members

r OEMSi BULLETINff? DUKE ELLINGTON MUSIC SOCIETY - SWEDEN

f isss/2 MAY-AUG

I Don't forgetthe ELLINGTON '86

Conference\ June 12-13-16

As a OEMS member you'll get access from time to time to unique Duke material. Please beep in uinthat such saterial is to be handled with cere and common sense. It Bust under no circumstances bused for commercial purposes. Anyone member being caught with having passed on such saterial foeosaercial purposes will result in eanoelling his membership, his nase published and inforsatiohanded over to other societies similar to EEIE. As • OEMS sasber please help see to that thisimple rule is followed. Thus we will be able to continue future special offersÿ such as tapes

pDR THE LOVE Dp DuKE „NEW RELEASESAND RE-RELEASE8

/f Uv*.Dr. Jazz fW- 40050 "DE - HAPPY REUNION"

/[nMi

SIDE A i Way Back Blues / Where's The Musie? / Rubber Bot¬tom / Play The Blues And Go / In A Hellotone (-1)SIDE Bi In A Hellotone (-2) / Happy Reunion (-1) / Hap¬py Reunion (-2) / Diminuendo And Cresoendo In Blue (Wail¬ing Interval)The liner notes states the date tat the first four select¬ions to be March, 1957. This is false - the year is 1956.The balance is said to be recorded in June, 1956. A moreprecise date is 2*Jun58. There is not much diminuendo orcrescendo in blue to be found in the last number. In¬stead the correct title is the within brackets shown"Wailing Interval", a title also shown in the contemporarylisting way back included in the DEMS files. Among titleslater on used for this interval are "Blow By Blow" and"Ready, Gol".

•Dr. Jazz W2X- *0012 "DE - ALL STAR ROADBAUD - VOL,2" (2-LP Set) (Also on cassette WTK-A0012)

SIDE At Mood Indigo / Satin Doll / Happy Go Lucky Looal /SIDE Bi Things Ain't What ... - Do Nothin' Till You Hearfrom Me / Guitar Amour / Summertime / C ~ Jam Blues / SilkLaoeSIDE C» I've Got It Bad /Isfahan /Timon Of Athens / TuttiTor Cootie / Stooping At The SavoySIDE D« Jeep's Blues / I Can't Stop Lovin' You / Diminu¬endo And Crescendo In Blue / Satin DollRecorded at The Holiday Ballroom, Chicago, 51May6*.Reading the liner notes reveals the commentator to haveno knowledge as to the actual performing sequences. "I'veGot ..." is more known as "I Got "Timon Of Athens"is more known as "Banquet Scene". Tutti Tor Cootie" is"Tootie For Cootie".

M Fantasy rAHT-9640 "THE INTIMACY OF THE BLUE

1/tails not at hand.

IAJRC - "DE, HIS ORCHESTRA t FRIENDS"1ST ANNUAL CONNECTICUT JAZZ FESTIVAL 195<

Material (details not at hand at this time) from the JaiFestival at Fairfield, 28Jul56. Years ago (see DEMS80/3-;portions from this event was issued on Queen Q-04A. Th:release was in mono. We have reason to believe the IAJIona to be in stereo and hopefully to inolude more of a.1Aÿe DE performances that day than present on the Queen I

Jazz Information (Sd) CAH-*001 "DE IN SWEDE1

SIDE 1« Take The A Train (t Be intro.) / Black And TiFantasy-Creole Love Call-Ihe Mooche / Perdido / Sophiaioated LadySIDE 2t Hank Cinq /Whet Else Can You Do With A Drum / Y.Better Know It / On The Sunny Side Of Hie Street / ThinAin't What ... / El GatoPortions from this date, Goteborg, 6Nov58, has earlibeen issued on Musiea Jazz 2MJP-1005 (see DEMS63/5-2but this issue has everything from the broadcast excethe medley portion, and, what is more important, the fdelity on Jazz Information is superb and much supericompared with Musioa Jazz.

"DUKE ELLINGTON AND HIS CRCHESTR(Also on cassette CAWE-T

SIDE ONE i Deep Purple / All Of Me / What Elsa Can YouWith A Drum / Harlem Air Shaft / Such Sweet Thunder/ Stompy Jones

( ctd. page !

/ compared witn Busies.

\J W "LIVE IN PARIS"

DEAR DEMS MEMBERMONEY TRANSACTIONS with DEMS must be addressed and pay¬able toi Birgit Island

Box *026 .. ..S- 175 0* JARFALLASweden

As a result of the present international currency marketups-and-downs one of the following alternatives must beused (a repeat from previous Bulletins)!1) Cash (the easiest and fastest way. No exchange costs

involved)

2) X. etional Money Order via your local Post...--jn Sudlah CrIrownsM,°'the--(» SEX). No exchange costs involved.

5) In European eontries you nay, in most oases to yourown advantage, use the following Postal Account (viayour Post Offioe - or Bank) No exchange costsi

Birgit Island, Accnt. M° **1 21 72 - 1,Centre de Cheques Postaux,S- 105 06 STOCKHOLM,Sweden

materiel Sponsors rt welcomed Membership u free • write WHS for further informal tor_

\i

0

DOB BULLETIN 86/2 •Continuing Ken Rattenbury's series Page 2

THE ELLINGTON SOLOISTS(8) DUKE ELLIIMGTCDIM

JIMMY aBLANTONI here returned to that extraordinary aession fromOctober 1940 for this lively, romping, stomping piece* itappears to confirm and demonstrate - particularly in itsprincipal theme, as transcribed here - the lasting andbenign influence which early ragtime had exported onEllington's melodic and harmonic patterns, and his use ofsyncopation and simple counterpoint. And I 're long-regarded this jolly, bustling, rappy rendition as beingrepresentative of Duke's less-serious, almost impishside! In my view, however, its significance as a jasiwork lies, not so much in its appeal as undemaning music¬al entertainment, which, I feel, is considerable, but inthe orderly parade of sharply— defined influences whichprocess through the piece. A deft dovetailing of thedevices of classical rag to begin with • sophiticated,satisfying, and splendidly served by this brilliant pair,Ragtime is just a flavour among many in the complete work- there is so much here to justify a longer look intothis fine jazz piece, in a future issue (or, indeed, per¬haps more than one! ) of our Bulletin.

Recorded in Chicago, on 1 October 1940. The original '78'record, from which this extract was transcribed, was is¬sued in 1941 on HMV B-9179 and Victor 27221. Apparently,two 'takes' ef each of the four pieoes reeorded on thatday (the other three were "Mr. J.B. Blues", "Sophistic¬ated Lady" and "Body And Soul") were reissued recently,all eight tracks together for the first time, on RCAP-45J52. The original issued version was, in fact,'Take' 2.

NEW RELEASES( atd, ),

SIDE TWO* Thiigs Ain't What They Used To Be / Hi Fi FoFua / El CatoNo date mentioned on sleeve, but said to be from AlhambraTheatre, Paris, October 29, 1958. (Hanfmann)DEMS: The recording was made during Duke's Oct -Nov Eu¬ropean Tour in 1958, hitherto unknown to exist.

Milan A -271 "COTTON CLUB STARS"

Contains two DC titles from the 1929 "Blaok And Tan" soundtrack (and repeated as on film)* The Duke Steps Out/BlaokBeauty.

RCA NL -89582 "DS t THE SMALL GROUPS"W "THE INDISPENSABLE DE - VQL.9/10"Details not at hand,

0Storyville SLP-6000 "HARLEM ROOTS" "THE BIG BAND"Four DE-titles from the 1941-2 Ellington Soundies are in¬cluded* Cotton Tail / flamingo / Bli-Blip / I Got It Bad

Michael Danzi - AMERICAN MUSICIAN IN GERMAN! 1924-1959Memoirs of the jazz, entertainment, and movie world ofBerlin during the Weimar Republic and the Nazi era - andin the United States - as told to Rainer E. Lotz.

294 pages, 16 p. of rare photos, clothbound

Your balance (Sw. Crowns) SEK «-

DEMS Bulletin Oi-sending costs 7*50

Remaining deposit s

WANTED

Rainer E. Lotz / Ulrich Neuert; THE AFRS "JUBILEE" TRAN¬SCRIPTION PROGRAMS - an exploratory discography

Foreword by Richard S. Sears.688 pages A5, bound in 2 hardcover volumes not availableseparately. Vol.1* Numerical listing, Vol.2* Name list¬ing, reissue gyide, title index, artist index

Price of the set* I 65 or DM 148.00Available at specialized bookstores and from the publish¬er* NORBERT RUECKER, Postfach 14, D-6384 ACHMITTEN 1,

West Germany.

Films (Super-8 or16mm) featuring Duke Ellington Orchestrawanted.Also information on sources for purchase appreciated.Pleese contact* xorbjorn Ahlstrom, Frejgatan 45, V,

S- 115 49 STOCKHOLM, Sweden.HAVE* Vast amounts of jass on VHS videotape, sheet music

and audiotapes.INTEREST* To swap lists l copies in all 5 areas.WANT* Pal, Secam or NTSC concerts (Duke, Bechet, main¬

stream, pianists)WRITE* T.V., 610 Tokay Ave., UKIAH, CA 95482, USA.

DEMS BULLETIN 86/2 Page 3RADIO DENMARK'S SENSATIONAL SERIES

PRESENTING MERCER DONATED DE MATERIALA SPECIAL SURVEY

displaying new discoveries, new conclusions, new solutions, new surprises

Almost all the Mercer donated material consists of so called "Stockpile Recordings". In earlier days of this stock¬pile era everything was handled by the boys and gals of the Mercer Inc. Dokumentations were not taken too seriously."Nothin' Is Like Having Your Own Record Company!" seemed to be the happy thing in those days.

Later the more experienced and trained recording personnel at the various recording studios were used - Columbia, RCA,National, A&R, a.o. Written documentation became more reliable. Nevertheless, according to circumstances, theysometimes lack correct details as to titles, personnel, etc.The stockpile recordings are highly interesting. Completely new material is included, but also older things m quitenew arrangements, and many hitherto completely unknown and most important works. The material at the recordingsessions was often so fresh that titles were refered to only as "Number One", "Number Two", etc. Another system for

reference was the use of four-letter combinations. Sometimes there were interimn titles used. To Duke the importantthing at the sessions to get the new ideas recorded. If needed later on, a suitable title could always be attached.

In many cases the date of a recording session was afterwards forgotten, or the papers got lost. Reconstructions hadto be done, The result often was mistakes as wrong months, days, sometimes years, personnel, and even titles.

Many major record companies, such as Reprise, Atlantic, Fantasy, Pablo, a.o., bought or leased material from thestockpile recordings, one of the latest being Doctor Jazz.As all collectors know, album notes ere often incorrect. This is mostly a result of the above described circum¬stances, Especially Pablo seems to have been terribly stricken in some cases.Consequently it is not surprising to find out that the various Danish commentators responsible for the contents ofthe ko (so far) broadcasts in the series, must have had considerable difficulties trying to sort out as correct aspossible information concerning dates, personnel, titles, etc. Also in those cases where Mercer himself was askedto lend a helping hand, he too often came to a wrong conclusion.Some of the Danish commentators have afterwards been able to find more correct information. Valuable observationshave been handed over to DEMS, and we would like to thank all and everyone for their kind contributions. We wouldespecially like to mention Erik Wiedemann for his extended research work carried out in the Radio Denmark archives.We have also contributions from outside Denmark, as for instance Klaus Stratemann, and there is of course theenthusiastic identification and research work as carried out by Sjef Hoefsmit. Everything has been assembled andhanded over to Benny Aasland for expert discographical investigation together with the more contemporary document¬ations fortunately included and preserved in the DEMS files.It is quite clear further research efforts are still needed in some cases, but nevertheless we are proud now to beable to present to you the following result.

Note: Everything that is underlined below marks details as actually given by the various broadcast commen¬tators, or otherwise as mentioned by recordists, or during interviews, etc.

Broadcast number and order of sequence

1 Ei A T E s

i •s givenon be

InNrcir'slifting

Asconfirmed

by EC16

TITLES, etc. COMMENT ARIES ORIGIN |OIA

BCD

Van#i8a

R11HOT68

«

2SAug72i?*er*6N<*66

ft

NEW WCRLD A-COMIN;(no)KETBONE -1/-9RACE -56RACE -3

no titli or date nentioned on bt j ootpleti on bo no.36

■ as on be no.31

NYCChioagtNYC«

Midiaaound Studios 1Universal Studios 1National Studios 1

a Jlr Xar65

R

1MaH>3R

Wl«r65A.O. -7WCftK SOW (BLACK) -1

as "A.C." in Mereer's listingon tip# box as *Mar65 i

• RACING in be no.31 «NYC

M

Fine StudiosQ MM«P65 3HI*r65 VEST INDIAN DANCE Chieage Universal StudiosI R • M EMANCIPATION CELEBRATION .< in Mereer's listing as YOUTH (YOUTHFUL AWKWARDNESS) M a

Z 2lFeb63 31Jan63(Ihe origin*! lilting, included in thi DOC fills, shows thi titls "Y.O.O.")

NIGHT CREATURE, 2nd new. -l/-2 on bo statid is recorded in Milan 1 Paris Sails Vagrani 10Mer70

19Mar»

IdwTO ICMarTO GIGGLING RAPIDS fron THE RIVER suits In Mereer's list as GRAP NYC National StudiosKl

16Jul63I9*ar57

18JU16319*ar56

ELf (• 1ST AH AN)MARCH 19TH BJ,UEÿ

in DOCS fills t Mereer's listing as BAL(- TOTAL JAZZ)(R P.O.E. NO.*)

LAD (by Strayhom) NYCChieage

AIR StudiosUniversal Studios

02A £62 yul62 yul62 TAKE THE A TRAIN ~l(brkd) NYC Bell StudiosB Jun6* Interview - Dirt Jaÿan fron boC 3»ov63 1May62 TAKE THE A TRAIN on bo ss noordid in Pakistan(!) ■ Fantasy F«*j636 AAA StudiosD 2962 Vol62 3Jul62 TAKE THE A TRAIN -2 NYC Bell StudiosE R JUMP reft JOT -1 - M.T,D, GARS2536-0 M N

r 3Jul62 ft I LET A SONG .../DON'T GET AROUND ... -* • M.T.D, 0ARS2536J a «Q Feb57 Psb57 SOMETHING SEXUAL (SOMETHING SAXUALJ no data or origin riven on be I Chicago Universal Studiosn 3NOT63 m*y*2 THE C JAM BLUES || on be is noordid In PaklstanOÿ • Fantasy F-9636 NYC AIR Studios

03A 17*41-65 I7iar36 THINGS AIN'T WHAT THE! ... -1 no date or origin given on bt NYC Fine StudiosB 1965 1Mar65 1Mar65 THE OPENER [ on tape box as *Mar65 ■ Reprise R-6185 R »

C a N • CHELSEA BRIDGE « « ft aD 17APT63 17Apr63 l7Apr63 according to Mereer thi title only as "G* NYC AIR StudiosE a R «• KELUN'S LICK (KILLIAN'S LICK] ! a R

r Aug/Sep63 Unknown titli (• KING FIT THE BATTLE OT ALABAM) on be is "Mystery T» iC Chicago UniversalTIMS l* iron thi PEOPLE" reeordlncs) (on be barytone lax erron n)OAA Ju«6* TAKE THE A TRAIN (theneXnc) Jaj>*n

ftTrot bo

B * Interview - oart aC 1Mar65 1Mar65 AD LIB ON NIPPON -3 on tape box aa *Mar65 : NYC Fin# StudiosD yul62 SLOt RHYTHM • IKE FUELING or JAZZ on M.F.D. GARS2536-C, bnt different take! NYC Bell StudiosE N 3Jul62 ft MACK THE KNIFE I « a

F Jun6* Interview - Dart 1 Japan froa bo

DEMS BULLETIH 66/2 Page 405A

BCDerQ

HI

AprG7THE C JAM BLUES (no)Duka talking about "THE QUEEl 'S SUITE" froa intarvisa

» I1Montrsal

1Apr59 MOCKING BJRD AND THE SUNSET (SUNSET AND THE MOCKING BIRD) -1 ■ Pablo NYC Columbia Studios25Pab59 BUGS ftm.rRyg.-2 M a a

* LE SUCRIER VELCURS -1 aa NCRTHERN LIGHTS -J M a

<6n©v8* Msrcsr talking about "A Singla Petal Of A Rosa" Copenhagen1*Apr59 A SINGLE PETAL OT A ROSE -5 - Pablo NYC Columbia Studios1Apr59 APES AND PEACOCKS -6 H "

06a 3Jan56IV

17lar56 DISCONTENTED -3(brkd) 1- Universal StudiosB a DISCONTENTEDX(• BÿSSMENT/RED CARPET, Pt.2/ BASSKENT) - DESCR 652b * a

C a a CARNEGIE BLUES (s fa* bars Interval) a M

DE

«*

19

aa

BLUES IMPROVISATION (intarval by JH & BS)SCRATCHIN' IKE SURFACE -brkd| + DESOR 6520

aM

m*

P AUK7223oct73

2Aug72 2Aug72 NEW YCRK. NEW YCRK -brkd7-tokd/-co*pleta NYC Mediasound Studios0 25oot73 CARAVAN / IN DUPLICATE Malso fpfla concertHI

3Jun70Apr66

STUD (THE NEO-KIP-HOT CCOL-KIDDIES-CCMMUNITY) frea THE RIVER suit*Duka talking about arrangeaent/iaprovlsation

NYCCinoirau

Natlonalÿtudiostl University

J 18Mar56 UNCONTRIEVED -Kbrkd)/-2(brkd /-3 Chioago[UniversalK ar7bS era b66 SOUL CALL fro* TV recording, 2nd show jjjtojkhoÿ CirousL M a WINGS AN6 THINGS a N N

07A 1967 Duka talking about Billy Stray!iom fro* tha TV documentary "On Tha Road With DE" (sea DESOR 1127c)

B 3QAug67 28Aug67 30Aug67 MIDRirP -2 ax 85351 unissutd NYCNYC

RCA StudiosRCA StudiosC Jun6ÿ

5DectoA£T57N

30Jun65 30Jun65 PASSIOH M/OMWSaattlaChicagoD 5Dao67 TAKE THE A TÿAIN KIKG-PM be

Universal StudiosE Apr57 Apr56 WAY BACK BLUES ■ Pantapa 800, Enigaa 1052, Dr, Jass FW-A0030P a a RUBBER BOTTOM « a a - Prastiga PRST-24006a 15oct52 MONK'S DREAM (portion fro* Monk racording station; 7 7

RCA StudiosH 13Seo62 l3Sep62 13Sap62 MONK'S DREAM (BLUE MONX) ■ Up-To-Data 2006 NYC

I w a a FRERE MONKCOUNT BASIE)(« THE PIANO PLAY®) NYC Madiasound Studios

AIR StudiosJ 2Aug7?

i8Jul6?2Aug72 UNKÿflTLE (NOT A PORTRAIT OP

K 18JU163 18JU163 ACTION IN ALEXANDRIA in DESK filas t Maroar s listing as "ORIGINAL" NYC

OflAB

iSAprto iAApr63 18Apr63198*

ELYSEE )Billy"<ocre coanenting on "C Jan Blues"

NYC |AIR StudiosCopenhagen

C 3Dec67 5Dao67 THE C JAM BLUES (no) Seattle|KING-rM beCopenhagenD 198* Billy Voora comments

E 30Jul6i1ÿFtb71

3CVJU161 STRANGE FEELING -3 NYC Coluabia StudiosP 17P#b71 l7Pab71 THERE'S A PLACE NYC National StudiosG 108* Billy Voora coonents CopenhagenH 9Mar70 9Mar70 9Mar70 THE VEANDRÿ" fro* THE RIVER suits NYC National StudiosIJ

iCyar7Q 1C*ar70 1»ar70198*

RIBA (MAIN STEM) (TATTY TWIST) "Billy Moora commants |

-xv ■ ICopenhagenK 25Aug72 25Aug72 Piano Solo (A MUfUl7~FROII TWO PERSPECTIVES) NYC Madiasound StudiosL 13S«D62 13Sap62 13Sap62 pyoon 81,(21, 1 .Up-To-Data 2006 NYC RCA StudiosM 1ÿ6 17Mar56 DO NOT DISTURB (LE SUCRIER VELOURS) Chioago Universal Studios

09ABCDEr

27Apr70Sep6l

27Apr7025oct6l2Cfafc6*

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80ct63

Mar57_ 1«M«r56

3iMtrto18JUI63

31Mar6518Jul63

31Marto18JU163

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(Mar57)*Pac68 *Dac66

18Mar56*Dac68

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29Jun7l 29Jun?1

REXI -2ammTAKE THE A TR AIWPERDIDOTAKE THE A TRAINAFRO-BOSSA PIANO SWATI01L

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the*e fro* RIBA with solo routins a Is BLOW BY BLCW- BON AMOUR on CBS 8865* (faded before breakdown)tut actually used for telecast

(containai SILK LACE/TKRESy>/SHffT SHEET CLUSTER .rÿ.trs.l/ÿOÿlC*W)fe

(in OEMS, on original fils, as by "Terry and Spaet»en")ms "mnarai ITAJM (FOP HE S A JOLLY POOP rEllQf) -7

■ DCTS souvenir EP prsssntsd at ths TDES 198* Ccnferwnoe

NYCWLondon

NYC

National StudiosColumbia StudiosBBC-TV recording

Pins StudiosVElL/VOÿUPre/ABSINTHE/MOONBOW/PURPLE GAZELLE/ ATRO BOSSA/ANCU)

IPT)( LAUNCHING PAD)

(sisundsrstod in Tisnsr as "Taj Mahal")i

Chicago

ChioagoNYC

Universal Studios

Universal StudiosAIR Studios

10ABCD

ErGK

GIGL (CIOCLEXCXOaiHG RAPIDS) -12 part of THE RIVER suitsSOPHISTICATED LADY -15SHORT SHEET CLUSTER -10CQPA II

(this is Pros ths ausio for

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A MEDIUM BLUESTOOTIE FOR

(ths titlsTOTO -3*

sÿDEÿwiglnal Tilssÿas MM in*Mercerÿs listing* COOTIE rRUITl)

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NYC

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Univsrsal StudiosNational Studios

RCA Studios

11ABCDEPQBIJ

15May63■wm

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Universal Studiosaaaa

National Studios

a) INTRO,b) JAZZ WALTS«) INTERLUDCd) SUGAR HIU, reNTHOUSE

«nmmmWE BLUES (no)

12A 1May62 JAM WITH SAM as fro* Karachi. Pakistan. 1) ■ Fantasy P-9636 NYC AIR StudiosB M m CARAVAN M m a aC 2fab71 6May71 THE BLUES fro* BLACK ] BROWN AND KIC£ partly on bo no,11 NYC National StudioaD J2Z1 1Pab71 1Pab71 ROCKS IN MY BJ® wli ■ as on bo no,26 w a

e Junto Duka talking about *Hood Indigo" fro* interview Tokyo fro* bop 1965 16May65 18May65 MOOD INDIGO Chicago Universal StudiosG e, 19ÿ V5ap57 STARTING WITH YOU I'M THROUGH NYC 7H • N pftUET 9F RC6ES N m a m

I m M UNTITLED NUMBER » (aa DIGITS) m a aJ m m A MEDIUM BLUES • (aa EARLY MORNING ROCK,) " a a

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14A 7Jan70 7Jan70B mC N mD 26Jun7l 20Jun71E m wP m mG 2Vun52(! 24Jun50 ?4jun30H M tt ■

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D (nMay70) 11May70 11May70E (25May70) 25May70 25May70F HMay70 UMayTO UMayTOG (25Msy?o) 25May70 25May70M (HMay70) HMay70 11May70I ggsyZO 25*ey70J 13Jun70 1Von70 15Jun70

1«A 25May70B (HMay70) 1lMay70 11May70C 25May70 25May?0 25May70D 6Jun70 8Jun70 6Jun70E M ( " ) ■

F 3Jun70 3Jun70G N H

H (l1May70) HMay70I 3Jun70 3Jun70J m (VunTO) a-K 1*Jun70 l5Jun70 15Jun70L t» a

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Page 5TAM PE A *A» -irtfUd) |Billy Moore tuning the story about "Taka the A Train*TAKE THE A TRAIN -3 1MaroerÿtelklngjjiboutJXjksBilly HQQP# talking About Duke and Billy StrayhomPORTRAIT fOR PEA 1Mercer talking about hike and BillyToons FCW COOTIE (no)LUSH line, (P/» by 88)PASSION FLCWERJAM WITH SAMSOPHISTICATED LADYSATIH DaL (short)

froaÿasifÿStreeÿEejÿ

NIC |RCA StudiosCopenhagenMIC |RCA StudiosCopenhagen

aNYC |RCA StudiosCopenhagenme NMEM-FM be

TIPPYTOPNO TW0U(* TOE JUNGLE GAR DEWTHE KISSING )gSTROCOCHETWIS -}(brkd)/-6YOYO (NAURELLEHENT) -7TCG£ -rehaarsal/-$IN A MELLOTOHS -2HAPPY »£u»I2L -2

on be «» 1'ias (SOUL SOOTHIHg BEACH) fr« I9°9 Wtttmm m

lster known ss LIMBO JAZZ " * *in DEMS files t Mercer's listing ss 2*Jun30 4JeJO. ii

Lss Vegaa T Studios—r*— —a—

NYC

Shtew

Rational Studios

Universal Studios

JEEP*S BLUESGOT NOBODY *NQiBUTTER A HD 5ER) -1ÿBLUE ROSEBLOUSORS HOIRSKWUT CFUWK) ?JUST SQUEEZE ME -16MOOD INDIGO -20IN A SENTIMENTAL MOOD -19TOtMTarwra "

NYC AIR Studios

National Studios

[Yea IMPRESSIONS FRCM THE fAR EAST (TAR EAST SUITE)TAKE THE A TRAIN (thene)(nc)AMADAGRABLUEBIRD Of DEHIIDEPKISFAHAN ($L[)THINGS AIITT WHAT THEY USED TO BETHE BANQUET SCENESKILLIPOOPMOHOloqjE (PRETTY AND THE WOLT)

ms.(This Carnegie Hall recording is badly sffeotsd by distortion - or, as ths Danish ccputs it, "not technically psrfaot")

NYC Sicfliitf Kill

ca ?f ma&

lentator

i—rTHE FOLLOWING TWO BROADCASTS PRESENT MUSIC FOR "THE RIVER". A BALLET SUITETha Danish eoMentator points out thara is eonsidsrsbls difficulties sorting out the unidentified tspe recordings toaatoh with correct titles. There is a piano version (UMayTO) whioh, for instance* has 7 titles but only 6 numbers,On the orehestre version are several titles different* and the order of tunes pertly different,

THE GIGGLING RAPIDS (OIOQLEXORAP) -10THE SPRING -rehearaal/-1 |£_S2ii (»>ctrs piano line dubbed in)

BOBS-** * " P Unfi rtvi HMJTHE RUN (MARCHE RUN)(theae fro* THE QUEEN'S GUARD) p solo

pÿsoloil'llitakenly as JJJEÿUEÿEorchestra

THE RUN -16THE LAKE -rehearsal/-?THE MEANDER -20THE GIGGllNG RAPIDSTHE GIOaiNG RAPIDS -29THE GIGGLING HAPIES -20

THE SPRING -2Ag»«>a»

THE LAKE -21THE FALLS -2fLUTE -10VCRTEX (THE WHIRLPOOL) -9THE RIVERTRIBÿ)(MAINSTHEAM) -5THE NEQ-HIP-HOT COOL-KIPDIES-COIIUNXTY

■ as on bo no,10

corrected in ba no,10)I

p solo, on tap# sheet as KG BUBBLE COMINGorchestra ]

" * in Mercer's listing main title as WAP|« as on be no.17

p solo. In the naterial as ROMANTIC ENCOUNTER.orchastrs |• (turn i, no pl.no rmlon of thl, tltl,)* (flntlly not Include «» I THE MVEH Port)

(tn.,0 fro. TAfTT TWIST)■

____- . . . - ----- P soloS1UD (THE NEO-HIP-HOT COOL-KIDPIES-COMMUNITY) «/l4 orohastrs as in bo no.06THE YILIACE Of THE VIRGINS (VIVl) -1 "IHE MOTHER , HER MAJESTY THE SEA -7 "

|orchestra (aMtÿÿthaiieasTHESWINO)TDCMSI There are several irregularities in Meroar's listing* a nsjor one being the presentation of the eontenas MUSIC rCR "THE LAKE", A BALLET SUITE)

MYCm

ChicagoMYCChicagoMYCChicagoMYCChleagoMYCChicagoMYCCbloagoMYC

National Studiosm

Universal StudiosRational StudiosUniversal StudiosNational StudiosUniversal StudiosNational StudiosUniverse! StudiosNational StudiosUniversal StudiosNational StudiosUniversal StudiosNational Studios

EOOO -6(brkd)8000AMT A -5THE r.L

MQ.2 -4TAKE IT SLOT -2TEL STAR -0LIKE LATE -6MAJOR -5MINOR -7£-2

erroneously ss KIXX (TRAFFIC JAM)(THE BIGGEST AMD BUSIEST,,ss on bo no.35

(THE LITTLE PURPLE FLOWER)in DE16 files and Mercer's listing as BLUE TOO

" TUNE UP

• as on bo no,35

MYC

MYC

seas as TIGRESS

on tape sheet as "G" FOR GROOVE(In DEMS files and Mercer a listing ss "M,G*"f however notthe saae as "i,G," recorded on 1?Apr69 - see be no.5)

RCA Studios

AIR Studios

THF QUEEN (HER MAJESTY) -1/-3Duke talking >bout THE JAYWALKER.MAC (T.Q.T.T.) -2(brkd)/-3POLICIA -1UNTITLED BLUESnm

\SimWMLWILfrom t CBC interview during an interaission

froa THE JAY WALKER

THAT SCENE (LOVE SCENE )(MAKI MG THAT SCENE)-!,RHYTHM SECTION BLUE&™1 I- KG FAT ALICE BLUES with rhytha section onlyHARD (MENDOZA) -2*fbrkdV-34 (erroneously on be es HARD WAY | Pablo (MENDOZA) -40

(to add to ths confusion Pablo gives a falsa date)(HARD is not HARD MAY)MI XT (BALLAD) -26 |JUST A-SETTIN' AND A«ROCKIN# -42(brkd)/-42

MYCMYCMYC

MYC

MYC

RCA StudiosRAINBOW GRILLRCA Studios•

mFins Studios

National Studios

DEHS BULLETIN 86/2 Page 621A Jan/r*b57 Feb57 fab57 JUMP FOR JOT I Chicago Universal Studios

B N N a TAKE WE A &AIN I ' « «

C « m a THIN® AIN'T WAT THEY USED TO EE N N

0 198* Marcar talking about Duka and Paul Gonsalves Copmnha senE JanÿFehÿ? fab57 fab57 PERDIDO 1 Chioago Universal Studiosf tt Jan57 MOON MIST Ion original listing erroneously as CHELSEA BRIDGE m **0 19M«T56/57 19Mer57 19Har56 mss LUCY on box as_J2!S£2Si 1 ?H " a a PRELUDE TO A KISS 1 w «

(Aaslandi Can it be establishad the recording took plaoe in Mew York the year is 1957, if in Chicago the year is 1956 I )I 16JU163 1SJul63 1BJU163 UNTITLED SONG in Meroer's listing as ORIGINAL NYC AIR StudiosJ 6Jun<a2 6Jun62 6Jun62 COTTON TAIL -5(brkd)/-6(rehearsal)/-? NYC Bell StudiosK 196* Merotr talking about TATTY WIST used for THE RIVER Copenhagen IL (6Jun62) 6Jun62 TATTY JWJST • MJ'.D. G*RS2536-A NYC Bell Studios

I ..

72k 6Jun62 6Jun62 HY'A SUE NYC Bell StudiosB i1Julb3 11Jul63 RCNDOIET -» \m the ooaplete take in thÿ/TV docuaentery 79n Road With QCN NYC RCA Studios

imii is UCOCH T»OT. UEOIK nas a raiaa aate ana taxeAAiso see nuxo*/‘*-cj

C • a mcH (TROPICAL PEUQHTXACHT O'CLOCX POCKXOCT o'cioac ROCK) « N

D n a LADY (LADY BABY) n tt

E « a LELE (LILI)(NI®T SWEET) ft tt

T Apr57 Apr36 WHERE'S THE MUSJf - Pentape 600, Enigma 1032, Dr. Jazs TW-*0030 Chioago Universal StudiosG P a PLAY THE BLUES AND 00 HOME . m n * m

H I7»ar57 l7Mar56 TEA TCP TWO on tape box as 3Jan56. discographies as 1fl>ar57 m »»UasiandT ?Janx> west ca a raise data;

I a a UNTITLED BLUES (c. 11') in DE» file* as BLUES, PART 1 t 2 (11#10) ft «•

ilk laz2. 1*Nov56 I TAKE THE A TRAIN Munich from concertB 196* I Meroer talkirw about his donation to Radio Denmark Copenhagen IC NQT56

1?701*Nov56 BLACK AND TAN FANTASY / CREOLE LOVE CALL (interrupted) Munich from ooncert

D l7Mar70 ! DE interview - part Toronto from CJRT-FM boE 16755 1*Nov56 CREOLE LOVE CALL (concluded) / WE iOOCHE (interrupted) Munioh from concertr 1970 17Mar?0 PE interview - part Toronto from CJRT-FM be0 No7% 1*Mov56 THE MOOOiFTconcluded) Munich from concertH 17JUr70 DE intarviaw - parts Toronto from CJRT-ÿM boI 1*Nev56 NEWPORT Up {no) Munich from concertJ 1970 17Mar70 DE intarviaw - part Toronto from CJRT-FM beK Nov56 1*Nov56 SOPHISTICATED LADY Munich from oonoert-1—*

2* A 25©et73 TAKE WE A WAIN MalmS from ooncertB 1970 1711ar70 DE talking about negativity Toronto from CJRT-FM boC 196* Meroer talking about DE Copenhagen 1D 1CMar70 1(Mar70 RIBA -tt

DC on politiesfrom THE RIVER • as on be no.06 NYC National Studios 1

E Jaji72 Japan from be 1F 1969 3Apa69 3-*Apr69 KINDA DUKISH - ROCKIN' IN RHYWM - as on bo no.*0(KINDA DUKISH) MYC National Studios |G Feb70? Britain? 1H "or56

m1*Hov56 JEEP'S BLUES Munich from concert I

I a DC introducing BS / TAKE WE A WAIN (thane) tt ■

J l3Apr53 PASSION FLOWER (interrupted) ■ from Capitol recording Hollywood Capitol StudiosK (1962) Mar62 DE/8S intarviaw - part Los Angeles from beL Bov58

7ÿ2)1*Nov56 MEDLEY - pert Munioh [from concert

M Mar62 DE/BS interview - ctd. Los Angeles from bon ■ a TAKE WE A WAIN DE/BS on one piano tt • 1

(following the closing of the scheduled Radio Danmark broadcast and ooming quit* unexpectedly)! 10 ;1*Nov50 DIMINUENDO AND CRESCENDO IN BLUE | Munioh from oonoert 1

Tha following ara unissuaÿY FEOPLE recordings. all said to be from Auguat 1963. In OEMS original listing all recordings areand 26 August 1963. Furth

assembled as aide 1on "27k\igb) and early September", bjar Hoersmit naa tna following spacifiad aatea mentioned o er resurch needed 1 1

25A Aug6)w

sea abort PIANO BLUES OVERTURE Chioago Universal StudiosB P BLUES AT SUNDOWN M «

C P a MY HERITAGE (MY MOWER, « FATHER) -1/-insert tt »

DE

P

P

P

PKING -1(nc)/-2THE BLUES AIN** from BLACK, BRCMN AND BEIGE

tt

mtt•1

r ■ a JUNGLE WlANGli w) later used as part of TI WON OF AWENS as SKILUPOOP tt N

0 m a WE PURPLE PEOPLE (narration) -12 m tt

M ■ a THE PURPLE PEOPLE (bend background)-3 ft N

I m a WALKIN' AND S1NGIN' THE BLUES « «

J 196* Meroer talking about MY PEOPLE N M

K Aug63 saa above SWAN® rtEHNO from THE PERFUME SUITE « tt

L M a AFTER BIRD JUN&E -* tt

26A •uyab71 1feb7l 1fab7l ROCKS IN MY BED -11 ■ as in be no.12 NYC National StudiosB « a a LOVE YOU MADLY -37 M N

C P P a LOCKING rCR MY MAN -36 or -39 m tt

DE

3Pab712irab66

TOCE90ME EASTCT from Scored Concert

ft

Englandtt

r w a m II tt

G P a WEST INDIAN PANCAKE m tt N

H P a LA PLUS BELLE AFRICAINE m t> tt

I Jun6* Jun6* Unidentified CAD UB ON NIPPON. Pt.3J p aolo

27A 3Jul62 3Jul62 3Jul62-1

THE FEELING CT JAZZ -6/-2( insert) MJ’.D. NYC Bell StudiosB 29Nar62 29Ear62 29Her62 THINGS AIN'T WAT THEY USED TO BE -1 NYC AIR StudiosC H a I GOT IT BAD -2 N M

D » a a BLUES (JAW ON f) -2 on DEM5' L Meroer's listings t on tape box incorrectly as C JAM BLUES M

E 29«ar66 2SHar66 29Mar66 VELDT-AMOR -3 NYC RCA Studiosr I5kax67 15Mar67 NO.3 -* M

GH

"n

aa

NO.5 -intro.rehearsal$/-l/r?(NOT la

ykd)/-3(brkd) later known as FIRST BASS *•ft

1,

tt

Z . a HoX -1 to -6 (LUCY) « •*

2SA *Aprt>725A prÿ

*Apr67 *Apr67 I'M HIP, TOO NYC RCA StudiosB 25*pr69 Background short portions for the feature fils CHANGE OF MIND -1.-2,-* 5.-6,-10,-11 NYC National StudiosC P a N « H N M m n m m m ,-17,-16,-19. II *D w a * • m m - • • m m m ,-13,-20 tt •Er

N

2*May6225Apr69 a

2*Way62NEO-CREOLE (el-piano) "FLIRTIBIRD -J

m m m • m mfrom * • ANATOMY Of A MURDER 4 M.F.D.

m

NYC«

Bell StudiosG m a SVADJ -1 - M.F.D. G*RS2536-© tt «

H m 2AMay69 25*ay69 WE FEELING CT JAZZ -3 p/voc version « as on bo no, 57 NYC Bell StudiosI : War67 KMar67 MEDITATION trip pjaÿiÿs ftrit see MINI, page 1*5 PariaJ j P a Thewt from Sacred Concert (T.G.T.T,) * * " * I m II

X ( a LITTLE PURPLE FLOWER I M m m m m ft

L 2?Nov66 23Rov68 23Hov66 I CAN'T <TT STARTED -1/-2/-3 I NYC National Studios

*) ADDITION i "Jungle Triarttle" just identified »* - M.F.D. GARS-2556E.

DEMS BULLETIN 86/2 Page 729 Jol50 Uun50 1 MET A GUY -A Johnny Hodnos t his All Star Orehastra

(Personnel i HI, OJ. JH JHtn, Otto PrankaKo), Chr. Jansan(b), BBldTha balance of broadcast of no intsrast for this listing

(erroneously on be ss SO) jf ganKavp(voc))

” 2Vul70N

23Jul70a

23Jul70a

PORTRAIT CT LOUIS ARMSTRONG 1 frov NEW ORLEANS SUITESECOND LINE | •

Tha balance of broadcast of no interest for this listing•

Milana

Fontana Studiosa

52ABCDlroH

1JK

LI

3*BCDEroHI

31A 6NOV68 iiNov6a 6NOV66B a a 1*

C a a aD m a a

B a a a

F Nov6« Nov6eG a ■H ADeoÿfi. %Dev66 ADee6eZ 6Nerr6fl 6Nov6eJ a 11Nov66 6NOV68K a a a

L APQC68 *Deo66 4Deo60M 6NOV66 11NOV68 6Nov66

N 23NW68 23Nov66

Ih« foilovineshoving point:Mvrovr listin

sol notions indioatvd (|) aro recordings for ths sound trsok of tho fil* RACING WORLD, s X f doousvnttry

____ings and sketches of rsceooorses by Dogas, Forain, Dufy and others. Tho fils vas novor roloasod. In tho

stings tho naterial is prosontod under tho hoadirg "THE DEGAS SUITE or THE IMPRSSSIOKISB AT BE RAC£lEACK"iCl) RACE >36 (PG)(S) A.C.(») OPENING TITLE(1) RACE (JH)(1) RACE -l/-3 (DE/JCvn/Rj)(I) RACE 36 (tfjj(I) PROMENADE (RED CIRCLE) -38(S) COPA II (DC H£

various indopondont piooos of ansi*

(£fl)

"There is ono taho only"

(6) DAILY DOUBLE(5)

as on bo so.10as on bo no,01

as on bo no,10

Stookholn,IMPROVISATION -6C?brkd)/ÿl/ÿ2 (later inoluded in THE RIVER as THE Ml)" Tsaae IheaT as TOE QUEElrS GUARD played during a TV rohoarsai intorsAssion in

arabbb. but on bo as part of a stookhols conoart in 1965) |(1) RACE -rahaar**!»/-? "TS&TS5 as on bo no,32A

NYC National Studios

(23Nov68)6Rov6e

9Dac?0

11NCT68

29NOV6823NOV68

9Dac70

23Nov666Nov66

N

a

29«ov6825NOV68

9Dac70

(I) RACE -7 (HC HA)(S) RACE -3<brkd)/-4(I) RACE ~5 (fiP?(§) PASTEL ~l6 (£G)(S) DRAWINGS -59 (fl(») ESiS -23 C(§) OPENING TITLE(1) PI ARO PASTEL

:TPO£)

wc)

/lJu Hi !

RKVA -227(nc)/-23/-26UNTITLED BLUES (JUVUST A LITTLE JIVE) -16(rehearsal)/-17 (JH)

m as on bo no.51

as on bo no,31

(interin titlo) -rohoarsal/-19 (thasa lotar included ip THE TOGO BRAVA SUITE)(possibly tta sano as tho titlo RIVERBOAT in soroors listing)

BIC LUY -12 (*BD BNood) | ISANS SlfYPHELLC -* HE)

NYCaaaa

National Studios

290oo66a

2QDac66aa

28Dee66

I*M JUST A LUCKY SO-AND-SOBLUES AT SUNDOWN -8THE LONELY ONESMEDITATION (PIANO TRACK) (P solo) — /

M BEGINNING TO SEE THE LI«T -2Cbrkd)/jÿT'> /CTT/-5(brkd)/-AM

o_"5e related with BUNDLE Of BLUES)81TO -HarkdV-ifalsoly on be olein*

NOS AIM*T IT -ACOTTON HEAD -rahaarsals/-2LAST TIME AROUND -3

Ion taoo box falsaly as COTTON TAIL)

NYCaa

NYC

RCA Studios

RCA Studios

5*ABCDEP0HIJKLMM0

l7Var70l3Sep62

Jan/F#b57w

1962IBPtS21Jan65

N

5oot72a

2»oct73a

13Stp62

23Jun6718Aug66

a

17Mar7013Sap62

Jan57a

26Jun62?16Fab6421Jan651xApr662Von6718Aog66

a

3oet72a

24oct73a

35A 1»ar67 15Mar67

B a aC AAprfe7 AApr6? AApr67

D 2Vun67E N a

F TG 2Vun67 2Vun67H A_Apr67 4Apr67 4Apr67I a a aJ 23Jun67 23Jun67 23Jun67K •• a a

L a 30Aug67

36A AApr67 AApr67B 23Mar67C Sep85 1985

D m lFab63E Mar62F Mtr65 I7iar65 17Mar65G AUKT? 25Aug72H w aI a aJ m aK m aL a a

M a a1 a ft

Duka talking on unralaasad satarlalNEW CONCERTO FOR CQCTIE ITHE C JAM BLUES -5IN A SENTIMENTAL ROOD |Madlayi MY HEART SINGS / MON HOMME (fC MAN) / HQ RECREISDuka talking about The BasilasI WANT TO HOLD YOUR HAND -Q ittako -8 on Rapriso ELLINGTON *66")CHROMATIC LOVE ATFAIRTP solo)CHROMATIC LOVE ATFAIR -1 0£)MELLON DITTY -5CIRCUS IP A IN -5CHINOISERIE -1AC-AC -1TELL ME IT'S THE TRUTHSOMEBODY CARES

fro* intorviov

also soo DOCS*/3-10fro* intorviov

fro* intorviov

not rolatod vith MELLODITTI frov "A Tonal Group?saaa as THE OLD CIRCUS TRAIN TURN-AROUND BLUESfrov THE AFRO-EURASIAN ECLIPSE

frov Saorod Conoort

'61L In wio dyrlng latter part)

frov rohoarsai

TorontoNYCChieago

aNYC7BristolNYC

frov CJRT-fM beRCA StudiosUniversal Studios

M

Colunbia Studios?frov BBC bo7

Cincinnati UniversityL*A* RCA StudiosNYC RCA Studiosa H

NYC Mediasound Studioa a

London Westvinster Abbeya a

B0,1 -rehe»rsal/-2(nc)

NO,3 -breakdown/-2BARB -1

asÿfna Ilff SPUYHj**#S nJT* lat*r

also PXX. TRATTIC JAM and THE BIGGEST AND BJSIESI INTER?

SSAMP OOP -5am mwHarry Carney on early days in BostonBLOOD COUNT -1EGG2.-7THE LITTLE PURPLE TLOVER -3UP JUMP -ARUE BLEUNY LITTLE BRÿN BOOM

EOOO -7(nc)TRATTIC EXTENSION (vc)

in Mercer's listir« as PURPLE FLOWER

[NYC.a

NYC

A,

frov intorviov

• as on bo no,19a ss on bo no,19

■ RCA NL-89166

this tako -7 is oovploto OR broadcasts no.19 and no.39from THE JATWALXER

ASPHALT JUNGLE (portion)Duko talking - partAMAD -1MELANCHOLIA (p solo)

oovplato on Atlantio SD2-304

frov THE FAR EAST SUITEMELANCHOLIA jp Solo;UNIDENTineb n¥Lt( (p/dnms. a fav bars)

(p sol0ÿ frov THE QUEEN SUITE

I DIDN'T KNOW ABOUT YOU (SEN!NEW AORLD A-CnglN* (p solo)NEW KQRLP A-ÿmnir LpLOTUS BLOSSOM (nc) (p solo)

frov BBtB

iTIMENTAL LADY) -3(p solo/brkd)M(p/voc)save aa partly uaad on bo no.01

tato Fair)issuodfrov intorviov■ as on be no.36

TL.A.NYC

a

L*A,a

NYC

NYCNYC

RCÿStudio_B

RCA Studio A

RCA Studios

RCA StudiosRCA Studios

•1

RCA Studiosa

RCA Studio A

RCA StudiosRCA Studios

ParisL.A.NYCNYC

dyvpia Thaatrofrov boTint StudiosMediasound Studios

DEMS BULLETIN 66/2 P*g« 877k 24May62 25May62 BLACK AND TAN T ANT AST -l(brkd) erroneously u Coluabi* Studio B NYC Bell Studios

B a •* BLACK AND TAN FANTASY -3 m M.F.D, 04RS2536-A a a

C a a BOO-PAH -l(brkd)/-2 a a

D a 24May62 a <J)NE MORE TVVIS} a

E " a a THE FEELING OP JAZZ -3 D/YQC version-a<brtd)/-Xÿkt)

• as on bo no.28 w a

r 3Jul62 3Jul62 Vul62 THE FEELING OP JAZZ -Kbrkd)/ a a

Q *» a a THE FEELING OT JAZZ -4 saae as SLOW RHYTHM on be no.04 a a

H a a DRINKING AGAIN unknown vocal iat. possibly Johnny Ray a a

I 2kUiy62 24lt*y62 FLIRTIBIRD -X froa ANATCMY OF A MURDER • K.F.D. G4RS2336-P a a

J a N $MADÿ -lr ■ as on be no.28 a MJ’.D, 04RS2536-0 a a

K a N WHAT AM I HERE FCR 7 -2 a Mÿ#D. G4RS233G-P a a

L ?3Jun6? 23Jun67 THE SHEPHERD WO WATCHES OVER THE NIGHT FLOCK -2 erroneously ss L.A. RCA StudiosM M a SALOIg -1 If a

36k 16Jul66 18Jul66 DON JUAN -rthurwl NYC 7 Studios8 M THE SHEPHEARD -1 BLUES) a a

tTSSXtay F-9462C 17M*r65 l7Mar65 17Mar65 COUNTER (BANQUET SCENE) -5 froa Tiaon Of Athens NYC Fine StudiosD a a H PASS-OUT BLUES in Maroer's listli* as ST. LOUIS BLUES (Pass Out Blues) a a

K a a H SKILLIPOOP {-2 or -3) a a

r M*T65 M a AMAD -1 froa THE FAR EAST SUITE a ss on bo ao.36 a a

0 a M a MONOLOGUE -1 a a

H 4Mar63a

4Nar65 TOOTIE r<* COOTIE (FADE UP) a Reprise 6ie> a a

I 4War65 a XV OPSM* seat as on bo so,03 a • a a

/ 7 Unidentified (DE JUb SWrd) Hoefsalt/Aasland J This kind of "cocktail piano" playing 7 7K 1 is hardly executed by Duke Ellington! T 7l 17Ptb71T TAM (]£) froa THE AFRO-CUR ASIAN ECLIPSE NYCT National Studios?H 24Mey62 2kU*y62 TAKE THE A TRAIN -1 a M*T.D, 04RS2536-A NYC Bell Studios8 a 291*762 GOIN# TISHING -3 froa ANATOMY OF A MURDER • M»F,D. G4RS2S36-C a a

39A BMar73 Jaaaiea Montego Bay3 9Dec?0 9Dec70 9D«c70 RÿTJI. -2 NYC National StudiosC 11D*c70 HDec70 11D*C70 NAIDHI REMUS (INDIAN SUMMER) -2 a a

D ** a a HARD -6RIDDLE -21

based on IN A BLUE SUMMER GARDEN - BLUE TO BE THERE. a a

E i7Teb7i 16F*b71 a a

r gir69If

9*«r69 THE MOOCHE froa concert Stanfor University.G it ALCIBIADES (TIMOR Of ATHENS MARCH) fro« concert a

H lDec73 lDec73 I'M BEGINNING TO SEE THE LIGHT (pertly - as background for eoaaentaries) froa 2nd concert Eastbourne, Congress TheatreI a a BLEU

CHINOISERIE,t « if a

J a a froa THE AFRQ-EURASUN ECLIPSE. m a a

K a ft I CAN'T GET STARTED m a N

L a ft BASIN STREET BLUES M a a

M a ft HELLO. DOLLY t (nc) ft a a

1 m ft THE C JAM BLUES (nc) m a a

4QA Spring73 DE interview - part Toronto froa beB 4Deo68 4D*C66 CRTSEAB

SOSO (WOODS) -rehear*al/-22NYC National Studios

C 29Jun71 29Jun?1 a a

D Spring73 DE interview - part Toronto froa beK >ÿ69. 3Apr69 I LOVE MY LOVIN' LOVER -5 NYC National Studiosf m 4Apr69 a a

Q a 3Apr69 * ROCKIN' IN RHYTHM -11ALL TOO SOON -27(brkdV-28

a a

H 17T#b71 l5Jun70 a a

I a iep*b71 RIDDLE -22 a a

J N 7 UNIDENTIFIED TITLE 7 7K N 15J«rt70 SOME SUMMER FUN -36 erroneously es ORGASM a Pablo 2310-787 NYC National StudiosL 27Apr7l

a27Apr?1 FANFARE -27(brkd) fr9a THE GOUTELAS SUITE m a

M a FANFARE -28 M .Pablo 2310-762 w a

K m a HICK -31 instrumental rook-version of NEW YORK. NEW YCRX a a

0 T*b73 DE talking about the Sacred Conoerts froa Utenriew New ZealandP 24oct73 24oct73 PRAISE OOD AND DANCE. London Westainster Abbey

0 ■ a IN THE BEGINNING QC© m ’

AA.C. (VARIOUS PIECES) ......31BA.G• (A.C.)(RACIMG) »• « U1E 311AC-AC 34MACTION IN ALEXANDRIA (ORIGINAL) 07KAD LIB ON NIPPON 04CAD LIB ON NIPPON PT.3 261AFRIQUE (TOTO) 101AFKO-BOSSA PIANO SUMMATION 09FAFTER BIRD JUNGLE 25LAGRA 16CALCIBIADES (TIMON OF ATHENS MARCH)39GALL TOO SOON 40HAMAD...............16B 36F 38FAMTA 19CAPES AND PEACOCKS 051ASPHALT JUNGLE (PORTION) ......36D

BB.MOORE (ON "C JAM BLUES”) ... Q8BB.MOORE (ON "TAKE THE A TRAIN”) 13BB.MOORE (ON DUKE fi. BILLY) ... 13EB.MOORE COMMENTS 08D OBC OBJBAD WOMAN 11CBALLAD (MIXT) 20JBALLAD BY BILLY STRAYHORN (ELF) OIKBANQUET SCENE (COUNTER) ... ... 38CBANQUET SCENE (THE) 1611BASIN STREET BLUES 39LBASSHENT-RED CARPET-BASSMENT 06A 06BBBBB U1F 01G 01H HE IIP 11G 11H 111BBkB 11J 12C 36J ... (ALSO SEE 25E)BEIGE (BEIGE NO.2) ..HEBIG BUBBLE COMING (SEE "GIGGLING R.”)BIG FAT ALICE BLUES (RHYTHM SECT.)20HBIG LUV 32LBIGGEST AND BUSIEST ... (WARR) 35CBILLY STKAYhORN'S RIFF (MO.l) 35ABLACK BROWN AND BEIGE (SEE "BBfcB")BLACK (WORK SONG) OIF

BLACK AND TAN FANTASY ... 37A 37BBLACK AND TAN FANTASY / 23CBLOOD COUNT 35GBLOUSONS NOIRS 15EBLUE BLOOD ......(SEE "RUE BLEU”)BLUE MONK (MONK'S DREAM) 09HBLUE ROSE 15DBLUE TOO (NO.1J 19EBLUEBIRD OF DEHLI 16DBLUES ("JAM ON C”) 27DBLUES (THE) (FROM "BBBB”) 11J 12CBLUES AIN'T (FROM "MY PEOPLE") 25EBLUES AIN'T (THE) (P/VOC) ... 36JBLUES AT SUNDOWN .........25B 33BBLUES IMPROVISATION (SHORT) ... 06DBLUES TO BE THERE (HARD) 39DBON AMOUR (GUITAR AMOUR) ......09bBOO-DAK 37CBOQUET OF ROSES 12HBUTTER OWD OLEO 15C

cC JAM BLUES ... 02H 05A QoC 34C 39NCARAVAN 12BCARAVAN / IN DUPLICATE 06GCARNEGIE BLUES (INTERVAL) ... 06CCHANGE OF MIND (S/T) 28B 28C 2BD 2BECHELSEA BRIDGE 03CChINOISERIE 34LCHIhOISERIE 39JCHROMATIC LOVE AFFAIR ... 34H 341CIRCUS TRAIN 34KCOME EASTER 26ECONTRAPUNTAL RIPOSTE(SKE "KILLIAN'S")COPA II 10D 31HCORDON BLEU 08LCOTTON HEAD 33HCOTTON TAIL .....21JCOUNTER (BANQUET SCENE) ......38CCOUNTRY 32KCREOLE LOVE CALL / ......23C 23E

DDADDY'S BLUES (SEE "DISCONTENTED")DAILY DOUBLE 10E 31LDEGAS SUITE (THE)(SEE "RACING WORLD")DEPK ..16EDIGITS (UNTITLED BLUES) ......121DIMINUENDO AND CRESCENDO IN BLUE 240DISCONTENTED G6A 06BDO NOT DISTURB (SUCRIER VELOURS) OEMDON JUAN 38ADR. MARTIN LUTHER KING (SEE 10F)DRAG (THE) .........(SEE 11C)DRAGON BLUES 33FDRAWINGS (DE WC) 32EDRINKING AGAIN 37HDUAL HIGHWAY (SEE "SOMETHING SAXUAL")DUKE INTRODUCING BILLY STRAYHORN 241

E, FEARLY MORNING BLUES (MEDIUM BL.) 12JEGGO ............19A 19B 35H 36AELF (ISFAHAN)(BALLAD BY BS) OIK 16FELOS (ELOUSE) 10FELYSEE 08AEMANCIPATION CELEBRATION (YOUTH) 01HF.L. (THE) (LITTLE PURPLE FLOWER) 19DFADE UP (TOOTIE FOR COOTIE) 10H 38HFALLS (THE) .....18DFANFARE (FROM GOUTELAS SUITE) 40L 40MFEELING OF JAZZ (THE) 04D 27A 28HFEELING OF JAZZ (THE) 37E 37F 37GFELTBONE .......01BFIRST BASS (NO.5) 27GFLIRTIBIRD 28F 371FLUTE ...... 1BEFOR HE'S A JOLLY GOOD FELLOW ... 091FRERE MONK 071FUNK (KNUF) 15F

DEWS BULLETIN 86/2 Page 9

G, HG * 03DG ("G" FOR GROOVE) ... 19LGIGGLE (GIGGLING RAPIDS) ......10AGIGGLING KAPIDS (ORCH) ......171GIGGLING RAPIDS (PIANO) ......17HGIGGLING RAPIDS (GIGGLE)(GRAP) 17AGIGGLING RAPIDS (GRAP) ... OIJ 17JGIGL (GIGGLE)(GIGGLING RAPIDS) 10AGIRDLE HURDLE 35EGLEM 391GOIN * FISHING 38NGOT NOBODY NOW I5BGRACEFUL AWKWARDNESS (-EMANCIP.) OlHGRAP (GIGGLING RAPIDS) ......OIJGUITAR AMOUR ...............09BHAPPY BIRTHDAY (FOR BUSTER COOPER)40FHAPPY REUNION 14HHARD 39DHARD (MENDOZA) .. 201HARMONY IN HARLEM UDliC (ON EARLY DAYS IN BOSTON) ... 35FHELLO DOLLY1 39KHER MAJESTY (THE QUEEN) 2QAHICK (NEW YORK NEW YORK) ... 40NHY’A SUE 22A

II CAN'T GET STARTED ......28L 39KI DIDN'T KNOW ABOUT YOU (P/VOC) 36LI GOT IT BAD 27CI LET A SONG/DON'T GET AROUND 02FI LOVE MY LOVIN' LOVER ......40EI MET A GUY . 29I WANT TO HOLD YOUR HAND 34GI'M AFRAID (P/VOC) . 36KI'M BEGINNING TO SEE THE LIGHT 33EI'M BEGINNING TO SEE THE LIGHT 39HI'M HIP TOO ...............28AI'M JUST A LUCKY SO-AND-SO ... 33AIMBO (SEE "TEGO")IMPRESSIONISTS ..(SEE "RACING WORLD")IMPROVISATION ("RACING WORLD") 3IHIN A BLUE SUMMER GARDEN (HARD) 39DIN A tiELLOTONE . 14GIN A SENTIMENTAL MOOD ... 151 34DIN DUPLICATE 06GIN THE BEGINNING GOD . 40QINDIAN SUMMER (NAIDNI REMMUS) 39CINTERLUDE (FROM "BEIGE") ......11HINTERVIEW (ABOUT THE BEATLES) 34FINTERVIEW (CJKT) 23D 23F 23H 23J 24BINTERVIEW (DE/BS) ......24K 24HINTERVIEW (DUKE ON POLITICS) ... 24EINTERVIEW (FROM JAMAICA) ......39AINTERVIEW (FROM TORONTO) ... 40A 40DINTERVIEW (IN BRITAIN?) ......24GINTERVIEW (JUN-64) 02B 04B 04F 12EINTERVIEW (ON "MOOD INDIGO") ... 12EINTERVIEW (ON "QUEEN SUITE") ... 05BINTERVIEW (ON "THE JAY WALKER") 20BINTERVIEW (ON BILLY STRAYHORN) 07AINTERVIEW (ON SACRED CONCERTS) 400INTERVIEW (ON UNRELEASED MATERIAL)34AINTERVIEW - PART 36EINTERVIEWS "ARR/IMPROVISATION") 061INTIMACY OF THE BLUES (WO.l) ... 35AINTRO. (FROM "BEIGE") ......X1FISFAHAN (ELF) .........OIK 16PISLAND VIRGIN ......(SEE "TEGO")

J,K,LJAM WITH SAM .........12A 13K 16KJAY WALKER ......(SEE 20A-K 36B)JAZZ WALTZ (FROM "BEIGE") ... 11GJEEP'S BLUES 15A 24HJET STRIP (SEE "SHORT SHEET CLUSTER")JONES 16LJUMP FOR JOY 02E 2IAJUNGLE TRIANGLE 25FJUST A LITTLE JIVE (UNTITLED BL.) 32JJUST A-SETTIN' AND A-ROCKIN' ... 20KJUST SQUEEZE ME 15GKELUN'S LICK (KILLIAN'S LICK) 03EKILLIAN'S LICK 03EKINDA DUKISH 24FKING (KING FIT THE BATTLE ..) 03F’25DKISSING MIST (THE) .........14BKIXX (MISTAKENLY FOR "EGCO") ... 19AKIXX (WARR) 35CKNUF (FUNK) 15FLADY (LADY BABY)............ 22DLAKE (THE) 17FLAKE (THE) (ORCH) ... ... ... 18CLAST TIME AROUND ... ... ... ... 331LAUNCHING PAD (SEE "SHORT SHEET CL.")LELE 22KLIGHTNING BUGS AND FROGS ... ... 05DLIKE LATE ............... 191

LIMBO JAZZ*(TEGO) *** !!.......14PLITTLE PURPLE FLOWER (THE F.L.) 19D

LITTLE PURPLE FLOWER (THE) 28K 351LONELY ONES (THE) ... ... ... 33CLOOKING FOR MY MAN ... ... ... 26CLOTUS BLOSSOM ............ 36NLOVE SCENE (MAKING THAT SCENE) 20GLOVE YOU MADLY ... ... ... ... 26BLUCY (NO.6) ... ... .........271LUSH LIFE ......... ... ... 131

MM.G..........(ALSO SEE "G") 03DMAC (T.G.T.T.) ............ 20CMACK THE KNIFE ..04EMAIN STEM .........(SEE "RIBA")MAINSTREAM (THE RIVER) ......18GMAJOR 19JMAKING THAT LOVE SCENE 20GMARCH 19TH BLUES (TOTAL JAZZ) OILMARCHE RUN ......(SEE "THE RUN")MEANDER (BY MISTAKE FOR "LAKE") 17FMEANDER (THE) ...... 03HMEANDER (THE) (ORCH) ......17GMEANDER (THE) (PIANO) ......18fiMEDITATION 281MEDITATION (PIANO TRACK) ......33DMEDIUM BLUES (A)..10GMEDIUM BLUES (EARLY MORNING BL.) 12JMEDLEY 24LMELANCHOLIA 36GMELLOW DITTY 34JMENDOZA (HARD) 201MERCER (HIS DONATION TO DENMARK) 23BMERCER (ON "A SINGLE PETAL ...") 05GMERCER (ON "TAFFY TWIST") ... 21KMERCER (ON DUKE S. BILLY) 13GMERCER (ON DUKE) .........13D 24CMERCER TALKING ABOUT "MY PEOPLE" 25JMERCER TALKING ABOUT DE fa PG ... 21DMICK.......... 22CMIDRIFF .....07BMINOR . 19KMISS LUCY ... ......21GMIXT (BALLAD) ... ... ... ... 20JMOCKING BIRD AND THE SUNSET ... 05CMON HOMME (MY MAN) / ... ... 34EMONK'S DREAM (BLUE MONK) ... ... 07HMONK'S DREAM (MONK RECORDING) 07GMONOLOGUE ......... ... 16J 38GMOOCUE (THE) .........23E 23G 39FMOOD INDIGO ............12F 15HMOON MIST 21FMOTHER HER MAJESTY THE SEA (THE) 18KMRIS (M'KIS) ............... 14DMURAL FROM TWO PERSPECTIVES (A) 08KMY HEART SINGS / ... 34EMY HERITAGE 25CMY LITTLE BROWN BOOK ......... 35LMY MAN (MON HOMME) / ... ... 34EMY MOTHER MY FATHER 25CMY PEOPLE ... (SEE BROADCAST 25)MYNAH (SEE "BLUEBIRD OF DEHLI")MYSTERY TAPE (SEE BROADCAST 03F)

NAIDNI REMMUS (INDIAN SUMMER) 39CNATURELLEMENT (YOYO) 14ENEO-CREOLE 28ENEO-HIP-HOT COOL-KIDD. (ORCH) 181NEO-HIP-HOT COOL-KIDD. (PIANO) 18HNEO-HIP-HOT COOL-KIDDIES-.•• ... 06HNEW CONCERTO FOR COOTIE ... ... 34BNEW WORLD A-COMIN 1 ......01A 36HNEW YORK NEW YORK 06FNEW YORK NEW YORK (HICK) ... 40NNEWPORT UP 231NIGHT CREATURE (2ND MOV.) ... OilNIGHT CREATURE (THAD JONES STORY) 36CNIGHT SWEET 22ENO REGRETS 34ENO.l (BLUE TOO) 19ENO.1 (INTIMACY OF THE BLUES) ... 35ANO.2 (TUNE UP) 19FNO.3 27P 35BNO.4 . 27HNO.5 (FIRST BASS) 27CNO.6 (LUCY) 271NORTHERN LIGHTS 05FNOT A PORTRAIT OF COUNT BASIE 07JNOW AIN'T IT 33G

0OCT O’CLOCK ROCK . 22COLD CIRCUS TRAIN TURN-AROUND BL. 34KONE MORE TWIST ... .........37DOPENER (THE) 03B 381OPENING TITLE ("RACING WORLD")31C 32GORGASM (SEE "SOME SUMMER FUN") 40KORIGINAL (ACTION IN ALEXANDRIA) 07KORIGINAL (UNTITLED SONG) ......211ORTSEAM 40B

PP.O.E. NO.4 (-MARCH 19TH BLUES) OILPASS-OUT BLUES ... ... ... ... 38DPASSION FLOWER .........13J 24JPASSION FLOWER (BS fa SMALL GROUP) 07CPASTEL (PG) ... ... ... ... ... 32DPEKE.................. ... 26DPERDIDO ... ............09D 21EPIANISTS IN PARIS (SEE 281 28J 28K)PIANO BLUES OVERTURE 25APIANO PASTEL 32HPIANO PLAYER (NOT A PORTRAIT ...) 07JPIANO SOLO (A MURAL FROM TWO ,..) 08KPIANO TRACK (MEDITATION) ... ... 33DPLAY THE MUSIC AND GO HOME ... 22GPLUS BELLE AFRICAINE (LA) ... 26HPOLIClA 20DPORTRAIT FOR PEA 13FPORTRAIT OF LOUIS ARMSTRONG ... 30BPRAISE GOD AND DANCE..40PPRAT (HC)...32FPRELUDE TO A KISS 21HPRETTY AND THE WOLF (MONOLOGUE) 16JPROMENADE (RED CIRCLE) ......31GPROWLING CAT (THE) 09HPURPLE ONION(SE£ "LITTLE PURPLE FL.")PURPLE PEOPLE (THE) ......25G 25H

0, RQUEEN (THE) (HER MAJESTY) ... 20AQUEENS GUARD (SEE "IMPROVISATION")31M.....39BRACE -5 01DRACE (DE/JCMN/RJ) 31ERACE (HC HA) 31N 32ARACE (JH) ............... 310RACE (JH) -46 31FRACE (P SOLO) ..32BRACE (PG) .... 31ARACE (RP) ............... 32CRACE -56 ............ 01C 31ARACING (A.G.)(A.C.) ... ... 01E 311RACING WORLD (SEE 31A-N I 32A-H)RED CIRCLE (PROMENADE) ......31GREVA 321REXT............. 09ARHYTHM SECTION BLUES ......20HRIBA ............(ALSO SEE 09A)RIBA (THE RIVER) ......081 18G 24DRIDDLE ...............39E 401RIVER (THE) ......(SEE 17 fa 18)RIVER (THE) (RIBA)(MAINSTREAM) 18GRIVERBOAT (SEE "COUNTRY") ... 32KROCKIN' IN RHYTHM ......24F 40GROCKS IN MY BED .........12D 26AROCOCHET 14CROD LA ROQUE 20FRONDOLET........ 22BRUBBER BOTTOM 07FRUE BLEU 35KRUN (THE) (ORCH) 17ERUN (THE) (PIANO) 17DRUN (THE) (SEE "IMPROVISATION") 31M

sSALOME ......37MSANS SNYPUELLE 32MSATIN DOLL (CLSNG, THEME) ... 13MSCRATCHIN' THE SURFACE ......06ESECOND LINE ..30CSERENADE TO SWEDEN 11BSHEPHERD (THE) .........37L 38BSHORT SHEET CLUSTER ......09G IOCSINGLE PETAL OF A ROSE (A) ... 05HSKILLIPOOP .........161 25F 38ESLOW RHYTHM (FEELING OF JAZZ) 37GSLOW RHYTHM (FEELING OF JAZZ) 04D 37GSMADA 28G 37JSOFT 18LSOME SUMMER FUN 40KSOMEBODY CARES 340SOMETHING SAXUAL ............ 02GSONNET (FROM "RACING WORLD") ... 31KSOPHISTICATED LADY ... 10B 13L 23KSOSO (WOODS) ............ ... 40CSOUL CALL 06KSOUL SOOTHING BEACH (MRIS) ... 14DSPRING (THE) (PIANO fa BASS) 17C 18ASPRING (THE) (PIANO) ......17BSTARTING WITH YOU I#M THROUGH 12GSTOONA 11ASTRANGE FEELING ... ... ... 08E 25KSTUD (NEO-HIP-HOT ...) 06H 16H 181SUCRIER VELOURS (DO NOT DISTURB) 08MSUCRIER VELOURS (LE) ... ... Q5E 361SUGAR HILL PENTHOUSE ... ... ... IllSUNSET AND THE MOCKING BIRD ... 05CSWAMP GOO ...35D

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TT.G.T.T ♦ ... 28JT.G.T.T. (MAC) ............ 20CTAFFY TWIST ... ..(ALSO SEE "RIBA")TAFFY TWIST * 21LTAJM (FOR HE'S A JOLLY GOOD ...) 091TAKE IT SLOW 19GTAKE THE A TRAIN 38MTAKE THE A TRAIN 02A 02C 02D 04A 07DTAKE THE A TRAIN 09C 09E 13A 13C 16ATAKE THE A TRAIN 21B 23A 24A 241 24NTANG ..... 38LTEA FOR TWO 22HTEAK FORREST .........(SEE "TOTO")TEGO (LIMBO JAZZ) .........14FTEL STAR (TIGRESS) 19HTELL HE IT'S THE TRUTH ... 26F 34NTHAD JONES (ON "NIGHT CREATURE") 36CTHAT SCENE (LOVE SCENE) ......20GTHERE'S A PLACE 08FTHINGS AIN'T......03A 16G 21C 27BTHREE BLACK KINGS PT.3 (SEE 10F)TIGRESS (TEL STAR) 19HTIMON OF ATHENS MARCH (ALCIBIADES)39G

TIPPYTOEING THROUGH THE JUNGLE G. 14ATOOTIE FOR COOTIE ......10H 13HTOOTIE FOR COOTIE (FADE UP) ... 38HTOTAL JAZZ (-MARCH 19TH BLUES) OILTOTO 101TRAFFIC EXTENSION 36BTRAFFIC JAM (WARR) 35CTROPICAL DELIGHT 22CTRUMP .... 31JTUNE UP (NO.2) .....19P

uUNCONTKIEVED 06JUNID.TITLE (P/DM)(A FEW BARS) 36HUNIDENTIFIED (AD LIB ON NIPPON) 261UNIDENTIFIED (P/B/DM) ... 38J 3bKUNIDENTIFIED TITLE (UNKN.DATE) 40JUNKN.TITLE (NOT PORTR. OF C.B.) 07JUNKNOWN TITLE (KING FIT THE ...) 03FUNTITLED BLUES (C. 11') 221UNTITLED BLUES (DIGITS) ......121UNTITLED BLUES (FROM "JAY WALK£R")20EUNTITLED BLUES (JUST A LITTLE J.) 32JUNTITLED SONG (ORIGINAL) ......211UP JUMP...35J

¥, W. YVELDT-AMOR ...............27EVILLAGE OF THE VIRGINS (VIVI) 18JVISCOUNT (STARTING WITH YOU ...) 12GVIVI (THE VILLAGE OF THE VIRG.) 18JVORTEX (THE WHIRLPOOL) ......18FWAILING INTERVAL (SEE "DIM.fcCRESC.,")WAITING FOR YOU 15JWALK RIGHT IN (BAD WOMAN) ... I1CWALKIN' AND SINGIN' THE BLUES 251WARA 35CWAY BACK BLUES ............07EWEST INDIAN DANCE . 01GWEST INDIAN PANCAKE 26GWHAT AM I HERE FOR7 37KWHERE'S THE MUSIC ..22FWHIRLPOOL (VORTEX) . 18FWINGS AND THINGS 06LWOODS (SOSO) 40CWORK SONG (BLACK) OIFY.G.O. (-EMANCIPATION CELEBRAT.) 01HYOUTH (-EMANCIPATION CELEBRATION) 01HYOUTHFUL AWKWARDNESS (EMANCIP.) 01HYOYO (NATURELLEMENT) 14E

complete donation consists of 781 tapes and 52 records. Erik Wiedemann and Bjarne Busk are in progress goingthrough material in order to make a complete discography for publication later on. We most sincerely wish them all the

best for a happy result!

DISCUSSIONS - ADDITIONS: /■y

In Storyville 67 (Oct/Nov 1976) Rainer E. Lotz writesabout Michael "Mike" Danzi, one of the early Americanjazz/semi-jazz musicians in Europe. Playing the banjo heparticipated on hundreds of jazz- and non-jazz recordiiÿsesions, in America, but mostly abroad, in Germany.Danzi refers to a Wilbur Sweatman-session that presumablytoo place in July or August 1924, in New York. On thissession, most likely for Gennett, Ellington played thepiano, according to Danzi! One of the tunes was "Battle¬ship Kate". Any new insights about this session since1976?Being a white man, Danzi's precence on a Sweatman sessionunderlines what seems to become more and more clear. Atleast hidden in the studios black and white musicians notonly met - they played together st a rather early stagein the jazz- and popular music history. (Renberg)

£TONIGHT I SHALL SLEEP »nd MINOR GOES MUGGIN' (DEUS86//l-3)i The two titles were recorded et different studios!Ellington was at "RCA's regular downtown studios,Dorsey band was at a separate uptown studio set in abanquet hall of the Lotus Club on 57th Street ••••a muchlarger facility normally used for classical music record¬ings and allocated to the Dorsey band on this oeeasionbecause they were completing a set of waltz recordingsfor which the band had been augmented with an entirestring section and woodwinds. Ellington joined thataggregation for its day's last recording, and T.D. inturn joined the Ellington band for its last number at theregular RCA studios (Variety l6Mer45 l 5CMay45).

(Stratemann)

Pentape session date (see DEICS86/l-5)i In Down Beatissue 12Dec56, p.42; "Made at Bill Putnam's famous Uni¬versal Studios in Chicago, where Ellington used to takehis bands or sections of it whenever the opportunityoffered itself to record additions to what he called "thestockpile", Pentape RT-800 featured a small group fromthe Ellington band, composed of Ray Nanoe(tp), John San¬ders(tb), Johnny Hodges(asÿ Jimmy Hamilton(cl), Elling¬tonÿ), and Sam Woodyard(dm). It remains the only suchprerecorded tape ever made by a unit under Ellington'sleadership that contained material not simultaneouslyavailable on LP."... The above-mentioned Down Beet review clearly placesit in 1956, (Stratemann)

Film Classics Vol-101 (see DEKS 86/1-2)i Hereare details as requested by Mr. Carmack re the content1A TRAIN (theme) July 1965 "Big Bands Sound" DESOR 976.ROCKIN' IN RHYTHM w ♦t N 976bSATIN DOLL tt "Big Bands Sound" ft 975cPROWLING CAT ti N ft 975dDO NOTHIN' ... it "Big Bands Sound" •f 976fA TRAIN (theme) w •t ft 976.

Consists of portions from two "Big Bands Sound" telecasts(DESOR 975 and 976). (Ferrer)The entire material is from a series of 26 films titledTHE BIG BANDS, shot at Chicago's station WGN in 1964/65and subsequently sold to 20th Century-Fox. The materialwas originally videotaped In coler, but b/w tapes werealso processed as well as b/w 16mm films. The latter wereoffered to TV stations for subscription.The Ellington selections were all filmed on 12Jan65 andassembled into two programs/films.The first Ellington film, which was No.19 in the series(ROCKIN' IN RHYTHM /STEP IN TIME /etc) was first telecastlocally in Chicago 23Jan65. The second, No.20, was firsttelevised on 9Mar65.The different dates given for these programs in audiotape trades are explained by the fact that these filmswere shown on scattered dates by various subscribing TVstations across the U.S.The DE material on the cassette under review is a compo¬site from the two original films.Similar composites presenting practically the entire ma¬terial DE did st WGN have been released by Wally Heideron oassettes SWINGTIME VIDEO No.106 and No.111 in the VKSformat (NTSC standard, of course)* (Stratemann)DEMSs For the sake of possible interest we oan add theWNEW show was first on 15Nov65* and a repeat on 1Jul67.V# MX 62198 is in DESOR assigned to HELLO, LITTLE GIRL.

This same mx no. now also assigned on CBS 88655 to SATINDOLL. Mx 62199 has been assigned on both UTD-2008 and CBS88655 to TRILLY (but different titles!). Please

DEMSi SATIN DOLL and TRILLY were recorded separately onthe I9feb59 date. Assuming mx nos. for these are correctleaves the previous title, HELLO, LITTLE GIRL's mx no. inthe open. When recorded TRILLY was subtitled WHEN I TRILLYWITH MY FILLY (from "Jump For Joy”). On UTD the title isdistorted as FRILLIE TRILLIE.

clarify.(Carmack)