eWinson Hewitt

mArt and Design Endowed Scholarship

Elvia Martinez

allKiD

allKiD 2 3

C ntent gum love

Find it at a location near byP 4-5

Interview with Paul a gumball candy fanatic

P 6-9

What’s the BIG BUBBLE?

10-11

PHOTOSP 12-13

!

4 5

verm

on

t A

ven

ue

Adams Boulevard

Jefferson Boulevard

No

rma

nd

ie A

ven

ue

Gumball candy can be found through the whole Los Angeles Area. They are more likely to be found on Mini Markets and Laundry places, although witness have reported to have seen them at malls and clinics. Gumball candy is more likely to be found on machines with the value of one quarter.

Los Angeles Areawest adams district

PaulShows me with his finger five

I like Blue and Green

Because they are only ONE QUARTER

L a only 25

76

PAUL Martinez is a five year old child who has lived in Los Angeles his very fun five years. He is a full time kindergarden student and likes to spend his time playing with his cousins and brothers outside, he also enjoys watching the nickelodeon channel as well as the cartoon netweork channel. He enjoys eating chocolate as well as gum, bust mostly gum.

1What is your name?

How old are you?

what is your favorite bubble gum color/flavor?

Why do you like gumballs?

2 3 498

56

78

Who buys you gum?

Where do they buy you gum?

What happens when you don’t get your gum?

Can you make a bubble of gum?

My mommy and daddy.

At the mall in those machines.

I cry real loud

I can try

BIG

BU

BBLE

wha

t’s th

e

Bubblegum is a type of elastic chewing gum, designed to blow a bubble out of the mouth. Bubblegum is available in many different colors and flavors. The most common flavor, known simply as "bubblegum" is traditionally colored a light shade of pink .

10 11

The most well known are Dubble Bubble found alsmot everywhere, in candy dispensing machines. Candy Coated Dubble Bubble Gumballs are available in dozens of great flavors, including the very popular Strawberry, Blueberry, Lemon-Lime, Orange, Cherry, Banana, Grape, and Pineapple.Created in 1928 by Fleer Candy Company accountant Walter Diemer, the gum featured comic strip featuring brothers Dub and Bub (replaced in 1950 by Pud).

It grew in popularity, and was even distributed as part of military rations during World War II. It also was part of the first-ever gum five-pack (1957).Dubble Bubble joined the Tootsie family in 2003, adding its standing as the world’s favorite bubble gum brand to the world’s favorite candy lineup .

The Gumball machine is one of the most common ways in which gumball candy is sold. These machines are most often seen at laundry mat and market places where children are more likely to be found. These machines are very easy for a buyer to operate, most common ones come at a height of three feet. gu

mba

ll m

achi

ne

Other common gumball machines are the traditional five feet standing monuments which offers a much more fun way to watch you gumball candy dispense, yet there are machines for people who like to take a little challenge and add a little fun to the day, with a purpose to play and win a gumball

12 13

place chewed up gum in trash g

umba

ll

15 14

FAN

S

f

k

sz

eg

vi

o

D

f

n

H

ns

AoX

H

b

n

XZ

h

l

v

o

M

S

r

y

k

h

p

q

g

L

P

f

n

T

SS

r

X

X

s

J

U

dz

wt

t

iIu

o

r

w

c

y

s

a

a

be

h

h

h

h

hh y

q

E

afi

kv

sr

xg

hi

Jb

mor

A d

p

JF

G

GV

UU

r d

zoyoQ

Wfe

gH Xo

r

k

Tny Jgill

Known for his pop

ular typ

e face 

designs, wh

ich wer

e mostly 

done fo

r the M

onotype

 

Typography co

mpany, tha

t up to 

today still p

roduces de

signs. 

March 5th, 2011

Typefaces includes the

well known Gill Sans,

Perpetua, Perpetua

Greek, Golden

Cockerel Press Type,

Solus, Joanna, A

ries,

Floriated Capitals

,

Nunyan, Pilgrim, an

d

Jubilee.

An english engraver, scultpture, w

riter and typographer

He was also pa

rt of the

 Arts an

d Craft movem

ent, which 

was a B

ritish, Canadian

, Australian and

 American d

esign 

moveme

nt  that 

flourished betw

een  18

80 and  19

10

Church Lane, Ditchling Hassocks

BN6 8TB, United Kingdom

7pm-9pm

art gallery

 at the Ditchling

 Museu

m

P allan

oe

e gar

To one in paradise

2October 1st

010

Am

erican Poetry M

usem1922 M

artin Luther K

ing Jr. A

veW

ashing

ton, DC

20020

7pm-10pm

“They who dream by day are cognizant of many things which escape those who dream only by night ”

Curl LashRizador de Pestañas

12345

PartsHISTORY

second hande

screw

v-neck

sponge

main handle

While working at the Kurlash Company in New York City, William Beldue co-invented the eyelash curler. He also held patents in Canada, U.S and Great Britain for the eyelash curler and improvements to it.

HistoriaTrabajando en la Compañía Kurlash en Ciudad de Nueva York, Guillermo Beldue co-inventado el rizador de pestaña. Él también sostuvo patentes en Canadá, Estados Unidos y Gran Bretaña para el rizador de pestaña y mejoras a ello.

LIFESPAN Lifespan of the eyelash curler can vary depending on how well it is

taken care of. Today eyelash curlers are made of durable material

making it last longer.

La vida útil del rizador de pestaña puede variar según como se cuide. Hoy los rizadores de pestaña son hechos del

material duradero que lo hace durar más largo.

Vida útil

Do face and eye makeup before curling.Hold eyelash curler like a scissor.Close eyes halfway, position curler upfront with curved part facing outward and open curler.Place lashes about halfway in the opening of curler and hold for about 15-20 seconds, release squeeze, and repeat to second eyelash.

How to use/El uso

Maquillese antes de rizar.Detenga el Rizador de pestaña como una tijera.Cierre los ojos a la mitad , posicióne el rizador con parte curva para atras y abra el rizador.Possicione sobre la mitad de camino en la apertura de rizador y aprete por aproximadamente 15-20 segundos, suelte, y repetita a la segunda pestaña.

TIPS/ PuntasCurl eyelashes before applying mascara to prevent eyelashes from sticking to rubber pads and getting pulled off.For straight eyelashes curl in three steps along the lash, start at the base and finish ¾ of the way along the lash.For stubborn lashes hold curler under hairdryer for a few second before curling.Apply mascara right away to help set lashes into curl.

Rize las pestañas antes de aplicar el rímel para impedir que pestañas se pegen al y ser llevado jalen.Para pestañas derechas rize en tres pasos a lo largo de la pestañas, principio en la base y fin ¾ del camino a lo largo de las pestañas.Para pestañas obstinados sostienen el rizador bajo el secador de pelo durante un segundo antes de rizar.Aplique el rímel en seguida para ayudar a poner pestañas riza1

23

4

5segunda manilla

tornillo

cuello V

esponja

manilla principal

Curl LashRizador de Pestañas

12345

PartsHISTORY

second hande

screw

v-neck

sponge

main handle

While working at the Kurlash Company in New York City, William Beldue co-invented the eyelash curler. He also held patents in Canada, U.S and Great Britain for the eyelash curler and improvements to it.

HistoriaTrabajando en la Compañía Kurlash en Ciudad de Nueva York, Guillermo Beldue co-inventado el rizador de pestaña. Él también sostuvo patentes en Canadá, Estados Unidos y Gran Bretaña para el rizador de pestaña y mejoras a ello.

LIFESPAN Lifespan of the eyelash curler can vary depending on how well it is

taken care of. Today eyelash curlers are made of durable material

making it last longer.

La vida útil del rizador de pestaña puede variar según como se cuide. Hoy los rizadores de pestaña son hechos del

material duradero que lo hace durar más largo.

Vida útil

Do face and eye makeup before curling.Hold eyelash curler like a scissor.Close eyes halfway, position curler upfront with curved part facing outward and open curler.Place lashes about halfway in the opening of curler and hold for about 15-20 seconds, release squeeze, and repeat to second eyelash.

How to use/El uso

Maquillese antes de rizar.Detenga el Rizador de pestaña como una tijera.Cierre los ojos a la mitad , posicióne el rizador con parte curva para atras y abra el rizador.Possicione sobre la mitad de camino en la apertura de rizador y aprete por aproximadamente 15-20 segundos, suelte, y repetita a la segunda pestaña.

TIPS/ PuntasCurl eyelashes before applying mascara to prevent eyelashes from sticking to rubber pads and getting pulled off.For straight eyelashes curl in three steps along the lash, start at the base and finish ¾ of the way along the lash.For stubborn lashes hold curler under hairdryer for a few second before curling.Apply mascara right away to help set lashes into curl.

Rize las pestañas antes de aplicar el rímel para impedir que pestañas se pegen al y ser llevado jalen.Para pestañas derechas rize en tres pasos a lo largo de la pestañas, principio en la base y fin ¾ del camino a lo largo de las pestañas.Para pestañas obstinados sostienen el rizador bajo el secador de pelo durante un segundo antes de rizar.Aplique el rímel en seguida para ayudar a poner pestañas riza1

23

4

5segunda manilla

tornillo

cuello V

esponja

manilla principal

Jose

f Mül

ler

Brockmann

1914

1996

1987

Pionee

r of S

wiss G

raphic

Des

ign

‘I would advise young people to look at everything they encounter in a critical light. Then I would urge them at all times to be self critical.’

Self CriticalIn 1987 he was awarded a gold medal for his cultural contribution by the State of Zurich.

(May 9, 1914, in Rapperswil – August 30, 1996), was a Swiss graphic designer and teacher. He studied architecture, design and history of art at both the University and Kunstgewerbeschule in Zurich. In 1936 he opened his Zurich studio specializing in graphic design, exhibition design and photography. From 1951 he produced concert posters for the Tonhalle in Zurich. In 1958 he became a founding editor of New Graphic Design along with R.P. Lohse, C. Vivarelli, and H. Neuburg. In 1966 he was appointed European design consultant to IBM. Müller-Brockman was author of the 1961 publications The Graphic Artist and his Design Problems, Grid Systems in Graphic Design where he advocates use of the grid for page structure, and the 1971 publications History of the Poster and A History of Visual Communication.He is recognized for his simple designs and his clean use of typography, notably Akzidenz-Grotesk, shapes and colours which inspires many graphic designers in the 21st century. Many of his works can be found on the gallery Blanka.

posters

Musica

Viva Less

Nuise Sch

ützt d

as Kind

The grid for page structure

The most noteworthy of Mullers work pertaining to this class is his poster designs, demonstrating his devotion to type, grid systems, and stark, fundamental, and minimal compositions.

Legibility

The formal organization of the surface by means of the grid, a knowledge of the rules that govern legibility (line length, word and letter spacing and so on) and the meaningful use of color are among the tools a designer must master in order to complete his or her task in a rational and economic manner.”

Order was always wishful thinking for me. For 60 years I have produced disorder in files, correspondence and books. In my work, however, I have always aspired to a distinct arrangement of typographic and pictorial elements, the clear identification of priorities.

Line lenghtWord SpacingLetter Spacing

SwissDesigner

Typo

grap

hy

Jose

f Mül

ler

Brockmann

1914

1996

1987

Pionee

r of S

wiss G

raphic

Des

ign

‘I would advise young people to look at everything they encounter in a critical light. Then I would urge them at all times to be self critical.’

Self CriticalIn 1987 he was awarded a gold medal for his cultural contribution by the State of Zurich.

(May 9, 1914, in Rapperswil – August 30, 1996), was a Swiss graphic designer and teacher. He studied architecture, design and history of art at both the University and Kunstgewerbeschule in Zurich. In 1936 he opened his Zurich studio specializing in graphic design, exhibition design and photography. From 1951 he produced concert posters for the Tonhalle in Zurich. In 1958 he became a founding editor of New Graphic Design along with R.P. Lohse, C. Vivarelli, and H. Neuburg. In 1966 he was appointed European design consultant to IBM. Müller-Brockman was author of the 1961 publications The Graphic Artist and his Design Problems, Grid Systems in Graphic Design where he advocates use of the grid for page structure, and the 1971 publications History of the Poster and A History of Visual Communication.He is recognized for his simple designs and his clean use of typography, notably Akzidenz-Grotesk, shapes and colours which inspires many graphic designers in the 21st century. Many of his works can be found on the gallery Blanka.

posters

Musica

Viva Less

Nuise Sch

ützt d

as Kind

The grid for page structure

The most noteworthy of Mullers work pertaining to this class is his poster designs, demonstrating his devotion to type, grid systems, and stark, fundamental, and minimal compositions.

Legibility

The formal organization of the surface by means of the grid, a knowledge of the rules that govern legibility (line length, word and letter spacing and so on) and the meaningful use of color are among the tools a designer must master in order to complete his or her task in a rational and economic manner.”

Order was always wishful thinking for me. For 60 years I have produced disorder in files, correspondence and books. In my work, however, I have always aspired to a distinct arrangement of typographic and pictorial elements, the clear identification of priorities.

Line lenghtWord SpacingLetter Spacing

SwissDesigner

Typo

grap

hy

emElvia Martinez