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Otto Dix (1891-1969) 1 jamp'07 jamp'07 2 The Nun, 1914 jamp'07 jamp'07 3 Self-portrait as Target, 1915 jamp'07 jamp'07 4 Self-portrait as Mars, 1915 jamp'07 jamp'07 5 Shellhole with Flowers, 1915 jamp'07 jamp'07 6 A Shell Hole with Flowers, 1916 jamp'07 jamp'07

Dix [Modo de compatibilidad] - UPM [Modo de compatibilidad].pdf · “Machine Gunners Advancing" from Der ... an allegorical painting representing the political situation in Germany

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Otto Dix (1891-1969)

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The Nun, 1914

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Self-portrait as Target, 1915

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Self-portrait as Mars, 1915

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Shellhole with Flowers, 1915jamp'07jamp'07 66

A Shell Hole with Flowers, 1916jamp'07jamp'07

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77Direct Hit, 1916

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Falling Ranks, 1916jamp'07jamp'07

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Hand-to-hand fighting, 1917

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Lovers on a Grave, 1917

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1111Trench with Flowers, 1917

jamp'07jamp'07 1212Dance of Death, 1917jamp'07jamp'07

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Trenches, 1917

jamp'07jamp'07 1414Trenches, 1917jamp'07jamp'07

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The Flare, 1917

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Moon Woman, 1919

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Pregnant Woman, 1919

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Syphilitic, 1920

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Prager Street, 1920

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The Skat PLayers, 1920

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At the Mirror, 1921

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3333The salon, 1921jamp'07jamp'07 3434jamp'07jamp'07

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Dr. Hans Koch, the Dermatologist and Urologist, 1921

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Café Couple. 1921

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Self-Portrait. 1922

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Self Portrait. Project for a Cover for an album of Drawings and Watercolours

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To Beauty, 1922

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Portrait of Dr. Heinrich Stadelmann, 1922

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Portrait of the Painter Adolf Uzarski, 1923

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Old Couple, 1923

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Ellis, 1923

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Old Woman

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Portrait of the Art Dealer Johanna Ey, 1924

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Nelly with Toy, 1924

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4747“Machine Gunners Advancing" from Der Krieg, 1924

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Self-portrait as a soldier, 1924

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A Skull, 1924

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A Dead Sapper, 1924

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5151Meal Time in the Trenches, 1924

jamp'07jamp'07 5252“Langemarck (February 1918)” from Der Krieg, 1924jamp'07jamp'07

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The Bombing of Lens

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On the Slopes of Cléry-sur-Somme

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A Dead Horse jamp'07jamp'07 5656

Soldier and Nun (Rape)

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Retreating from the Battle of the Somme

jamp'07jamp'07 5858Stormtroopers during a Gas Attack jamp'07jamp'07

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Collapsed trenches, 1924

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“Wounded soldier - Autumn 1916, Bapaume”, 1924 jamp'07jamp'07

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Transplantation

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Portrait of the Dancer Anita Berber, 1925jamp'07jamp'07

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Still Life with Widow's Veil, 1925jamp'07jamp'07 6464

Portrait of the Journalist Sylvia von Harden, 1926

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Pillars of Society, 1926

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Dr. Mayer-Hermann. Berlin 1926

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Self-portrait, 1926

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Newborn Baby on Hands, 1927

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The Artist’s Family, 1927

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Portrait of the Painter Franz Radziwill, 1928

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Gross Stadt (Metropolis) - 1928

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Grossstadt - Detail

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Grossstadt - Detail

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Grossstadt - Detail

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"War Triptych“, 1929-32jamp'07jamp'07

L: Morning. column of soldiers go into battle like Jesus went to Golgotha

C: Afternoon. reign of mechanical death, man gled corpses, witnessed by man in gas mask crouching under ruins of bridge on which is impaled a corpse

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R: Night. illuminated by flare OD carries wounded comrade away from line of fire

Bellow: Soldier's sleep of Death? sleeping men underground in bunker, when they awake they will

face same fate

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Suleika, the Tatooed Wonder, 1929

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Portrait of the Actor Heinrich George as Terje Wiggen, 1932

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Trench Warfare, 1932

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Trench Warfare, 1932

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The Seven Cardinal Sins, 1933jamp'07jamp'07

Otto Dix created this painting titled The Seven Deadly Sins in 1933. It is an allegorical painting representing the political situation in Germany at the time, and was created immediately after the Nazis had Dix removed from his teaching position at the Dresden Art Academy.The figures are Avarice (an old, bent over hag clutching at money), Envy (who rides the back of Avarice), Sloth (the figure in the skeleton costume who holds the scythe, and whose legs and arms form a rough swastika), Lust (who dances in a lascivious way behind Death, Anger(the horned Demon behind Death), Pride (the enormous head behind

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the scythe, whose ears are plugged and who has an anus for a mouth), and Gluttony (represented by the figure in the uppermost right corner who wears a cooking pot on his head). The figure of Envy, who rides the back of Avarice, wears a mask of Adolf Hitler. As a matter of precaution, Dix did not paint in the Hitler mustache until after the War! The figure of Sloth is prominently featured because the Artist blamed the German people's lack of alarm and concern as a primary reason for the Nazis rise to power.

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Triumph of Death, 1934

jamp'07jamp'07 9090Flanders, 1934 jamp'07jamp'07

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Mother and Eva, 1935jamp'07jamp'07 9292

St. Christopher IV, 1939

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9393Masks as Ruins, 1946

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Self-portrait as POW, 1947

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