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Dr. Yvonne Kozlovsky Golan January 2017 1. Personal Details Office Telephone Number: +972-4-828-8190 Electronic Address: [email protected] 2. Higher Education A. Undergraduate and Graduate Studies Year of Approval of Degree Degree Name of Institution and Department Period of Study 1988 B.Ed and Teacher’s License Teachers College of Technology 1984-1987 1997 B.Ed and Teacher’s License David Yellin College of Education, Jerusalem 1995-1997 2000 M.A., General and History Tel Aviv University 1998-2000 2003 Ph.D., General History University of Haifa 2000-2003 B. Post-Doctoral Studies Year of Completion Name of Institution, Department and Host Period of Study 2005 Yad Vashem, International Institute for Holocaust Research: The Baron Friedrich Carl Von Oppenheim Chair for the Study of Racism, Anti-Semitism and the Holocaust, founded by the Von Oppenheim Family, Cologne. Host: Prof. Dan Michman, Chief Historian of Yad Vashem 2004 2007 Birkbeck, University of London, The Centre for New Zealand Studies. Society Fellow in New Zealand Studies Host: Dr. Ian Conrich, Head, The Centre for New Zealand Studies 2007 3. Academic Ranks and Tenure in Institutes of Higher Education Rank/Position Name of Institution and Department Dates Lecturer Kibbutzim College, Department of Cinema and Communications 2002 - present Teaching Fellow Sapir College, Department of Television and Cinematic Art 2002-2006 Lecturer Sapir College, Department of Television and Cinematic Art; School of Communication 2006 - 2011 Lecturer The Hebrew University of Jerusalem, School of Education, Department of Teacher Education 2007-2008 Teaching Fellow University of Haifa, Department of Interdisciplinary Studies 2009 - 2011

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Page 1: Dr. Yvonne Kozlovsky Golan 1. Personal Details …film.haifa.ac.il/images/lecturer/Yvonne-Kozlovsky-cv.pdf2015: Haifa international Film Festival, Chairman of the panel of judges for

Dr. Yvonne Kozlovsky Golan January 2017

1. Personal Details Office Telephone Number: +972-4-828-8190

Electronic Address: [email protected]

2. Higher Education

A. Undergraduate and Graduate Studies

Year of Approval of

Degree

Degree Name of Institution

and Department

Period of Study

1988 B.Ed and

Teacher’s License

Teachers College of

Technology 1984-1987

1997 B.Ed and

Teacher’s License

David Yellin College

of Education,

Jerusalem

1995-1997

2000 M.A., General and

History

Tel Aviv University

1998-2000

2003 Ph.D., General

History

University of Haifa

2000-2003

B. Post-Doctoral Studies

Year of

Completion

Name of Institution, Department and Host Period of

Study

2005 Yad Vashem, International Institute for Holocaust

Research: The Baron Friedrich Carl Von Oppenheim Chair

for the Study of Racism, Anti-Semitism and the Holocaust,

founded by the Von Oppenheim Family, Cologne.

Host: Prof. Dan Michman, Chief Historian of Yad Vashem

2004

2007 Birkbeck, University of London, The Centre for New

Zealand Studies. Society Fellow in New Zealand Studies

Host: Dr. Ian Conrich, Head, The Centre for New Zealand

Studies

2007

3. Academic Ranks and Tenure in Institutes of Higher Education

Rank/Position Name of Institution and Department Dates

Lecturer Kibbutzim College, Department of Cinema

and Communications

2002 -

present

Teaching Fellow Sapir College, Department of Television and

Cinematic Art

2002-2006

Lecturer Sapir College, Department of Television and

Cinematic Art; School of Communication

2006 -

2011

Lecturer The Hebrew University of Jerusalem,

School of Education, Department of Teacher

Education

2007-2008

Teaching Fellow University of Haifa, Department of

Interdisciplinary Studies

2009 -

2011

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Y. Kozlovsky Golan

[2]

Lecturer University of Haifa, The Faculty of

Humanities, M.A. Program in Culture and

Film Studies

2011-

2015

Senior Lecturer +

tenure University of Haifa, The Faculty of

Humanities, M.A. Program in Culture and

Film Studies

2015 -

4. Offices in University Academic Administration

●2002-2003: Assistant to Chairman of the Academic Channel and Dean of Students,

University of Haifa.

● *2011 - present, Member of the steering committee of the Jewish-Arab Center.

Initiated a collaborative venture between the Jewish-Arab Center, University of Haifa

and Encounters Begegnungen 2005, Germany, for the Acre Project as a "Shared

Space". Prepared the infrastructure for a collaborative three-year project.

● *2011-present, University of Haifa, head of the M.A. Program in Culture and Film

Studies, formerly within the Department of Interdisciplinary Studies, and since 2014

within the Department of Art History.

5. Scholarly Positions and Activities outside the University

Membership in Academic Committees:

1. 2002- 2003: Steering Committee, Center for German Studies, Ben-Gurion

University

2. 2002-2004: Member of the research group, "Kultur im Dialog Gefordert von

der Kulturstifung des Bundes", Center for German Studies at Ben-Gurion

University.

3. 2006 - Academic advisor of Encounters Begegnungen 2005 Unter der

Schirmherrschaft von Hildegard Müller Vorsitzende Freundeskreis

Deutschland.

4. 2010- Member of awards committee, Israel Intelligence Heritage and

Commemoration Center (IICC).

Membership in Academic Panels:

1. 2005- 2006, Member of the academic panel for approval of advanced degrees

- Ben-Gurion University of the Negev, Beer Sheva, Department of Communications.

Reviewer of Academic Manuscripts

1. 2006 – Present, Reviewer for the journal, Shofar: An Interdisciplinary Journal of

Jewish Studies.

2. 2008. Reviewer of research and book writing grant applications at the Israeli

Directors and Screenwriters Association.

3. 2009- Present, Reviewer in the Publishing House of Yad Vashem Holocaust

Research Center, and for the Journal Yad Vashem Studies.

4. 2010 - Reviewer of research and book writing grant proposals for ISF.

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Y. Kozlovsky Golan

[3]

5. 2012 - Present, Reviewer for the journal Nashim (Indiana University Press).

6. 2013 – Present, Reviewer for the journal European Journal of Women's Studies.

Membership in Other Associations: 1. 2004 - Member of the Israeli Motion Picture and Television Academy, the

Association for the Advancement of Cinema in Israel.

2. 2006 - Beyond Camps and Forced Labour: Current International Research

association on Survivors of Nazi Persecution

3. 2010 – WJAS, Western Jewish Studies

4. 2010 - Children and War: Past and Present international multidisciplinary

association

5. 2010 – AIS, Association for Israel Studies

6. 2011 – Present, Member of the American Society for Legal History, USA.

7. 2016 - NECS 8. 2013 - AJS, The Association for Jewish Studies

9. Film and History

Professional Activity Related to My Academic Field

1. 2004: Executive Producer in Israel of the film "Lina and Leila," an Austrian-

Israeli production directed by Michael Pfeifenberger.

2. 2011: Haifa international Film Festival, Chairman of the panel of judges for the

young people's film competition.

3. *2014: Academic Advisor for the documentary film "Night Will Fall".

Director: André Singer. Producer: Sally Angel.

4. 2015: Haifa international Film Festival, Chairman of the panel of judges for the

"Jewish experience" Movies.

Participation in Scholarly Conferences

a. Active Participation in Conferences Held Abroad

Role Subject of

Lecture/Discussion

Place of

Conference

Name of

Conference

Date No.

Lecturer "The death penalty for

women and its

representation in

motion pictures."

University of

Cape Town,

Rondebosch,

Cape Town,

South Africa

The First

International

African Film and

History

Conference

July 6-8,

2002 1

Lecturer 1."Until dead: The death

penalty in the US and

its cinematic

representations"

2."Theoretical aspects of

the links between trials

and Cinema."

University of

New

England,

Portland,

Maine

"Guilt": A

Conference on

Law and

Humanities.

June 14,

2003

2

Lecturer "The Influence of the

Nuremberg Trial and

Center For The

Study of Film

Film and History,

War and Nov.

11-14, 3

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Y. Kozlovsky Golan

[4]

Marshall Plan on the

Representation of the

Holocaust in Cinema."

And History,

Lawrence

University,

Appleton,

Wisconsin

Genocide. 2004

Lecturer "The Holocaust survivor

in Israeli Cinema."

Imperial War

Museum,

London

Beyond Camps and

Forced Labour -

60 Years

Jan.11-

13,

2006

4

Lecturer "Peace in Israeli

Cinema."

Center For The

Study of Film

And History,

Lawrence

University,

Appleton,

Wisconsin

Film and History,

The Documentary

Tradition

Nov. 8-

12,

2006

5

Lecturer "From cinematic proverb

to virtual reality:

External effects on

Holocaust

representation in world

cinema."

Jagiellonian

University,

Krakow,

Poland

The Legacy of the

Holocaust: The

World Before,

The World After

May 24-

26,

2007

6

Invited

Lecturer

"New Zealanders and the

Holy Land WWI – An

introduction"

Centre for

New Zealand

Studies

Birkbeck,

University of

London

New Zealand and

the Mediterranean

The 15th Annual

conference of the

New Zealand

Studies

July 2 –

4,

2008

7

Lecturer "The children survivors

in world cinema after

1945"

University of

Salzburg

"Children and War:

Past and Present"

Sep. 30

-

Oct. 2,

2010

8

Lecturer "Death in Love" University of

Wisconsin

Oshkosh

Milwaukee

The 2010 Film and

History

Conference:

Representations

of Love in Film

and Television

Nov.

10-14,

2010

9

Chair,

and

Lecturer

1. Chair:

The Holocaust in the

Media

2. Lecture:

"Left Out of the Frame"

San Diego

State

University,

California

Western Jewish

Studies

Conference

*April

10-11,

2011

10

Lecturer Eastern Jewry Has No

Room on the Screen (A

Washington,

DC

The Association for

Jewish Studies

*Dec.

18 – 11

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Y. Kozlovsky Golan

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Work In Progress) 43st Annual

Conference

20,

2011

Lecturer The Holocaust in North

Africa in the Israeli

Media

Imperial War

Museum,

London

Beyond Camps and

Forced Labour:

Current

International

Research on

Survivors of Nazi

Persecution

4th International

Multidisciplinary

Conference at the

Imperial War

Museum, London

*Jan.

4-6,

2012

12

Lecturer A Picture of

Miscomprehension of

the North African Jewry

Holocaust and the

Pogroms in Iraq in

Western Culture and

Society

Millersville

University of

Pennsylvania

The Holocaust and

Genocide

in Art and Film

32nd

Annual

Conference on the

Holocaust and

Genocide

and the Holocaust

Remembrance

Week

*April

17 - 20,

2012

13

Lecturer Between Redemption of

Captives and Treason;

A Cultural Study of two

TV Drama Series:

"Hatufim"(Israel) and

"Homeland" (USA)

UCLA, Los

Angeles

29th Annual

Conference of the

AIS, Association

for Israel Studies.

*June

24-26

2013

14

Lecturer ‘Mer Hamis's Children’ University of

Salzburg

Children and War:

Past and Present

*July

10 –12,

2013

15

Lecturer Forgiveness: Where

Victim and Aggressor

Merge

University of

Wisconsin-

Madison

Golden Ages:

Styles &

Personalities,

Genres &

Histories

The 2014 Film &

History

Conference

October

*29-

Nov. 2,

2014

16

Lecturer On the Judenrat

A discussion of Claude

Lanzmann's film

“The Last of the Unjust”

Birkbeck,

University of

London,

University of

Wolverhampton,

Royal

BEYOND CAMPS

AND FORCED

LABOUR

Current

International

Research on

Survivors of Nazi

Persecution

* January

7-9 2015

17

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Y. Kozlovsky Golan

[6]

Holloway,

University of

London

Fifth International

Multidisciplinary

Conference at the

Imperial War

Museum, London

Introduct

ory

Speaker

"Pourquoi Klossowski

aujourd’hui ?

Ça parle du corps"

University of

Haifa, With:

La Section

clinique

d’Aix-

Marseille,sous

les auspices du

département

de

psychanalyse

(université

Paris VIII)

France,et la

Section

clinique Dor-a

d’Israël

organisent un

grand

événement de

deux jours en

Israël

Nouage entre

littérature, art, cinéma

et psychanalyse

January

20

2015

18

Introduct

ory

Speaker

Past Present Future

Ethical Creativity,

Commitment and

Criticism in

Documentary Cinema

and Filmmaking

University of

Haifa, With:

University of

Vienna

Austria,

Boston

College USA

Documentary Ethics

May

18-19

2016

19

Lecturer Mother’s corner, Jadu

concentration camp and

slave labor camp

University of

Wolverhampto

n, UK and

University of

Salzburg,

Austria

Children and War:

Past and Present

Third international

multidisciplinary

conference

July

13–15

2016

20

Lecturer "The Legacy of Our War on

Terror" America and Israel

through the Microcosms of

The TV Drama Series Hatufim

(Israel) 2010 and Homeland

(USA)

University of

Potsdam

Germany

: NECS

(European Network for

Cinema and Media

Studies)

conference 2016:

in/between: cultures of

connectivity

July

26-30

2016

21

b. Active participation in Conferences held in Israel

Role Subject of

Lecture/Discussion

Place of

Conference

Name of

Conference

Date No.

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Y. Kozlovsky Golan

[7]

Lecturer "Pearl Harbor in the

American and Japanese

Memory and

Consciousness,

American and Japanese

Films"

University of

Haifa and the

Israeli Navy

Pearl Harbor in a

60 Year

Perspective

(International)

Dec. 6,

2001

1

Lecturer Presentation of the

"Academic Channel"

Israeli

National

Academy of

Sciences

Presentation of the

"Academic

Channel"

February

6, 2002

2

Lecturer The Death Penalty for

Women - American

Law and the Media

University of

Haifa

Investigating

Women

March

20, 2002

3

Invited

Lecturer

"The Good, the Bad and

the Ugly: Nuremberg

Trials - Cinematic

Example of Virtual

Reality"

Ben-Gurion

University,

The Center

for German

Studies

Second

International

Graduate Students

Conference New

Research in

German Studies:

Culture in Dialogue

(International)

January

5, 2003

4

Keynote

Speaker

"Tribunal to Freedom:

Freedom of thought,

forced hospitalization

and the Senate

Committees for the

investigation of

Communism"

Ben-Gurion

University

Symposium on

McCarthyism

May 28,

2003

5

Lecturer "Hanged Until Dead:

The death penalty in the

US and its

representation in

Hollywood films"

University of

Haifa, with

Sapir College

The Cinema as the

Court of History

June 1-2,

2003

6

Keynote

Speaker

"Until dead: The death

penalty in the US and

its representation in

Hollywood cinema."

Sapir College Objection,

Sustained; the

Cinema as the

Court of History -

Cinematic Aspects

of the Death

Penalty in the

United States

June 8,

2003

7

Lecturer "The Good, the Bad and

the Ugly": The

Nuremberg Trials –

Cinematic proverb to

virtual reality."

Yad Vashem

Jerusalem

Holocaust and

Justice, postwar

trials and

Holocaust

representation,

awareness and

historiography

(International)

Dec.19-

21, 2006

8

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Y. Kozlovsky Golan

[8]

Lecturer "Move, point and shoot:

Forced photogenic

aspects of the Middle

East in films portraying

World War I"

Tel Hai

Academic

College

Palestine and the

First World War:

New Perspectives

(International)

Sep. 3-7,

2007

9

Lecturer "Au Revoir, Les

Enfants": The Images

of Childhood and

Youth in the Holocaust

as Presented in the

Cinema"

Beit Berl

College,

Kfar Sava

Women and the

Holocaust, The

Fourth

International

Conference on

Childhood and

Youth Under the

Third Reich –A

Gender Perspective

(International)

October

29–31,

2007

10

Lecturer "Political and Narrative

Expressions and Ideas

in the Israeli

Documentary Cinema

Dealing with Peace."

Tel Aviv

University

Cultural Interaction

in Israel and its

Expression in the

Arts. "Motar"

Conference

February

12-13,

2008

11

Lecturer "The Cinematic

encounter between

collective memory and

personal memory."

Jezreel

Valley

Academic

College

Artistic

representation of

Holocaust Memory

April 29,

2008

12

Lecturer "Cinema, Medicine and

the Holocaust: Between

Ideology and Ethics"

Western

Galilee

Hospital,

Nahariya

The 9th Nahariya

Conference on

Illness and

Medicine during

the Holocaust,

Angel Center,

Western Galilee

Medical Center,

Nahariya

May 5,

2009

13

Lecture "Representation of the

Holocaust Survivor in

Israeli Cinema"

Beit Berl

College and

Friedrich

Ebert

Stiftung,

Beit

Hatefutsoth,

Tel Aviv

Holocaust

Survivors and the

Israeli Media 1980

– 2009

(International)

July 8,

2009

14

Lecture "The Shoah in the

Cinema: Sexual Abuse

of Women and Girls"

Hebrew

University

Jerusalem

15th

World

Congress of Jewish

Studies Hebrew

University

Jerusalem

(International)

August

2-6,

2009

15

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Y. Kozlovsky Golan

[9]

Lecturer "Until You are Dead:

Capital Punishment in

the United States,

History, Law and

Cinema"

Bezalel

Academy of

Art and

Design,

Jerusalem

End of the Road:

On Death in

Culture and

Creation

Dec. 20,

2009

16

Panel

Chair

"Memory" Tel Aviv

University

Fiction: Aspects of

Israeli television

features.

The 1st Conference

on Television

Studies

*January

26-27,

2011

17

Panelist/

Lecturer

Panel discussion: A

critical look at the

curricula of

Communication Studies

departments

Oranim

College of

Education,

Kiryat Tivon

1st Oranim

Conference on the

Media:

Facing challenges

of the 21st century

in present-day

Israel

*March

6, 2011

18

Lecturer Film and the Holocaust Western

Galilee

College,

Holocaust

Studies

Program

and the

University of

Haifa's M.A.

Program in

Culture and

Film Studies

Holocaust and Film

– Cinema Teaching

History

(International)

*March

28-29,

2011

19

Panelist/

Lecturer

Panel on the film, "I

was a doctor in

Auschwitz," on the life

of gynecologist Giselle

Perel

Ben-Gurion

University of

the Negev in

association

with the

Soroka

Medical

Center, Beer

Sheva

And you shall

choose life: On

choosing and

creating life during

the Holocaust:

Obstetrics and

gynecology during

the Holocaust

*May 2,

2011

20

Chair

Panel: Testimonies in

art and education

Western

Galilee

College,

Akko,

The Future of

Holocaust

Testimonies II

(International)

*March

19-20,

2012

21

Chair

Critical Readings of Art

and Visual Culture

University of

Haifa Encounters:

Representations,

Performances and

Conceptualization

of Encounters in

*May

22-23,

2012

22

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Y. Kozlovsky Golan

[10]

Art History and

Contemporary

Visual Culture

(International)

Chair

Memory, History, and

the Land of Israel in

Contemporary Israeli

and Palestinian Cinema

University of

Haifa

AIS,

Multicultural Israel

in a global

perspective:

Between one

society and many

societies

(International)

*June

25-27

2012

23

Panelist/

Lecturer

Yiddish and cinema:

an untended romance?

Hebrew

University of

Jerusalem

The Representation

Of Jewish

Languages On

Screen

(International)

*July 15-

17, 2012

24

Mode-

rator

The Holocaust in Soviet

Documentary Films

Yad Vashem,

Jerusalem

Holocaust and the

Jews in the Second

World

War in Soviet

Literature and Film

(International)

*Feb.

19-20,

2013

25

Panelist/

Lecturer

“Were the House Still

Standing”: Women’s

Holocaust Testimony:

Exploring a

Topography of Memory

through

Digital, Visual, and

Oral Storytelling.

Beit Berl

College

The 6th

International

Conference

"Her Story":

Transference

methods of

women's

biographies and

autobiographies

from the Holocaust

(International)

* March

4-5-6,

2013

26

Lecturer "Jewish and Israeli

Cinema: Contacts and

Conflicts"

Hebrew

University

Jerusalem

World Jewish

Congress

(International)

*July 28

– August

1, 2013

27

Lecturer "Michael Haneke and

the Nazi Past"

The Hebrew

University of

Jerusalem

The Richard

Koebner Minerva

Center

for German History

Annual

Conference.

The Triumph

of Nazi Cinema:

1933-2013

*Nov. 3-

4, 2013

28

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Y. Kozlovsky Golan

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(International)

Commen-

ter

Dr. Yael Ben Moshe,

“Living the trauma, or

living in post-trauma:

Films made after 9/11

in Germany, Israel and

the US”

University of

Haifa

7th

Annual

Bucerius Research

Workshop

*June

10, 2014

29

Lecturer “What do we know

about the Holocaust?”

University of

Haifa

Conference on the

Holocaust and the

elderly (temporary

name)

*June

17, 2014

30

Panel

Chair,

Lecturer

Israeli film Sdeh Boker Association of

Israel Studies

(AIS), conference

(International)

*June

23-35,

2014

31

Lecturer זיכרונות ילדות ממחנה המעצר"

והכפייה ג'אדו שבלוב; פרגמנטים

האמנית נאווה מתוך עבודתה של

ט. ברזאני"

מכללה אקדמית

גליל מערבי

מפגש חוקרים 'הנשמע

קולם?'

עדויות מוקדמות של ילדים

ניצולי שואה

*25.09.16 32

c. Organization of Conferences or Sessions

Role Subject of

Conference/

Comments

Place of

Conference

Name of

Conference

Date No.

Organizer Film, Law,

and History

University of

Haifa, with

Sapir College

The Cinema as the

Court of History

(International)

June

1-2, 2003

1

Organizer Sapir

Academic

College

The Visual

Narrative of

Holocaust

Survivors in Israel

June 8,

2003

2

Member of

the

Organizing

Committee

Cinematic

Representation

and the

Holocaust

Record in

Feature Films:

Hollywood

and Israel

International

Institute for

Holocaust

Research ,Yad

Vashem

Jerusalem

"International

Holocaust

Symposium", in

honor of the

opening of the

Visual Center at

Yad Vashem

(International)

May 22,

2006

3

Member of

the

Organizing

Committee

The Holocaust

and Its

Immediate

Aftermath

(1933-1947):

International

Institute for

Holocaust

Research ,Yad

Vashem

International

Summer

Workshop for

Holocaust

Scholars.

July 13-20,

2009

5

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Y. Kozlovsky Golan

[12]

The Press,

Newsreels and

Radio

Broadcasts in

Real Time

(International)

Organizer

and

Introductory

Speaker

Trends in

contemporary

Israeli cinema:

Authenticity

and discourse

on the Second

Generation of

the Holocaust

University of

Haifa

Israeli cinema -

Israeli Cinema:

Identities in

Motion

(International)

November

11,

2011

6

Organizer

and Event

Chair, Panel

Chair,

Introduc-

tory Speaker

University of

Haifa Culture

and Film

Studies with

the University

of Cambridge,

Modern

Hebrew

Studies

A study of Jewish

and Israeli film

and television

(International)

August 18,

2014

7

Organizer

and

Introductory

Speaker

"Pourquoi

Klossowski

aujourd’hui ?

Ça parle du

corps"

University of

Haifa, With:

La Section

clinique d’Aix-

Marseille,sous les

auspices du

département de

psychanalyse

(université Paris

VIII) France,et la

Section clinique

Dor-a d’Israël

organisent un

grand événement

de deux jours en

Israël

Nouage entre

littérature, art,

cinéma et

psychanalyse

(International)

*January 20

2015

8

Organizer

and

Introductory

Speaker

Past Present

Future

Ethical

Creativity,

Commitment

and Criticism

in

Documentary

Cinema and

Filmmaking

University of

Haifa, With: University of

Vienna Austria, Boston College USA

Documentary

Ethics

(International)

*May 18-19

2016

9

"Crossed

views cinema

and

psychoanalys

Nouage entre

littérature, art,

cinéma et

psychanalyse

*November

23, 2016

10

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[13]

is." the film

(le chien

Andalou et

las urdas )

(International)

*2011-2016 – Organizer of 27 one-day workshops of the MA program in

Culture and film studies, in association with the Department of Communications,

the Haifa Cinematheque, the Museums Department of the Haifa Municipality, and

the Ministry of Education Pedagogical Secretariat. The workshops included

papers by scholars, directors and producers from Israel and abroad:

Organizer

and

Introductory

Speaker /

Panel Chair

and Chairman

of event

“Cinema

City”: Film

and society

in Haifa

M.A. Program in

Culture and Film

Studies in

association with

the Museums

Department of

the Haifa

Municipality, and

Haifa

Cinematheque

Haifa on Film:

"Cinema and

Culture in Haifa",

in association with

the Haifa

Cinematheque and

the Council for

Historic

Preservation in

Haifa

*

December

29, 2011

8

Organizer

and

Introductory

Speaker /

Panel Chair

and Chairman

of event

"Film and

Education"

University of

Haifa, Haifa

Cinematheque,

and the Ministry

of Education

Inspectorate of

Technology and

Communication

Film and Teaching

*March

13,

2012

9

Organizer

and

Introductory

Speaker

“Narrative

and genre in

Martin

Scorsese’s

latest films”

with

screening of

Hugo

University of

Haifa

Narrative and Genre *June 6,

2012

10

Organizer,

Introductory

Speaker,

Lecturer

“Censorship

in British

Film of the

1930s”

University of

Haifa

Censorship in

British Film of the

1930s with Guest

Lecturer Prof.

Ian Conrich,

University of

London

(International)

*

November

7,

2012

11

Organizer,

Introductory

Speaker,

Lecturer

“Law and

Film”:

Discussion

of criminal

law and film

University of

Haifa, Haifa

Cinematheque,

and the Israel Bar

Association-

Marking the

Publication of Prof.

Shlomit Almog’s

Law and Film

*13

March,

2013

12

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[14]

and

documenta-

ries on law

and film

with

screening of

Sharon Ben-

Ziv’s film

Room 514.

Northern District

Organizer,

Introductory

Speaker, and

Lecturer

"War in

Israeli film:

Historical

and critical

approaches:

A

discussion

of Yariv

Horowitz’s

Rock the

Casbah

(2012)

University of

Haifa

One-day

conference: “They

shoot - and weep”

*June 19,

2013

13

Organizer

and

Introductory

Speaker

University of

Haifa

Pitching Workshop

and preparing for

presentations to top

Hollywood figures

in the film industry:

Lecture by producer

Howard Rosenman,

screenwriter/actor,

Peabody Award

winner for the film

The Celluloid

Closet (1997)

(International)

* Nov. 6,

2013

14

Organizer

and

Introductory

Speaker,

lecture

“Mizrahi

cinema in

Israel: An

oxymoron?

Chronology

of a social

struggle.”

Screening of

Yitzhak

Halutzi’s

film, Vicky

Shiran

Breaks

Down the

Wall

University of

Haifa

“Mizrahi Cinema

in Israel”

* January

8, 2014

15

Organizer University of Pitching Workshop *May 14, 16

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[15]

and

Introductory

Speaker

Haifa Project Cancer

(2013): Lecture by

the Slovenian Film

Director Damjan

Kozole

(International)

2014

6. Invited Lectures – Abroad

Presentation/Comments Name of Forum Place of Lecture Date No.

"The Shaping of the

Holocaust Visual

Conscience by the

Nuremberg Trials, Birth

of the Holocaust in

Hollywood-Style Motion

Pictures: The Impact of

the Movie Nazi

Concentration Camps"

Keynote speaker All-Ukrainian

Charitable

Foundation

Scientific

Educational Center

of the Jewish

History & Culture

"Tkuma"

Dnepropetrovsk,

Ukraine

Dnepropetrovsk,

Ukraine

September

17-21,

2006

1

“Crime and Punishment,

Hollywood-Style: The

Death Penalty in

American Cinema”

Invited lecture The Baron Fund

for Ethics

Education Institute

of Public and

Urban Affairs

School of Theatre,

Television, and

Film of San Diego

State University

San Diego State

University

*April 12,

2011

2

“A Picture of

Miscomprehension of the

North African Jewry

Holocaust and the

Pogroms in Iraq in

Western Culture and

Society”

Invited lecture The Holocaust and

Genocide

in Art and Film

32nd

Annual

Conference on the

Holocaust and

Genocide

and the Holocaust

Remembrance

Week

Millersville

University of

Pennsylvania

*April

17 - 20,

2012

3

The Judenrat and the

Nazi Racial Policies:

Ethical issues in Claude

Lanzmann’s Last of the

Unjust (2013)”.

1. Invited as a

special expert in

history, law and

film to Boston

College for

the Law, to

Boston College of

the Law in

association with

Brandeis University,

Waltham MA, USA

*March 10-

15, 2015 4

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[16]

participate in the

International

Conference

“Legally blind:

Law, ethics and

the Third Reich”

2. Invited to give a

special lecture at

Brandeis

University while

in Boston.

Mother’s corner, Jadu

concentration camp and

slave labor camp

University of

Wolverhampton,

UK and University

of Salzburg, Austria

Children and War:

Past and Present

Third international

multidisciplinary

conference

13 – 15

July 2016

5

7. Research Grants a. Grants Awarded

Amount Year Funded by Topic Co-

Re-

searchers

Role in

Re-

search

No.

NIS 80,000 2004 Yad Vashem,

International

Institute for

Holocaust

Research: The

Baron Friedrich

Carl Von

Oppenheim Chair

for the Study of

Racism, Anti-

Semitism and the

Holocaust

Research Grant

(Post- Doctoral

Fellowships)

Film and

Holocaust

None PI 1

€ 3,000

2009 Mrs. Barbara

Sieratski

Research

Foundation,

London and

Frankfurt

Grant to

encourage

original

research, for the

publication of

the book "God

have mercy on

your soul": The

Death Penalty in

the USA:

History, Law

and Cinema

None PI 2

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[17]

NIS 5,000 2012 The Research

Authority of the

University of

Haifa -

Seed money grant

Research Grant

for The

Holocaust of

North African

Jewry: Presence

Missing or

Missing

Presence?

None PI* 3

NIS 18,500 2012 The Israel

Science

Foundation (ISF)

Grant for

publication of

the book

Criminality and

Retribution in

Hollywood Film

None PI* 4

NIS 89,000

($ 24,000)

2013-

2016

Mifal Hapayis

Landau Award,

Culture Fund

Research Grant

for

Representation

of the Holocaust

of the Jews of

North Africa in

the visual arts,

video and

videoart as

compared to

their

representation in

cinema and

television in

Israel and

abroad

None PI* 5

b. Submission of Research Proposals – Pending

Year Funded

by

Topic Co-

Researchers

Role in

Research

No.

2016 ISF Enigma of the vanished historical consciousness and invisibility of the Jews of North Africa during World War II in film, other audiovisual media, and the arts

None IP 2

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Reviewing and Evaluation of Research and CV's for Academic institutions

2011, Reviewing a research proposal for ISF

2016, Evaluation of the Research thesis For the Degree of Master of Science in

Architecture:

The Cinematic Architect, Key changes in the representation of the Architect in

American narrative cinemasince the beginning of the 20th century.

Writing by Maya Weissman-Ilan, The Research Thesis was done under the

Supervision of Professor Iris Aravot, in the faculty of Architecture and Town

planning Technion - Israel Institute of Technology

2016, Evaluation of a Ph.D. thesis Research, Tel Aviv University

2016, Evaluation of his CV for the office of Reader in the Faculty of Asian and

Middle Eastern Studies, School of arts and Humanities

8. Scholarships, Awards and Prizes

1996-2000 The Sharett Prize for Excellency in Research, Tel-Aviv University,

NIS 3,000

2000-2003 University of Haifa, President’s Scholarship for doctoral studies, NIS

125,000

2011 Poznan Foundation, Travel Grant to attend the AJS Conference in

Washington, D.C., December 2011. Awarded on the basis of

originality in research. $ 1,000

Miscellaneous, non-academic prizes:

2005 Serono Prize (Swiss pharmaceutical company) for best short story, "72

Hours of Fatal Attraction" for financial assistance and logistical

support for the screen adaptation and filming of the story. Screened as

"Sarry" at the Film Festival of the Negev, 2005

9. Teaching

a. Courses Taught in Recent Years

Fields:

Film and American Legal and Cultural History.

Film & History - War and Commemoration, War and Atrocities.

Central and Western Europe Studies, American Studies.

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Number of

Students

Degree

Type of Course Name of Course Year

25-100 B.A. Lecture Classical Hollywood: Cinematic

Entertainment to Structures of Visual

Culture

2002-

2010

40 B.A. Lecture Film Theory 2007

40 B.A. Lecture +

Workshop

Heroics of War in Cinema 2004-

2010

40 B.A. Lecture History of Film and Cinematic

Expression

2002-

2010

40 B.A. Lecture Israeli Documentary Movies 2002-

2007

25 B.A. Seminar Media and Cinema In the service of

Instruction Teaching and Educating

2006

25 B.A. Lecture Media and Education 2006-

2007

40 B.A. Lecture +

Workshop

Narrative and Genre in Cinema and

Television

2002-

2008

25 B.A. Seminar Propaganda in Cinema and Television 2002-

2010

25 B.A. Seminar Shaping the Holocaust Memory in

Cinematic Form

2006-

2010

25 B.A. Seminar Society and Trials in American

Cinema and TV American Trial

Movies as a reflection of society

culture and law

2002-

2007

10 B.A. Lecture +

Workshop

Teleyeda (Educational Television),

tutor, teachers’ advanced study on

Educational Television. Subject:

"American Cinema."

2000-

2003

35 B.A. Seminar The Memory of the Holocaust in

Cinema and Television

2004-

2011

20 B.A. Lecture +

Workshop

European Cinema presents its Past -

Cinematic View on Major European

Issues of the 20th Century

2009-

2011

25 M.A. Seminar for

Master's Degree

students, the M.A.

Program in

Culture and Film

Studies

Research methodologies for the study

of interactions between history, culture

and society in cinema I-II

*2011-

2014

22 M.A. Seminar for

Master's Degree

students, the M.A.

Program in

Film culture and History seminar *2011-

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Culture and Film

Studies

22 M.A. Seminar for

Master's Degree

students, the M.A.

Program in

Culture and Film

Studies

Departmental seminar *2011-

60 B.A. The "Derech

Haruach" Program

Mars in Film: War in Cinema –

History and Fiction connect

*2011-

b. Supervision of Graduate Student (joint supervision for

interdisciplinary studies)

Date of

Completion

/In Progress

Degree Title of Thesis Name of Student

In Progress MA From Utopia to Dystopia -

Changes in the representation of

the kibbutz in Israeli cinema and

meaning.

*1.

Ofer Prag

with Dr. Shlomo Getz

University of Haifa

In Progress MA Western films screened for the

Arab civilian population by the

Israeli Military Administration,

1959-1965: Successful, impact,

or sociocultural-political

failure?

*2.

Wahjee Kahaba

with Dr. Ronen,

Department of Middle

Eastern Studies

In Progress MA Egyptian film: The political and

sociocultural reality represented

in high quality films 1995-2000:

Content analysis and cinematic

expression

*3.

Ahmad Abu-Touama

with Dr. Iris Ronen,

Department of Middle

Eastern Studies

In Progress MA Israel-European coproduction's

and the ramifications on film

and television production

subjects in Israel

*4.

Gadi Nemeth

with Prof. Hilik Limor,

Bar-Ilan University

In Progress MA The lost father - chronicle of the

dissolution of the family unit in

the 2000's Israeli cinema

*5.

Nissim Notricka

with Dr. Yael Ben Zvi

Ben-Gurion University

in the Negev

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In Progress MA American Musicals in Obama's

Era

*6

Itzhak Sherf

with Dr. Zvi Tal, MA Program For

Culture and Film

Studies, University of

Haifa

In Progress MA Children's puppet theaters, as

tools for teaching and educating,

in television series in the Arab

World, with the eruption of the

Arab Spring.

*7Hanan Susan

Whith Dr. Ronit Remer,

Seminar Levinsky

In Progress MA The influence of cinematic images on the Instagram hashtag #Eiffel tower

8.Korin Hadar

with Dr. Zvi Tal,

MA Program For

Culture and Film

Studies, University of

Haifa

In Progress MA Therapeutic Issues in the

Cinematic Creations of Cinema

Students in the National

Religious Educational System

and Their Relation to Social and

Cultural Changes Occurring in

Religious Society

9. Revital Stern

With Dr. Tamar

Einstein

The Graduate School

Of Creative Arts

Therapies university of

Haifa

In Progress MA The Salesman Fiction Vs. Non-

fiction Film Representations

10. Eran Livni

With Dr. Dan Geva

MA Program For

Culture and Film

Studies, University

of Haifa

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PUBLICATIONS

A. Ph.D. Dissertation

History and Cinema: Representation of Trials Dealing with Capital Punishment and

Executions in American Cinema. University of Haifa, Department of General History.

Supervised by Prof. Ron Robin and Dr. Ilan Avisar. Hebrew, with an English

Abstract. 318 pp.

B. Scientific Books (Refereed)- Published

1. Yvonne Kozlovsky Golan (2010), God Have Mercy on Your Soul: The Death

Penalty in the USA: History, Law and Cinema. Tel Aviv: Resling. 290 pp. (Heb).

Review:

Gotfeld, Arnon, "A good story and the urge to be a 'peeping Tom,'" Zmanim,

113 (2011): 100-102. (Heb)

*2. Yvonne Kozlovsky Golan (2014), The Death Penalty in American Cinema:

Criminality and Retribution in Hollywood Film. London-New York: I.B. Tauris &

Co Ltd. 265 pp.

Review:

Zachary Ingle, "The Death Penalty in American Cinema: Criminality and

Retribution in Hollywood Film by Yvonne Kozlovsky-Golan". Film &

History: An Interdisciplinary Journal, Volume 46, Number 2, Winter (2016):

76-77

Accepted Book for Publication

1. * Yvonne Kozlovsky Golan (2017) "Site of Amnesia: The Absence of North

African Jewry in Visual Depictions of the Experience of World War II". Brill Nijhoff,

Global Oriental and Hotei Publishing Boston MA

Edited Special Journal Issues

*1. Yvonne Kozlovsky Golan and Boaz Cohen (2013), eds. Special Issue –

Holocaust and Film, Post Script: Essays in Film and the Humanities 32/ 2. 124 pp.

*2. Yvonne Kozlovsky Golan and Yaron Peleg eds. Special Issue – Genre in Jewish

and Israeli cinema and television, Journal of Jewish Film & New Media, An

International Journal (Wayne State University Press) Winter 2016

C. Monographs

1. Yvonne Kozlovsky Golan (2006), The Shaping of the Holocaust Visual Image by

the Nuremberg Trials – The Impact of the Movie Nazi Concentration Camps,

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Search and Research: Lectures and Papers No. 9. Jerusalem: Yad Vashem

Publications. 53 pp.

D. Articles in Refereed Journals

Published

1. Yvonne Kozlovsky Golan (2004), "The Birth of the Holocaust in Motion

Pictures," Political Film Review, Newsletter of the Political Film Society 216, pp.

7-16.

2. Yvonne Kozlovsky Golan (2004), "The Birth of the Holocaust: Schemes in

Black and White, Film & History: An Interdisciplinary Journal of Film and

Television Studies 1, pp. 10-16.

3. Yvonne Kozlovsky Golan (2007), "Enlisted Cinema or Cinema for Peace? Peace

in Israeli Cinema in Service of Political Ideologies," Film & History: an

Interdisciplinary Journal of Film and Television Studies 1, pp.1-6.

4. *Yvonne Kozlovsky Golan (2011), "'Au revoir, les enfants': The Jewish Child as

a Microcosm of the Holocaust as Seen in World Cinema," Shofar, an

Interdisciplinary Journal of Jewish Studies, 30/1, pp. 53-75.

5. *Yvonne Kozlovsky Golan (2011), "Cinematic Love and the Shoah: Abnormal

Love During Abnormal Times". Post Script: Essays in Film and the Humanities,

31/ 1, pp. 40-57.

6. *Yvonne Kozlovsky Golan (2011), "L'image visuelle de la Shoah et les procès

de Nuremberg. Le Film Les camps de concentration nazies et son impact." Revue

d'histoire de la Shoah. Les écrans de la Shoah: La Shoah au regard de cinema,

Memorial de la Shoah Musée, La revue Du centre de documentation juive

contemporaine 195, pp. 61-103.

7. * Yvonne Kozlovsky Golan (2013), “Lights! Camera! Fire! Australia’s

Cinematic Representations of World War One in the Middle East Front, and its

Palestine Campaign.” The Journal of the Royal Australian Historical Society

99/2, pp. 170-189

8. *Yvonne Kozlovsky Golan (2014). "Site of Amnesia: The Absence of North

African Jewry in Visual Depictions of the Experience of World War II,” Journal

of Jewish Film & New Media: 2/ 2, pp. 153-180

9. * Yvonne Kozlovsky Golan (2014). Australian Films on World War I as a

Temporal Shaper of Australia’s National Historical Consciousness, Slil: A

Journal of History, Cinema and Television, The Hebrew University of Jerusalem,

8 PP.35-57. (Hebrew)

E. Articles or Chapters in Scientific Books

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Published

1. Yvonne Kozlovsky Golan (2006), "Gibson’s Passion," in Mel Gibson’s Passion:

The Film, the Controversy and its Implications, Zev Garber (ed.), Purdue

University Press, pp. 21-30.

2. *Yvonne Kozlovsky Golan (2010), "‘Public Property’: The Cinematic

Description of Sexual Abuse of Women and Girls during the Holocaust," in

Sexual Abuse of Women during the Holocaust, Sonja M. Hedgepeth and Rochelle

Saidel (eds.), Waltham: Brandeis University Press, pp. 235-251.

3. *Yvonne Kozlovsky Golan (2011), "The Wordmaker, or The Man Who Loved in

Hebrew," in The Modern Jewish Experience in World Cinema, Laurence Baron

(ed.), Waltham: Brandeis University Press, pp. 125-132.

4. *Yvonne Kozlovsky Golan (2011), "The Arrangement," in: The Modern Jewish

Experience in World Cinema, Laurence Baron (ed.), Waltham: Brandeis

University Press, pp. 377-383.

5. * Yvonne Kozlovsky Golan (2011), “Creating the Visual Vocabulary of the

Holocaust.” in The World Before, the World After." Zygmunt Mazur et al. (eds.),

Krakow: Jagiellonian University Press, pp. 383-407.

6. *Yvonne Kozlovsky Golan (2013), “Little Men: The Representation of Child

Survivors in Postwar Cinema," in Children in War, pp. 152-167.

7.*Yvonne Kozlovsky Golan (2016), "Film as a Nationalist Manifesto: "The 'Other'

Visibility of Children from 'Over There,'" in Will we Hear their Voices: Children's

Testimonies from the Shoah, Jerusalem: Magness Press, pp. 175 -214 (Heb).

8.*Yvonne Kozlovsky Golan (2016), "Arna": Education or Indoctrination?," In:

Children in War , H. Embacher et al. (eds.), Solihull: Hellion & Company,

pp. 216-223

Accepted for Publication

8.* Yvonne Kozlovsky Golan. Rabbi Benjamin Murmelstein, a man from

“Town-As-If". In law and the Third Reich, Bloomsbury book publication (13,000

word)

תעלומת המודעות ההיסטורית והנְִראּות האבודה של יהודי צפון איבון קוזלובסקי גולן. .*9

.2017צבי, -שנה למכון בן 70. 'ספונות', כרך כה, לציון במלחמת העולם השנייה אפריקה

F. Articles in Conference Proceedings

1. Yvonne Kozlovsky Golan (2008), "The 81st Blow: Representation of the

Holocaust Survivor in Israeli Cinema in the Last Decades of the 20th Century," in

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Beyond Camps and Forced Labour, J.D Steinert and I. Weber-Newth (eds.),

Osnabruck: Secolo, pp. 771-785.

2. Yvonne Kozlovsky Golan (2008), "Cinema of War: The Middle East and the Holy

Land as a Photogenic Scene," in 90th

Anniversary of World War I in Israel, Ezra

Phimental and Zvi Shilony (eds.), Jerusalem: Ariel Publishing, pp. 90 – 100

(Heb).

G. Entries in Encyclopedias

None.

H. Other Scientific Publications

Academic Book Evaluation

1.* Yvonne Kozlovsky Golan (2015), Evaluating manuscript

Title: Restaging God: Religion and Cinema in Israel, for University of Texas Press

2. * Yvonne Kozlovsky Golan (2016), Evaluating manuscript

Title: "Our Holocaust: Documentary Cinema by Third Generation Survivors in

Israel" ,for the process of Nonfictions series, Wallflower Press (an imprint

of ( Columbia University Press NY

3. * Yvonne Kozlovsky Golan (2017), Evaluating manuscript

Title: ומנהיגות כריזמה, הקולנועית החוויה מהעצמי היציאה

הוצאת רסלינג

Academic Book Reviews

Published

1.*Yvonne Kozlovsky Golan (2012), "Review of: Israeli Cinema: East/West and the

Politics of Representation by Ella Shohat", Shofar: an Interdisciplinary Journal,

The Jewish Studies Program of Purdue University, Spring, 30/3: pp. 205-207.

2.*Yvonne Kozlovsky Golan (2013), "Review of: Israeli Cinema: Identities in

Motion, by Miri Talmon and Yaron Peleg (eds.)", Shofar: an Interdisciplinary

Journal, The Jewish Studies Program of Purdue University, Winter, 31/ 2: pp.

181-184.

3.*Yvonne Kozlovsky Golan (2014), "Behind a Double Curtain: The Censor and the

Iron Curtain, The Holocaust of the Jews of Russia in Soviet Cinema: The Absent

Present", Review of The Phantom Holocaust: Soviet Cinema and Jewish

Catastrophe by Olga Gershenson", Shofar: an Interdisciplinary Journal, The

Jewish Studies Program of Purdue University. Spring, 32/3: 123-126.

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Accepted for Publication

Articles:

4. * Yvonne Kozlovsky Golan (2014), "Review of Jews in Soviet Cinema: the Film

Commissar by Aleksandr Askol’dov," Shofar: An Interdisciplinary Journal, The

Jewish Studies Program of Purdue University. 2 pp.

5 * Yvonne Kozlovsky Golan (2014), "Visual Responses: Women's Experience of

Sexual Violence as Represented in Israeli Holocaust-Related Cinema," Review

for European Journal of Women's Studies, 1 p.

6.* Yvonne Kozlovsky Golan (2015), "Review of Jewish Revenge (Yehuda Grovais,

2003-2010): Haredi Action in the Zionist Sphere by Yael Friedman & Yohai Hakak,

Journal of Jewish Film & New Media. 1 p.

I. Other Works Connected with my Fields of Interest

Unrefereed Professional Articles

1. Yvonne Kozlovsky Golan (2000), "Trial of the Century – Trial of the

Millennium" – The "Monkey Trial" Through the Lens of the Camera and History,

Iton 77, pp. 20-23 (Heb).

2. Yvonne Kozlovsky Golan (2008), "Zion forever: Joseph Dadon’s Vision of

Redemption," in Otzrot Darom 2008, the Seventh Annual Film Festival of the

South, Sderot Cinematheque, Sapir College, pp. 61-65 (Heb).

3. Yvonne Kozlovsky Golan (2009), "Folman's Waltz", in Azure, Ideas for the

Jewish Nation, 37, pp. 17-19 (Eng.); and in Tchelet, Ideas for the Jewish Nation,

Summer 2009, 36, pp. 19-21. (Heb).

4. Yvonne Kozlovsky Golan (2010), "Down Under," Petach Tikva Museum of Art

(Israel), Nov. 2010 A Review of Exhibition, Curator: Drorit Gur-Arie, Artpress

372, pp. 93-94 (French).

5. * Yvonne Kozlovsky Golan (2010), "Report on the New Zealand Film Festival in

Israel, March 2009," The CNZS Bulletin of New Zealand Studies, No. 2, pp. 235-

238.

6. *Yvonne Kozlovsky Golan (2011), "Writing History in the Sand: Itzik Badash's

Art Project: Between Dirge, Identity and Bereavement," Erev Rav, an Independent

Magazine on Art, Culture and Society, Tel Aviv. Last modified 25/1/2011

http://erev-rav.com/archives/10494 (Heb.)

8. *Yvonne Kozlovsky Golan (2012), "Art- Society- Community," The Petach Tikva

Museum of Art (Israel), A Review of the Exhibition Art-Society-Community,

curator: Drorit Gur-Arie, Artpress (Paris), 390, pp. 93-94.

J. Other Publications Poetry (Heb)

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Books:

1980 Yvonne Kozlovsky Golan, Sailing on the Shores the Hebrew Language:

Poems, (Jerusalem: Nirim).

1994 Yvonne Kozlovsky Golan, The Pain of Pleasure: Poems,

(Tel Aviv: Reshafim, 1994).

2001 – 2011 Yvonne Kozlovsky Golan ,Weekly Columns, Literary Criticism, And

Published Poetry, Literary Review, Media Review: "Ha’aretz, Book Review

Section; Maariv," Literature and poetry critic, Books and Literature Section

(Heb)

2001-2006 Yvonne Kozlovsky Golan, Opinion pieces and columns Haaretz,

Opinions. Maariv weekly column (Heb)

Commentary (Heb – Rus)

2002 - Yvonne Kozlovsky Golan, Weekly Commentator on American Israeli

relations for Voice of Israel Radio Reka Russian-language radio's weekly

program in Israel.

K. Submitted Publications

L. Summary of my Activities and Future Plans

Research projects and contribution to the field

Past Research Projects + Contributions to Science:

When writing my doctoral dissertation (completed in 2003), I hose to take a

multidisciplinary approach to the subject of American law, legal history, and the

cinematic representations of how they interface. My research addressed legal, social,

religious, cultural and gendered aspects of the death penalty in the USA alongside the

history of its cinematic and other audiovisual representations. My findings showed

that reflections on capital punishment in film have, in turn, shaped real historical

developments and public perceptions by bringing the issues into sharper relief.

Such films have simultaneously shaped and reflected the spirit of their times and the

public’s consciousness of historical events. My focus on the American lawyers

involved in the Nuremberg Trials and the screening of the film The Nazi

Concentration Camps, led me to more in-depth research on cinematic representations

of the Holocaust, as part of my postdoctoral research at the Institute for Holocaust

Research, Yad Vashem. My research demonstrated that collective memory of the

Holocaust in the 20th

century is mostly structured from pictures and images from the

concentration camp liberation films distributed throughout Europe and the USA in the

immediate postwar years. This finding contributed to the research of history and film,

and the importance of film in shaping historical and social consciousness of

individuals and nations. The themes of World War I and II fascinated me, and I

continued to write about the wars of the 20th

century and its traumatic events (e.g., my

research on Australian and New Zealanders film and the representations of World

War I, especially the fighting in the Middle East).

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My work also draws upon my many other spheres of interest, all with the common

denominator of the cinema: history, literature and poetry, digital arts, the art of film

and journalism.

Current Research Projects

Planned Projects

I am currently working on a book based on the Jewish communities of North Africa

and the Holocaust This research will be published in my next book. I have already

traveled to several of the military archives on my list, beginning in France. I will also

be conducting research in the USA, UK, Germany and Italy, and back to France,

where I have already located visual documents and audiovisual materials from World

War II relevant to the Jewish communities in those countries. (My grant from the

Payis Foundation for Culture is assisting my research).

Books in Preparation

"Site of Amnesia: The Absence of North African Jewry in Visual Depictions of the

Experience of World War II"

Articles in Preparation

1. “Michael Haneke’s oeuvre and sub-textual trends in his films on events of the

20th

century”

2. “Last of the Unjust: A view in the mirror: An essay on Claude Lanzmann’s

latest film.”

3. “The Judenrat and the Nazi Racial Policies: Ethical issues in Claude

Lanzmann’s Last of the Unjust (2013).”