Bärenreiter

DVOŘÁKB Ä R E N R E I T E R U R T E X T

A NEW GENERATION OF EDITIONS

DVOŘÁK'S CHAMBER AND PIANO MUSICin high-standard reprints

Practical vocal scores of Dvořák's master choral and operatic works

Stabat Mater Op. 58 H 7920 vocal score by the composer Performance material available on hire

The Spectre's Bride Op. 69 BA 9544-90 vocal score by Karel ŠolcNew preface by Daniela PhilippiPerformance material available on hire

Rusalka Op. 114 BA 9510-90 vocal score by Karel ŠolcNew preface by Jarmila Gabrielová

Arrangements of Dvořák's core masterpieces

Requiem Op. 89for solo voices, choir and chamber orchestra Arranged by Joachim LinckelmannBased on the full score from the Complete Edition of the Works of Antonín Dvořák BA 9582 scoreIn keeping with the vocal score H 2924-90Performance material available on sale

Slavonic Dances Op. 46for violoncello and piano Arranged by Jiří GemrotBA 9568 score with partTwo dances in Dvořák's original arrangement, six dances in a new arrangement in Dvořák's styleTo appear in 2017

Our publishing house's lasting care for quality sheet music of this most-performed classic Czech composer is also re� ected in a new series of reprints of mostly chamber and piano music from the Antonín Dvořák Complete Edition (ADCE), prepared by the best Czech editors and Dvořák specialists of the day (Jarmil Burghauser, Antonín Čubr, Antonín Pokorný, Karel Šolc, František Bartoš, etc.). With their combination of modern printing and Bärenreiter-brand quality, the ADCE reprints re� ect present-day performance practice and come equipped with new detailed prefaces by musicologists of the new generation – David R. Beveridge, Hans-Joachim Hinrichsen, Ivana Rentsch, Eva Velická, Hartmut Schick.

Piano four hands BA 9565 From the Bohemian Forest Op. 68BA 9547, BA 9548 Slavonic Dances Op. 46 and Op. 72

Violin and PianoBA 9576 Romantic Pieces Op. 75

Piano Trio / Quartet / QuintetBA 9578 Piano Trio in B-� at major Op. 21

To appear in May 2016BA 9564 Piano Trio in F minor Op. 65BA 9538 Piano Trio in G minor Op. 26BA 9537 Piano Quartet in E-� at major Op. 87BA 9573 Piano Quintet in A major Op. 81

String Trio / Quartet / Quintet / SextetBA 9543 Terzetto in C major Op. 74BA 9539, TP 539 String Quartet No. 1 in A major Op. 2BA 9540, TP 540 String Quartet No. 2 in B-� at major B 17BA 9545, TP 535 String Quartet No. 5 in F minor Op. 9BA 9542, TP 532 String Quintet in E-� at major Op. 97BA 9577, TP 577 String Quintet in G major Op. 77

(with double bass)BA 9566 String Sextet in A major Op. 48

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Serenade in D minor Op. 44 for wind instruments, violoncello and double bassEdited by Robin TaitBA 10424 scoreBA 10424-22 parts in slipcoverTo appear in September 2016

The new Urtext edition of this masterpiece of its genre is based jointly on the autograph and the ¦ rst Simrock edition (1879). The editor revised the editorial decisions made in the 1879 print, restoring some of Dvořák's original ideas and clarifying certain inconsistencies in articulation. The current edition contains a critical commentary (Eng) by the editor and a new preface (Eng/Cz/Ger) by eminent Dvořák scholar David R. Beveridge.

Concerto in A minor for Violin and Orchestra Op. 53Edited by Iacopo CividiniBA 10422 scoreBA 10422-90 piano reductionperformance material available on saleTo appear in March 2017

Piano Quartet in D major Op. 23Edited by Robin TaitBA 9574 score with partsTo appear in June 2017

Titles in preparation

In the next three years Bärenreiter Praha will publish Urtext editions of Dvořák's complete vocal works for solo voice and piano.

Apart from the cycles of Cypresses (already published), Gypsy Songs, and Biblical Songs, which will appear separately, all of Dvořák's other compositions for solo voice and piano will be issued in chronological order in two volumes as Songs I and Songs II. Some of the songs have as yet existed only in autograph form or in historical editions. Both volumes will have two versions – for high and low voice.

Besides an extensive preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor, all our urtext song publications cater to concert performance demand by providing lyrics in three languages (Cz/Ger/Eng) with each vocal part. Songs II

Songs II Edited by Veronika VejvodováTo appear in winter 2016/2017

BA 11517 Songs II for high voice and piano BA 11518 Songs II for low voice and piano

Contents: Three Modern Greek Poems, Songs to Words by Gustav P� eger-Moravský, Two Songs on Folk Poems, In Folk Tone, Four Songs, Love Songs, Lullaby, Song from The Smith of Lešetín

Gypsy Songs Op. 55BA 10431 for high voiceBA 10432 for low voiceEdited by Veronika VejvodováTo appear in 2017

Songs IEdited by Veronika VejvodováTo appear in 2018/2019

BA 11515 Songs I for high voice and piano BA 11516 Songs I for low voice and piano

Contents: Songs to Words by Eliška Krásnohorská, The Orphan, Rosemary, Four Songs to the words of Serbian folk poems, Songs from The Dvůr Králové Manuscript, Evening Songs, Two Songs for baritone

Biblical Songs Op. 99BA 10425 for high voiceBA 10426 for low voiceEdited by Eva VelickáTo appear in 2018

Autograph of the Serenade in D minor ▪ © National Museum – Czech Museum of Music

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The current editions of Dvořák's works in the Bärenreiter Urtext series are full of new musical information that has never been published before. The experienced editors of our Urtext publications apprise musicians of their numerous � ndings, o� ering welcome and authentic alternatives to the usual, well-known versions.

Symphony No. 7 in D minor Op. 79 Edited by Jonathan Del MarBA 10417 scoreBA 10417-40 critical commentary (Eng)TP 617 study score performance material available on sale

● First scholarly-critical edition with the original London version of the second movement in the appendix in the score, the performing material, and in a newly published study score

● Insightful preface (Eng/Cz/Ger) and critical commentary (Eng) by the editor

● Study score with a new preface by Dvořák scholar Jan Smaczny (Cz/Eng/Ger)

Concerto in B minor for Violoncello and Orchestra Op. 104 Edited by Jonathan Del MarBA 9045 score BA 9045-40 critical commentary (Eng)BA 9045-90 piano reduction by the

composerTP 620 study score To appear in September 2016 performance material available on saleBVK 1849 facsimile of the autograph score and autograph piano reduction

● Dvořák's � nal and de� nitive version of the solo cello part

● Hundreds of corrections in both the solo cello part and the orchestral parts

● With hitherto unknown details regarding the collaboration between Dvořák and Wihan

● O� ers Feuermann's and Casals' alternatives to a passage in the � rst movement

● Study score with a new preface by Dvořák scholar Jan Smaczny (Cz/Eng/Ger)

Cypresses B 11 for tenor and pianoSong cycle to words by Gustav P� eger-Moravský (Cz)Edited by Andreas FreseBA 9569

● Urtext edition of the complete cycle of 18 love songs based on the � rst-ever scholarly-critical analysis of the sources

● With translation of the lyrics (Eng/Ger)

● In-depth preface by eminent Dvořák scholar David R. Beveridge (Eng/Cz/Ger) and critical commentary (Eng) by the editor

Humoresque in G-� at major Op. 101 No. 7for pianoEdited by Petra Kvasničková and Markéta ŠtědronskáBA 9503

● Detailed preface (Cz/Eng/Ger) and critical commentary (Cz/Eng) by editors

● Supplemented by facsimile pages

Editing example: F-sharp or F-double sharp? in bar 34 of the cello part of dumka No. 1

After assessing all the sources and circumstances, the editor decided to adopt the solution in Simrock's edition while taking into account both Dvořák's autograph and the print of the composer's later four-hand piano arrangement of the work. The return to the tie and thus f is one of the audible changes that the new edition brings compared to the customary version.

ANTONÍN DVOŘÁKBÄRENREITER URTEXT EDITIONS NEW 2016

Serenade in E major Op. 22for string orchestraEdited by Robin TaitBA 10423 scoreperformance material available on sale

One of the mainstays of orchestra repertoire worldwide

● Dvořák's original concept presented for the � rst time● 34 and 79 unknown bars in the 3rd and 5th movements

respectively included as Vi-de passages (in both the score and parts) omitted by the composer in the autograph score (see below)

● Numerous corrections in articulation and dynamic markings that the composer himself noted into his own Bote & Bock (1879, � rst edition) copy of the work

● Detailed critical commentary (Eng) by the editor

● Instructive preface (Cz/Eng/Ger) by Kateřina Nová, Head of the Dvořák Museum in Prague, o� ering profound insight into the work, its manuscript history, and the mystery of Dvořák's revision of the work

● Based on the composer's autograph as the main source, supported in matters of detail by Dvořák's own arrangement for piano four hands

● Modern layout and large-format orchestral parts (25.5 x 32.5 cm)

NEW 2016 Dumky Op. 90Trio for piano, violin and violoncello Edited by Christoph FlammBA 9567 score with parts

Dvořák's magnum opus in the piano trio genre

● New edition draws on the original Simrock print while carefully confronting the various reissues with the autograph and taking note of Dvořák's sketches as well as his later four-hand piano arrangement

● Comprehensive preface (Ger/Cz/Eng) by the editor re� ecting both its artistic merits and the signi� cance attributed to this piano trio by the composer himself

● Detailed critical commentary (Eng) by the editor noting all di� erences between the autograph and Simrock edition; also includes a table with the compositional development of both tempo markings and the formal division of movements

● Supplemented by the initial version of dumka No. 3 – a one-hundred-bar fragment published for the � rst time in both score and parts

NEW 2016 Romance in F minor Op. 11 Arrangement for violin and piano by the composerEdited by Jonáš HájekBA 9571 score with part

One of Dvořák's most delightful single-movement instrumental compositions, originally written with orchestra accompaniment

● First-ever publication of a piano version based on the composer's autograph piano arrangement

● Dvořák's own piano part di� ers from his orchestral one in several signi� cant ways, it is also one bar shorter (see below)

● New edition serves as a piano reduction of the orchestral version with a more authentic approach than other, common piano reductions

● Detailed preface by Dvořák expert David R. Beveridge (Eng/Cz/Ger) and critical commentary (Eng) by the editor

NEW 2015

Dvořák's autograph – © National Museum – Czech Museum of Music

Simrock's edition

Supplemented by the initial version of dumka No. 3 – a one-hundred-bar fragment published for the � rst

Dvořák's autograph – © National Museum – Czech Museum of Music

Simrock's edition

ViViV ol I

ViViV ol II

VaVaV

Vc

Cb

p fzfzf dim. p

ViViV ‒

153

p fzfzf dim. p

p mfmfm dim. p

p mfmfm dim. p

p mfmfm p

p fzfzf p

molto espsps rerer ssivo

molto espsps rerer ssivo

[ ]f]

f

23

Example from the 3rd movement

p fpfpf

Allegro quasi doppio movimento

33

ppppp fzfzf

p

p legege gggg ieroror

Allegro quasi doppio mo

° *

°

22

4

22

4

2

4

2

4

rit.

rit.

OOOO RRRR

*)

OOOO RRRRRRRRRRR

rit.

OOOOOOOOOOO

RRRRRRRRRRR

*) A: **) A:

OOOO

RRRRRRRRRRR

**)

The current editions of Dvořák's works in the Bärenreiter Urtext series are full of new musical information that has never been published before. The experienced editors of our Urtext publications apprise musicians of their numerous � ndings, o� ering welcome and authentic alternatives to the usual, well-known versions.

Symphony No. 7 in D minor Op. 79 Edited by Jonathan Del MarBA 10417 scoreBA 10417-40 critical commentary (Eng)TP 617 study score performance material available on sale

● First scholarly-critical edition with the original London version of the second movement in the appendix in the score, the performing material, and in a newly published study score

● Insightful preface (Eng/Cz/Ger) and critical commentary (Eng) by the editor

● Study score with a new preface by Dvořák scholar Jan Smaczny (Cz/Eng/Ger)

Concerto in B minor for Violoncello and Orchestra Op. 104 Edited by Jonathan Del MarBA 9045 score BA 9045-40 critical commentary (Eng)BA 9045-90 piano reduction by the

composerTP 620 study score To appear in September 2016 performance material available on saleBVK 1849 facsimile of the autograph score and autograph piano reduction

● Dvořák's � nal and de� nitive version of the solo cello part

● Hundreds of corrections in both the solo cello part and the orchestral parts

● With hitherto unknown details regarding the collaboration between Dvořák and Wihan

● O� ers Feuermann's and Casals' alternatives to a passage in the � rst movement

● Study score with a new preface by Dvořák scholar Jan Smaczny (Cz/Eng/Ger)

Cypresses B 11 for tenor and pianoSong cycle to words by Gustav P� eger-Moravský (Cz)Edited by Andreas FreseBA 9569

● Urtext edition of the complete cycle of 18 love songs based on the � rst-ever scholarly-critical analysis of the sources

● With translation of the lyrics (Eng/Ger)

● In-depth preface by eminent Dvořák scholar David R. Beveridge (Eng/Cz/Ger) and critical commentary (Eng) by the editor

Humoresque in G-� at major Op. 101 No. 7for pianoEdited by Petra Kvasničková and Markéta ŠtědronskáBA 9503

● Detailed preface (Cz/Eng/Ger) and critical commentary (Cz/Eng) by editors

● Supplemented by facsimile pages

Editing example: F-sharp or F-double sharp? in bar 34 of the cello part of dumka No. 1

After assessing all the sources and circumstances, the editor decided to adopt the solution in Simrock's edition while taking into account both Dvořák's autograph and the print of the composer's later four-hand piano arrangement of the work. The return to the tie and thus f is one of the audible changes that the new edition brings compared to the customary version.

ANTONÍN DVOŘÁKBÄRENREITER URTEXT EDITIONS NEW 2016

Serenade in E major Op. 22for string orchestraEdited by Robin TaitBA 10423 scoreperformance material available on sale

One of the mainstays of orchestra repertoire worldwide

● Dvořák's original concept presented for the � rst time● 34 and 79 unknown bars in the 3rd and 5th movements

respectively included as Vi-de passages (in both the score and parts) omitted by the composer in the autograph score (see below)

● Numerous corrections in articulation and dynamic markings that the composer himself noted into his own Bote & Bock (1879, � rst edition) copy of the work

● Detailed critical commentary (Eng) by the editor

● Instructive preface (Cz/Eng/Ger) by Kateřina Nová, Head of the Dvořák Museum in Prague, o� ering profound insight into the work, its manuscript history, and the mystery of Dvořák's revision of the work

● Based on the composer's autograph as the main source, supported in matters of detail by Dvořák's own arrangement for piano four hands

● Modern layout and large-format orchestral parts (25.5 x 32.5 cm)

NEW 2016 Dumky Op. 90Trio for piano, violin and violoncello Edited by Christoph FlammBA 9567 score with parts

Dvořák's magnum opus in the piano trio genre

● New edition draws on the original Simrock print while carefully confronting the various reissues with the autograph and taking note of Dvořák's sketches as well as his later four-hand piano arrangement

● Comprehensive preface (Ger/Cz/Eng) by the editor re� ecting both its artistic merits and the signi� cance attributed to this piano trio by the composer himself

● Detailed critical commentary (Eng) by the editor noting all di� erences between the autograph and Simrock edition; also includes a table with the compositional development of both tempo markings and the formal division of movements

● Supplemented by the initial version of dumka No. 3 – a one-hundred-bar fragment published for the � rst time in both score and parts

NEW 2016 Romance in F minor Op. 11 Arrangement for violin and piano by the composerEdited by Jonáš HájekBA 9571 score with part

One of Dvořák's most delightful single-movement instrumental compositions, originally written with orchestra accompaniment

● First-ever publication of a piano version based on the composer's autograph piano arrangement

● Dvořák's own piano part di� ers from his orchestral one in several signi� cant ways, it is also one bar shorter (see below)

● New edition serves as a piano reduction of the orchestral version with a more authentic approach than other, common piano reductions

● Detailed preface by Dvořák expert David R. Beveridge (Eng/Cz/Ger) and critical commentary (Eng) by the editor

NEW 2015

Dvořák's autograph – © National Museum – Czech Museum of Music

Simrock's edition

Supplemented by the initial version of dumka No. 3 – a one-hundred-bar fragment published for the � rst

Dvořák's autograph – © National Museum – Czech Museum of Music

Simrock's edition

ViViV ol I

ViViV ol II

VaVaV

Vc

Cb

p fzfzf dim. p

ViViV ‒

153

p fzfzf dim. p

p mfmfm dim. p

p mfmfm dim. p

p mfmfm p

p fzfzf p

molto espsps rerer ssivo

molto espsps rerer ssivo

[ ]f]

f

23

Example from the 3rd movement

p fpfpf

Allegro quasi doppio movimento

33

ppppp fzfzf

p

p legege gggg ieroror

Allegro quasi doppio mo

° *

°

22

4

22

4

2

4

2

4

rit.

rit.

OOOO RRRR

*)

OOOO RRRRRRRRRRR

rit.

OOOOOOOOOOO

RRRRRRRRRRR

*) A: **) A:

OOOO

RRRRRRRRRRR

**)

The current editions of Dvořák's works in the Bärenreiter Urtext series are full of new musical information that has never been published before. The experienced editors of our Urtext publications apprise musicians of their numerous � ndings, o� ering welcome and authentic alternatives to the usual, well-known versions.

Symphony No. 7 in D minor Op. 79 Edited by Jonathan Del MarBA 10417 scoreBA 10417-40 critical commentary (Eng)TP 617 study score performance material available on sale

● First scholarly-critical edition with the original London version of the second movement in the appendix in the score, the performing material, and in a newly published study score

● Insightful preface (Eng/Cz/Ger) and critical commentary (Eng) by the editor

● Study score with a new preface by Dvořák scholar Jan Smaczny (Cz/Eng/Ger)

Concerto in B minor for Violoncello and Orchestra Op. 104 Edited by Jonathan Del MarBA 9045 score BA 9045-40 critical commentary (Eng)BA 9045-90 piano reduction by the

composerTP 620 study score To appear in September 2016 performance material available on saleBVK 1849 facsimile of the autograph score and autograph piano reduction

● Dvořák's � nal and de� nitive version of the solo cello part

● Hundreds of corrections in both the solo cello part and the orchestral parts

● With hitherto unknown details regarding the collaboration between Dvořák and Wihan

● O� ers Feuermann's and Casals' alternatives to a passage in the � rst movement

● Study score with a new preface by Dvořák scholar Jan Smaczny (Cz/Eng/Ger)

Cypresses B 11 for tenor and pianoSong cycle to words by Gustav P� eger-Moravský (Cz)Edited by Andreas FreseBA 9569

● Urtext edition of the complete cycle of 18 love songs based on the � rst-ever scholarly-critical analysis of the sources

● With translation of the lyrics (Eng/Ger)

● In-depth preface by eminent Dvořák scholar David R. Beveridge (Eng/Cz/Ger) and critical commentary (Eng) by the editor

Humoresque in G-� at major Op. 101 No. 7for pianoEdited by Petra Kvasničková and Markéta ŠtědronskáBA 9503

● Detailed preface (Cz/Eng/Ger) and critical commentary (Cz/Eng) by editors

● Supplemented by facsimile pages

Editing example: F-sharp or F-double sharp? in bar 34 of the cello part of dumka No. 1

After assessing all the sources and circumstances, the editor decided to adopt the solution in Simrock's edition while taking into account both Dvořák's autograph and the print of the composer's later four-hand piano arrangement of the work. The return to the tie and thus f is one of the audible changes that the new edition brings compared to the customary version.

ANTONÍN DVOŘÁKBÄRENREITER URTEXT EDITIONS NEW 2016

Serenade in E major Op. 22for string orchestraEdited by Robin TaitBA 10423 scoreperformance material available on sale

One of the mainstays of orchestra repertoire worldwide

● Dvořák's original concept presented for the � rst time● 34 and 79 unknown bars in the 3rd and 5th movements

respectively included as Vi-de passages (in both the score and parts) omitted by the composer in the autograph score (see below)

● Numerous corrections in articulation and dynamic markings that the composer himself noted into his own Bote & Bock (1879, � rst edition) copy of the work

● Detailed critical commentary (Eng) by the editor

● Instructive preface (Cz/Eng/Ger) by Kateřina Nová, Head of the Dvořák Museum in Prague, o� ering profound insight into the work, its manuscript history, and the mystery of Dvořák's revision of the work

● Based on the composer's autograph as the main source, supported in matters of detail by Dvořák's own arrangement for piano four hands

● Modern layout and large-format orchestral parts (25.5 x 32.5 cm)

NEW 2016 Dumky Op. 90Trio for piano, violin and violoncello Edited by Christoph FlammBA 9567 score with parts

Dvořák's magnum opus in the piano trio genre

● New edition draws on the original Simrock print while carefully confronting the various reissues with the autograph and taking note of Dvořák's sketches as well as his later four-hand piano arrangement

● Comprehensive preface (Ger/Cz/Eng) by the editor re� ecting both its artistic merits and the signi� cance attributed to this piano trio by the composer himself

● Detailed critical commentary (Eng) by the editor noting all di� erences between the autograph and Simrock edition; also includes a table with the compositional development of both tempo markings and the formal division of movements

● Supplemented by the initial version of dumka No. 3 – a one-hundred-bar fragment published for the � rst time in both score and parts

NEW 2016 Romance in F minor Op. 11 Arrangement for violin and piano by the composerEdited by Jonáš HájekBA 9571 score with part

One of Dvořák's most delightful single-movement instrumental compositions, originally written with orchestra accompaniment

● First-ever publication of a piano version based on the composer's autograph piano arrangement

● Dvořák's own piano part di� ers from his orchestral one in several signi� cant ways, it is also one bar shorter (see below)

● New edition serves as a piano reduction of the orchestral version with a more authentic approach than other, common piano reductions

● Detailed preface by Dvořák expert David R. Beveridge (Eng/Cz/Ger) and critical commentary (Eng) by the editor

NEW 2015

Dvořák's autograph – © National Museum – Czech Museum of Music

Simrock's edition

Supplemented by the initial version of dumka No. 3 – a one-hundred-bar fragment published for the � rst

Dvořák's autograph – © National Museum – Czech Museum of Music

Simrock's edition

ViViV ol I

ViViV ol II

VaVaV

Vc

Cb

p fzfzf dim. p

ViViV ‒

153

p fzfzf dim. p

p mfmfm dim. p

p mfmfm dim. p

p mfmfm p

p fzfzf p

molto espsps rerer ssivo

molto espsps rerer ssivo

[ ]f]

f

23

Example from the 3rd movement

Bärenreiter

DVOŘÁKB Ä R E N R E I T E R U R T E X T

A NEW GENERATION OF EDITIONS

DVOŘÁK'S CHAMBER AND PIANO MUSICin high-standard reprints

Practical vocal scores of Dvořák's master choral and operatic works

Stabat Mater Op. 58 H 7920 vocal score by the composer Performance material available on hire

The Spectre's Bride Op. 69 BA 9544-90 vocal score by Karel ŠolcNew preface by Daniela PhilippiPerformance material available on hire

Rusalka Op. 114 BA 9510-90 vocal score by Karel ŠolcNew preface by Jarmila Gabrielová

Arrangements of Dvořák's core masterpieces

Requiem Op. 89for solo voices, choir and chamber orchestra Arranged by Joachim LinckelmannBased on the full score from the Complete Edition of the Works of Antonín Dvořák BA 9582 scoreIn keeping with the vocal score H 2924-90Performance material available on sale

Slavonic Dances Op. 46for violoncello and piano Arranged by Jiří GemrotBA 9568 score with partTwo dances in Dvořák's original arrangement, six dances in a new arrangement in Dvořák's styleTo appear in 2017

Our publishing house's lasting care for quality sheet music of this most-performed classic Czech composer is also re� ected in a new series of reprints of mostly chamber and piano music from the Antonín Dvořák Complete Edition (ADCE), prepared by the best Czech editors and Dvořák specialists of the day (Jarmil Burghauser, Antonín Čubr, Antonín Pokorný, Karel Šolc, František Bartoš, etc.). With their combination of modern printing and Bärenreiter-brand quality, the ADCE reprints re� ect present-day performance practice and come equipped with new detailed prefaces by musicologists of the new generation – David R. Beveridge, Hans-Joachim Hinrichsen, Ivana Rentsch, Eva Velická, Hartmut Schick.

Piano four hands BA 9565 From the Bohemian Forest Op. 68BA 9547, BA 9548 Slavonic Dances Op. 46 and Op. 72

Violin and PianoBA 9576 Romantic Pieces Op. 75

Piano Trio / Quartet / QuintetBA 9578 Piano Trio in B-� at major Op. 21

To appear in May 2016BA 9564 Piano Trio in F minor Op. 65BA 9538 Piano Trio in G minor Op. 26BA 9537 Piano Quartet in E-� at major Op. 87BA 9573 Piano Quintet in A major Op. 81

String Trio / Quartet / Quintet / SextetBA 9543 Terzetto in C major Op. 74BA 9539, TP 539 String Quartet No. 1 in A major Op. 2BA 9540, TP 540 String Quartet No. 2 in B-� at major B 17BA 9545, TP 535 String Quartet No. 5 in F minor Op. 9BA 9542, TP 532 String Quintet in E-� at major Op. 97BA 9577, TP 577 String Quintet in G major Op. 77

(with double bass)BA 9566 String Sextet in A major Op. 48

Your Music Dealer

SPA

314_

2

www.baerenreiter.cz • www.baerenreiter.com

Serenade in D minor Op. 44 for wind instruments, violoncello and double bassEdited by Robin TaitBA 10424 scoreBA 10424-22 parts in slipcoverTo appear in September 2016

The new Urtext edition of this masterpiece of its genre is based jointly on the autograph and the ¦ rst Simrock edition (1879). The editor revised the editorial decisions made in the 1879 print, restoring some of Dvořák's original ideas and clarifying certain inconsistencies in articulation. The current edition contains a critical commentary (Eng) by the editor and a new preface (Eng/Cz/Ger) by eminent Dvořák scholar David R. Beveridge.

Concerto in A minor for Violin and Orchestra Op. 53Edited by Iacopo CividiniBA 10422 scoreBA 10422-90 piano reductionperformance material available on saleTo appear in March 2017

Piano Quartet in D major Op. 23Edited by Robin TaitBA 9574 score with partsTo appear in June 2017

Titles in preparation

In the next three years Bärenreiter Praha will publish Urtext editions of Dvořák's complete vocal works for solo voice and piano.

Apart from the cycles of Cypresses (already published), Gypsy Songs, and Biblical Songs, which will appear separately, all of Dvořák's other compositions for solo voice and piano will be issued in chronological order in two volumes as Songs I and Songs II. Some of the songs have as yet existed only in autograph form or in historical editions. Both volumes will have two versions – for high and low voice.

Besides an extensive preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor, all our urtext song publications cater to concert performance demand by providing lyrics in three languages (Cz/Ger/Eng) with each vocal part. Songs II

Songs II Edited by Veronika VejvodováTo appear in winter 2016/2017

BA 11517 Songs II for high voice and piano BA 11518 Songs II for low voice and piano

Contents: Three Modern Greek Poems, Songs to Words by Gustav P� eger-Moravský, Two Songs on Folk Poems, In Folk Tone, Four Songs, Love Songs, Lullaby, Song from The Smith of Lešetín

Gypsy Songs Op. 55BA 10431 for high voiceBA 10432 for low voiceEdited by Veronika VejvodováTo appear in 2017

Songs IEdited by Veronika VejvodováTo appear in 2018/2019

BA 11515 Songs I for high voice and piano BA 11516 Songs I for low voice and piano

Contents: Songs to Words by Eliška Krásnohorská, The Orphan, Rosemary, Four Songs to the words of Serbian folk poems, Songs from The Dvůr Králové Manuscript, Evening Songs, Two Songs for baritone

Biblical Songs Op. 99BA 10425 for high voiceBA 10426 for low voiceEdited by Eva VelickáTo appear in 2018

Autograph of the Serenade in D minor ▪ © National Museum – Czech Museum of Music

Bärenreiter

DVOŘÁKB Ä R E N R E I T E R U R T E X T

A NEW GENERATION OF EDITIONS

DVOŘÁK'S CHAMBER AND PIANO MUSICin high-standard reprints

Practical vocal scores of Dvořák's master choral and operatic works

Stabat Mater Op. 58 H 7920 vocal score by the composer Performance material available on hire

The Spectre's Bride Op. 69 BA 9544-90 vocal score by Karel ŠolcNew preface by Daniela PhilippiPerformance material available on hire

Rusalka Op. 114 BA 9510-90 vocal score by Karel ŠolcNew preface by Jarmila Gabrielová

Arrangements of Dvořák's core masterpieces

Requiem Op. 89for solo voices, choir and chamber orchestra Arranged by Joachim LinckelmannBased on the full score from the Complete Edition of the Works of Antonín Dvořák BA 9582 scoreIn keeping with the vocal score H 2924-90Performance material available on sale

Slavonic Dances Op. 46for violoncello and piano Arranged by Jiří GemrotBA 9568 score with partTwo dances in Dvořák's original arrangement, six dances in a new arrangement in Dvořák's styleTo appear in 2017

Our publishing house's lasting care for quality sheet music of this most-performed classic Czech composer is also re� ected in a new series of reprints of mostly chamber and piano music from the Antonín Dvořák Complete Edition (ADCE), prepared by the best Czech editors and Dvořák specialists of the day (Jarmil Burghauser, Antonín Čubr, Antonín Pokorný, Karel Šolc, František Bartoš, etc.). With their combination of modern printing and Bärenreiter-brand quality, the ADCE reprints re� ect present-day performance practice and come equipped with new detailed prefaces by musicologists of the new generation – David R. Beveridge, Hans-Joachim Hinrichsen, Ivana Rentsch, Eva Velická, Hartmut Schick.

Piano four hands BA 9565 From the Bohemian Forest Op. 68BA 9547, BA 9548 Slavonic Dances Op. 46 and Op. 72

Violin and PianoBA 9576 Romantic Pieces Op. 75

Piano Trio / Quartet / QuintetBA 9578 Piano Trio in B-� at major Op. 21

To appear in May 2016BA 9564 Piano Trio in F minor Op. 65BA 9538 Piano Trio in G minor Op. 26BA 9537 Piano Quartet in E-� at major Op. 87BA 9573 Piano Quintet in A major Op. 81

String Trio / Quartet / Quintet / SextetBA 9543 Terzetto in C major Op. 74BA 9539, TP 539 String Quartet No. 1 in A major Op. 2BA 9540, TP 540 String Quartet No. 2 in B-� at major B 17BA 9545, TP 535 String Quartet No. 5 in F minor Op. 9BA 9542, TP 532 String Quintet in E-� at major Op. 97BA 9577, TP 577 String Quintet in G major Op. 77

(with double bass)BA 9566 String Sextet in A major Op. 48

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Serenade in D minor Op. 44 for wind instruments, violoncello and double bassEdited by Robin TaitBA 10424 scoreBA 10424-22 parts in slipcoverTo appear in September 2016

The new Urtext edition of this masterpiece of its genre is based jointly on the autograph and the ¦ rst Simrock edition (1879). The editor revised the editorial decisions made in the 1879 print, restoring some of Dvořák's original ideas and clarifying certain inconsistencies in articulation. The current edition contains a critical commentary (Eng) by the editor and a new preface (Eng/Cz/Ger) by eminent Dvořák scholar David R. Beveridge.

Concerto in A minor for Violin and Orchestra Op. 53Edited by Iacopo CividiniBA 10422 scoreBA 10422-90 piano reductionperformance material available on saleTo appear in March 2017

Piano Quartet in D major Op. 23Edited by Robin TaitBA 9574 score with partsTo appear in June 2017

Titles in preparation

In the next three years Bärenreiter Praha will publish Urtext editions of Dvořák's complete vocal works for solo voice and piano.

Apart from the cycles of Cypresses (already published), Gypsy Songs, and Biblical Songs, which will appear separately, all of Dvořák's other compositions for solo voice and piano will be issued in chronological order in two volumes as Songs I and Songs II. Some of the songs have as yet existed only in autograph form or in historical editions. Both volumes will have two versions – for high and low voice.

Besides an extensive preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor, all our urtext song publications cater to concert performance demand by providing lyrics in three languages (Cz/Ger/Eng) with each vocal part. Songs II

Songs II Edited by Veronika VejvodováTo appear in winter 2016/2017

BA 11517 Songs II for high voice and piano BA 11518 Songs II for low voice and piano

Contents: Three Modern Greek Poems, Songs to Words by Gustav P� eger-Moravský, Two Songs on Folk Poems, In Folk Tone, Four Songs, Love Songs, Lullaby, Song from The Smith of Lešetín

Gypsy Songs Op. 55BA 10431 for high voiceBA 10432 for low voiceEdited by Veronika VejvodováTo appear in 2017

Songs IEdited by Veronika VejvodováTo appear in 2018/2019

BA 11515 Songs I for high voice and piano BA 11516 Songs I for low voice and piano

Contents: Songs to Words by Eliška Krásnohorská, The Orphan, Rosemary, Four Songs to the words of Serbian folk poems, Songs from The Dvůr Králové Manuscript, Evening Songs, Two Songs for baritone

Biblical Songs Op. 99BA 10425 for high voiceBA 10426 for low voiceEdited by Eva VelickáTo appear in 2018

Autograph of the Serenade in D minor ▪ © National Museum – Czech Museum of Music