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BA (Hons) In:Professional MusicianshiP Music industry ManageMent event ManageMent (Music) Music Production

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WelcoMe

BiMM institute Bristol was founded in 2008. since then our student population has grown to over 700, with a portfolio of courses that has expanded to encompass new programmes in Music Production, Music industry Management and event Management (Music), as well as the more traditional and long established performance and songwriting programmes.

BiMM institute Bristol’s tutors have between them amassed a vast body of experience working in the music industry spanning many years, and all combine their teaching with professional music industry profiles as performers, writers, arrangers, producers and entrepreneurs. this ensures that our students benefit from their first-hand professional expertise and experience throughout the course.

this approach to curriculum delivery, allied with our fantastic visiting faculty and guest events programme, is designed to provide a creative environment that’s challenging, stimulating and connected, enabling the music professionals of tomorrow to hone their skills in the best possible way.

Whatever your ambitions within the modern music industry, BiMM institute Bristol’s unparalleled level of career-relevant expertise, facilities and support networks guarantee that you will be given the best guidance, assistance and opportunities to achieve your goals.

i look forward to welcoming you to BiMM institute Bristol for the 2016/17 academic year.

steve laWsoncollege Principal

WelcoMe to your BiMM institute Bristol 2016/17 accePtance Brochure, anD congratulations on Being offereD a Place! i aM DelighteD that you have chosen to stuDy at the uk’s leaDing estaBlishMent for MoDern Music eDucation.

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4 induction and enroLMent5 course inforMation6 Ba(Hons) ProFessionaL MusiciansHiP Bass7 Ba(hons) Professional MusicianshiP DruMs8 Ba(Hons) ProFessionaL MusiciansHiP guitar9 Ba(hons) Professional MusicianshiP vocals10 Ba(Hons) ProFessionaL MusiciansHiP songWriting11 the iMPortance of Music theory12 Ba(Hons) Music industry ManageMent13 Ba(hons) event ManageMent (Music)14 Ba(Hons) Music Production15 recoMMenDeD resources16 student services19 Peer Mentoring service20 transPort21 stuDent life24 get connected at BiMM25 freshers’ guiDe26 FacuLty inForMation

contents

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inDuction anD enrolMentin orDer to PrePare you for stuDying at BiMM institute Bristol, We WoulD like you to attenD an enrolMent session.

Here you will meet key members of staff, be given important information about the college and your course (including your timetable), and have the opportunity to look around our premises.

if you Do not attenD this session, you Will not Be aBle to start your course.

enrolment and induction will be between 19th september and 29th september, with enrolment in the first week and induction events in the second (mostly). exact dates will be confirmed at the start of september.

We will also hold an induction event at one of Bristol’s fantastic music venues, which is a fantastic opportunity to meet fellow students from BiMM and watch some brilliant bands.

useful contactsaDMissions: [email protected] services: [email protected]: [email protected]

terM dates

enrolMent & inDuction fortnight: 19th september-29th september 2016

terM 1: 3rd october 2016-9th december 2016terM 2: 9th January 2017-17th March 2017terM 3: 10th april 2017-16th June 2017

Pre-enrolMent for your courseAll students are required to complete pre-enrolment information prior to your enrolment day. You will have been sent an e-mail with a link to the pre-enrolment portal which will guide you through all the required processes.Below is a list of things that Must be completed:

Pre-enrolment form must be completed in full and submitted – the link to this form will have been sent to you by e-mail

Passport style photo – this will be used for your student id card. Please follow the guidelines on the pre-enrolment portal. you will not be able to enter BiMM buildings without an id card

Proof of iD – please upload a colour scan of your passport/driving license/citizen card to the pre-enrolment portal

Pre enroLMent ForMs Must Be coMPLeted By tHe 12th sePteMBer 2016.PLease note: timetables cannot be provided before enrolment. this is a full-time course and the timetables given to you at enrolment are not flexible. any part-time jobs must work around the timetable given.

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course inforMation

Ba(Hons)

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Professional MusicianshiP Bass

ashton, a. (2005) The Bass Handbook. san Francisco: Backbeat Books clayton, s. (2013) The Bass Guitarist’s Guide to Reading Music. (s.l.): Bassline Publishing

Friedland, e. (1995) Building Walking Bass Lines (Bass Builders). Milwaukee: Hal Leonard Publishing

Mulhern, t. ed. (2000) Bass Heroes: styles, stories and secrets of 30 Great Bass Players. Backbeat uK

Please note that this is a recommended reading list and therefore not essential.

heaD of Bass stuart cLayton

typically, bass guitarists are vastly outnumbered by guitarists, vocalists and drummers at music colleges, and the same is true in the real world. this means that there are many opportunities – both at BiMM and beyond – for bass players to find work in the industry. our aim at BiMM is to prepare you for every possible avenue of employment that might come your way in the future, whether it is session work, touring, teaching or writing. We have a fantastic track record with our previous bass students, many of whom are now following impressive career paths of their own.

our courses are delivered by some of the finest teachers in the industry, all of whom remain active as professional musicians. at BiMM we have a complete understanding of what is required by today’s professional bassist. across our courses we cover all of the essential skills you’ll need, such as technical development, theory and sight reading, multiple styles, upright, music business and more. With our help, you will be able to make the most of your career as a professional musician.

Ba(Hons)

essential eQuiPMent

Bass and lead

strap

electronic tuner

Metronome/Metronome app (guitar toolkit is a great app that also includes a tuner)

Headphones compatible with 1/4- and 1/8-inch jack sockets (i.e. with an adaptor)

Manuscript paper, pencils, erasers and pens

spare strings

ear plugs

RECOMMENDED reading

all students are strongly advised to wear ear protection when in class, practising or performing.

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Professional MusicianshiP DruMs

Ba(Hons)

RECOMMENDED reading

chester, g. (1985) The new Breed Modern drummer Publications

gallwey, W. t. and green, B. (1996) The Inner Game of Music new york: doubleday & company, inc.

Hester, J. (2011) Mind over Meter (s.l.):(s.n.)

riley, J. (2004) The Art of Bop Drumming alfred Music Publishing


heaD of DruMs JaMes Hester

the drum course at BiMM has been designed to bring out your own unique sound, to enable you to sound like you – to enhance your knowledge base and therefore your creativity but to back it up so you have the technique to deliver it. the faculty has a broad reach so there can be no stone unturned in whichever direction you wish to take and we will work as hard for you as you work for yourself. alumni drummers have gone on to work for roland (demos and clinics), perform at glastonbury, play international tours supporting the likes of Portishead and perform in the BBc radio 1Xtra Live lounge. starting the course as organised as possible will help you when things get tough and we’re there to help you every step of the way. this is a tough industry but someone has to play the main stage stage at reading Festival and it might as well be you…

“ harD Work Beats talent When talent Doesn’t Work harD.”


ESSENTIAL eQuiPMent

sticks – several good quality pairs (7a-2B weight), brushes (wire retractable), hot rods, mallets etc., all in a stick bag.

Metronome – both a stand-alone one (such as a Korg Ma30, tama rhythm Watch) and also iPhone apps (the yamaha clickstation app is a must).

Practice pad – one that you can use on its own – possibly on a stand.

Headphones and 1/4 jack input adapter – in-ear monitor style (if possible) as well as over-ear style – for click work, listening to music and using with the roland electronic kits at BiMM.

stationery and manuscript paper – always – no excuses! also have a 2B pencil, ruler, Berol ‘italics’ pen (medium) and a good quality eraser.

ear plugs

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Professional MusicianshiP guitar

RECOMMENDED readinggambale, F. (1989) The Frank Gambale Technique Book 1. Manhattan Music Publications

gambale, F. (1989) The Frank Gambale Technique Book 2. Manhattan Music Publications govan, g. (2002) Creative Guitar 1 and 2. sanctuary Publishing Ltd.

greene, t. (1981) Chord Chemistry. dale Zdenek Publications


DePuty heaD of guitar Justin goodaLL

the guitar course at BiMM institute Bristol provides a solid foundation for students who are aiming to enter an ever-changing industry that requires a broad range of skills and knowledge. the tutors here have diverse, high-level professional experience to tap into, and the course focuses closely on technique, musicianship skills, repertoire and creativity.

our guitar students get to explore a number of playing styles whilst developing their technique, theory knowledge and aural ability, along with the necessary tools for work in a variety of musical settings such as timing, tone and dynamic control, part writing, arrangement, stagecraft and studio skills.

Bristol life and the college itself present an opportunity to link up with like-minded musicians and explore new territory on the pathway to becoming a well-rounded musician. there is always a great rapport between the guitarists here, and a buzz around the department.

Ba(Hons)

ESSENTIAL eQuiPMent

guitar and lead

tuner

Metronome/Metronome app (Pro Metronome)

stationery and manuscript paper

spare strings

ear plugs

Plectrums

Headphones compatible with 1/4- and 1/8-inch jack sockets (i.e. with an adaptor)


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Professional MusicianshiP vocals

RECOMMENDED readingBaxter, M, (1989) The Rock ‘n’ Roll singer’s survival Handbook. Milwaukee: Hal Leonard corporation

riggs, s. (1993) singing for the stars: A Complete Guide to Training Your Voice. alfred Music Publishing

sheppard, B. (2008) The Everything singing Book. adams Media corporation

Rockschool Male/Female Vocals Grades 1-8 (2014)


heaD of vocals Martin HiBBert Bristol has a vibrant and diverse music scene derived from its incredible history as a world trade centre, embracing the styles of the many cultures that have influenced it. BiMM is a specialist music college that is very much a part of the musical heartbeat of Bristol, producing some of the region’s most exciting talent.

in the vocal department you will be encouraged to discover yourself and develop your skills as a vocalist and performer. you will have the support and guidance of experienced professionals who have the same passion for music as you. you will be networking and developing professional relationships in a talent-rich pool of diverse musicians.

the voice is an incredible instrument and demands the highest standards of training and development. the harder you work, the richer your rewards, so be prepared to take every opportunity that comes your way and push yourself to the limit.

Ba(Hons)

ESSENTIAL eQuiPMent

Microphone and lead

Headphones and 1/4 jack input

stationery and manuscript paper

Keyboard

ear plugs


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Professional MusicianshiP songWriting

RECOMMENDED reading

Flanagan, B, (1987) Written In My soul (omnibus). rosettaBooks, LLc

rachel, d, (2013) Isle of noises. Picador

Zollo, P, (1958) songwriters on songwriting. da capo Press, inc.

Any autobiography of a songwriter and any collected lyricsPlease note that this is a recommended reading list and therefore not essential.

heaD of songWriting gerard LangLey

the first thing to be aware of is that musicians need songs but songwriters don’t need musicians if they can play guitar (or keyboard) well enough to accompany themselves. there are many excellent musicians, fewer excellent songwriters. therefore songwriters are highly valued within the music industry.

this course will teach you many tools that have proved useful to great songwriters in the past. However, you must provide your own ideas. Many writers come up with a reasonable idea then spoil it through lack of technique. this degree will show you how to avoid the most common pitfalls, while demonstrating a breadth of knowledge that usually comes only with time and experience. you will never listen to records in the same way again!

the tutors on this course are industry professionals with a wide range of experience. Most songwriters are not interviewed much about what they do, so most techniques are shared on tour buses, in dressing rooms and hotel bars in the early hours of the morning. the experience of many years of touring and recording at the highest levels is therefore made available here to students who want to learn how to maximise their potential in the most lucrative area of the music business.

Ba(Hons)

ESSENTIAL eQuiPMent

guitar or keyboard, microphone and lead, notebooks and a4 pads

recording equipment (garageband, 4- track retro cassette machine, i Phone, etc.); just something to record on, day or night

ideas

ear plugs


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Music theory

head of theory greg corDeZ explains why it’s not scary and shares some resources you can use to brush up on your theory knowledge before term starts.

so often the mention of music theory strikes fear into the heart of a musician. if approached from a dry, academic perspective it can seem hard to align the concepts of music theory with your own music. in truth, the study of music theory is the study of music. the word ‘theory’ could easily be dropped from the title. studying music theory concepts is the bridge between what has occurred in the past, what is happening now in your music, and the potential to advance in terms of creativity, improvisation, composition and session musician skills. the more books you read, films you watch, lyrics you memorise will all inform your day-to-day speech and vocabulary. the same is true for studying harmony, ear training, transcription and reading music. BiMM aims to get you using music theory concepts to explore many areas of rhythm, pitch and harmony, becoming a more accomplished and well rounded musician, and most importantly, to benefit your own music.

the importance of

Music theory is an iMPortant Part of the Ba (hons) Professional MusicianshiP. stuDents stuDy theory MoDules in the first year anD can oPt to continue throughout their stuDies. you Will use theory concePts in Many other MoDules During your tiMe at BiMM. BuilDing your theory knoWleDge Will enhance your techniQue, PerforMance anD creativity, anD is one of the Most iMPortant areas you Will DeveloP over the neXt three years.

www.musictheory.netwww.teoria.comwww.good-ear.comLevine, M. (1995) The Jazz Theory Book. Petaluma: sher Music

Werner, K. (1990) Effortless Mastery. new albany: Jamey aebersold Jazz


RECOMMENDED reading

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Music inDustry ManageMent

RECOMMENDED readingatkins, M. (2007) Tour: smart: and Break the Band. smart Books

Harrison, a. (2011) Music: The Business. The Essential Guide to the Law and the Deals. London: virgin

Passman, d. (2009) All You need to Know About the Music Business. London: Penguin

Music Week Magazine. intent Media


tutor Jason Hunt there are many routes available into the music industry along with many different roles when you get there. the Music industry Management course will show you how the industry works, how all the different roles interact and how to avoid many of the pitfalls that you can encounter.

all of your tutors have real-life experience in many of the roles; you will also gain experience from inspirational guest speakers.

as part of BiMM you will have the opportunity to mix with hundreds of musicians, giving you the chance to find “the next big thing” and use your knowledge in practical situations.

Ba(Hons)

ESSENTIAL eQuiPMent

computer with Word and excel (or equivalent) programmes

stationery

“ i have knoWn froM the Beginning one thing you neeD to knoW. that is, the Music Business is a Business.” steve BroWn Producer

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event ManageMent Music

RECOMMENDED readingBerridge, g. (2006) Events Design and Experience. oxford: Butterworth-Heinemann

Bowdin, g. et al. (2011) Events Management. oxford: Butterworth-Heinemann

Brant, M. (2008) Join Together: Forty Years of the Rock Festival. Backbeat

Paytress, M. (2005) I Was There: Gigs That Changed The World. cassell illustrated


tutor Jason Hunt since when has Hollywood even got close to the truth? (see the movie quotes to the right of this paragraph!) Merely building an event is nowhere near enough to move people to actually come.

on the event Management course you will learn how to build, develop, brand, market and shape your events into long lasting, revenue generating businesses.

all of the tutors have real-life experiences of events. there is a wealth of knowledge on offer, from festivals, to clubs, to gigs and corporate events. your skill set will grow to cover all of these and more.

Working within the events industry is one of the most rewarding, exhilarating and fun jobs you can have – now doesn’t that sound like you want to do this!

Ba(Hons)

ESSENTIAL eQuiPMent

computer with Word and excel (or equivalent) programmes

stationery

“ if you BuilD it, they Will coMe”FieLd oF dreaMs

“ if you Book theM, they Will coMe”Wayne’s WorLd 2

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Music ProDuction

“ Music shoulD Be More than a joB. it shoulD Be a Passion. it shoulD Be soMething that you Don’t even see as Work.”

“ i usually Put the raDio on in the Morning, it’s such ruBBish that it urges Me to create soMething gooD.”

theo Parrish, detroit tecHno Pioneer

richarD D jaMes, aKa aPHeX tWin

Ba(Hons)

tutor adaM WincHester

the Ba (Hons) Music Production degree gives you the tools to create your own unique musical works, explore creative ideas, and express yourself in a multitude of ways. each year is designed with the specific interest of enhancing your ability in music production, recording, experimenting and performance.

year 1 gives you a solid grounding in all important areas of the music production process. By year 2 you will be ushered down the rabbit hole to take your understanding to a deeper level, while in year 3 you will be given the opportunity to specialise in a creative project of your choosing with the flexibility to explore creative ideas and realise your potential goals. all of the lecturers on the Music Production course are actively working in the music industry. From huge live performances, releasing thousands of records, writing music for films, to recording in some of the best studios in the world, there is a wealth of expertise to be tapped into.

ESSENTIAL eQuiPMent

computer

audio interface

daW (digital audio Workstation)

Midi controller

RECOMMENDED readingcollins, M. (2010) Pro Tools 8. Focal Press

cousins, M. and Hepworth-sawyer, r. (2010) Logic Pro 9. oxford: Focal Press

Huber, d. (2005) Modern Recording Techniques. oxford: Focal Press

Jerse, t. (1997) Computer Music: synthesis Composition and Performance. London: Macmillan


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recoMMenDeD resources

journals/MagaZines

CMU (complete Music update)

Music Week (Main uK industry Magazine)

M Magazine (Prs Magazine)

Mojo Magazine

nME

Q Magazine

The Fly

The Guardian Guide (saturdays)

tWitter feeDs to folloW

@thebpi

@ppluk

@cMu

@songlinesmag

@basca_uk

@theivors

@musicweeknews

@m_magazineprs

@prsformusic

@prsfoundation

@uk_music

@aim_uk

@recordoftheday

@officialcharts

@guardianmusic

BiMM institute Bristol recoMMenDs that all stuDents start to eXPlore the resources highlighteD BeloW Before terM starts

WeBsites/Blogs

Prs www.prsformusic.com

PPL www.ppluk.com

Basca www.basca.org.uk

songLines www.songlines.co.uk

audioBoo (Music section) www.audioboo.fm/browse/music/boos

the Quietus www.thequietus.com

drowned in sound www.drownedinsound.com

Fact www.factmag.com

Pitchfork www.pitchfork.com

the Line of Best Fit www.thelineofbestfit.com

the 405 www.thefourohfive.com

the guardian Music www.theguardian.com/music

clashmusic www.clashmusic.com

Bristol Live Magazine www.bristollivemagazine.com

crack Magazine crackmagazine.net

drunken Werewolf www.drunkenwerewolf.com

conteXtual reaDing

Audio Books available on Audible.com

Byrne, d. (2012) How Music Works. London: canongate

ellen, M. (2014) Rock stars stole My Life!: A Big Bad Love Affair with Music. London: coronet.

Knopper, s. (2009) Appetite for self-Destruction: The spectacular Crash of the Record Industry in the Digital Age. London: simon and schuster uK

Pratt, g. (2007) My Bass and other Animals. London: orion

tassell, n. (2013) Mr Gig. London: short Books

Listening to audio BooKs is recoMMended to students as an eXceLLent Means oF gaining Broad HistoricaL and conteXtuaL KnoWLedge oF tHe suBJect area QuicKLy and easiLy.

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student services

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Pastoral suPPortthe student services team holds individual one-on-one sessions with students to discuss any issue they may be struggling with. these can include any topic ranging from personal issues, attendance related queries, discussion of special considerations we may need to take into account to support your studies and book you into one of the other support services we offer. We actively encourage students to book appointments and to come and meet us at any point during their studies for extra support.

stuDent servicesWe are committed to helping students fulfil their potential during their time at BiMM institute Bristol, and we place an emphasis on supporting the development of our students both academically and personally. With this in mind, the student services team is available at every step of the student journey to offer confidential support and guidance on issues such as stress, disability and learning support, depression and anxiety issues, family/friends/relationship problems, smoking, alcohol and drugs, sexual health, eating disorders – as well as on-going academic and practical learning support and advice. We also offer a wide range of additional support services that are designed to meet students’ academic and welfare needs to enrich the BiMM institute Bristol experience.

acaDeMic tutorialsstudents are encouraged to book regular one-to-one tutorials to work on technique, master their academic writing and discuss their skills, development and long/short term career goals. tutorials give students a unique opportunity to be individually guided by the most experienced industry professionals in the country.

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BiMM institute Bristol is committed to a policy of equal opportunities and provides confidential advice and support to students with varying disabilities and specific learning difficulties. We are committed to ensuring that students with specific needs are provided with equal access to their chosen course of study and facilities. the college is working towards removing any barriers which might prevent an individual from actively participating in student life.

if students indicate on their application and/or pre-enrolment form that they require further support, then a member of the student services team will be in contact to arrange an individual tutorial. this is to ensure all requirements are catered for.

students with registered specific Learning difficulties and an official educational Psychologist report or diagnostic assessment completed after the age of 16 may be eligible for dsa (disabled students’ allowance). dsa can fund additional support such as specialist one-to-one mentoring and study skills tutoring, reasonable adjustments and technological aids. reasonable adjustments aren’t funded by dsa, but rather is something the institute has to make. students who do not have an up-to-date educational Psychologist report or diagnostic assessment, or just suspect a specific Learning difficulty should contact the student services team, who will arrange the relevant assessments and advise on accessing support.

BiMM institute Bristol offers a service from an external diagnostic assessor who provides students with assessments for specific Learning difficulties, including but not limited to dyslexia, dyspraxia, adHd, dyscalculia, etc.

the price of the assessment is £210 for a learning support assessment, not including an assessment for adHd. an assessment for adHd costs £280, which also includes a diagnosis for any additional specific Learning difficulties. students from low income backgrounds can apply for the majority of this fee to be funded by BiMM institute Bristol.

you can find more information regarding dsa (including eligibility and application forms) here; www.gov.uk/disabled-students-allowances-dsas/overview

We advise that students apply for this as early as possible to ensure that support can be put in place at the start of the academic year, though there is no formal deadline for applications to be received. if you require any additional information or would like to discuss this further with one of the student services team, please contact [email protected]

We work with students with a wide range of disabilities, including but by no means restricted to: specific learning difficulties (such as dyslexia,

dyspraxia, adHd) Mental health difficulties (such as depression, bi-

polar disorder, anxiety) students with autistic spectrum and asperger’s

syndrome Long-term medical conditions (such as Hiv, cancer,

multiple sclerosis) unseen disabilities (such as diabetes, asthma,

epilepsy) sensory impairments (such as visual/hearing

impairment) Mobility or physical impairments (such as

paralysis, arthritis)

counsellingBiMM institute Bristol offers counselling to any student in need of the service via in-house professional counsellors. counselling is available either on or off site. this free and confidential provision offers individuals the opportunity to explore a wide range of emotional and psychological issues. BiMM institute Bristol’s in house counsellors are hugely experienced and abide by the British association for counselling code of ethics.

DisaBility anD learning suPPort

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the PrograMMethe programme is designed to help new students settle into BiMM life by the provision of signposting and assistance by existing BiMM students, who are able to share the information and advice they gained during their first year or two at BiMM. the Bristol programme is led by the deputy Head of student services and the Higher education administrator.

the role of a Mentora Peer Mentor is a volunteer undergraduate student in their second or third year at BiMM. after applying for the role and being selected, all mentors are given training and guidance materials. a list of trained peer mentors and their areas of specialism can be found on BiMM’s virtual Learning environment, Moodle and they can be contacted directly through the Moodle platform for advice or to set up a meeting. the student services team continue to support the mentors with advice, guidance and any necessary training throughout the year. although most freshers find their feet within the first few weeks, mentors will maintain their relationship with students for as long as is needed.

What a Mentor can Do for you Help you adjust to BiMM life Help you feel more confident Help you meet other students Help you feel like you belong Help you feel you’re supported and encouraged Help you know who to ask for welfare support Help you know who to ask for academic advice

and support Help you work out where to go in Bristol for

shopping, nights out, etc.

Here are some things you might want to ask about: What is life at BiMM and in Bristol like? What’s a typical day at BiMM? How to register with a gP How do you find gigs and venues? What is there to do in Bristol outside of the

music scene? Questions about BiMM resources and services. What to expect from lessons and coursework. guidance for international students to help adjust

to england and Bristol life.

What to eXPect Before you start at BiMMyour mentor will be there to: give you advice and guidance direct you to the support you need for in-depth

issues or specialist support, e.g. finance, academic, welfare, etc.

remind you of BiMM procedures, e.g. assessment submissions, attendance, use of libraries, etc.

share practice tips, study tips, time planning and budgeting strategies

Please note that your mentor will not be there to assist with producing academic work. if you need learning support, you must let BiMM know and we will help you access professional 1:1 study support tutoring!

if you would like a mentor, please send an email asaP to this address: [email protected]

title your message ‘Mentor please!’ and in the message, state your name, course and discipline (e.g. drums) and topic key questions or concerns that you would like your mentor to help with.

Peer Mentoring service

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BiMM is Well connecteD to the rest of the city via PuBlic transPort

BusBiMM institute Bristol’s buildings are very close to the city centre and approximately 3 minutes’ (Kings square) and 15 minutes’ (Passage street) walk from the central bus station.

70 – Bristol temple Meads – centre – ashley down – uWe

73 – Harbour – Bear Pit – gloucester road – Filton avenue – Bristol Parkway rail station

75/76 – Harbour – Bear Pit – gloucester road – cribbs causeway

8/9 – Bristol temple Meads – Bear Pit – clifton – redland

1/2 – Bristol temple Meads – victoria street – centre – clifton – cribbs causeway

traintemple Meads – Bristol’s central station. it is a 13-minute walk from Passage street and a 25-minute walk from King square and connects you to the rest of the country via First great Western, cross country and stage coach.

Parkway – a large station connecting Bristol to Wales, surrounding Bristol towns, London and the Midlands.

Montpelier – King square’s nearest platform. this is an inner-city station which connects you to other parts of Bristol, including Bristol temple Meads, clifton, Lawrence Hill and stapleton road.

redland – redland – another nearby platform (King square) connecting you to other parts of Bristol, including shirehampton, avonmouth and severn tunnel Junction.

BikeBristol is a very popular cycling city. it is a more efficient way of navigating the very congested roads and complicated one-way systems. if you cycle you will find you are not alone and there are initiatives laid out by Bristol city council to get people out on their bikes. Bike racks are provided at the Passage street building. Please ensure that you lock your bike.

transPort

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stuDent life

culture

Bristol is an incredibly creative city with a reputation for its street art, music scene and self-sufficiency.

Music plays a huge part in maintaining Bristol’s cultural prominence. there are venues everywhere – from dive bars to swanky concert halls and everything in between. Within a half-mile radius of BiMM’s King square building you can find colston Hall, o2 academy Bristol, the canteen, the attic and many more. Prestigious venues such as the Fleece, the exchange, the crofter’s rights and the Louisiana are not far away either. there are open mic nights and jam sessions most evenings and every night you can find something to watch and listen to.

crack magazine and Bristol Live are two excellent local publications that will give you everything you need to know about the upcoming musical calendar.

Bristol is an eXciting city With lots to offer. there is a huge variety of cluBs, Bars anD PuBs, Many of Which run Weekly stuDent ProMotions anD offers. there is a great collection of inDePenDent cafés anD restaurants With lots of Different cuisines to try.

art is very important to Bristol, and you can find pop-up galleries all over town and well as a number of theatres, venues, museums and cultural centres to visit, including the ss great Britain and the arnolfini.

For theatrical performances there is the Bristol old vic, the Hippodrome and the tobacco Factory, among others. the Hippodrome hosts pantomimes, musicals, plays, stand up and more. it recently hosted the famous rock ‘n’ roll musical the rocky Horror show. the Bristol old vic hosts slightly more sophisticated performances such as dickens’ great expectations and the Bristol Proms.

the tobacco Factory boasts an array of features and shows. they host local theatre productions, live music, comedy and lots of other entertainment.

there are also a few independent cinemas which show international films, independent films, classic cult films and sometimes host parties and events. the most notable of these cinemas is the Watershed, along Bristol’s Harbourside, and the cube, three minutes around the corner from King square.

stokes croft is on BiMM’s King square building’s doorstep and showcases work by some of the uK’s most prolific street artists including stik, 3dom and, of course, Banksy. there is a street art festival held every year by see no eviL where many artists from across the world come to display their art on Bristol’s streets; specifically nelson street in the city centre.

Bristol thrives in summer and there are festivals nearly every weekend from late May to september. these include st Paul’s carnival, Harbour Festival, Food connections, vegfest, dot to dot, Love saves the day, Brisfest and many, many more.

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stuDent life

shoPPing

Bristol is popular for shopping as it is the only major city in this part of the south West. People flock from all over north somerset, south gloucestershire and Wiltshire to visit the many shops and boutiques Bristol has to offer. the town centre is home to Broadmead, the shopping district. upon Broadmead sits a number of banks, cafés, travel agents, and clothing and goods retailers. at either end of Broadmead you will find cabot circus and the galleries, both indoor shopping centres. cabot circus boasts a collection of modern and high-end retailers including Hollister, vans and urban outfitters. there are also a number of restaurants, a cinema, indoor crazy golf and a few other entertainment outlets within the centre.

if you venture out of the centre you can visit Park street or gloucester road. you will find more independent boutiques and charity shops which offer a more intriguing collection of clothes and accessories. you will also find some fantastic independent bars, cafés and restaurants. gloucester road has been famed for its self-sustained nature and its anti-corporate attitude. there is some fantastic food to try and a friendly atmosphere to socialise in. they love to accept the Bristol Pound, a local initiative encouraging residents to put more into Bristol’s economy.

there are lots of music retailers including idle Hands (very near King square), rise and, of course, HMv and Fopp.

there are a few musical instrument retailers including drum Bank, Mickelburgh’s, Music room and PMt. Music store Hardy’s Music is located across the street from BiMM’s Passage street building. out of the centre you can get to cribbs causeway, a large plot with lots of opportunity to spend money. it contains a large indoor mall, a few retail parks including bowling, cinemas and other entertainment, a number of large supermarkets and some restaurants.

if you have more expensive taste, you can visit clifton for a few fancy boutiques with designer and made-to-measure clothing and accessories.

the great outDoors

not far from the centre you can find the clifton downs. clifton village itself is a nice place to visit on a sunny day as you can sit in the shadow of clifton suspension Bridge and enjoy a drink at the White Lion at the avon gorge Hotel. opposite clifton is Leigh Woods, a very nice patch of greenery and woods to take a walk through.

Bristol’s harbourside is also a nice place to visit to take a walk along the river. there is lots to do and many pubs to visit along the route. you can travel out to cheddar gorge, Blaise castle, the Mendip Hills and many other beauty spots around the south West with relative ease from Bristol. there are lots of nice towns to visit nearby too, like Bath and gloucester.

22

stuDent life

nightlife

there is a big dance music scene in Bristol as the uK rave scene is often considered to have begun here. People would find abandoned warehouses, derelict homes or even disused sports centres to install a sound system, heavy on the bass, to throw parties. Lots of drum and Bass, Breakbeat and House music originated here. trip-hop is a Bristol invention and the city takes pride in the success of its artists Massive attack, Portishead and tricky.

Bristol nightlife is vast and ever expanding. there are a large number of student nights across all different types of clubs, bars and pubs. some popular clubs are: theka, where BiMM usually holds its tri-annual end of term gig, Bunker, the Lanes and, for the more seasoned clubber, Motion.

o2 academy also hosts club nights, including ramshackle, a weekly rock and indie party for the student masses.

Propaganda is held at the Fleece and is regarded as the uK’s biggest student night with sets from guest dJs such as Huw stephens and Jay from the inbetweeners. you will hear everything from chart Pop to indie to some dance anthems.

if you prefer something a little less intense, Mr Wolf’s is a great student bar. they serve up noodles ‘til late in the evening and play reggae, dancehall, soul, rock n roll, Funk and occasionally some disco. they also put on live music.

you can also find a more pleasantly relaxed night out at start the Bus, a larger venue than Mr Wolf’s with a classic american diner vibe. they play a mixture of indie, Funk and House, with a reputation for playing underground indie music.

23

get connecteD at BiMMnetWorking eventsBiMM holds networking events in term 1, which is a great opportunity to get together with other students from different courses that have similar musical interests. not only is it a great way to find new friends and swap some phone numbers, but it’s also a good place to start finding band members.

BiMM gigsonce you’ve got your band together and had some rehearsals, you can audition for one of BiMM’s gigs. We hold two of these a term and utilise the amazing venues that are on our doorstep, such as thekla and the exchange. these are ticketed events with all proceeds going to one of BiMM’s nominated charities, and are a great opportunity for students to get some live performance experience and put on a brilliant show for their peers, friends and families.

BiMM alBuMthe BiMM album is a showcase of BiMM’s best songwriting talent. students have the opportunity to submit their demos to be reviewed by our careers & industry team, and a selection of these songs will be professionally recorded and available to buy as a cd and as a free digital download.

24

freshers’ guiDe

coMMon feelingsMoving away from home to a new city and starting university is an exciting opportunity for a big change. you get to make a whole new start in a new place with new people. you might feel a mixture of great excitement and nervousness – what will the course really be like? Will i get on with my housemates? Will i make friends? How do i look after myself?

Please remember that you are not alone in feeling this way. these are all questions that everyone in your situation is asking themselves. if you’re worried about making friends, or not knowing the city, or how to make a Bolognese; remember that every other person around you feels the same way, and soon you will feel more at home and comfortable than you can even imagine.

strategies for coPingthere are some important things to keep in mind when going through this experience of moving away from home; these will prepare you and help you to cope with any situation you stumble across.

Look after yourself – it takes time for new friends to really know you properly, which means you need to put your own welfare, health and safety at the top of your priorities.

Know yourself and what you can handle – this is a time when you can experiment and find a way of living that really suits you, but this can take time. try not to be pressured or influenced by others’ opinions and actions. try to make decisions about life choices in the cold light of day, so that you know how you want to respond if you end up in a tricky situation.

confront difficulties – in a new environment it’s easy to waste time worrying about things you don’t understand or can’t control. don’t be afraid to ask the student services team and many other agencies external to BiMM who are ready and willing to help you with any problem or query, big or small. Begin to see challenging situations as a chance to overcome something rather than a problem in your way.

Be healthy – Maintain a good diet, get adequate sleep and try to be active when you can; people are often happier if they are healthy. register with a local doctor’s surgery so that if you fall ill you can get the right care. if you are feeling stressed or sad talk to the student services team. they will find you the right support. Know when you need to.

Make a budget – Work out how much money you have for the term, and how much you will have to spend on unavoidable costs like rent, food and bills. this way you will know how much you have left to spend on yourself. doing this will avoid your running out of money half way through the term, which can be very stressful.

don’t work all the time – as independent study is so important at university, it can sometimes be hard to give yourself time off. give yourself regular breaks and occasional days off.

do work some of the time – Being away from home and with so much to do in a new city, it can be easy to neglect your work and fall behind in the course. Make sure you find the time for your studies to avoid a stressful situation.

Be yourself! – People can’t get to know and like you for who you really are if you don’t act like yourself. there are so many people to potentially become friends with. Be yourself and you will find the right friends for you.

freshers’ events, at the Beginning of the first terM, are a great Way to Meet PeoPle anD Make frienDs; We’ll ProviDe you With inforMation aBout these at enrolMent. you can eXPect cluB nights, gigs, netWorking events anD Plenty of Drinks ProMotions

25

faculty inforMation

stuDent carDs

you will be issued with a BiMM student card and lanyard at the start of your course provided we receive a scanned photo. it is compulsory that you carry your student card at all times while you are in college.

stuDent coMMon rooM

there is a common room in each of our buildings, Passage street and King square.

Practice facilities

BiMM institute Bristol has currently teamed up with drum Bank Music rehearsal rooms. this space is available for students to book for practice and rehearsals for free. there will be sessions made available throughout the week during the day.www.drumbankmusic.co.uk/#/rehearsals/4570851593

there are a number of other rehearsal rooms available in Bristol. see list below: www.factorystudios.co.uk www.rs-studios.co.ukwww.colstonhall.org/bristol-plays-music/unicorns-studios www.piratestudios.co.uk

BiMM Bristol has two main buildings: King square and Passage street. it is a 10-15 minute walk between the two buildings.

26

YOUR MUSIC CAREER STARTS HERE BIMM.co.uk

THE UK & IRElAnd’S MoST coNNEcTED

MUSIC COllEGE

2016/17DEGREE STuDENTS

FINANcEINFoRMATIoN PAck

FEES & FINANcE

IF You WANT To APPLY FoR A STuDENT LoAN AND HAVEN’T DoNE SoALREADY, You SHouLD Do THIS AS SooN AS PoSSIBLE. LoANS cAN TAkEoVER TWo MoNTHS To PRocESS, So DELAYS IN APPLYING MEAN You MAYNoT REcEIVE ANY FuNDING BEFoRE TERM STARTS IN ocToBER.

If your circumstances change, during the application process, you can amend the loan details accordingly or cancel the loan. Please send us your ‘University/College payment advice’ form as soon as you receive this from the Student loans Company. Please send this to us before you come to enrolment if you’re taking out a student loan.

If you are not paying your fees through a student loan, you can pay by the following methods:

• online through a secure link: bimm.co.uk/pay

• Bank transfer

• Telephone by credit or debit card

You will need your Student Id for the payment reference.

Further details are provided in the Methods of Payment information sheet, alternatively please contact the Finance department for more details on 0844 2 646 666.

THE DEADLINE FoR PAYMENT oF YouR couRSE FEE BALANcE IS 15TH AuGuST 2016.

WE WILL SEND You A REMINDER cLoSER To THE TIME IF You HAVE NoT SENT THRouGH ANYcoNFIRMATIoN oR YouR PAYMENT.

15TH

AuG

STuDENT LoANS

This is non-means tested so the amount you are entitled to doesn’t depend on your household income. The tuition fee loan is available to help cover the cost of your course – up to £6,000

This is means tested and will need to be repaid. The amount you are entitled to will depend upon your household income, where you live and whether or not you are living with parents whilst studying.

STuDENT LoANS ARE GoVERNMENT SuPPoRTED; STuDENTFINANcE PRocESSES YouR APPLIcATIoN AND uNDERTAkES ANY FINANcIAL ASSESSMENT. THE PRocESS DIFFERS DEPENDING oN WHETHER You ARE A STuDENT FRoM ENGLAND, ScoTLAND, WALES, NoRTHERN IRELAND oR FRoM THE Eu. THE STuDENT LoAN coMPANY (SLc) IS THEN RESPoNSIBLE FoR THE ADMINISTRATIoN oF YouR LoAN.

TuITIoN FEELoANS

MAINTENANcE LoAN

BIMM IS A PRIVATE coLLEGE. AS SucH, THE STuDENT LoANS FoR TuITIoN FEES, PRoVIDED BY THE STuDENT LoAN coMPANY, WILL coVER A MAxIMuM oF £6,000 oF FEES PER ANNuM IF You ARE ELIGIBLE FoR A LoAN.

Where the annual course fees are in excess of £6,000, the balance must be paid by the student prior to enrolling each academic year.

ucAS course Name Student Finance course Name Qualification Length uk & Eu

StudentsNon-Eu Students

BA (Hons) Professional Musicianship

Professional Musicianship – Bristol

BA(H) 3 Years £6,300 per year

£11,800 per year

BA (Hons) Songwriting Professional Musicianship – Bristol


£11,800 per year

BA (Hons) Music Production Music Production – Bristol BA(H) 3 Years £6,300 per year

£11,800 per year

BA (Hons) Music Industry Management

Music Industry Management


£11,800 per year

BA (Hons) Event Management

Event Management – Bristol


£11,800 per year

Apply online at www.gov.uk/apply-for-student-finance

or download a form from www.gov.uk/student-finance-forms

The application may ask you about your household income to

assess the amount of loan and grant you will be eligible for.

You will need the following information to complete the ‘Your

Course’ section of the application:

STuDENT LoANSAPPLYING FoR YouR STuDENT LoAN IS EASY AND WE’RE HERE To HELP. BELoW ARE THE STEPS You NEED To AccESS YouR STuDENT FINANcE.

uNIVERSITY NAME: BIMM limited

uNIVERSITY ucAS coDE: B39

SLc cAMPuS coDE: B

HoW DoES THE STuDENT FINANcE APPLIcATIoN PRocESS WoRk?

STuDENT LoANS

WHAT HAPPENS NExT

Once submitted, your parents or those living with you at home will receive a request for information/proof of their income from Student Finance, which will need to be provided to them.

The final step, if you have applied online, will be to sign and return a declaration – which is included with your notification of Entitlement – this is needed to confirm the funding and release payments.

Once you have received your ‘University/College Payment Advice’ slip from the Student loan Company, please forward this onto the Admissions team at BIMM. We will confirm your enrolment and at the start of each term your attendance in order for the next instalment of the maintenance and tuition fees to be released.

IMPORTANT GUIDE TO OUR TERMS & CONDITIONS

OVERVIEWThe following document is designed to give you clear information about some of the more important terms and conditions that govern your time at BIMM.

If you need further guidance please contact a member of student support or the admissions team.

REGULATIONSThis documents references the following regulations from the Academic Development and Quality Manual:BIMM Academic Regulations:

Section 15: BIMM University of Sussex Academic Regulations Section 16: BIMM Bath Spa University Undergraduate Academic RegulationsSection 17: BIMM Dublin Institute of Technology Academic RegulationsSection 18: BIMM University of West London Academic Regulations

Section 11: BIMM Student Engagement PolicySection 19: BIMM Harassment and Bullying PolicySection 21: BIMM Fitness to Study PolicySection 31: BIMM Code of ConductSection 32: BIMM Disciplinary Policy

Please see: http://www.bimm.co.uk/academic-quality/

WITHDRAWALBIMM has the right to withdraw you from your course if:

• You have poor attendance at lessons (See Student Engagement Policy)• You fail too many assignments and no longer meet the progression requirements• You are found guilty of a serious breach of our regulations at a disciplinary hearing. This could include,

but is not limited to:• Harassing and bullying behaviour• Discriminatory behaviour• Assault• Threatening/abusive behaviour• Drugs/alcohol on BIMM premises

• A fitness to study panel finds that you are unable to continue your studies due to illness, including mental health issues. (See Fitness to Study Policy)

• You exceed of the maximum registration period (many course only allow you to be registered as a student for a maximum of 7 years)

• You fail to re-enrol at the beginning of an academic year• You fail to return after a period of intermission/deferral.• You fail to pay your tuition fees• You may also withdraw yourself from a course of study.• If you are withdrawn from a course:• You will no longer be allowed to use BIMM premises. • You may be liable for any outstanding fees for the year.• You will not receive a degree qualification but may be able to claim a lower level exit qualification if you

have previously completed one or two years of study successfully.

PROGRESSION REQUIREMENTSIn order to progress from one year of a course to another you must meet the progression requirements. These may be slightly different depending on which course you are enrolled on and the awarding university for your degree.

It is important that you read the full progression requirements for your degree which can be found in the academic regulations for the relevant awarding university.

The best way to guarantee you’ll progress on to the next year is to get at least 40% in all your modules. (Note: PGCert students need to achieve at least 50%).

PROGRESSION REQUIREMENTS (CONT...)Additionally there may be requirements that you must meet in order to take certain optional modules. This varies from college to college depending on the awarding university but one common example is that some professional musicianship degrees require you to achieve at least 60% in the year 2 Technical Development Module in order to take the optional Solo Performance Module in year 3. For information regarding the progression requirements of your particular course you should contact your course leader.

AWARD REQUIREMENTS In order to receive your degree qualification you will need to meet certain requirements as set out by the awarding university for your degree.

It is important that you read the full award requirements for your degree which can be found in the academic regulations for the relevant awarding university.

The best way to guarantee that you will receive your full qualification is to get at least 40% in all modules for every year of your qualification. (Note: PGCert students need to achieve at least 50%)

ACADEMIC MISCONDUCTAcademic misconduct can be described, in its simplest form, as cheating in an examination or assessment.

This includes:

• Plagiarism - the practice of taking someone else’s work or ideas and passing them off as your own.• Collusion - Working together with someone on an assessment that is meant to be an individual effort.• Personation – having someone else sit an examination for you.• Taking notes into an unseen examination• Gaining access to an unseen examination paper in advance of sitting it• Fabricating research results

The result of committing academic misconduct could vary depending on the severity of the case but could ultimately lead to you being disqualified from the qualification. If you have already received an award, but are then found guilty of misconduct, you may have that award revoked.

For more in depth guides make sure you read the academic regulations for your degrees awarding university.

SUBMISSION OF WORKWork must be submitted in the correct format, failure to submit work in the correct format may result in marks being deducted.

When submitting work digitally it is your responsibility to ensure that files are submitted in the correct file format and can be opened correctly. It is a good idea to test files on different computers to make sure they work. When creating an audio or video CD/DVD you should test it on multiple devices.

If the file can’t be opened or the disc doesn’t work we won’t be able to mark it and will likely result in a reduced mark or no mark at all.

Failure of electronic devices is not grounds for a mitigating evidence claim so is important that you backup all your work and double check all submissions.

For more information refer to the academic regulations from your awarding university.

INTERMISSION/DEFERRAL You may be allowed to take a break between years while on your course. If the intermission period extends to more than twelve months and the individual would miss more than one academic year BIMM reserves the right to reassess the individual’s case before readmitting them to the course.

If you fail to return within the agreed time you may be withdrawn from your course.

COURSE CHANGESIn response to student feedback changes may be made to your course, this will only happen when:

• The changes are non-material e.g. changing the name of a module• The changes are beneficial to students• The changes are required because circumstances outside of our control e.g. a change in the law.

When we are making change to a course we always consult with your student reps through the Boards of Study at each college. You are able to express your concerns or input you would like to have by contacting your rep or attending the student representation forum at your college.

If a change is likely to be detrimental to some students we would email all student to inform them of the proposed change a give them time to respond.

TUTORSBIMM is proud of its long history of employing music industry professionals to teach at all of our colleges. We believe that through this practice we provide the best opportunities to our students to learn from tutors who understand their goals and have the knowledge and experience necessary to help make them a reality. In order to provide these benefits, sometimes tutors are granted leave to engage in industry activities such as going on tour. This is vital to ensure that our tutors are able to give students the most current information, and share recent experiences, about a music industry that is constantly evolving and expanding into new areas.

Whenever a tutor goes on leave, whether it is due to industry activities or unavoidable factors such as illness or maternity leave, BIMM endeavours to ensure that lessons are covered by an industry professional with relevant experience in the subject.

Through this practice, we aim to provide high quality learning opportunities throughout your course of study at BIMM.

BERLINDisabled Access: Unfortunately, BIMM Berlin is currently not wheelchair accessible. Students who require wheelchair access are advised to apply to another BIMM college

LONDONDisabled Access: All teaching buildings at BIMM London are wheelchair accessible BrightonDisabled Access: At BIMM Brighton the majority of teaching buildings are wheelchair accessible. However, our BIMM East building is currently not wheelchair accessible, this mainly affects Music Production courses. If you require wheelchair access every effort will be made to arrange different rooms that are accessible.

DUBLINDisabled Access: All teaching buildings at BIMM Dublin are wheelchair accessible, however, there are some class rooms that cannot be accessed. If you require wheelchair access every effort will be made to arrange different rooms that are accessible.

MANCHESTERDisabled Access: All teaching buildings at BIMM Manchester are wheelchair accessible

BRISTOLDisabled Access: All teaching buildings at BIMM Bristol are Wheelchair accessible, however some class rooms are not accessible, students who wish to study either Professional Musicianship (Drums) or Music Production are advised to apply to a different BIMM college if they require wheelchair access.

DISABLED ACCESS STATEMENTS

Your music career starts here

BIMM Institute Bristol

25 King squareBristolBs2 8JN

1 Passage streetBristolBs2 0JF

08442 646 6660044 8442 646 66601179 807 0600044 1179 807 060

[email protected]

British & irish modern music institute Bimm.co.uk

We’re here to help you throughout your time at Bimm institute Bristol

We are committed to helping you throughout your

studies with us at BIMM Institute Bristol, and offer

a wide range of support services designed to meet

your academic and welfare needs. Don’t hesitate

to speak to us whenever required:

t: 08442 646 666 or 01179 807 060 e: [email protected]

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Documents

DEGREE STuDENT PAck - admin.bimm.co.uk · typically, bass guitarists are vastly outnumbered by guitarists, ... such as technical development, theory and sight reading, multiple styles,