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CONTENTS
NOTES ABOUT THE TRANSCRIPTIONS
These ten pieces, which appear in print for the first time, were transcribed directry fromDilermando Reis' original recordings. Aside from va se rc Agradat the other nineselections have one recorded version each. A rough translationiwirr, ,rra ""."pti."
.rsobradinho, for it is impossibie to know the exact meaning D ermando had i., -i.ra-and the recording date appear in parenthesis next to the title.
Alma Apaixonada / SouI in Love (196g recording)This piece, though written in 3/4, is not exactry a wartz. Dilermando prays it as asentimentar song. There are many grace notes anticipating the bass line. Some arestylistic and some were probably used to facilitate the-performance.
Desengano / Disenchantment (1966 recording)This is a great choro with a strong melody. Note that some gaps in the main merody arefilled in with another one which creates a kind of question and answer effect.
Eterna Saudade / Etemal Longing (1963 recording)This is one of Reis' typicar waltzes. written in a minor ket it must be prayed srowly andwith a melancholic feeling. There is a nice contrasting effect in trr. iirri ,".r". bu., ofthe second section which are played twice as fast.
Feitigo / Sorcery (1968 recording)My favorite of Dilermando's choros is IeifrEo. Much of its charm is due to the anticipatedbass notes throughout the piece, which in this case go beyond styristic .rru.ri", tobecome an essential part of the piece.
The rhythm changes suddenly in bars 30 and 31 (second section), which may causereading problems. These two bars should be played as if they were written thii way:
t Y j ' ) ' ( , ' ,
.:
l l
,e-.
Fim de Festa / End of the Party (1964 recording)Sandrinha / Little Sandra (1970 recording)Reis composed many sentimental waltzes in E minor. These two share this character-istic and, besides the romantic feeling, have a similar structure.
Gente Boa / Good People (1975 recording)This choro is quite effective despite not havinga strongbass line, so typical ofthe choro.It must be played with plenty of swing. pay attention to the pizzicatos (they are veryimportant) and, once more, to anticipated bass notes.
Rosas de Outono / Autumn Roses (1969 recording)Although played slowly, it differs from the other waltzes in this volume in that it is notsad and has not repeated melodic phrases in either section. There are some similaritiesbetween this piece and Dois Destinos, which is in Volume 1 of this series.
Sobradinho / (1969 recording)This is the only maxixe in this collection. The first section recalls the well-known sonsde Carrilhdes (Sound of Bells), byJolo Pernambuco and must be plaved with the samefeeling. The title may refer to a Brazilian city.
VA se tu Agrada / See If You Like It (1948 and 1971 recorrlings)Both versions of this choro were recorded with z guitars. In this arrangement for sologuitar, I have tried to maintain some of the original feeling. I consider this to be the mostdifficult piece in the collection.
I would like to thank my friends Dailor pereira, Edmar Fenicio, Haho cunha, lodo Barbosa,Richard udler, Ronoel simdes, Rubinho, and william Kobata who helped me in various ways.special thanks to Erasto Reis (Dilermando's nephew) and the entire Reis family flomGuaratinguetd (Sdo Paulo).
This volume, once again, is dedicated to Mr Ronoel simdes, whose work for the pdst s0 yeafi,has been fundamental in the preseruation of the guitar history.
IVAN PASCHOITOAotil2O. 1994
L'islesso t€mpo
DTLERMANDO REIS (L9L6-L977)
Dilermando Reis, probablythe mostfamous Brazilian popular guitarist, wasborn in Slopaulo state but lived most of his life in Rio deJaneiro, where he worked actively in radioand recordings. From 1941 to 1975 he recorded about 20 - 78 rpm and 23 - LPs.
He played all kinds of music and recorded the compositions of Bach, Barrios, Tarrega,Gnattali, and Pixinguinha among many others. However, his preference was thetraditional Brazilian guitar style: doleful waltzes and choros full of modulations to
"confuse" accompanists, played with his unique style and sound.
He was a great composer also. He recorded about 100 of his own compositions, manyof which became real standards of Brazilian popular guitar-like Dois Destinos and seEIa Perguntar.
In 1975 he recorded the LP The Brazilian Guitar of Dilermando Reis, containing his lastcompositions: choros and waltzes, of course.
IVAN PASCHOITO
Ivan was born in s6o Paulo, Brazii in 1953. Fascinated with the sound of Dilermando
Reis, he began teaching himself the guitar at the age of 1'2. In 1973, Ivan began
transcdbing and arranging the music of Baden Powell, Toquinho, Milton Nascimento,
Vinicius de Moraes, and others. His first arrangements were published in 1984'
Ivan's favorite guitarists include: Carlos Barbosa-Lima, Paulinho Nogueira, Dilermando
Reis, Garoto (Anibal Augusto Sardinha), and John Williams.
GUITAR SOLO PUBLICATIONS514 Bryant Street San Francisco California 94107-1217 USA
Alma Apaixonada
Andante sostenuto rJ = rolOII
Transcribed byIvan Paschoito (10/91)
cantabile
Dilermando Reis
a}.
L
i7' li7r l
01971 EDICOES MUSTCATS TAPAJOS LTDA.All Rights Controlled and Administered in theUnitedStates and Canada by ColSems DMI, Inc.International Copydght Secured. A11 Rights Reserved.Used by Permission. Printed in the USA. GSP-65
;:ar Q?r l
-'r
o9FI
1'T"ff
\r frl-
7E'' l
@ s @ u) ----------------- l?)
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('I
?'I
cv_
@@@
rCII
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Desengano(choro)Transcribed by
Ivan Paschoito (10/91)
Adagto 1) = 721
@1994 GUITAR SOLO PUBLICATIONS (ASCAP)
Intemational coptright secured. All rights rese ed.
Photocopying this music is illegal. Printed in the USA.
Dilermando Reis
GSP-65
r0
t- -lr f r l . AdUi
CV-. ---------_ CIV-, . . . i
, ln + r \ - +
CIIT _r CVI
0x l r '
cvII I
l l2 .0x _
f-:^n
D. C. al Coda @ Con
t t ' ?
4 l
t?-.-../l\--=/
-)J/.
GSP-65
Transcribed byIvan Paschoito (11/91)
Anaante 1J = 34;
Eterna Saudade(waltz)
'J\ d-l
r
Dilermando Reis
@ @ 7 1i l I - an1\a) ;4 0
(
. l - - ' 1N I
) l td4
@1994 CUITAR SOLO PUBLICATIONS (ASCAP)International copyright secured. All rishts reselved.Photocopying this music is illegal. Printed in the USA. GSP-65
- 1 2
dappio movifiento
GSP-65
F" l
I J
D. S. al Coda
GSP-65
't4
Transcdbed byIvan Paschoito (9/91)
Larghetto 1J = 69;
Feiticot
(choro)
cII ICIV
Dilermando Reis
rtgorosa
O1992 [DICOES MUSICAIS LTDA.Warner/Tamerlane Publishing Corp.International Copyright Secured. All Rights Reserved.Used by I'ermission. Printed in the USA. GSP-65
C1I
3l'-l+ 'a
@-,- o @3 r-i.4. 1
cvI
' > T'=-----.-'-'/
,r , T f
o c I I l
fi- '1
D. S. al Coda
cn '
v)=6@
. zc '-L
CVII>-2 >
ben ttu)rcoto - - - - - - l
@ coao
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16 ,-., . .r
Fim de Festarranscribed by (WaltZ)
Ivan Paschoito (11/91)
A n d r n t e 1 J = o 6 1 , , \^
-rit .q. @ra @
- ziT z,.r iTl
r,.i
, \ aA t1
4 )t , l r
9------------4 l
@
zl 4 1) 4 l.--
Ol994GUITARSOLO PUBLICAT]ONS (ASCAP)International copyright secured. Al1 rights reserved.Photocopying this music is illegal. Printed in t1le USA. GSP-65
c I r
'("1 i
GSP-65
@ conClI
GSP-65
Gente Boa(choro)
Transcdbed byIvan Paschoito (10/91)
Adagio (,) = 76)Dilermando Reis
scherzando
c I I _
01994 GUITAR SOLO PUBLTCATIONS (ASCAP)Intemaiional copyright secured. All rights resened.Photocopying this music is illegal. printed in the USA. GSP-65
* @-__,___r crx _
r cti
. ll. o-- c Ix - l
? t 'l -V
D. S. al Coda
P i z z - - - - - - - - - l
* Onlv "A" note is tied.
"" No iies here. Both "C" and "A" notes must be played.
---l--E
t -r 'at
> ? f t '- I--_-t/
GSP-65
Rosas de Outono(waltz)
21
Transcribed byIvan Paschoito (10/91)
Adante 1J = 331 Dilermando Reis0v
Y
f--=.-.---- ta'
I
' qlx-,
. \ z l r l I I l - ^ - . Iu.+r l ! 4
CIY
nla .
01971 EDTCOES MUSTCAIS TAPAJOS LTDA.All RiShts Controiled andAdministered in rneUnited States and Canada by Colgems EMI, Inc.International Copyright Secured. All Rights Reserved.Used by Permission. printed in the USA. GSP-65
22 cv/a
3 >
0v _ --,-
-4j1-l
-3"""'1
nr nr
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I
CIII
Jrf.
,,-.--\i+ ' ol
-a -
v't
,5ft
II;rr
cII- ------------ ^- r . Ia l ) , I i - r i tl t : . ) ) 4 l - l t
' fo
0rv
f>.}.
t t . l2
I
J
T o -l | --_=,/
I
t
a'I
tau.\9
C. al Coda
8rq ' --.,
I4 '
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$ coao
24
Transcribed by
Ivan Paschoito (11/91)
Larghelto 1J = 661tlvII ,
Sandrinha(waltz)
@ 6l F .
4 t ^ t . . 1.x ' r a ' "1@ __ _-____r @--.
Dilermando Reis
P.l\-_=-
rv" l
01971 EDICOES MUSICAIS TAPAJOS LTDA.
All Rights Controlled andAdministered in the
United States and Canadaby Colgems EMI, Inc.
International Copydght Secured. All Rights Reserved.
Used by Permission. Printed in the USA. GSP-65
25
@ @ @s
r r @
cvIII I cvll
. 4(+a
\1 \, ,,?l
: 1 2 4 r 1'Al 4 f..' = i.. q! _a {:! i
cr\' I
GSP-65
1l') , l
-nE'r l\---.- _=---
GSP-65
Sobradinho(maxixe)
Ftrl@
27
Tmnscibed byIvan Paschoito (10/91)
Adagio 1J = 691 Dilermando Reis
'f-'
0rr - _-,
't
@1992 RIGHTSONGMUSIC, INC.Warner/Tamerlane Publishing Corp.Intemational Copyright Secured. A11 Rights Reselved.Used by Permission. Printed in the USA. GSP-65
28
tbtl)a
T f i
L-/*r
cIIt I clv CYII
i3
c r r r rao , l l '
D. S. al Codn. $ Coao
'L-r----'"e'r
c]l r
GSP-65
l t l t
4utt -', n.,2 .Nx
turanged byIvan Paschoito (11/91)
Larghetto (J = 63)
tJ--.f-
-Ve se te Agrada
arYc\' -
-4 l -
7 ' j + r l l ^ l
(choro)
clv I cvI I
cvII I
29
Dilermando Reis
'-
. T Y" ' , . _ - - - - - - - - - . . \ , r I T
cvII I .u , lT
01994 GUITAR SOLO PUBLICATIONS (ASCAP)International copFight secured. All rights reserved.Photocopying this music is illegal. Pdnted in the USA.
@
GSP-65
CIV-
30
+' ra-
cvII i cv
t ' t
ctv I
D. S. al Coda
0Ir __-- clv
11. l tz.
GSP-65
