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    Dialectical Materialism

    Dialectical Materialism is a way of understanding reality; whether thoughts,emotions, or the material world. Simply stated, this methodology is the combination

    of Dialectics and Materialism. The materialist dialectic is the theoretical foundation

    of Marxism (while being communist is the practice of Marxism).

    !t is an eternal cycle in which matter mo"es, a cycle that certainly only completes

    its orbit in periods of time for which our terrestrial year is no ade#uate measure, a

    cycle in which the time of highest de"elopment, the time of organic life and still

    more that of the life of being conscious of nature and of themsel"es, is $ust as

    narrowly restricted as the space in which life and self%consciousness come intooperation. & cycle in which e"ery 'nite mode of existence of matter, whether it be

    sun or nebular "apour, single animal or genus of animals, chemical combination or

    dissociation, is e#ually transient, and wherein nothing is eternal but eternally

    changing, eternally mo"ing matter and the laws according to which it mo"es and

    changes.

    redric *ngels

    Dialectics of +ature

    !ntroduction

    Motion is the mode of existence of matter. +e"er anywhere has there been matter

    without motion, or motion without matter, nor can there be.

    hange of form of motion is always a process that taes place between at least two

    bodies, of which one loses a de'nite #uantity of motion of one #uality (e.g. heat),while the other gains a corresponding #uantity of motion of another #uality

    (mechanical motion, electricity, chemical decomposition).

    Dialectics, so%called ob$ecti"e dialectics, pre"ails throughout nature, and so%called

    sub$ecti"e dialectics (dialectical thought), is only the re-ection of the motion

    through opposites which asserts itself e"erywhere in nature, and which by the

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    continual con-ict of the opposites and their 'nal passage into one another, or into

    higher forms, determines the life of nature.

    redric *ngels

    Dialectics of +ature

    ut dialectical materialism insists on the approximate relati"e character of e"ery

    scienti'c theory of the structure of matter and its properties; it insists on the

    absence of absolute boundaries in nature, on the transformation of mo"ing matter

    from one state into another, that from our point of "iew /may be0 apparently

    irreconcilable with it, and so forth.

    Dialectics

    Dialectics is the method of reasoning which aims to understand things concretely in

    all their mo"ement, change and interconnection, with their opposite and

    contradictory sides in unity.

    Dialectics is opposed to the formal, metaphysical mode of thought of ordinaryunderstanding which begins with a 'xed de'nition of a thing according to its "arious

    attributes. or example formal thought would explain1 2a 'sh is something with no

    legs which li"es in the water3.

    Darwin howe"er, considered 'sh dialectically1 some of the animals li"ing in the

    water were not 'sh, and some of the 'sh had legs, but it was the genesis of all the

    animals as part of a whole interconnected process which explained the nature of a

    'sh1 they came from something and are e"ol"ing into something else.

    Darwin went behind the appearance of 'sh to get to their essence. or ordinary

    understanding there is no di4erence between the appearance of a thing and its

    essence, but for dialectics the form and content of something can be #uite

    contradictory 5 parliamentary democracy being the prime example1 democracy in

    form, but dictatorship in content6

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    &nd for dialectics, things can be contradictory not $ust in appearance, but in

    essence. or formal thining, light must be either a wa"e or a particle; but the truth

    turned out to be dialectical 5 light is both wa"e and particle. (See the principle of

    excluded middle)

    7e are aware of countless ways of understanding the world; each of which maes

    the claim to be the absolute truth, which leads us to thin that, after all, 8!t3s all

    relati"e69. or dialectics the truth is the whole picture, of which each "iew is a more

    or less one%sided, partial aspect.

    &t times, people complain in frustration that they lac the Means to achie"e their

    *nds, or alternati"ely, that they can $ustify their corrupt methods of wor by thelofty aims they pursue. or dialectics, Means and *nds are a unity of opposites and

    in the 'nal analysis, there can be no contradiction between means and ends 5 when

    the ob$ecti"e is rightly understood, the material conditions /means0 for its solution

    are already present or at least in the course of formation (Marx, :reface of

    ontribution to a :olitical *conomy)

    &n example of dialectical reasoning can be seen in enin

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     These are di4erent aspect of Dialectics, and there are many others, because

    dialectics is the method of thining in which concepts are -exible and mobile,

    constrained only by the imperati"e of comprehending the mo"ement of the ob$ect

    itself, howe"er contradictory, howe"er transient.

    @istory1 Dialectics has its origins in ancient society, both among the hinese and the

    Arees, where thiners sought to understand +ature as a whole, and saw that

    e"erything is -uid, constantly changing, coming into being and passing away. !t was

    only when the piecemeal method of obser"ing +ature in bits and pieces, practiced

    in 7estern thining in the BCth and Bth century, had accumulated enough positi"e

    nowledge for the interconnections, the transitions, the genesis of things to become

    comprehensible, that conditions became ripe for modern dialectics to mae its

    appearance. !t was @egel who was able to sum up this picture of uni"ersal

    interconnection and mutability of things in a system of ogic which is the foundation

    of what we today call Dialectics.

    &s *ngels put it1

    8the whole world, natural, historical, intellectual, is represented as a process 5 i.e.,

    as in constant motion, change, transformation, de"elopment; and the attempt is

    made to trace out the internal connection that maes a continuous whole of all thismo"ement and de"elopment.9 /Socialism1 Etopian F Scienti'c0

    !t was in the decade after @egel3s death 5 the BG?s 5 when @egel3s popularity was

    at its pea in Aermany, that Marx and *ngels met and wored out the foundations

    of their criti#ue of bourgeois society.

    @egel3s radical young followers had in their hands a powerful critical tool with which

    they ruthlessly criticised hristianity, the dominant doctrine of the day. @owe"er,

    one of these Houng @egelians, udwig euerbach, pointed out that @oly amily was

    after all only a @ea"enly image of the *arthly family, and said that by criticising

    theology with philosophy, the Houng @egelians were only doing the same as the

    hristians 5 @egel3s &bsolute !dea was $ust another name for Aod6 or euerbach,

    ideas were a re-ection of the material world and he held it to be ridiculous that an

    !dea could determine the world. euerbach had declared himself a materialist.

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    Marx and *ngels began as supporters of euerbach. @owe"er, "ery soon they too

    up an opposition to euerbach to restore the @egelian dialectic which had been

    abandoned by euerbach, and to free it from the rigidity of the idealistic @egelian

    system and place the method on a materialist basis1

    8@egel was an idealist. To him, the thoughts within his brain were not the more or

    less abstract pictures of actual things and processes, but, con"ersely, things and

    their e"olution were only the realiIed pictures of the 2!dea3, existing somewhere

    from eternity before the world was. This way of thining turned e"erything upside

    down, and completely re"ersed the actual connection of things in the world. 9

    /redric *ngels, Socialism1 Etopian and Scienti'c0

     Thus, for Marx and *ngels, thoughts were not passi"e and independent re-ections

    of the material world, but products of human labour, and the contradictory nature of 

    our thoughts had their origin in the contradictions within human society. This meant

    that Dialectics was not something imposed on to the world from outside which could

    be disco"ered by the acti"ity of pure =eason, but was a product of human labour

    changing the world; its form was changed and de"eloped by people, and could only

    be understood by the practical struggle to o"ercome these contradictions 5 not $ust

    in thought, but in practice.

    urther =eading1 /The Science of Dialectics0, by redric *ngels, Dialectics of +ature,

    by redric *ngels, an example of dialectics in1 The Metaphysics of :olitical

    *conomy, by Jarl Marx; The & of Materialist Dialectics, by eon Trotsy; enin

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    dialectic

    A number of history's most illustrious thinkers have wrestled with the meaning of 'dialectic,' and as a result,

    the concept has permutated considerably since the inception of Western philosophy. Generally speaking,

    dialectic is a mode of thought, or a philosophic medium, through which contradiction becomes a starting

    point (rather than a dead end) for contemplation. As such, dialectic is the medium that helps us

    comprehend a world that is racked by parado. !ndeed, dialectic facilitates the philosophic enterprise as

    described by "ertrand #ussell, who wrote that $to teach how to live without certainty, and yet without being

    paraly%ed by hesitation, is perhaps the chief thing that philosophy, in our age, can still do for those who

    study it$ (iv).

    &he word 'dialectic' is derived from the Greek and has three classical connotations. !n lato's writings,

    dialectic is a highly valued vehicle for truth it is akin to dialogue and closely associated with the ocratic

    method. Aristotle, on the other hand, believed that dialectic was an inferior form of reasoning, as it wasbased on a priori knowledge rather than empirical observation. *inally, +icero associated dialectic with

    rhetoric. !n modern times, dialectic has been vital within the German philosophical tradition beginning with

    ant. -is definition of dialectic, which is closely related to that of Aristotle, involves illusory knowledge that

    is reminiscent of sophistry. !n other words, $ant's/ dialectic no longer offers rules for eecuting convincing

     0udgments, but teaches how to detect and uncover 0udgments which bear a semblance of truth but are in

    fact illusory$ (+aygill 123). ant's dialectic could be considered a medium of false epistemology.

    !t is with -egel, however, that the modern notion of dialectic crystalli%ed. While his thinking was shaped by

    ant's discussion of antimonies in The Critique of Pure Reason , -egel considered dialectic a medium of truth

    rather than a means to uncover illusion. Above all, -egel's dialectic was based on his emphatic belief in

    connectedness, or the interrelation of all aspects of the universe. !n other words, $the apparent self4

    substinence of finite things appeared to him as illusion nothing, he held, is ultimately and completely real

    ecept the whole$ (+aygill 123). !ndeed, dialectic was the cornerstone of his philosophy, and heconceptuali%ed systems as diverse as the history of the world and the 0ourney of the human spirit as

    operating according to dialectical structures.

    #oughly speaking, -egel's dialectic involves the reconciliation of ostensible paradoes to arrive at absolute

    truth. &he general formulation of -egel's dialectic is a three4step process comprising the movement from

    thesis to antithesis to synthesis. 5ne begins with a static, clearly delineated concept (or thesis), then moves

    to its opposite (or antithesis), which represents any contradictions derived from a consideration of the rigidly

    defined thesis. &he thesis and antithesis are yoked and resolved to form the embracing resolution, or

    http://csmt.uchicago.edu/glossary2004/writing.htmhttp://csmt.uchicago.edu/glossary2004/writing.htm

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    synthesis. uccinctly put, the dialectic $actuali%es itself by alienating itself, and restores its self4unity by

    recogni%ing this alienation as nothing other than its own free epression or manifestation$ ("ottomore 166).

    &his formula is infinitely renewable -egel contended it would only terminate upon the world's end. 7ach

    time synthesis is achieved it $generates/ new internal contradictions, and then a further resolution$ (8acey

    9:). !t is also teleological because $each later stage of dialectic contains all the earlier stages, as it were in

    solution none of them is wholly superceded, but is given its proper place as a moment in the whole$

    (#ussell 3;1). &he infinite character of the dialectic reflects -egel's notion of holistic truth and his optimisticbelief in progress.

    ay, a noted *rankfurt chool historian, writes that, $+ritical theory,

    as its name implies, was epressed through a series of criti?ues of other thinkers and philosophical

    traditions. !ts development was thus through dialogue, its genesis as dialectical as the method it purported

    to apply to social phenomena$ (@). While aspects of -egelian and 8arist dialectics played an important

    role in the formulations of the *rankfurt chool at large, Adorno was particularly taken with dialectical

    formulations, an emphasis that can be registered in countless ways down to the paradoical aphorisms for

    which he is famous. &he rudiment of Adorno's worldview is the notion that progressive and regressive

    elements of society derive from a single source. &his principle is illustrated in The Dialectic of

    Enlightenment , in which he and -orkheimer posit that the $7nlightenment has put aside the classicre?uirement of thinking about thought$ (62). &his position is implicit in many tenets of *rankfurt chool

    aesthetics, including conceptions of aura, modern sensory eperience and the culture industry.

    While Adorno's appropriations of dialectic are not purely -egelian, he shared -egel's interest in

    interpenetrative sub0ectBob0ect relationships. -is work along these lines is particularly relevant to media

    studies because he often focused on the relationship between audience and artwork. -e asserted that this

    relationship often worked according to a negative dialectic through which society influenced the

    commerciali%ation of art and art, in turn, discouraged reflective eperience in society. Additionally, Adorno

    http://csmt.uchicago.edu/glossary2004/realityhyperreality.htmhttp://csmt.uchicago.edu/glossary2004/realityhyperreality2.htmhttp://csmt.uchicago.edu/glossary2004/senses.htmhttp://csmt.uchicago.edu/glossary2004/realityhyperreality.htmhttp://csmt.uchicago.edu/glossary2004/realityhyperreality2.htmhttp://csmt.uchicago.edu/glossary2004/senses.htm

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    elucidated the dialectical relationship between the artist and culture. *or eample, his essay $5n Cyric oetry

    and ociety$ uses a dialectical model to epound the interpenetration of poetry and society. Adorno eplains

    that, $the sub0ect and ob0ect are not rigid and isolated poles but can be defined only in the process in which

    they distinguish themselves from one another and change$ (@@). &hus, the ' lyric !' is always defined

    through its antipathetic relationship to society. *urthermore, it is mediated through language, which is

    organically oriented toward society because of its communicative function. Adorno's debt to the -egelian

    dialectic is evident when he writes that, $&he parado specific to the lyric work, a sub0ectivity that turns intoob0ectivity, is tied to the priority of linguistic formin lyric$ (@;).

    &he polymorphous dialectical formulations of *rankfurt chool theory anticipated the multifarious

    interpretations of dialectic in the contemporary sphere vis4D4vis semiotics and the philosophy of language.

    5ther intellectuals have adopted the term in a more generali%ed manner, e.g., #obert mithson posited

    dialectic as $a way of seeing things in a manifold of relations, not as isolated ob0ects$ (119). mithson

    critici%ed the -egelian dialectic as $an inner movement of the mind$ (119) and described earthworks such

    asThe Spiral Jetty as eploding the $formalistic view of nature$ (119). Generally speaking, dialectic can be a

    useful way to conceptuali%e sub0ectBob0ect relationships in any number of contets, particularly artistic

    contets.

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