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Early Impressionism 1862-1886

Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

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Page 1: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Early Impressionism

1862-1886

Page 2: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

History

• The Academy (Salon) rules French art

• 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings submitted to it.

• 1874, “The Salon of the Refused”

• Photography has made art “as historical documentation” unnecessary. Photos can now record visual history.

Page 3: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Paris Salon, 1824

Page 4: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Characteristics

• Obvious brushwork

• Thick, layered paint

• Impression of the fleeting moment

• Effect of light on subject

• Plein air painting

• Middle class subjects

Page 5: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Claude Monet, 1840-1926

• Subjects: landscapes, series of poppies, Rouen Cathedral, water lilies

• Style: the classic Impressionist look; dissolved form of subject into light & atmosphere; soft edges

Page 6: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Impression, Sunrise

Page 7: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Gare St. Lazare

Page 8: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Lily Pond, Giverny

Page 9: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Water-lilies

Page 10: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Edward Manet, 1832-1883

• Subjects: Updated classic scenes; painted contemporary scenes with a hard edge

• Style: flat color patches outlined in black

Page 11: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Dinner on the Grass

Page 12: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Olympia

Page 13: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Venus of Urbino, Titian

Page 14: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Bar at the Folies Bergere

Page 15: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Pierre-Auguste Renoir, 1841-1919

• Subjects: voluptuous, peach-skinned female nudes, café society, children, flowers

• Style: quick brush strokes, blurred figures blended into hazy background

Page 16: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Luncheon of the Boating Party

Page 17: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

- Dance at the Moulin de La Galette

Page 18: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Nude Bathers

Page 19: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Edgar Degas, 1834-1917

• Subjects: ballerinas, café society, humans at rest

• Style: Off-beat angles, asymmetrical composition

Page 20: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings
Page 21: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Dance Rehearsal

Page 22: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

The Absinthe Drinkers

Page 23: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Post-impressionism1880-1905

Dissatisfied with Impressionism. Some used formal, near scientific

design. Others emphasized expression of emotions and

sensations through color and light. Forerunners of 20th century art with

its individual styles.

Page 24: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Toulouse-Lautrec,

1864-1901 painted

posters of cabaret nightlife

Page 25: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Toulouse-Lautrec

Page 26: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Paul Cezanne, 1839-1906

• Subjects: still lifes with fruit, landscapes of Mont Ste. Victoire

• Style: forerunner of cubism, simple geometric shapes

Page 27: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Mont Sainte-Victoire

Page 28: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Cezanne, Large Bathers

Page 29: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Georges Seurat, 1859-1891

• Subjects: leisure activities in Paris

• Style: bright colors in tiny dots (pointilism)

Page 30: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Sunday Afternoon in the Park

Page 31: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Le Pont de Courbevoie

Page 32: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Vincent Van Gogh, 1853-1890

• Subjects: self-portraits, flowers, landscapes, still lifes

• Style: agitated, swirling brush strokes. Passionate, vibrant

Page 33: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Van Gogh, Starry Night

Page 34: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Sunflowers

Page 35: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Self-Portrait

Page 36: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Paul Gauguin, 1848-1903

• Subjects: Tahiti natives, peasants in Brittany

• Style: Exotic primitivism, brilliant colors

Page 37: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Gauguin,La Orana

Maria

Page 38: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Two Women of Tahiti

Page 39: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Cubism

• An Important departure in early early-20th Century art

• No longer trying to reproduce even the the appearance of reality (even more so than impressionism)…. Art for Art’s sake

• Art not a window on the world, but a window on the artist’s mind/emotions-“The painter thinks in forms and colors.” -Braque

Page 40: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

GeorgesBraque,

1882-1963

Woman With a

Guitar

Page 41: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Braque

Musical Instru-ments

Page 42: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

Pablo Picasso, 1881-1973Guernica

Page 43: Early Impressionism 1862-1886. History The Academy (Salon) rules French art 1863, rejects Manet’s “Luncheon on the Grass,” as well as 3,000 of 5,000 paintings

les demoiselles d'avignon