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Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

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Page 1: Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

Early 20th Century ArtChallenging Artistic Conventions & Transatlantic Artistic

Dialogue

Chapter 33AP Art History

Mr. English

Page 2: Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

Dada• Marcel Duchamp,

Fountain, 1950, Ready-made glazed sanitary china with black paint.

• Refused from a non-juried show.

• Urinal rotated and signed by made up artist name.

• Ready-made sculpture

Page 3: Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

Marcel Duchamp

VIDEOS

Page 4: Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

Dada• Hannah Höch, Cut with

the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany, 1919-20, photomontage, 3’9”x 2’11”.

• Photomontage – collage of photographic images.

• Comments on women’s social roles in Germany.

• Combines German leaders’ heads with women dancers’ bodies.

Page 5: Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

Dada (1916-25)• So what is Dada?– A movement against art, challenging the idea of

what can be considered art.– Protest against the ongoing war, industrialization

and conventional art.– Often absurd, whimsical, satirical or just plain

nonsense.– Ready-made, collage & photomontage were

popular mediums– Conceptual – about the idea not the technique. – Inspires future movements in minimalism and

surrealism

Page 6: Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

Transatlantic Artistic Dialogue• Many Americans are still painting realist and representational images in

the early 20th c. while the European art scene is going through abstraction.

• The Armory Show (1913) showcases over 1600 artworks in New York of European and American artists – cross exposure.

Page 7: Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

The Armory Show• Marcel Duchamp, Nude

Descending a Staircase, No. 2, 1912, oil on canvas, 4’10”x 2’11”.

• What style does this appear to be done in?

• Monochromatic color scheme• Shows movement and time

like a motion film.• Controversial – “an explosion

in a shingles factory” – subject of newspaper cartoons.

Page 8: Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

Gallery 291• Alfred Stieglitz, The Steerage,

1907, photograph.• Opened Gallery 291 to

showcase contemporary art & photo from US & Europe.

• Founded Photo-Secession group – curated traveling photo shows across the country.

• Believed in raw images for viewers to relive as he saw it.

• Focused on strong formal photography, design principals & composition.

• Depicts poor passengers who were rejected entrance to the US.

Page 9: Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

Alfred Stieglitz

Page 10: Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

Abstract Photography

• Edward Weston, Nude, 1925, platinum print.

• Explored abstraction in photography.

• How has Weston abstracted the figure? How does this relate to what’s going on in painting?

Page 11: Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

1920’s Culture & Music in Art

Stuart Davis, Lucky Strike, 1921, oil on canvas.

Aaron Douglas, Noah’s Ark, 1927, oil on masonite.

Page 12: Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

Precisionism• Charles Demuth, My

Egypt, 1927, oil on board, 3’ x 2’6”.

• Inspired by machines, cubists and futurists.

• Depicts grain elevators with structural lines broken up with cubist like shapes/lines.

Page 13: Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

Precisionism• Georgia O’Keefe, New

York, Night, 1929, oil on canvas, 3’4”x 1’7”.

• Moves to NYC and meets Stieglitz – more involved - influenced her art.

• Depicts the complexity of the city in a rhythm of precise planes and shapes.

Page 14: Early 20 th Century Art Challenging Artistic Conventions & Transatlantic Artistic Dialogue Chapter 33 AP Art History Mr. English

Georgia O’Keefe