DehetJee&ApörvÂ

Research Journal Faculty of Arts

Vol. 20 (2014-15)

Patron

Prof. Girish Chandra TripathiVice-Chancellor

FACULTY OF ARTS

BANARAS HINDU UNIVERSITYV A R A N A S I

Chief EditorKumar PankajProfessor & Dean

Published by :The Dean,Faculty of Arts,Banaras Hindu UniversityVaranasi-221005

IS S N: 09 75-5780

Address for Correspondence :Prof. Kumar PankajChief Editor ‘Apurva’ &Dean, Faculty of Arts,Banaras Hindu University, Varanasi-221005e-mail :kalasankaya@gmail.com

Prof. Kumar Pankaj, Chief EditorProf. Umesh Chand Dubey, Associate Editor

Editorial Board:Dr. Sadashiv Kumar Dwivedi (Sanskrit)Dr. Krishna Mohan (Hindi)Dr. P. K. Mishra (History of Arts)

Subscription Rate:India (Rs.) Abroad (US$)

Individual/Member 150 10Institutional 300 25

DISCLAIMER : The Editorial Board does not necessarily subscribeto opinions and facts expressed in the articles for which the re-sponsibility solely rests with the individual authors.

Printed at :Kishor Vidya NiketanB-2/236-A, Bhadaini, Varanasi-221001e-mail: kishorwin@yahoo.com, Cell: 9415996512

cenecevee heb0 ceoveceesnve ceeueJeerÙe

(heew<e ke=â<Ce De°ceer meb. 1918- ceeie&Meer<e& ke=â<Ce heÃeceer meb. 2003)25 efomecyej, 1861- 12 veJecyej, 1946

Øees0 efiejerMe Ûevõ ef$ehee"er keâeMeer efnvot efJeÕeefJeÅeeueÙekegâueheefle JeejeCemeer- 221 005 (Yeejle)Prof. Girish Chandra Tripathi Banaras Hindu UniversityVice-Chancellor (Established by Parliament by

Notification No. 225 of 1916)Varanasi- 221 005 (INDIA)

Phones : (0542) 2368938 (O), 2368339 (R),Fax : (0542) 2369100 (O), 2369951 (R), e-mail: vc_bhu@sify.com

ceeÛe& 12, 2016

cegPes Ùen peevekeâj ØemeVelee keâe DevegYeJe nes jne nw efkeâ keâeMeer efnvot efJeÕeefJeÅeeueÙekesâ keâuee mebkeâeÙe Éeje Gmekeâer Jeee|<ekeâ MeesOe heef$ekeâe ‘DehetJee&’ kesâ 20JeW Debkeâ keâe ØekeâeMeveefkeâÙee pee jne nw~

Ùen meJe&efJeefole nw efkeâ Fme efJeÕeefJeÅeeueÙe kesâ keâuee mebkeâeÙe ceW DeejbYe mes nermeeefnlÙekeâejeW, mebmke=âefleJesòeeDeeW, oeMe&efvekeâeW, keâueeefJeoeW Deewj hegjelelJe kesâ #es$e ceW DeheveerÙeMe:heleekeâe heânjeves Jeeues ceveeref<eÙeeW keâer Skeâ uebyeer hebefòeâ jner nw, efpevekeâe mcejCe keâuee mebkeâeÙekeâer Jele&ceeve heerÌ{er keâes DehetJe& Deelceyeue Øeoeve keâjlee nw~ eEnoer, mebmke=âle SJeb Deb«espeer leerveeWYee<eeDeeW ceW efueKes ieÙes ‘DehetJee&’ kesâ 20JeW Debkeâ kesâ DeeuesKe meesÛe-efJeÛeej kesâ veÙes ieJee#eKeesueWies, Ssmee cesje ÂÌ{ efJeÕeeme nw~ heef$ekeâe kesâ ØekeâeMeve mes pegÌ[s meYeer ueesieeW keâes cesjer nee|okeâMegYekeâeceveeÙeW~

mebosMe

(efiejerMe Ûevõ ef$ehee"er)

Yetefcekeâe

keâeMeer efnvot efJeÕeefJeÅeeueÙe kesâ keâuee mebkeâeÙe keâer Jeee|<ekeâ MeesOe heef$ekeâe ‘DehetJee&’ kesâ20JeW Debkeâ kesâ ØekeâeMe kesâ DeJemej hej cegPes DelÙevle n<e& keâe DevegYeJe nes jne nw~ Fme DebkeâceW ØekeâeefMele uesKe iecYeerj efÛevleve mes meceefvJele nQ~ kegâue efceueekeâj ‘DehetJee&’ keâe Ùen DebkeâDeheves mJe™he Deewj mebjÛevee ceW hetjer efJeefJeOelee efueÙes ngS nw SJeb veÙes eEÛeleve-ceveve kesâ efueÙeshetCe& DeJekeâeMe oslee nw~

Fme Debkeâ kesâ mebj#ekeâ Øees0 efiejerMe Ûevõ ef$ehee"er peer, kegâueheefle, keâeMeer efnvotefJeÕeefJeÅeeueÙe kesâ Øeefle ceQ Deheveer nee|okeâ ke=âle%elee JÙeòeâ keâjlee ntB, efpevneWves Deheves MegYe mebosMemes Fmes ieewjJeeefvJele efkeâÙee nw~ Fme Debkeâ ceW ØekeâeefMele nesves Jeeues mecemle DeeuesKeeW/MeesOehe$eeWkesâ efJeÉeve uesKekeâeW keâes Gvekesâ meef›eâÙe menÙeesie kesâ efueS ceQ meeOegJeeo oslee ntB~

‘DehetJee&’ keâes Fme ™he ceW ueeves kesâ efueS ceQ mecheeove mes pegÌ[s Deheves meYeer menÙeesefieÙeeWØees0 GcesMe Ûevõ otyes, Øees0 meoeefMeJekegâceej efÉJesoer, [e@0 ke=â<Ceceesnve SJeb [e0 heer0 kesâ0efceßee keâes OevÙeJeeo oslee ntB~ mebkeâeÙe kesâ meneÙekeâ kegâuemeefÛeJe ßeer Deej0 yeer0 jece leLee efvepeermeefÛeJe ßeer Ûevove yejF& SJeb keâeÙee&ueÙe kesâ keâce&ÛeeefjÙeeW ceW ßeer Ùeesiesvõ eEmen, ßeer mebpeerJeßeerJeemleJe Deewj ßeer Yethesvõ ke=â<Ce ÙeeoJe keâe Yeer ceQ DeeYeejer ntB, efpevneWves Fme heef$ekeâe kesâØekeâeMeve mes mecyeefvOele meYeer keâeÙeeX keâes yeÌ[s ceveesÙeesie mes mecheVe efkeâÙee~

ceQ DeeMee keâjlee ntB efkeâ ‘DehetJee&’ kesâ Øemlegle Debkeâ keâer JewefJeOÙehetCe& meece«eer DeOÙesleeDeeWkesâ efueÙes ØesjCeeØeo SJeb efoMee-efveoxMekeâ efmeæ nesieer~

kegâceej hebkeâpeØeOeeve mebheeokeâ- ‘DehetJee&’

C O N T E N T S

1. keâeJÙeMeeŒe ceW cesjer GheueefyOeeBjsJee Øemeeo efÉJesoer ........................................................................ 1

2. Importance of Stress in English PronunciationR. S. Sharma ......................................................................................................... 1 9

3. Religion, Reality and Truth

R. S. Mishra .......................................................................................................... 2 14. efÛeòeYetefce keâer Kesleer, yeeefueÙeeB Deewj FkeäkeâermeJeer meoer

DeJeOesMe veejeÙeCe efceße .................................................................. 3 25. nWceÛevõeÛeeÙe&mÙe meeefnlÙeefmeæeblee

meoeefMeJe kegâceej efÉJesoer ................................................................. 4 76. Influence of Persian Style of Art on Mughal Paintings

Nirmala Gupta ..................................................................................................... 5 97. ØeeÛeerve Yeejle ceW Yetefce ceeheve ØeCeeueer

jbpeerle Øeleehe eEmen ....................................................................... 7 58. ØeejefcYekeâ yeewæ meeefnlÙe ceW efleheg : hegjeleeefòJekeâ mee#ÙeeW kesâ mecyevOe ceW

ØeYeekeâj GheeOÙeeÙe ....................................................................... 8 49. Walter Benjamin as a literary Critics: Visiting the

Interpolation between the Ideology and the Narrative SpacesAbhay Kumar Mishra ........................................................................................ 8 8

10. The Historicity of Ancient Varanasi: A StudyAshok Kumar Singh .........................................................................................10 7

11. The City as a Trope : A Brief Studyof Hindi and GermanCinematic Texts in the Second half of the 20th Century

Shipra Tholia ......................................................................................................11 512. cesje yeÛeheve : DeelcekeâLee Ùee keâLee

Deyet Meceer .............................................................................. 12 4

13. keâeMeer keâer ueeskeâ mebmke=âefle ceW efÛe$e hejchejeDeeYee efceßee hee"keâ .................................................................... 13 2

14. Øemeeo kesâ keâLee meeefnlÙe hej hegvee|JeÛeej

jepeerJe kegâceej Pee ...................................................................... 13 615. efyenej mes Øeehle Yeejle keâuee YeJeve meb«en keâer Glke=â° keâueeke=âefleÙeeB -

Skeâ efJeMues<eCeelcekeâ DeOÙeÙeveDeefveue kegâceej eEmen .................................................................... 14 0

16. Business Communication course in Indian Business SchoolKumar Parag ......................................................................................................14 8

17. he©eeJele kesâ DeeKÙeeve ceW keâuheveemegke=âefle efceßee .......................................................................... 15 2

18. efnvoer Yee<ee keâe efJekeâeme : ceove ceesnve ceeueJeerÙejbpevee heeC[sÙe ......................................................................... 16 1

19. efnvoer veJepeeiejCe Deewj meceeueesÛekeâ heef$ekeâeØeerefle kegâceejer ........................................................................... 16 7

20. Œeer meMeòeâlee keâer cetuÙe Ûeslevee - Petuee vešØesceuelee ............................................................................... 17 3

21. JewefÕekeâ heefjÂMÙe ceW ØeJeemeer efnvoer meeefnlÙemegceve efJeÕekeâcee& ....................................................................... 17 8

22. ieghlekeâeue ceW heMegheeueveef$eueeskeâer veeLe .......................................................................... 18 1

23. jeceveiej keâer jeceueerueeDee|hele heeC[sÙe ........................................................................ 18 9

24. ieghlekeâeueerve JÙeeheej - JeeefCepÙe keâe mJe™he Deewj Gmekesâ efJeefJeOe Ieškeâ(mce=efle meeefnlÙe kesâ efJeMes<e heefjØes#Ùe ceW)DejefJevo kegâceej ....................................................................... 19 5

25. vÙeeÙeoMe&ve kesâ Devegmeej ef$eefJeOe DevegceeveDebefkeâlee efceßee ......................................................................... 20 7

Book-ReviewLanguage Media and Society;Essence of Advertising Communication:Gajendra Singh Chauhan................................................................................. 21 4