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DESIGN AND BRAND GUIDELINE BOOK CREATION DATE : MAY 2017 ISSUE 01 CORPORATE DESIGN MANUAL THEME BRANDING GUIDELINES AND MANUAL TEMPLATE CREATED FOR : WONDERFUL DESIGN NW SEATTLE, WA WONDERFUL DESIGN NW BRAND MANUAL WONDERFUL DESIGN NW, MAKE IT WONDERFUL. BRAND GUIDELINES V 1.0 itis wonderful.com

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Page 1: DESIGN AND BRAND GUIDELINE BOOK...Typographic hierarchy creates contrast between elements. There are a variety of ways you can create a sense of hierarchy. Here are some of the most

DESIGN AND BRAND GUIDELINE BOOK

CREATION DATE :

MAY 2017

ISSUE 01CORPORATE

DESIGN MANUAL

THEME BRANDING GUIDELINES AND MANUAL

TEMPLATE

CREATED FOR :

WONDERFUL DESIGN NW

SEATTLE, WA

WONDERFUL DESIGN NW

BRAND MANUAL

WONDERFUL DESIGN NW,

MAKE IT WONDERFUL.BRAND GUIDELINES V 1.0

itiswonderful .comg r a p h i c s . w e b . i l l u s t r a t i o n . b r a n d i n g .

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ISSUE 01

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THE

BEG

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:

TABL

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ON

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TS

DESIGN

AND

ISSUE 01

WONDERFUL DESIGN NW,

DESIGN MANUAL

CREATED FOR :

WONDERFUL DESIGN NW, LLC

SEATTLE, WA

BRAND GUIDELINES

WONDERFUL DESIGN NW TABLE OF CONTENTS

V

DESIGN ANDBRAND GUIDELINES

Sec. 00 | Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 05

Sec. 01 | Corporate Logo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 06

Sec. 02 | Corporate Typography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Sec. 03 | Corporate Color System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Sec. 04 | Corporate Stationery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Sec. 05 | Grid Systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Sec. 06 | Corporate Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Sec. 07 | Iconography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Sec. 08 | Summary and Contact . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Sec. 09 | Downloads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Sec. 10 | Thank you . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Sec. 11 | Impress . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

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00 / INTRODUCTI-

TO OUR GUIDELINES

THANK YOU BEING A PART OF THESE GUIDES

-

INTRODUCTION OF OUR PRESIDENT: Tequis magnam everunt re volupti ntiusament at et omnimo totatin venimus anturis explaut alique quatem qui utemquia

dolo erum soluptas alite tet id qui utempor esequis evelesc iaecabor re conseque qui officab orruntota cus ium rempedi

gendandus veniscidus erum as ut idebit, toremporias ea conet volo blantia plaborepel is natqui officil magnihi.

Octotasseque eosapit dolest explit ped ma sit modipsam ventio tem. Et earum volo voluptibus. Dandunte voluptaqui nias

re voluptate occust, tet id qui utempor esequis evelesc iaecabor re, occabor itatem et fuga.

Nem faccaeptiae expliae core prorporepera ipicte sinvele stectis modis num re sandant. Quas dolentiur? Et ut mo beate

nobis autendenihil iducias adit quostrum accus et aut et rem quidipsa quam recus.

Company President Comma,

09/07/2017

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WONDERFUL.wonderful . wonderful .

01.1 / CORPORATE LOGO

RECOMMENDED FORMATS ARE:.eps | .ai | .png | .jpg | .tiff

ATTENTION:Use of any stylized, animated, hand

drawn or other versions of a inofficial

logo is not permitted. This undermines

the logo system and brand consistency.

Please consult with Wonderful, Trademark

Licensing if you have any questions or

need further help.

THE LOGOTYPE - AN INTRODUCTION

The Wonderful Design NW, Masterbrand or Corporate Logo comprises two elements,

the logo symbol and logo type. The Logo Symbol is an letter image that represents the

fun of the design process, the ability to move forward through ups and downs.

It has a particular relationship with Wonderful, the name. The Logo Type has been ca-

refully chosen for its modern and yet strong, highly legible style, which has been further

enhanced by the use of upper case letters. The typeface is Geometos and it balances

with the logo symbol.

The corporate logo is presented through the use of colour as well as shape and form.

The corporate colours are Sky Blue and Dark Navy. It is a fresh blend of colors chosen

for their combined relationship - strong and bold - playful and trustworthy .

1 THE LOGO WITH GRAY BACKROUND 2 THE LOGO WITH WHITE BACKROUND

01 / CORPORATE LOGO

ISSUE 01

WONDERFUL DESIGN NW

DESIGN MANUAL

CREATED FOR :

WONDERFUL DESIGN NW

SEATTLE

THE LOGOTYPE WITH BACKROUND

01.2 / LOGO COMPONENTS

1 THE GENERAL LOGO The main logo is used on white or

gray backround. For darker back-

rounds you will find an alternative on

the left page, the darkest acceptable

color is shown.

2 THE LOGO SYMBOLConsists of a strong 3-dimensional

W, representing the fun, experimen-

tal and important nature of design.

3 THE LOGO TITLECarefully chosen for its modern and

yet refined, highly legible style,

which has been further enhanced

by the use of upper case letters and

a strong period in dark navy of the

chosen corporate color. The font that

is used here is Geometos.

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1/4 x

1/4 x

1/4 x

1/4 x

x

x

x

x

x

x

x

x

= 1x

2 x1.5 x

20 x

17 x

2 x

x

x

x

x

x

x x

x

x

x x

x x

x

x x

x

x

x x

x x

x

x x

x

x

x x

x x

x

x

x

x

x

x

x x

8 x

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wonderful . wonderful .

wonderful .

wonderful .

WONDERFUL.

WONDERFUL.

WONDERFUL

01.2 / LOGO CONSTRUCTION

01.3 / CLEARSPACE AND COMPUTATION

CLEARSPACE-

Full Logo

It is important to keep corporate marks clear of any other graphic

elements. To regulate this, an exclusion zone has been establis-

hed around the corporate mark. This exclusion zone indicates the

closest any other graphic element or message can be positioned

in relation to the mark.of the the symbol itself and our company

name – they have a fixed relationship that should never be chan-

ged in any way.

LOGO CONSTRUCTION

CLEARSPACE AND COMPUTATION

DEFINITION-

Whenever you use the logo, it should be surrounded with clear space to ensure its visibility and impact. No graphic

elements of any kind should invade this zone.

COMPUTATION-

To work out the clearspace take the

height of the logo and divide it in

half. (Space = Height / 4).

01.3 / APPLICATION ON A BACKGROUND

1

2

3

4

5

FULL LOGO SIZES

Minimum Size: 24 mm x 7.5 mm

MINIMUM LOGO SIZES

LOGO SYMBOL

Minimum Size: 6 mm x 7,3 mm

LOGO TYPO

Minimum Size: 35,75 mm x 7 mm

30 mm 08 mm 16 mm

DONT´S AND INCORRECT LOGO APPLICATIONS

-

EXAMPLES

-

1 Do not reverse the logo symbol colors

2 Do not invert the logo type

3 Do not alter the logo symbol

4 Do not alter the logo type style

5 Don´t change size relationship between the logo and logo type.

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02.1 / THE PRIMARY FONT

THE PRIMARY FONT

EXPLANATION AND EXAMPLES

Typography plays an important role in communicating an overall tone and quality.

Careful use of typography reinforces our personality and ensures clarity and harmony

in all Comma, communications. We have selected Fira Sans, which helps inject energy

and enthusiasm into the entire Comma, communications, as the primary and secondary

corporate typefaces.

02 / CORPORATE TYPOGRAPHY

PRIMARY FONTGEOMETOS

DESIGNER : Deepak Singh Dogra

-

CLASSIFICATION : Sans Serif

-

THE FONT Created: 1969-12-31

Revision: 1

Glyph count: 226

Units per Em: 1000

Embedding rights: Embedding for preview &

printing allowed

Family class: Sans serif

Weight: Semi-bold

Width: Semi-expanded

Mac style: Italic

Direction: Only strongly left to right glyphs +

contains neutrals

GEOMETOS:-

FIGURES : -

A B C D E F G H I J K L M

n o p q r s t u v w x y z

0 1 2 3 4 5 6 7 8 9 0

G EO M ETOS/0 1234

CO-DESIGNR A W / . 0 1

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02.2 / SECONDARY FONT

A B C D E F G H I J K L M

N O P Q R S T U V W X Y Z

a b c d e f g h i j k l m

n o p q r s t u v w x y z

A B C D E F G H I J K L M

N O P Q R S T U V W X Y Z

a b c d e f g h i j k l m

n o p q r s t u v w x y z

0 1 2 3 4 5 6 7 8 9 0

! “ § $ % & / ( ) = ? ` ; :

¡ “ ¶ ¢ [ ] | { } ≠ ¿ ‘

« ∑ € ® † Ω ¨ ⁄ ø π • ± ‘

æ œ @ ∆ º ª © ƒ ∂ ‚ å ¥ ≈ ç

FUTURA PT BOOK : -

FUTURA PT BOOK HEAVY : -

FIGURES : -

SPECIAL CHARACTERS : -

SECONDARY FONTFUTURA PT BOOK

DESIGNER : Paul Renner

-

CLASSIFICATION : Sans-Serif

-

THE FONTFutura is a geometric sans-serif

typeface designed in 1927. It was

designed as a contribution on the

New Frankfurt-project. It is based on

geometric shapes that became re-

presentative of visual elements of the

Bauhaus design style of 1919–33.

THE SECONDARY FONT

EXPLANATION AND EXAMPLES

AB

CD

EF

GH

IJ

KL

M

NO

PQ

RS

TU

VW

XY

Z

ab

cd

ef

gh

ij

kl

m

no

pq

rs

tu

vw

xy

zA

BC

DE

FG

HI

JK

LM

NO

PQ

RS

TU

VW

XY

Z

ab

cd

ef

gh

ij

kl

m

no

pq

rs

tu

vw

xy

zA BA B

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02//03//

01//

02.3 / TYPOGRAPHY AND TEXT HIERARCHY

CONTEXT TEXT AND INNER HEAD-LINES

-

CONTEXT TEXT AND INNER HEAD-LINES

-

HEADLINES AND TYPOBREAKS

-

Typographic hierarchy is ano-

ther form of visual hierarchy,

a sub-hierarchy per se in an

overall design project. Typog-

raphic hierarchy presents lette-

ring so that the most important

words are displayed with

the most impact so users can

scan text for key information.

Typographic hierarchy creates

contrast between elements.

There are a variety of ways

you can create a sense of

hierarchy. Here are some of

the most common techniques

for Comma, layouts.

02.4 / TYPOGRAPHIC EXAMPLES

Comma, Typo Captions

-

Fira Sans Regular

6.5 pt Type / 12 pt Leading

Comma, Typo Copy text-

Fira Sans Regular

9 pt Type / 12 pt Leading

CAPTION TEXT : -

SUBLINES SECTIONS : -

COMMA, TYPO HEADLINE-

Fira Sans Regular - Capital Letters

14 pt Type / 18 pt Leading

COPY TEXT : -

COMMA, TYPO-

Fira Sans Bold - Capital Letters

22 pt Type / 22 pt Leading

HEADLINE 01 : -

COMMA, TYPO-

Fira Sans Bold - Capital Letters

35 pt Type / 35 pt Leading

HEADLINE 02 : -

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SECONDARY COLORSKY BLUE

-

COLOR CODESCMYK : C000 M020 Y100 K000

Pantone : 297C

HKS : 02K

RGB : R000 G000 B000

Web : #000000

PRIMARY COLORDARK NAVY

-

COLOR CODESCMYK : C000 M020 Y100 K000

Pantone : 297C

HKS : 02K

RGB : R000 G000 B000

Web : #000000

100 % 20 %50 %

Full color

100 % 20 %50 %

Full color

03.1 / THE PRIMARY COLOR SYSTEM AND COLOR CODES

03 / CORPORATE COLOR SYSTEM

Color plays an important role in the Wonderful, corporate identity program. The colors below are

recommendations for various media. A palette of primary colors has been developed, which compri-

se the “One Voice” color scheme. Consistent use of these colors will contribute to the cohesive and

harmonious look of the Comma, brand identity across all relevant media. Check with your designer

or printer when using the corporate colors that they will be always be consistent.

EXPLANATION: Wonderful Design NW has three

official colors: White, Sky Blue

and Dark Navy. These colors have

become a recognizable identifier for

the company.

USAGE: Use them as the dominant color

palette for all internal and external

visual presentations of the company.

03.2 / THE SECONDARY COLOR SYSTEM AND COLOR CODES

EXPLANATION

The Secondary colors are complementary to our official colors, but are not recognizable

identifiers for Comma, company. Secondary colors should be used sparingly, that is, in

less than 10 percent of the palette in one piece.

COLOR CODESCMYK : C000 M020

Y100 K000

Pantone : 297C

HKS : 02K

RGB : R000 G000 B000

Web : #000000

COLOR CODESCMYK : C000 M020

Y100 K000

Pantone : 297C

HKS : 02K

RGB : R000 G000 B000

Web : #000000

60 % 40 % 20 % 60 % 40 % 20 %

COLOR CODESCMYK : C000 M020

Y100 K000

Pantone : 297C

HKS : 02K

RGB : R000 G000 B000

Web : #000000

COLOR CODESCMYK : C000 M020

Y100 K000

Pantone : 297C

HKS : 02K

RGB : R000 G000 B000

Web : #000000

60 % 40 % 20 % 60 % 40 % 20 %

USAGE: Use them to accent and support the primary color

palette.

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CORPORATE

STATIONERY

WONDERFUL DESIGN

ISSUE 01

WONDERFUL DESIGN,

DESIGN MANUAL

CREATED FOR :

*WONDERFUL DESIGN NW.

SEATTLE

LETTERHEADBUSINESS CARDS

ENVELOPES

04 /

WONDERFUL DESIGN

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04.1 / THE COMPANYLETTERHEAD

EXPLANATION: This shows the approved layouts with

the primary elements of the Comma,

stationery system for the front- and

backside of the letterheads.

PARAMETER: DIMENSIONS297 x 210 mm

DIN A4

WEIGHT120g/m Uncoated

white

PRINTCMYK

USAGE: The letterhead will be used for all

official communication that is going

out of Comma, company.

THE BACKSIDE OF THE COMPANY

LETTERHEAD

LETTERHEAD DOWNLOAD LINK

http://www.comma.com/cd/

letterhead

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ISSUE 01

COMMA, BRANDING

DESIGN MANUAL

CREATED FOR :

COMMA, CORP.

LONDON

RESPONSIBLE AGENCY :

EGOTYPE

CREATIVE AGENCY

PRINT GRID

SYSTEMS05 / 1

05.1 /

VERTICAL GRID

SYSTEMS

THE GRID SYSTEM OF

COMMA, COMPANY

A4 VERTICAL GRID SYSTEM EXAMPLES

A4 VERTICAL GRID SYSTEM EXAMPLES

EXPLANATION: In graphic design, a grid is a structure made up of a series of intersecting stra-

ight (vertical, horizontal, and angular) or curved guide lines used to structure

content. The grid serves as an armature on which a designer can organize

graphic elements (images, glyphs, paragraphs) in a rational, easy to absorb

manner. A grid can be used to organize graphic elements in relation to a page,

to other graphic elements on the page, or relation to other parts of the same

graphic element or shape.

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ISSUE 01

COMMA, BRANDING

DESIGN MANUAL

CREATED FOR :

COMMA, CORP.

LONDON

RESPONSIBLE AGENCY :

EGOTYPE

CREATIVE AGENCY

WEB GRID

SYSTEMS

05.1 /

VERTICAL GRID

SYSTEMS

05 / 2 / 3

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05.2 / GRID SYSTEMHORIZONTAL SCREENS

EXPLANATION: This shows an approved layout with a

typography grid for a 16:9 Screen of

Comma,. This will be used for Com-

pany presentations in Powerpoint or

Keynote.

GRID SYSTEM EXAMPLES

HORIZONTAL SCREEN

05.3 / GRID SYSTEMVERTICAL TABLETS

TABLET VERTICAL

GRID SYSTEM EXAMPLE

EXAMPLE: TABLET

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ISSUE 01

COMMA, BRANDING

DESIGN MANUAL

CREATED FOR :

COMMA, CORP.

LONDON

RESPONSIBLE AGENCY :

EGOTYPE

CREATIVE AGENCY

IMAGES AND

BLEN-

DING06 /

06.1 / COLORED IMAGES

06.2 / BLACK/WHITE IMAGES

06.2 / BLENDING MODES

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EXPLANATION: Corporate Images are responsible to transfer the values of Comma, to our customers or our potential customers. It is a composite psychological

impression that continually changes with the firm’s circumstances, media coverage, performance, pronouncements, etc. Comma, use various

corporate advertising techniques to enhance their public image in order to improve their desirability as a supplier, employer, customer, borro-

wer, partner, etc.

ISSUE 01

COMMA, BRANDING

DESIGN MANUAL

CREATED FOR :

COMMA, CORP.

LONDON

RESPONSIBLE AGENCY :

EGOTYPE

CREATIVE AGENCY

06.1 / EXAMPLES OF COLORED COMPANY IMAGES

EXAMPLES FOR COMMA, CORPORATE IMAGE SYSTEM -

REQUIREMENTS: - desaturate colours

- high contrast

- sharp images

- minimalistic look

- modern and businesslike

06.2 / EXAMPLES OF BLACK AND WHITE IMAGES

EXAMPLES FOR COMMA, CORPORATE IMAGE SYSTEM -

REQUIREMENTS: - black and white colours

- high contrast

- sharp images

- minimalistic look

- modern and businesslike

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EXPLANATION: Image effects and blending modes raise the concision and the recognizability of a brand. Also they are

able to divide content and other graphical elements that are used in layouts. In the same way the support

statement of the used images and raise application possibilities.

06.3 / BLENDING MODES FOR IMAGES

EXAMPLES FOR COMMA, BLENDING MODES -

HOW TO: 1) use it in black and white images colours

2) use a placeholder with a yellow back

3) adjust the layer style to “multiplicate”

06.3 / 3D STRUCTURE AND COMPOSITION OF THE BLENDING MODES FOR IMAGES

DEMO 2 :

DEMO 1 :

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ISSUE 01

COMMA, BRANDING

DESIGN MANUAL

CREATED FOR :

COMMA, CORP.

LONDON

RESPONSIBLE AGENCY :

EGOTYPE

CREATIVE AGENCY

CORPORATE

ICONONOGRAPY

07 /

PARAMETER AND

ICON SYSTEMS

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EXPLANATION: An icon is a pictogram displayed on a screen or print layout in order to help the user navigate through the content in a

easier way. The icon itself is a small picture or symbol serving as a quick, “intuitive” representation of a software tool,

function or a data file.

07.1 / ICONOGRAPHY

ICON PARAMETER -

- Minimum: 26 px x 26 px

- minimum stroke size: 0.5 pt

- upscale only proportional

- Only 100 % color

100 % 75 % 50 % 25 %

ICON WITH BACKROUND -

- Minimum: 26 px x 26 px

- minimum stroke size: 0.5 pt

- upscale only proportional

ICON WITHOUT A BACKROUND -

- Minimum: 26 px x 26 px

- minimum stroke size: 0.5 pt

- upscale only proportional

40 ESSENTIAL ICONS: The following icons are the base of the icon development for your company. You can use these icon to sketch topics or

important issues quickly.

07.2 / 40 ICONS - THE ESSENTIAL VECTOR KIT

DONT´S -

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CT

ISSUE 01

COMMA, BRANDING

DESIGN MANUAL

CREATED FOR :

COMMA, CORP.

LONDON

RESPONSIBLE AGENCY :

EGOTYPE

CREATIVE AGENCY

SUMMARY

CONTACT08 /

08.1 / A SHORT SUMMARY

08.2 / CONTACT US

&

08.1 / A SHORT SUMMARY,

DOWNLOAD AND CONTACT DATA

THANK YOU BEING A PART OF THESE GUIDES

-

EXPLANATION: Tequis magnam everunt re volupti ntiusament at et omnimo totatin venimus anturis explaut alique quatem qui utemquia

dolo erum soluptas alite tet id qui utempor esequis evelesc iaecabor re conseque qui officab orruntota cus ium rempedi

gendandus veniscidus erum as ut idebit, toremporias ea conet volo blantia plaborepel is natqui officil magnihi.

Octotasseque eosapit dolest explit ped ma sit modipsam ventio tem. Et earum volo voluptibus. Dandunte voluptaqui nias

re voluptate occust, tet id qui utempor soluptas alite tet id qui utempor esequis evelesc iaecabor re, occabor itatem et

fuga.

*COMMA,Brand and Design Manual

2016

RESPONSIBLE

AGENCY AND

DESIGNERS

-

AGENCY: Design.Inc

SENIOR CREATIVE DIRECTOR: Mark Anderson

Design.Inc

SENIOR ART DIRECTOR : Mark Anderson

Design.Inc

JUNIOR ART DIRECTOR : Mark Anderson

Design.Inc

08.2 / FOR FURTHER

QUESTIONS DO NOT HESITATE

TO

CONTACT US

-

CONTACT:

Mark Anderson

Marketing Comma,

E: info@Comma,.tv

P: +01.132.4567.890

Nem faccaeptiae expliae core prorporepera ipicte sinvele stectis modis num

re sandant. Quas dolentiur? Et ut mo beate nobis autendenihil iducias adit

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09 / DOWN-LOAD OFTHE CON-TENTS

ISSUE 01

COMMA, BRANDING

DESIGN MANUAL

CREATED FOR :

COMMA, CORP.

LONDON

RESPONSIBLE AGENCY :

EGOTYPE

CREATIVE AGENCY

THE CORPORATE DESIGN OF *COMMA,

DOWNLOAD LINKS OF THE SINGLE DESIGN

EXPLANATION: For quick help and faster project development you will get the download links to the several brand guidelines and the editable data. To download the single items

please scan the QR-codes or follow the given hyperlink. You will also find the complete Brand Manual as a PDF file for sending this to responsible agencies or

person that need your guidelines.

WEB LINKLink : http://www.design-inc.com/cd/logo.zip

QR CODE*COMMA, LOGO -

WEB LINKLink : http://www.design-inc.com/cd/stat.zip

WEB LINKLink : http://www.design-inc.com/cd/icon.zip

WEB LINKLink : http://www.design-inc.com/cd/full.zip

QR CODE

QR CODE

QR CODE

*COMMA, STATIONERY -

*COMMA, ICONOGRA-PHY -

*COMMA, FULL GUIDE -

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EN:

THA

NK

YOU

FOR YOUR

AUDIEN-10 /

THANKS

10 / FINAL WORDS / THANK YOU FOR YOUR AUDIENCE TO THIS MANUAL GUIDE.

FINAL STATEMENT OF THE CEO

-

I WANT TO THANK YOU VERY MUCH...

Nem faccaeptiae expliae core prorporepera ipicte sinvele stectis modis num re sandant.

Quas dolentiur? Et ut mo expliae core prorporep sinvele beate. Ihition coreces velicto te omnit

haribusam nate nulparum et ut quatasped ut pa nem quam, occust, quostrum quiates tibernam si

nimpores ea voluptatem del isciis re, pore incia nobit quuntiur reratur?

Offictae. Nam, sunt facestia dem enis sint ipsaniet ute voloratem dia qui blab iliqui comnim

estiand endande con por aute venienim cuscium sumet ium ea accabor ad quae. Ne invendi

sima aut eos aliquiae doluptusam, omnienis cust volestius aute none nobis eosa quid qui quis

am, si volorro to es dolore rehendandi sit evelles tempossequos etur atis dolut porro inullab

idelicia consequid maximin cipidia dis doluptatem coritaqui invel inus viderna tiorrum, cus

quis si assequos volupta nobitas eici di sed quosapicatum lit et recuptaquam, si con consequi

coreperspis am dolupta tiant.

Company President

09/07/2017

11 / IMPRESS

-

AGENCY: Design.Inc

CONTACT:

Mark Anderson

Marketing Comma,

E: info@Comma,.tv

P: +01.132.4567.890

Nem faccaeptiae expliae core prorporepera ipicte

sinvele stectis modis num re sandant. Quas dolenti-

ur? Et ut mo expliae core prorporep sinvele beate.

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COMMA,

LOVE YOUR BRAND.YOUR BRAND. YOUR STYLE.

YOUR DEFINITION. BRAND GUIDELINES V 1.0

AGENCY: Design.Inc

CONTACT:

Mark Anderson

Marketing Comma,

E: info@Comma,.tv

P: +01.132.4567.890

COMMA,

LOVE YOUR BRAND.YOUR BRAND. YOUR STYLE.YOUR DEFINITION. BRAND GUIDELINES V 1.0