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Dramatic Technique by George Pierce Baker Art & Life, Vol. 11, No. 4 (Oct., 1919) Published by: Stable URL: http://www.jstor.org/stable/20543098 . Accessed: 16/05/2014 01:08 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . http://www.jstor.org This content downloaded from 195.78.108.127 on Fri, 16 May 2014 01:08:45 AM All use subject to JSTOR Terms and Conditions

Dramatic Techniqueby George Pierce Baker

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Dramatic Technique by George Pierce BakerArt & Life, Vol. 11, No. 4 (Oct., 1919)Published by:Stable URL: http://www.jstor.org/stable/20543098 .

Accessed: 16/05/2014 01:08

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

http://www.jstor.org

This content downloaded from 195.78.108.127 on Fri, 16 May 2014 01:08:45 AMAll use subject to JSTOR Terms and Conditions

PRINTER S--IARK OF ANTHONY SCOLKER, (1548)

Notes on New Books

DRAMATIC TECHNIQUE. By George

Pierce Baker, Boston and. New York: Houghton Mifflin Company. Dramatic Technique by George Pierce

Baker, Professor of Dramatic Literature in Harvard University and Member of the National Institute of Arts and Letters, is a clear convincing volume which should

be read and studied by every student of the drama. Professor Baker has an in timate knowledge of his subject and through his wide experience has pro duced a book which must of neccessity

ome to find place in every library which pretends a representation in the field of drama literature. In Dramatic Tech nique Professor Baker has divided his themes into ten, parts, each one carrying the reader through such phases as, Tech nique in Drama, the Drama as an Inde pendent Art, the Essentials of Drama, From Subject to Plot. Clearing the

Way-Story-Clearness Through Wise Selection, Proportioning the Materials Number and Length of Acts. Under the caption Arranging Material the sixth chapter deals with Clearness, Emphasis,

Movement. The seventh chapter is given to Characterization; the eighth to Dialogue, the ninth to Making a Scenario; the tenth to the Dramatist and his Pub lic. "A good play"~ said Colley Cibber,

NOTABLE NEW BOOKS

Art and the Great War By ALBERT EUGENE GALLATIN

280 pages 9 x 10 inch, 100 full-page plates, three of them in colors. Net $15.00.

An inimitable record of all phases of the war bv such artists as Muirhead Bone, Nevinson, Spencer Pryse, etc. American ar-tists include the eight official illustrators who went to France, Childe Hassam, George Bellows, George Luks, Maxfield Parrish, Joseph Pen nell, Paul Manship and others. Send for a descriptive circular.

The War in Cartoons A history of the war in 100 cartoons by 27 of the most prominent American cartoonists. Compiled and edited by George J. Hecht. Net $2.50. Send for a descriptive circular.

A Little Garden the Year Round By GARDNER TEALL. Illustrated from photo graphs. A book of purest joy for the garden lover. In press.

Postage extra. Order of your Bookseller or from

E. P. DUTTON & CO., 681 Fifth Avenue, N. Y.

NATIONAL PHOTO-ENGRAVING

COMPANY

PRODUCERS OF HIGH-CLASS ENGRAVING, HALF - TONES, LINE PLATES, COLOR WORK, Etc.

Plate-makers to Art & Life

46 NEW CHAMBERS ST. NEW YORK, N. Y.

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STUDIO OIL s& -WTG COLOURS

tOIL COLOUR. - For Artist's Use I w Lack.oEL c These colours have

tLacaCarmes. a r been the standard of

_ the highest quality for nearly 100 years!

Series A, each ....$ .35

insist on hav)ing _____________ our colours.

Andrew H.

Kellogg- Co.

Printers of ART & LIFE

141-155 East 25th St. LEXINGTON BUILDING

NEW YORK, N. Y.

" is certainly the most rational enter tainment that Human Invention can produce, " and certainly Professor Baker's Dramatic Technique will increase our pleasure in the fascinating art of the dramatist.

THE SALMAGUNDI CLUB. By William Henry Shelton, Boston and New York: Houghton Mifflin and Company. Mr. William Henry Shelton has given

us a delightful volume in his history of The Salmagundi Club, pages of which are charmingly enlivened with drawings by Charles S. Chapman. The Salma gundi Club is one of the most interesting organizations in New York and one

which has scarcely been outrivaled in

the practical encouragement it has given

contemporary art.

COMMEMORATION OF THE CENTENARY OF

THE BIRTH OF JAMES RUSSELL LOWELL.

New York: Charles Scribner's Sons.

The volume Commenoration of the Cen

tenary of the Birth of James Russell Lowell,

February 22, I8I9, 'published for the

American Academy of Arts and Letters,

is an attractive volume conservatively and well printed, a volume well suited

to the occasion. The frontispiece to the

book is a photograph of Lowell taken

in I879.

THEODORE ROOSEVELT. By Russell J.

Wilbur, Boston and New York: Hough

ton Mifflin Company. Russell J. Wilbur, with the cou,rage

of his convictions, knows how to hammer

in truths straight from the shoulder.

His Theodore Roosevelt sketched in classic

Sonnets and Quatorzains, is boldly drawn

and fearlessly colored. From the Proems,

the first Grave and the second Gay, one

can see what sturdy admiration guides

the facile pen of the author. Grave

or gay, the great Theodore is the "epic

hero" of Colaumlbia's "living page;" but

the sincerity of the artist is shown in

the fact that his brush lays on the

shadows as well as the bright spots in

the character of the Great American,

and Roosevelt himself was big enough

to appreciate this. Mr. Wilbur has

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