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TRUTH BEAUTY POWER The use of natural materials, not imitations. Strength, energy, and force, through simplified decoration and ornament, taking a geometrical form, derived from the study of natural forms. TOAST OR LETTER RACK 1884 CAST-IRON GARDEN SEAT 1890 WALLPAPER 1876 WAVE BOWL 1885 DRESSER’S DESIGN PRINCIPLES TEAPOT 1880 LIDDED TEAPOT 1880 TEAPOT 1878 CHRISTOPHER DRESSER (1834-1904) Christopher Dresser is an important name, from the history of design, not only as a designer, but also as a philosopher of design. He was born in Glasgow and was educated in the nature of design from an early age, attending the Government School of Design in London, from the age of thirteen. Arguably, he became one of the most influential designers of the nineteenth century, with his influence on the world of design, continuing after his death, throughout the twentieth century. Known for his role in the Aesthetic Movement and the Design Reform Movement. The Design Reform Movement was concerned, with the lack of design quality, of British products, compared to European competitors. The Movement believed that shape and form should take precedence over elaborate decoration and that form was determined by the function of the product. Ornament / decoration should be simple. Dresser followed this set of principles, for many of his designs / products. A design that is perfect, lasting the test of time. A design that will always be aesthetically pleasing and interesting to view. JAPAN ITS ARCHITECTURE, ART, AND ART MANUFACTURES” PITCHER 1882 PUBLISHED 1882 www.technologystudent.com © 2019 https://www.facebook.com/groups/254963448192823/ WORLD ASSOCIATION OF TECHNOLOGY TEACHERS V.Ryan © 2019 www.technologystudent.com © 2019 https://www.facebook.com/groups/254963448192823/ WORLD ASSOCIATION OF TECHNOLOGY TEACHERS V.Ryan © 2019 FOR DETAILED INFORMATION AND EXERCISES ON DESIGNERS AND COMPANIES GO TO: http://www.technologystudent.com/despro_flsh/Designer1.html FOR DETAILED INFORMATION AND EXERCISES ON DESIGNERS AND COMPANIES GO TO: http://www.technologystudent.com/despro_flsh/Designer1.html

DRESSER’S DESIGN PRINCIPLES · 2019. 2. 8. · DRESSER’S DESIGN PRINCIPLES TEAPOT 1878 TEAPOT 1880 LIDDED TEAPOT 1880 CHRISTOPHER DRESSER(1834-1904) Christopher Dresser is an

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  • TRUTH

    BEAUTY POWER

    The use of natural materials, not imitations.

    Strength, energy, and force, through simplified decoration

    and ornament, taking a geometrical form, derived from

    the study of natural forms.

    TOAST OR LETTER RACK1884

    CAST-IRON GARDEN SEAT1890

    WALLPAPER 1876

    WAVE BOWL1885

    DRESSER’S DESIGN PRINCIPLES

    TEAPOT 1880 LIDDED TEAPOT 1880TEAPOT 1878

    CHRISTOPHER DRESSER (1834-1904)

    Christopher Dresser is an important name, from the history of design, not only as a designer, but also as a

    philosopher of design. He was born in Glasgow and was educated in the nature of design from an early age,

    attending the Government School of Design in London, from the age of thirteen. Arguably, he became one of the

    most influential designers of the nineteenth century, with his influence on the world of design, continuing

    after his death, throughout the twentieth century.

    Known for his role in the Aesthetic Movement and the Design Reform Movement. The Design Reform Movement was concerned, with the lack of design quality, of British

    products, compared to European competitors. The Movement believed that shape and form should take

    precedence over elaborate decoration and that form was determined by the function of the product. Ornament /

    decoration should be simple. Dresser followed this set of principles, for many of his designs / products.

    A design that is perfect, lasting the test of time. A design that will always be aesthetically pleasing and

    interesting to view.

    JAPAN ITS ARCHITECTURE, ART,

    AND ART MANUFACTURES”

    PITCHER1882

    One of the least publicised and yet most important designers - Christopher Dresser (1834-1904)Arguably, he became one of the most influential designers of the nineteenth century, with his influence in the world of design, continuing after his death, throughout the twentieth century. Ignored by most examination boards.

    A poster from the World Association of Technology Teachers. A precursor to information and exercises being added to the Designer section of technologystudent.

    Download the poster at the World Association of technology Teachers. PUBLISHED 1882

    www.technologystudent.com © 2019https://www.facebook.com/groups/254963448192823/WORLD ASSOCIATION OF TECHNOLOGY TEACHERS V.Ryan © 2019

    www.technologystudent.com © 2019https://www.facebook.com/groups/254963448192823/WORLD ASSOCIATION OF TECHNOLOGY TEACHERS V.Ryan © 2019

    FOR DETAILED INFORMATION AND EXERCISES ON DESIGNERS AND COMPANIES GO TO:

    http://www.technologystudent.com/despro_flsh/Designer1.html

    FOR DETAILED INFORMATION AND EXERCISES ON DESIGNERS AND COMPANIES GO TO:

    http://www.technologystudent.com/despro_flsh/Designer1.html

    http://www.technologystudent.com/despro_flsh/Designer1.htmlhttp://www.technologystudent.com/despro_flsh/Designer1.htmlhttps://www.facebook.com/groups/254963448192823/http://www.technologystudent.comhttps://www.facebook.com/groups/254963448192823/http://www.technologystudent.com

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