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Documentary Making from Start to Finish Andy Carvin www.andycarvin.com www.digitaldivide.net [email protected]

Documentary Making 101 11081

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How to make a dcumentary film

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Page 1: Documentary Making 101 11081

Documentary Makingfrom Start to Finish

Andy Carvin

www.andycarvin.com

www.digitaldivide.net

[email protected]

Page 2: Documentary Making 101 11081

What is a Documentary?

doc·u·MEN·ta·ry:

A work, such as a film or television program, presenting political, social, or historical subject matter in a factual and informative manner and often consisting of actual news films or interviews accompanied by narration.

Or in simpler terms:

A nonfiction story told through moving images and sound.

Page 3: Documentary Making 101 11081

Essential Elements

Images: people, places, things, text, etc.

Sound: narration, voices, music, sound effects, background sounds ("nats")

Edits: The integration of images and sound

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Images+Sounds+Edits=Style

You strike a balance based on what you wish to communicate:

Fast edits and loud music to convey action

Disjointed images and unusual pacing

Straightforward editing for a journalistic feel

Page 5: Documentary Making 101 11081

The Documentary Team

Executive Producer Producer Researcher Writer Cameraperson Editor Talent

Page 6: Documentary Making 101 11081

Executive Producer

The person who’s ultimately in charge Usually overseeing more than one production Responsible for setting goals, deadlines Has the power to delegate tasks

... In other words....

The Teacher is the Executive Producer!

Page 7: Documentary Making 101 11081

The Producer

In charge of a specific production Keeps Exec Producer in the loop Plans production schedule, assigns tasks In charge of the overall vision of the project Keeps log of all footage shot on location

Students share role of the producer

Page 8: Documentary Making 101 11081

Researcher

Identifies potential interview subjects, characters

Fact-checks and verifies all ideas included in the documentary; quality control

Helps “fill in the blanks” by researching information about characters, topics, plot

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Writer

Creates storyboards

Writes script

Helps weave the story together

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Cameraperson

Scouts location with production team

Shoots video

Page 11: Documentary Making 101 11081

Editor

Does the technical work of editing documentary

Works to insure that story is told in specified time length

Page 12: Documentary Making 101 11081

Talent

Interview subjects On-screen host Narrator Voiceover artists (reading/translating voices

of characters)

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The Team in a Classroom Context

Students working in small groups Each student given the opportunity to learn

each role (writer, editor, cameraperson, etc) Encouraging students to take roles in which

they excel Organized into small teams (3-6 students)

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The Three Stages of Documentary Making

Pre-production: Planning the film

Production: Shooting it

Post-production: Putting it together

Page 15: Documentary Making 101 11081

Pre-Production

Team assignments "The Pitch" Story outlining/storyboarding Research Arranging interviews Scouting Locations Shot list

Page 16: Documentary Making 101 11081

Team Assignments

Breaking students into small groups Discussing the various tasks (writing,

researching, editing, shooting, etc) Delegating responsibilities to individual

students - or agreeing how responsibilities will be shared among the group

Reviewing assignment deadlines Giving your team a production company

name (AC Productions, etc)

Page 17: Documentary Making 101 11081

“The Pitch”

Students have to pitch story ideas to teacher Encourage teams to brainstorm stories Present top three ideas to class Class discussion of story ideas Teams take best idea, summarize it in less

than one page of text: what’s the story, why they’re doing it, and how they’ll do it

Page 18: Documentary Making 101 11081

Story Outlining/Storyboarding

Mapping out the flow of the story using drawings and/or text

Brainstorming what ideas will be conveyed where in the documentary’s timeline

Identify major ideas/images to be conveyed Optional: planning style of particular shots Tools for storyboarding: Inspiration,

Kidspiration, MS Word, pencil and paper

Page 19: Documentary Making 101 11081

Storyboard example

Here’s a typical storyboard template: a series of boxes for drawings and text.

Online:www.chc.edu/grat708/blankstoryboard.html

Page 20: Documentary Making 101 11081

Research

Investigating the topic

Fact-checking

Finding historical documents, photos, etc

Page 21: Documentary Making 101 11081

Arranging Interviews

Identifying main characters

Identifying “experts”

Scheduling appointments

Planning interview questions

Page 22: Documentary Making 101 11081

Scouting Locations

Deciding where you plan to shoot video Visiting sites ahead of time to get a sense of

the space Planning the order in which you will shoot in

different locations Identify what the best shots are in each

location

Page 23: Documentary Making 101 11081

Creating a Shot List

A complete list of shots you want to get Images of particular people Contextual footage (“B-Roll”) Establishing shots Shot list often based on storyboards

Page 24: Documentary Making 101 11081

Production

Shooting Video Conducting Interviews Capturing Audio Collecting Still Images Keeping a Shot Log

Page 25: Documentary Making 101 11081

Shooting Video

Shooting primary footage (interviews, action) Establishing shots to provide location context Cutaways (peripheral footage for editing) B-Roll (footage that accompanies what’s

being said by characters or narration) Always shoot more than you think you’ll need Safety shots - just in case! Make sure your batteries are charged!

Page 26: Documentary Making 101 11081

Conducting Interviews

Getting subject comfortable in front of camera Eye perspective

Looking at camera or just off-camera, but not both in the same interview

off-camera is more common Avoid too many people behind the camera Have subject repeat question as statement

Q: When did you start the band? A: We started the band back in 2003...

Page 27: Documentary Making 101 11081

Capturing Audio

In a professional shoot, an audio engineer would record a continuous audio track

Not necessary for classroom purposes Compromises:

Bring two cameras, one always rolling, capturing continuous audio

Bring handheld audio recorder Continuous audio important for music footage

Page 28: Documentary Making 101 11081

Collecting Still Images

Photos very useful when video footage isn’t available

Public library photo archives good resource

Scan photos at very high resolution Higher quality Allows you to zoom in on parts of the photo Example: The Atlantic City Boardwalk

Page 29: Documentary Making 101 11081

Keeping a Shot Log

A notebook of all footage captured on video What you shot When you shot it What tape it’s on This means you need to label your tapes!

Page 30: Documentary Making 101 11081

Post Production

Transcribing interviews Annotating shot log Uploading footage Story planning Script writing Editing

Page 31: Documentary Making 101 11081

Transcribing Interviews

Identifying useful quotes Noting location of quotes on each tape Transcribing saves time in the long run!

Example:

Tape 3, Sam Sheridan Interview15:13: “Sure, it’s a dangerous sport, but so is

football or hockey....” ****16:04: “I’m a little worried, but not too worried.”

Page 32: Documentary Making 101 11081

Annotating Shot Log

Similar to transcribing interviews, but focuses on summarizes where images are located.

Adding more detail to your shot log, now that you’ve had time to review it. Example:

Tape 13Flea Market Footage

21:03: Establishing shot of comic book stand

21:44: Close-up of customer, looking down, reviewing comic book

21:58: ECU of customer’s hands, counting money

Page 33: Documentary Making 101 11081

Uploading Footage

Upload all the video clips you may use Be sure to give each clip “padding” - several

seconds before and after meat of the clip Organize clips in bins either by tape or subject Name clips by time stamp and subject:

Tape 3, 16:04 Sam: “I’m a little worried” =

031604SamWorried.mov

Page 34: Documentary Making 101 11081

Story Planning

Outline of the entire script

“3x5” planning: writing best quotes, main story sections on 3x5 cards to experiment with story order; Inspiration/Kidspiration useful as well

Identifying best footage, matching them with story sections/quotes, putting them in order

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Script Writing

Done in conjunction with story planning Script should weave together story elements,

quotes, matched with appropriate images Judge the script by how it sounds read aloud,

not how it reads on paper Basic script for narrator: narration/quotes Three-columned script for everyone else:

Time Code Video Narration/Interview Quotes

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Editing

Recording narration - do lots of takes! Rough cut - putting clips in order, no F/X Team, teacher, class review rough cut Corrections based on group input; another review Polishing: adding dissolves, graphics, etc Final cut: documentary is complete

In real world, review/corrections process

repeated again and again and again!

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Questions to consider

How much time each week/month will be dedicated to production?

Will production take place throughout the year?

Should students work on one project all year or produce multiple projects?

Page 38: Documentary Making 101 11081

Don’t Forget Copyright Videos shown publicly/online must honor copyright Red flags: TV video clips and music Using someone’s music w/o permission can get

school in trouble; get permission from publisher! Creative Commons (CC): http://search.creativecommons.org

Magnatune.com: Free music for nonprofit projects using noncomercial/attribute/sharealike CC license

License low-cost music: http://www.productiontrax.com

GarageBand Use original student music - they own the copyright! Always cite copyright holders in credits

Page 39: Documentary Making 101 11081

A New Twist: Video Blogging

Create a school blog for premiering videos Upload videos to the blog Mentoring opportunity - Get experienced

filmmakers and video bloggers to critique students’ work

Cutting edge: only a handful of educational video blogs in the world today

Would have to conform with school AUP

Page 40: Documentary Making 101 11081

Thank You!

Andy Carvin

[email protected]

www.digitaldivide.net

www.andycarvin.com