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University of Iowa University of Iowa
Iowa Research Online Iowa Research Online
Theses and Dissertations
Spring 2015
Dysphonia, for solo violin, chamber ensemble and live electronics Dysphonia, for solo violin, chamber ensemble and live electronics
Jason Andrew Palamara University of Iowa
Follow this and additional works at: https://ir.uiowa.edu/etd
Part of the Music Commons
Copyright © 2015 Jason Andrew Palamara
This dissertation is available at Iowa Research Online: https://ir.uiowa.edu/etd/1718
Recommended Citation Recommended Citation Palamara, Jason Andrew. "Dysphonia, for solo violin, chamber ensemble and live electronics." PhD (Doctor of Philosophy) thesis, University of Iowa, 2015. https://doi.org/10.17077/etd.lywr7ikf
Follow this and additional works at: https://ir.uiowa.edu/etd
Part of the Music Commons
INSTRUMENTATION
Flute
Alto Saxophone in Eb
Tenor Saxophone in Bb
Trombone
Percussion (two players):
Percussion 1
Tam-Tam*, Floor Tom, Crash Cymbal*, Snare Drum, 2 Bongos, Tambourine, Hi-Hat
Percussion 2
Tam-Tam*, Large Bass Drum, Ride Cymbal, Floor Tom, Crash Cymbal*, Snare Drum,
Kick Drum, Conga Drum, Hi-Hat, Tom Drum
*shared by both percussion players
Piano
Laptop (PC preferred13
, with at least 6 GB of RAM, Windows 8.1 or higher preferred)
(HIDI, version 3.5.15 or higher / Max5 or higher, or Max5 Runtime14
or higher,
USB footswitch and high quality two channel audio interface),
Laptop cues performed on the footswitch by a human performer
Dancer/Glove System15
, worn by a dancer
Solo Amplified Violin (preferably a clip on pickup, not a microphone)
Laptop (PC/Windows 8.1 or higher or Mac/OSX 10.10 or higher, running Max5 or
higher), Keith McMillen 12STEP USB MIDI Footswitch
Amplified Viola (preferably a clip on pickup, not a microphone)
Amplified Contrabass (preferably a clip on pickup, not a microphone),
C Extension preferred, or with E string tuned down to C)
SOUND REINFORCEMENT REQUIREMENTS
Each instrument (or at the very least, every two instruments) must be supplied with a
monitor speaker, and Laptop-generated sounds. It is suggested that a digital mixer such as
the Yamaha LS9 or better be used. This piece requires an audio engineer, running sound
throughout the rehearsals and the performance.
It is intended that this piece be played at a very loud volume, but that the sound of each
instrument is clearly and distinctly audible.
Flute
Alto Sax
Tenor Sax
Trombone
Percussion 1
Percussion 2
HIDI (Sound Files)
Violin
Viola
Double Bass*
Piano
10"
10"
10"
Slowly, mournful and mysterious, semi ad lib.
Footswitch:
Slowly, mournful and mysterious, semi ad lib.
Slowly, mournful and mysterious, semi ad lib.
Digital cloud and distortion:
2
10"
2
10"
2
10"
sotto voce, molto esspressivo
1
DYSPHONIA
Jason Palamara
Transposed Score Mvmt. I.
The Bastards in Bondage
o
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
35"
35"
35"
45"
45"
45"
55"
55"
55"
2
o
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
63"
63"
6
3"
75"
75"
7
5"suddenly harsh, menacing...sotto voce, as before
85"
85"
8
5"
L.H. muting (no pitch)
3
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
9 4"
9 4"
9 4"
breath only, no pitch
1010"
1010"
1010"
Conga, dead stroke
pizz.
key click
Footswitch:
Distorted echoes over digital cloud:
4
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
115"
115"
115"
breath only, no pitch
arco, L.H. muting (no pitch)
12
7"
127"
127"
breath only, no pitch
Distorted echoes fade away, digital cloud remains:
5
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
13 4"
13 4"
13 4"
breath only, no pitch
143"
143"
143"
natural harmonic
6
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
157"
15 7"
157"
Footswitch:
(in tempo)
Low sine wave glissando:
16
16
16
Continuously pleading and lamenting
Continuously pleading and lamenting
Continuously pleading and lamenting
pizz.
flutter tongue
2 Congas
2 Bongos
Violin pizzicato sounds:
7
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
17
17
17
pizz.
18
3
18
18
19
19
19
To Crash Cymbal, soft yarn mallets
20
20
20
5
Digital cloud and distortion:
8
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
21
21
21
To Floor Tom, snare sticks, QUICK!
22
22
22
Footswitch:
wide vibrato
23
23
23
Popping sound:
24
24
24
Crash Cymbal, soft yarn mallets
Floor Tom, snare sticks
norm.
25
25
25
arco
arco
Digital cloud and distortion:
26
26
26
(in tempo)
27
27
27
L.V.To Tambourine, QUICK!
Violin pizzicato sounds:
9
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
28
28
28
29
29
29
Tambourine
Floor Tom, snare sticks
30
30
30
31
31
31
32
32
32
10
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
33
33
33
To Crash Cymbal, snare stick
34
34
34
35
35
35
pizz.
36
36
36
pizz.
37
37
37
11
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
38
38
38
39
39
39
Crash Cymbal, snare stick
Floor Tom, snare sticks
L.V.
40
40
40
41
41
41
arco
L.V.
12
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
42
42
42
arco
43
43
43
44
44
44
45
45
45
L.V.
13
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
46
46
46
47
47
47
L.V.
48
48
48
To 2 Congas, QUICK!
Take soft yarn mallets, QUICK!
49
49
49
14
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
50
3 3
3
3
50
3 3
50
Crash Cymbal, soft yarn mallets
2 Congas
51
3 3
3
3
51
3 3
51
52
52
52
Hand percussion sound:
15ATTACCA-->
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
Driving, menacing
Driving, menacing
Driving, menacing
To Hi-Hat, 2 snare sticks, QUICK!
To Hi-Hat, 2 snare sticks, Kick Drum, QUICK!
2
2
2
L.V.
3
3
3
Hi-Hat and Snare Drum, 2 snare sticks
16
Mvmt. II.
Blood Stagnation
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
4
4
4
Hi-Hat, 2 snare sticks
Kick Drum
5
5
5
6
6
6
17
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
7
7
7
8
8
8
9
9
9
18
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
10
10
10 natural harmonic
Low Murky Rumble:
rim shot
11
11
11
12
12
12
19
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
13
13
13
L.V.
14
14
14
15
15
15
20
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
16
16
16
17
17
17
18
18
18
21
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
19
19
19
20
20
20
21
21
21
22
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
22
22
22
23
23
23
24
24
24
23
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
25
25
25
26
26
26
27
27
27
24
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
28
28
28
To Snare Drum and Floor Tom, snare sticks, QUICK!
29
29
29
Hi-Hat, 2 snare sticks
(L.V. throughout)
30
30
30
Snare Drum and Floor Tom, snare sticks
31
31
31
25
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
32
32
32
33
33
33
34
34
34
26
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
35
35
35
36
36
36
27
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
37
37
37
38
38
38
28
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
39
39
39
To Floor Tom and Snare Drum (same sticks), Kick Drum, QUICK!
40
40
40
Floor Tom, Snare Drum, snare sticks
Kick Drum
29
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
41
41
41
rim shot
42
42
42
43
43
43
30
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
44
44
44
45
45
45
L.V.
46
46
46
47
47
47
31
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
48
48
48
49
49
49
50
50
50
51
51
51
32
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
52
52
52
53
53
53
To Ride Cymbal, with 2 snare sticks, QUICK!
rim shot
54
54
54
key clicks
key clicks
55
55
55
33
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
56
56
56
Ride Cymbal, with 2 snare sticks
57
57
3 3 3 3
57
sul pont.
sul pont.
sul pont.
58
58
3 3 3 3
58
To Hi-Hat, 2 snare sticks
Kick Drum
59
59
3 3 3 3
59
60
60
3 3 3 3
60
34
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
61
61
3 3 3 3
61
62
62
3 3 3 3
62
norm.
norm.
63
63
3 3 3 3
63
3 3 3 3
64
64
3 3 3 3
64
3 3 3 3
3 3 3 3
Hi-Hat, 2 snare sticks
Kick Drum
65
65
3 3 3 3
65
3 3 3 3
3 3 3 3
35
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
66
66
3 3 3 3
663 3 3 3
3 3 3 3
3 3 3 3
67
67
3 3 3 3
67 3 3 3 3
3 3 3
3 3
68
3 3 3 3
68
3 3 3 3
68 3 3 3 3
69
3 3 3 3
69
3 3 3 3
69 3 3 3
3
36
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
70
3 3
70
3 3 3 3
70
71
3 3
71
3 3 3 3
71
72
72
3 3 3 3
72
To Hi-Hat, Snare Drum and Floor Tom, 2 snare sticks, QUICK!
73
73
3 3 3 3
73
37
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
74
74
3
3 3 3 3
74
75
75
3
3 3 3 3
75
Hi-Hat, Snare Drum and Floor Tom, 2 snare sticksrim shot
To Tam-Tam, tam-tam beater
Large Suspended Bass Drum, bass drum beater, QUICK!
76
76
3
3 3 3 3
76
77
77
3
3 3 3 3
77
38
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
78
78
3
3 3 3 3
78
Tam-Tam, tam-tam beater
Large Suspended Bass Drum, bass drum beater
79
79
3
3
3 3 3 3
79
3
(L.V. throughout)
80
80
3
3
3 3 3 3
80
3
81
81
3
3
3 3 3 3
81
3
39
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
82
82
3
3
3 3 3 3
82
3
83
83
3
3
3 3 3 3
833
3
3
84
84
84
High pitched "optimistic" digital cloud:
To Kick Drum, QUICK!
85
85
85
L.V.
L.V.
40
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
86
86
86
Kick Drum
87
87
87
88
88
88
Hi-Hat, 2 snare sticks
(L.V. throughout)
89
89
89
41
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
90
90
90
91
91
91
92
92
92
93
93
93
42
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
94
94
94
95
95
95
96
96
96
97
97
97
98
98
98
99
99
99
L.V.
43
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
100
100
100
To Tam-Tam, tam-tam beater
101
101
101
102
102
102
103
103
103
104
104
104
44
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
105
105
105
106
106
106
107
107
107
108
108
108
45
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
109
109
109
110
110
110
pizz.
111
111
111
112
112
112
46
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
113
113
113
114
114
114
115
115
115
116
116
116
117
117
117
118
118
118
47
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
11910"
11910"
11910"
solo, sweetly, ad lib.
solo, sweetly, ad lib.
120
5"
1205"
1205"
solo, sweetly, ad lib.
48
ATTACCA-->
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
10"
10"
10"
Mysteriously anticipating
Mysteriously anticipating
Mysteriously anticipating
sul G, flautando, in the background
Footswitch:
Downward sweeping glissando:
25"
25"
25"
Sine waves and feedback:
49
Mvmt. III.
Sacrificing the Virgins to Moloch
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
35"
35"
35"
46"
46"
4
6"
tone begins to get crunchy, yet still in the background...
50
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
5
5
5
Building, growing in intensity...
Building, growing in intensity...
Building, growing in intensity...
accelerando (follow tempo of HIDI SF)
accelerando (follow tempo of HIDI SF)
accelerando (follow tempo of HIDI SF)
Crunchy bass sound:
Footswitch:
6
6
6
7
7
7
8
8
8
9
9
9
10
10
10
11
11
11
51
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
12
12
12
13
13
13
14
14
14
15
15
15
16
16
16
52
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
17
17
17
18
3
3 3
18
18
19
19
19
Tam-Tam, tam-tam beater
20
20
6 6
20
bring out!
53
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
21
21
21
Tom-Tom Drum, Floor Tom with snare sticks
Kick Drum
22
22
22
L.V.
To Crash Cymbal and Floor Tom, 2 soft yarn mallets
Kick Drum
23
23
23
24
24
24
25
25
25
54
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
26
26
26
27
27
27
28
28
28
29
29
29
55
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
30
30
30
Crash Cymbal and Floor Tom, 2 soft yarn mallets
Kick Drum
31
31
31
L.V.
High pitched squeal:
32
32
32
Low pitched bass thump:
33
33
33
56
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
34
34
34
35
35
35
36
36
36
57
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
37
37
37
38
38
38
39
39
39
40
40
40
58
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
41
41
6
6
41
Fast beep:
Tom-Tom Drum, Floor Tom with snare sticks
Kick Drum
42
42
6
6
42
43
43
43
Crunchy bass sound:
59
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
44
44
44
45
45
45
46
46
46
60
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
47
47
47
48
48
48
49
49
49
61
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
50
50
50
51
51
51
52
52
52
To Tam-Tam, scrape with triangle beater, QUICK!
62
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
53
53
53
548"
548"
548"
molto decelerando, keep energy level high, do not sync with other players but watch for cue from conductor.
molto decelerando, keep energy level high, do not sync with other players but watch for cue from conductor.
molto decelerando, keep energy level high, do not sync with other players but watch for cue from conductor.
molto decelerando, keep energy level high, do not sync with other players but watch for cue from conductor.
Tam-Tam, scrape with triangle beaterL.V.
63
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
555"
555"
555"
566"
566"
566"
L.V.
573"
573"
573"
64
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
58
7"
587"
587"
L.V.
59
10"
5910"
5910"
sul G
65
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
60
10"
60 10"
60 10"
pizz.
L.V.
61
10"
6110"
61
10"
66
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
6210"
62
10"
6210"
L.V.
Take tam-tam beater, QUICK!
6310"
63
10"
63
10"
6410"
64
10"
64
10"
Tam-Tam, tam-tam beater
67
ATTACCA-->
Dancer
HIDI SF
Vln.
HIDI
Activate D.G.S.
Dancer, laying on top of the gurney,
raises gloved hand...
The timing of this movement is totally ad lib., based on the movement of the dancers
2
2
1
"Analog" button
Gurney begins to move across the stage,
from SR to SL)...
Dancer
HIDI SF
Vln.
HIDI
3
3
Dancer begins to gesture with the glove
(Gurney still moving slowly from SR to SL)...
"Change" button
( )
4
4
5
"Change" button
( )
Dancer continues gestures with the glove,(Gurney still moving slowly from SR to SL)...
Dancer
HIDI SF
Vln.
HIDI
5
5
2
"Change" button
( )
Dancer continues gestures with the glove,
(Gurney approaches center stage)...
sul D
6
6
6
"Change" button
( )
Dancer continues gestures with the glove,
(Gurney slows for a moment at SR)...
68
Mvmt. IV.
Affliction
Dancer
HIDI SF
Vln.
HIDI
7
7
Oct+10
"Change" button
( )
Dancer continues gestures with the glove,
(Gurney begins to move upstage)...8
8
Oct+10
"Change" button
( )
Dancer continues gestures with the glove,
(Gurney stops at target upstage)...
Dancer
HIDI SF
Vln.
HIDI
9
9
3
"AI" button*
( )
Dancer pauses gestures, hands down... 10
10
7
Dancer raises hands in a menacing final gesture...
Dancer
HIDI SF
Vln.
HIDI
11
11molto accelerando,louder, crazier, building into next movement...
*Note: From this point until measure 87 of Movement V., the HIDI SF System chooses for herself when to trigger the glove sounds)
Watch for cue from dancer to begin Movement V.
Dancer brings hands down to begin Movement V.
HIDI fades out...
69 ATTACCA-->
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
Cataclysmically violent with the utmost brutality
Cataclysmically violent with the utmost brutality
Cataclysmically violent with the utmost brutality sul pont., all notes acceptable, AFAP, extremely harsh!
Loud Bass Drum Sound:
2
2
2
3
3
3
Snare Drum, with snare stick
Floor Tom, with snare stick
Kick Drum
70
Mvmt. V.
The Neo-Primogenitor
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
4
4
4 (continue similar)
5
5
5
6
6
6
7
7
7
71
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
8
8
8 (continue similar)
9
9
9
10
10
10
11
11
11
72
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
12
12
12 (continue similar)
13
13
13
14
14
14
15
15
15
73
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
16
16
16 (continue similar)
17
17
17
18
18
18
19
19
19
74
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
20
20
20
21
21
21
22
22
22
23
23
23
75
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
24
24
24
25
25
25
26
26
26
27
27
27
76
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
28
28
28
29
29
29
30
30
30
31
31
31
77
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
32
32
32
33
33
33
34
34
34
35
35
35
78
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
36
36
36
37
37
37
38
38
38
39
39
39
79
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
40
40
40
Snare Drum, 2 snare stickssnares on
41
41
41
42
42
42
43
43
43
80
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
44
3
44
44
45
45
45
46
46
46
47
3 3
47
47
81
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
48
3
48
48
49
3
493 3
3 3
49
50
3 3
503 3
3 3
50
51
3
513 3
3 3
51
82
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
52
3 3
52 3 3
3 3
52
53
533 3
3 3
53
54
543 3
3 3
54
55
3 3 3
553 3
3 3
55
83
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
56
3 3 3
56 3 3
3 3
56
* First sound cue for dancers so they can time the end of the piece.
57
573 3
3 3
57
58
583 3
3 3
58
59
3 3 3
593 3
3 3
59
84
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
60
3
60 3 3
3 3
60
61
3
613 3
3 3
61
62
623 3
3 3
62
63
3 3 3
633 3
3 3
63
85
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
64
3
64 3 3
3 3
64
65
3
653 3
3 3
65
66
663 3
3 3
66
67
3 3 3
673 3
3 3
67
86
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
68
3
68 3 3
3 3
68
69
3
693 3
3 3
69
70
703 3
3 3
70
71
3 3 3
713 3
3 3
71
87
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
72
3
72 3 3
3 3
72
* Second sound cue for dancers so they can time the end of the piece.
73
733 3
3 3
73
74
743 3
3 3
74
75
3 3 3
753 3
3 3
75
88
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
76
3
76 3 3
3 3
76
77
3
773 3
3 3
77
78
783 3
3 3
78
79
3 3 3
793 3
3 3
79
89
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
80
3
80 3 3
3 3
80
*Third and final sound cue for dancers so they can time the end of the piece.
81
813 3
3 3
81
82
823 3
3 3
82
83
3 3 3
833 3
3 3
83
90
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
84
3
84 3 3
3 3
84
"AI" button - OFF!
85
3
853 3
3 3
85
86
863 3
3 3
86
87
3 3 3
873 3
3 3
87
91
Fl.
A. Sx.
T. Sx.
Tbn.
Perc. 1
Perc. 2
HIDI SF
Vln.
Vla.
D.B.
Pno.
88
3
88 3 3
3 3
88
89
89
89
905"
905"
905"
Fade out HIDI Glove analog sounds
slowly as the lights fade out...
92
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