNING FOR ARCHIVING AND DIGITAL OUTPUTScanners are an essential tool for converting analogue 2D (flat) imagery to numerous digital output options. Join us for an orientation on scanning 2D imagery and negatives as well as performing simple alterations, such as cropping. Learn about the various file formats required depending on the desired output (ie: print or web).

Prerequisite: None

Kevin McMillan

CEDA 332 F001

Sep 20 - Nov 8

Sat 1:30 pm - 4:30 pm


$365

Register by Sep 15

Lauren Scott

CEPD 900 F002

Nov 26

Wed 7:00 pm - 8:00 pm


FREE

Register by Nov 21

free!


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DRAWINGFUNDAMENTALS DRAWING FUNDAMENTALS I: COMPOSITION/PROCESSDrawing, observation, recording and compositional organiza-tion are foundational tools for any creative practice. In this course, you will explore studies in line, shape, value, perspective, proportion, positive and negative space and the human figure. Using a wide range of drawing materials and hands-on practice, you will be introduced to drawing as a means of intense visual investigation. This course is an ideal, supportive learning environment if you are new to the field of drawing and are looking to gain skills that will be broadly applicable.

Prerequisite: None

Frances Grafton

CEDR 160 F001

Sep 28 - Nov 23

Sun 1:30 pm - 4:30 pm


$285

Register by Sep 23

No class Oct 12

Vjeko Sager

CEDR 160 F002

Sep 29 - Nov 24

Mon 6:30 pm - 9:30 pm


$285

Register by Sep 24

Keith Langergraber

CEDR 160 F003

Oct 15 - Dec 3

Wed 6:30 pm - 9:30 pm


$285

Register by Oct 10

Dan Starling

CEDR 160 F004

Oct 19 - Dec 7

Sun 9:30 am - 12:30 pm


$285

Register by Oct 14

James Picard

CEDR 160 F005

Oct 19 - Dec 7

Sun 1:30 pm - 4:30 pm


$285

Register by Oct 14

Janet Jones

CEDR 160 F006

Oct 26 - Dec 14

Sun 9:30 am - 12:30 pm


$285

Register by Oct 21



Stan Hunc

CEDR 167 F001

Sep 21 - Nov 16

Sun 1:30 pm - 4:30 pm


$300

Register by Sep 16

No class Oct 12

Tony O’Regan

CEDR 163 F001

Oct 11 - Nov 29

Sat 1:30 pm - 4:30 pm


$310

Register by Oct 6

DRAWING WITH PEN AND INK: BLACK-AND-WHITETake a classic, black-and-white approach to the expressive medium of pen and ink drawing. Through exercises and step-by-step tutorials, you will learn to create a range of work, from photo-realism to abstraction and everything in between. Work with a range of pen points using bistre and sepia inks, as well as combinations of ink and watercolour. Experimentation with ink and wash will be introduced as you explore tone, texture, line and stroke, gesture and calligraphy, proportion and visual balance.

Prerequisite: Any 100-level drawing course or equivalent

Dan Starling

CEDR 260 F001

Oct 11 - Nov 29

Sat 9:30 am - 12:30 pm


$265

Register by Oct 6

Keith Langergraber

CEDR 263 F001

Sep 28 - Nov 23

Sun 1:30 pm - 4:30 pm


$345

Register by Sep 23

No class Oct 12

CREATIVE DRAWING AND ARCHITECTUREThis structured, high-energy course develops your basic to intermediate drawing and sketching skills, specifically related to space and spatial concerns. Exercises and projects focus on applying principles of perspective drawing, sketching concepts, and other composi-tional strategies. A variety of creative freehand techniques will allow you to develop your approach to architectural figurative drawing. Class work includes some drawing from a model.

Prerequisite: None

Tony O’Regan

CEDR 162 F001

Oct 11 - Nov 29

Sat 9:30 am - 12:30 pm


$285

Register by Oct 6

Ian Forbes

CEDR 164 F001

Sep 28 - Nov 23

Sun 9:30 am - 12:30 pm


$300

Register by Sep 23

No class Oct 12

PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERSThis course is essential for artists, designers, illustrators and animators who wish to create convincing images of form, depth and space. Regardless of the medium you work in, you will improve the impact of your work with an understanding of this powerful drawing technique. You will be guided through step-by-step exercises, moving from rough layout sketches to more carefully propor-tioned images of world architecture, vehicles and the human form.

Prerequisite: None

DRAWING INTO PAINTING: AN INTRODUCTIONThis course provides an introduction to the fundamentals of drawing and painting, and the transition from black-and-white to colour in your creative practice. You will investigate line, form, value, colour and pictoral composition by using a variety of drawing materials and water-based paints. You will begin with drawing and move into painting using the still life, the model and the imagination.

Prerequisite: None

SKILL BUILDINGDRAWING FUNDAMENTALS IIBuilding on the skills gained in Drawing Fundamentals I: Composition / Process this intermediate course provides you with expanded drawing techniques aimed at helping you work across materials, and allowing you to better express your ideas and resolve technical issues in your drawing practice. Topics include observational and imaginative drawing exercises, as well as looking at historical and contemporary precedents and how they may inform your work.

Prerequisite: CEDR 160 Drawing Fundamentals I: Composition/Process or equivalent

INTRODUCTION TO LIFE DRAWINGDevelop and expand your drawing and observation skills in this course on drawing the human figure. Gesture, line and value, proportion, composition, form and volume will be explored through a variety of approaches to drawing the figure. There will be a brief introduction to the structural anatomy of the body and identification of superficial anatomical points. Drawing from the skeleton and the live model will be included.



T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

Vjeko Sager

CEDR 252 F001

Oct 1 - Nov 19

Wed 6:30 pm - 9:30 pm


$315

Register by Sep 26

Elena Underhill

CEDR 261 F001

Sep 22 - Oct 27

Mon 6:30 pm - 9:45 pm


$225

Register by Sep 17

Last class 3 hrs

DRAWING THE PORTRAITThis course provides an in-depth study of the head for portraiture. Using a variety of media such as charcoal, ink, graphite and more you will explore proportion, resemblance, texture, shape and expression. Basic structural analysis of both the human head and figure will be covered. Class work includes drawing directly from a model.

Prerequisite: Any 100-level drawing course or equivalent; experience drawing from a model is recommended

DRAWING THE FIGURE AND FACEThis course will teach you how to construct the human form without relying on a model. By helping you develop an ‘internal model’ using basic anatomical proportions, gesture, contour and shading, you will have a stronger understanding of proportion and construction of the head and figure, the drawing and mapping of facial features, hands and feet, and understanding of typical standing, walking and seated poses. This course will be of special interest for anyone who needs to draw scale figures, whether to use in design, illustration, animation or any other artistic form.

Prerequisite: CEDR 160 Drawing Fundamentals I: Composition/Process or equivalent is recommended, but not required

DRAWING: HANDS, FACE AND FEETThis course centers specifically on these three specific areas of the figure through a combination of concentrated drawing sessions and presentations about their anatomical structure and functions. Each class will focus on one of the three parts, with one hour of presentation/discussion followed by guided drawing exercises. Topics include techniques of representation, proportion, composition and specific problems related to the expressive potential of the hands, feet and face.

Prerequisite: Any 100-level drawing course or equivalent; experience drawing from a model is recommended

LIFE DRAWING OPEN STUDIOTake advantage of an open studio situation with a model. No instruction is provided. If you have fundamental drawing skills and wish for the opportunity to work on figure or life drawing, this series of weekly sessions is for you.

Prerequisite: Experience drawing or painting from the model is strongly recommended

Vjeko Sager

CEDR 363 F001

Sep 30 - Nov 25

Tue 6:30 pm - 9:30 pm


$285

Register by Sep 25

Uninstructed

CEDR 400 F001

Oct 5 - Nov 2

Sun 1:30 pm - 5:30 pm


$95

Register by Sep 30

No class Oct 12

DRAWING (CONT’D)

APPLIED TECHNIQUES



Uninstructed

CEDR 999 F001

Oct 23

Thu 6:00 pm - 9:00 pm


FREE

Register by Oct 18

Stan Hunc

CEDR 999 F002

Dec 4

Thu 6:00 pm - 9:00 pm


$65

Register by Nov 29

Stan Hunc

CEDR 999 F003

Dec 11

Thu 6:00 pm - 9:00 pm


$65

Register by Dec 6

WORKSHOPS + DEMOSCOLLABORATIVE DRAWING NIGHTJoin in for an evening of collaborative drawing excersizes and meet new people. Drawing prompts, supplies, and materials will all be provided. Please note that this is an uninstructed, self-directed drawing night.

Prerequisite: None

EXPERIMENTAL MARK MAKING: INKWant to liven up your drawing practice? Challenge yourself to move away from more conventional mark making techniques (even if for a moment) and explore the various personalities of an essential building element of drawing using ink. Both novice and experienced artists will benefit from this hands-on workshop.

Prerequisite: None

EXPERIMENTAL MARK MAKING: CHARCOALChallenge yourself to move away from conventional mark making techniques and explore the various personalities of an essential building element of drawing using charcoal. Both novice and experi-enced artists will benefit from this hands-on workshop.

Prerequisite: None

free!

new!

new!


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FUNDAMENTALS THE CONTEMPORARY COMIC: AN INTRODUCTIONIn this course you will learn the necessary tools to tell great stories in the medium of comics by bringing together storytelling and illustration. Topics include text and image relationships, dialogue and character development, narrative structures, body language, passage of time, flow, perspective, and composition. You will learn to develop your own ideas from concept to final product, and have a draft comic on completion of the course.

Prerequisite: None

GRAPHIC NOVEL

Julian Lawrence

CEGN 160 F001

Oct 11 - Dec 13

Sat 6:30 pm - 9:30 pm


$235

Register by Oct 6

No class Nov 15 + Dec 6

Julian Lawrence

CEGN 240 F001

Sep 25 - Nov 13

Thu 6:30 pm - 9:30 pm


$250

Register by Sep 20

SKILL BUILDINGNARRATIVE STRUCTURES IN GRAPHIC NOVELSThe combination of drawing and text, or illustration and storytelling, can be applied to a range of story types – from short strips to sprawling sagas and editions. In this course you will focus on narrative structures and the principles of storytelling. From the storytelling potential of panels, to the sequencing of panels and other communica-tion strategies to create meaning, this course will encourage you to begin to tell stories in your own unique voice.

Prerequisite: None



ILLUSTRATIONFUNDAMENTALS BOTANICAL ILLUSTRATION: THE DRAWING STUDIOThis course will focus on the drawing techniques specific to botanical illustration for scientific accuracy. Class work will lead to the steps necessary to prepare for traditional botanical illustration in watercolour while providing you with the skills to create clear and accurate drawings strong enough to stand on their own. You will be exposed to masterworks of the genre, both past and present. Mediums will include pencil and ink on paper.

Prerequisite: Some drawing experience required; some painting experience recommended

INTRODUCTION TO ILLUSTRATIONIllustration is an effective form for linking images to text and communicating ideas, offering commentary, educating and catching the attention of an audience. In this course you will be introduced to illustration and the many roles it can play. Hands-on projects, presentations, discussions and critiques will expose you to a variety of techniques, media and styles as you explore how content, design elements and materials are used in the translation of ideas into images.

Prerequisite: None

INTRODUCTION TO COMMERCIAL ILLUSTRATIONThis course explores illustration techniques with a focus on commercial marketing and branding. Learn to apply creative designing, drawing and colouring skills to the communica-tion design field, and expand your art or design practice to commercial businesses. Practical exercises in logo design, poster design, narrative storyboards and advertising will be applied. You will learn the tools with which to evaluate your own work from the perspective of the commercial market.


SKILL BUILDINGPEN AND INK BOOK ILLUSTRATIONThis course focuses on the exploration of pen and ink illustration, visual interpretation, and personal style in ink drawing. You will be guided through line drawing exercises and will explore gesture, texture and innovative approaches to pen and ink illustration. In examining traditional and contemporary book art illustrations, you will develop your drawing skills and create personal visual interpretations from literary samples.


Robin Thompson

CEIL 230 F002

Sep 22 - Nov 17

Mon 6:30-9:30pm pm

8 sessions/ 24 total hours

$245

Register by Sep 17

Robin Thompson

CEIL 230 F001

Nov 15 - Dec 13

Sat 1:30 pm - 5:30 pm


$245

Register by Nov 10

No class Dec 6

Elizabeth Mancini

CEIL 110 F001

Oct 4 - Oct 25

Sat 1:30 pm - 5:30 pm


$245

Register by Sep 29

Stan Hunc

CEIL 260 F001

Oct 15 - Dec 3

Wed 6:30 pm - 9:30 pm


$255

Register by Oct 10

Robin Thompson

CEIL 170 F001

Sep 20 - Nov 8

Sat 1:30 pm - 4:30 pm


$245

Register by Sep 15


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PICTURE BOOKSILLUSTRATION FOR PICTURE BOOKSThis creative and practical course explores illustration for picture books. While being introduced to key classic and contemporary works in this art form, you will be shown how to create an effective illustration and main character, as well as how to develop your own unique style. Topics include storyboarding and composition exercises, as well as experiment-ing with ink, pen, brush-work and collage. You will also learn to digitize your illustrations using Photoshop, and how to share them with publishers.

Prerequisite: Any 100-level drawing course or equivalent; basic Macintosh skills recommended

ILLUSTRATION FOR PICTURE BOOKS IIBuilding on the introductory skills of Illustration for Picture Books, in this intermediate course you will develop your own written and illustrated ‘dummy book’, building on concepts such as composition, layout, pacing and character development. Special focus will be placed on the relationship of text and image and the concept of the book as a whole. In-class brain-storming and writing exercises, as well as the analysis of existing works, will help you in writing your own stories. You will have the chance to experiment with paper collage and brush and ink to strengthen composition and color skills in class.

Prerequisite: CEIL 240 Illustration for Picture Books

APPLIED TECHNIQUESILLUSTRATION PORTFOLIOProfessionalise or start working on your illustration portfolio. Communicate your individual style, and work on concepts and execution. This course is designed to help you bring together your various illustration projects into a coherent narrative through your portfolio. You will learn how to solidify your personal story, and how to convey your ideas and concepts through your portfolio. Assignments are focused on building the various components of your portfolio, from artist statements, to selecting work that is included to documentation and presentation. This course is ideal for students who are completing their certificate in illustration, or who have taken various illustration courses and now want to bring together a portfolio that communicates their practice.

Prerequisite: CEIL 170 Introduction to Illustration

ILLUSTRATION (CONT’D)

Lisa Cinar

CEIL 240 F001

Sep 28 - Nov 23

Sun 1:30 pm - 4:30 pm


$295

Register by Sep 23

No class Oct 12

Lisa Cinar

CEIL 340 F001

Sep 28 - Nov 23

Sun 9:30 am - 12:30 pm


$250

Register by Sep 23

No class Oct 12

Stan Hunc

CEIL 330 F001

Oct 19 - Dec 7

Sun 9:30 am - 12:30 pm


$215

Register by Oct 14



STUDENT WORK FROM

ILLUSTRATION FOR PICTURE

BOOKS (top, bottom)

Janet Martin

Gentlemen at the Ballet

Pencil and gouache

Nancy Vo

I Don’t Want to Travel Except on

the Back of My Tortoise

Pen and ink on Stonehenge


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

ARCHITECTURAL DESIGN CLUSTER

FOUNDATIONSBASICS OF ARCHITECTURAL DESIGNTh is studio course introduces you to the design process as it applies to architecture and architectural space. Th rough idea generation, sketch models, proposal research and presentation and modeling techniques, you will interpret your ideas architecturally as you also explore the locational, contextual and structural aspects of architectural design. You will work on a site-specifi c design project individually and in teams.

Prerequisite: None

ARCHITECTURAL MODELING AND MAQUETTESTh is studio course introduces you to architectural modeling from drawings. Th rough exercises and projects you will learn to read design drawings and build foam core models for architecture, interiors, landscape design or industrial design applications. Emphasis will be on quick building techniques, which are useful in the design process.

Prerequisite: None

PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERSTh is course is essential for artists, designers, illustrators and animators who wish to create convincing images of form, depth and space. Regardless of the medium you work in, you will improve the impact of your work with an understanding of this powerful drawing technique. You will be guided through step-by-step exercises, moving from rough layout sketches to more carefully proportioned images of world architecture, vehicles and the human form.

Prerequisite: None

CREATIVE DRAWING AND ARCHITECTURETh is structured, high-energy course develops your basic to intermediate drawing and sketching skills, specifi cally related to space and spatial concerns. Exercises and projects focus on applying principles of perspective drawing, sketching concepts, and other compositional strategies. A variety of creative freehand techniques will allow you to develop your approach to architectural fi gurative drawing. Class work includes some drawing from a model.

Prerequisite: None

Chris Doray

CEID 122 F001

Oct 5 - Nov 30

Sun 2:00 pm - 5:00 pm


$315

Register by Sept 30

No class Oct 12

Tony O’Regan

CEDR 162 F001

Oct 11 - Nov 29

Sat 9:30 am - 12:30 pm


$285

Register by Oct 6

Tony O’Regan

CEID 223 F001

Oct 11 - Nov 29

Sat 9:30 am - 12:30 pm


$325

Register by Oct 6

Tony O’Regan

CEDR 163 F001

Oct 11 - Nov 29

Sat 1:30 pm - 4:30 pm


$310

Register by Oct 6



Introducing a brand new way to navigate through our courses, we are highlighting areas that focus on the development of Architectural Design skills. For students who are interested in portfolio development for career, school or general interest.

ENHANCED SKILLS3D DESIGN SKETCHINGSketching is an essential process in 3D design; it documents the flow of ideas and can be used as an effective tool for communication. In this course, you will explore pencil-sketching techniques commonly used in industrial design, interior design, furniture design, and architectural design. In this course you will apply design drawing techniques to the visualization of products, environ-ments, forms, and space.

Prerequisite: None

RAPID VISUALIZATION AND PRODUCT RENDERINGRapid visualization is a systematic and effective way to draw imaginary 3D objects and concepts, and is applicable to animation, communication design, industrial design, illustra-tion, architecture, furniture design, and interior design. It helps to expand visual thinking, create new ideas, communicate concepts and to solve design problems. This course introduces you to the methods, techniques and media to produce accurately proportioned freehand sketches and basic renderings. Principles of perspective, projection, light, shade, reflection and texture are examined, including demonstrations of approaches and techniques.

Prerequisite: Strong drawing skills with an enthusiasm for realism and detail

THE ART OF ARCHITECTURAL PHOTOGRAPHYIn this course you will learn introductory techniques for architectural photography for both interior and exterior conditions. From lighting and framing, to preparing and setting up for the shoot, this course will balance demonstrations with hands-on assignments and location shoots. This course is ideal for someone who may want to consider commercial photography options such as real-estate or interior design, or someone who wants to better expand their creative vocabulary towards their own independent work.

Prerequisite: CEPH 141 Black-and-White Film Photography, CEPH 250 Introduction to Digital Photography, or equivalent

Scott Staniland

CEID 260 F001

Sep 24 - Nov 12

Wed 6:30 pm - 9:30 pm


$275

Register by Sep 18

Ying-Chiu Chan

CEID 160 F001

Oct 11 - Nov 29

Sat 1:30 pm - 4:30 pm


$325

Register by Oct 6

Kathryn Mussallem

CEPH 441 F001

Nov 9 - Nov 30

Sun 9:30 am - 1:30 pm


$285

Register by Nov 4


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

CORE SKILLS CEFA 160 F001 BASICS OF COMPOSITION AND FORM SEP 20 - NOV 15 S 1:30 pm - 4:30 pm REBECCA BAYER CEFA 160 F002 BASICS OF COMPOSITION AN D FORM SEP 25 - NOV 20 TH 6:30 pm - 9:30 pm NATALIE PURSCHWITZ CEFA 170 F001 MATERIALS, MEDIA AND CONTEXT OCT 18 - NOV 15 S 9:30 am - 12:45 pm IAN FORBES CEFA 260 F001 DEVELOP YOUR ARTISTIC STYLE SEP 30 - NOV 25 T 6:30 pm - 9:30 pm KEITH LANGERGRABER CEFA 270 F001 3D FORMS NOV 9 - NOV 30 SU 1:30 pm - 5:30 pm KAREN KAZMER CEFA 999 F001 TIN CAN STUDIO WORKSHOP SEP 25 TH 6:00 pm - 9:00 pm CAROLINE BALLHORN + JENNY LEE CRAIGCEFA 900 F001 IMAGE TRANSFER AND SURFACE TREATMENT TECHNIQUE OCT 15 W 7:00 pm - 8:00 pm JACQUELINE ROBINS CEPD 900 F001 FRAMING FOR EXHIBITION NOV 19 W 7:00 pm - 8:00 pm YANG HONG

COMMUNICATION DESIGNCECD 110 F001 BASICS OF COMMUNICATION DESIGN SEP 24 - OCT 29 W 6:30 pm - 9:30 pm CAROLINA BECERRA CECD 110 F002 BASICS OF COMMUNICATION DESIGN NOV 5 - DEC 10 W 6:30 pm - 9:30 pm CAROLINA BECERRA CECD 112 F001 THE ART OF FONTS OCT 5 - NOV 2 SU 1:30 pm - 4:30 pm LINDA COE CECD 160 F001 DRAWING FOR DESIGN OCT 19 - DEC 7 SU 9:30 am - 12:30 pm VJEKO SAGER CECD 280 F001 DESIGN: IDEATION AND CRITICAL THINKING OCT 19 - DEC 7 SU 1:30 pm - 4:30 pm VJEKO SAGER CECD 320 F001 TYPOGRAPHY SEP 14 - NOV 9 SU 9:30 am - 12:30 pm LINDA COE CECD 330 F001 PUBLICATION DESIGN SEP 22 - NOV 17 M 6:30 pm - 9:30 pm HOPE FORSTENZER CECD 999 F001 EXPLORING HAND-LETTERING: FROM FORM TO FREEDOM SEP 18 TH 6:00 pm - 9:00 pm RENEE ALEXANDER

CULTURAL STUDIESCESE 110 F001 ISSUES IN CONTEMPORARY DESIGN OCT 5 - NOV 30 SU 10:30 am - 1:30 pm RAMON KUBICEK CESE 160 F001 ISSUES IN CONTEMPORARY ART OCT 4 - NOV 29 S 10:30 am - 1:30 pm RAMON KUBICEK CESE 180 F001 A SURVEY AND HISTORY OF ART OCT 7 - NOV 25 T 6:30 pm - 9:30 pm RAJDEEP GILL

DIGITAL SKILLS, MEDIA AND TECHNOLOGIESCEAN 152 F001 INTRODUCTION TO MAYA OCT 4 + OCT 5 S + SU 10:00 am - 4:30 pm THOMAS GROPPI CEAN 999 F001 STOP MOTION ANIMATION OCT 2 TH 6:00 pm - 9:00 pm CALLUM PATERSON CECS 130 F001 ADOBE ILLUSTRATOR: THE BASICS OCT 4 - NOV 22 S 9:30 am - 12:30 pm JAIME CLAY CECS 131 F001 PHOTOSHOP: THE BASICS SEP 20 - NOV 15 S 9:30 am - 12:30 pm KATHRYN MUSSALLEM CECS 131 F002 PHOTOSHOP: THE BASICS OCT 19 - DEC 7 SU 9:30 am - 12:30 pm JEN HIEBERT CECS 133 F001 INDESIGN: THE BASICS SEP 30 - NOV 25 T 6:30 pm - 9:30 pm BROOKE ALLEN CECS 136 F001 THE ADOBE SUITE FOR DESIGN AND PRODUCTION SEP 24 - NOV 19 W 6:00 pm - 9:30 pm EDUARDO RODRIGUEZ CECS 136 F002 THE ADOBE SUITE FOR DESIGN AND PRODUCTION OCT 19 - DEC 7 SU 1:30 pm - 5:30 pm JEN HIEBERT CECS 140 F001 PHOTOSHOP FOR PHOTOGRAPHERS OCT 25 - DEC 13 S 1:30 pm - 4:30 pm KATHRYN MUSSALLEM CEDA 140 F001 DIGITAL ANIMATION SEP 29 - NOV 24 M 6:30pm - 9:30pm CEILE PROWSE CEDA 232 F001 INTRODUCTION TO WEB DESIGN SEP 20 - NOV 8 S 9:30 am - 12:30 pm KEVIN MCMILLAN CEDA 250 F001 INTRODUCTION TO WORDPRESS SEP 21 - OCT 19 SU 10:00 am - 4:30 pm KEVIN MCMILLAN CEDA 320 F001 WORDPRESS II NOV 9 - NOV 30 SU 10:00 am - 4:30 pm KEVIN MCMILLAN CEDA 332 F001 WEB DESIGN II SEP 20 - NOV 8 S 1:30 pm - 4:30 pm KEVIN MCMILLAN CEID 235 F001 INTRODUCTION TO RHINO SEP 20 + SEP 21 S + SU 10:00 am - 4:30 pm THOMAS GROPPI

DRAWING CEDR 160 F001 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS SEP 28 - NOV 23 SU 1:30 pm - 4:30 pm FRANCES GRAFTON CEDR 160 F002 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS SEP 29 - NOV 24 M 6:30 pm - 9:30 pm VJEKO SAGER CEDR 160 F003 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS OCT 15 - DEC 3 W 6:30 pm - 9:30 pm KEITH LANGERGRABER CEDR 160 F004 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS OCT 19 - DEC 7 SU 9:30 am - 12:30 pm DAN STARLING CEDR 160 F005 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS OCT 19 - DEC 7 SU 1:30 pm - 4:30 pm JAMES PICARD CEDR 160 F006 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS OCT 26 - DEC 14 SU 9:30 am - 12:30 pm JANET JONES CEDR 162 F001 PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS OCT 11 - NOV 29 S 9:30 am - 12:30 pm TONY O’REGAN CEDR 163 F001 CREATIVE DRAWING AND ARCHITECTURE OCT 11 - NOV 29 S 1:30 pm - 4:30 pm TONY O’REGAN CEDR 164 F001 DRAWING INTO PAINTING: AN INTRODUCTION SEP 28 - NOV 23 SU 9:30 am - 12:30 pm IAN FORBES CEDR 167 F001 DRAWING WITH PEN AND INK: BLACK-AND-WHITE SEP 21 - NOV 16 SU 1:30 pm - 4:30 pm STAN HUNC CEDR 252 F001 DRAWING THE PORTRAIT OCT 1 - NOV 19 W 6:30 pm - 9:30 pm VJEKO SAGER CEDR 260 F001 DRAWING FUNDAMENTALS II OCT 11 - NOV 29 S 9:00 am - 12:30 pm DAN STARLING CEDR 261 F001 DRAWING THE FIGURE AND FACE SEP 22 - OCT 27 M 6:30 pm - 9:45 pm ELENA UNDERHILL CEDR 263 F001 INTRODUCTION TO LIFE DRAWING SEP 28 - NOV 23 SU 1:30 pm - 4:30 pm KEITH LANGERGRABER CEDR 363 F001 DRAWING: HANDS, FACE AND FEET SEP 30 - NOV 25 T 6:30 pm - 9:30 pm VJEKO SAGER

TIMETABLE Courses listed with a or indicate Leeway demos and workshops



DRAWING (CONT’D)CEDR 400 F001 LIFE DRAWING OPEN STUDIO OCT 5 - NOV 2 SU 1:30 pm - 5:30 pm UNINSTRUCTED CEDR 999 F001 COLLABORATIVE DRAWING NIGHT OCT 23 TH 6:00 pm - 9:00 pm UNINSTRUCTED CEDR 999 F002 EXPERIMENTAL MARK MAKING: INK DEC 4 TH 6:00 pm - 9:00 pm STAN HUNC CEDR 999 F003 EXPERIMENTAL MARK MAKING: CHARCOAL DEC 11 TH 6:00 pm - 9:00 pm STAN HUNC

GRAPHIC NOVELCEGN 160 F001 THE CONTEMPORARY COMIC: AN INTRODUCTION OCT 11 - DEC 13 S 6:30 pm - 9:30 pm JULIAN LAWRENCE CEGN 240 F001 NARRATIVE STRUCTURES IN GRAPHIC NOVELS SEP 25 - NOV 13 TH 6:30 pm - 9:30 pm JULIAN LAWRENCE

ILLUSTRATIONCEIL 110 F001 BOTANICAL ILLUSTRATION: THE DRAWING STUDIO OCT 4 - OCT 25 S 1:30 pm - 5:30 pm ELIZABETH MANCINI CEIL 170 F001 INTRODUCTION TO ILLUSTRATION SEP 20 - NOV 8 S 1:30 pm - 4:30 pm ROBIN THOMPSON CEIL 230 F001 COMMERCIAL ILLUSTRATION NOV 15 - DEC 13 S 1:30 pm - 5:30 pm ROBIN THOMPSON CEIL 240 F001 ILLUSTRATION FOR PICTURE BOOKS SEP 28 - NOV 23 SU 1:30 pm - 4:30 pm LISA CINAR CEIL 250 F001 FASHION ILLUSTRATION I NOV 1 - NOV 22 S 10:00 am - 2:00 pm NATALIE PURSCHWITZ CEIL 260 F001 PEN AND INK BOOK ILLUSTRATION OCT 15 - DEC 3 W 6:30 pm - 9:30 pm STAN HUNC CEIL 340 F001 ILLUSTRATION FOR PICTURE BOOKS II SEP 28 - NOV 23 SU 9:30am - 12:30pm LISA CINAR CEIL 430 F001 PORTFOLIO FOR PICTURES BOOKS OCT 19 - DEC 7 SU 9:30 am - 12:30 pm STAN HUNC

INDUSTRIAL DESIGNCEID 120 F001 BASICS OF INDUSTRIAL DESIGN SEP 22 - OCT 27 M 6:30 pm - 9:30 pm YING-CHIU CHAN CEID 120 F002 BASICS OF INDUSTRIAL DESIGN NOV 5 - DEC 10 W 6:30 pm - 9:30 pm YING-CHIU CHAN CEID 121 F001 EXPLORATION OF 3D DESIGN SEP 29 - NOV 24 M 6:30 pm - 9:30 pm CHRIS KOWAL CEID 122 F001 BASICS OF ARCHITECTURAL DESIGN OCT 5 - NOV 30 SU 2:00 pm - 5:00 pm CHRIS DORAY CEID 160 F001 RAPID VISUALIZATION AND PRODUCT RENDERING OCT 11 - NOV 29 S 1:30 pm - 4:30 pm YING-CHIU CHAN CEID 223 F001 ARCHITECTURAL MODELING AND MAQUETTES OCT 11 - NOV 29 S 9:30 am - 12:30 pm TONY O’REGAN CEID 224 F001 INTRODUCTION TO MODEL MAKING SEP 27 - NOV 15 S 9:30 am - 12:30 pm YING-CHIU CHAN CEID 231 F001 INTRODUCTION TO SOLIDWORKS NOV 12 - DEC 3 W 6:30 pm - 9:30 pm PHILIP ROBBINS CEID 260 F001 3D DESIGN SKETCHING SEP 24 - NOV 12 W 6:30 pm - 9:30 pm SCOTT STANILAND CEID 420 F001 3D DESIGN STUDIO OCT 9 - NOV 27 TH 6:30 pm - 9:30 pm CHRIS KOWAL CEID 900 F001 SEWING: MODERN PATCHWORK DEC 3 W 7:00 pm - 8:00 pm CLAIRE SCHAGERL CEID 999 F002 SMALL-SCALE TAPESTRY OCT 16 TH 6:00 pm - 9:00 pm JEN HIEBERT

PAINTINGCEPN 160 F001 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS SEP 20 - NOV 8 S 9:30 am - 12:30 pm MARTIN GUDERNA CEPN 160 F002 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS SEP 20 - NOV 8 S 1:30 pm - 4:30 pm SEAN COGGINS CEPN 161 F001 FUNDAMENTALS OF ACRYLIC PAINTING SEP 20 - NOV 8 S 9:30 am - 12:30 pm LORI GOLDBERG CEPN 161 F002 FUNDAMENTALS OF ACRYLIC PAINTING SEP 28 - NOV 23 SU 1:30 pm - 4:30 pm JANET JONESCEPN 162 F001 FUNDAMENTALS OF OIL PAINTING SEP 28 - NOV 23 SU 9:30 pm - 12:30 pm HELENA WADSLEYCEPN 163 F001 FUNDAMENTALS OF WATERCOLOUR OCT 11 - NOV 29 S 9:30 pm - 12:30 pm JAMES PICARD CEPN 164 F001 USING COLOUR OCT 2 - OCT 30 TH 6:15 pm - 9:30 pm MARTIN GUDERNA CEPN 164 F002 USING COLOUR OCT 4 - OCT 25 S 1:30 pm - 5:30 pm ELIZABETH BARNES CEPN 165 F001 THE BUILT SURFACE: PAINT AND COLLAGE SEP 24 - NOV 19 W 6:30 pm - 9:30 pm JEANNE KRABBENDAM CEPN 169 F001 MIXED MEDIA PAINTING TECHNIQUES SEP 23 - NOV 18 T 6:30 pm - 9:30 pm MARTIN GUDERNA CEPN 190 F001 ANYTHING BUT THE BRUSH SEP 23 - NOV 25 T 6:30 pm - 9:30 pm JEANNE KRABBENDAM CEPN 260 F001 PAINTING FUNDAMENTALS II OCT 11 - NOV 29 S 1:30 pm - 4:30 pm MARTIN GUDERNA CEPN 261 F001 ACRYLIC PAINTING II SEP 28 - OCT 26 SU 1:30 pm - 5:30 pm LORI GOLDBERG CEPN 262 F001 OIL PAINTING II SEP 27 - OCT 18 S 1:30 pm - 5:30 pm HELENA WADSLEYCEPN 263 F001 WATERCOLOUR PAINTING II NOV 8 - NOV 29 S 1:30 pm - 5:30 pm JAMES PICARD CEPN 264 F001 USING COLOUR II NOV 2 - NOV 23 SU 1:30 pm - 5:30 pm ELIZABETH BARNES CEPN 270 F001 FORMS AND CONCEPTS IN CONTEMPORARY PAINTING OCT 19 - DEC 7 SU 9:30 am - 12:30 pm ELIZABETH BARNES CEPN 352 F001 PAINTING THE PORTRAIT NOV 1 - DEC 13 S 1:30 pm - 5:30 pm ANDREA TAYLORCEPN 360 F001 PAINTING OPEN STUDIO SEP 29 - NOV 24 M 6:30 pm - 9:30 pm LORI GOLDBERG CEPN 365 F001 OPEN STUDIO LAYERING TECHNIQUES SEP 20 - NOV 22 S 9:30 am - 12:30 pm JEANNE KRABBENDAM CEPN 371 F001 PAINTING BOOT CAMP: COMPOSITION AND THE PICTURE PLANE NOV 2 - NOV 30 SU 9:30 am - 12:45 pm LORI GOLDBERG CEPN 373 F001 PAINTING BOOT CAMP: APPROACHES TO FIGURE + THE PORTRAIT NOV 22 - DEC 13 S 1:30 pm - 5:30 pm ELENA UNDERHILLCEPN 900 F001 SHAPED PANELS AND CANVASES OCT 8 W 7:00 pm - 8:00 pm YANG HONG CEPN 999 F001 NON-TOXIC PAINTING: EGG TEMPERA FROM SCRATCH OCT 26 SU 9:30 am - 4:30 pm HELENA WADSLEY


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PHOTOGRAPHYCEPH 144 F001 PHOTOGRAPHIC COMPOSITION SEP 28 - NOV 9 SU 2:30 pm - 5:30 pm DIANE EVANS CEPH 148 F001 A COMPREHENSIVE INTRODUCTION TO BLACK-AND-WHITE PHOTOGRAPHY SEP 21 - NOV 23 SU 9:30 am - 12:30 pm DIANE EVANS CEPH 230 F001 THE MAGIC OF STREET PHOTOGRAPHY SEP 27 - NOV 15 S 9:30 am - 12:30 pm VENDULA RALKOVA CEPH 235 F001 TWILIGHT TO NIGHT PHOTOGRAPHY OCT 22 - NOV 19 W 6:30 pm - 9:30 pm KATHRYN MUSSALLEM CEPH 250 F001 INTRODUCTION TO DIGITAL PHOTOGRAPHY OCT 4 - NOV 22 S 9:30 am - 12:30 pm JOSH HITE CEPH 255 F001 DIGITAL PHOTOGRAPHY OPEN STUDIO SEP 29 - NOV 24 M 6:30 pm - 9:30 pm KATHRYN MUSSALLEM CEPH 352 F001 ADVANCED DIGITAL PHOTOGRAPHY OCT 4 - NOV 22 S 1:30 pm - 4:30 pm JOSH HITE CEPH 441 F001 THE ART OF ARCHITECTURAL PHOTOGRAPHY NOV 9 - NOV 30 SU 9:30 am - 1:30 pm KATHRYN MUSSALLEM

PRINTMAKINGCEPR 160 F001 INTRODUCTION TO RELIEF PRINTMAKING NOV 8 - NOV 22 S 10:00 am - 4:30 pm TOMOYO IHAYACEPR 162 F001 INTRODUCTION TO SILKSCREEN SEP 20 - OCT 18 S 10:00 am - 4:30 pm LESLIE URQUHART CEPR 164 F001 TEXTILE PRINTING I SEP 28 - NOV 9 SU 9:30 pm - 1:30 pm ELEANOR HANNAN CEPR 165 F001 PRINTMAKING TECHNIQUES OCT 4 - OCT 25 S 10:00 am - 4:00 pm SHIN MINEGISHI CEPR 362 F001 SILKSCREEN OPEN STUDIO OCT 25 - NOV 15 S 10:00 am - 4:30 pm LESLIE URQUHART CEPR 900 F001 INTRODUCTION TO THE PROOFING PRESS SEP 10 W 7:00 pm - 8:00 pm MARLENE YUEN CEPR 900 F002 SCREEN PRINTING: STENCIL TECHNIQUES NOV 5 W 7:00 pm - 8:00 pm JACQUELINE ROBINS CEBA 112 F001 LETTERPRESS I SEP 20 - OCT 11 S 9:30 am - 4:30 pm ANDREA TAYLOR CEBA 170 F001 BASICS OF BOOK MAKING SEP 24 - NOV 12 W 6:30 am - 9:30 pm AIMEE BROWN CEBA 212 F001 LETTERPRESS OPEN STUDIO SEP 21 - OCT 19 SU 10:00 am - 2:00 pm ANDREA TAYLOR

PROFESSIONALISING YOUR PRACTICECEPD 190 F001 THE BUSINESS OF ART PRACTICE SEP 27 - NOV 15 S 1:30 pm - 4:30 pm CHRIS TYRELL LORANGER CEPD 190 F002 THE BUSINESS OF ART PRACTICE OCT 8 - NOV 26 W 6:30 pm - 9:30 pm CHRIS TYRELL LORANGER CEPD 210 F001 THE BUSINESS OF DESIGN PRACTICE OCT 1 - NOV 19 W 6:30 pm - 9:30 pm TONY O’REGAN CEPD 900 F002 SCANNING FOR ARCHIVING AND DIGITAL OUTPUT NOV 26 W 7:00 pm - 8:00 pm LAUREN SCOTT CEPD 999 F001 PHOTO-DOCUMENTATION FOR PORTFOLIO PART 1 NOV 6 TH 6:00 pm - 9:00 pm JOSH HITE CEPD 999 F002 PHOTO-DOCUMENTATION FOR PORTFOLIO PART 2 NOV 13 TH 6:00 pm - 9:00 pm JOSH HITE CESM 110 F001 SOCIAL MEDIA FOR YOUR PRACTICE SEP 22 - NOV 17 M 6:30 pm - 9:30 pm MARNI NORWICH CETP 175 F001 PORTFOLIO WORKSHOP FOR TEENS NOV 2 - NOV 9 SU 10:00 am - 4:00 pm LAURA KOZAK

SCULPTURE AND INSTALLATIONCESC 178 F001 INTRODUCTION TO MOLD DESIGN AND CASTING SEP 22 - NOV 17 M 6:30 pm - 9:30 pm PHILIP ROBBINS CESC 179 F001 SMALL-SCALE MODELING OCT 11 - NOV 29 S 1:30 pm - 4:30 pm VICKI ISRAEL CESC 180 F001 INTRODUCTION TO METAL SCULPTURE SEP 23 - DEC 9 T 6:30 pm - 9:30 pm IAN RHODES CESC 280 F001 METAL SCULPTURE OPEN STUDIO SEP 25 - DEC 4 TH 6:30 pm - 9:30 pm IAN RHODES CESC 999 F001 MIG WELDING FOR BEGINNERS: AN INTRODUCTION SEP 17 W 6:00 pm - 9:00 pm IAN RHODES

TIMETABLE (CONT’D)



FUNDAMENTALS BASICS OF INDUSTRIAL DESIGNThis course introduces you to the fundementals of industrial design. In it, you will gain an awareness of the design process with an emphasis on design criteria. This will be followed by formulation of the design brief, development of creative concepts, user testing and quick model making. You will work on a design project through to completion of a full-scale model and a short design presentation.

Prerequisite: None

EXPLORATION OF 3D DESIGNThis course explores the principles of three-dimensional design through a variety of materials and processes. You will develop technical and conceptual skills in applying the concepts of space, mass, contrast, balance, scale and surface. You will create both functional and sculptural objects through projects that explore 3D concepts, forms and materials. The emphasis will be on hands-on problem solving and imaginative and experimental responses to proposed projects. This course is ideal for anyone wanting to explore dimensional considerations in their work.

Prerequisite: None

RAPID VISUALIZATION AND PRODUCT RENDERINGRapid visualization is a systematic and effective way to draw imaginary 3D objects and concepts, and is applicable to animation, communication design, industrial design, illustration, architecture, furniture design, and interior design. It helps to expand visual thinking, create new ideas, communicate concepts and to solve design problems. This course introduces you to the methods, techniques and media to produce accurately proportioned freehand sketches and basic renderings. Principles of perspective, projection, light, shade, reflection and texture are examined, including demonstrations of approaches and techniques.

Prerequisite: Strong drawing skills with an enthusiasm for realism and detail

SKILL BUILDINGINTRODUCTION TO MODEL MAKINGModels are 3D previews of designs before they go to production. They can serve as the proof-of-concept, be subjected to ergonomic testing, or they can be a sales tool. Through presentations, demonstrations, workshop practice and design projects, you will learn the fundamental techniques to fabricate mock-ups and models using block materials and sheet materials.

Prerequisite: Basic hand-tool skills and reasonable sketching ability

3D DESIGN SKETCHINGSketching is an essential process in 3D design; it documents the flow of ideas and can be used as an effective tool for communication. In this course, you will explore pencil-sketching techniques commonly used in industrial design, interior design, furniture design, and architec-tural design. You will apply design drawing techniques to the visualization of products, environments, forms and space.

Prerequisite: None

INDUSTRIAL DESIGN

Ying-Chiu Chan

CEID 120 F001

Sep 22 - Oct 27

Mon 6:30 pm - 9:30 pm


$265

Register by Sep 17

Ying-Chiu Chan

CEID 120 F002

Nov 5 - Dec 10

Wed 6:30 pm - 9:30 pm


$265

Register by Oct 31

Chris Kowal

CEID 121 F001

Sep 29 - Nov 24

Mon 6:30 pm - 9:30 pm


$310

Register by Sep 24

Ying-Chiu Chan

CEID 160 F001

Oct 11 - Nov 29

Sat 1:30 pm - 4:30 pm


$325

Register by Oct 6

Ying-Chiu Chan

CEID 224 F001

Sep 27 - Nov 15

Sat 9:30 am - 12:30 pm


$350

Register by Sep 22

Scott Staniland

CEID 260 F001

Sep 24 – Nov 12

Wed 6:30 pm – 9:30 pm


$275

Register by Sep 19


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

APPLIED TECHNIQUES 3D DESIGN STUDIOIn this advanced-level studio course you will work on product design processes and methods as they relate to the development of functional or experimental objects or environments. The emphasis is on research, problem solving and creative experimental responses to projects, discussions and critiques of ideas and form. Topics include: analysis, concept development and communicating 3D concepts for products or environments as models or prototypes.

Prerequisite: All core courses in the Certificate Program in 3D Design, or equivalent experience, are required; elective courses are strongly recommended

Chris Kowal

CEID 420 F001

Oct 9 - Nov 27

Thu 6:30 pm - 9:30 pm


$335

Register by Oct 4

BASICS OF ARCHITECTURAL DESIGNThis studio course introduces you to the design process as it applies to architecture and architectural space. Through idea generation, sketch models, proposal research and presentation and modeling techniques, you will interpret your ideas architecturally as you also explore the locational, contextual and structural aspects of architectural design. You will work on a site-specific design project individually and in teams.

Prerequisite: None

ARCHITECTURAL MODELING AND MAQUETTESThis studio course introduces you to architec-tural modeling from drawings. Through exercises and projects you will learn to read design drawings and build foam core models for architecture, interiors, landscape design or industrial design applications. Emphasis will be on quick building techniques, which are useful in the design process.

Prerequisite: None

Chris Doray

CEID 122 F001

Oct 5 - Nov 30

Sun 2:00 pm - 5:00 pm


$315

Register by Sep 30

No class Oct 12

Tony O’Regan

CEID 223 F001

Oct 11 - Nov 29

Sat 9:30 am - 12:30 pm


$325

Register by Oct 6

INDUSTRIAL DESIGN (CONT’D)

ARCHITECTURAL DESIGNFUNDAMENTALS



FUNDAMENTALS FASHION ILLUSTRATION IIn this course you will develop your drawing skills and begin to produce basic fashion illustrations. Working from imagination, photographs and the model, you will create fashion figures through the study of proportion, line and silhouette as you work on communicating your fashion direction.


Natalie Purschwitz

CEIL 250 F001

Nov 1 - Nov 22

Sat 10:00 am - 2:00 pm


$215

Register by Oct 27

Claire Schagerl

CEID 900 F001

Dec 3

Wed 7:00 pm - 8:00 pm


FREE

Register by Nov 28

Jen Hiebert

CEID 999 F002

Oct 16

Thu 6:00 pm - 9:00 pm


$65

Register by Oct 11

WORKSHOPS + DEMOSSEWING: MODERN PATCHWORKLearn how to sew a playful take on the traditional log-cabin square — and transform it into a modern throw pillow cover — in this one-hour demonstration suitable for beginners. Materials, sewing techniques, fabric choices and design interpretations will be discussed. Note: this session is not hands-on, but for demonstration only.

Prerequisite: None

SMALL-SCALE TAPESTRYLearn how to hand-weave your own tapestry. Using simple, portable frame looms, you will weave a small sampler showing basic tapestry weaving techniques, including shape-building and colour-blending with yarn. Looms and yarn will be provided.

Prerequisite: None

free!

FASHION DESIGN + TEXTILES


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FUNDAMENTALS PAINTING FUNDAMENTALS I: COMPOSITION/PROCESSThis course is an introduction to core principles in painting. Various painting techniques are introduced as you explore basic composition, line, contrast, colour, texture and the use of tools and materials. Formal elements of composition are explored as you experiment with a variety of techniques and approaches. Through hands-on exercises, you will explore techniques and methods artists have used through the ages.

Prerequisite: None

FUNDAMENTALS OF ACRYLIC PAINTINGThis course provides a step-by-step introduction to painting with acrylics. You will gain an understanding of colour, space and composition while being introduced to technical and conceptual concerns. Thinning, thickening and texturing techniques and their applications will be explored.

Prerequisite: None

PAINTING

Martin Guderna

CEPN 160 F001

Sep 20 - Nov 8

Sat 9:30 am - 12:30 pm


$355

Register by Sep 15

Sean Coggins

CEPN 160 F002

Sep 20 - Nov 8

Sat 1:30 pm - 4:30 pm


$355

Register by Sep 15

Lori Goldberg

CEPN 161 F001

Sep 20 - Nov 8

Sat 9:30 am - 12:30 pm


$310

Register by Sep 15

Janet Jones

CEPN 161 F002

Sep 28 - Nov 23

Sun 1:30 pm - 4:30 pm


$310

Register by Sep 23

No class Oct 12



Helena Wadsley

CEPN 162 F001

Sep 28 - Nov 23

Sun 9:30 pm - 12:30 pm


$310

Register by Sep 23

No class Oct 12

James Picard

CEPN 163 F001

Oct 11 - Nov 29

Sat 9:30 pm - 12:30 pm


$310

Register by Oct 6

FUNDAMENTALS OF OIL PAINTINGExperience the beauty and texture of oil painting. Explore the tools, skills, terminology and imagery of this luminous medium through projects and experimentation. Use and preparation of various surface materials, colour mixing, composition and texture are examined.

Prerequisite: None

FUNDAMENTALS OF WATERCOLOURThis course introduces you to the essential techniques of painting with watercolour. Through projects and discussion you will gain familiarity with the properties of watercolour as you explore various approaches to traditional and contemporary concepts. Graded wash, building light and dark values, building perspective and understanding the relation of values to colour will be introduced.

Prerequisite: None

USING COLOURThe use of colour is one of the most important considerations you will make in your practice. This introductory course is ideal for anyone who wants to understand the principles of colour theory, and how to work effectively with it. You will investigate the creative use of colour in a variety of mediums, and explore its use in developing observational and painting skills as well as creating compositional structure.

Prerequisite: None

Martin Guderna

CEPN 164 F001

Oct 2 - Oct 30

Thu 6:15 pm - 9:30 pm


$275

Register by Sep 27

Last class 3 hrs

Elizabeth Barnes

CEPN 164 F002

Oct 4 - Oct 25

Sat 1:30 pm - 5:30 pm


$275

Register by Sep 29

Jeanne Krabbendam

CEPN 165 F001

Sep 24 - Nov 19

Wed 6:30 pm - 9:30 pm


$315

Register by Sep 19

No class Oct 15

Martin Guderna

CEPN 169 F001

Sep 23 - Nov 18

Tue 6:30 pm - 9:30 pm


$285

Register by Sep 18

THE BUILT SURFACE: PAINT AND COLLAGEExplore non-traditional art materials and ways of working in this introductory course on collage and the built surface. Projects introduce you to image-transfer techniques, collage, spackle and mixed composites. You will experiment with various painting techniques such as frottage, grattage, staining and separation effects. Themes, symbols and concepts related to the object or the place it was found will be developed through discussion and critiques.

Prerequisite: None

MIXED MEDIA PAINTING TECHNIQUESFor both beginner and experienced painters, this course introduces the process of image-making on a variety of surfaces. Working with a range of materials such as gesso, plaster, paint, ink, charcoal and various papers, you will explore expression and emotion through layering, drawing and brushwork.

Prerequisite: None


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PAINTING FUNDAMENTALS IIIn this intermediate course you will expand your exploration of painting techniques, tools, materials and their applications. You will become more sophisticated in your ability to convey messages, ideas, emotions and issues. While traditional techniques and systems will be explored, the emphasis will be on contemporary painting strategies.

Prerequisite: CEPN 160 Painting Fundamentals I: Composition/Process, CEPN 161 Fundamentals of Acrylic Painting, CEPN 164 Using Colour, or equivalent

ACRYLIC PAINTING IIThis intermediate course is designed to further your exploration of acrylic painting as an expressive medium. You will explore and experiment with materials and a variety of conceptual and technical approaches to painting with acrylics. Emphasis will be on your individual development, and on enhancing your technical skills and personal expression. The course will move fluidly between traditional applications, and abstract and expressive ones.

Prerequisite: CEPN 161 Fundamentals of Acrylic Painting or equivalent

Martin Guderna

CEPN 260 F001

Oct 11 - Nov 29

Sat 1:30 pm - 4:30 pm


$310

Register by Oct 6

Lori Goldberg

CEPN 261 F001

Sep 28 - Oct 26

Sun 1:30 pm - 5:30 pm


$245

Register by Sep 23

No class Oct 12

Helena Wadsley

CEPN 262 F001

Sep 27 - Oct 18

Sat 1:30 pm - 5:30 pm


$245

Register by Sep 22

OIL PAINTING IIThis intermediate course expands your exploration with oil paint, and focuses on your development, exploration and analysis of colour, composition, use of scale, subject matter and technical processes. Partly directed through exercise, and partly self-directed studio, throughout the course you will consider examples from contempo-rary and historical painting and how they inform your work.

Prerequisite: CEPN 162 Fundamentals of Oil Painting or equivalent

WATERCOLOUR PAINTING IIThis intermediate course expands your fundamental skills in watercolour. You will continue to explore traditional, alternative and experimental approaches to creating imagery that is lively, vibrant and authentic. Experimentation and improvisation will help you open up the more expressive and communicative qualities of this fluid and flexible medium. Inspiration will come from working with the still life, the human figure and more imaginative exercises.

Prerequisite: CEPN 163 Fundamentals of Watercolour or equivalent

USING COLOUR IIThis intermediate course allows you to further expand your understanding of colour by exploring intense and diminished colour as well as discords and spatial effects. Focus will be on supporting you to develop a personal colour palette, as well as practical skills and imaginative approaches to colour in your personal work.

Prerequisite: CEPN 164 Using Colour or equivalent

James Picard

CEPN 263 F001

Nov 8 - Nov 29

Sat 1:30 pm - 5:30 pm


$245

Register by Nov 3

Elizabeth Barnes

CEPN 264 F001

Nov 2 - Nov 23

Sun 1:30 pm - 5:30 pm


$245

Register by Oct 28

PAINTING (CONT’D)

SKILL BUILDING



Lori Goldberg

CEPN 371 F001

Nov 2 - Nov 30

Sun 9:30 am - 12:45 pm


$235

Register by Oct 28

Last class 3 hrs

PAINTING BOOT CAMP: COMPOSITION AND THE PICTURE PLANEThis course will focus on how to create successful compositions exploring balance, form and colour in both traditional and contemporary painting. You will learn how to transition between specific techniques introduced in Technique Boot Camp: Painting and how to use these within the same painting. You will work on using the full potential of the picture plane, establishing a strong sense of perspective, dynamism, and unity. Exercises will focus on both the abstract and still life genres.

Prerequisite: CEPN 271 Technique Boot Camp: Painting or equivalent

PAINTING BOOT CAMP: APPROACHES TO FIGURE AND THE PORTRAITThis course will exploring diverse ways of representing the figure and the portrait. There will be instruction on the figure/ground relationship, as well as the capturing of emotion. You will explore both traditional paint techniques and contemporary concepts of representing the human face and form. Course work will be done using acrylic paints.

Prerequisite: CEPN 271 Technique Boot Camp: Painting or equivalent

Elena Underhill

CEPN 373 F001

Nov 22 - Dec 13

Sat 1:30 pm - 5:30 pm


$245

Register by Nov 17


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

Jeanne Krabbendam

CEPN 190 F001

Sep 23 - Nov 25

Tue 6:30 pm - 9:30 pm


$310

Register by Sep 18

No class Oct 14

Jeanne Krabbendam

CEPN 365 F001

Sep 20 - Nov 22

Sat 9:30 am - 12:30 pm


$325

Register by Sep 15

No class Oct 11 + Nov 8

Andrea Taylor

CEPN 352 F001

Nov 1 - Dec 13

Sat 1:30 pm - 5:30 pm


$300

Register by Oct 27

No class Nov 22

ANYTHING BUT THE BRUSHThis course will challenge you to expand your approach to paint application by introducing you to a broad range of usual and less usual art tools, from knives and rollers to tile-cutters, brooms, sticks and trowels. In this course, you will step outside of your usual methods and set aside your most comfortable ways of working with paint. Assignments will focus on larger projects, and on creating paint-based mixed media art in non-conventional ways.

Prerequisite: None

FORMS AND CONCEPTS IN CONTEMPORARY PAINTINGThis unique course combines studio work and contemporary art history with a focus on the practice of painting. This course is ideal for students who are interested in locating their own practice within the contemporary art market and gallery system. You will be equipped with, and encouraged to locate, your own practice within broader themes and trends. You will have a chance to further your studio work while being encouraged to develop new and contemporary ways of talking about your painting practice.

Prerequisite: Students should have a current painting practice

PAINTING OPEN STUDIOPainting Open Studio is a self-directed course intended to provide support for work on your independent projects. You will benefit from individual guidance from the instructor, group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal approach to painting.

Prerequisite: Any 100-level painting course or equivalent is required; 200-level painting experience is strongly recommended

Lori Goldberg

CEPN 360 F001

Sep 29 - Nov 24

Mon 6:30 pm - 9:30 pm


$285

Register by Sep 24

OPEN STUDIO LAYERING TECHNIQUESThis open studio course will offer you room and experience to create your own work in mixed media layering techniques while being supported and coached by a mixed media art instructor. The course will offer further development for your painting techniques and the use of new and different materials and tools. Through discussion, critiques and individual guidance you will be challenged to develop your style and grow in your art practice.

Prerequisite: CEPN 165 The Built Surface: Paint and Collage and CEPN 265 Exploring the Built Surface: Gels and Wax or equivalent experience in mixed media painting

PAINTING THE PORTRAITLearn accurate and expressive portrait painting through working from the live model, supplemented with understanding of the proportions and forms of the human head and skull. In addition, you will learn analysis and depiction of features and how to mix a range of warm and cool skin colours. Use of materials, mediums, brushes, finishes and approaches will also be discussed. Reference to contemporary and historical portraiture, demonstrations and feedback will be provided throughout.

Prerequisite: Any 100-level painting course. Some prior experience in drawing or painting the face is recommended, but not mandatory

Elizabeth Barnes

CEPN 270 F001

Oct 19 - Dec 7

Sun 9:30 am - 12:30 pm


$275

Register by Oct 14

PAINTING (CONT’D)

APPLIED TECHNIQUES



SHAPED PANELS AND CANVASESShaped panels and canvases may not be the norm when it comes to painting surfaces, but they can function as distinctive elements in any painting or mixed media practice. This demo will cover some of the building processes and techniques for constructing a painting surface that goes beyond a rectangle or even a square.

Prerequisite: None

Yang Hong

CEPN 900 F001

Oct 8

Wed 7:00 pm - 8:00 pm


FREE

Register by Oct 3

Helena Wadsley

CEPN 999 F001

Oct 26

Sun 9:30 am - 4:30 pm


$130

Register by Oct 21

WORKSHOPS + DEMOSNON-TOXIC PAINTING: EGG TEMPERA FROM SCRATCHExplore this versatile non-toxic painting medium as an alternative to oil or acrylic. This workshop will walk you through the process of making paint with only egg yolk and pigment, allowing you to move away from ready-made paint tubes and gain a more detailed understanding of pigments.

Prerequisite: None

free!new!


T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

A COMPREHENSIVE INTRODUCTION TO BLACK-AND-WHITE PHOTOGRAPHYThis course is for students seeking a robust introduction to the manual operation of a 35mm camera and black-and-white darkroom techniques. Topics include: principles of exposure, use of natural light in photographic imagery, film processing, enlargement techniques and the machine and tray processing of prints. You will be encouraged to expand your understanding of the technical and aesthetic possibilities of photography while developing an awareness of your own approach and interests. More importantly, you will have the opportunity to work in Emily Carr’s darkrooms and wet labs under the guidance of expert instructors.

Prerequisite: None. You must supply your own 35mm camera

FUNDAMENTALS

PHOTOGRAPHY

Diane Evans

CEPH 148 F001

Sep 21 - Nov 23

Sun 9:30 am - 12:30 pm


$285

Register by Sep 16

No class Oct 12

Josh Hite

CEPH 250 F001

Oct 4 - Nov 22

Sat 9:30 am - 12:30 pm


$285

Register by Sep 29

INTRODUCTION TO DIGITAL PHOTOGRAPHYThis course is designed for those beginning to explore photography using a digital camera, as well as for those wanting to add digital techniques to their current photo-graphic practice. While focusing on the specific nature of digital photography, you will also be exposed to larger considerations of composition, lighting and framing. In addition, you will learn basic image editing and printing techniques. The course is organized on a series of projects, but also offers you the opportunity to work on your independent projects. Note: This course does not provide robust Photoshop skills, but introductory techniques as applied to the projects in the course.

Prerequisite: Proficient Macintosh skills or equivalent; students are required to bring their own digital camera with USB connectivity

Pregnant or breast-feeding women are prohibited from taking photography courses with darkroom access. Darkroom chemicals are harmful to the unborn child and can be absorbed into a woman’s breast milk.



Kathryn Mussallem

CECS 140 F001

Oct 25 - Dec 13

Sat 1:30 pm - 4:30 pm


$450

Register by Oct 20

Diane Evans

CEPH 144 F001

Sep 28 - Nov 9

Sun 2:30 pm - 5:30 pm


$275

Register by Sep 23

No class Oct 12

SKILL BUILDINGPHOTOSHOP FOR PHOTOGRAPHERSDesigned for photographers, this course explores the range of capabilities of Adobe Photoshop as a tool for image correction and manipulation including colour calibration, layers, dodging and burning, converting colour images to greyscale, toning and retouching. Time will be available for work on personal images. Using scanned and digital images, you will be introduced to topics including: RAW file format, colour management, basic selection techniques, a variety of techniques for tonal and colour correction, retouching and final image output. Note: This course is taught in our Mac Labs using Creative Cloud.

Prerequisite: Experience with Macintosh Computer is highly recommended, as well as general experience in either digital or film photography

PHOTOGRAPHIC COMPOSITIONComposition is perhaps one of the most important considerations you will make in your photo-graph. What you choose to include or omit from the frame influences the overall visual impact and message of your photograph. This course will provide a close examination of the various aspects of composition and how they affect the look and meaning of an image. Through lectures, assignments, self-directed projects and critiques, you will explore line, shape, colour, texture, depth of field, and surface. Note: This course does not include darkroom or computer lab access.

Prerequisite: Students are required to bring their own 35mm or digital camera (manual operation)and should have basic knowledge of light metering/proper exposure

DIGITAL PHOTOGRAPHY IIThis course is for those interested in pursuing a more advanced study of digital photography. Through a series of projects and critiques, you will expand your technical abilities and explore your personal aesthetics. Content, form, aesthetics, technical issues around processing, file formats, controlling exposure and special effects techniques will be covered. Digital SLR cameras are recommended.

Prerequisite: Class is for photographers experienced in both digital photography and processing (i.e. uploading images, understanding image size and resolution, cropping, adjusting levels, and saving files)

APPLIED TECHNIQUESTHE MAGIC OF STREET PHOTOGRAPHYThe street has been a subject of interest since the birth of photography. From Eugene Atget and Henri Cartier-Bresson, to Robert Frank and Diane Arbus, the camera became the lens through which photographers began to observe and document everyday life. In this course, you will walk the streets to discover ever-changing inspiration, while learning important considerations for composition, lighting and subject matter. Through lectures and hands-on assignments the course will feature in-depth critiques, feed-back and discussions. Note: This course does not include darkroom access.

Prerequisite: Foundation in photographic principles and practical knowledge of your own camera

Josh Hite

CEPH 352 F001

Oct 4 - Nov 22

Sat 1:30 pm - 4:30 pm


$265

Register by Sep 29

Vendula Ralkova

CEPH 230 F001

Sep 27 - Nov 15

Sat 9:30 am - 12:30 pm


$285

Register by Sep 22


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Kathryn Mussallem

CEPH 235 F001

Oct 22 - Nov 19

Wed 6:30 pm - 9:30 pm


$285

Register by Oct 17

Last class 4 hrs

Applied Techniques (Cont’d)

TWILIGHT TO NIGHT PHOTOGRAPHYTwilight provides an exciting opportunity to observe the changing conditions of light and weather, and to play with its possibilities in the medium photography. In this course you will explore this transitional moment of the day where dramatic narrative, colour saturation and mystery seem heightened. Field trips will take you out of the classroom to explore the city shrouded in the light of the magic hour moving into the theatre of the night. You must supply your own digital or SLR camera but should note that this course does not involve printing.

Prerequisite: CEPH 141 Black-and-White Film Photography I, CEPH 250 Introduction to Digital Photography, or equivalent

DIGITAL PHOTOGRAPHY OPEN STUDIOThis Open Studio course is an opportunity to compose, shoot, edit and print digital photos in a dynamic and independent environment. This course is designed to encourage exploration and stimulate an exchange of ideas among participating students within a creative communal atmosphere. With the support of an instructor, you will work independently on self-directed projects using digital photography and Photoshop. Instruction will include slide lectures and discussion of contemporary and past artists and photographers, project guidance, technical assistance and individual and group critiques.

Prerequisite: Proficient Macintosh skills and CECS 131 Photoshop: The Basics or equivalent; students are required to bring their own digital camera with USB connectivity

THE ART OF ARCHITECTURAL PHOTOGRAPHYIn this course you will learn introductory techniques for architectural photography for both interior and exterior conditions. From lighting and framing, to preparing and setting up for the shoot, this course will balance demonstrations with hands-on assignments and location shoots. This course is ideal for someone who may want to consider commercial photography options such as real-estate or interior design, or someone who wants to better expand their creative vocabulary towards their own independent work.

Prerequisite: CEPH 141 Black-and-White Film Photography I, CEPH 250 Introduction to Digital Photography, or equivalent

Kathryn Mussallem

CEPH 255 F001

Sep 29 - Nov 24

Mon 6:30 pm - 9:30 pm


$285

Register by Sep 24

Kathryn Mussallem

CEPH 441 F001

Nov 9 - Nov 30

Sun 9:30 am - 1:30 pm


$285

Register by Nov 4

PHOTOGRAPHY (CONT’D)



FUNDAMENTALS INTRODUCTION TO RELIEF PRINTMAKINGExplore ways of creating striking images with this simple yet powerful print medium process. In this foundational course you will be introduced to relief and woodblock printmaking using linoleum, wood and collograph techniques. You will explore printing by hand and press while working with up to three colours. You will also create your own linoleum and wood blocks to continue printing at home.

Prerequisite: None

INTRODUCTION TO SILKSCREENScreen printing techniques provide artists with a simple method of applying their images and ideas to a wide variety of materials and surfaces. Expand your image-making options by learning the basics of silkscreen to print your hand-drawn and photographic images onto paper and fabric. Lessons in concept development, screen and surface preparation, registration and preservation culminate in learning how to establish a home or studio facility for continued art production and explorations.

Prerequisite: None; CEDR 271 Drawing for Printmaking is recommended

TEXTILE PRINTING ITextile printing is the application of colour in definite patterns or designs to fabrics. You will practice a number of methods for printing on fabrics, including block printing and screen printing. Lessons in concepts and creative approaches, as well as technical practices such as basic dyeing and fabric painting, will lead towards establishing a home practice set-up for fabric printing. You will learn about various types of dyes and fabric pigments. Paint techniques and cloth types appropriate to each method used will be demonstrated.

Prerequisite: None

PRINTMAKING TECHNIQUESThis course introduces you to the basics of printmaking through three different techniques: intaglio, lithography, and Japanese woodblock. You will start with intaglio as you learn to work with drypoint on plexiglass. In the lithography section, you will draw on polymer sheets, then print your image using a litho press. You will complete your introduction with Japanese style woodblock using hand rubbing as you explore relief printing. On completion, you will have a broad knowledge of printmaking and three sets of prints.

Prerequisite: None

APPLIED TECHNIQUESSILKSCREEN OPEN STUDIOSilkscreen Open Studio is a self-directed course which is intended to provide support for work on independent projects. You will have individual guidance from the instructor and will benefit from group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal approach to printmaking. Equipment and methods available will focus specifically on silkscreen processing and printing.

Prerequisite: CEPR 162 Introduction to Silkscreen or equivalent

PRINTMAKING

Shin Minegishi

CEPR 165 F001

Oct 4 - Oct 25

Sat 10:00 am - 4:00 pm


$245

Register by Sep 29

Tomoyo Ihaya

CEPR 160 F001

Nov 8 - Nov 22

Sat 10:00 am - 4:30 pm


$240

Register by Nov 3

Leslie Urquhart

CEPR 162 F001

Sep 20 - Oct 18

Sat 10:00 am - 4:30 pm


$275

Register by Sep 15

No class Oct 11

Leslie Urquhart

CEPR 362 F001

Oct 25 - Nov 15

Sat 10:00 am - 4:30 pm


$275

Register by Oct 20

Eleanor Hannan

CEPR 164 F001

Sep 28 - Nov 9

Sun 9:30 pm - 1:30 pm


$420

Register by Sep 23

No class Oct 12


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INTRODUCTION TO THE PROOFING PRESSThis demo will outline the capabilities of a table top proofing press. Learn how to lock, print and proof. Basic letterpress technology will be explained, clean-up and basic maintenance of the press will also be demonstrated.

Prerequisite: None

Marlene Yuen

CEPR 900 F001

Sep 10

Wed 7:00 pm - 8:00 pm


FREE

Register by Sep 5

Jacqueline Robins

CEPR 900 F002

Nov 5

Wed 7:00 pm - 8:00 pm


FREE

Register by Oct 31

FUNDAMENTALSBASICS OF BOOK MAKINGThis course will introduce you to creating a variety of book structures. From unbound structures including folded books to zines and hardcovers, this hands-on class will also look at incorporating mixed media techniques, two and three dimensionality, as well as type applications and image-transfer techniques.

Prerequisite: None

LETTERPRESS ILearn basic letterpress techniques including typography, metal and wood type, and hand typesetting and hot foil stamping. Start with designing and setting your own text, then move through printing, sorting and distributing type. Additional topics and processes include carving and printing linocuts, typefaces, paper, colour, and the use of illustration in your design.

Prerequisite: None

SCREEN PRINTING: STENCIL TECHNIQUESA quick, low-tech and non-toxic method of screen printing, stencil techniques are great for beginner or DIY screen printers. Creation and application of both paper and mactac resists will be discussed and demonstrated.

Prerequisite: None

BOOK ARTS

Aimee Brown

CEBA 170 F001

Sep 24 – Nov 12

Wed 6:30 pm – 9:30 pm


$395

Register by Sep 19

Andrea Taylor

CEBA 112 F001

Sep 20 - Oct 11

Sat 9:30 am - 4:30 pm


$395

Register by Sep 15

APPLIED TECHNIQUESLETTERPRESS OPEN STUDIOThe Letterpress Open Studio is a unique opportunity for self-directed work to be undertaken with individual guidance from instructors. Access to produce work in the Letterpress Room is enhanced by the opportunity to receive feedback and critique from experienced faculty and fellow students.

Prerequisite: CEBA 112 Letterpress I or equivalent

WORKSHOPS + DEMOS

Andrea Taylor

CEBA 212 F001

Sep 21 - Oct 19

Sun 10:00 am - 2:00 pm


$250

Register by Sep 16

No class Oct 12

PRINTMAKING (CONT’D)

free! free!



INTRODUCTION TO MOLD DESIGN AND CASTINGThis intensive, hands-on introductory course explores the essential processes of plasterwork, mold making and casting with an emphasis on the subtleties of mold design and material tips and tricks. Molds, and the production of multiples, are a fundamental component of many sculptural processes and require a specific sequence of steps and attention to particular details for the creation of professional final results. Through a variety of linked assignments, you will develop an in-depth knowledge of plaster and related materials, their working characteristics and their appropriateness for casting particular types of shapes in various types of material (synthetic, organic or ceramic).

Prerequisite: None

SMALL-SCALE MODELINGExplore the fundamental techniques of modeling in this hands-on studio course. Using Plastalina and clay, you will be introduced to the additive process of modeling: the basic shape is blocked out and the surface form is built up gradually over the entire sculpture. Through demonstrations, exercises and projects you will learn how to create small-scale sculpture and relief sculpture using the basic sculptural elements of mass, space, plane, line, scale, movement and texture. Techniques and skills learned will appeal to animators, sculptors, potters, product designers and many others.

Prerequisite: None

SCULPTURE + INSTALLATION

Philip Robbins

CESC 178 F001

Sep 22 – Nov 17

Mon 6:30 pm - 9:30 pm


$250

Register by Sep 17

Vicki Israel

CESC 179 F001

Oct 11 - Nov 29

Sat 1:30 pm - 4:30 pm


$265

Register by Oct 6

Ian Rhodes

CESC 180 F001

Sep 23 - Dec 9

Tue 6:30 pm - 9:30 pm


$455

Register by Sep 18

Last class 2 hrs

FUNDAMENTALS INTRODUCTION TO METAL SCULPTUREThis hands-on introductory course explores the fundamental concepts, materials, processes and techniques of contemporary metal sculpture. You will examine a broad spectrum of metal fabrication techniques and technology, and through creative interpretation be encouraged to combine, refine and evaluate these materials, processes and techniques, using them effectively in the creation of a modestly sized metal sculpture. Topics include a variety of techniques for material cutting, shaping and joining, general shop and equipment safety, work flow and planning and material characteristics. Hand tools, stationary equipment and MIG/oxyacetylene welding will also be examined. Note: All consumables (gasses, welding/brazing rod, and fabrication materials) will be supplied for in-class assignments. Most materials for personal projects will be purchased by students. All projects must be vetted and approved by the instructor.

Prerequisite: Prior art-making experience is required; experience in three-dimensional art is recommended


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APPLIED TECHNIQUESMETAL SCULPTURE OPEN STUDIOThis class is for more advanced metalworking students and is intended to further refine your abilities, skills and knowledge concerning contemporary metal sculpture practice and all the techniques and processes involved within this. Self-directed projects can be realized using the full metal shop facilities, including limited access to the foundry where bronze and aluminum can be cast into two-part sand molds. Throughout the assisted creative process you will work on a piece or pieces of work vetted and approved by the instructor. Note: Costs for the production of projects are not included in the tuition.

Prerequisite: CESC 180 Introduction to Metal Sculpture or previous metal working experience

WORKSHOPS + DEMOSMIG WELDING FOR BEGINNERS: AN INTRODUCTIONAn intensive, hands-on introduction to MIG welding mild steel. The workshop will cover the history and developement of the process as well as the practical hands-on process and welding technique. Health and safety and personal protective equipment will also be covered.

Prerequisite: None

Ian Rhodes

CESC 280 F001

Sep 25 - Dec 4

Thu 6:30 pm - 9:30 pm


$445

Register by Sep 20

Last class 2 hrs

Ian Rhodes

CESC 999 F001

Sep 17

Wed 6:00 pm - 9:00 pm


$65

Register by Sep 12

SCULPTURE + INSTALLATION (CONT’D)



DO YOU OFFER COURSES FOR TEENS?Yes! See page 7 and the inside back cover for this fall’s offerings.

WHERE ARE THE COURSES HELD?Currently, all Continuing Studies courses are held at Emily Carr’s Granville Island campus. We do offer customized programs that can be held off-site.

WHERE CAN I BUY SUPPLIES, AND HOW MUCH WILL THEY COST?Most Continuing Studies courses require that students purchase supplies. A list of required and recommended items is provided with your confirmation of registration in each course. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov Arts & Crafts in North Vancouver. You must present your course registration confirmation/receipt to receive your discount. In general, students should expect to spend between $50 - $150 on supplies for each course.

WHAT ARE THE CERTIFICATE PROGRAMS?Continuing Studies offers Introductory Certificate Programs in Fine Art Techniques, 2D Design Basics, 3D Design Basics and Photography, as well as Advanced Study Certificates in Painting, Drawing, Illustration and Sculpture. These are flexible, part-time programs designed to be completed at your own pace. Anyone may register, and no portfolio is required to apply. Design Essentials is a full-time, one-year, job-ready Certificate Program in graphic design, offered in partnership with BCIT. Interaction Design Essentials is a full-time, 24-week, job-ready Certificate Program in interactive design, offered exclusively through Emily Carr Continuing Studies. More information on our certificates can be found on page 1.

CAN I GET SOMEONE TO LOOK AT MY ART?Continuing Studies does offer personal consultations. Email [email protected] to book your appointment.

AM I ELIGIBLE FOR A DISCOUNT ON COURSES?Seniors: A discount of 10% is available to all seniors aged 60 or older at the time of registration, with identification.Alumni: A discount of 10% is available for those who have completed an Emily Carr diploma or degree, or the Design Essentials Program. Students registered for an Advanced Studies Certificate, who have completed an Introductory Certificate program, will also receive a 10% discount. Note: only one discount will apply.

DO CONTINUING STUDIES COURSES COUNT TOWARD UNIVERSITY DEGREES AT EMILY CARR?Continuing Studies general program courses do not ladder into the University’s credit programs. Design Essentials graduates can now receive transfer credits. See ecuad.ca/cs for more information.

I WOULD LIKE A TOUR OF EMILY CARR. CAN I DO THAT?You will need to plan ahead a little bit and register for a free tour of the University. Most Fridays from September through April, the Admissions Department will take you on an hour-long tour through the various departments and will answer any questions that you may have. To sign up, please email [email protected].

DOES CONTINUING STUDIES OFFER CUSTOM PROGRAMS?Yes, we can work with you to design a custom one-on-one program for individuals, or a professional development or teambuilding program for your group. Email [email protected] for more information.

WHAT HAPPENS IF I NEED TO WITHDRAW MY REGISTRATION?If you need to withdraw and you give us more than seven calendar days notice before the start of your class, we will process the withdrawal and refund your money, minus a $35 administrative fee. Please familiarize yourself with our registration policies on pages 46 and 47 before you register.

FREQUENTLY ASKED QUESTIONS


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REGISTRATION POLICIES +GENERAL INFORMATION

Admission to individual courses is on a first-come, first-served basis. Early registration is strongly recommended as class sizes are limited (average size: 16 students) to ensure a quality educational experience. Unless otherwise indicated, students of Continuing Studies (CS) courses must be at least 16 years old by the course start date.

FeesThe tuition fees apply to the tuition portion of your fee and in some cases may include materials supplied to students, studio assistance, and models. Fees are payable at the time of registration. Failure to make payment within 24 hours of registration will result in being removed from your course(s). Post-dated cheques are not accepted. NSF cheques must be replaced with a certified cheque or cash; a charge of $25 will be levied for each NSF cheque.

Course Transfer PolicyNo transfers of fees will be granted if notification of transfer is received seven or less full business days before the start of the course. A transfer of fees, minus an administrative charge of $35, will be issued if the request for transfer is received no less than seven business days prior to the course start date of the course the student is leaving. You must pay any additional fees at the time of transfer. You may transfer from one course to another by phone, fax, or email.

Withdrawal and Refund PolicyNo refund will be given if notification of withdrawal is received seven or less full business days before the start of the course. Exceptions to the above noted rules are only considered as they pertain to medical or family emergencies on an individual basis. In such cases a written request for refund, accompanied by appropriate documentation from a third party (e.g. medical note), must be submitted. A refund of fees, minus an administrative charge of $35 per course, will be issued if notification of withdrawal is received no less than seven full business days prior to the course start date. Students may withdraw from a course by phone, fax, or email. Under no circumstances will refunds be granted for requests received after the end of a course or workshop. Please note that select longer programs may have exceptional refund policies that require earlier notification of withdrawal or transfers.

PrerequisitesEmily Carr Continuing Studies offers courses which are open

to everyone, regardless of their experience. However we also offer advanced courses for more experienced students. If a course requires a prerequisite or equivalent, we highly recommend that you take the Emily Carr Continuing Studies prerequisite prior to taking the advanced course. • Not sure if your skill level is equivalent to the course?

Just ask us – we would be happy to help!Please note: If you are not at the level required for the course, the instructor reserves the right to recommend your removal from the course to one that is more suited to your skill level.

Language RequirementsAll classes are taught in English. Students whose first language is not English should note that they are required to be proficient in written and spoken English and be able to participate in group discussions and presentations in English. As a guideline we would expect you to have an IELTS score of 4.5 for studio courses and 6.0 for lecture courses.Please note: if you are not at an appropriate language level,Continuing Studies reserves the right to move you to a class more suitable to your skill level.

Registration DeadlinesYou are encouraged to register well in advance of a course’s start date to ensure your spot and to ensure that a class will run with sufficient registration. Registrations may be accepted up to one day prior to the first day of class, if space permits. Please note that no registrations are accepted after a course has started.

Registration ConfirmationYour registration confirmation/receipt lists any supplies required for your course(s). This information, including room, days, and times of your course, will be sent to you upon receipt of your registration form and processed payment. Registration information and fees must be received together. You must present your registration confirmation/receipt to the instructor at the first class. Students who do not appear on the instructor’s class list will not be permitted to attend.

Wait ListsIf seats are no longer available in a class, you can be added to a wait list. If a seat opens in the class, you will be contacted by the CS office to assist with enrollment into the class. There is no cost to be added to the wait list, and no obligation to register if a space becomes available. Students on wait lists



are asked not to attend classes unless they have been contacted in advance by the CS office. Instructors do not admit students to the class on the first day.

CancellationsWe reserve the right to cancel a course up to five days prior to the course start date if there is not sufficient registration in a course. Should a course be cancelled by Emily Carr Continuing Studies for any reason, a full refund will be processed and sent automatically to all registrants. Course cancellations will be announced to each student by email. Please ensure that your email is on file and up to date. Contact [email protected] to change or update your email address.

Emergency ClosuresIn the event of an emergency closure due to poor weather conditions, information will be posted on the Emily Carr website as soon as a decision is made to close.

Postponement of CoursesIn the event that a course needs to be cancelled or postponed due to instructor illness, unscheduled school closure or other unexpected event, you will be notified by email. At the next scheduled session, the instructor will consult with the class to determine the best date and time to make up the lost time.

WaiverEmily Carr accepts no responsibility in the event any class, course of instruction, seminar, or workshop is either cancelled or not completed as a result of strikes, lockouts, fire or acts of God, or any other cause beyond the control of the University. Emily Carr reserves the right to change or amend its programs, instructors, fee structure, and regulations at any time from those published in this catalogue. Listed in this catalogue are those on record as of July 25, 2014.

Course MaterialsMost Continuing Studies courses require that you purchase supplies. A list of required and recommended items is provided with your confirmation of registration. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov’s Art & Craft Supplies, in North Vancouver. You must present your course registration confirmation/receipt to receive your discount.

Studio AccessUnless otherwise indicated, there is no additional access to studio resources outside of class time.Note: additional studio access, where students can continue to work on their practice outside of class time, can be purchased through membership at the Leeway. For more information see page 2 or ecuad.ca/cs/theleeway.

Student Code of ConductA University community depends on the good judgment and considerate behaviour of its members. Emily Carr expects the members of its community to conduct themselves with respect for the rights of others and to behave responsibly at all times. You are responsible for knowing and observing student-related Emily Carr policies and procedures. For more information on the Emily Carr Code of Conduct, please refer to our website: ecuad.ca/studentservices/policies. Emily Carr University reserves the right to remove students from courses if it is felt that their behaviour is disruptive or dangerous.

Emily Carr Library The library is located on the ground floor of the South Building, Granville Island campus. The library collection is composed of print resources including books, journals, and exhibition catalogues; a broad range of electronic resources; slide and digital images; films, videos and DVDs; sound effects; artists’ books; the University’s archives; and a menu collection. Some items may be ‘On Reserve’ for specific courses. Library collections are accessible in-house to all students, faculty and the public. Students registered in Continuing Studies courses and programs who wish to borrow material from the library may purchase a Community Borrower’s card from the library. For information regarding library services and hours, please call 604 844 3840 or check the library website ecuad.ca/library.

The Concourse GalleryThe Concourse Gallery is the main showcase for work done within the curriculum at Emily Carr. It has featured shows by degree students, CS students, faculty, staff and visitors involved in generating new ways of learning. CS organizes many shows that pertain to our programming in the summer semester, and we invite you to visit and be inspired.

The Charles H. Scott GalleryThe Charles H. Scott Gallery is an integral part of Emily Carr. Since it opened in 1980, the Gallery has played a significant role locally and provincially. The Gallery regularly presents exciting and varied exhibitions of art, design, and architecture by acclaimed regional, national, and international artists and designers. For information visit chscott.ecuad.ca.

READ at the Charles H. Scott GalleryREAD is an ongoing project of the Charles H. Scott Gallery developed to promote the continued availability of artist monographs, artist books, multiples, exhibition catalogues, and critical theory. The focus is primarily on contemporary artists and contemporary art discourse. READ also carries books on film, design, and architecture and has a select collection of magazines and journals. READ sells all Emily Carr’s course textbooks.


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CONTINUING STUDIES REGISTRATION FORMLAST NAME FULL NAME PREFERRED NAME

STREET ADDRESS

CITY PROVINCE POSTAL CODE

PHONE PHONE (ALT)

EMAIL ADDRESS BIRTHDATE (YY/MM/DD)

EMILY CARR STUDENT ID NUMBER (CURRENT AND RETURNING STUDENTS) ❍ MALE ❍ FEMALE

Register me for the following courses: COURSE NO. SECTION NO. COURSE NAME START DATE COURSE FEE

ARE YOU ELIGIBLE FOR A DISCOUNT? ❍ ALUMNI ❍ SENIOR (60+) TOTAL FEE PAYABLE

WOULD YOU LIKE TO RECEIVE INFORMATION FROM EMILY CARR? ❍ YES ❍ NO COURSE REGISTRATION

Register me for The Leeway (details on page 2):ONE MONTH ❍ SEP ❍ OCT ❍ NOV TERM ❍ SEP-NOV 2014 TOTAL FEE PAYABLE

ARE YOU ELIGIBLE FOR A DISCOUNT? ❍ EMILY CARR ❍ ALUMNI ❍ SENIOR (60+) LEEWAY REGISTRATION STAFF/FACULTY

Payment

❍ Cash or Interac (in person only)

❍ Money Order/Cheque (payable to Emily Carr University of Art + Design)

❍ MasterCard ❍ Visa

CARD NUMBER

EXPIRY DATE

NAME OF CARDHOLDER

SIGNATURE

Fees are payable at the time of registration.Post-dated cheques are not accepted.

Registration for Continuing Studies Fall 2014 courses and programs begins August 6, 2014.

EMILY CARR GATHERS AND MAINTAINS INFORMATION USED FOR PURPOSES OF ADMISSIONS,

REGISTRATION, AND OTHER FUNDAMENTAL ACTIVITIES RELATED TO BEING A MEMBER OF AND

ATTENDING A PUBLIC POST-SECONDARY INSTITUTE IN THE PROVINCE OF BRITISH COLUMBIA.

IN SUBMITTING AN APPLICATION FOR ADMISSION OR REGISTRATION FORM, ALL APPLICANTS ARE

ADVISED THAT BOTH THE INFORMATION THEY PROVIDE AND ANY OTHER INFORMATION PLACED

INTO THE STUDENT RECORD WILL BE PROTECTED AND USED IN COMPLIANCE WITH THE BRITISH

COLUMBIA FREEDOM OF INFORMATION AND PRIVACY PROTECTION ACT (1992).

Emily Carr University of Art + DesignContinuing Studies Courses + Programs1399 Johnston Street, Vancouver BC V6H 3R9ecuad.ca/cs

July 7 - 31, 2014Monday to Friday 9 am to 4 pm

FUTURE ARTISTS FUTURE DESIGNERS

teens.ecuad.ca

Perfect for youth aged 15-18, we invite you to come for an afternoon and explore what being a FUTURE ARTIST FUTURE DESIGNER is all about:

Saturday September 27, Noon – 3:00 pmJoin us for the launch of our after school Teen + Youth Programs at Emily Carr University.

• participate in hands-on projects • learn what after school programs we have to offer • meet with practicing artists + designers and past participants

If you are a teen interested in the actions below, then join us!

QCREATE

QCURATE

QDESIGN

QEXPLORE

QCONNECT

P R O G R A M S I N C L U D E

· The Teen Art Group with the Vancouver Art Gallery

· Y-CAG + Teen Curatorial Group with the Contemporary Art Gallery

· Design: Youth City Lab with the Museum of Vancouver

· Young Artists for Change with Leave Out Violence

3626881

EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES

1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs

FALL2014continuing studies courses + programs

COVER ILLUSTRATION BY JASON STAVROU

Documents

Emily Carr Continuing Studies: Fall 2014 Catalogue