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8/2/2019 Defining the Play
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DEFINING THE PLAY
ANALYSIS
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DEFINING THE PLAY
Introduction :
The student begin his analysis of a play with
an extended definition.The students not only define whether it is a
tragedy or comedy, but rather the students
attempts delineate accurately the particular
world of this particular play
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DEFINING THE PLAY
It covers : describing the world of play the kind of play the physical world of the play
the central theme characters define plot sources style the outstanding features
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DEFINING THE PLAY
PLOT
It explains what actually happens in a general way
It also represents a brief synopsis of the major action of the drama
SOURCE
Here, the students should insert parenthetically or in apposition theplace where the play was probably discovered
STYLE
When we think of style, we must think about diction, the use oflanguage, patterns of imagery, rhetorical devices, emphasis and evenlogic
OUTSTANDING FEATURES OF THE PLAY Whenever there is any aspect of play which is conspicuous in some
sense, it should be highlighted as part of the definition
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DRAMATIC STRUCTURE
Structure refers to the totalorganization of a literary work
Classical tragic structure consists of:
climax/turning point
rising action falling action
catastrophe
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RISING ACTION
It is entire the first part of the play inwhich the forces creating conflict.
It usually carries the hero through atseries of events which enlarge andintensify his conflict
The rising action usually consists of
incident in pairs, move andcountermove. The countermove producethe next move.
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CLIMAX / TURNING POINT
This the end of rising action for it is amajor point in the play
The other term for climax is turningpoint. Sometimes it is preceded bycrisis, which make the direction of theturn final.
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FALLING ACTION
It follows climax and usually presentthe ways which the hero is slowly
overpowered and becomes increasinglyhelpless
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CATASTROPHE
It is the main action of the play and it isoften a death, usually the death of the
hero (male) or heroine (female), or both
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PLOT(Scheme of Plot)
Climax/Turning Point
Rising Action
Inciting Force
Exposition/ Resolution/
Preliminary Situation Catastrophe
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PLOT
EXPOSITION / PRELIMINARY SITUATION It is important for the reader to grasp (memahami) the
initial situation to be to go on with the play
It includes: who are those people? Where are they? When
is it? Who is speaking to whom and about what? THE INCITING ACTION OR EXCITING FORCE OR
CHALLENGE It is the first part of exposition and it is dynamic
It contains a challenge, threat (ancaman) or danger to thecondition of the protagonist
They confront the main characters or protagonist with asituation that he will not accept without resistance
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PLOT
THE RISING ACTION It sometimes called the compilation
It ties the preliminary situation into a knot
It consists of actions taken by protagonist and by the forcesagainst him
THE CLIMAX OR TURNING POINT It is the event that determine how the conflict will end
favorable (baik) or unfavorable (tidak baik) for theprotagonist
THE DENOUNMENT/RESOLUTION/CATASTROPHE It present the outcome, dispose of subplots and gives a
glimpse of a new, stable situation
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CHARACTERS
The main character in a plot is calledprotagonist and the opponent is called
antagonist Active and Passive Character
Active : they perform act, they havelarge parts in the play, they are dynamic
Passive : they acted upon by the eventsof play, it is usually static or unchanging
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Method of Character Presentation
DISCURSIVE METHOD
The way how the play describe the character by theauthors words
DRAMATIC METHOD
The way how the play describe the personality of thecharacter from dialogues
CONTEXTUAL METHODThe readers know the personality of the characterfrom another character. Its sometimes subjectively
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