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Page 1: E_book Frank Owen Gehry
Page 2: E_book Frank Owen Gehry

Frank Owen Gehry

Born February 28, 1929

Toronto, Ontario

Nationality Canadian, American

Awards AIA Gold Medal

National Medal of Arts

Order of Canada

Pritzker Prize

Work

Practice Gehry Partners, LLP

Buildings Guggenheim Museum, Walt Disney

Concert Hall, Gehry Residence,

Weisman Art Museum, Dancing

House, Art Gallery of Ontario,

EMP/SFM, Cinémathèque française, 8

Spruce Street

Frank GehryFrom Wikipedia, the free encyclopedia

Frank Owen Gehry, CC (born Frank[1] Owen Goldberg;

February 28, 1929) is a Canadian American Pritzker Prize-

winning architect based in Los Angeles, California.

His buildings, including his private residence, have become

tourist attractions. His works are often cited as being among

the most important works of contemporary architecture in the

2010 World Architecture Survey, which led Vanity Fair to

label him as "the most important architect of our age".[2]

Gehry's best-known works include the titanium-covered

Guggenheim Museum in Bilbao, Spain; MIT Stata Center in

Cambridge, Massachusetts; Walt Disney Concert Hall in

downtown Los Angeles; Experience Music Project in Seattle;

Weisman Art Museum in Minneapolis; Dancing House in

Prague; the Vitra Design Museum and MARTa Museum in

Germany; the Art Gallery of Ontario in Toronto; the

Cinémathèque française in Paris; and 8 Spruce Street in New

York City. But it was his private residence in Santa Monica,

California, which jump-started his career, lifting it from the

status of "paper architecture" – a phenomenon that many

famous architects have experienced in their formative

decades through experimentation almost exclusively on paper

before receiving their first major commission in later years.

Gehry is also the designer of the future Dwight D.

Eisenhower Memorial.[3]

Contents

1 Personal life2 Architectural style

3 Other notable aspects of career

3.1 Awards3.2 Academia

3.3 Budgets

3.4 Celebrity status3.5 Documentary

3.6 Fish and furniture

4 Software development5 Works

6 Awards

7 Honorary doctorates8 See also

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9 Notes10 References

11 External links

Personal life

Gehry was born Frank Owen Goldberg[1] on February 28, 1929, in Toronto, Ontario. His parents were Polish

Jews.[4] A creative child, he was encouraged by his grandmother, Mrs. Caplan, with whom he would build little

cities out of scraps of wood.[5] His use of corrugated steel, chain link fencing, unpainted plywood and other

utilitarian or "everyday" materials was partly inspired by spending Saturday mornings at his grandfather's

hardware store. He would spend time drawing with his father and his mother introduced him to the world of art.

"So the creative genes were there," Gehry says. "But my father thought I was a dreamer, I wasn't gonna amount

to anything. It was my mother who thought I was just reticent to do things. She would push me."[6]

He was given the Hebrew name "Ephraim" by his grandfather but only used it at his bar mitzvah.[1]

In 1947 Gehry moved to California, got a job driving a delivery truck, and studied at Los Angeles City College,

eventually to graduate from the University of Southern California's School of Architecture. According to Gehry:

“I was a truck driver in L.A., going to City College, and I tried radio announcing, which I wasn't very good at. I

tried chemical engineering, which I wasn't very good at and didn't like, and then I remembered. You know,

somehow I just started racking my brain about, "What do I like?" Where was I? What made me excited? And I

remembered art, that I loved going to museums and I loved looking at paintings, loved listening to music. Those

things came from my mother, who took me to concerts and museums. I remembered Grandma and the blocks,

and just on a hunch, I tried some architecture classes.” [7] After graduation from USC in 1954, he spent time

away from the field of architecture in numerous other jobs, including service in the United States Army. He

studied city planning at the Harvard Graduate School of Design for a year, leaving before completing the

program. In 1952, still known as Frank Goldberg, he married Anita Snyder, who he claims was the one who told

him to change his name, which he did, to Frank Gehry. In 1966 he and Snyder divorced. In 1975 he married

Berta Isabel Aguilera, his current wife. He has two daughters from his first marriage, and two sons from his

second marriage.

Having grown up in Canada, Gehry is a huge fan of ice hockey. He began a hockey league in his office, FOG

(which stands for Frank Owen Gehry), though he no longer plays with them.[citation needed] In 2004, he designed

the trophy for the World Cup of Hockey.[citation needed] Gehry holds dual citizenship in Canada and the United

States. He lives in Santa Monica, California, and continues to practice out of Los Angeles.

Architectural style

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The tower at 8 Spruce Street in lower

Manhattan which was completed in

February 2011 has a titanium and glass

exterior and is 76 stories high.

The Guggenheim Museum in Bilbao,

Spain

Much of Gehry's work falls within the style of Deconstructivism, which

is often referred to as post-structuralist in nature for its ability to go

beyond current modalities of structural definition. In architecture, its

application tends to depart from modernism in its inherent criticism of

culturally inherited givens such as societal goals and functional

necessity. Because of this, unlike early modernist structures,

Deconstructivist structures are not required to reflect specific social or

universal ideas, such as speed or universality of form, and they do not

reflect a belief that form follows function. Gehry's own Santa Monica

residence is a commonly cited example of deconstructivist architecture,

as it was so drastically divorced from its original context, and in such a

manner as to subvert its original spatial intention.

Gehry is sometimes associated with what is known as the "Los Angeles

School," or the "Santa Monica School" of architecture. The

appropriateness of this designation and the existence of such a school,

however, remains controversial due to the lack of a unifying philosophy

or theory. This designation stems from the Los Angeles area's producing

a group of the most influential postmodern architects, including such

notable Gehry contemporaries as Eric Owen Moss and Pritzker Prize-

winner Thom Mayne of Morphosis, as well as the famous schools of

architecture at the Southern California Institute of Architecture

(co-founded by Mayne), UCLA, and USC where Gehry is a member of

the Board of Directors.

Gehry’s style at times seems unfinished or even crude, but his work is

consistent with the California ‘funk’ art movement in the 1960s and

early 1970s, which featured the use of inexpensive found objects and

non-traditional media such as clay to make serious art[citation needed].

Gehry has been called "the apostle of chain-link fencing and corrugated

metal siding".[8] However, a retrospective exhibit at New York's

Whitney Museum in 1988 revealed that he is also a sophisticated

classical artist, who knows European art history and contemporary

sculpture and painting[citation needed].

Reception of Gehry's work is not always positive. Art historian Hal Foster reads Gehry's architecture as,

primarily, in the service of corporate branding.[9] Criticism of his work includes complaints that the buildings

waste structural resources by creating functionless forms, do not seem to belong in their surroundings and are

apparently designed without accounting for the local climate.[10]

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The Experience Music Project in

Seattle

Walt Disney Concert Hall

Dancing House in Prague

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Art Gallery of Ontario in Toronto

Peter B. Lewis building at Case

Western Reserve University in

Cleveland, OH.

Other notable aspects of career

Awards

Gehry was elected to the College of Fellows of the American Institute of

Architects (AIA) in 1974, and he has received many national, regional,

and local AIA awards, including AIA Los Angeles Chapter Gold Medal.

He presently serves on the steering committee of the Aga Khan Award

for Architecture. Gehry was awarded the Pritzker Architecture Prize at

the Tōdai-ji Buddhist Temple in 1989. The Pritzker Prize serves to honor

a living architect whose built work demonstrates a combination of those

qualities of talent, vision, and commitment, which has produced

consistent and significant contributions to humanity and the built

environment through the art of architecture. In 1999, he was awarded

the AIA Gold Medal "in recognition of a significant body of work of

lasting influence on the theory and practice of architecture." He

accepted the 2007 The Henry C. Turner Prize for Innovation in

Construction Technology from the National Building Museum on behalf

of Gehry Partners and Gehry Technologies.

Academia

Gehry is a Distinguished Professor of Architecture at Columbia

University and teaches advanced design studios at the Yale School of Architecture. He has received honorary

doctoral degrees from Occidental College, Whittier College, the Southern California Institute of Architecture,

the University of Toronto, the California College of Arts and Crafts, the Technical University of Nova Scotia, the

Rhode Island School of Design, the California Institute of the Arts, and the Otis Art Institute at the Parsons

School of Design. In 1982 and 1989, he held the Charlotte Davenport Professorship in Architecture at Yale

University. In 1984, he held the Eliot Noyes Chair at Harvard University. In January 2011, he joined the

University of Southern California (USC) faculty, as the Judge Widney Professor of Architecture.[11]

Budgets

Gehry has gained a reputation for taking the budgets of his clients seriously, in an industry where complex and

innovative designs like Gehry's typically go over budget. Sydney Opera House, which has been compared with

the Guggenheim Museum Bilbao in terms of architectural innovation, had a cost overrun of 1,400 percent. It

was therefore duly noted when the Guggenheim Bilbao was constructed on time and budget. In an interview in

Harvard Design Magazine[12] Gehry explained how he did it. First, he ensured that what he calls the

"organization of the artist" prevailed during construction, in order to prevent political and business interests from

interfering with the design. Second, he made sure he had a detailed and realistic cost estimate before proceeding.

Third, he used CATIA (computer-aided three-dimensional interactive application) and close collaboration with

the individual building trades to control costs during construction.

However, not all of Gehry's projects have gone smoothly. The Walt Disney Concert Hall in Downtown Los

Angeles resulted in over 10,000 RFIs (requests for information) and was $174 million over budget. Furthermore,

there was a dispute which ended with a $17.8 million settlement.[13]

Celebrity status

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Gehry is considered a modern architectural icon and celebrity, a major "Starchitect" — a neologism describing

the phenomenon of architects attaining a sort of celebrity status. Although Gehry has been a vocal opponent of

the term, it usually refers to architects known for dramatic, influential designs that often achieve fame and

notoriety through their spectacular effect. Other notable celebrity architects include Jean Nouvel, Zaha Hadid,

Thom Mayne, Steven Holl, Rem Koolhaas, and Norman Foster. Gehry came to the attention of the public in

1972 with his "Easy Edges" cardboard furniture. He has appeared in Apple's black and white "Think Different"

pictorial ad campaign that associates offbeat but revered figures with Apple's design philosophy. He even once

appeared as himself in The Simpsons in the episode "The Seven-Beer Snitch", where he parodied himself by

intimating that his ideas are derived by looking at a crumpled paper ball. He also voiced himself on the TV show

Arthur, where he helped Arthur and his friends design a new treehouse. Steve Sample, President of the

University of Southern California, told Gehry that "...After George Lucas, you are our most prominent

graduate." In 2009, Gehry designed a hat for pop star Lady Gaga, reportedly by using his iPhone.[14]

Documentary

In 2005, veteran film director Sydney Pollack, a friend of Gehry's, made the documentary Sketches of Frank

Gehry with appreciative comments by Philip Johnson, Ed Ruscha, Julian Schnabel, and Dennis Hopper, and

critical ones by Hal Foster supplementing dialogue between Gehry and Pollack about their work in two

collaborative art forms with considerable commercial constraints and photography of some buildings Gehry

designed. It was released on DVD by Sony Pictures Home Entertainment on August 22, 2006, together with an

interview of Sydney Pollack by fellow director Alexander Payne and some audience questions following the

premiere of the film.

Fish and furniture

Gehry is very much inspired by fish. Not only do they appear in his buildings, he created a line of jewelry,

household items, and sculptures based on this motif. "It was by accident I got into the fish image", claimed

Gehry. One thing that sparked his interest in fish was the fact that his colleagues are recreating Greek temples.

He said, "Three hundred million years before man was fish....if you gotta go back, and you're insecure about

going forward...go back three hundred million years ago. Why are you stopping at the Greeks? So I started

drawing fish in my sketchbook, and then I started to realize that there was something in it."[15]

Standing Glass Fish is just one of many works featuring fish which Gehry has created. The gigantic fish is made

of glass plates and silicone, with the internal supporting structure of wood and steel clearly visible. It soars

above a reflecting pool in a glass building built especially for it, in the Minneapolis Sculpture Garden. Another

huge Gehry fish sculpture dominates a public garden in front of the Fishdance Restaurant in Kobe, Japan.

In addition to architecture, Gehry has made a line of furniture, jewelry, various household items, sculptures, and

even a glass bottle for Wyborowa Vodka. His first line of furniture, produced from 1969–1973, was called "Easy

Edges", constructed out of cardboard. Another line of furniture released in the spring of 1992 is "Bentwood

Furniture". Each piece is named after a different hockey term. He was first introduced to making furniture in

1954 while serving in the U.S. Army, where he designed furniture for the enlisted soldiers. Gehry claims that

making furniture is his "quick fix".[16]

Software development

Gehry's firm was responsible for innovation in architectural software. His firm spun off another firm called

Gehry Technologies which developed Digital Project.

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Works

Main article: List of Frank Gehry buildings

Awards

Gehry is a Senior Fellow of the Design Futures Council

In 1989, Gehry was the recipient of the Pritzker Prize for architecture.In 1994, Gehry was the recipient of The Dorothy and Lillian Gish Prize.

In 1995, Gehry was the recipient of the Academy of Achievement's Golden Plate Award.

In 1998, he was awarded the National Medal of Arts.[17]

In 1999, he was awarded the AIA Gold Medal.

In 2000, Gehry was awarded the Lifetime Achievement Award from the Cooper-Hewitt National

Design Museum[18]

In 2004, on November 3, Gehry was awarded the prestigious Woodrow Wilson Award for public

service by the Woodrow Wilson Center of the Smithsonian Institution in New York City.In 2006 on December 6, California Governor Arnold Schwarzenegger and First Lady Maria Shriver

inducted Frank Gehry into the California Hall of Fame located at The California Museum for History,

Women, and the Arts.2008 Medal of the Order of Charlemagne, Principality of Andorra (declined honor).

Honorary doctorates

Visual Arts; California Institute of the Arts (Valencia, California, USA—1987)

Fine Arts; Rhode Island School of Design (Providence, Rhode Island, USA—1987)

Engineering; Technical University of Nova Scotia (Halifax, Nova Scotia, Canada—1989)Fine Arts; Otis College of Art and Design (Los Angeles, California, USA—1989)

Humanities; Occidental College (Los Angeles, California, USA—1993)

Whittier College (Whittier, California, USA—1995)Architecture; Southern California Institute of Architecture (Los Angeles, California, USA—1997)

Laws; University of Toronto (Toronto, Ontario, Canada—1998)

University of Edinburgh (Edinburgh, Scotland, United Kingdom—2000)University of Southern California (Los Angeles, California, USA—2000)

Yale University (New Haven, Connecticut, USA—2000)

Harvard University (Cambridge, Massachusetts, USA—2000)City College of New York (New York, New York, USA—2002)

Art Institute of Chicago (Chicago, Illinois, USA—2004)

See also

Organization of the artistThin-shell structure

Notes

^ a b c "Frank Gehry clears the air"

(http://www.theglobeandmail.com/news/national

1. /toronto/frank-gehry-clears-the-air-on-fishy-

inspiration/article1655311/) , Globe and Mail, July

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28, 2010

^ Tyrnauer, Matt (30 June 2010). "Architecture in

the Age of Gehry" (http://www.vanityfair.com

/culture/features/2010/08/architecture-survey-

201008?currentPage=all) . Vanity Fair.

http://www.vanityfair.com/culture/features/2010/08

/architecture-survey-201008?currentPage=all.

Retrieved 22 July 2010.

2.

^ for the design, see:

http://www.eisenhowermemorial.org/design.htm

3.

^ "In the News: Warsaw Jewish Museum In Poland"

(http://isurvived.org/InTheNews/JewishMuseum-

Poland.html) . Isurvived.org. 2005-06-30.

http://isurvived.org/InTheNews/JewishMuseum-

Poland.html. Retrieved 2011-08-30.

4.

^ Karen Templer (1999-12-05). "Frank Gehry"

(http://www.salon.com/people/bc/1999/10/05/gehry

/index.html) . Salon. http://www.salon.com/people

/bc/1999/10/05/gehry/index.html. Retrieved

2007-08-25.

5.

^ Richard Lacayo.6.

^ Biography and Video Interview of Frank Gehry at

Academy of Achievement (http://achievement.org

/autodoc/page/geh0int-1)

7.

^ (B. Adams)8.

^ "Hal Foster reviews ‘Frank Gehry’ edited by

Jean-Louis Cohen et al · LRB 23 August 2001"

(http://www.lrb.co.uk/v23/n16/hal-foster/why-all-

the-hoopla) . Lrb.co.uk. http://www.lrb.co.uk

/v23/n16/hal-foster/why-all-the-hoopla. Retrieved

2011-08-30.

9.

^ Favermann, Mark. "MIT Sues Architect Frank

Gehry Over Flaws at Stata Center"

(http://www.berkshirefinearts.com/?page=article&

article_id=458&catID=26) . Berkshire Fine Arts.

http://www.berkshirefinearts.com/?page=article&

article_id=458&catID=26. Retrieved 2011-08-30.

10.

^ USC News (2011-01-18). "Architect Frank Gehry

Named Judge Widney Professor"

(http://uscnews.usc.edu/university

11.

/architect_frank_gehry_named_judge_widney_profes

sor.html) . http://uscnews.usc.edu/university

/architect_frank_gehry_named_judge_widney_profes

sor.html. Retrieved 2011-01-18.

^ Bent Flyvbjerg Design by Deception: The Politics

of Megaproject Approval.

(http://flyvbjerg.plan.aau.dk

/HARVARDDESIGN63PRINT.pdf) Harvard Design

Magazine, no. 22, Spring/Summer 2005, pp. 50-59.

12.

^ http://enr.ecnext.com/coms2

/article_bude100324FrankGehryNe-1

13.

^ Greiner, Andrew (2009-12-08). "Frank Gehry

Designed Lady Gaga's hat"

(http://www.nbcchicago.com/entertainment/celebrity

/Frank-Gehry-Designed-Lady-Gaga-a-Hat-

78793477.html) . NBC Chicago.

http://www.nbcchicago.com/entertainment/celebrity

/Frank-Gehry-Designed-Lady-Gaga-a-Hat-

78793477.html. Retrieved 2011-01-03.

14.

^ "American Masters: Frank Gehry"

(http://www.pbs.org/wnet/americanmasters/database

/gehry_pop/fish.html) . http://www.pbs.org

/wnet/americanmasters/database/gehry_pop/fish.html.

Retrieved 2008-11-17.

15.

^ "Furniture designs" (http://www.guggenheim.org

/exhibitions/past_exhibitions/gehry/furniture_01.html)

. http://www.guggenheim.org/exhibitions

/past_exhibitions/gehry/furniture_01.html. Retrieved

2008-11-17.

16.

^ "Lifetime Honors - National Medal of Arts"

(http://www.nea.gov/honors/medals

/medalists_year.html#98) . Nea.gov.

http://www.nea.gov/honors/medals

/medalists_year.html#98. Retrieved 2011-08-30.

17.

^ "Lifetime Achievement Winner: Frank Gehry"

(http://www.cooperhewitt.org/NDA/WINNERS

/2000/LIFETIMEACHIEVEMENT/index.shtml) .

Cooper-Hewitt National Design Museum.

http://www.cooperhewitt.org/NDA/WINNERS

/2000/LIFETIMEACHIEVEMENT/index.shtml.

18.

References

Isenberg, Barbara. Conversations with Frank Gehry. Alfred A. Knopf, 2009

Sketches of Frank Gehry - DocumentaryFrank Gehry Architect - Guggenheim Publications 2001

El Croquis 74/75 1995

Architects Today - Laurence King PublishersDal Co, Francesco and Forster, Kurt. W. "Frank O. Gehry: The Complete Works." Published in the

United States of America in 1998 by The Monacelli Press, Inc. Copyright 1998 by The Monacelli

Press, Inc.The Pritzker Architecture Prize- www.pritzkerprize.com

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External links

Gehry Partners, LLP (http://www.foga.com) , Gehry's architecture firm

Gehry Technologies, Inc. (http://www.gehrytechnologies.com) , Gehry's technology firm

Profile (http://www.pritzkerprize.com/gehry.htm) at the Pritzker PrizeFrank Gehry (http://www.ted.com/speakers/frank_gehry.html/) at TED Conferences

Frank Gehry (http://www.charlierose.com/guest/view/415) on Charlie Rose

Frank Gehry (http://www.imdb.com/name/nm0962197/) at the Internet Movie DatabaseWorks by or about Frank Gehry (http://worldcat.org/identities/lccn-n82-13991) in libraries (WorldCat

catalog)

Frank Gehry (http://www.guardian.co.uk/artanddesign/frank-gehry) collected news and commentaryat The Guardian

Frank Gehry (http://topics.nytimes.com/top/reference/timestopics/people/g/frank_gehry/) collected

news and commentary at The New York Times

Fish Forms: Lamps by Frank Gehry Exhibition (2010) (http://www.thejewishmuseum.org/exhibitions

/gehrylamps) at The Jewish Museum (New York)

STORIES OF HOUSES: Frank Gehry's House in California (http://storiesofhouses.blogspot.com/2006/02/frank-gehrys-house-in-california.html)

Retrieved from "http://en.wikipedia.org/w/index.php?title=Frank_Gehry&oldid=454580747"

Categories: Frank Gehry buildings 1929 births Canadian emigrants to the United States

American people of Canadian descent Canadian architects Canadian people of Polish descent

Canadian people of Polish-Jewish descent Canadian Jews Harvard University alumni

Columbia University faculty Companions of the Order of Canada Deconstructivism Jewish architects

Living people Naturalized citizens of the United States People from Los Angeles, California

People from Toronto Postmodern architects Pritzker Prize winners United States Army soldiers

United States National Medal of Arts recipients University of Southern California alumni

Members of the European Academy of Sciences and Arts Art in the Greater Los Angeles Area

Architects from California National Design Award winners Recipients of the Royal Gold Medal

Wolf Prize in Arts laureates

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List of Frank Gehry buildingsFrom Wikipedia, the free encyclopedia

Main article: Frank Gehry

This list of Frank Gehry buildings categorizes the work of the Pritzker Prize-winning architect. His buildings,

including his private residence, have become tourist attractions. Many museums, companies, and cities seek Gehry's

services as a badge of distinction, beyond the product he delivers.

Contents

1 Completed

2 Works in progress

3 Un-built

4 References

5 External links

Completed

Name City State/Country CompletedOther

InformationImage

Easy Edges furniture

series1972

Ronald Davis Studio

& ResidenceMalibu California 1972

Exhibit Center,

Merriweather Post

Pavilion, and Rouse

Company

Headquarters

Columbia Maryland 1974

Sleep Train Pavilion Concord California 1975

Harper House Baltimore Maryland 1977

Gehry Residence[1] Santa Monica California 1978

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Name City State/Country CompletedOther

InformationImage

Loyola Law School

(various buildings)[2]Los Angeles California 1978-2002

Spiller House Venice California 1980

Santa Monica Place Santa Monica California 1980

Renovated

from

2008-2010

Cabrillo Marine

AquariumSan Pedro California 1981

Air and Space

exhibit building,

California Museum

of Science and

Industry

Los Angeles California 1984

Edgemar Retail

ComplexSanta Monica California 1984

Frances Howard

Goldwyn Hollywood

Regional Library

Hollywood California 1985

Venice Beach House Venice California 1986

Winton Guest House Owatonna Minnesota 1987

Moved in 2009

to its current

location at the

University of

St. Thomas

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Name City State/Country CompletedOther

InformationImage

Gainey

Conference

Center.[3][4]

Yale Psychiatric

Institute[5]

Yale

University,

New Haven

Connecticut 1989

Vitra Design

Museum

Weil am

RheinGermany 1989

Chiat/Day Building Venice California 1991

Iowa Advanced

Technology

Laboratories[6]

University of

Iowa, Iowa

City

Iowa 1992

Disney VillageDisneyland

Paris, ParisFrance 1992

Formerly

Festival Disney

Frederick Weisman

Museum of Art[7]

University of

Minnesota,

Minneapolis

Minnesota 1993

Center for the Visual

Arts[8]

University of

Toledo,

Toledo

Ohio 1993

Cinémathèque

Française[9]Paris France 1994

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Name City State/Country CompletedOther

InformationImage

Vitra International

Headquarters[10]Basel Switzerland 1994

Siedlung

Goldstein[11] Frankfurt Germany 1994

Energie Forum

Innovation[12]Bad

OeynhausenGermany 1995

Dancing

House[13][14]Prague Czech Republic 1995

Disney Ice (currently

Anaheim Ice)Anaheim California 1995

Team Disney

Anaheim[15] Anaheim California 1995

Guggenheim

Museum BilbaoBilbao Spain 1997

Der Neue Zollhof[16] Düsseldorf Germany 1999

University of

Cincinnati Academic

Health Center[17]

University of

Cincinnati,

Cincinnati

Ohio 1999

Condé Nast

Publishing

Headquarters

Cafeteria[18]

Times Square,

New York

City

New York 2000

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Name City State/Country CompletedOther

InformationImage

DZ Bank buildingPariser Platz,

BerlinGermany 2000

Experience Music

ProjectSeattle Washington 2000

Gehry Tower Hanover Germany 2001

Issey Miyake

(flagship store)

New York

CityNew York 2001

Weatherhead School

of Management

Peter B. Lewis

building[19][20]

Case Western

Reserve

University,

Cleveland

Ohio 2002

Richard B. Fisher

Center for the

Performing

Arts[21][22]

Bard College,

Annandale-

on-Hudson

New York 2003

Maggie's Dundee,

Ninewells

Hospital[23][24]

Dundee Scotland 2003

Walt Disney Concert

HallLos Angeles California 2003

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Name City State/Country CompletedOther

InformationImage

Ray and Maria Stata

Center[25]

Massachusetts

Institute of

Technology,

Cambridge

Massachusetts 2004

Jay Pritzker

Pavilion[26]Millennium

Park, ChicagoIllinois 2004

BP Pedestrian BridgeMillennium

Park, ChicagoIllinois 2004

MARTa Museum[27] Herford Germany 2005

IAC/InterActiveCorp

West Coast

Headquarters

West

HollywoodCalifornia 2005

Marqués de Riscal

Vineyard Hotel[28]Elciego Spain 2006

IAC Building

Chelsea, New

York

City[29][30]New York 2007

Mariza show stage,

at the Walt Disney

Concert Hall[31]Los Angeles California 2007

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Page 17: E_book Frank Owen Gehry

Name City State/Country CompletedOther

InformationImage

Art Gallery of

OntarioToronto Ontario 2008 Renovation

Peter B. Lewis

Library[32]

Princeton

University,

Princeton

New Jersey 2008

Serpentine Gallery

2008 Summer

Pavilion[33]London England 2008 Temporary

Novartis Pharma

A.G. Campus[34] Basel Switzerland 2009

Danish Cancer

Society Counseling

Center[35]

Aarhus Denmark 2009

Lou Ruvo Center for

Brain Health[36] Las Vegas Nevada 2010

Ohr-O'Keefe

Museum Of Art[37]Biloxi Mississippi 2010

Originally

planned to

open in 2006,

hit by

Hurricane

Katrina in

2005.

Additional

buildings to

open in 2012

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Page 18: E_book Frank Owen Gehry

Name City State/Country CompletedOther

InformationImage

New World

Center[38] Miami Beach Florida 2011

New York by Gehry

at Eight Spruce

Street[39]

New York

CityNew York 2011

Opus Hong Kong[40] Hong Kong China 2011

12-story

residential

block located

at 53 Stubbs

Road,

developed by

Swire Group.

Works in progress

Biomuseo, Panama City, Panama (2012)[41]

Gary Player's Saadiyat Beach Golf Course Clubhouse, Abu Dhabi, United Arab Emirates (Expected

completion 2012–2013)[42][43]

Guggenheim Abu Dhabi, Abu Dhabi, United Arab Emirates (Expected completion 2013)[44]

Faculty of Business, University of Technology, Sydney, Australia (Expected completion 2014) [45][46][47]

World Trade Center site Performing Arts Complex, New York City, New York (Announced October

2004. Construction to begin in 2015)[48][49]

Frank Gehry Visitor Center at Hall Winery Napa Valley, Saint Helena, California (On Hold) [50][51]

Grand Avenue Project, Los Angeles, California (Project on hold)

The Point (Five Star Hotel & Event Center), Lehi, Utah (Project on hold)[52][53]

Suna Kıraç Cultural Center, Istanbul, Turkey (Construction yet to begin)[54]

The Carrie Hamilton Theatre, Pasadena Playhouse, Pasadena, California[55]

Philadelphia Museum of Art, Philadelphia, Pennsylvania (Announced October 2006. Construction yet to

begin)

Louis Vuitton Foundation for Creation, Paris, France (Announced October 2006)[56][57]

Dwight D. Eisenhower Memorial, District of Columbia (Proposed - No start date yet) [58][59]

Cultural Center, Łódź, Poland (Design not yet accepted)[60]

Luxury hotel, apartments and offices, Sønderborg, Denmark[citation needed]

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Page 19: E_book Frank Owen Gehry

Le Parc des Ateliers SNCF, Arles, France[citation needed]

Un-built

Le Clos Jordanne Winery, Lincoln, Ontario, Canada[61]

Museum of Tolerance, Jerusalem, Israel (Gehry stepped down from the project in March 2010)[62][63]

Atlantic Yards, New York City, New York (No longer involved with this project)[64]

References

^ "Gehry House - Frank Gehry - Great Buildings Online" (http://www.greatbuildings.com/buildings/Gehry_House.html)

. Greatbuildings.com. http://www.greatbuildings.com/buildings/Gehry_House.html. Retrieved 2010-06-03.

1.

^ The Loyola Law School at www.lls.edu (http://www.lls.edu/about/tour-architecture.html)2.

^ "Frank Gehry's Winton Guest House hits the road" (http://www.kare11.com/news/news_article.aspx?storyid=722201)

. kare11.com. http://www.kare11.com/news/news_article.aspx?storyid=722201. Retrieved 2011-08-30.

3.

^ "Gehry’s Winton Guest House Moving to New Home | News | Architectural Record"

(http://archrecord.construction.com/news/daily/archives/080221gehry.asp) . Archrecord.construction.com. 2008-02-21.

http://archrecord.construction.com/news/daily/archives/080221gehry.asp. Retrieved 2011-08-30.

4.

^ "Yale Psychiatric Institute at" (http://www.yale.edu/architectureofyale/Psychiatric.html) . Yale.edu.

http://www.yale.edu/architectureofyale/Psychiatric.html. Retrieved 2011-08-30.

5.

^ Iowa Advanced Technology Laboratories at research.uiowa.edu (http://research.uiowa.edu/vpr/?get=iatl)6.

^ The Frederick Weisman Museum of Art at www.weisman.umn.edu (http://www.weisman.umn.edu/architecture

/arch.html)

7.

^ The Center for the Visual Arts at www.cva.utoledo.edu (http://www.cva.utoledo.edu/Facility.html)8.

^ Cinémathèque Française at www.galinsky.com (http://www.galinsky.com/buildings/americancenter/)9.

^ "Frank O. Gehry. The Architect's Studio" (http://www.arcspace.com/gehry_new/index.html?main=/gehry_new/vitra

/vitra.html) . Arcspace.com. http://www.arcspace.com/gehry_new/index.html?main=/gehry_new/vitra/vitra.html.

Retrieved 2011-08-30.

10.

^ The Siedlung Goldstein at thomasmayerarchive.de (http://thomasmayerarchive.de/categories.php?cat_id=308&

l=english)

11.

^ "www.energie-forum.de" (http://www.energie-forum.de/) . www.energie-forum.de. http://www.energie-forum.de/.

Retrieved 2011-08-30.

12.

^ The Dancing House Photo 1 (http://alatan.nsys.by/images/products/Prague_dancing%20house.JPG)13.

^ The Dancing House Photo 2 (http://ruthless.zathras.de/person/blog/graphik/2004_02_21/Tancici_Dum.jpg)14.

^ "nytimes.com" (http://query.nytimes.com/gst/fullpage.html?res=9907EFD6163CF932A25751C1A9659C8B63) . New

York Times. 2003-12-11. http://query.nytimes.com

/gst/fullpage.html?res=9907EFD6163CF932A25751C1A9659C8B63. Retrieved 2011-08-30.

15.

^ Der Neue Zollhof at www.arcspace.com (http://www.arcspace.com/architects/gehry/zolhoff/)16.

^ The University of Cincinnati Academic Health Center at vontz.uc.edu (http://vontz.uc.edu/)17.

^ The Condé Nast Cafeteria at www.arcspace.com (http://www.arcspace.com/architects/gehry/conde_nast/)18.

^ The Peter B. Lewis Building at weatherhead.cwru.edu (http://weatherhead.cwru.edu/lewis/)19.

^ The Peter B. Lewis Building at www.galinsky.com (http://www.galinsky.com/buildings/peterblewis/)20.

^ The Richard B. Fisher Center at fishercenter.bard.edu (http://fishercenter.bard.edu/about/)21.

^ The Richard B. Fisher Center at archrecord.construction.com (http://archrecord.construction.com/projects/portfolio

/archives/0307bard.asp)

22.

^ Maggie's Dundee at www.maggiescentres.org (http://www.maggiescentres.org/maggies

/mag_centres.jsp?pContentID=420&p_applic=CCC&p_service=Content.show&)

23.

^ See Charles Jencks and Edwin Heathcote, The Architecture of Hope: Maggie's Cancer Caring Centres, London,

Frances Lincoln, 2010. ISBN 978-0-7112-2597-8

24.

^ The Stata Center at mit.edu (http://web.mit.edu/buildings/statacenter/)25.

^ The Jay Pritzker Pavilion at www.chicagoarchitecture.info (http://www.chicagoarchitecture.info

/ShowBuilding.php?ID=250)

26.

^ MARTa at de.wikipedia.org27.

^ The Marqués de Riscal at www.starwoodhotels.com (http://www.starwoodhotels.com/luxury/property/overview28.

List of Frank Gehry buildings - Wikipedia, the free encyclopedia http://en.wikipedia.org/w/index.php?title=List_of_Frank_Gehry_buildin...

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Page 20: E_book Frank Owen Gehry

/index.html?propertyID=1539)

^ Nicolai Ouroussoff (2007-03-22). "Gehry’s New York Debut: Subdued Tower of Light" (http://www.nytimes.com

/2007/03/22/arts/design/22dill.html?hp) . New York Times. http://www.nytimes.com/2007/03/22/arts/design

/22dill.html?hp. Retrieved 2007-08-25.

29.

^ "Under Construction: Gehry & Partners IAC/InterActiveCorp Headquarters" (http://www.arcspace.com/architects

/gehry/iac/iac.html) . Arcspace. http://www.arcspace.com/architects/gehry/iac/iac.html. Retrieved 2007-08-25.

30.

^ Variety.com (2007-10-24). "Mariza and Frank Gehry Open A Tavern In Disney Concert Hall"

(http://weblogs.variety.com/thesetlist/2007/10/mariza-opens-a-.html) . The Set List. http://weblogs.variety.com/thesetlist

/2007/10/mariza-opens-a-.html. Retrieved 2008-04-20.

31.

^ The Peter B. Lewis Library at www.princeton.edu (http://www.princeton.edu/main/news/archive/S22/11/40O68

/index.xml?section=featured)

32.

^ 2008 Pavilion at www.serpentinegallery.org (http://www.serpentinegallery.org/2008/03

/forthcoming_summer_2008serpent.html)

33.

^ "Novartis Campus, Basel, Switzerland" (http://www.arcspace.com/architects/gehry/novarits/novartis.html) .

arcspace.com. http://www.arcspace.com/architects/gehry/novarits/novartis.html. Retrieved 2010-08-15.

34.

^ "Gehry Partners, LLP - Counceling Center (Hejmdal), Danish Cancer Society, Aarhus, Denmark"

(http://www.arcspace.com/architects/gehry/dcs3/dcs3.html) . Arcspace.com. 2009-09-21. http://www.arcspace.com

/architects/gehry/dcs3/dcs3.html. Retrieved 2011-08-30.

35.

^ Leach, Robin. "Photos: Grand opening of brain institute that ‘will produce miracles’ - Tuesday, May 25, 2010 | 12:48

p.m." (http://www.lasvegassun.com/news/2010/may/25/photos-grand-opening-brain-institute-will-produce-/) . Las Vegas

Sun. http://www.lasvegassun.com/news/2010/may/25/photos-grand-opening-brain-institute-will-produce-/. Retrieved

2011-08-30.

36.

^ "Campus Architecture" (http://www.georgeohr.org/Template/ViewContent.aspx?ID=147&P=8&C=495) .

Georgeohr.org. 2005-08-29. http://www.georgeohr.org/Template/ViewContent.aspx?ID=147&P=8&C=495. Retrieved

2011-08-30.

37.

^ Tommasini, Anthony (2011-01-30). "New World Symphony in Miami Beach - Review" (http://www.nytimes.com

/2011/01/31/arts/music/31park.html) . The New York Times. http://www.nytimes.com/2011/01/31/arts/music

/31park.html.

38.

^ Ouroussoff, Nicolai (2011-02-09). "8 Spruce Street by the Architect Frank Gehry - Review" (http://www.nytimes.com

/2011/02/10/arts/design/10beekman.html) . The New York Times. http://www.nytimes.com/2011/02/10/arts/design

/10beekman.html.

39.

^ Frank Gehry's first China project: 'The building designed itself' (http://www.cnngo.com/hong-kong/visit/hong-

kong-next-best-landmark-953170) CNNGo 13 September, 2011.

40.

^ "The Biomuseo, the great works of Frank Gehry" (http://www.visitpanama.com/index.php?option=com_k2&

view=item&id=312:biomuseo&Itemid=439&lang=en) . Visitpanama.com. http://www.visitpanama.com

/index.php?option=com_k2&view=item&id=312:biomuseo&Itemid=439&lang=en. Retrieved 2011-08-30.

41.

^ "www.ameinfo.com" (http://www.ameinfo.com/222416.html) . www.ameinfo.com. http://www.ameinfo.com

/222416.html. Retrieved 2011-08-30.

42.

^ "garyplayer.com" (http://garyplayer.com/news/news_detail

/saadiyat_beach_golf_club_unveils_frank_gehry_designed_clubhouse/) . garyplayer.com. 2010-01-28.

http://garyplayer.com/news/news_detail/saadiyat_beach_golf_club_unveils_frank_gehry_designed_clubhouse/.

Retrieved 2011-08-30.

43.

^ "Projects by Nouvel and Gehry Finally Moving Forward on Saadiyat Island | News | Architectural Record"

(http://archrecord.construction.com/news/2011/01/110126_saadiyat_island_nouvel_gehry.asp) .

Archrecord.construction.com. 2011-01-26. http://archrecord.construction.com/news/2011

/01/110126_saadiyat_island_nouvel_gehry.asp. Retrieved 2011-08-30.

44.

^ Sydney Morning Herald [1] (http://media.smh.com.au/national/selections/frank-gehrys-first-australian-building-

2098264.html?&exc_from=strap) accessed 2010-12-16

45.

^ UTS Facilities Management. "Dr Chau Chak Wing media microsite" (http://www.fmu.uts.edu.au/masterplan/media

/drchau/) . http://www.fmu.uts.edu.au/masterplan/media/drchau/. Retrieved 2011-01-03.

46.

^ "www.australiandesignreview.com" (http://www.australiandesignreview.com/news/20324-Design-for-Gehry-s-first-

Australian-building-unveiled) . www.australiandesignreview.com. http://www.australiandesignreview.com/news/20324-

Design-for-Gehry-s-first-Australian-building-unveiled. Retrieved 2011-08-30.

47.

^ "www.wtc.com" (http://www.wtc.com/about/performing-arts-center) . www.wtc.com. http://www.wtc.com/about

/performing-arts-center. Retrieved 2011-08-30.

48.

^ "Error: no |title= specified when using {{ (http://archrecord.construction.com/news/2011/09/Libeskind-MasterPlan-

WTC-Coming-to-Life.asp) Cite web}}". Architectural Record. http://archrecord.construction.com/news/2011

49.

List of Frank Gehry buildings - Wikipedia, the free encyclopedia http://en.wikipedia.org/w/index.php?title=List_of_Frank_Gehry_buildin...

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Page 21: E_book Frank Owen Gehry

/09/Libeskind-MasterPlan-WTC-Coming-to-Life.asp. Retrieved 2011-09-08.

^ "Gehry Partners, LLP - Hall Winery - St. Helena - Napa Valley, California" (http://www.arcspace.com/architects/gehry

/hall_winery/hall_winery.html) . arcspace.com. 2007-09-10. http://www.arcspace.com/architects/gehry/hall_winery

/hall_winery.html. Retrieved 2011-08-30.

50.

^ Garbee, Jenn (2010-08-12). "When Wine, Food Courts And Frank Gehry Don't Mix: Hall Winery Construction Halted

- Los Angeles Restaurants and Dining - Squid Ink" (http://blogs.laweekly.com/squidink/2010/08

/frank_gehry_hall_winery_on_hol.php) . Blogs.laweekly.com. http://blogs.laweekly.com/squidink/2010/08

/frank_gehry_hall_winery_on_hol.php. Retrieved 2011-08-30.

51.

^ www.bdonline.co.uk (http://www.bdonline.co.uk/story.asp?storycode=3123834)52.

^ "www.deseretnews.com" (http://www.deseretnews.com/article/1,5143,660191622,00.html) . www.deseretnews.com.

2007-01-31. http://www.deseretnews.com/article/1,5143,660191622,00.html. Retrieved 2011-08-30.

53.

^ (Turkish) wowturkey.com (http://wowturkey.com/forum/viewtopic.php?p=570349)54.

^ www.pasadenaplayhouse.org (http://www.pasadenaplayhouse.org/GehryCHTRelease.pdf)55.

^ "www.arcspace.com" (http://www.arcspace.com/architects/gehry/vuitton/vuitton.html) . www.arcspace.com.

2007-01-08. http://www.arcspace.com/architects/gehry/vuitton/vuitton.html. Retrieved 2011-08-30.

56.

^ Riding, Alan (2006-10-03). "www.nytimes.com" (http://www.nytimes.com/2006/10/03/arts/design/03arna.html?_r=1) .

www.nytimes.com. http://www.nytimes.com/2006/10/03/arts/design/03arna.html?_r=1. Retrieved 2011-08-30.

57.

^ www.architectureanddesign.com.au (http://www.architectureanddesign.com.au/article/BREAKING-NEWS-Gehry-

to-design-new-UTS-building/508111.aspx)

58.

^ "Architectural Record | Notebook" (http://archrecord.construction.com/community/blogs

/NotebookBlog.asp?plckController=Blog&plckBlogPage=BlogViewPost&newspaperUserId=66e68286-26bb-

4c58-9c54-29d3c8e54bcb&plckPostId=Blog%3a66e68286-26bb-4c58-9c54-29d3c8e54bcbPost%3aad62f604-

aac0-4ac7-a496-d25fb2af6b03&plckScript=blogScript&plckElementId=blogDest) . Archrecord.construction.com.

http://archrecord.construction.com/community/blogs/NotebookBlog.asp?plckController=Blog&

plckBlogPage=BlogViewPost&newspaperUserId=66e68286-26bb-4c58-9c54-29d3c8e54bcb&

plckPostId=Blog%3a66e68286-26bb-4c58-9c54-29d3c8e54bcbPost%3aad62f604-aac0-4ac7-a496-d25fb2af6b03&

plckScript=blogScript&plckElementId=blogDest. Retrieved 2010-06-03.

59.

^ (Polish) bryla.gazetadom.pl (http://bryla.gazetadom.pl/bryla

/1,85301,7333920,Projekt_Camerimage_Lodz_Center.html)

60.

^ "Frank O. Gehry & Associates Le Clos Jordan Winery" (http://www.arcspace.com/architects/gehry/Winery/) . Arc

Space. http://www.arcspace.com/architects/gehry/Winery/. Retrieved 2010-06-12.

61.

^ "www.wiesenthal.com" (http://www.wiesenthal.com/site/apps/nlnet/content2.aspx?c=lsKWLbPJLnF&b=4441467&

ct=7807791) . www.wiesenthal.com. 2009-11-05. http://www.wiesenthal.com/site/apps/nlnet

/content2.aspx?c=lsKWLbPJLnF&b=4441467&ct=7807791. Retrieved 2011-08-30.

62.

^ "Frank Gehry Quits Museum of Tolerance Project | News | Architectural Record" (http://archrecord.construction.com

/news/daily/archives/2010/100303gehry_quits.asp) . Archrecord.construction.com. 2010-03-03.

http://archrecord.construction.com/news/daily/archives/2010/100303gehry_quits.asp. Retrieved 2010-06-03.

63.

^ "A Critique of the Atlantic Yards Architecture" (http://sympathetic-compass.blogspot.com/2008/05/frank-gehrys-

new-miss-brooklyn-b1.html) . Sympathetic-compass.blogspot.com. 2008-05-06. http://sympathetic-

compass.blogspot.com/2008/05/frank-gehrys-new-miss-brooklyn-b1.html. Retrieved 2011-08-30.

64.

External links

Gehry Partners, LLP (http://www.foga.com/) , Gehry's architecture firm

Retrieved from "http://en.wikipedia.org/w/index.php?title=List_of_Frank_Gehry_buildings&oldid=452747758"

Categories: Frank Gehry buildings Lists of buildings and structures by architect

This page was last modified on 27 September 2011 at 19:36.

Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may

apply. See Terms of use for details.

Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

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Dancing House

Tančící dům

Side view

Former names Fred and Ginger

General information

Address Rašínovo nábřeží 80, 120 00

Praha 2

Town or city Prague

Country Czech Republic

Coordinates

Construction

started

1992

Completed 1996

Design and construction

Architect Vlado Milunić, Frank Gehry

Windows of the Dancing House

Dancing HouseFrom Wikipedia, the free encyclopedia

The Dancing House or Dancing Building or Ginger &

Fred (Czech: Tančící dům) is the nickname given to the

Nationale-Nederlanden building in downtown Prague, Czech

Republic at Rašínovo nábřeží 80, 120 00 Praha 2. It was

designed by Croatian-Czech architect Vlado Milunić in

co-operation with Canadian-American architect Frank Gehry

on a vacant riverfront plot (where the previous building had

been destroyed during the Bombing of Prague in 1945). The

building was designed in 1992 and completed in 1996.[1]

The very

non-traditional design

was controversial at

the time. Czech

president Václav

Havel, who lived for

decades next to the

site, had supported it,

hoping that the

building would

become a center of

cultural activity.

Originally named Fred and Ginger (after Fred Astaire and

Ginger Rogers - the house resembles a pair of dancers) the

house stands out among the Baroque, Gothic and Art

Nouveau buildings for which Prague is famous. Others have

nicknamed it "Drunk House".

On the roof is a French restaurant with views of the city. The

building's other tenants include several multinational firms.

References

Coordinates: 50°04′32″N 14°24′51″E

Dancing House - Wikipedia, the free encyclopedia http://en.wikipedia.org/w/index.php?title=Dancing_House&printable=yes

1 dari 2 10/12/2011 8:15 PM

Page 23: E_book Frank Owen Gehry

^ Nationale-Nederlanden Building (http://www.arcspace.com/gehry_new/index.html?main=/gehry_new/prague

/prag.htm) Frank O. Gehry, The Architect's Studio. Digital catalog of the Henry Art Gallery at arcspace

(http://www.arcspace.com/)

1.

External links

This is largest panorama of the Dancing House (http://gigapan.org/gigapans/7677/)

360 Panorama Photos of the Dancing House (http://www.360cities.net/image/the-dancing-house)

Dancing House Prague by Frank Gehry (http://www.galinsky.com/buildings/dancinghouse/index.htm)

Radio Prague article with Vlado Milunic (http://www.radio.cz/en/article/42866)

Restaurant at the Dancing House (http://www.celesterestaurant.cz/en/)

Retrieved from "http://en.wikipedia.org/w/index.php?title=Dancing_House&oldid=447194470"

Categories: Buildings and structures in Prague Buildings and structures completed in 1996

Frank Gehry buildings Twisted buildings and structures

This page was last modified on 28 August 2011 at 20:44.

Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may

apply. See Terms of use for details.

Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

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Page 24: E_book Frank Owen Gehry

Art Gallery of OntarioFrom Wikipedia, the free encyclopedia

Coordinates: 43°39′14″N 79°23′34″W

Art Gallery of Ontario - Wikipedia, the free encyclopedia http://en.wikipedia.org/w/index.php?title=Art_Gallery_of_Ontario&print...

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Page 25: E_book Frank Owen Gehry

Art Gallery of Ontario

Established 1900

Location 317 Dundas Street West,

Toronto, Ontario, Canada

Type Art museum

Visitor figures878,478 (2009-10)

[1]

Ranked 1st nationally

Ranked 56th globally

Director Matthew Teitelbaum[2]

President Tony Gagliano[3]

Curator Dennis Reid[2]

Public transit

access

■ St. Patrick

505 Dundas

Website Art Gallery of Ontario

(http://www.ago.net)

The Art Gallery of Ontario (AGO) (French: Musée desbeaux-arts de l'Ontario) is an art museum in Toronto's

Downtown Grange Park district, on Dundas Street West

between McCaul Street and Beverley Street.

Its collection includes more than 68,000 works spanning the

1st century to the present-day. The gallery has 45,000 square

metres (480,000 sq ft) of physical space. It includes the

world's largest collection of Canadian art, which depicts the

development of Canada's heritage from pre-Confederation to

the present. Indeed, works by Canadian artists make up more

than half of the AGO's collection. The museum also has an

impressive collection of European art, including the most

important collection of Medieval and Renaissance decorative

arts outside Europe and the United States, major works by

Tintoretto, Gian Lorenzo Bernini, Peter Paul Rubens,

Rembrandt van Rijn, Thomas Gainsborough, Anthony van

Dyck, Emile Antoine Bourdelle, and Frans Hals, and works

by other renowned artists such as Pablo Picasso, Auguste

Rodin, Vincent Van Gogh, and Edgar Degas. In addition to

these, the AGO also has one of the most significant

collections of African art in North America, as well as a

contemporary art collection illustrating the evolution of

modern artistic movements in Canada, the United States, and

Europe, including works by Andy Warhol, Claes Oldenburg,

and Jenny Holzer. Finally, the AGO is home to the Henry

Moore Sculpture Centre, which houses the largest public

collection of works by this British sculptor. Moore's bronze

work, Two Large Forms (1966–1969) greets visitors at themuseum's north façade, at the intersection of Dundas and

McCaul Streets.

Contents

1 History

2 Transformation AGO3 Collection X

4 Major works

5 See also6 References

7 External links

History

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A south view of the first gallery

building in 1922

The newly constructed façade of

the AGO along Dundas Street The titanium and glass south wing

overlooking the Grange and

Grange Park

The museum was founded in 1900 by a group of private citizens, who

incorporated the institution as the Art Museum of Toronto. TheLegislative Assembly of Ontario subsequently enacted An Act respectingthe Art Museum of Toronto in 1903. The museum was renamed the ArtGallery of Toronto in 1919, and subsequently the Art Gallery of Ontarioin 1966.

The current location of the AGO dates to 1910, when the gallery was

willed the estate known as the Grange, a historic Georgian manor built in

1817, upon the death of Goldwin Smith. In 1911, the museum leased

lands to the south of the manor to the City of Toronto in perpetuity so as

to create Grange Park. In 1920, the museum also allowed the Ontario

College of Art to construct a building on the grounds.

The museum's first formal exhibitions were opened in the Grange in 1913. In 1916, the museum decided to

begin construction of a small portion of a planned new gallery building. Designed by Pearson and Darling in the

Beaux-Arts style, excavation of the new facility began in 1916, and the first galleries opened in 1918. Expansion

throughout the 20th century added various galleries, culminating in 1993, which left the AGO with 38,400

square metres (413,000 sq ft) of interior space.

As the institution and its collections grew, major benefactors included Harris Henry Fudger, Walter C. Laidlaw,

Joey Tanenbaum, George Weston, Frank Porter Wood, Edward Rogers Wood, Ayala Zacks and the Eaton

family.

Transformation AGO

Under the direction of its CEO Matthew

Teitelbaum, the AGO embarked on a $254

million (later increased to $276 million)

redevelopment plan by architect Frank

Gehry in 2004, called TransformationAGO. The new addition would requiredemolition of the 1992 Post-Modernist

wing by Barton Myers and Kuwabara

Payne McKenna Blumberg Architects

(KPMB). Although Gehry was born in

Toronto, and as a child had lived in the

same neighbourhood as the AGO, the

expansion of the gallery represented his first work in Canada. Gehry was commissioned to expand and revitalize

the AGO, not to design a new building; as such, one of the challenges he faced was to unite the disparate areas

of the building that had become a bit of a "hodgepodge" after six previous expansions dating back to the

1920s.[4]

Kenneth Thomson was a major benefactor of Transformation AGO, donating much of his art collection to the

gallery as well as providing $50 million towards the renovation. Thomson died in 2006, two years before the

project was complete.

The project initially drew some criticism. As an expansion, rather than a new creation, concerns were raised that

the new AGO would not look like a Gehry signature building,[5] and that the opportunity to build an entirely

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The Gehry-designed spiral

stairwell in Walker Court

Galleria Italia

new gallery, perhaps on Toronto's waterfront, was being squandered. During the course of the redevelopment

planning, board member and patron Joey Tanenbaum temporarily resigned his position due to concerns over

donor recognition, design issues surrounding the new building, as well as the cost of the project. The public rift

was subsequently healed.[6]

The AGO reopened in November 2008, with the

transformation project having increased the art

viewing space by 47%. Notable elements of the

expanded building include a new entrance aligned

with the gallery's historic Walker Court and the

Grange, and a new four-storey south wing, clad in

glass and blue titanium, overlooking both the

Grange and Grange Park. The outwardly most

characteristic element of the design however is a

new glass and wood façade - the Galleria Italia -spanning 180 metres (590 ft) along Dundas Street;

it was named in recognition of a $13million

contribution by 26 Italian-Canadian families of

Toronto, a funding consortium led by Tony

Gagliano, who currently serves as the President of

the AGO's Board of Trustees.

The completed expansion received wide acclaim,

notably for the restraint of its design. An editorial

in the Globe and Mail called it a "restrained masterpiece", noting: "The proof of Mr. Gehry's genius lies in his

deft adaptation to unusual circumstances. By his standards, it was to be done on the cheap, for a mere

$276-million. The museum's administrators and neighbours were adamant that the architect, who is used to

being handed whole city blocks for over-the-top titanium confections, produce a lower-key design, sensitive to

its context and the gallery's long history."[7] The Toronto Star called it "the easiest, most effortless and relaxed

architectural masterpiece this city has seen",[8] with the Washington Post commenting: "Gehry's real

accomplishment in Toronto is the reprogramming of a complicated amalgam of old spaces. That's not sexy, like

titanium curves, but it's essential to the project."[5] The architecture critic of the New York Times wrote: "Ratherthan a tumultuous creation, this may be one of Mr. Gehry’s most gentle and self-possessed designs. It is not a

perfect building, yet its billowing glass facade, which evokes a crystal ship drifting through the city, is a masterly

example of how to breathe life into a staid old structure. And its interiors underscore one of the most underrated

dimensions of Mr. Gehry’s immense talent: a supple feel for context and an ability to balance exuberance with

delicious moments of restraint. Instead of tearing apart the old museum, Mr. Gehry carefully threaded new

ramps, walkways and stairs through the original."[9]

Collection X

In keeping with web 2.0 trends, the AGO has initiated a social media website called Collection X, which

provides users with a space to share ideas about life and art. Collection X showcases the work of contemporary

photographers and visual artists and gives users the ability to discuss the works, create online exhibitions and

upload their own content.

Major works

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The West Wind by

Tom Thomson

Massacre of the

Innocents by Peter

Paul Rubens, donated

to the AGO by

Kenneth Thomson

The Harvest Wagon

by Thomas

Gainsborough

Art Gallery of Ontario sculpture court,

1929

Alfred Agache - L'ÉpéePieter Brueghel the Younger -

The Peasants’ WeddingEmily Carr - Gitwangak, QueenCharlotte IslandsEdgar Degas - Woman at herBathGiovanni del Biondo - Vision ofSt. BenedictCarel Fabritius - Portrait of aSeated Woman with aHandkerchiefThomas Gainsborough - TheHarvest WagonFrans Hals - Portrait of Isaak Abrahamsz. MassaAugustus John - Marchesa CasatiPaul Kane - Scene in the Northwest: Portrait of John Henry LefroyCornelius Krieghoff - Breaking up of a Country Ball in Canada, The Blacksmith's Shop,J.E.H. MacDonald - "Lake O'Hara, Rockies", Rowanberries or Mountain AshAmadeo Modigliani - Portrait of Mrs. HastingsClaude Monet - Vétheuil in SummerPaul Peel - The Little ShepherdessCamille Pissarro - Pont Boieldieu in Rouen, Rainy WeatherPeter Paul Rubens - Anatomical Study of a Man Reaching Up to the Left, Massacre of theInnocentsTom Thomson - Early Spring, "Evening, Canoe Lake", "Sunset, Algonquin Park", The West WindJames Tissot - The Shop GirlTintoretto - Christ Washing the Disciples' FeetJohn William Waterhouse - "I am Half-Sick of Shadows," said The Lady of ShalottAfter Hans Holbein the Younger - Portrait of Henry VIII

See also

Ontario Association of Art GalleriesRoyal Ontario Museum

References

^ "AGO attendance set record in 2009-10" (http://www.cbc.ca

/arts/artdesign/story/2010/06/24/art-gallery-agm.html) . cbc.ca. June 24,2010. http://www.cbc.ca/arts/artdesign/story/2010/06/24/art-gallery-

agm.html.

1.

^ a b "Curator / Director / Chief Curator Fact Sheet"

(http://www.google.ca/search?client=opera&rls=en&

q=Curator+of+AGO&sourceid=opera&ie=utf-8&oe=utf-

8&channel=suggest) . Art Gallery of Ontario. Art Gallery of Ontario. http://www.google.ca/search?client=opera&rls=en&q=Curator+of+AGO&sourceid=opera&ie=utf-8&oe=utf-8&channel=suggest. Retrieved 26 July 2011.

2.

^ "AGO Appoints New President" (http://www.ago.net/AGO-Appoints-New-President) . Art Gallery of Ontario.Art Gallery of Ontario. http://www.ago.net/AGO-Appoints-New-President. Retrieved 26 July 2011.

3.

^ The Art Gallery of Ontario by Frank Gehry (http://www.designboom.com/contemporary4.

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/art_gallery_of_ontario.html) . designboom. Retrieved February 2, 2009.^ a b Kennicott, Philip. A Complex Legacy (http://www.washingtonpost.com/wp-dyn/content/article/2008/11/25/AR2008112502140.html?sub=AR) . The Washington Post. November 30, 2008. Retrieved February 2, 2009.

5.

^ Hume, Christopher. Art in his blood and steel in his bones (http://www.thestar.com/comment/columnists/article/591251) . Toronto Star. February 22, 2009. Retrieved April 13, 2009

6.

^ Restrained Masterpiece (http://www.theglobeandmail.com/servlet/story/RTGAM.20081113.weAGO14/BNStory

/specialComment/feature-topic) . The Globe and Mail. November 13, 2008. Retrieved February 2, 2009.7.

^ Hume, Christopher. Revamped AGO a modest masterpiece (http://www.thestar.com/entertainment/article/535107) . Toronto Star. November 13, 2008. Retrieved February 2, 2009.

8.

^ Ouroussoff, Nicolai. Gehry Puts a Very Different Signature on His Old Hometown’s Museum(http://www.nytimes.com/2008/11/15/arts/design/15gehr.html) . New York Times. Page C1: November 14, 2008.Retrieved February 2, 2009.

9.

External links

Art Gallery of Ontario (http://www.ago.net/)

Collection X (http://www.collectionx.museum/)

The Canadian Encyclopedia entry for the AGO (http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&Params=A1ARTA0000330)

Retrieved from "http://en.wikipedia.org/w/index.php?title=Art_Gallery_of_Ontario&oldid=453819963"

Categories: Art museums and galleries in Ontario Museums in Toronto

Pearson and Darling buildings Frank Gehry buildings Barton Myers buildings

This page was last modified on 4 October 2011 at 02:34.

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Guggenheim Museum Bilbao

Museo Guggenheim Bilbao

The Guggenheim Museum Bilbao, along the

Nervión River in downtown Bilbao

Established October 18, 1997

Location Abando, Bilbao, Spain

Type Art museum

Visitor

figures

1,002,963 (2007)[1]

951,369 (2008)[2]

Director Juan Ignacio Vidarte

Website Official website

(http://www.guggenheim-bilbao.es)

Guggenheim Museum BilbaoFrom Wikipedia, the free encyclopedia

The Guggenheim Museum Bilbao is a museum of modern

and contemporary art, designed by Canadian-American

architect Frank Gehry, built by Ferrovial[3], and located in

Bilbao, Basque Country, Spain. It is built alongside the

Nervion River, which runs through the city of Bilbao to the

Atlantic Coast. The Guggenheim is one of several museums

belonging to the Solomon R. Guggenheim Foundation. The

museum features permanent and visiting exhibits of works by

Spanish and international artists.

One of the most admired works of contemporary

architecture, the building has been hailed as a "signal moment

in the architectural culture", because it represents "one of

those rare moments when critics, academics, and the general

public were all completely united about something."[4] The

museum was the building most frequently named as one of

the most important works completed since 1980 in the 2010

World Architecture Survey among architecture experts.[4]

Contents

1 Building

2 Exhibitions

3 Transport

4 Media impact

5 See also

6 References

7 External links

Building

Coordinates: 43°16′06.98″N 2°56′03.43″W

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The museum is clad in glass,

titanium, and limestone

The museum by night, November 2007

The curves on the building were to appear random. The architect said that

"the randomness of the curves are designed to catch the light".[5] When it

was opened to the public in 1997, it was immediately hailed as one of the

world's most spectacular buildings in the style of Deconstructivism,

although Gehry does not associate himself with that architectural

movement. Architect Philip Johnson called it "the greatest building of our

time".[6]

The museum's design and construction serve as an object lesson in Gehry's

style and method. Like many of Gehry's other works, it has a structure that

consists of radically sculpted, organic contours. Sited as it is in a port town,

it is intended to resemble a ship. Its brilliantly reflective titanium panels

resemble fish scales, echoing the other organic life (and, in particular,

fish-like) forms that recur commonly in Gehry's designs, as well as the river

Nervión upon which the museum sits. Also in typical Gehry fashion, the

building is uniquely a product of the period's technology. Computer Aided

Three Dimensional Interactive Application (CATIA) and visualizations were

used heavily in the structure's design.

Computer simulations

of the building's structure made it feasible to build shapes

that architects of earlier eras would have found nearly

impossible to construct. While the museum is a spectacular

monument from the river, at street level it is quite modest

and does not overwhelm its traditional surroundings.[citation needed]

The museum was opened as part of a

revitalization effort for the city of Bilbao and for the Basque

Country. Almost immediately after its opening, the

Guggenheim Bilbao became a popular tourist attraction,

drawing visitors from around the globe.[6] It was widely

credited with "putting Bilbao on the map" and subsequently

inspired other structures of similar design across the globe,

such as the Cerritos Millennium Library in Cerritos,

California.

The building was constructed on time and budget, which is rare for architecture of this type. In an interview in

Harvard Design Magazine[7] Gehry explained how he did it. First, he ensured that what he calls the

"organization of the artist" prevailed during construction, in order to prevent political and business interests from

interfering with the design. Second, he made sure he had a detailed and realistic cost estimate before proceeding.

Third, he used CATIA and close collaboration with the individual building trades to control costs during

construction.

Exhibitions

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The Matter of Time by Richard

Serra in the Arcelor Gallery

Tulips by Jeff Koons

The exhibitions in the museum itself change often, the museum hosts

thematic exhibitions, centered for example on Chinese or Russian

art.[citation needed] The museum's permanent collection concerns 20th

century art—traditional paintings and sculptures are a minority compared to

installations and electronic forms. The highlight of the collection, and its

only permanent exhibit, is The Matter of Time, a series of weathering steel

sculptures designed by Richard Serra and housed in the 430-foot (130 m)

Arcelor Gallery (formerly known as the Fish Gallery but renamed in 2005

for the steel manufacturer that sponsored the project[8]). The collections

usually highlight Avant-garde art, 20th century abstraction, and

non-objective art.[9]

Transport

There is a tramway stop called Guggenheim 100 meters away from the

museum. Line 18 of the bus system also has a nearby stop. The museum is

located 500 meters north of Moyua station on the Bilbao Metro.

Media impact

The building can be seen in the 1999 James Bond film The World

Is Not Enough in the opening sequence where Bond (played by

Pierce Brosnan) steals a case of British money from a corrupt

Swiss banker (played by Patrick Malahide) affiliated with the

villain Renard's terrorist network. [1]

(http://www.jamesbondmm.co.uk/bond-villains/patrick-malahide)

The building was featured in Rajinikanth's mega-budget flick,

Sivaji: The Boss by S. Shankar for the song Style composed by

music composer, A.R. Rahman. The song sequence, choreographed by Prabhu Deva, was shot for 16

days.[10]

The building was featured on a poster presented to Arthur Read and his friends by Frank Gehry on the

television series that was named after Arthur. The poster had Gehry's signature on it.

Mariah Carey's music video "Sweetheart", directed by Hype Williams, shows singers Dupri and Carey

in various locations at the Guggenheim Museum Bilbao.[11]

The building is featured in the computer game SimCity 4 as a buildable landmark.

See also

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Puppy by Jeff Koons in front of

the museum

Guggenheim family

The Globalized City, a publication doing case studies on the

museum as a large scale development project

The organization of the artist

URSPIC, a research project that analysed impacts of the museum

on Bilbao

12 Treasures of Spain

References

^ http://www.aol.es/noticias/story/El-Museo-Guggenheim-de-Bilbao-recibi

%C3%B3-en-2007-1.002.963-visitantes,-un-0,6%25-menos-que-en-2006/3380584/index.html

1.

^ http://www.elmundo.es/elmundo/2009/01/12/cultura/1231778022.html2.

^ Ferrovial history (http://www.ferrovial.com/en/index.asp?MP=14&MS=254&MN=3)3.

^ a b Tyrnauer, Matt (30 June 2010). "Architecture in the Age of Gehry" (http://www.vanityfair.com/culture/features

/2010/08/architecture-survey-201008?currentPage=all) . Vanity Fair. http://www.vanityfair.com/culture/features

/2010/08/architecture-survey-201008?currentPage=all. Retrieved 22 July 2010.

4.

^ Aggerwal, Artika. "Frank Owen Gerty" (http://www.archinomy.com/case-studies/1931/frank-owen-gehry) .

http://www.archinomy.com/case-studies/1931/frank-owen-gehry. Retrieved August 18, 2011.

5.

^ a b Lee, Denny (September 23, 2007). "Bilbao, 10 Years Later" (http://travel.nytimes.com/2007/09/23/travel

/23bilbao.html?em&ex=1190606400&en=898bb5be11939f56&ei=5087%0A) . The New York Times.

http://travel.nytimes.com/2007/09/23/travel/23bilbao.html?em&ex=1190606400&en=898bb5be11939f56&

ei=5087%0A

6.

^ Bent Flyvbjerg Design by Deception: The Politics of Megaproject Approval. (http://flyvbjerg.plan.aau.dk

/HARVARDDESIGN63PRINT.pdf) Harvard Design Magazine, no. 22, Spring/Summer 2005, pp. 50-59.

7.

^ Bird's-eye rendering of the Arcelor Gallery with layout of installation "The Matter of Time"

(http://www.artnet.com/Magazine/news/artnetnews2/artnetnews4-13-2.asp)

8.

^ Guggenheim Museum Bilbao: About (http://www.artinfo.com/galleryguide/23119/9637/about/the-guggenheim-

bilbao-bilbao/) . ARTINFO. 2008. http://www.artinfo.com/galleryguide/23119/9637/about/the-guggenheim-bilbao-

bilbao/. Retrieved 2008-07-28

9.

^ Skin Grafting in 'Sivaji' (http://www.indiaglitz.com/channels/tamil/gallery/Events/12540.html)10.

^ Sweetheart (song)11.

External links

Guggenheim Museum Bilbao website (http://www.guggenheim-bilbao.es/?idioma=en)

Google Maps satellite view of Guggenheim Museum Bilbao (http://maps.google.com

/maps?ll=43.268774,-2.934122&spn=0.005178,0.010131&t=k&hl=en)

Gehry on how to build on time and budget (http://flyvbjerg.plan.aau.dk

/HARVARDDESIGN63PRINT.pdf)

Scholars on Bilbao - academic works that analyse Bilbao's urban regeneration (http://www.scholars-

on-bilbao.info/)

Guggenheim Museum Bilbao - Project for Public Spaces Hall of Shame (http://www.pps.org

/gps/one?public_place_id=827)

Pictures of the Guggenheim Museum Bilbao (http://elarq.com/galeria/thumbnails.php?album=61)

Guggenheim Museum in an artistic short movie (http://vimeo.com/2629513)

Bilbao. Basque Pathways to Globalization (http://books.emeraldinsight.com

/display.asp?K=9780080453248) , the first book-length work in English to analyze the relationships

between the city of Bilbao and globalization processes.

Retrieved from "http://en.wikipedia.org/w/index.php?title=Guggenheim_Museum_Bilbao&oldid=454884879"

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Categories: Art museums and galleries in Spain Expressionist architecture 1997 architecture

Frank Gehry buildings Bilbao Guggenheim Museum The World Is Not Enough

Museums established in 1997

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apply. See Terms of use for details.

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View of the EMP Museum from the Seattle Center

with the monorail traveling through it

Monorail tracks going through the

EMP/SFM building

Experience Music Project and Science Fiction

Museum and Hall of FameFrom Wikipedia, the free encyclopedia

The EMP Museum (formerly known as Experience Music

Project and Science Fiction Museum and Hall of Fame

or EMP|SFM) is a museum dedicated to the history and

exploration of both popular music and science fiction

located in Seattle, Washington. The Frank Gehry-designed

museum building is located on the campus of the Seattle

Center, adjacent to the Space Needle and the Seattle Center

Monorail, which runs through the building.

The EMP Museum was founded by Microsoft co-founder

Paul Allen, and opened its doors in 2000. EMP struggled

financially in its early years; as a result, Allen established the Science

Fiction Museum and Hall of Fame (SFM), which opened in 2004 in

the south wing of the EMP building. When SFM opened, EMP and SFM

were treated as separate museums, and visitors had the option of

purchasing admission to one museum, or, at a higher cost, a combined

admission to both. In 2007, after mounting criticism, EMP|SFM ended

the separate admissions policy and began charging a single admission

price for entrance to both the EMP and SFM wings.[1]

The Science

Fiction Museum was closed in March 2011.

EMP has provided funding for radio station KEXP in partnership with

the University of Washington.[2]

EMP was also the site of the demo and

concert program for the first international conference on New Interfaces

for Musical Expression (NIME-01) and the Pop Conference, an annual gathering of academics, critics,

musicians and music buffs.

The EMP in collaboration with SIFF operates the Science Fiction Fantasy Short Film Festival (SFFSFF). Sffsff

takes place annually every winter in Seattle, Washington at the world renowned Seattle Cinerama Theater. The

festival brings together industry professionals in filmmaking and the genres of science fiction and fantasy to

encourage and support new, creative additions to science fiction and fantasy cinema arts.

Contents

1 Experience Music Project

1.1 Collections

1.2 Past exhibitions[3]

2 Science Fiction Museum and Hall of Fame

2.1 Past exhibitions

2.2 Science Fiction Hall of Fame

3 Architecture

Coordinates: 47.6215°N 122.3486°W

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Nighttime view of the EMP Museum.

An exterior view of the building

4 Finances

5 References

6 External links

Experience Music Project

The museum contains mostly rock memorabilia and technology-intensive

multimedia displays. The EMP Museum showcases rare artifacts from

popular music history and allows the visitor to experience music through

interactive exhibitions like Sound Lab and On Stage. The Northwest

passage was dedicated to the history of Seattle music, including Jimi

Hendrix, Heart, and the grunge music genre.

Collections

Northwest Passage was formerly part of the permanent collection. It

contained exhibits on the history of popular music in the Pacific

Northwest. Exhibits include Bing Crosby (Tacoma, Washington), The

Kingsmen (Portland, Oregon), Heart (Seattle, Washington), The

Presidents of the United States of America (Seattle, Washington), Sir

Mix-a-Lot (Seattle, Washington), Nirvana (Aberdeen, Washington, via

Seattle), and Pearl Jam (Seattle, Washington) . Also included are some

less famous artists including Queensrÿche (Bellevue, Washington) and

Culprit, and bands far more obscure, such as The Pudz (Seattle,

Washington). Numerous video clips show interviews and performance

footage, and extensive commentary and additional recordings are

available via iPod audio guides (specially programmed iPods that can be

rented, for a fee, from a desk on the second floor). In April, 2011 The

Northwest Passage was de-installed to make room for the Nirvana:

Taking Punk to the Masses exhibit.

The Guitar Gallery is dedicated to the history of the guitar. The massive

sculpture entitled Roots and Branches was conceived by UK exhibit

designer Neal Potter and developed by Trimpin and made largely out of

musical instruments, especially guitars, which are played by

electronically controlled devices. The Sound Lab allows museum-goers to learn the basics of playing various

instruments and On Stage features a simulated onstage experience.

EMP introduced a travelling collection exhibit in 2002 entitled Disco: A Decade of Saturday Nights. It remained

in Seattle, WA for one year, then in 2003 it moved to the Henry Ford Museum in Dearborn, Michigan and in

2004 to the New York Public Library for the Performing Arts. It has since been retired.

Past exhibitions[3]

Temporary exhibitions

Jimi Hendrix: An Evolution of Sound: On-going;

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Exhibit illustrates Hendrix's musical evolution from his early days in Seattle, to his time as a journeyman

musician touring the southern "chitlin' circuit" and in New York City, to his explosion on the popular music

scene in London and beyond.

Reflections: The Mary Wilson Supreme Legacy Collection: Through September 6, 2010;

A collection of more than fifty costumes worn by the Supremes.

Past exhibitions

Artist to Icon: Early Photographs of Elvis, Dylan, and the Beatles: January 19, 2001 – May 1, 2001;

The exhibition includes 48 black-and-white photographs by five photographers. The photos, taken between

1956 and 1965 show early moments from Elvis, Bob Dylan, and The Beatles.

Disco: A Decade of Saturday Night: February 2003 – October 2003

Nirvana: April 2003 – October 2004;

Chronicles the first half of Nirvana’s career from 1987-1990, among the collection was rare 1990 footage of the

band in Olympia, Washington, including Dave Grohl's first appearance as their drummer.

Milestones: April 2003 – October 2004;

Featured a series of interconnected exhibitions celebrating diverse expressions of creativity and the independent

spirit of rock 'n' roll. Highlights included the roots of rock, a focus on three key innovators—Bob Dylan, Eric

Clapton and Janis Joplin.

Paper Scissors ROCK: 25 Years of Northwest Punk Poster Design: May 2003- September 2003;

This exhibit explored the last 25 years of music-related poster art from the Pacific Northwest.

Jimi Hendrix: June 7, 2003 – August 5, 2007

Sweet Home Chicago, Big City Blues, 1946-1966 Traveling Exhibition: September 2003 - January

2004

Annie Leibovitz: November 2003 - January 2004

Springsteen - Troubadour of the Highway: January 2004- April 2004

Costumes from the Vault: June 2004- January 2007;

This exhibit featured costumes and clothing from a variety of musicians, superheroes and science-fiction stars.

Included were Michael Jackson’s sequined jacket and jeweled glove, Jimi Hendrix’s “psychedelic dandy” outfit,

and the Superman costume from the original television series.

Beatlemania! America Meets the Beatles, 1964: February 2004- December 2005

Songcraft: The Art & Craft of Songwriting: July 2004-January 2006

Bob Dylan’s American Journey, 1956-1966: November 2004 – October 2006

Yes Yes Y’all: The First Decade of Hip-Hop: June 18, 2005 - January 6, 2008

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Art of Modern Rock: The Poster Explosion: May 2006 - October 2006

Disney: The Music Behind the Magic: November 4, 2006 - September 9, 2007

American Sabor: Latinos in U.S. Popular Music: October 13, 2007 - September 7, 2008;

The first interpretive museum exhibition to tell the story of the profound influence and impact of Latinos in

American popular music. The exhibition was created in partnership with guest curators from the University of

Washington.

Message to Love: Remembering and Reclaiming: January 26, 2008 - April 6, 2008;

Jimi Hendrix exhibit focused on the visitor’s experience and the visitor connection with Hendrix.

American Letterpress: The Art of Hatch Show Print: October 11, 2008- July 16, 2009;

Features the work of one of the nation's oldest operating printing shops—Nashville, Tennessee's Hatch Show

Print—the exhibition highlights the uniquely American posters produced to advertise everything from vaudeville

shows, state fairs and stock car races to the Grand Ole Opry, Elvis Presley and Herbie Hancock.

Science Fiction Museum and Hall of Fame

The Science Fiction Museum and Hall of Fame was one of two public science fiction museums in the world

(along with Maison d'Ailleurs, a science fiction museum in Yverdon-les-Bains (Switzerland). The Science Fiction

Museum and Hall of Fame was founded by Paul Allen and Jody Patton and opened to the public on June 18,

2004. Members of the museum's advisory board include Steven Spielberg, Ray Bradbury, James Cameron, and

George Lucas. Among its collection of artifacts are Captain Kirk's command chair from Star Trek, the B9 robot

from Lost in Space, the Death Star model from Star Wars, the T800 Terminator and the dome from the film

Silent Running. The X Prize trophy is currently on display in the museum's lobby.

The museum was divided into several galleries with a common theme such as "Homeworld," "Fantastic

Voyages," "Brave New Worlds" and "Them!". Each gallery displays related memorabilia (movie props, first

editions, costumes and models) in large display cases, posters, and interactive displays to sketch out the different

subjects. "From robots to jet packs to space suits and ray guns, it's all here."[4]

The EMP Museum is currently hosting a special exhibition that opened on October 23, 2010 on Battlestar

Galactica, with original props and cast members as guest speakers. On June 4, 2011, the EMP Museum opened

Avatar: The Exhibition, housed in the former SFM wing of the building.

Past exhibitions

Alien Encounters: September 10, 2006 - October 30, 2007 Featured 33 original paintings of artists’

envisions of aliens over the past 70 years. Artists included Frank Kelly Freas and Ed Emshwiller.

Out of this World: Extraordinary Costumes from Film and Television: June 16, 2007 - September 30,

2007 Featured costumes from Star Wars, Blade Runner, The Terminator, Star Trek, Battlestar

Galactica, and many more of the most popular films and television shows of all time.

Innersphere: Sculptural Works by Rik Allen: November 17, 2007 - April 27, 2008 Featured glass and

metal sculptural rocket ships symbolizing journeys of outward exploration and inward discovery by

Washington artist Rik Allen

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Founders Circle at the Science Fiction Museum and

Hall of Fame

Jim Henson's Fantastic World: May 23-August 16, 2009

Jim Henson (1936-1990)—artist, puppeteer, film director and producer—created elaborate imaginary worlds

filled with unique characters, objects, environments and even languages and cultures. His work is enjoyed in

dozens of languages in more than 100 countries. Jim Henson's Fantastic World offers a rare peek into the

imagination and creative genius of this multitalented innovator and creator of Kermit the Frog, Big Bird and

other beloved characters.[5]

Robots: A Designer's Collection of Miniature Mechanical Marvels: May 16, 2008 - May 3, 2009 A

Collection from designer Tom Geismar. Inspired by antique tin and wooden toys, samurai warriors and

mid-20th century Japanese film characters.

Science Fiction Hall of Fame

The Hall of Fame was founded as the Science Fiction and Fantasy Hall of Fame in 1996 by the Kansas City

Science Fiction and Fantasy Society (Kansas City, Missouri) and the Center for the Study of Science Fiction at

the University of Kansas. The Hall of Fame moved to Seattle in 2004, stopped recognizing fantasy authors, and

became part of the Science Fiction Museum. At the time of its founding, only authors were eligible for inclusion.

Beginning in 2005, the Hall of Fame was expanded to include media outside the literary, and reduced the

number of authors honored each year from four to two. Nominations and inductions are now made in four

categories: Film, Literature, Media, and Open. Since its founding the Hall of Fame has had two Chairmen: Keith

Stokes (1996–2001) and Robin Wayne Bailey (2002–present).

Science Fiction Hall of Fame Inductees[6]

1996: Jack Williamson; A.E. van Vogt; John W. Campbell, Jr.; Hugo Gernsback

1997: Andre Norton; Arthur C. Clarke; H.G.

Wells; Isaac Asimov

1998: Hal Clement; Frederik Pohl; C.L. Moore;

Robert A. Heinlein

1999: Ray Bradbury; Robert Silverberg; Jules

Verne; Abraham Merritt

2000: Poul Anderson; Gordon Dickson; Theodore

Sturgeon; Eric Frank Russell

2001: Jack Vance; Ursula K. Le Guin; Alfred

Bester; Fritz Leiber

2002: Samuel R. Delany; Michael Moorcock;

James Blish; Donald A. Wollheim

2003: Wilson Tucker; Kate Wilhelm; Damon

Knight; Edgar Rice Burroughs

2004: Mary Wollstonecraft Shelley; E.E. Smith;

Harry Harrison; Brian Aldiss

2005: Steven Spielberg; Philip K. Dick; Chesley Bonestell; Ray Harryhausen

2006: George Lucas; Frank Herbert; Frank Kelly Freas; Anne McCaffery

2007: Gene Wolfe; Ridley Scott; Ed Emshwiller; Gene Roddenberry

2008: Ian Ballantine; Betty Ballantine; Rod Serling; William Gibson; Richard M. Powers

2009: Edward L. Ferman; Michael Whelan; Frank R. Paul; Connie Willis

2010: Octavia E. Butler; Richard Matheson; Douglas Trumbull; Roger Zelazny

2011: Vincent Di Fate; Gardner Dozois; Harlan Ellison; Jean Giraud

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Design by Frank Gehry.

Architecture

The structure itself was designed by Frank Gehry, and

resembles many of his firm's other works in its sheet-metal

construction, such as Guggenheim Museum Bilbao, Walt

Disney Concert Hall and Gehry Tower. Much of the building

material is exposed in the building's interior. The building

contains 140,000 square feet (13,000 m2), with a 35,000-

square-foot (3,300 m2) footprint. The central "Sky Church"

room pays homage to Jimi Hendrix and other rock 'n' roll

icons using a 40-foot (12 m) high, 70-foot (21 m) wide video

screen and an 18-panel montage of images.[7]

The last

structural steel beam to be put in place bears the signatures

of all construction workers who were on site on the day it

was erected. Hoffman Construction Company of Portland,

Oregon was the general contractor.

Even before groundbreaking, Seattle Weekly said the design could refer to "the often quoted comparison to a

smashed electric guitar." Indeed, Gehry himself had made the comparison, "We started collecting pictures of

Stratocasters, bringing in guitar bodies, drawing on those shapes in developing our ideas."[8]

The architecture

was greeted by Seattle residents with a mixture of acclaim for Gehry and derision for this particular edifice.

"Frank Gehry," remarked British-born, Seattle-based writer Jonathan Raban, "has created some wonderful

buildings, like the Guggenheim Museum in Bilbao, but his Seattle effort, the Experience Music Project, is not

one of them."[9]

New York Times architecture critic Herbert Muschamp described it as "something that crawled

out of the sea, rolled over, and died."[10]

Forbes magazine called it one of the world's 10 ugliest buildings.[10]

Others describe it as a "blob"[11] or call it "The Hemorrhoids".[9]

Despite some critical reviews of the structure, the building has been called “a fitting backdrop for the world's

largest collection of Jimi Hendrix memorabilia.”[12]

The outside of the building which features a fusion of

textures and colors, including gold, silver, deep red, blue and a "shimmering purple haze,"[13]

has been declared

"an apt representation of the American rock experience."[14]

Finances

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The Sky church.

The museum has had mixed financial success.[15][16] In an effort to

make ends meet, the "blue blob" at the south end of the museum—which

originally housed the "Artist's Journey" exhibit, a motion platform ride

featuring funk music—now houses Avatar: The Exhibition.

In an effort to raise more funds, museum organizers used Allen's

extensive art collection to create a 2006 exhibit within the confines of

the EMP.[17]

The exhibit, which had nothing to do with either music or

science fiction, was entitled DoubleTake: From Monet to Lichtenstein.

The exhibit included Roy Lichtenstein's The Kiss (1962), Pierre-Auguste

Renoir's The Reader (1877), Vincent van Gogh's Orchard with Peach

Trees in Blossom (1888), Pablo Picasso's Four Bathers (1921) and

several works of art from Claude Monet including one of the Water

Lilies paintings (1919) and The Mula Palace (1908).[18]

There have also

been repeated lay-offs of museum staff in an attempt to cut costs.

A subsequent exhibit — Sound and Vision: Artists Tell Their Stories,

which opened February 28, 2007 — had far more connection to the

museums' missions. The first exhibit at the complex to bring together

both music and science fiction in a single exhibit, Sound and Vision

draws on the EMP Museum's collections of oral history recordings.[19]

References

^ Haley Edwards, EMP and SFM slash their ticket price (http://seattletimes.nwsource.com/html/artsentertainment

/2003616363_webemptickets14.html) , Seattle Times, March 14, 2007. Accessed online 24 March 2007.

1.

^ DeRoche, Jeff (April 12, 2001 – April 18, 2001). "Radio Ga-Ga" (http://www.thestranger.com/seattle

/Content?oid=7007) . The Stranger. http://www.thestranger.com/seattle/Content?oid=7007. Retrieved 2006-11-24.

2.

^ All exhibition information from EMP Museum Web site [EMP Museum, Exhibitions. 2011.

http://www.empmuseum.org/exhibitions/index.asp]

3.

^ The New York Times Review. SFM. http://travel.nytimes.com/travel/guides/north-america/united-states

/washington/seattle/attraction-detail.html?vid=1154654608959

4.

^ http://www.empsfm.org/exhibitions/index.asp?articleID=13365.

^ http://empmuseum.org/exhibitions/index.asp?categoryID=2036.

^ Benedetti, Winda (2000-06-22). "The Sky Church: A sanctuary for rock disciples" (http://www.seattlepi.com

/emp/church.shtml) . Seattle PI. http://www.seattlepi.com/emp/church.shtml. Retrieved 2007-06-19.

7.

^ Roger Downey, Experience This! (http://www.seattleweekly.com/news/9807/features-downey.php) , Seattle

Weekly, February 18, 1998. Accessed online 22 October 2006.

8.

^ a b Raban, Jonathan (April 4, 2004). "Deference to nature keeps Seattle from becoming world-class city

(http://archives.seattletimes.nwsource.com/cgi-bin/texis.cgi/web/vortex/display?slug=raban04&date=20040404&

query=Raban) "]. Seattle Times. http://archives.seattletimes.nwsource.com/cgi-bin/texis.cgi/web/vortex

/display?slug=raban04&date=20040404&query=Raban. Retrieved 2006-11-24.

9.

^ a b Barnett, Erica C. (June 17, 2004 – June 23, 2004). "EMPty" (http://www.thestranger.com/seattle

/Content?oid=18487) . The Stranger. http://www.thestranger.com/seattle/Content?oid=18487. Retrieved

2006-11-24.

10.

^ Cheek, Lawrence W. (September 26, 2006). "On Architecture: Corrugated steel is a nice wrinkle"

(http://www.seattlepi.com/ae/286390_architecture26.html) . Seattle Post-Intelligencer. http://www.seattlepi.com

/ae/286390_architecture26.html. Retrieved 2006-11-26.

11.

^ Fodor's. "Experience Music Project Review". http://www.fodors.com/world/north-america/usa/washington/seattle

/review-105822.html

12.

^ Enlow, Clair. Frank Gehry Rock Temple. Architecture Week. http://www.architectureweek.com/2000/071213.

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/index.html

^ Skelton, Lauren. "EMP: Experience Music Project." Seattle.Net. http://www.seattle.net/entertainment/seattlemusic

/musicarticles/emp/

14.

^ John Cook, Recent layoffs at local companies: Experience Music Project (http://www.seattlepi.com/business

/layoff.asp?id=398) , Seattle Post-Intelligencer, January 8, 2002. Accessed online 22 October 2006.

15.

^ Associated Press story, Experience Music Project still struggling five years later (http://www.usatoday.com/travel

/destinations/2005-03-22-emp-seattle_x.htm) , USA Today, March 22, 2005. Accessed online 22 October 2006.

16.

^ Sheila Farr, Paul Allen's Experience Art Project (http://seattletimes.nwsource.com/html/localnews

/2002652590_allenart29.html) , Seattle Times, November 29, 2005. Accessed online 22 October 2006.

17.

^ Full List of Works Announced for Upcoming DoubleTake: From Monet to Lichtenstein Exhibition

(http://www.doubletakeexhibit.org/press/index.asp?dt=032106) , press release on the exhibit's official site, March

21, 2006. Accessed online 22 October 2006.

18.

^ A Legacy of Sound and Vision: The EMP Oral History Program (http://www.empmuseum.org/exhibits

/index.asp?categoryID=60) , EMP site. Accessed online 4 March 2007.

19.

External links

EMP Museum official website (http://www.empmuseum.org/)

SeattleWiki: Experience Music Project (http://www.seattlewiki.org/wiki/Experience_Music_Project)

Experience Music Project at greatbuildings.com (http://www.greatbuildings.com/buildings

/Experience_Music_Project.html)

New Interfaces for Musical Expression – NIME-01 (http://hct.ece.ubc.ca/nime/2001/)

Retrieved from "http://en.wikipedia.org

/w/index.php?title=Experience_Music_Project_and_Science_Fiction_Museum_and_Hall_of_Fame&

oldid=446067978"

Categories: Frank Gehry buildings Culture of Seattle, Washington American architecture

Deconstructivism Expressionist architecture Postmodern architecture in Washington (state)

Seattle Center Halls of fame in Washington (state) Museums in popular culture

Media museums in the United States Media museums Biographical museums in Washington (state)

Media museums in Washington (state) Music museums in the United States

Museums in Seattle, Washington Museums established in 2000 Rock music museums

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Walt Disney Concert Hall

Location 111 South Grand Avenue

Los Angeles, California, U.S.

Coordinates 34°3′19″N 118°15′0″W

Type Concert hall

Built 1999–2003

Opened October 23, 2003

Construction

cost

$130 million (plus $110 million for

parking garage)

Seating type Reserved

Capacity 2,265

Website Venue website

(http://www.musiccenter.org/)

Disney Hall midway through

construction, July 14, 2001.

Walt Disney Concert HallFrom Wikipedia, the free encyclopedia

The Walt Disney Concert Hall at 111 South Grand Avenue

in Downtown Los Angeles, California is the fourth hall of

the Los Angeles Music Center. Bounded by Hope Street,

Grand Avenue, 1st and 2nd Streets, it seats 2,265 people

and serves (among other purposes) as the home of the Los

Angeles Philharmonic orchestra and the Los Angeles

Master Chorale.

Lillian Disney made an initial gift in 1987 to build a

performance venue as a gift to the people of Los Angeles

and a tribute to Walt Disney's devotion to the arts and to the

city. The Frank Gehry-designed building opened on October

24, 2003. Both the architecture by Frank Gehry and the

acoustics of the concert hall (designed by Yasuhisa Toyota)

were praised in contrast to its predecessor, the Dorothy

Chandler Pavilion.[1]

Contents

1 Construction

2 Acoustics3 Reflection problems

4 Concert organ

5 Pop culture6 Restaurant

7 Gallery

8 See also9 Notes

10 References

11 External links

Construction

The project was launched in 1992, when Lillian Disney, widow of Walt

Disney, donated $50 million. Frank Gehry delivered completed designs

in 1991. Construction of the underground parking garage began in 1992

and was completed in 1996. The garage cost had been $110 million, and

was paid for by Los Angeles County, which sold bonds to provide the

garage under the site of the planned hall.[2] Construction of the concert

hall itself stalled from 1994 to 1996 due to lack of fundraising.

Additional funds were required since the construction cost of the final

project far exceeded the original budget. Plans were revised, and in a

cost saving move the originally designed stone exterior was replaced

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In a late stage of construction; the Dorothy

Chandler Pavilion is to the right in the rear.

with a less costly metal skin. The needed fundraising restarted in earnest in 1996—after the real estate

depression passed—headed up by Eli Broad and then-mayor Richard Riordan and groundbreaking for the hall

was held in December 1999. Delay in the project completion caused many financial problems for the county of

LA. The city expected to repay the garage debts by revenue coming from the Disney Hall parking users.[2]

Upon completion in 2003, the project had cost an estimated $274 million, including the parking garage which

had solely cost $110 million.[2] The remainder of the total cost was paid by private donations, of which the

Disney family's contribution was estimated to $84.5 million with another $25 million from The Walt Disney

Company. By comparison, the three existing halls of the Music Center cost $35 million in the 1960s (about $190

million in today's dollars).

Acoustics

As construction finished in the spring of 2003, the Philharmonic

postponed its grand opening until the fall and used the summer to let

the orchestra and Master Chorale adjust to the new hall. Performers

and critics agree that this extra time taken was well worth it by the

time the hall opened to the public.[3] During the summer rehearsals

a few hundred VIPs were invited to sit in including donors, board

members and journalists. Writing about these rehearsals, L.A. Times

music critic, Mark Swed wrote the following account:

“When the orchestra finally got its next [practice] in

Disney, it was to rehearse Ravel's lusciously

orchestrated ballet, "Daphnis and Chloé" . . . Thistime, the hall miraculously came to life. Earlier, the

orchestra's sound, wonderful as it was, had felt

confined to stage. Now a new sonic dimension hadbeen added, and every square inch of air in Disney

vibrated merrily. Toyota says that he had never

experienced such an acoustical difference between afirst and second rehearsal in any of the halls he

designed in his native Japan. Salonen could hardly

believe his ears. To his amazement, he discoveredthat there were wrong notes in the printed parts of

the Ravel that sit on the players' stands. The

orchestra has owned these scores for decades, but inthe Chandler no conductor had ever heard the inner

details well enough to notice the errors.[3]”

The hall met with lauded approval from nearly all of its listeners, including its performers. In an interview with

PBS, Esa-Pekka Salonen, Music Director of the Los Angeles Philharmonic, said, "The sound, of course, was my

greatest concern, but now I am totally happy, and so is the orchestra,"[4] and later said, "Everyone can now hear

what the L.A. Phil is supposed to sound like."[5] This remains one of the most successful grand openings of a

concert hall in American history.

The walls and ceiling of the hall are finished with Douglas-fir while the floor is finished with oak. The Hall's

reverberation time is approximately 2.2 seconds unoccupied and 2.0 seconds occupied.[6]

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Walt Disney Concert Hall Sign

The exterior of Founders room after

panels were re-surfaced.

View of the stage and organ before a

concert.

Reflection problems

After the construction,

modifications were made to the

Founders Room exterior; while

most of the building's exterior

was designed with stainless steel

given a matte finish, the

Founders Room and Children's

Amphitheater were designed

with highly polished mirror-like

panels. The reflective qualities

of the surface were amplified by

the concave sections of the

Founders Room walls. Some residents of the neighboring condominiums

suffered glare caused by sunlight that was reflected off these surfaces

and concentrated in a manner similar to a parabolic mirror. The

resulting heat made some rooms of nearby condominiums unbearably

warm, caused the air-conditioning costs of these residents to skyrocket

and created hot spots on adjacent sidewalks of as much as 60 °C (140

°F). After complaints from neighboring buildings and residents, the

owners asked Gehry Partners to come up with a solution. Their

response was a computer analysis of the building's surfaces identifying the offending panels. In 2005 these were

dulled by lightly sanding the panels to eliminate unwanted glare.[7]

Concert organ

The design of the hall included a large concert organ, completed in

2004, which was used in a special concert for the July 2004

National Convention of the American Guild of Organists. The organ

had its public debut in a non-subscription recital performed by

Frederick Swann on September 30, 2004, and its first public

performance with the Philharmonic two days later in a concert

featuring Todd Wilson.

The organ's facade was designed by architect Frank Gehry in

consultation with organ consultant and sound designer Manuel

Rosales. Gehry wanted a distinctive, unique design for the organ.

He would submit design concepts to Rosales, who would then

provide feedback. Many of Gehry's early designs were fanciful, but

impractical: Rosales said in an interview with Timothy Mangan of

The Orange County Register, "His [Gehry's] earliest input would have created very bizarre musical results in

the organ. Just as a taste, some of them would have had the console at the top and pipes upside down. There was

another in which the pipes were in layers of arrays like fans. Very fascinating. Couldn't be built. The pipes would

have had to be made out of materials that wouldn't work for pipes. We had our moments where we realized we

were not going anywhere. As the design became more practical for me, it also became more boring for him."

Then, Gehry came up with the curved wooden pipe concept, "like a logjam kind of thing," says Rosales, "turned

sideways." This design turned out to be musically viable.[8]

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The organ was built by the German organ builder, Caspar Glatter-Götz, under the tonal direction and voicing of

Manuel Rosales. It has an attached console built into the base of the instrument from which the pipes of the

Positive, Great, and Swell manuals are playable by direct mechanical, or "tracker" key action, with the rest

playing by electric key action; this console somewhat resembles North-German Baroque organs, and has a

closed-circuit television monitor set into the music desk. It is also equipped with a detached, movable console,

which can be moved about as easily as a grand piano, and plugged in at any of four positions on the stage, this

console has terraced, curved "amphitheatre"-style stop-jambs resembling those of French Romantic organs, and

is built with a low profile, with the music desk entirely above the top of the console, for the sake of clear sight

lines to the conductor. From the detached console, all ranks play by electric key and stop action.

In all, there are 72 stops, 109 ranks, and 6,125 pipes; pipes range in size from a few centimeters/inches to the

longest being 9.75m (32 feet) (which has a frequency of 16 hertz).[9]

The organ is a gift to the County of Los Angeles from Toyota Motor Sales, U.S.A., Inc. (the U.S. sales,

marketing, service, and distribution arm of Toyota Motor Corporation).[10][11]

Pop culture

The Hall was spoofed in The Simpsons episode "The Seven-Beer Snitch"; Gehry voiced himself in the

episode where the town of Springfield had him design a new Concert Hall for the town.[12] TheConcert Hall was then transformed into a jail by Mr. Burns. The character Snake eventually escapes

from the prison while saying, "No Frank Gehry-designed prison can hold me!"

The first ever movie premiere at the concert hall was in 2003, when The Matrix Revolutions held itsworld premiere.

The Hall is featured in the video game Midnight Club: Los Angeles.

In the opening moments of "Day 6" of 24, a suicide bomber destroyed a bus in the vicinity of theConcert Hall.

The Concert Hall held Ellen DeGeneres co-hosting for American Idol during the special week of Idol

Gives Back. Rascal Flatts, Kelly Clarkson, and Il Divo performed here.This building was also used in the Iron Man (2008 release) movie briefly for a party for Stark

Industries.

The finale of the 2008 movie Get Smart was filmed at the Concert Hall.In the promotion picture for the television series Shark, the cast is standing in front of the Concert

Hall.

In the original pilot of the US TV remake of Life On Mars, the Hall features prominently in thesequence where Sam travels back to 1972. It is an emblem of the ultra-modern landscape that Sam is

about to leave behind.

On Everyday Italian, Giada De Laurentiis was preparing foods for her family and friends before shewent there.

"One Hour", a 3rd season episode of NUMB3RS, extensively features the concert hall. The action

begins outside the hall, and after a long series of events around town, the FBI winds up going insidethe hall in order to rescue a young boy from his captors.

It is heavily used and an important building in the 2009 film, The Soloist.

Filming was done on location at the Concert Hall for a fictional Boomkat music video in the CW'sMelrose Place.

The ABC show "Brothers and Sisters" often shows an exterior shot of Senator Robert McCallister's

office that includes the concert hall. Also, Kitty proposed to Robert at a fund raiser held at the hall.It was featured in the 2007 film, Alvin and the Chipmunks.

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Restaurant

The concert hall houses celebrity chef Joachim Splichal's landmark fine dining restaurant Patina designed by

Belzberg Architects. Patina serves French and California cuisine.[13]

Gallery

Profile view from

Grand Avenue; the

Dorothy Chandler

Pavilion is to the right

in the rear

Profile view from the

northeast across Grand

Avenue; the Bank of

America Center is to

the left in the rear

Detail near entrance

Viewed at night

Viewed looking north

Viewed at night

Main entrance at night

Viewed from satellite

Detail atop main

entrance

The exterior in winter

2007

During construction in

May 2001

During construction in

May 2001

See also

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List of concert hallsThe organization of the artist

Guggenheim Bilbao Museum

Notes

^ [1] (http://www.calendarlive.com/cl-et-fisher25oct25,0,1086012.htmlstory)1.

^ a b c People, Parking, and Cities (http://www.uctc.net/access

/25/Access%2025%20-%2002%20-%20People,%20Parking,%20and%20Cities.pdf/)

2.

^ a b Mark Swed (2003-10-29). "Now comes the true test" (http://www.latimes.com/entertainment/news/arts/cl-et-

swed29oct29,0,1082257.story) . Los Angeles Times. http://www.latimes.com/entertainment/news/arts/cl-et-

swed29oct29,0,1082257.story. Retrieved 2008-07-15.

3.

^ "The Los Angeles Philharmonic Inaugurates Walt Disney Concert Hall" (http://www.pbs.org/wnet/gperf/dialogue

/dialogue_disneyhall.html) . http://www.pbs.org/wnet/gperf/dialogue/dialogue_disneyhall.html. Retrieved

2008-07-15.

4.

^ Valerie Scher (2003-10-25). "Disney Hall opens with a bang" (http://www.signonsandiego.com/news/features

/20031025-9999_1c25gala.html) . The San Diego Union-Tribune. http://www.signonsandiego.com/news/features

/20031025-9999_1c25gala.html. Retrieved 2008-07-16.

5.

^ "Building Details and Acoustics Data" (http://www.nagata.co.jp/e_sakuhin/factsheets/wdch.pdf) . Nagata

Acoustics. http://www.nagata.co.jp/e_sakuhin/factsheets/wdch.pdf. Retrieved 2008-07-16.

6.

^ Coates, Chris (2005-03-21). "Dimming Disney Hall; Gehry's Glare Gets Buffed" (http://www.downtownnews.com

/articles/2005/03/21/news/news02.txt) . Los Angeles Downtown News. http://www.downtownnews.com/articles

/2005/03/21/news/news02.txt.

7.

^ Timothy Mangan (September 30, 2004). "Pipe dreams at Disney Hall; The concert venue's fantastical organ is

finally ready for unveiling". The Orange County Register (California).

8.

^ "Rosales Organ Builders, Opus 24 (Walt Disney Concert Hall)" (http://www.rosales.com/instruments

/op24/index.htm) . http://www.rosales.com/instruments/op24/index.htm. Retrieved 2008-01-03.

9.

^ Wachtell, Esther (August 1991). "Using all the fund-raising tools: by giving its volunteers all the resources they

needed to do the job, The Music Center of Los Angeles increased its campaign goal 15 percent to $ 17.6 million,

despite the recession". Fund Raising Management 22 (6): 23. ISSN 0016-268X (http://www.worldcat.org

/issn/0016-268X) .

10.

^ PAUL KARON (November 24, 1997). "Toyota ups hall donation". Daily Variety.11.

^ simp15.jpg (http://blog.davidteoh.com/archives/simp15.jpg)12.

^ http://www.gayot.com/best-restaurants/patinarestaurantlosangeles.html13.

References

Symphony: Frank Gehry's Walt Disney Concert Hall. New York: Harry N. Abrams, 2003. ISBN0810949814, ISBN 0810991225.

External links

Official website at Los Angeles Music Center (http://www.musiccenter.org/about/venue_wdch.html)

Walt Disney Concert Hall (http://wdch.laphil.com) - web page of the Los Angeles PhilharmonicArchive of stories from the Los Angeles Times (http://www.calendarlive.com

/cl-disneyhall,0,5782581.storygallery)

Los Angeles Times graphic titled "Inside the Disney Hall Organ" (http://www.rosales.com/instruments/op24/insideDHorgan.pdf)

Article and images at arcspace.com (http://www.arcspace.com/architects/gehry/disney2/)

Microclimatic Impact: Glare around the Walt Disney Concert Hall (http://www.sbse.org/awards/docs/2005/1187.pdf)

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Images in B&W of the Disney Concert Hall (http://www.pbase.com/nexxus/ode_to_gehry)Photographs of exterior and interior of the Disney Concert Hall (http://figure-ground.com/travel

/image.php?disney_hall)

Photograph: Exterior detail of the Disney Concert Hall (http://www.pbase.com/themarmot/image/51929342.jpg)

Photographs of Disney Concert Hall exterior and architectural details (http://www.michaelmagic.com

/pageGalDisney.html)Controlling Chaos (https://www.entrepreneur.com/tradejournals/article/97615998.html)

Recent Photos of Disney Concert Hall (http://www.flickr.com/photos/sterlingdavisphoto

/sets/72157612525423233/)Photos of Disney Concert Hall (http://www.flickr.com/photos/jmannion/sets/72157602482393836/)

Virtual Tour of Walt Disney Concert Hall (http://www.laphil.com/visit/tours/)

Theatre Consultant Theatre Projects website (http://www.theatreprojects.com/)

Retrieved from "http://en.wikipedia.org/w/index.php?title=Walt_Disney_Concert_Hall&oldid=454683660"

Categories: Frank Gehry buildings Music venues in Los Angeles, California

Culture of Los Angeles, California Landmarks in Los Angeles, California

Concert halls in the United States Art in the Greater Los Angeles Area Walt Disney

Buildings and structures completed in 2003 American architecture Deconstructivism

Expressionist architecture Postmodern architecture in California Event venues established in 2003

This page was last modified on 9 October 2011 at 09:23.

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The Vitra Design Museum building by

Frank O. Gehry, front view

Vitra Design MuseumFrom Wikipedia, the free encyclopedia

The Vitra Design Museum is an internationally renowned,

privately owned museum for design in Weil am Rhein, Germany.

Vitra CEO Rolf Fehlbaum founded the museum in 1989 as an

independent private foundation. The Vitra corporation provides it

with a financial subsidy, the use of Vitra architecture, and

organisational cooperation.

Contents

1 Collection and activities

2 Museum building

3 External links

4 Notes

Collection and activities

Coordinates: 47°36′10″N 7°37′05″E

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Eero Saarinen's Tulip Chair, one of the

pieces represented in the permanent

collection.

Cabriolet Bed, from an exposition of works

by Joe Cesare Colombo.

The museum's collection, focusing on furniture and interior design,

is centered around the bequest of U.S. designers Charles and Ray

Eames, as well as numerous works of designers such as George

Nelson, Alvar Aalto, Verner Panton, Dieter Rams, Jean Prouvé,

Richard Hutten and Michael Thonet. It is one of the world's largest

collections of modern furniture design, including pieces

representative of all major periods and styles from the beginning of

the nineteenth century onwards.

These works, originally the private collection of Rolf Fehlbaum, are

now not permanently on display, with the exception of a

representative selection of designer chairs that can be seen in Zaha

Hadid's fire station on the Vitra premises. Instead, the museum puts

on temporary collections focused on one particular designer, often

with loans from other collections. In turn, parts of the collection are

lent to other institutions around the world.

In addition, the museum produces workshops, publications and

museum products, as well as maintaining an archive, a restoration

and conservation laboratory, and a research library. It also organises

guided tours of the Vitra premises, a major attraction to those

interested in modern architecture.

Museum building

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East side view

The museum building, street side view

Factory side view

The museum building, an architectural attraction in its own right,

was Frank O. Gehry's first building in Europe, realised in

cooperation with the Lörrach architect Günter Pfeifer. Together

with the museum, which was originally just designed to house Rolf

Fehlbaum's private collection, Gehry also built a more functional-

looking production hall and a gatehouse for the close-by Vitra

factory.

Although Gehry used his trademark sculptural deconstructivist style

for the museum building, he did not opt for his usual mix of

materials, but limited himself to white plaster and a titanium-zinc

alloy. For the first time, he allowed curved forms to break up his

more usual angular shapes. The sloping white forms appear to echo

the Notre Dame du Haut chapel by Le Corbusier in Ronchamp,

France, not far from Weil.

Architecture critic Paul Heyer described the general impression on

the visitor as

“... a continuous changing swirl of white forms on the

exterior, each seemingly without apparent relationship to the

other, with its interiors a dynamically powerful interplay, in

turn directly expressive of the exterior convolutions. As a

totality it resolves itself into an entwined coherent

display...”[1]

The building backs the factory fence and is embedded in a meadow

adorned with cherry trees. Claes Oldenburg's prominent sculpture

Balancing Tools provides a colourful contrast, while Tadao Ando's

nearby conference pavilion gives a more muted one.

External links

Homepage of the Vitra Design Museum (http://www.design-museum.de)

Vitra Design Museum on greatbuildings.com (http://www.greatbuildings.com/buildings

/Vitra_Design_Museum.html)

Vitra Design Museum (http://www.guggenheim.org/exhibitions/past_exhibitions/gehry/vitra_08.html)

on the Guggenheim Foundation website

Notes

^ Paul Heyer. American Architecture: Ideas and Ideologies in the Late Twentieth Century. p. 233-234.1.

Retrieved from "http://en.wikipedia.org/w/index.php?title=Vitra_Design_Museum&oldid=439267168"

Categories: Museums established in 1989 Buildings and structures completed in 1989

Frank Gehry buildings Design museums Art museums and galleries in Germany

Modernist architecture in Germany Museums in Baden-Württemberg

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apply. See Terms of use for details.

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Binoculars Building

Binoculars Building

Alternative names Chiat/Day Building

General information

Type Commercial office

Architectural

style

Postmodern

Address 340 Main Street

Town or city Venice, California

Country United States

Coordinates 33.99525°N 118.477083°W

Current tenants Google

Completed 1991

Design and construction

Owner W. P. Carey & Co.

Architect Frank Gehry

Website

Official website

(http://www.thebinocularsbuilding.com/)

Binoculars BuildingFrom Wikipedia, the free encyclopedia

The Binoculars Building, originally the Chiat/Day

Building, is a commercial office building located in the

Venice neighborhood of Los Angeles, California. Built

between 1985-1991 for advertising agency Chiat/Day (now

TBWA\Chiat\Day) as its West Coast corporate headquarters,

it was designed by Los Angeles architect Frank Gehry, his

last project in Los Angeles until the Walt Disney Concert Hall

began construction in 1999.[1]

The building is notable for the three different styles used in

the main facade on Main Street, particularly the massive

sculpture of binoculars that function as both a car and

pedestrian entrance. The binoculars were designed by Claes

Oldenburg and Coosje van Bruggen[2]

. The entrance to the

parking garage is between the lenses of the binoculars. The

75,000-square-foot (7,000 m2) building was delayed for a few

years after hazardous materials were found on the building

site, requiring removal. TBWA\Chiat\Day is no longer a

tenant in the building, having moved to another area of Los

Angeles known as Mar Vista, the current occupants are DDB

Worldwide, another advertising agency, and Ketchum, a

public relations agency.

In January 2011, W. P. Carey & Co. announced Google was

leasing 100,000 square feet (9,300 m2) of space in the

building and two neighboring buildings, part of a major

expansion to establish a larger employment presence in Los

Angeles.[3][4][1]

Coordinates: 33.99525°N 118.477083°W

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Panorama showing proportion of building

References

^ a b Verini, James (11 September 2003). "L.A.: Gehry's laboratory" (http://articles.latimes.com/2003/sep/11/news

/wk-cover11) . Los Angeles Times. http://articles.latimes.com/2003/sep/11/news/wk-cover11. Retrieved 14 May

2011.

1.

^ "Claes Oldenburg" (http://www.guggenheim.org/new-york/collections/collection-online/show-full/bio

/?artist_name=Claes%20Oldenburg&page=1&f=Name&cr=1) guggenheim.org, retrieved Dec 25, 2009

2.

^ Sarno, David (26 January 2011). "Google leases office complex in Venice" (http://articles.latimes.com/2011/jan

/26/business/la-fi-google-venice-20110126) . Los Angeles Times. http://articles.latimes.com/2011/jan/26/business

/la-fi-google-venice-20110126. Retrieved 14 May 2011.

3.

^ Carlson, Nicholas (8 February 2011). "Photos Of Google's Wacky New "Binoculars Building" Office On Venice

Beach" (http://www.sfgate.com/cgi-bin/article.cgi?f=/g/a/2011/02/08/businessinsider-google-binoculars-building-

2011-2.DTL) . San Francisco Chronicle. http://www.sfgate.com/cgi-bin/article.cgi?f=/g/a/2011/02/08

/businessinsider-google-binoculars-building-2011-2.DTL. Retrieved 14 May 2011.

4.

External links

Guggenheim Museum profile (http://www.guggenheim.org/exhibitions/past_exhibitions/gehry

/chiatday_07.html)

ArcSpace: Chiat/Day Building 1991 (http://www.arcspace.com/calif/build/chiat.htm)

On the Sunny Side of the Street (http://www.allbusiness.com/construction/4359562-1.html)

Retrieved from "http://en.wikipedia.org/w/index.php?title=Binoculars_Building&oldid=444598130"

Categories: Frank Gehry buildings 1991 architecture

Buildings and structures in Los Angeles, California Landmarks in Los Angeles, California

Expressionist architecture Postmodern architecture in California California building and structure stubs

This page was last modified on 13 August 2011 at 09:13.

Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may

apply. See Terms of use for details.

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Frederick R. Weisman Art Museum

As viewed from the west, from the Washington

Avenue Bridge

Established 1934

Location East Bank, University of

Minnesota, Minneapolis

Type Art museum

Collection size 20,000+

Director Lyndel King

Public transit

access

Coffman Memorial Union, Metro

Transit/SouthWest Transit

Website http://weisman.umn.edu

Weisman Art MuseumFrom Wikipedia, the free encyclopedia

The Frederick R. Weisman Art Museum is an art museum

located on the University of Minnesota campus in

Minneapolis. A teaching museum for the university since

1934, the museum is named for Frederick R. Weisman, and

was designed by the renowned architect Frank Gehry. Often

called a "modern art museum," the 20,000+ image collection

has large collections of Marsden Hartley, Alfred Maurer,

Charles Biederman, Native American Mimbres pottery, and

Korean furniture.

Contents

1 Building

1.1 Expansion

2 Frederick R. Weisman

3 References

4 External links

Building

The museum's current building,

designed by renowned architect

Frank Gehry,[1]

was completed in

1993. The stainless steel skin was

fabricated and installed by the A.

Zahner Company, a frequent

collaborator with Gehry's office.

It is one of the major landmarks on

campus, situated on a bluff

overlooking the Mississippi River at

the east end of the Washington Avenue Bridge. The building presents two faces, depending on which side it is

viewed from. From the campus side, it presents a brick facade that blends with the existing brick and sandstone

buildings. On the opposite side, the museum is a playground of curving and angular brushed steel sheets.[1] This

side is an abstraction of a waterfall and a fish.

The most stunning views of the building are from the pedestrian and highway decks of the adjacent Washington

Avenue Bridge. Some locals critical of the radical architectural style frequently point out that the building's

design could unexpectedly reflect the light of the sun into the eyes of motorists on the bridge. Studies

commissioned by MNDOT have found that the museum is not hazardous to motorists.

Expansion

Coordinates: 44°58′22″N 93°14′17″W

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A new addition, also designed by Gehry, was expected to open in 2009.[2] However, due to economic

conditions, construction did not begin until the spring of 2010. The Weisman closed its doors on Sunday,

October 10, 2010 until the fall of 2011 as a part of this major expansion.[3]

The museum finally reopened it's

doors with a Grand Reopening celebration sponsored by Target on Sunday, October 2, 2011. The Weisman's five

new galleries allow the museum to share more than three times as many objects from the permanent collection

at any given time. One new gallery is filled with highlights from their noted ceramics collection (master potter

Warren MacKenzie helped select the work); two house master works of American modernism; and another

showcases the Weisman's considerable collection of photography, prints, and drawings. The fifth new gallery,

the Target Studio for Creative Collaboration, houses experimental collaborations between artists and students,

faculty, and the community. As of the fall 2011 reopening the Target studio focuses on designs for a new plaza

in front of the museum, the end of the pedestrian bridge, and a new university building across Washington

Avenue. [3]

Frederick R. Weisman

Frederick R. Weisman was a Minneapolis native who became well known as an art collector in Los Angeles who

died in 1994. There is another Frederick R. Weisman Museum of Art on the campus of Pepperdine University in

Malibu, California. Additionally, there is the Frederick R. Weisman Art Foundation, the Los Angeles estate

designed to serve as a showcase for his personal collection of 20th-century art. When he opened the art

collection at his Los Angeles estate to the public, he wanted to share the experience of living with art— rather

than the usual, more formal protocol of seeing art in a gallery or museum. The Weisman Foundation estate,

located in the Holmby Hills area of Los Angeles, is a two-story Mediterranean Revival house designed in the

late 1920s by Los Angeles architect Gordon B. Kaufmann. The Weisman home exhibits the fine craftsmanship

characteristic of the period, including custom decorative treatments on the walls and ceilings. Today the

Foundation estate, annex, and surrounding gardens is made accessible to the public by appointment only on

guided tours.[4]

References

^ a b "University of Minnesota Art Museum".

Progressive Architecture 73 (1): 74–5. January 1992.

1.

^ Abbe, Mary (March 8, 2007). "A twist in the tinfoil

- Gehry doing Weisman addition"

(http://web.archive.org/web/20070311210552/http:

//www.startribune.com/1375/story/1041820.html) .

Star Tribune. Archived from the original

(http://www.startribune.com/1375/story

/1041820.html) on 2007-03-11.

http://web.archive.org/web/20070311210552/http:

2.

//www.startribune.com/1375/story/1041820.html.

Retrieved 2007-03-18.

^ a b "Goodbye for a Year, but not really"

(http://blog.lib.umn.edu/wampr/wamnewsmain

/2010/10/goodbye_for_a_year--but_not_re.html) .

http://blog.lib.umn.edu/wampr/wamnewsmain

/2010/10/goodbye_for_a_year--but_not_re.html.

3.

^ Frederick R. Weisman Art Foundation Collection,

2007

4.

External links

official Frederick R. Weisman Art Museum website (http://www.weisman.umn.edu)

Frederick R. Weisman Art Foundation - Los Angeles (collection tours by appointment)

(http://www.weismanfoundation.org)

Frederick R. Weisman Museum of Art - Malibu, California (http://arts.pepperdine.edu/museum

/elements-of-nature.htm)

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Retrieved from "http://en.wikipedia.org/w/index.php?title=Weisman_Art_Museum&oldid=453655395"

Categories: Frank Gehry buildings Museums in Minneapolis, Minnesota Art museums in Minnesota

University museums in Minnesota Modern art museums in the United States

Contemporary crafts museums in the United States University of Minnesota

Buildings and structures completed in 1993 Deconstructivism Expressionist architecture

Postmodern architecture in the United States Museums established in 1993 Museums established in 1934

This page was last modified on 3 October 2011 at 07:01.

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apply. See Terms of use for details.

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The entrance to the Peter B. Lewis Building

Weatherhead School of ManagementFrom Wikipedia, the free encyclopedia

The Weatherhead School of Management is a private

business school of Case Western Reserve University located

in Cleveland, Ohio. Weatherhead is considered a top-tier

business school, with its strongest programs concentrated in

organizational behavior, nonprofit business, information

systems, entrepreneurship, and executive education.[1]

Weatherhead is the home to several award-winning

academic journals[2] and publishes its own award-winning

alumni outreach publication, The Weatherhead Collection.

Weatherhead has also focused on the issues of sustainability

and global development through the work of David

Cooperrider at the Center for Business as an Agent of World

Benefit.

The hallmark facility of the Weatherhead School of

Management is the Peter B. Lewis Building, named after the

Cleveland philanthropist who donated $36.9 million towards

its construction. Designed by Frank Gehry, the building has

an area of approximately 150,000 square feet (14,000 m2)

and stands at five stories tall.[3] The buildings decentralized

design was chosen so that, “Faculty offices, classrooms and

meeting areas are distributed on every floor to encourage

informal interaction and complement the Weatherhead

School’s learner-centered curricula.”

Contents

1 Weatherhead firsts2 Academic programs

2.1 Undergraduate

2.2 MBA2.3 Masters

2.3.1 Master of Accountancy (MAcc)

2.3.2 Master of Management & Engineering (MEM)2.3.3 Master of Nonprofit Organizations (MNO)

2.3.4 Master of Science in Finance

2.3.5 Master of Science in Management2.3.6 Master of Science in Management - Operations Research (MSM-OR)

2.3.7 Master of Science in Management – Supply Chain (MSM-SC)

2.3.8 MS in Positive Organizational Development and Change - MPOD

2.4 PhD

2.4.1 Executive Doctor of Management (EDM)

2.5 Executive education

Coordinates: 41.51006°N 81.60773°W

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3 Sustainable Enterprise - Prominent Faculty4 Manage By Designing - Prominent Faculty

5 Organizational Behavior - Prominent Faculty

6 Notable alumni7 See also

8 References

9 External links

Weatherhead firsts

First Ph.D. in Organizational Behavior & Operations ResearchFirst networked computer lab in the U.S.

First competency-based MBA program in U.S. for Emotional Intelligence

First Executive Doctor of Management (EDM) program in the nationFirst to explore Manage by Designing

First business school to introduce leadership assessment in its MBA curriculum

First Health Systems Management Center in collaboration with a medical schoolFirst to create Appreciative Inquiry

Founder of the Center for Business as an Agent of World Benefit

Academic programs

Undergraduate

Weatherhead offers traditional four-year majors in the following areas:

BS in Accounting

BS in Management

BA in Economics

For students pursuing the BS in accounting, integrated study options enable attainment of a Master's of

Accountancy degree in five years or less, satisfying the 150-hour requirement to sit for the CPA examination in

most states.[4] All students in the undergraduate program are able to pursue minors in:

AccountingEconomics

Entrepreneurship

FinanceInformation Systems

Marketing

Students pursuing a degree in engineering can partake in a specialized sequence offered by Weatherhead.

Engineering students can pursue a minor in economics or management, and sequences in economics and

management/entrepreneurship.

The Weatherhead School of Management Undergraduate Program [1] (http://weatherhead.case.edu

/undergraduate/) was ranked 34th among U.S. undergraduate business programs by U.S. News & World Report

in 2010 and was ranked 38th by BusinessWeek in 2010.[5]

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A view of the roof of the Peter B. Lewis Building

from the Ford Parking Garage

2010 Bloomberg Businessweek's Specialty Ranking Results:

Financial Management: #1Microeconomics: #6

Macroeconomics: #10

Calculus: #11Accounting: #15

Sustainability: #17

Quantitative Methods: #22

MBA

Full-time/Traditional: A traditional 2-year programwith a variety of electives and experiential

learning opportunities.

Full-time/Accelerated: An 11-month program forundergraduate business majors.

Part-time/Saturday: A 21-month program that

combines face-to-face learning with technology-mediated classrooms.

Part-time/Evening: Designed to meet the time

constraints of employed students.

The Leadership Assessment and Development (LEAD)

course, is billed as one of the foundations of the

Weatherhead MBA. This class encourages students to take an active role in developing the shape and direction

of their MBA. Students are asked to analyze their career goals and lay out a strategy to accomplish their

professional and personal objectives. Action Learning takes place in the second year of the full-time program.

Classmates form consulting teams to assist major corporations in solving a timely management problem.

In late 2008, Weatherhead consolidated many of its programs under two separate but interdisciplinary core

initiatives. Manage by Designing (http://design.case.edu) and Sustainable Enterprise

(http://weatherhead.case.edu/initiatives/sustainable-enterprise/) . By stressing the school's commitment to these

emerging management trends, the MBA program is designed to build a core competency in the following areas:

Leadership Assessment and Development, Financial Reporting and Control, Financial Management, Economics,

Statistics and Decision-Modeling, Human Values in Organizations, Marketing, Operations Management,

Information Design and Management, Strategic Issues and Applications, Action Learning. Students in the MBA

program are also able to pursue concentrations in: Banking and Finance, Health Systems Management,

Marketing, Nonprofit Management, Operations and Supply Chain Management, Organizational Development,

and Strategic Management.[6]

Weatherhead’s joint degree programs offer a complementary education strategy to enable connections between

the MBA program and a specific industry career concentration. Programs available include:

MBA/JD (Juris Doctorate)MBA/MAcc (Master in Accounting)

MBA/MD (Medical Doctorate)

MBA/MIM (Master in International Management)MBA/MSN (Master of Science in Nursing)

MBA/MPH (Master of Public Health)

MBA/MSM - Operations Research

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MBA/MSM - Supply Chain Management

Rankings and Distinctions

#3 Organizational Behavior Department (Financial Times, 2008 – Global)

#5 Finance (The Best US MBA Programs By Specialty 2010, Businessweek)

#8 General Management (The Best US MBA Programs By Specialty 2010, Businessweek)

#27 Return on Investment for Full-Time MBA (Businessweek, 2010 – US); # 41 for Global

Top 30 Design Thinking in Management School (Businessweek, 2009 – Global)

#48 Full-Time MBA (Financial Times, 2010 – U.S.)

#33 Full-Time MBA (Aspen Institute's Beyond Grey Pinstripes, 2009 – Global)

#49 Full-Time MBA (Forbes, 2011 - US)

#51 Full-Time MBA (Businessweek, 2010 – U.S.)

#52 Full-Time MBA (EIU, 2010 – North America)

#56 Full-Time MBA Program (CNN Expansion, 2010 - Global)

#14 Part-Time MBA Program (Businessweek, 2009 – U.S.)

#31 Part-Time MBA (U.S. News & World Report, 2010 – U.S.)

#21 Executive MBA Program (Businessweek, 2009 – Global)

The Financial Times ranked the full-time Master of Business Administration program.

Year Global Rank US rank

2010 80 48

2009 95 53

2008 100 57

2007 82 49

2006 63 40

2005 49 30

[7]

Masters

Master of Accountancy (MAcc)

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The Weatherhead MAcc Program features a 36-credit hour curriculum. The MAcc program may be undertaken

on a full-time or part-time basis, beginning in any semester. Enrollment in the summer (June) or fall (August) is

recommended by Weatherhead in order to facilitate appropriate sequencing of courses.[8] The degree

requirements of the Master of Accountancy (MAcc) Program at the Weatherhead School of Management satisfy

the educational qualifications for an individual to sit for the CPA examination in the state of Ohio. The MAcc

also provides the opportunity to be admitted into a joint MAcc/MBA program. Generally, the joint degree can

be completed in two additional semesters, reducing the completion time of the added degree by about two

semesters. Weatherhead recommended that a student complete the first semester of the MAcc before applying

to the joint degree program.

Master of Management & Engineering (MEM)

The Weaterhead MEM Program is a 42 credit hour program that only takes three semesters to complete.

According to the school, Case Western Reserve University is the only university to offer a fully integrated

academic program such as this.[9] Courses are taught by the Case School of Engineering and Weatherhead

School of Management.

Master of Nonprofit Organizations (MNO)

The Master of Nonprofit Organizations degree consists of 60 credit hours of academic work taken over two

years of full-time study, or approximately 48 months of part-time study. Part-time students may accelerate their

progress depending upon the number of courses they take in any given semester. The MNO is based on a

multidisciplinary curriculum consisting of four thematic areas: Nonprofit Purposes, Traditions, and Contexts;

Analytic Thinking for Nonprofit Leaders; Generating and Managing Resources for Nonprofit Organizations; and

Leading Nonprofit Organizations. Students take 33 hours of required courses, and 27 hours of elective

courses.[10]

Master of Science in Finance

The Master of Science in Finance degree consists of a curriculum of 36 credit hours of work, including 12 credit

hours each of foundation classes, core classes and electives. The program can be completed in 9 to 12 months,

the program is designed to prepare students to take professional designation exams, such as the Chartered

Financial Analysts, Certified Financial Planners, or the Financial Risk Management.[11]

Master of Science in Management

The Weatherhead MSM program is a two-semester degree program is designed specifically for recent bachelor

of arts or bachelor of science graduates with no prior business coursework.[12] After completing the program in

which the entry-level business and management skills are taught, students may return to Weatherhead to

complete their MBA.

Master of Science in Management - Operations Research (MSM-OR)

The MSM-OR program consists of 18 credit hours of operations research core material, 12 credit hours of

speciality tracks, and 6 credit hours of business core classes. The program is designed to pair the disciplines of

operations research and business.[13]

Master of Science in Management – Supply Chain (MSM-SC)

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The MSM-SC program consists of 12 credit hours of business core classes and 24 credit hours of supply chain

courses. The MSM-SC can be completed by full-time students in 12 to 16 months and by part-time students in

24 to 36 months.

MS in Positive Organizational Development and Change - MPOD

The Weatherhead MPOD degree is designed to enable professionals to "create a better world by developing

human potential with strength-based methods of inquiry, design, and change management."[14] The MPOD is a

40-credit, 19-month program delivered in five, week-long residencies and one 10-day international study tour.

The program's objectives are to build students' abilities in strategic-level change management and deepen their

knowledge of leading-edge theory and practice in appreciative inquiry, strength-based human resource

development, and positive organizational change research.

PhD

The Weatherhead School of Management offers PhD degrees in disciplines such as information systems and

organizational behavior. In 2010, the Financial Times ranked the school's doctoral programs 13th in the

world.[15]

Executive Doctor of Management (EDM)

The Weatherhead Executive Doctor of Management (EDM) Program integrates concept and practice within the

context of today's emerging and pressing global issues. The EDM is available to a small, select group of

experienced executives who possess graduate degrees. The curriculum comprises 54 credit hours organized into

interdependent areas of study.[16] EDM is an executive-type program with classes offered at one 4-day and five

2-day residencies each semester. The curriculum incorporates two types of courses: Integrative and Inquiry. The

Integrative courses address substantive problems through reading relevant literature and course discussion. They

seek to integrate ideas across the social sciences and to some degree the humanities to understand the focal

problem or issue. The Inquiry courses are dedicated to helping students formulate the questions they want to

examine in their individual research. These courses are designed to give students the methodological tools to

conduct research in their areas of interest and provide faculty support in the design and execution of research

projects.

Faculty at the Weatherhead school advise doctoral students in accounting, management, operations research,

and organizational behavior. (Technically, degrees are conferred by the School of Graduate Studies at Case

Western Reserve University.)

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A closeup of the tiles.

Executive education

The Weatherhead School has offered executive education

for over 30 years.[17] The Weatherhead Executive

Education program offers expertise in the areas of

leadership development through emotional intelligence,

organizational development through appreciate inquiry,

health care management, entrepreneurship, innovation,

women’s leadership and social impact management.

Sustainable Enterprise - Prominent

Faculty

Prominent faculty include David Cooperrider and David A.

Kolb.

"Institute in Sustainable Value and Social Entrepreneurship" was rated by Forbes as one of the 10 Most

Innovative Business School Courses in 2010.

Manage By Designing - Prominent Faculty

Prominent faculty include Fred Collopy, Dick Boland and Richard Buchanan. Boland and Collopy are widely

published leaders in the emerging 'design thinking' trend. In addition to numerous articles, Collopy and Boland

authored the book "Managing as Designing" about the experience of working with Frank Gehry and how this

experience helped shape the design thinking trend. With the help of Richard Buchanan, The Weatherehad

School of Management's lead role in the trend was recognized by BusinessWeek in September, 2009 as one of

the top 30 Design Thinking programs in the world[18]. Their 'Manage By Designing' initiative helped launch the

Weatherhead Collection and the rest of the school's much-praised rebranding effort[19] that is notable for having

pioneered the use of high-design aesthetics instead of the traditionally conservative approach historically taken

by business schools.

Organizational Behavior - Prominent Faculty

Professor Richard E. Boyatzis is an internationally renowned expert on organizational behavior. He is widely

known for his creation of the competency approach, for Competency and Emotional Intelligence. His landmark

research paved the way for the use of behavioral competencies by employers in the United States, the United

Kingdom, and several other countries.

Weatherhead's Organizational Behavior Department was ranked 1st (5 years in a row) during 2003-2007 and 3rd

in 2008 in the world by Financial Times. The Department played a major role in defining the discipline by

creating the field's first doctoral program in 1964. Today, Weatherhead continues to maintain the nation's largest

PhD program in Organizational Behavior with alumni and students from around the world.

Notable alumni

Edward C. Prescott, 2004 Nobel Laureate in Economics, received his MS in operations research in 1964.

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Victor Ciorbea, former Prime Minister of Romania, specialized in management in 1992.

Subir Vithal Gokarn, Deputy Governor of Reserve Bank of India, received his Ph.D. in Economics in 1989.

Milton A. Wolf, former U.S. ambassador to Austria, earned his Ph.D. in Economics in 1993.

Donald E. Washkewicz, Chairman of the Board and Chief Executive Officer of Parker Hannifin Corporation,

received an MBA in 1979. He is one of 25 Highest Paid CEOs with MBAs (Businessweek 2010).

David Daberko, former National City Corp. Chairman and CEO, received an MBA in 1970.

Robert W. Gillespie, Jr., former Chairman & CEO of Key Corp, received an MBA in 1968.

John C. Dannemiller, former Chairman, CEO & President of Applied Industrial Technologies, received an MBA

in 1964.

William G. Bares, former Chairman of Lubrizol Corporation, received an MBA in 1969.

Michael McCaskey, Chairman of the Board of the Chicago Bears, holds a Ph.D. in Organizational Behavior in

1971.

John B. Neff, former Managing Partner of Wellington Management Corporation, received an MBA in 1958.

Clayton Deutsch, CEO and president, Boston Private Financial Holdings, received an MBA.

Chuck Fowler, president, Fairmount Minerals, received an Executive MBA and donated US$7.5 million to set

up a Center at the School.

See also

Case Western Reserve UniversityWeatherhead Collection

List of United States business school rankings

List of business schools in the United States

References

^ Rankings in Higher Education : Weatherhead School of Management :: Case Western Reserve University

(http://weatherhead.case.edu/about/rankings.cfm)

1.

^ The Weatherhead Collection, Page 08 (http://weatherhead.case.edu/about/media/publications

/the_collection_bold_pages_highres.pdf)

2.

^ Weatherhead School of Management :: Case Western Reserve University (http://weatherhead.case.edu/lewis

/factoids.cfm)

3.

^ Majors Overview : Weatherhead School of Management :: Case Western Reserve University

(http://weatherhead.case.edu/undergraduate/majorOverview.cfm)

4.

^ Minors and Sequences : Weatherhead School of Management :: Case Western Reserve University

(http://weatherhead.case.edu/undergraduate/minorsSequence.cfm)

5.

^ Concentrations : Weatherhead School of Management :: Case Western Reserve University

(http://weatherhead.case.edu/mba/concentrations/conc_default.cfm)

6.

^ Crain's Cleveland Business: Weatherhead slips in rankings (http://www.crainscleveland.com/apps/pbcs.dll

/article?AID=/20070205/FREE/70205007/1008&Profile=1008)

7.

^ Master of Accountancy : Weatherhead School of Management :: Case Western Reserve University8.

Weatherhead School of Management - Wikipedia, the free encyclopedia http://en.wikipedia.org/w/index.php?title=Weatherhead_School_of_Man...

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(http://weatherhead.case.edu/acct/mAcc/)

^ Masters of Engineering Management Degree (http://www.mem.case.edu/index.html)9.

^ Mandel Center: Master of Nonprofit Organizations (MNO) STRUCTURE (http://www.case.edu/mandelcenter

/grad/mno/)

10.

^ MS Finance : Weatherhead School of Management :: Case Western Reserve University

(http://weatherhead.case.edu/finance/)

11.

^ http://weatherhead.case.edu/msm/msm.cfm12.

^ MSM-OR : Weatherhead School of Management :: Case Western Reserve University (http://weatherhead.case.edu

/msm/msm-or.cfm)

13.

^ Program Overview : Weatherhead School of Management :: Case Western Reserve University

(http://weatherhead.case.edu/mpod/overview.cfm)

14.

^ FT Global MBA Rankings (http://rankings.ft.com/businessschoolrankings/global-mba-rankings)15.

^ PROGRAM CONTENT : Weatherhead School of Management :: Case Western Reserve University

(http://weatherhead.case.edu/edm/curr_structure.cfm)

16.

^ Weatherhead School of Management :: Case Western Reserve University (http://weatherhead.case.edu/exed.cfm)17.

^ BusinessWeek's Top 60 Design Thinking Schools in the World (http://images.businessweek.com/ss/09

/09/0930_worlds_best_design_schools/index.htm)

18.

^ Reddy for Action - Weatherhead Stays on Course (http://www.crainscleveland.com/article/20090921

/FREE/309219956)

19.

External links

Weatherhead School of Management (http://weatherhead.case.edu/)

Images of the Peter B. Lewis Building (http://www.bluffton.edu/~sullivanm/ohio/cleveland/gehry/lewis.html)

Images of the interior of the building (http://www.galinsky.com/buildings/peterblewis/index.htm)

Retrieved from "http://en.wikipedia.org/w/index.php?title=Weatherhead_School_of_Management&oldid=454870592"

Categories: Business schools in Ohio Case Western Reserve University Frank Gehry buildings

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Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may

apply. See Terms of use for details.Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

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BP Pedestrian Bridge

The BP Bridge viewed from The Buckingham in

Lakeshore East (June 12, 2008)

Carries Pedestrians

Crosses Columbus Drive

Locale Chicago, Illinois (Cook County)

United States

Designer Frank Gehry

Design girder bridge

Material stainless steel, reinforced

concrete, and hardwood

Total length 935 feet (285.0 m)

Width 20 feet (6.1 m)

Clearance

below

14 feet 6 inches (4.4 m)

Construction

end

May 22, 2004

Opened July 16, 2004

BP Pedestrian BridgeFrom Wikipedia, the free encyclopedia

The BP Pedestrian Bridge, or simply BP Bridge, is a girder

footbridge in the Loop community area of Chicago, Illinois,

United States. It spans Columbus Drive to connect Daley

Bicentennial Plaza with Millennium Park, both parts of the

larger Grant Park. Designed by Pritzker Prize-winning

architect Frank Gehry, it opened along with the rest of

Millennium Park on July 16, 2004.[1] Gehry had been courted

by the city to design the bridge and the neighboring Jay

Pritzker Pavilion, and eventually agreed to do so after the

Pritzker family funded the Pavilion.[2][3][4]

Named for energy firm BP, which donated $5 million toward

its construction, it is the first Gehry-designed bridge to have

been completed.[5] BP Bridge is described as snakelike

because of its curving form.[6] Designed to bear a heavy load

without structural problems caused by its own weight, it has

won awards for its use of sheet metal. The bridge is known

for its aesthetics, and Gehry's style is seen in its biomorphic

allusions and extensive sculptural use of stainless steel plates

to express abstraction.

The pedestrian bridge serves as a noise barrier for traffic

sounds from Columbus Drive. It is a connecting link between

Millennium Park and destinations to the east, such as the

nearby lakefront, other parts of Grant Park and a parking

garage.[7] BP Bridge uses a concealed box girder design with

a concrete base, and its deck is covered by hardwood floor

boards.[8] It is designed without handrails, using stainless

steel parapets instead. The total length is 935 feet (285 m),

with a five percent slope on its inclined surfaces that makes it

barrier free and accessible. Although the bridge is closed in

winter because ice cannot be safely removed from its wooden

walkway, it has received favorable reviews for its design and

aesthetics.

Contents

1 Design

1.1 Preliminary plans1.2 Final plan

2 Construction

3 Use and controversies4 Aesthetics

Coordinates: 41°52′58.23″N 87°37′14.26″W

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Gehry designed both the

bridge and Jay Pritzker

Pavilion with curving

stainless steel plates.

5 Credits6 Notes

7 References

8 External links

Design

Preliminary plans

Since the mid-19th century, Grant Park has been Chicago's "front yard", with Lake Michigan to the east and the

Loop to the west. Columbus Drive runs north–south through Grant Park, with Daley Bicentennial Plaza in the

northeast corner of the park. West of Columbus Drive, the northwest corner of the park had been Illinois Central

rail yards and parking lots until 1997, when it became available for development by the city as Millennium Park.

Millennium Park is also north of Monroe Street and the Art Institute, east of Michigan Avenue, and south of

Randolph Street.[9] For 2007, Millennium Park trailed only Navy Pier as a Chicago tourist attraction.[10]

In February 1999, the city announced it was negotiating with Frank Gehry to

design a proscenium arch and orchestra enclosure for a band shell in the new

park, as well as a pedestrian bridge crossing Columbus Drive between

Millennium Park and Daley Bicentennial Plaza. The city also sought donors to

cover the cost of Gehry's work, which would eventually become Jay Pritzker

Pavilion and the BP Pedestrian Bridge.[11][12] At the time, the Chicago Tribune

dubbed Gehry "the hottest architect in the universe" in reference to the acclaim

for his Guggenheim Museum Bilbao.[13] Millennium Park project manager

Edward Uhlir said "Frank is just the cutting edge of the next century of

architecture", and noted that no other architect was being sought.[11] Gehry was

approached several times by Skidmore, Owings & Merrill architect Adrian Smith

on behalf of the city.[3] In April 1999, the city announced that the Pritzker

family had donated $15 million to fund Gehry's band shell and an additional nine

donors committed a total of $10 million more to the park.[2][14] That same day,

Gehry agreed to the design request.[4]

In November 1999, when he unveiled his initial plans for the bridge and band

shell, Gehry admitted the bridge's design was underdeveloped because funding for it was not yet committed.

Even at this early point, the need for a sound barrier for Columbus Drive traffic noise was recognized, although

Gehry indicated this might take the form of a berm, or raised barrier.[15] The need to fund a bridge to span the

eight-lane Columbus Drive was evident, but some planning for the park was delayed in anticipation of details on

the redesign of Soldier Field.[16] In January 2000, the city announced plans to expand the park to include

features that became Cloud Gate, Crown Fountain, the McDonalds Cycle Center, and the BP Pedestrian

Bridge.[17] Later that month, Gehry unveiled his next design, which depicted a winding bridge.[18]

While the neighboring Jay Pritzker Pavilion changed relatively little from Gehry's 1999 design when built, the

bridge went through several proposed designs.[19] The proposal made in early 2000, which was expected to be

executed in 2002, included a bridge that was a mere 170 feet (51.8 m) long and 20 feet (6.1 m) wide.[20] That

design was not approved, and Chicago Mayor Richard M. Daley's disapproval of Gehry's subsequent design of

an 800–900-foot (240–270 m) bridge caused Gehry to come up with ten more designs.[21] The first of these

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The bridge is a noise barrier along the

eastern edge of Millennium Park, with

the Historic Michigan Boulevard

District in the background.

Crossing Columbus Drive, the bridge

is supported by a central concrete

column. (from Randolph Street)

plans was for a Z-shaped bridge that would have run northwest–southeast with western ramps in Millennium

Park, leading south, and eastern ramps in the empty north section of Daley Bicentennial Plaza, leading north. It

would have required elevators to conform to the Americans with Disabilities Act.[19] This plan was abandoned

because it would have segregated the handicapped.[22] Gehry had only designed two bridges previously, both in

the mid-1990s (Pferdeturm USTRA Bridge in Hanover, Germany and Financial Times Millennium Bridge in

London, United Kingdom) but neither was built.[19]

Final plan

The final design for the bridge was revealed in an exhibit at the Chicago

Cultural Center on June 10, 2000.[21] As designed and built, the bridge is

935 feet (285.0 m) long and 20 feet (6.1 m) wide, with a 14-foot-6-inch

(4.42 m) Columbus Drive clearance.[23][24] The clearance was designed

to slightly exceed the 14-foot (4.3 m) standard set by the United States

Department of Transportation Federal Highway Administration for urban

area interstate bridge clearances, and to allow for additional future layers

of pavement below.[25] This height is also greater than the maximum

vehicle height of 13 feet 6 inches (4.1 m) set by the Illinois Vehicle

Code.[26] According to the Chicago Tribune the width of the

"trenchlike" area spanned is approximately 150 feet (46 m),[21] while

The New York Times reports the bridge is over ten times longer than

Columbus Drive is wide.[27]

BP Bridge begins in Millennium Park between the trellis system over the Jay Pritzker Pavilion's great lawn and

the Lurie Garden; the design was changed so that the west ramp coincided with the boardwalk of the Lurie

Garden seam.[28][29] The bridge winds its way northward along the eastern edge of Millennium Park before

crossing Columbus Drive in a C-shaped curve, above underground parking garage entrances. In Daley

Bicentennial Plaza the bridge has an S-shape, then turns east. BP Bridge is designed so that its inclined surfaces

have a continuous five percent slope rather than landings and switchback ramps, which provides easy access for

the physically challenged.[21][30] The gently sloped ramp eliminates the need for lifts or any of the other

common types of ramps (L-shaped, switchback, U-shaped, straight),[31] and helped the park earn the 2005

Barrier-Free America Award for its exemplary barrier-free design.[32]

Gehry had hoped to design the bridge so that it could be constructed

without a support column in the center of Columbus Drive. However,

Chicago Tribune architecture critic Blair Kamin notes that if he had

done so, the bridge might not have been as sleek.[6] Building the bridge

without the column would have required load-bearing cantilevers (beams

supported only on one side) from structural positions on opposite sides of

the street; this would have been expensive and labor-intensive, because

it would have required excavating large portions of the parking garages

on both sides of the street. Moreover, on the Daley Bicentennial Plaza

side, the optimal location for the supporting cantilever would have been

at the location of the Monroe Street Garage. Thus, the preferred bridge design was altered to avoid problems

related to the underground parking garages.[33]

The bridge is both a connector and a viewing platform for the park.[6] It was designed to link the Historic

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BP Bridge entry and

redesigned landscape in Daley

Bicentennial Plaza

Michigan Boulevard District and the entire Loop to the west with the Lake Michigan lakefront to the east. It

was also designed to be a berm noise barrier blocking noise on the eight-lane Columbus Drive from the Park's

outdoor band shell (Jay Pritzker Pavilion), by deflecting traffic sounds upward.[34]

The bridge, which uses steel girders, reinforced concrete abutments and deck slabs, hardwood deck, and a

stainless steel veneer, cost between $12.1 and $14.5 million.[34][35][36] It contains large sculptural plates of

curvilinear stainless steel instead of more standard flat plates.[1] The bridge's curvilinear design gives it a

flowing, natural look, instead of the linear, rigid form of standard bridges. Although its steel girders rest on

concrete pylons and most of the bridge is solid concrete, the bridge uses a hollow box girder design to minimize

weight, as the ground that supports the bridge covers underground parking garages.[8][37] The concrete base and

box girder are flanked by a hollow stainless steel skeleton.[8] Despite its hollow structure, and the fact that it is

designed as a concealed beam bridge, the footbridge is built to highway standards and can support a full

capacity load of pedestrians.[37] The bridge is designed without standard handrails and uses waist-high parapets

as guard rails instead.[6]

Construction

The bridge was built using 22-gauge stainless steel type 316 plates (0.031

inches / 0.79 millimetres thick), with an angel hair finish and a flat interlocking

panel process. Stainless steel type 316 is known for its excellent welding

characteristics, as well as for its resistance to pitting.[38] According to the

Chicago Tribune, the bridge materials used in construction include 2,000

rot-resistant Brazilian hardwood boards for the deck, 115,000 stainless steel

screws and 9,800 stainless steel shingle plates.[28][37] According to Architecture

Metal Expertise, the bridge has "10,400 stainless steel trapezoidal panels in 17

different shop fabricated configurations [which] involved 1,000 shop hours".[34]

The sheet metal work totaled 5,900 field hours over a six-month period.[34]

During construction, about 200 shingles were installed per day.[39] The bridge

includes two types of structural steel: steel that is 2.0 inches / 5.1 centimetres

thick and 20.0 inches / 51 centimetres in diameter for the approaches and box

girders for the span.[40]

CATIA software was used to handle the complex geometric layout.[41] To ensure

accurate fitting and alignment to the sloping, curving sides of the bridge, 4,400

custom-made convex, concave and radiused cladding panels were fabricated on site by sheet metal contractor

Custom Metal Fabricators (CMF). CMF used 57,000 square feet (5,300 m2) of stainless steel sheet to cover the

sides, which have a combined perimeter length of 1,728 feet (526.7 m). CMF built special heated enclosures so

that work could continue on site through the winter. They designed, fabricated and installed custom type

4 brushed stainless steel parapets serving in the place of handrails on the bridge. CMF earned the 2005 Tom

Guilfoy Memorial Architectural Sheet Metal Award, by the California chapter of the Sheet Metal and Air

Conditioning Contractors' National Association for the project.[34] In 2005 it received a Merit Award from the

National Steel Bridge Alliance, and an Excellence in Structural Engineering award from the Structural Engineers

Association of Illinois.[42]

On the day that the two halves of the bridge were joined, each side of Columbus Drive was closed for a 12-hour

period and a 360-short-ton (320-long-ton; 330 t) crane was used to install the girders. Before bringing the crane

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The deck is covered with

2,000 Brazilian hardwood

floor boards.

to the location, screw jacks were used to shore up the underground garage roof to hold the crane's weight.[43]

The landscaping surrounding the bridge was redesigned by landscape architect Terry Guen. Honey locusts, ash

and maple trees were removed and replaced with three varieties of magnolia and more than two dozen

ornamental and canopy trees along the eastern foot of the bridge in Daley Bicentennial Plaza. Other preliminary

construction work included setting reinforcing rods for the bridge in the concrete roof deck of the parking

garage located under the park.[23]

Use and controversies

Before its official opening, the bridge had a May 22, 2004, private ribbon-cutting

ceremony attended by Gehry and Mayor Daley. During the weekend of the

ribbon-cutting, Gehry was awarded an honorary degree from the School of the

Art Institute of Chicago.[44] The BP Pedestrian Bridge officially opened, along

with the rest of Millennium Park, on July 16, 2004.[1][37] It remained unnamed

at the ribbon-cutting,[37] but before the July park opening, energy firm BP had

paid $5 million for the bridge sponsorship and naming rights.[45]

Timothy Gilfoyle, author of Millennium Park: Creating a Chicago Landmark,

notes that a controversy surrounds the "tasteless" corporate naming of several of

the Park's features, including the bridge, which was named after an oil

company.[46] It is well documented that naming rights were sold for high

fees,[47] and Gilfoyle was not the only one who chastised park officials for

selling naming rights to the highest bidder. Public interest groups have crusaded

against commercialization of Chicago parks.[48] However, many of the donors

have a long history of local philanthropy and the funds were essential to

providing necessary financing for several features of the park.[45]

After the park opened, some of the bridge's foibles became apparent. The bridge has had to be closed during the

winter because freezing conditions make it unsafe.[49] Since the bridge is over an expressway-like trench of

Columbus Drive, shoveling the snow onto passing cars is not an option and the Brazilian hardwood would be

damaged by rock salt.[50] The city not only mandates that the bridge be swept and washed daily, but also that

the parapets be wiped free of fingerprints.[51]

The bridge has also had controversial closures in the summer, which were related to larger park concerns. On

September 8, 2005, Toyota Motor Sales USA paid $800,000 to rent the bridge and all but four venues in the park

from 6 a.m. to 11 p.m.[52][53] On August 7, 2006, Allstate paid $700,000 to rent the bridge and most of the park

for a day.[54][55] The exclusion of commuters who normally walk through the park and tourists lured by its

attractions was controversial, though the city said the money raised paid for free public programs in Millennium

Park.[52]

Aesthetics

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Perspectives of BP Bridge

View from Aon Center (top, in

2005), Sears Tower (center, in

2007),[56]

and Blue Cross Blue

Shield Tower (bottom, in 2008).

The bridge is noted for its sculptural characteristics and Kamin describes it

as a delightful pleasure that was designed to emphasize its artistic elements

while de-emphasizing its concrete and steel support system.[6] The New

York Times notes that the artist Anish Kapoor's attempts to hide the seams

of Cloud Gate were an interesting contrast to Gehry's architectural efforts.

Gehry took pride in making the BP Pedestrian Bridge flaunt its seams.[27]

Beginning with Gehry's earliest bridge designs, the bridge was expected to

complement the neighboring Pritzker Pavilion.[20] Some have suggested

that the bridge and the pavilion are mere extensions of Gehry's work in

other cities. For example, according to Gilfoyle, both structures embody

Gehry's established asymmetrical style, evoking fluid, continuous motion

and sculptural abstraction. They also feature metallic facades and aesthetic

curves, but they are said to be more refined, reduced and dynamic than

much of his other work.[57]

Since the 1960s, Gehry has made artistic use of scaled animals such as fish

and snakes, which first appeared in his architectural designs in the 1980s.[58][59][60] Many references to the bridge describe it as snakelike for its

winding path,[6][34][44] and some even refer to the stainless steel plates as

scales with discussion of reptilian forms.[19][41] Kamin calls it "a bridge

that resembles a giant silver snake, complete with a scaly skin",[6] while

Gehry said he thought the bridge looked like a river, but added he might be

the only one who thought that.[44]

The way the bridge flows in a continuum of unexpected directions is a

break from Gehry's other work and other more traditional urban and

architectural forms nearby.[57] Pulitzer Prize-winning architecture critic

Kamin gave the bridge four stars (out of a possible four) in his review and

admires how "computers have given Gehry unparalleled formal freedom" to design "the complexity of its

geometry" and multidimensional curvatures.[6] The bridge provides views of both the Historic Michigan

Boulevard District and Lake Michigan in a way that Kamin says makes it a belvedere.[6][61] Kamin also

recommends anyone having a bad day to stroll across the bridge, adding, "You won't get where you're going

quickly, but you'll feel a whole lot better once you're done."[6]

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Instead of handrails, the BP Bridge

uses parapets (with lights for

illumination at night).

Image map of Millennium Park. Each feature or label is wikilinked.

Credits

Commissioned by – The City of Chicago[11]

Architect – Gehry Partners, LLP[62]

Project manager – US Equities[62]

Construction manager – URS Construction Services[62]

Structural engineer – Skidmore, Owings and Merrill[62]

Mechanical and electrical engineer – McDonough

Associates[62]

Contractor – Walsh Construction[62]

Subcontractor – Permasteelisa Cladding Technologies Ltd.[63]

Steel supplier – Littell Steel Company[35]

Steel construction – Imperial Construction Associates[35]

Sheet metal contractor – Custom Metal Fabricators Inc.[34]

Panoramic view from the BP Pedestrian Bridge: Millennium Park and the Jay Pritzker Pavilion are at left, with Columbus

Avenue in the foreground. The bridge curves into Daley Bicentennial Plaza at left.

Notes

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^ a b c "Category: Intensive Industrial/Commercial"

(http://www.greenroofs.org/washington

/index.php?page=millenium) . Green Roofs for

Healthy Cities. 2005. http://www.greenroofs.org

/washington/index.php?page=millenium. Retrieved

May 30, 2008.

1.

^ a b Spielman, Fran (April 28, 1999). "Room for

Grant Park to grow" (http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

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B2) . Chicago Sun-Times. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CSTB&

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req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2. Retrieved July 24, 2008.

2.

^ a b Kamin, Blair (April 18, 1999). "A World-Class

Designer Turns His Eye To Architecture's First City"

(http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CTRB&

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rft_dat=0EB42A4E848E3AFC&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2) . Chicago Tribune. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CTRB&

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req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2. Retrieved July 24, 2008.

3.

^ a b De LaFuente, Della (April 28, 1999). "Architect

on board to help build bridge to 21st century"

(http://docs.newsbank.com

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/iw.newsbank.com:NewsBank:CSTB&

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B2. Retrieved July 24, 2008.

^ Cohen, Laurie (July 2, 2001). "Band shell cost

heads skyward – Millennium Park's new concert

venue may top $40 million"

(http://docs.newsbank.com

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http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

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B2. Retrieved June 1, 2008.

5.

^ a b c d e f g h i j Kamin, Blair (July 18, 2004). "BP

Bridge – **** – Crossing Columbus Drive – Frank

Gehry, Los Angeles" (http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CTRB&

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B2) . Chicago Tribune. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

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B2. Retrieved June 1, 2008.

6.

^ Daniel, Caroline (July 20, 2004). "How a steel

bean gave Chicago fresh pride" (http://search.ft.com

/ftArticle?queryText=%22Cloud%20Gate

%22%20Chicago&y=0&aje=true&

x=0&id=040720000796&ct=0) . The Financial

Times. The Financial Times Ltd. http://search.ft.com

/ftArticle?queryText=%22Cloud%20Gate

%22%20Chicago&y=0&aje=true&

x=0&id=040720000796&ct=0. Retrieved July 31,

2008.

7.

^ a b c Gilfoyle, pp. 196–201.8.

^ Gilfoyle, Timothy J. (August 6, 2006).

"Millennium Park" (http://www.nytimes.com/2006/08

9.

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/06/books/chapters/0806-1st-gilf.html) . The New

York Times. The New York Times Company.

http://www.nytimes.com/2006/08/06/books/chapters

/0806-1st-gilf.html. Retrieved June 24, 2008.

^ "Crain's List Largest Tourist Attractions

(Sightseeing): Ranked by 2007 attendance". Crain's

Chicago Business (Crain Communications Inc.):

p. 22. August 6, 2008.

10.

^ a b c Bey, Lee (February 18, 1999). "Building for

future – Modern architect sought for park"

(http://docs.newsbank.com

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B2) . Chicago Sun-Times. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

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B2. Retrieved May 21, 2009.

11.

^ "The City" (http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:ADHB&

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B2) . Daily Herald. Newsbank. February 18, 1999.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

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12.

^ Warren, Ellen and Teresa Wiltz (February 17,

1999). "City Has Designs On Ace Architect For Its

Band Shell" (http://docs.newsbank.com

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B2) . Chicago Tribune. Newsbank.

http://docs.newsbank.com

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rft_val_format=info:ofi/fmt:kev:mtx:ctx&

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^ "Millennium Park Gets Millions"

(http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

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B2) . Chicago Tribune. Newsbank. April 27, 1999.

http://docs.newsbank.com

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14.

^ Kamin, Blair (November 4, 1999). "Architect's

Band Shell Design Filled With Heavy-Metal Twists"

(http://docs.newsbank.com

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http://docs.newsbank.com

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15.

^ Kamin, Blair (November 23, 1999). "Timing

Crucial Plotting Grant Park's Future"

(http://docs.newsbank.com

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^ Song, Lisa (January 7, 2000). "City Tweaks

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^ Donato, Marla (January 28, 2000). "Defiant

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^ a b c d Gilfoyle, pp. 239–41.19.

^ a b Kamin, Blair (March 20, 2000). "Lakefront Park

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^ a b c d Kamin, Blair (June 23, 2000). "Gehry's

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(http://docs.newsbank.com

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^ Sharoff, p. 9522.

^ a b Moffett, Nancy (May 26, 2003). "Millennium

Park getting a touch of the South"

(http://docs.newsbank.com

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^ Frey, Mary Cameron (May 24, 2004). "Our Town's

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rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=102FB05ADED6F09F&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

24.

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B2. Retrieved June 1, 2008.

^ "Bridge Technology" (http://www.fhwa.dot.gov

/bridge/081597.htm) . United States Department of

Transportation – Federal Highway Administration –

Infrastructure. July 7, 2006. http://www.fhwa.dot.gov

/bridge/081597.htm. Retrieved October 2, 2008.

25.

^ "(625 ILCS 5/15-103) Illinois Vehicle Code"

(http://www.ilga.gov/legislation

/ilcs/ilcs4.asp?DocName=062500050HCh.+15&

ActID=1815&

ChapAct=625%26nbsp%3BILCS%26nbsp%3B5%2F

&ChapterID=49&ChapterName=VEHICLES&

SectionID=59804&SeqStart=141400000&

SeqEnd=146300000&

ActName=Illinois+Vehicle+Code.) . Illinois General

Assembly. http://www.ilga.gov/legislation

/ilcs/ilcs4.asp?DocName=062500050HCh.+15&

ActID=1815&

ChapAct=625%26nbsp%3BILCS%26nbsp%3B5%2F

&ChapterID=49&ChapterName=VEHICLES&

SectionID=59804&SeqStart=141400000&

SeqEnd=146300000&

ActName=Illinois+Vehicle+Code.. Retrieved May

28, 2009. Note: The code states that vehicle height

statewide measured from the under side of the tire to

the top of the vehicle, inclusive of load, that shall not

exceed 13 feet 6 inches (4.1 m).

26.

^ a b Bernstein, Fred A. (July 18, 2004).

"Art/Architecture; Big Shoulders, Big Donors, Big

Art" (http://query.nytimes.com

/gst/fullpage.html?res=9901E2D61F3BF93BA25754

C0A9629C8B63) . The New York Times. The New

York Times Company. http://query.nytimes.com

/gst/fullpage.html?res=9901E2D61F3BF93BA25754

C0A9629C8B63. Retrieved June 1, 2008.

27.

^ a b Gilfoyle, p. 243.28.

^ Gilfoyle, pp. 303, 308.29.

^ "Art & Architecture: BP Bridge"

(http://millenniumpark.org/artandarchitecture

/bp_bridge.html) . City of Chicago.

http://millenniumpark.org/artandarchitecture

/bp_bridge.html. Retrieved May 31, 2008.

30.

^ "Accessible Housing by Design—Ramps"

(http://www.cmhc-schl.gc.ca/en/co/renoho/refash

/refash_025.cfm) . Canada Mortgage and Housing

Corporation. August 2008. http://www.cmhc-

schl.gc.ca/en/co/renoho/refash/refash_025.cfm.

Retrieved August 5, 2008.

31.

^ Deyer, Joshua (July 2005). "Chicago's New Class

Act" (http://pva.convio.net/site/DocServer

/PN_BFA_2005_Article.pdf?docID=1921) (PDF).

PN. Paralyzed Veterans of America.

http://pva.convio.net/site/DocServer

/PN_BFA_2005_Article.pdf?docID=1921. Retrieved

May 31, 2008.

32.

^ Gilfoyle, p. 200.33.

^ a b c d e f g "Form And Function Come Together To

Create A Pedestrian Bridge For Chicago: Millennium

Park BP Pedestrian Bridge, Chicago, Ill."

(http://www.asm-expertise.com/whatspossible

/index.cfm?fuseaction=view_article&

article_id=2473) . Architectural Metal Expertise.

SMILMCF. http://www.asm-expertise.com

/whatspossible/index.cfm?fuseaction=view_article&

article_id=2473. Retrieved May 31, 2008.

34.

^ a b c BP Pedestrian Bridge (http://en.structurae.de

/structures/data/index.cfm?ID=s0014834) at

Structurae Retrieved on July 25, 2008.

35.

^ Herrmann, Andrew (July 15, 2004). "Sun-Times

Insight" (http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CSTB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=103F314E0D3567B3&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2) . Chicago Sun-Times. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CSTB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=103F314E0D3567B3&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2. Retrieved June 1, 2008.

36.

^ a b c d e Janega, James (May 22, 2004). "Curvy

bridge bends all the rules – With its whimsical, wavy

design, the new Millennium Park bridge has

Chicagoans likening it to a skateboard, a

snake—even a spaceship"

(http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CTRB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=102BCA56A3A39038&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2) . Chicago Tribune. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CTRB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=102BCA56A3A39038&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2. Retrieved May 30, 2008.

37.

^ "Grade Data Sheet 316 316L 316H"

(http://web.archive.org/web/20080722023456/http:

//www.atlasmetals.com.au/files

/ASM+Grade+Datasheets

38.

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/Atlas+Grade+datasheet+316+rev+May+2008.pdf)

(PDF). Atlas Specialty Metals. 2008-05. Archived

from the original (http://www.atlasmetals.com.au

/files/ASM%20Grade%20Datasheets

/Atlas%20Grade%20datasheet%20316%20rev%20M

ay%202008.pdf) on July 22, 2008.

http://web.archive.org/web/20080722023456/http:

//www.atlasmetals.com.au/files

/ASM+Grade+Datasheets

/Atlas+Grade+datasheet+316+rev+May+2008.pdf.

Retrieved June 5, 2009.

^ Sharoff, p. 10539.

^ Sharoff, p. 10040.

^ a b Sharoff, p. 10341.

^ "Millennium Park – BP Pedestrian Bridge"

(http://www.som.com/content.cfm

/millennium_park_bp_pedestrian_bridge) . Skidmore,

Owings and Merrill. http://www.som.com

/content.cfm/millennium_park_bp_pedestrian_bridge.

Retrieved May 28, 2009.

42.

^ Sharoff, p. 10943.

^ a b c Nance, Kevin (May 23, 2005). "Snakelike

walkway by Gehry dedicated at Millennium Park"

(http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CSTB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=102DDD1FEC47B09D&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2) . Chicago Sun-Times. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CSTB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=102DDD1FEC47B09D&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2. Retrieved June 1, 2008.

44.

^ a b Smith, Sid (July 15, 2004). "Sponsors put

money where their names are"

(http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CTRB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=103D9717FB5E140D&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2) . Chicago Tribune. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CTRB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=103D9717FB5E140D&

svc_dat=InfoWeb:aggregated5&

45.

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2. Retrieved July 28, 2008.

^ Gilfoyle, p. 345.46.

^ Kinzer, Stephen (July 13, 2004). "Letter from

Chicago; A Prized Project, a Mayor and Persistent

Criticism" (http://query.nytimes.com

/gst/fullpage.html?res=9806EED71E3BF930A25754

C0A9629C8B63) . The New York Times. The New

York Times Company. http://query.nytimes.com

/gst/fullpage.html?res=9806EED71E3BF930A25754

C0A9629C8B63. Retrieved August 4, 2008.

47.

^ Spielman, Fran (September 2, 2004). "Corporate

logos in parks? Daley thinks it's 'fantastic' // Says

companies deserve it if they foot the bill"

(http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CSTB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=105792A0411CD579&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2) . Chicago Sun-Times. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CSTB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=105792A0411CD579&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2. Retrieved August 4, 2008.

48.

^ Nance, Kevin (December 16, 2005). "Museum

seeks $63 mil. more: Art Institute needs donations to

build addition, bridge" (http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CSTB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=10E8A9F099120B88&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2) . Chicago Sun-Times. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CSTB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=10E8A9F099120B88&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2. Retrieved June 1, 2008.

49.

^ Mihalopoulos, Dan and Hal Dardick (January 7,

2005). "Park spares the salt and closes the bridge"

(http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CTRB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=1077A5489D1369E3&

50.

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svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2) . Chicago Tribune. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CTRB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=1077A5489D1369E3&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2. Retrieved June 1, 2008.

^ Spielman, Fran (December 16, 2005). "New

amenities for Millennium Park?: Company proposes

baby strollers, Disney training for workers"

(http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CSTB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=10EAA2ED7B4D80D8&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2) . Chicago Sun-Times. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CSTB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=10EAA2ED7B4D80D8&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2. Retrieved June 1, 2008.

51.

^ a b Ahmed-Ullah, Noreen S. (September 9, 2005).

"No Walk In The Park – Toyota VIPs receive

Millennium Park 's red-carpet treatment; everyone

else told to just keep on going"

(http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CTRB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=10C8591BB16FF1E0&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2) . Chicago Tribune. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CTRB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=10C8591BB16FF1E0&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2. Retrieved July 26, 2008.

52.

^ Dardick, Hal (May 6, 2005). "This Sept. 8, No

Bean For You – Unless you're a Toyota dealer. In

that case, feel free to frolic because the carmaker

paid $800,000 to own the park for the day"

(http://docs.newsbank.com

53.

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CTRB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=109EF4F4D7BED508&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2) . Chicago Tribune. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CTRB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=109EF4F4D7BED508&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2. Retrieved July 26, 2008.

^ Herrmann, Andrew (May 4, 2006). "Allstate pays

$200,000 to book Millennium Park for one day"

(http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CSTB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=11167CB33A2C26A0&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2) . Chicago Sun-Times. Newsbank.

http://docs.newsbank.com

/openurl?ctx_ver=z39.88-2004&rft_id=info:sid

/iw.newsbank.com:NewsBank:CSTB&

rft_val_format=info:ofi/fmt:kev:mtx:ctx&

rft_dat=11167CB33A2C26A0&

svc_dat=InfoWeb:aggregated5&

req_dat=AA98CDC331574F0ABEAFF732B33DC0

B2. Retrieved July 26, 2008.

54.

^ The four venues in Millennium Park that were not

rented by Toyota were Wrigley Square, Lurie

Garden, the McDonald's Cycle Center and Crown

Fountain. Allstate acquired the visitation rights to

Pritzker Pavilion, BP Bridge, Lurie Garden and the

Chase Promenades, and only had exclusive access to

Cloud Gate after 4 p.m.

55.

^ As of 2009, the recently constructed Legacy Tower

blocks the view of the bridge and Millennium Park

from Sears Tower at least partially.

56.

^ a b Gilfoyle, pp. 229–231.57.

^ Jencks, Charles (2002). The new paradigm in

architecture: the language of post-modernism

(http://books.google.com

/books?id=20bkru0gzCMC&pg=PA250) . Yale

University Press/Google Books. p. 257.

ISBN 0-300-09513-9. http://books.google.com

/books?id=20bkru0gzCMC&pg=PA250.

58.

^ Waters, John Kevin (2003). Blobitecture:

Waveform Architecture and Digital Design

(http://books.google.com/books?id=sTbb-VZuff0C&

pg=PA1961) . Rockport Publishers/Google Books.

59.

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p. 161. ISBN 1-59253-000-1.

http://books.google.com/books?id=sTbb-VZuff0C&

pg=PA1961.

^ Feuerstein, Günther (2001). Biomorphic

Architecture: Menschen- und Tiergestalten in der

Architektur (http://books.google.com

/books?id=Bx9zJTFUmdUC&pg=PA131) . Edition

Axel Menges/Google Books. p. 131.

ISBN 3-930698-87-0. http://books.google.com

/books?id=Bx9zJTFUmdUC&pg=PA131.

60.

^ Gilfoyle, p. 272.61.

^ a b c d e f "Facts and Dimensions of BP Bridge"62.

(http://millenniumpark.org/artandarchitecture

/bp_bridge_factsheet.html) . City of Chicago.

http://millenniumpark.org/artandarchitecture

/bp_bridge_factsheet.html. Retrieved May 31, 2008.

^ "BP Bridge at Millennium Park"

(http://www.radiustrack.com

/index.php?option=com_content&view=article&

id=130&Itemid=229) . Radius Track Corporation.

http://www.radiustrack.com

/index.php?option=com_content&view=article&

id=130&Itemid=229. Retrieved September 28, 2011.

63.

References

Gilfoyle, Timothy J. (2006). Millennium Park: Creating a Chicago Landmark. Chicago: University of

Chicago Press. ISBN 978-0-226-29349-3.

Sharoff, Robert (2004). Better than Perfect: The Making of Chicago's Millennium Park. WalshConstruction Company.

External links

Millennium Park map (http://www.millenniumpark.org/parkevents/parkmap.pdf)

City of Chicago Loop Community Map (http://egov.cityofchicago.org/webportal/COCWebPortal

/COC_ATTACH/Community_Areas_LOOP.pdf) Media related to BP Pedestrian Bridge (//commons.wikimedia.org

/wiki/Category:BP_Pedestrian_Bridge) at Wikimedia Commons

Retrieved from "http://en.wikipedia.org/w/index.php?title=BP_Pedestrian_Bridge&oldid=455143603"

Categories: Millennium Park Buildings and structures completed in 2004 Box girder bridges

Bridges in Chicago, Illinois Buildings and structures celebrating the third millennium

Buildings and structures in Chicago, Illinois Pedestrian bridges in the United States Beam bridges

Frank Gehry buildings Bridges in Illinois

This page was last modified on 12 October 2011 at 02:45.

Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may

apply. See Terms of use for details.Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

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Page 83: E_book Frank Owen Gehry

Cleveland Clinic

Lou Ruvo Center for Brain Health

Photo of the South West side of the building in

December 2010

General information

Type Research Center

Location 36°10′2.50″N 115°9′16.50″W

Address 888 West Bonneville Avenue

Las Vegas, Nevada 89106

United States

Construction

started

February 9, 2007

Completed Open for Patient Care - July

13, 2009

Completed May 21, 2010

Cost est. $100 million

Design and construction

Owner Keep the Memory Alive

Foundation

Main contractor Whiting-Turner Contracting

Co.

Architecture firm Gehry Partners

Structural

engineer

WSP Cantor Seinuk

Civil engineer G.C. Wallace

Lou Ruvo Center for Brain HealthFrom Wikipedia, the free encyclopedia

The Lou Ruvo Center for Brain Health (LRCBH),

officially the Cleveland Clinic Lou Ruvo Center for Brain

Health, opened on July 13, 2009 in Las Vegas, Nevada that is

operated by the Cleveland Clinic [1] and was designed by

world-renowned architect, Frank Gehry of Gehry Partners in

Santa Monica, California.

Contents

1 History

2 Design3 Criticism

4 Gallery

5 References6 External links

History

Keep Memory Alive (also known as KMA) was founded by

Larry Ruvo, senior managing partner of Southern Wines and

Spirits, in memory of his father, Lou Ruvo, a victim of

Alzheimer’s Disease, together with his wife Camille, Mirage

Resorts CEO Bobby Baldwin (who also lost his father to

Alzheimer's Disease), and Bobby Baldwin's wife Donna.

KMA supports the mission of the Lou Ruvo Center for Brain

Health and has held several star-studded galas, attended by

celebrities and notables from around the world. It has become

one of Las Vegas’ most important charity initiatives and a key

participant in the nation fight against Alzheimer’s disease.

Since its inception, the event has raised more than $20 million

towards achieving its goal – the realization of the Lou Ruvo

Center for Brain Health. Funds committed by such supporters

as the Spector Family Foundation, the Roland and Terri Sturm

Foundation, Steinberg Diagnostics, the Hard Rock Hotel and

Casino and America Online will be utilized for the

construction and operation of this incredible state-of-the-art

facility. The Center is planned to become a national resource

for the most current research and scientific information for

the treatment of Alzheimer's, Parkinson's, Huntington 's

Diseases, and ALS (Lou Gehrig's Disease) as well as focusing

on prevention, early detection and education.

Coordinates: 36°10′2.50″N 115°9′16.50″W

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Design

The ceremonial groundbreaking of the Lou Ruvo Center for Brain Health occurred on February 9, 2007.

Dignitaries who attended the groundbreaking ceremonies for the $70 million project included founder Larry

Ruvo, Frank Gehry, U.S. Senator Harry Reid and John Ensign; U.S. Representative Shelley Berkley, Jon Porter

and Dean Heller, Gov. Jim Gibbons, Mayor Oscar Goodman, former Gov. Kenny Guinn, Gov. Arnold

Schwarzenegger, Kevin Spacey, John Cusack.[2][3] The Center operates as an outpatient treatment and research

facility in downtown Las Vegas on land deeded to Keep Memory Alive, the fund raising arm of LRCBH, by the

City of Las Vegas as part of its 61 acres (25 ha) Symphony Park. The Center is approximately 65,000 sq ft

(6,000 m2) and includes 13 examination rooms, offices for health care practitioners and researchers, a “Museum

of the Mind,” and a community auditorium. The Center will also serve as the headquarters for Keep Memory

Alive, the Las Vegas Alzheimer’s Association and the Las Vegas Parkinson’s Disease Association.

Criticism

On his blog, New Urbanist and architecture critic James Howard Kunstler named the Lou Ruvo center his

"Eyesore Of The Month" for April 2010. Kunstler sharply criticized the Center's design, writing: "It seems to

say: This is your brain on Frank Gehry". Kunstler suggested that the architecture was inappropriate for the

building's purpose: "If I had a problem with my brain, I would not be reassured arriving at this place. The

implicit sadism is impressive".

Gallery

The west side of the

building

The north side of the

building

The south side of the

building

The atrium in the

middle

Inside the event space

During construction in

January 2009

During construction in

October 2009

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References

^ Cleveland Clinic to manage Lou Ruvo Brain Institute in Las Vegas> (http://www.cleveland.com/news/index.ssf

/2009/02/cleveland_clinic_to_manage_lou.html)

1.

^ Katsilometes, John John Katsilometes on the Lou Ruvo Brain Institute's groundbreaking, Las Vegas Sun

(http://www.lasvegassun.com/sunbin/stories/do/2007/jan/14/566689985.html)

2.

^ Kevin Spacey, Teri Hatcher and Other Celebs Gather in Vegas to Raise $10-Million for Lou Ruvo Brain Institute

(http://www.vegaspopular.com/2007/02/09/kevin-spacey-teri-hatcher-and-other-celebs-gather-in-vegas-to-raise-

10-million/) Vegas Popular, February 9, 2007.

3.

External links

Official Site for the Lou Ruvo Center for Brain Health (http://www.keepmemoryalive.org/index.php)VegasTodayAndTomorrow's Ruvo Center page (http://www.vegastodayandtomorrow.com

/ruvocenter.htm)

James Howard Kunstler's Eyesore Of The Month, April 2010 (http://www.kunstler.com/eyesore_201004.html)

Retrieved from "http://en.wikipedia.org/w/index.php?title=Lou_Ruvo_Center_for_Brain_Health&

oldid=453211834"

Categories: Frank Gehry buildings Alzheimer's and dementia organizations

Healthcare in Las Vegas, Nevada Charities based in the United States

Buildings and structures in Las Vegas, Nevada Architecture in Nevada Deconstructivism

Postmodern architecture in the United States

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