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Andrea [email protected]
Draw predominates in my work, but also I
do it in di! erents supports according to the
mesage I want to convey.
I work with the human " gure and his sur-
face, so I make body draws and they are
planned to be tattooed acording to the form
of the body thats why I plan the ressult in
di! erents supports.
Skin sometimes re# ects our personality and
is a way of identi" cation and classi" cation,
we can modify it because nobody has cho-
sen his body. The position of tattoo in socie-
ty is not well de" ned, as same as art.
I work with the contrast of the science lan-
guage and images from the personal ima-
gery.
‘Science turns everything into a case, na-
mely, it converts anything in common with
other many things. This is called abstraction,
the life discovered by the science is an abs-
tract life, while vital thing is the concrete
thing, the incomparable thing, the only
thing, the life is the individual thing.’ Ortega
y Gasset.
Broken bonesThe project is composed by two series that com-
plement each other. The " rst one, Broken Boards,
boards of a few skateboards have been drawn
with felt-tip pens.
The second one, Rigid bodies, is composed by
seven clapboards with the same format where the
realized drawings have been printed.
In both series it predominates over an aesthetics
very similar to tattoos and they follow the same
composition of the tattoo desings.
Also, both series represent the body, his forms,
organs and bones. A peculiar anatomy atlas is the
result of this proyect.
Broken boards
fragmento #01, 2012
marker on board
27 × 15,5 cm
fragmento #04, 2012
bas-relief
71 × 20 cm
fragmento #02, 2012
marker on board
81 × 21 cm
fragmento #03, 2012
marker on board
26 × 86 cm
Rigid bodies
! ash #07, 2012
print on board
14,8 × 21 cm
! ash #04, 2012
print on board
14,8 × 21 cm
! ash #08, 2012
print on board
14,8 × 21 cm
! ash #02, 2012
print on board
14,8 × 21 cm
! ash #05, 2012
print on board
21 × 14,8 cm
! ash #01, 2012
print on board
21 × 14,8 cm
! ash #01, 2012
print on board
21 × 14,8 cm
Hand atlasThe project Hand Atlas resorts to # ashes (samples of tattoo
desings) to make an artistic object. Four wood cylinders
compose this serie, in each cylinder is illustrated one hand,
two views in each cylinder.
The drawings represent the movements and layers of a few
peculiar hands.
It predominates over the line, which shows courts and
round limits, coming closer the reality of a faithful way and,
at the same time, abstract.
The cylinders are an abstraction of the extremities of the
human body. In them it predominates over the seam, a
di! erent type of line, which has, in contrast with the lines
of the drawing, an alive character.
left hand #01, 2013
transfer on wood
28 × 13 × 13 cm
left hand #02, 2013
transfer on wood
28 × 13 × 13 cm
right hand #01, 2013
transfer on wood
28 × 13 × 13 cm
right hand #02, 2013
transfer on wood
28 × 13 × 13 cm
Watercolours
osseus #02, 2013
watercolor on chinese food box
10×10×10 cm
osseus #07, 2013
watercolor on chinese food box
10×10×10 cm
osseus #01, 2013
watercolor on chinese food box
10×10×10 cm
No title, 2013
Watercolor on paper
30 × 20 cm
No title, 2013
Watercolor on paper
30 × 20 cm
No title, 2013
Watercolor on paper
24 × 18 cm
No title, 2013
Watercolor on paper
24 × 18 cm
No title, 2013
Watercolor on paper
18 × 24 cm
No title, 2013
Watercolor on paper
20 × 30 cm
No title, 2013
Watercolor on paper
20 × 30 cm
No title, 2013
Watercolor on paper
20 × 30 cm
No title, 2013
Watercolor on paper
8,5 × 8,5 cm
No title, 2013
Watercolor on paper
8,5 × 8,5 cm
No title, 2013
Watercolor on paper
8,5 × 8,5 cm
No title, 2013
Watercolor on paper
8,5 × 8,5 cm
No title, 2013
Watercolor on paper
8,5 × 8,5 cm
No title, 2013
Watercolor on paper
8,5 × 8,5 cm
No title, 2013
Watercolor on paper
8,5 × 8,5 cm
