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Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

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Page 1: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 2: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 3: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 4: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 5: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 6: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

Drawing delineation of form upon a surface, usually plane , by means of lines and tints or shading.

That delineation in a drawing may be of real or imaginary objects, or of purely abstract forms.

Drawing is usually carried out in crayon, chalk, charcoal, metal point, pen, or pencil, or in certain combination of these.

Page 7: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 8: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 9: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

GRAPHIC ELEMENTS

Graphic refers to drawing, painting, writing and printing, which actually have only 2D but typically give some feeling of the 3D.

Page 10: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 11: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 12: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 13: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 14: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 15: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 16: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 17: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

Circular

Oval

Page 18: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

PLACEMENT OF A FORM IN SPACE DEPENDS ON THE SKILL OF AN ARTIST.

DIFFERENT COMPOSITIONS HAVE DIFFERENT EFFECTS.

Page 19: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

DIVISION OF SPACE

FORMAL DIVISION

INFORMAL DIVISION

Page 20: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

Dividing the space in similar by various lines are known as formal division.

Page 21: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

Lines are drawn arbitrarily to get into informal division.

An Artist can freely express his original creations.

Page 22: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

Prominent portion of a picture is called ACTIVE space and other portion is called NEGATIVE space.

This type of division provides a pleasing effect.

Page 23: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

lightness and darkness of a hue. It denotes megnitude of white and black. An uneven distribution of light on an Tone denotes even surface may produce different tones, whereas under even light an object may show different tones due to its different surface receiving different light intensities due to its different angles.

Page 24: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

The character of the surface of an object is known as TEXTURE. In a picture an optic illusion of an object is created by a skilled artist by proper expression of texture.

Woven mat Water droplets Medium wood

Page 25: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

Linear perspective

Colour and Tone Perspective

Conventional Perspective

Page 26: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

Conventional Perspective

In Conventional Perspective distant things are shown smaller in size while things that are close, shown larger. We shown here different size of objects which are shown perspective in distance.

v.p.

Page 27: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

Linear perspective

As seen in the following picture, when parallel lines of a form are inclined to a particular angle depending on its angle of vision, they get closer as their back portion is followed, then the expression is called LINEAR perspective.

Page 28: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

Colour and Tone perspective

Closer things appear bright. As the things are getting far from our vision they get faded and light becomes dim.

Page 29: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 30: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 31: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 32: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 33: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 34: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 35: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 36: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 37: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 38: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 39: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 40: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 41: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 42: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 43: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 44: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 45: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 46: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 47: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real

CLICK HERE TO SEE SLIDE NO. 5

Page 48: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 49: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real
Page 50: Drawing delineation of form upon a surface, usually plane, by means of lines and tints or shading. That delineation in a drawing may be of real