22
Don’t Do Dreadful Dialogue Mary Evans @MaryAliceEvans [email protected]

Don’t Do Dreadful Dialogue

  • Upload
    nailah

  • View
    71

  • Download
    0

Embed Size (px)

DESCRIPTION

Don’t Do Dreadful Dialogue. Mary Evans @ MaryAliceEvans [email protected]. Golden Rule #1. Speaking and writing are different things. Writing is taught. Speaking is caught. Things that affect our speech. Accent ( location, class, profession, gender ) Dialect - PowerPoint PPT Presentation

Citation preview

Page 1: Don’t Do Dreadful Dialogue

Don’t Do Dreadful Dialogue

Mary Evans@MaryAliceEvans

[email protected]

Page 2: Don’t Do Dreadful Dialogue

Golden Rule #1

Speaking and writing are different things.

Writing is taught. Speaking is caught.

Page 3: Don’t Do Dreadful Dialogue

Things that affect our speech

• Accent(location, class, profession, gender)• Dialect(upbringing, current home, pretence)• Lexis(education, class, self-perception and projection)• Emotional/Physical state(in control, distraught, drunk, unwell)

Page 4: Don’t Do Dreadful Dialogue

But Remember…

Speech can be the truth or a lie

We choose how we speak. We choose what we say.

Speech can be very revealing. It can also be a mask.

Page 5: Don’t Do Dreadful Dialogue

Golden Rule #2

We rarely say what we mean.

We speak in subtext.

Page 6: Don’t Do Dreadful Dialogue

SubtextIn drama, more than any other art form, people don’t say what they mean. It isn’t always a lie. It isn’t always fudging or denying the truth. Sometimes characters think they’re telling the truth. Sometimes they don’t know the truth. In great drama, there are the words themselves and the truth beneath the words. There is the text and the subtext. They are not the same. They’re not supposed to be. (2011: 1)

Seger, L., (2011) Writing Subtext: What Lies Beneath. Studio City, CA: Michael Wiese

Page 7: Don’t Do Dreadful Dialogue

How to bring out the subtext

What’s underneath the words?

Two characters bump into each other. They automatically say sorry. But how?

Gritted teeth/laughs/straightens clothes/stands ground/defensive/mortified/dismissive/tearfully/flirtatiously/aggressively

Page 8: Don’t Do Dreadful Dialogue

Action + Dialogue

= the moment of the scene

Page 9: Don’t Do Dreadful Dialogue

Golden Rule #3

Speech is a mess.

We don’t talk neat and proper, like.

Page 10: Don’t Do Dreadful Dialogue

Messy Speech

• Verbal ticks (“like”, “er”, “yeah”, “you know what I mean”)• Interruptions(by someone else, or a new thought)• Zeitgeist(hashtag, smiley face, LOL)• Humour

Page 11: Don’t Do Dreadful Dialogue

Verbal Rules

• Swearing• Quoting• Ending sentence on a question• Repetition

Deciding the verbal rule of your character will bring them to life. It can also represent change.

Page 12: Don’t Do Dreadful Dialogue

Golden Rule #4

Characters always have an agenda.

They will have a verbal strategy to achieve it.

Page 13: Don’t Do Dreadful Dialogue

Verbal strategies

• Flattery• Avoidance• Exaggeration• Self-deprecation• Wise-cracking• Complaining• Lying• Honesty• Silence

Page 14: Don’t Do Dreadful Dialogue

What’s on the agenda?

• Give your characters exciting, opposing agendas

• Take the agenda and ask what the verbal strategy is to achieve that goal

Ie She wants money. He wants a second date. How do they go about getting what they want?

Page 15: Don’t Do Dreadful Dialogue

Golden Rule #5

Characters don’t tell each other what they already know.

Avoid awful exposition.

Page 16: Don’t Do Dreadful Dialogue

The Writer’s Riddle

How to get information across without unnecessary exposition.

Characters know things, but must communicate to an audience who don’t.

Page 17: Don’t Do Dreadful Dialogue

An Exercise

Write a scene where two grown sisters have just returned from their mother’s funeral. Convey

that without using the words:

MotherDeath (or Dying)

Funeral

Page 18: Don’t Do Dreadful Dialogue

My EffortGeorgia:

If one more person tells me that was a lovely service, I’ll arrange one for them.Chloe:

Who was that bloke with the beard?Georgia:

Mum’s accountant.Chloe:

She had an accountant? She had money?Georgia:

Not any more. I just paid her accountant.

Page 19: Don’t Do Dreadful Dialogue

To avoid exposition…

… ban obvious words

Page 20: Don’t Do Dreadful Dialogue

Some more Golden Rules

• Come in late and leave early. Enter on a conflict and leave on a question.

• Cut out the chatter – greetings and introductions.

• Put “buttons” on the end of scenes – end the scene on a great line, seal the scene and move the story forward

Page 21: Don’t Do Dreadful Dialogue

A Useful Read

Writing Dialogue for Scripts: Rib Davis(808.2/DAV)

Page 22: Don’t Do Dreadful Dialogue

Another Useful Read

Making a Good Script Great: Linda Seger(808.23/SEG)