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Dialectical Materialism
Dialectical Materialism is a way of understanding reality; whether thoughts,emotions, or the material world. Simply stated, this methodology is the combination
of Dialectics and Materialism. The materialist dialectic is the theoretical foundation
of Marxism (while being communist is the practice of Marxism).
!t is an eternal cycle in which matter mo"es, a cycle that certainly only completes
its orbit in periods of time for which our terrestrial year is no ade#uate measure, a
cycle in which the time of highest de"elopment, the time of organic life and still
more that of the life of being conscious of nature and of themsel"es, is $ust as
narrowly restricted as the space in which life and self%consciousness come intooperation. & cycle in which e"ery 'nite mode of existence of matter, whether it be
sun or nebular "apour, single animal or genus of animals, chemical combination or
dissociation, is e#ually transient, and wherein nothing is eternal but eternally
changing, eternally mo"ing matter and the laws according to which it mo"es and
changes.
redric *ngels
Dialectics of +ature
!ntroduction
Motion is the mode of existence of matter. +e"er anywhere has there been matter
without motion, or motion without matter, nor can there be.
hange of form of motion is always a process that taes place between at least two
bodies, of which one loses a de'nite #uantity of motion of one #uality (e.g. heat),while the other gains a corresponding #uantity of motion of another #uality
(mechanical motion, electricity, chemical decomposition).
Dialectics, so%called ob$ecti"e dialectics, pre"ails throughout nature, and so%called
sub$ecti"e dialectics (dialectical thought), is only the re-ection of the motion
through opposites which asserts itself e"erywhere in nature, and which by the
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continual con-ict of the opposites and their 'nal passage into one another, or into
higher forms, determines the life of nature.
redric *ngels
Dialectics of +ature
ut dialectical materialism insists on the approximate relati"e character of e"ery
scienti'c theory of the structure of matter and its properties; it insists on the
absence of absolute boundaries in nature, on the transformation of mo"ing matter
from one state into another, that from our point of "iew /may be0 apparently
irreconcilable with it, and so forth.
Dialectics
Dialectics is the method of reasoning which aims to understand things concretely in
all their mo"ement, change and interconnection, with their opposite and
contradictory sides in unity.
Dialectics is opposed to the formal, metaphysical mode of thought of ordinaryunderstanding which begins with a 'xed de'nition of a thing according to its "arious
attributes. or example formal thought would explain1 2a 'sh is something with no
legs which li"es in the water3.
Darwin howe"er, considered 'sh dialectically1 some of the animals li"ing in the
water were not 'sh, and some of the 'sh had legs, but it was the genesis of all the
animals as part of a whole interconnected process which explained the nature of a
'sh1 they came from something and are e"ol"ing into something else.
Darwin went behind the appearance of 'sh to get to their essence. or ordinary
understanding there is no di4erence between the appearance of a thing and its
essence, but for dialectics the form and content of something can be #uite
contradictory 5 parliamentary democracy being the prime example1 democracy in
form, but dictatorship in content6
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&nd for dialectics, things can be contradictory not $ust in appearance, but in
essence. or formal thining, light must be either a wa"e or a particle; but the truth
turned out to be dialectical 5 light is both wa"e and particle. (See the principle of
excluded middle)
7e are aware of countless ways of understanding the world; each of which maes
the claim to be the absolute truth, which leads us to thin that, after all, 8!t3s all
relati"e69. or dialectics the truth is the whole picture, of which each "iew is a more
or less one%sided, partial aspect.
&t times, people complain in frustration that they lac the Means to achie"e their
*nds, or alternati"ely, that they can $ustify their corrupt methods of wor by thelofty aims they pursue. or dialectics, Means and *nds are a unity of opposites and
in the 'nal analysis, there can be no contradiction between means and ends 5 when
the ob$ecti"e is rightly understood, the material conditions /means0 for its solution
are already present or at least in the course of formation (Marx, :reface of
ontribution to a :olitical *conomy)
&n example of dialectical reasoning can be seen in enin
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These are di4erent aspect of Dialectics, and there are many others, because
dialectics is the method of thining in which concepts are -exible and mobile,
constrained only by the imperati"e of comprehending the mo"ement of the ob$ect
itself, howe"er contradictory, howe"er transient.
@istory1 Dialectics has its origins in ancient society, both among the hinese and the
Arees, where thiners sought to understand +ature as a whole, and saw that
e"erything is -uid, constantly changing, coming into being and passing away. !t was
only when the piecemeal method of obser"ing +ature in bits and pieces, practiced
in 7estern thining in the BCth and Bth century, had accumulated enough positi"e
nowledge for the interconnections, the transitions, the genesis of things to become
comprehensible, that conditions became ripe for modern dialectics to mae its
appearance. !t was @egel who was able to sum up this picture of uni"ersal
interconnection and mutability of things in a system of ogic which is the foundation
of what we today call Dialectics.
&s *ngels put it1
8the whole world, natural, historical, intellectual, is represented as a process 5 i.e.,
as in constant motion, change, transformation, de"elopment; and the attempt is
made to trace out the internal connection that maes a continuous whole of all thismo"ement and de"elopment.9 /Socialism1 Etopian F Scienti'c0
!t was in the decade after @egel3s death 5 the BG?s 5 when @egel3s popularity was
at its pea in Aermany, that Marx and *ngels met and wored out the foundations
of their criti#ue of bourgeois society.
@egel3s radical young followers had in their hands a powerful critical tool with which
they ruthlessly criticised hristianity, the dominant doctrine of the day. @owe"er,
one of these Houng @egelians, udwig euerbach, pointed out that @oly amily was
after all only a @ea"enly image of the *arthly family, and said that by criticising
theology with philosophy, the Houng @egelians were only doing the same as the
hristians 5 @egel3s &bsolute !dea was $ust another name for Aod6 or euerbach,
ideas were a re-ection of the material world and he held it to be ridiculous that an
!dea could determine the world. euerbach had declared himself a materialist.
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Marx and *ngels began as supporters of euerbach. @owe"er, "ery soon they too
up an opposition to euerbach to restore the @egelian dialectic which had been
abandoned by euerbach, and to free it from the rigidity of the idealistic @egelian
system and place the method on a materialist basis1
8@egel was an idealist. To him, the thoughts within his brain were not the more or
less abstract pictures of actual things and processes, but, con"ersely, things and
their e"olution were only the realiIed pictures of the 2!dea3, existing somewhere
from eternity before the world was. This way of thining turned e"erything upside
down, and completely re"ersed the actual connection of things in the world. 9
/redric *ngels, Socialism1 Etopian and Scienti'c0
Thus, for Marx and *ngels, thoughts were not passi"e and independent re-ections
of the material world, but products of human labour, and the contradictory nature of
our thoughts had their origin in the contradictions within human society. This meant
that Dialectics was not something imposed on to the world from outside which could
be disco"ered by the acti"ity of pure =eason, but was a product of human labour
changing the world; its form was changed and de"eloped by people, and could only
be understood by the practical struggle to o"ercome these contradictions 5 not $ust
in thought, but in practice.
urther =eading1 /The Science of Dialectics0, by redric *ngels, Dialectics of +ature,
by redric *ngels, an example of dialectics in1 The Metaphysics of :olitical
*conomy, by Jarl Marx; The & of Materialist Dialectics, by eon Trotsy; enin
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dialectic
A number of history's most illustrious thinkers have wrestled with the meaning of 'dialectic,' and as a result,
the concept has permutated considerably since the inception of Western philosophy. Generally speaking,
dialectic is a mode of thought, or a philosophic medium, through which contradiction becomes a starting
point (rather than a dead end) for contemplation. As such, dialectic is the medium that helps us
comprehend a world that is racked by parado. !ndeed, dialectic facilitates the philosophic enterprise as
described by "ertrand #ussell, who wrote that $to teach how to live without certainty, and yet without being
paraly%ed by hesitation, is perhaps the chief thing that philosophy, in our age, can still do for those who
study it$ (iv).
&he word 'dialectic' is derived from the Greek and has three classical connotations. !n lato's writings,
dialectic is a highly valued vehicle for truth it is akin to dialogue and closely associated with the ocratic
method. Aristotle, on the other hand, believed that dialectic was an inferior form of reasoning, as it wasbased on a priori knowledge rather than empirical observation. *inally, +icero associated dialectic with
rhetoric. !n modern times, dialectic has been vital within the German philosophical tradition beginning with
ant. -is definition of dialectic, which is closely related to that of Aristotle, involves illusory knowledge that
is reminiscent of sophistry. !n other words, $ant's/ dialectic no longer offers rules for eecuting convincing
0udgments, but teaches how to detect and uncover 0udgments which bear a semblance of truth but are in
fact illusory$ (+aygill 123). ant's dialectic could be considered a medium of false epistemology.
!t is with -egel, however, that the modern notion of dialectic crystalli%ed. While his thinking was shaped by
ant's discussion of antimonies in The Critique of Pure Reason , -egel considered dialectic a medium of truth
rather than a means to uncover illusion. Above all, -egel's dialectic was based on his emphatic belief in
connectedness, or the interrelation of all aspects of the universe. !n other words, $the apparent self4
substinence of finite things appeared to him as illusion nothing, he held, is ultimately and completely real
ecept the whole$ (+aygill 123). !ndeed, dialectic was the cornerstone of his philosophy, and heconceptuali%ed systems as diverse as the history of the world and the 0ourney of the human spirit as
operating according to dialectical structures.
#oughly speaking, -egel's dialectic involves the reconciliation of ostensible paradoes to arrive at absolute
truth. &he general formulation of -egel's dialectic is a three4step process comprising the movement from
thesis to antithesis to synthesis. 5ne begins with a static, clearly delineated concept (or thesis), then moves
to its opposite (or antithesis), which represents any contradictions derived from a consideration of the rigidly
defined thesis. &he thesis and antithesis are yoked and resolved to form the embracing resolution, or
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synthesis. uccinctly put, the dialectic $actuali%es itself by alienating itself, and restores its self4unity by
recogni%ing this alienation as nothing other than its own free epression or manifestation$ ("ottomore 166).
&his formula is infinitely renewable -egel contended it would only terminate upon the world's end. 7ach
time synthesis is achieved it $generates/ new internal contradictions, and then a further resolution$ (8acey
9:). !t is also teleological because $each later stage of dialectic contains all the earlier stages, as it were in
solution none of them is wholly superceded, but is given its proper place as a moment in the whole$
(#ussell 3;1). &he infinite character of the dialectic reflects -egel's notion of holistic truth and his optimisticbelief in progress.
ay, a noted *rankfurt chool historian, writes that, $+ritical theory,
as its name implies, was epressed through a series of criti?ues of other thinkers and philosophical
traditions. !ts development was thus through dialogue, its genesis as dialectical as the method it purported
to apply to social phenomena$ (@). While aspects of -egelian and 8arist dialectics played an important
role in the formulations of the *rankfurt chool at large, Adorno was particularly taken with dialectical
formulations, an emphasis that can be registered in countless ways down to the paradoical aphorisms for
which he is famous. &he rudiment of Adorno's worldview is the notion that progressive and regressive
elements of society derive from a single source. &his principle is illustrated in The Dialectic of
Enlightenment , in which he and -orkheimer posit that the $7nlightenment has put aside the classicre?uirement of thinking about thought$ (62). &his position is implicit in many tenets of *rankfurt chool
aesthetics, including conceptions of aura, modern sensory eperience and the culture industry.
While Adorno's appropriations of dialectic are not purely -egelian, he shared -egel's interest in
interpenetrative sub0ectBob0ect relationships. -is work along these lines is particularly relevant to media
studies because he often focused on the relationship between audience and artwork. -e asserted that this
relationship often worked according to a negative dialectic through which society influenced the
commerciali%ation of art and art, in turn, discouraged reflective eperience in society. Additionally, Adorno
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elucidated the dialectical relationship between the artist and culture. *or eample, his essay $5n Cyric oetry
and ociety$ uses a dialectical model to epound the interpenetration of poetry and society. Adorno eplains
that, $the sub0ect and ob0ect are not rigid and isolated poles but can be defined only in the process in which
they distinguish themselves from one another and change$ (@@). &hus, the ' lyric !' is always defined
through its antipathetic relationship to society. *urthermore, it is mediated through language, which is
organically oriented toward society because of its communicative function. Adorno's debt to the -egelian
dialectic is evident when he writes that, $&he parado specific to the lyric work, a sub0ectivity that turns intoob0ectivity, is tied to the priority of linguistic formin lyric$ (@;).
&he polymorphous dialectical formulations of *rankfurt chool theory anticipated the multifarious
interpretations of dialectic in the contemporary sphere vis4D4vis semiotics and the philosophy of language.
5ther intellectuals have adopted the term in a more generali%ed manner, e.g., #obert mithson posited
dialectic as $a way of seeing things in a manifold of relations, not as isolated ob0ects$ (119). mithson
critici%ed the -egelian dialectic as $an inner movement of the mind$ (119) and described earthworks such
asThe Spiral Jetty as eploding the $formalistic view of nature$ (119). Generally speaking, dialectic can be a
useful way to conceptuali%e sub0ectBob0ect relationships in any number of contets, particularly artistic
contets.
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