December 2011: Handel's Messiah at the Atlanta Symphony Orchestra

Robert SpanoMusic DirectorDonald RunniclesPrincipal Guest ConductorMichael KrajewskiPrincipal Pops Conductor

Holiday concerts

Today, children are starving in the Horn of Africa.But we can save them.

It’s the worst drought in 60 years. Food is scarce. And over 2 million children’s lives are at risk. $10 can feed a malnourished child for 10 days. If you believe the number of children dying from malnutrition should be ZERO, join us.

Please visit unicefusa.org or call 1-800-4-UNICEF

20 Larger Than Life The Orchestra’s annual tribute

to Dr. Martin Luther King Jr. reaches a milestone, underscoring his words through “the power of music to express … something larger than I am as an individual”

departments12 President’s Letter 14 Orchestra Leadership 16 Robert Spano18 Musicians35 Contributors52 Calendar54 Administration56 General Info 58 Ticket Info60 Gallery ASO

features

25This week’s concert and program notes

the music

December 2011encoreatlanta.com

contents

20

XX

XX

XX

XX

X

8 AtlantaSymphonyOrchestra/aso.org

vp of creative/chief storyteller KristiCaseySanders

[email protected] director JennySchisler

[email protected] designer

[email protected]

production/marketing assistant SophiaChin

[email protected] editor

KathyJanichcontributing writer

MargaretShakespeare

atlanta symphony orchestradirector of publications RobPhipps

publications editor KarlSchnittkeprogram annotator KenMeltzer

publisher/sales SherryMadiganWhite404.459.4128

[email protected] executive

[email protected]

senior national accounts manager SandraOurusoff212.260.4883

marketing administrator StephanieSmith

[email protected]

ENCOREATLANTAispublishedmonthlybyAtlantaMetropolitanPublishingInc.

president TomCaseychairpersonDianeCasey

controller SuzzieAdamsGilhamvice president, sales and marketingEvanCasey

chief administrative officer ClaudiaMadigandirector of marketing LisaKraus

180AllenRoadNE,Suite200NorthAtlanta,GA30328

Phone404.843.9800Fax404.843.9070www.encoreatlanta.com

Copyright 2011 AMP Inc. All rights reserved.Reproduction in whole or in part is strictly prohibited.EncoreAtlantaisaregisteredpublicationofAMPInc.Thepublishershallnotbeliableforfailuretopublishanad,fortypographical errors or errors in publication. Publisherreserves the right to refuse any advertising for anyreasonandtoalteradvertisingcopyorgraphicsdeemedunacceptableforpublication.

WelcomeInDecember,perhapsmorethaninanyothermonthoftheyear,ourlivesareguidedbytradition—andthecloserwecometotheholidays,themoreimportantourindividualandcollectivetraditionsbecome.Theclotheswewear,thefoodsweeat,theplacesweshop,themusictowhichwelistenareoftenguidedbytraditionsestablishedinthepast.

When one of my beloved aunts was just a teenager, she and my mother joined theColumbia(S.C.)ChoralSociety.ItwasasmembersofthatchoirthattheyfirstlearnedandperformedHandel’sMessiah.Nowintheir80s,attendingaperformanceof Messiah remainsacherished,not-to-be-missedtradition.

What’sthemusicthatmakesyourDecember?Whataboutyourowntraditions?

TheAtlantaSymphonyOrchestra—yourAtlantaSymphonyOrchestra—hasmanybeloved traditions, someobvious and somenot.Obvious traditions include stunningperformancesofMessiah byourownOrchestraandChorusunder the leadershipofNormanMackenzie;GospelChristmas;andthis45thanniversaryseasonofourbelovedChristmaswiththeASO,joinedbytheMorehouseGleeClub.Withoutexception,theseareconcertsthatwillputasmileonyourfaceandasonginyourheart.

Othertraditionspermeatethelifeofthisinstitutionthroughouttheyear:Wearejustlyproudofourlong-standingcommitmenttonurturethetalentsofAtlanta’syoungartists,andofourextensivenetworkofpartnerships—suchaswiththeAtlantaMusicProject,EmoryUniversity’sAlzheimer’sDiseaseResearchCenter,andtheGeorgiaHumanitiesCouncil—whichenableustobringthepowerusmusictobearonthelivesofhundredsofthousandsofpeoplethroughoutthegreaterAtlantametropolitanregion.

There is,however,anunfortunate tradition inourstate seriously limitingourability toperformgreatmusic,toeducateAtlanta’schildren,andtoengageinmeaningfulpartnerships:collectively,youandIprovidelittleifanyfinancialsupportfortheartsinourcommunity.TheAtlantaSymphonyOrchestra’sannualconcertaudiencesnumberalmost400,000yetthenumberofpeoplewhomakeanyfinancialcontributiontosupporttheOrchestra’sworkisonly9,600(about2.4percent).

LetmeencourageyoutoestablishanewtraditionthisDecember:Makea year-end contribution — of any size — to the Atlanta SymphonyOrchestra,theorganizationwhichbringsmusicintoyourlifeallyearlong. We’ll use your dollars wisely, and we’ll be deeply grateful foryoursupport.

Happyholidays!

Wishingyouallthebest,

StanleyE.Romanstein,Ph.D.President


2011-2012 BoArd of dIreCTors

BoArd of CounseLors

LIfe dIreCTors

dIreCTors

offICers JimAbrahamson

ChairKaroleF.Lloyd

Chair-Elect

MeghanH.MagruderVice Chair

D.KirkJamiesonVice Chair

JoniWinston†Secretary

ClaytonF.JacksonTreasurer

JimAbrahamsonPinneyL.AllenJosephR.Bankoff*NeilH.BermanPaulBlackneyJanineBrownC.MerrellCalhounDonaldP.CarsonS.WrightCaughman,

M.D.AnnW.Cramer†RichardA.DorfmanDavidEdmistonGaryP.FayardDr.RobertM.

Franklin,Jr.PaulR.Garcia

CarolGreenGellerstedtThomasHootenTadHutcheson†Mrs.RoyaIrvani†ClaytonF.JacksonD.KirkJamiesonBenF.JohnsonIIIMarkKistulinecSteveKooninCarrieKurlanderJamesH.LandonMichaelLangDonnaLeeLucyLeeKaroleF.LloydKellyL.LoefflerMeghanH.Magruder

BelindaMassafra*PennyMcPheeVictoriaPalefskyLeslieZ.PetterSuzanneTuckerPlybonPatriciaH.ReidMargaretConantReiserMartinRichenhagen†JohnD.RogersStanleyE.

Romanstein,Ph.D.*DennisSadlowskiLynnSchinaziWilliamSchultzJohnSibleyH.HamiltonSmithLucindaB.Smith

ThurmondSmithgallPaulSnyderGailRavinStarrMaryRoseTaylorJosephM.ThompsonLizTroyRayUttenhoveChiltonDavisVarner†S.PatrickViguerieRickWalkerThomasWardellMarkD.WassermanJohnB.White,Jr.†RichardS.White,Jr.†JoniWinston†PatriceWright-LewisCamilleYow

Mrs.HelenAderholdRobertM.BalentineElinorBremanDr.JohnW.CooledgeJohnDonnellJereDrummondCarlaFacklerArnoldoFiedotin

CharlesGindenJohnT.GloverFrancesB.GravesDonaHumphreysAaronJ.JohnsonHerbKarpJimKelleyGeorgeLanier

PatriciaLeakeMrs.WilliamC.LesterMrs.J.ErskineLoveCarolynC.

McClatcheyJoyceSchwobMrs.CharlesA.

Smithgall,Jr.

W.RhettTannerG.KimbroughTaylorMichaelW.TrappEdusWarrenAdairR.WhiteNeilWilliams

HowellE.Adams,Jr.BradleyCurrey,Jr.

Mrs.DrewFullerMaryD.Gellerstedt

AziraG.HillDr.JamesM.Hund

ArthurL.Montgomery

* ex officio† 2011-2012 sabbatical

leadership

AtlantaSymphonyOrchestraLeague


Music Director Robert Spano, currently in his 11th season as music director of the Atlanta Symphony Orchestra,

is recognized internationally as one of the most imaginative conductors today. Since 2001, he has invigorated and expanded the Orchestra’s repertoire while elevating the ensemble to new levels of international prominence and acclaim.

Under Mr. Spano’s artistic leadership, the Orchestra and its audiences have together explored a creative mix of programming, including Theater of a Concert performances, which explore different formats, settings, and enhancements for the musical performance experience, such as the first concert-staged performances of John Adams’s Doctor Atomic in November 2008 and the production of Puccini’s Madama Butterfly in June 2011. The Atlanta School of Composers reflects

Mr. Spano’s commitment to nurturing and championing music through multi-year partnerships defining a new generation of

American composers, including Osvaldo Golijov, Jennifer Higdon, Christopher Theofanidis, Michael Gandolfi, and Adam Schoenberg. Since the beginning of his tenure (to date), Mr. Spano and the Orchestra have performed more than 100 concerts containing contemporary works (composed since 1950).

Mr. Spano has a discography with the Atlanta Symphony Orchestra of 19 recordings, six of which

have been honored with Grammy® awards. He has led the Orchestra’s performances at Carnegie Hall and

Lincoln Center, as well as the Ravinia, Ojai, and Savannah Music Festivals. Mr. Spano has led the New York and Los Angeles philharmonics, San Francisco, Boston, Cleveland, Chicago and Philadelphia symphony orchestras, as well as Orchestra Filarmonica della Scala, BBC Symphony and Amsterdam’s Royal Concertgebouw Orchestra. In addition, he has conducted for Covent Garden, Welsh National Opera, Lyric Opera of Chicago, Houston Grand Opera, and the 2005 and 2009 Seattle Opera Ring cycles. Mr. Spano was Musical America’s 2008 Conductor of the Year.

In March 2010, Mr. Spano began a three-year tenure as Emory University’s distinguished artist-in-residence, in which he leads intensive seminars, lectures, and presents programs on science, math, philosophy, literature and musicology.

In March 2011, Mr. Spano was announced as the incoming music director of the Aspen Music Festival. He was in residence in Aspen for the 2011 summer season as music director-designate and will assume the full role of music director in 2012.

Robert SpanoMusIC dIreCTor

an

ge

la

mo

rr

is

16

FIRST VIOLIN

David Coucheron ConcertmasterWilliam Pu Associate Concertmaster

The Charles McKenzie Taylor Chair*

Justin BrunsAssistant Concertmaster

Jun-Ching Lin Assistant Concertmaster

Carolyn Toll HancockJohn MeisnerAlice Anderson Oglesby

Lorentz OttzenChristopher PulgramCarol RamirezJuan RamirezOlga ShpitkoDenise Berginson SmithKenn WagnerLisa Wiedman Yancich

SECTION VIOLIN ‡

Judith CoxRaymond LeungSanford Salzinger

SECOND VIOLIN

David Arenz Principal The Atlanta Symphony Associates Chair*

Sou-Chun Su Associate Principal The Frances Cheney Boggs Chair*

Jay Christy Assistant PrincipalSharon BerensonDavid BraitbergNoriko Konno CliftDavid DillardEleanor KosekRuth Ann LittleThomas O’DonnellRonda RespessFrank Walton

VIOLA

Reid Harris Principal The Edus H. and Harriet H. Warren Chair*

Paul Murphy Associate Principal The Mary and Lawrence Gellerstedt Chair *

Catherine Lynn Assistant PrincipalWesley CollinsMarian KentYang-Yoon KimYiyin LiLachlan McBaneJessica OudinArdath Weck

CELLO

Christopher Rex Principal The Miriam and John Conant Chair*

Daniel Laufer Associate Principal The Livingston Foundation Chair*

Karen Freer Assistant PrincipalDona Vellek Assistant Principal Emeritus

Joel DallowJere FlintJennifer HumphreysLarry LeMasterBrad RitchiePaul Warner

BASS

Ralph Jones Principal The Marcia and John Donnell Chair *

Gloria Jones Associate PrincipalJane Little Assistant Principal Emeritus

Michael KenadyMichael KurthJoseph McFaddenDouglas SommerThomas Thoreson

Robert Spano Music Director The Robert Reid Topping Chair *

Donald RunniclesPrincipal Guest Conductor

The Neil and Sue Williams Chair *

Michael KrajewskiPrincipal Pops Conductor

18 Atlanta Symphony Orchestra/aso.org

encoreatlanta.com/Atlanta’s Performing Arts Publication 19

FLUTE

Christina Smith Principal The Jill Hertz Chair*Robert Cronin Associate PrincipalPaul BrittanCarl David Hall

PICCOLO

Carl David Hall

OBOE

Elizabeth Koch Principal The George M. and Corrie Hoyt Brown Chair *

Yvonne Powers Peterson

Associate PrincipalAnn Lillya †

CLARINET

Laura Ardan Principal The Robert Shaw Chair*

Ted Gurch Associate PrincipalWilliam RappaportAlcides Rodriguez

E-FLAT CLARINET

Ted Gurch

BASS CLARINET

Alcides Rodriguez

BASSOON

Carl Nitchie PrincipalElizabeth Burkhardt Associate PrincipalLaura NajarianJuan de Gomar

CONTRA-BASSOON

Juan de Gomar

HORN

Brice Andrus PrincipalSusan Welty Associate PrincipalThomas WitteRichard Deane Bruce Kenney

TRUMPET

Thomas HootenPrincipal The Madeline and Howell Adams Chair*

The Mabel Dorn Reeder Honorary Chair*

Karin Bliznik Associate PrincipalMichael TiscioneJoseph Walthall

TROMBONE

Colin Williams Principal Stephen Wilson Associate PrincipalGeorge Curran

BASS TROMBONE

George Curran

TUBA

Michael Moore Principal

TIMPANI

Mark Yancich Principal The Walter H. Bunzl Chair*

William Wilder Assistant Principal

PERCUSSION

Thomas Sherwood Principal The Julie and Arthur Montgomery Chair*

William Wilder Assistant Principal The William A. Schwartz Chair*

Charles Settle

HARP

Elisabeth RemyJohnson

Principal The Delta Air Lines Chair

KEYBOARD

The Hugh and Jessie Hodgson Memorial Chair*

Peter Marshall †Beverly Gilbert †Sharon Berenson

LIBRARY

Rebecca Beavers PrincipalNicole Jordan Assistant Principal Librarian

John WildermuthAssistant Librarian

‡ rotate between sections* Chair named in

perpetuity † Regularly engaged

musician Players in string sections

are listed alphabetically

Jere Flint Staff Conductor; Music Director of the Atlanta Symphony Youth Orchestra

The Zeist Foundation Chair*

Norman MackenzieDirector of Choruses The Frannie and Bill Graves Chair

The Orchestra’s annual tribute to Dr. Martin Luther King Jr. reaches a milestone, underscoring his words through “the power of music

to express … something

larger than I am as

an individual”

“Music has the power to express the otherwise inexpressible,”

says Dr. Stanley E. Romanstein, Atlanta Symphony Orchestra president, thinking about the annual concert that honors the memory of Civil Rights champion Dr. Martin Luther King Jr. “It unites people and gives them common ground on which to stand. [Experiencing music] is unique to each person but shared with all. Which is what Dr. King’s legacy is all about — something larger than I am as an individual.”

LARGER THAN LIFE

By Margaret Shakespeare


Moderation shmoderation.

Just blocks from the Fox Theatre at 40 7th Street NESun.-Thurs. 5:30-10pm | Fri.-Sat. 5:30-11pm | Bar open daily at 4pm

404.347.9555 | ecco-atlanta.com | @FifthGrouper | facebook.com/eccoatlanta

PRESENT YOUR TICKET STUB FOR 10% OFF YOUR MEAL!

Next month marks the 20th anniversary of the Atlanta Symphony Orchestra’s A King Celebration concerts, when the Orchestra performs at Atlanta Symphony Hall with the Morehouse College Glee Club, the Spelman College Glee Club and cellist Yo-Yo Ma, Thursday, Jan. 12, 2012.

Music Director Robert Spano will conduct a compelling program that includes Elijah Rock (traditional), Beethoven’s Fidelio Overture, Brahms’s “How Lovely Is Thy Dwelling Place” (German Requiem, 4th movement), Joseph Schwantner’s New Morning for the World and the Dvorák Cello Concerto in B minor.

Dr. David Morrow, professor of music at Morehouse College and director of the Morehouse Glee Club, has been a leader in planning and producing these concerts from the beginning. “We are very fortunate to have an ongoing relationship with the Atlanta Symphony,” he says. “We have sung every year in their Christmas concerts, since 1968. And when they did [George Gershwin’s] Porgy and Bess one year. And, of course, for the premiere of Scott Joplin’s Treemonisha with TJ Anderson’s orchestrations,” he says, hitting only a few of the high notes of the enduring collaboration. “Then the Orchestra wanted to have a tribute concert — and there was a desire to have a partnership with Morehouse — around the MLK holiday [which has been federally observed since 1986]. Spelman came along with us. And then NPR [National Public Radio] joined in. We did plan for it to be annual. The first one was at Atlanta Symphony Hall; most recently we’ve been at the King Chapel on the Morehouse campus.”

“It is actually now the oldest King celebration in the U.S.,” says Dr. Romanstein. “And the most widely broadcast in the U.S.” American Public Media now produces and distributes the broadcasts throughout the country on its Classical Live series. Repertory is chosen with that — and more — in mind.

“Because is it a radio show, it’s not always feasible to do long major works,” Morrow points out. “We always do some European music appropriate for the theme.” Such as choral music of Bach, Beethoven and Brahms, and spiritual settings by Sir Michael Tippett that have been on past programs. “And we try to include some African-American composers, William Grant Still, Duke Ellington and Billy Childs, among many others.” Dr. Romanstein says they also make programming choices for this concert that stands importantly at season midpoint by asking themselves: “Is it a fitting tribute to Dr. King and the legacy of the Civil Rights movement?”

Continued on page 44

Dr. David Morrow22

Our Professional EnsembleBruce V. Benator, CPA, Managing Partner

Kevin J. Hedrick, CPA, PartnerSteven G. Horn, CPA, PartnerLaura E. Speir, CPA, Partner

Patricia A. Yeager, CPA, Partner

NO rehearsalsONLY performances

Certified Public Accountants and ConsultantsFor over 25 years, the FIRM of CHOICE in Atlanta

1040 Crown Pointe Parkway, NE • Suite 400 • Atlanta, Georgia 30338Phone: 770.512.0500 • www.wblcpa.com • Fax: 770.512.0200

Member of American Institute of Certified Public Accountants and Russell Bedford International

BELK.COM

The most

time of the year wonderful

Make it a modern southern

Christmas with beautiful

gifts and warm holiday

wishes from Belk.

program


Robert Spano, Music DirectorDonald Runnicles, Principal Guest Conductor

Holiday Concert SeriesThursday and Saturday, December 1 and 3, 2011, at 8 p.m.

Norman Mackenzie, Conductor Stephanie Washington, Soprano Magdalena Wór, Mezzo-soprano Richard Clement, Tenor Gerard Sundberg, Bass Atlanta Symphony Orchestra Chamber ChorusNorman Mackenzie, Director of Choruses

JOHANN SEBASTIAN BACH (1685-1750) Magnificat in D Major, BWV 243 (1723)

INTERMISSION

GEORGE FRIDERIC HANDEL (1685-1759) Christmas Portion and “Hallelujah!” Chorus from Messiah (1742)

The use of cameras or recording devices during the concert is strictly prohibited.


SPONSORS

This holiday season, The Coca-Cola Company will help refresh patrons of the Atlanta Symphony Orchestra with its Coca-Cola Santa, created by artist Haddon Sundblom in the 1930s. Sunblom’s depiction of Santa is given credit for both standardizing and humanizing the character of “Father Christmas.” Before Sundblom created the popular, modern-day image of a jolly, friendly Santa Claus, Saint Nicholas was portrayed differently within various regions and cultures.

Coca-Cola decided to link Santa Claus and Christmas to its flagship soft drink, Coca-Cola, because people during the 1930s era commonly regarded Coca-Cola as a beverage for hot, summer days. Sundblom created more than 40 Coca-Cola Santa paintings between 1931 and 1964 that appeared in print ads, billboards, and beverage cartons — some of which are on display in the Woodruff Arts Center this season.

The Coca-Cola Company is the world’s largest beverage company, offering consumers more than 450 sparkling and still brands. Along with Coca-Cola, the Company’s portfolio includes 12 other major brands, including Diet Coke, Fanta, Sprite, Coca-Cola Zero, vitaminwater, Powerade, Minute Maid and Georgia Coffee. The Company supports a wide range of philanthropic projects in Georgia and around the globe, including initiatives that help protect the environment, conserve resources, preserve the arts, and enhance the economic development of the communities in which it operates. For more information about The Coca-Cola Company or the Coca-Cola Santa, please visit www.thecoca-colacompany.com”

Holiday concerts in December are made possible through an endowment

from the Livingston Foundation in memory of Leslie Livingston Kellar.

The Atlanta Symphony Orchestra’s concert on November 5, 2011 at Carnegie Hall is made possible through the generous support of Delta Air Lines, Thurmond Smithgall and the Massey Charitable Trust.

ORCHESTRA SCORES ONLINE WIN: The Atlanta Symphony Orchestra’s website was ranked the best in the business in the recent 2011 Orchestra Website Review by Adaptistration.com, which examined 71 orchestras around the country. Rankings were based on patron usability, including how well orchestra websites present concert schedules, sell tickets, facilitate online donations, provide organizational information, utilize dynamic content (eg. videos, photos) and on overall content and functionality for both desktop and mobile platforms. Visit our new site at atlantasymphony.org.

Solo pianos used by the Atlanta Symphony Orchestra are gifts of the Atlanta Steinway Society and in memory of David Goldwasser. The Hamburg Steinway piano is a gift received by the Atlanta Symphony Orchestra in honor of Rosi Fiedotin.

The Yamaha custom six-quarter tuba is a gift received by the Atlanta Symphony Orchestra in honor of Principal Tuba player Michael Moore from The Antinori Foundation.

This performance is being recorded for broadcast at a later time. Atlanta Symphony concert broadcasts are heard each week on Atlanta’s WABE FM-90.1 and Georgia Public Broadcasting’s statewide network.

The Atlanta Symphony records for ASO Media. Other recordings of the Orchestra are available on the Argo, Deutsche Grammophon, New World, Nonesuch, Philips, Telarc and Sony Classical labels.

Media sponsors: WABE, WSB AM, and AJC.

Trucks provided by Ryder Truck Rental Inc.

program

Notes on the ProgramByKenMeltzer

Magnificat in D Major, BWV 243 (1723)

JOHANN SEBASTIAN BACH was born in Eisenach, Germany, on March 21, 1685, and died in Leipzig, Germany, on July 28, 1750. The Magnificat is scored for two soprano, alto, tenor and bass solos, mixed chorus, two flutes, two oboes, two oboe d’amore, bassoon, three trumpets, timpani, continuo and strings. Approximate time is thirty minutes.

AtlantaSymphonyOrchestraandChorusRecording:RobertShaw,Conductor(TelarcCD-80194)

Bach, Prince Leopold, and Cöthen

From 1717-1723, German composer Johann Sebastian Bach served as Kappellmeister to Prince Leopold, whose court was located in Cöthen, approximately sixty miles

north of Weimar. Prince Leopold was an avid and talented musician who, according to Bach: “loved music, he was well acquainted with it, he understood it.” The Prince both sang and played several instruments. In addition, Prince Leopold hired some of Europe’s greatest instrumentalists to serve as his court musicians.

As Prince Leopold’s court was Calvinist, Bach’s duties did not include the composition of liturgical music. Bach instead responded with an extraordinary outpouring of instrumental creations. Bach’s Cöthen works include such masterpieces as the first book of the Well-TemperedClavier, the SonatasandPartitasforSoloViolin and the SuitesforSoloCello, and the BrandenburgConcertos.

Bach in Leipzig

In December of 1721, Prince Leopold wed his cousin, Friederica Henrietta of Anhalt-Bernburg. The Princess shared none of her husband’s passion for the arts. Over time, the Prince’s support for musical activities in Cöthen declined, thereby placing a strain on his relationship with Bach.

In 1723, Bach left Prince Leopold’s Court to begin his service as Music Director of Leipzig’s St. Thomas Church and School. During his initial five or six years in Leipzig, Bach created an incredible body of sacred vocal works, including five Cantata cycles for every Sunday and feast day. The magnificent St.John (1724) and St.Matthew (1727) Passions also date from this early Leipzig period.

One might reasonably be tempted to suspect that such a demanding schedule would generate a kind of routine, and music of lesser quality. Instead, Bach responded with an outpouring of sacred vocal music that remains without equal not only for its prolific numbers, but also for its variety, invention and eloquence.

The Magnificat

Another masterpiece from Bach’s early years in Leipzig is the Magnificat (1723), scored for vocal soloists, chorus and orchestra. Bach first composed the Magnificat for Christmas


Day, 1723. The original version of the Magnificat is in E-flat Major and includes recorders. In addition to the work’s twelve principal sections, the first version of the Magnificat incorporates three choruses and a soprano-bass duet, all relating to Christmas.

In 1728-31, Bach created a revised version of the Magnificat. Now set in D-Major, the revised Magnificat substitutes flutes for the original version’s recorders. In addition, Bach removed the four Christmas sections. It is this version that is most often performed.

The text for the Magnificat, from Luke 1:46-55, is Mary’s praise to God, inspired by her impending motherhood. One of the many notable aspects of the Magnificat is Bach’s ingenious and creative employment of “word-painting” — crafting music to reflect and illuminate the text. There are many striking examples. In sections III and IV, Mary exults: “behold, henceforth I shall be called blessed by…all generations.” At the words “all generations,” the solo soprano voice yields to the chorus’s numerous, intertwining vocal lines. In section VIII, the solo tenor’s vocal line falls and rises in accordance with the text: “He has deposed the mighty from their seats, and exalted the humble.” And in the Magnificat’s final section, at the words, “As it was in the beginning,” Bach quotes from the work’s opening.

None of these details will distract the listener from the overall grandeur and eloquence of the Magnificat. As with virtually all creations by this master, the Magnificat reflects sentiments expressed by the organist Helmut Walcha: “Bach opens a vista to the universe. After experiencing him, people feel there is meaning to life after all.”

Texts and Translations

I. Magnificat (Chorus)


Magnificat anima mea Dominum, My soul magnifies the Lord,

II. Et exsultavit (Soprano Solo)Et exsultavit spiritus meus in Deo salutari meo. And my spirit rejoices in God my salvation.

III. Quia respexit (Soprano Solo)Quia respexit humilitatem ancillae suae;

ecce enim ex hoc beatam me dicent…For He has considered the humbleness of

his handservant: behold, henceforth I shall be called blessed by…

IV. Omnes generationes (Chorus)Omnes generations. All generations.

V. Quia fecit mihi magna (Bass Solo) Quia fecit mihi magna qui potens est,

et sanctum nomen eius. For He that is mighty has magnified me;

and holy is His name.

VI. Et misericordia (Alto and Tenor Solos)Et misericordia a progenie in progenies

timentibus eum. And He is merciful to those who,

from generation to generation, fear Him.

program

VII. Fecit potentiam (Chorus)


Fecit potentiam in brachio suo: dispersit superbos mente cordis sui.

He has shown strength in His arm: He has scattered the proud in the imagination of their hearts.

VIII. Deposuit potentes (Tenor Solo)Deposuit potentes de sede et exaltavit humiles. He has deposed the mighty from their seats,

and exalted the humble.

IX. Esurientes implevit bonis (Alto Solo)Esurientes implevit bonis et divites

dimisit inanes. He has filled the hungry with good things;

and the rich He has sent away empty.

X. Suscepit Israel (Three-Part Women’s Voices)Suscepit Israel puerum suum,

recordatus misericordiae suae. He has supported His servant Israel,

remembering His mercy.

XI. Sicut locatus est (Chorus)

Sicut locutus est ad Patres nostros, Abraham et semini eius in saecula.

As He spoke to our forefathers, Abraham, and his seed forever.

XII. Gloria Patri (Chorus) Gloria Patri, gloria Filio, gloria et Spiritui

Sancto! Sicut erat in principio et nunc et semper, et in saecula saeculorum. Amen.

Glory to the Father, glory to the Son, glory to the Holy Spirit! As it was in the beginning, is now, and ever shall be, and for ever and ever. Amen.

Christmas Portion and “Hallelujah!” Chorus from Messiah (1742)

GEORGE FRIDERIC HANDEL was born in Halle, Germany, on February 23, 1685, and died in London, England, on April 14, 1759. The first performance of Messiah took place at the New Music Hall in Fishamble Street, Dublin, Ireland, on April 13, 1742. Messiah is scored for soprano, alto, tenor and bass solos, mixed chorus, two oboes, two bassoons, two trumpets, timpani, organ, continuo and strings. Approximate performance of the Christmas portion of Messiahis 1 hour.

AtlantaSymphonyOrchestraandChorusRecording:RobertShaw,Conductor(TelarcCD-80093,2discs)

The creation of George Frideric Handel’s most beloved work, Messiah,took place during a challenging period in the composer’s life. The steady decline in

London of the popularity of Italian opera had caused Handel tremendous financial hardship. In addition, Handel’s rigorous work schedule had taken a profound toll on the composer’s health. By the summer of 1741, a period of lethargy had set in.

It was at this point that Handel received a libretto for a new work, an oratorio based upon the birth, life, crucifixion and resurrection of Jesus Christ. The author of the libretto was Charles Jennens, who collaborated with Handel on several oratorios.

In July of 1741, Charles Jennens wrote to a friend:

Handel says he will do nothing next Winter, but I hope I shall persuade him to set another Scripture Collection I have made for him, & perform it for his own Benefit in Passion Week. I hope he will lay out his whole Genius & Skill upon it, that the Composition may excel all his former Compositions, as the Subject excels every other subject. The Subject is Messiah.

Handel began composition of Messiah on August 22, 1741. There seems to be no question that the libretto, based upon the Old and New Testaments, proved to be a source of majestic inspiration. Handel, working at a lightning pace, completed Messiah in just 24 days.

Once Handel completed Messiah, he focused his attention upon Samson, another oratorio inspired by the Bible. It was during this period that Handel accepted an invitation to travel to Dublin for a series of concerts in aid of charity. In November, Handel set sail for Dublin, bringing with him several works for performance at the charity concerts. Among those works was Messiah.

The premiere of Messiah took place at Dublin’s New Music Hall in Fishamble Street on April 13, 1742. Three days prior to the performance, the Dublin Journal printed the following admonition:

Many Ladies and Gentlemen who are well-wishers to this Noble and Grand Charity for which this Oratorio was composed, request it as a Favour, that the Ladies who honour this Performance with their Presence would be pleased to come without Hoops, as it will greatly increase the Charity, by making room for more company.

Gentlemen were also requested to refrain from bringing their swords to the performance, again for the purpose of increasing the audience capacity.

The performance was a tremendous success. As the DublinJournalreported:

(T)he best Judges allowed (Messiah) to be the most finished piece of music. Words are wanting to express the exquisite Delight it afforded to the admiring crowded audience. The Sublime, the Grand, and the Tender, adapted to the most elevated, majestic and moving Words, conspired to transport and charm the ravished Heart and Ear. It is but justice to Mr. Handel, that the World should know, he generously gave the Money arising from this Grand Performance, to be equally shared by the Society for relieving Prisoners, the Charitable Infirmary, the Mercer’s Hospital, for which they will ever gratefully remember his Name…

The London premiere of Messiah, which took place at Covent Garden on March 23, 1743, was more problematic. It appears that the London public accorded Handel’s Messiah a mixed reception. However, at least according to one observer, those in attendance — including a very prominent member of the audience — were particularly moved by a portion of the oratorio. This resulted in the birth of a tradition that continues to this day: “When the chorus struck up ‘for the Lord God Omnipotent’ (in the ‘Hallelujah’ Chorus), they were so


program

transported that they all together, with the King (who happened to be present), started up and remained standing till the chorus ended.”

In May of 1750, Handel agreed to present Messiah as a benefit for London’s Foundling Hospital. The performance venue of the Hospital’s Chapel, coupled with the worthy cause, removed any possible objections. Charity concerts of Messiah became a yearly tradition at the Foundling Hospital.

On April 6, 1759, Handel made his final public appearance, conducting a London performance of Messiah. Eight days later, Handel was dead at the age of 74. The funeral, held in Westminster Abbey, attracted an estimated 3,000 mourners. Three years later, the great church unveiled a monument to Handel, created by the French sculptor, Louis François Roubiliac. The monument depicts Handel, holding the score of Messiah. Overhead, an angel plays a lyre. The score is opened to the soprano solo that serves to begin the oratorio’s Third Part: “I know that my redeemer liveth, and that He shall stand at the latter day upon the earth.”

This concert features Part I, the Christmas Portion, of Messiah, as well as the “Hallelujah!” Chorus from Part II.

MessiahMusic by George Frideric Handel (1685-1759)Texts selected from Holy Scripture by Charles Jennens (1700-1773)


Part ISinfonia

TenorComfort ye my people, saith your God;speak ye comfortably to Jerusalem,and cry unto her, that her warfare is accomplished,

that her iniquity is pardoned.The voice of him that crieth in the wilderness:Prepare ye the way of the Lord,make straight in the desert a highway for our God.

Every valley shall be exalted,and every mountain and hill made low:the crooked straight and the rough places plain.[Isaiah 40:1-4]

ChorusAnd the glory of the Lord shall be revealed,and all flesh shall see it together:for the mouth of the Lord hath spoken it.[Isaiah 40:5]

BassThus saith the Lord of Hosts:Yet once a little while, and I will shake theheavens, and the earth, and the sea and the dry land,

and I will shake all nations,and the desire of nations shall come.The Lord whom ye seek, shall suddenly come

to His temple, even the messenger of the covenant,

whom ye delight in, behold,He shall come, saith the Lord of Hosts.[Haggai 2:6-7; Malachi 3:1]

AltoBut who may abide the day of His coming?And who shall stand when He appeareth?For He is like a refiner’s fire.[Malachi 3:2]

ChorusAnd He shall purify the sons of Levi,that they may offer unto the Lordan offering in righteousness.[Malachi 3:3]

AltoBehold, a virgin shall conceive, and bear a son,and shall call his name Emmanuel,God with us.[Isaiah 7:14; Matthew 1:23]

Alto and ChorusO thou that tellest good tidings to Zion,get thee up into the high mountain;O thou that tellest good tidings toJerusalem, lift up thy voice with strength;lift it up, be not afraid;say unto the cities of Judah:Behold your God! Arise, shine,for thy light is come,and the glory of the Lord is risen upon thee.[Isaiah 40:9; 60:1]

BassFor behold, darkness shall cover the earth,and gross darkness the people:but the Lord shall arise upon thee,and His glory shall be seen upon thee.And the Gentiles shall come to thy light,and kings to the brightness of thy rising.[Isaiah 60:2-3]

BassThe people that walked in darkness have seen a great light:

and they that dwell in the land of the shadow of death,

upon them hath the light shined.[Isaiah 9:2 (Matthew 3:16)]

ChorusFor unto us a Child is born, unto us a Son is given,

and the government shall be upon His shoulder,

and His name shall be called Wonderful,Counselor, the mighty God,the everlasting Father, the Prince of Peace.[Isaia’h 9:6]

Pastoral Symphony

SopranoThere were shepherds abiding in the field,keeping watch over their flocks by night.And lo, the angel of the Lord came upon them,and the glory of the Lord shone round aboutthem, and they were sore afraid.And the angel said unto them:Fear not, for behold, I bring you good tidingsof great joy, which shall be to all people:for unto you is born this day in the city of David a Saviour, which is Christ the Lord.And suddenly there was with the angela multitude of the heavenly host,praising God, and saying:[Luke 2:8-11,13]

ChorusGlory to God in the highest,and peace on earth, good will towards men.[Luke 2:14]

SopranoRejoice greatly, O daughter of Zion, shout,O daughter of Jerusalem, behold, thy Kingcometh unto thee. He is the righteous Saviour,and He shall speak peace unto the heathen.[Zechariah 9:9-10]AltoThen shall the eyes of the blind be opened,and the ears of the deaf unstopped;then shall the lame man leap as an hart,and the tongue of the dumb shall sing.[Isaiah 35:5-6]


program


Alto and SopranoHe shall feed his flock like a shepherd,and He shall gather the lambs with His arm,and carry them in His bosom, and gently leadthose that are with young.Come unto Him, all ye that labour,and are heavy laden, and He will give you rest.Take His yoke upon you, and learn of Him,for he is meek and lowly of heart,and ye shall find rest unto your souls.[Isaiah 40:11; Matthew 11:28-29]

ChorusHis yoke is easy, and His burthen is light.[Matthew 11:30]

ChorusHallelujah!for the Lord God omnipotent reigneth.The kingdom of this world is become thekingdom of our Lord and of His Christ;and He shall reign for ever and ever.King of Kings, and Lord of Lords.[Revelation 19:6; 11:15; 19:16]

34A Atlanta Symphony Orchestra/aso.org

NORMAN MACKENzIE, ConductorDirector of Choruses

N orman Mackenzie’s abilities as musical collaborator, conductor and concert organist

have brought him international recognition. As Director of Choruses for the Atlanta Symphony Orchestra since 2000 and holder of its endowed Frannie and Bill Graves Chair, he was chosen to help carry forward the creative vision of legendary founding conductor Robert Shaw to a new generation of music lovers. At the ASO he prepares the Choruses for all concerts and recordings, conducts holiday concerts annually and works closely with ASO Music Director Robert Spano and commissioned-composers in the creation and premiere of new works. His leadership was rewarded in 2003 with Grammy awards for Best Classical Album and Best Choral Performance for the ASO and Chorus recording of ASea Symphony by Vaughan Williams, in 2005 with another Best Choral Performance Grammy for the Berlioz Requiem and in 2007 for Best Opera Recording with Golijov’s Ainadamar. Mackenzie also serves as Director of Music and Fine Arts for Atlanta’s Trinity Presbyterian Church, and pursues an active recital and guest conducting schedule.

Mr. Mackenzie has been hailed by The New York Times as Robert Shaw’s “designated successor.” In his 14-year association with Shaw (1985-1999), he was keyboardist for the Atlanta Symphony Orchestra, principal accompanist for the ASO Choruses, and ultimately assistant choral conductor. In addition, he was musical assistant and accompanist for the Robert Shaw Chamber Singers, the Robert Shaw Institute Summer Choral Festivals in France and the United States, and the famed Shaw/Carnegie Hall Choral Workshops. In 1996 Mr. Mackenzie made his New York conducting debut in a concert sponsored by Carnegie Hall, leading the Robert Shaw Chamber Singers in a critically acclaimed performance at the Cathedral of St. John the Divine, substituting for Shaw on short notice. In 1999 he was chosen by Shaw to prepare the Carnegie Hall Festival Chorus for Charles Dutoit, and he was choral clinician for the first three annual workshops after Shaw’s passing. In 2011 he partnered with Robert Spano for the workshop featuring the Berlioz Requiem.

A native of suburban Philadelphia, Mr. Mackenzie made his debut as a pianist with the Philadelphia Orchestra at age 12, and as an organist at age 20. He made his New York recital debut at the Fifth Avenue Presbyterian Church. He holds degrees from the University of the Arts in Philadelphia and Westminster Choir College. He has prepared choruses for performance under Robert Spano, Donald Runnicles, John Adams, Roberto Abbado, Charles Dutoit, Bernard Labadie, Nicholas McGegan, John Nelson, Alan Gilbert, Yoel Levi, Robert King, James Conlon and Sir Neville Marriner. Mackenzie’s acclaimed Telarc recording of acappella sacred music (featuring the Vaughan Williams MassinG-Minor) represents the ASO Chamber Chorus’ first recording apart from the orchestra. Mackenzie also prepared the ASO Chorus for its acclaimed 2003 debut and successive 2008 and 2009 performances in Berlin with the Berlin Philharmonic (in Britten’s WarRequiem, Berlioz’s GrandeMessedesMorts and Brahms’ EindeutschesRequiem, respectively), conducted by ASO Principal Guest Conductor Donald Runnicles.

Norman Mackenzie

encoreatlanta.com/Atlanta’s Performing Arts Publication 34B

program

STEPHANIE WASHINGTON, Soprano

A native of Tulsa, Okla., soprano Stephanie Washington continues to establish herself as a

promising artist of today. She was a 2010 national semifinalist in the Metropolitan Opera National Council auditions and semifinalist in Houston Grand Opera’s Eleanor McCollum Competition. Stephanie has trained around the country. She received her bachelor of music degree in vocal performance at the Oberlin Conservatory of Music, where she studied with associate professor of singing Lorraine Manz. She went on to complete her studies with acclaimed soprano Carol Vaness at the Indiana University Jacobs School of Music. There she performed the title role in Gounod’s Roméo et Juliette and appeared in the collegiate premiere of William Bolcom’sAWedding as wedding “directrix” Rita Billingsley. Stephanie received the Barbara and David Jacobs Fellowship at Indiana University and served as an associate instructor of voice.

She spent the past two summers as an apprentice with the Santa Fe Opera, her assignments included major covers of Olympia, Antonia (Les contes d’Hoffmann), Emmie (AlbertHerring) and Musetta (La bohème). Stephanie has performed with Cincinnati Opera’s outreach and education program in Labohème(Musetta) and TheMagicFlute (Pamina). In summer 2009, she apprenticed with Central City Opera in Colorado, where she received the E. Atwil Gilman Award. She performed the role of Una Sirena (Rinaldo) and covered the roles of Armida (Rinaldo), and Mrs. Nordstrom (ALittleNightMusic). Other training programs include the Charlie Creek Vocal Workshop under IU professors Timothy Noble and Mary Ann Hart, Music Academy of the West under mezzo-soprano Marilyn Horne and the “Oberlin in Italy” training program in Urbania, Italy.

Stephanie Washington

MAGDALENA WóR, Mezzo-Soprano

M ezzo-soprano Magdalena Wór is a first-place winner of the Marcella Sembrich and Heinz

Rehfuss Vocal competitions, a finalist of the Marcello Giordani and Moniuszko International vocal competitions, a Metropolitan Opera Competition national finalist and an alumna of the San Francisco Opera’s Merola Summer Opera Program, Chautauqua Music Institution’s Marlena Malas Voice Program, St. Louis Opera Theatre’s Gerdine Young Artist Program and the Washington National Opera’s Domingo-Cafritz Young Artist Program. Performances during the 2011-12 season include title role in Bizet’s Carmen with Lyric Opera Virginia, Beach’s GrandMass in E-flat Major and Bach’s Magnificat with the National Philharmonic, Handel’s Messiah with the Atlanta Symphony Orchestra and Janácek’s GlagoliticMass with Cathedral Choral Society.

Magdalena Wór

34C Atlanta Symphony Orchestra/aso.org

RICHARD CLEMENT, Tenor

R ichard Clement is a Grammy-winning tenor acclaimed for his tonal beauty and

superb musicality in repertoire from the Baroque to the contemporary. Highlights from recent seasons include performances with the Israel Philharmonic under Kurt Masur, the Czech Philharmonic, Saint Louis Symphony, Montreal Symphony, Detroit Symphony, Cleveland Orchestra, San Francisco Symphony and Philadelphia Orchestra. He has collaborated with such conductors as Bobby McFerrin, Christopher Hogwood, Wolfgang Sawallisch, Seiji Ozawa, Charles Dutoit, Neeme Järvi, Robert Shaw, Michael Tilson Thomas and Hugh Wolff. His considerable operatic credits include engagements with Vancouver Opera, Glimmerglass Opera, Opera Theater of Saint Louis, Boston Baroque, Atlanta Opera and Boston Lyric Opera, as well as the New York Philharmonic and Colorado Symphony. An Atlanta native and former member of the Atlanta Symphony Orchestra Chorus, Mr. Clement studied voice at Georgia State University and at the Cincinnati Conservatory.

Richard Clement

GERARD SUNDBERG, Bass

G erard Sundberg’s compelling baritone voice is celebrated internationally for its beauty and

clarity. For the past eight seasons, he has captivated audiences with his performances of Handel’s Messiahwith the Atlanta Symphony Orchestra and Chorus. Following another Messiahperformance, a critic at The Republic in Columbus, Ind., said, “His recitatives and arias remained focused and filled with energy … he demonstrated excellent range, control and diction. “He sings with passion and conviction, giving thoughtful and heartfelt expression to the text,” said Rodney Wynkoop of Duke University.

Mr. Sundberg has distinguished himself as a concert artist with his mastery of bass/baritone repertoire. Recent performances include the St.JohnPassion conducted by John Nelson in Paris at the Notre Dame Cathedral. Maestro Nelson lauds Mr. Sundberg for his “command of diction and remarkable involvement in the text.” He has appeared as soloist with the Robert Shaw Festival Singers and with the Atlanta Symphony Orchestra under the direction of Robert Shaw. He maintains an impressive presence in the Chicago area, frequently appearing as soloist with the West Suburban Choral Union, recently for a performance of Vaughan Williams’ ASeaSymphony. He has sung extensively with the Oregon Bach Festival under the artistic leadership of Helmuth Rilling. Rilling praises Mr. Sundberg for his “exceptionally stunning high range” and “perfect command of the German language and high musicality.”

Performances in recent seasons include Bruckner Mass in F Minor with the West Suburban Choral Union and the Wheaton Conservatory Choruses and Orchestra, all in Illinois;

Gerard Sundberg

encoreatlanta.com/Atlanta’s Performing Arts Publication 34D

program

Messiah with Atlanta Symphony Orchestra and Chamber Chorus; Telemann Lobetdem Herrn with Southwest Florida Symphony; Beethoven’s Mass in C with Elmhurst Choral Union; Beethoven’s Ninth Symphony with Illinois Symphony; Hoiby’s I Have aDream (for Baritone and Orchestra) and Beethoven’s Ninth Symphony with Fox Valley Symphony; Mendelssohn’s St. Paul with College Church of Wheaton; Bach’s St. JohnPassion with Peoria Bach Festival; Vaughan Williams’ Five Mystical Songs with Kiev Symphony Orchestra (Ukraine); Duruflé’s Requiem in “Music for Remembrance Day,” Wellington, New Zealand; Bach’s Weihnachts-Oratorium (Part II) and Handel’s Messiah with Atlanta Symphony Orchestra and Chamber Chorus; Bach’s St. Matthew Passion with Chicago Chorale; Richard Strauss op. 10 songs, and songs of Gustav Nordqvist, Wheaton Conservatory Faculty Recital; and Haydn’s LordNelsonMasswith Bel Canto of Milwaukee. Performances for the 2008-09 season includedMessiah with Bel Canto Singers of Milwaukee and Atlanta Symphony; Haydn’s Lord Nelson Mass with the Southwest Florida Symphony; several Bach cantatas with Peoria Bach Festival; Finzi’s Requiem daCamera with Milwaukee Bel Canto; and Haydn’s Paukenmesse and Vaughan Williams’ DonaNobisPacem with Duke University at the International Haydn Festival in Vienna.

34E Atlanta Symphony Orchestra/aso.org

ATLANTA SYMPHONY ORCHESTRA CHAMBER CHORUS Norman Mackenzie, Director of Choruses

The Frannie and Bill Graves Chair Jeffrey Baxter, Choral Administrator Todd Skrabanek, Accompanist

A cclaimed for the beauty, precision and expressive qualities of its singing, the Atlanta

Symphony Orchestra Chamber Chorus has been an important part of the orchestra’s programming since its founding by the late Robert Shaw. The Chamber Chorus, which debuted on Dec. 14, 1967, is composed of 40-60 volunteers selected by audition from the ranks of the 200-voice ASO Chorus. They meet for extra rehearsals and perform with the ASO each season. The Chamber Chorus performs music of the Baroque and Classical eras, as well as works by modern masters such as Golijov, Tavener, Pärt, Paulus, Theofanidis and Britten. Highlights of the ASO Chamber Chorus’s history include a residency with Robert Spano and the ASO for California’s Ojai Festival, participation with the ASO in recordings of masterworks by Bach, Golijov, Handel, Haydn, Mozart, Schubert, Vivaldi and a 2005 a cappella recording that features the Vaughan Williams MassinG-Minor under Norman Mackenzie. Their Carnegie Hall appearances include performances of the B-MinorMass, the Matthew and John Passions of Bach, the Rachmaninoff Vespers, Stravinsky’s Nightingale and the Mozart/Levin Requiem. This Chorus will return to Carnegie Hall on Dec. 15, 2011 to perform the Bach Magnificat (and Messiaen’s Troispetitesliturgies) with Robert Spano and the Orchestra of St. Luke’s.

Atlanta Symphony Orchestra Chamber Chorus

SOPRANO June Abbott **JoAnn AlexanderSuzannah CarringtonClaudia CorriereAmber GreerKristen GwaltneyKathleen Kelly-

GeorgeMarie LittleArietha Lockhart *Joneen PadgettLisa RaderCelia ShoreAnne-Marie

SpalingerCatherine SteenRachel Stewart **Allegra WhitneyKara Mia WrayWanda Yang Temko

ALTO Ana BaidaDonna Carter-Wood *Marcia ChandlerChrista Joy ChaseLaurie CroninPatricia Dinkins-

MatthewsJanet Johnson *Paige MathisHolly McCarrenLinda Morgan **Katherine MurrayKathleen Poe RossBrenda Pruitt *Laura RappoldDiana StrommenSarah Ward

TENOR Jeffrey Baxter *Christian BiglianiDavid Blalock **John Brandt *Jack Caldwell *Phillip CrumblyJeffrey DanielLeif HansenThomas LaBargeKeith LangstonClinton MillerChristopher PattonBrent RunnelsWesley StonerTimothy SwaimMark Warden

BASS Shaun AmosRobert BolyardRussell Cason *Joseph ChampionTrey CleggJohn Cooledge **Steven Darst *Timothy GunterAdam KisselJason MaynardStephen Ozcomert *Kendric Smith **Edgie WallaceEdward Watkins **

* 20+ years of service** 30+ years of service

Symphony Gala! February 18Sat: 8pm

Bernadette PetersFresh from her triumphant starring role in “Follies” on Broadway, the luminous performer Bernadette Peters joins members of the Atlanta Symphony Orchestra for a special concert at the second annual Symphony Gala in Atlanta Symphony Hall. Prime tickets, beginning at just $35, are available now!

aso.org | 404.733.5000Woodruff Arts Center Box Office @15th and Peachtree

34G Atlanta Symphony Orchestra/aso.org

restaurant Dining guiDe

Deckard’s Kitchen and Kegs a neighborhood American tavern with a New England twist. Serving simple craft cuisine, classic ingredients and an extensive, eclectic beer selection. 650 Ponce De Leon Ave., 404-941-3520, kitchenandkegs.com. M

Garrison’s A neighborhood destination known for high quality food, generous portions and a comfortable setting. Superb wine and specialty cocktails compliment the highest quality seafood, steaks and creative sandwiches. Vinings Jubilee Shopping Center, 4300 Paces Ferry Rd., 770-436-0102, garrisonsatlanta.com. V

Joe’s nostalgic charm sets the stage for a wholly unique tavern experience. With an accent on congenial good times, Joe’s sassy food servers keep patrons smiling, while the master mixologists whip up drinks known for their flavor and potency. Midtown: 1049 Juniper St. NE, 404-875-6344; College Park: 2144 Sullivan Rd., 404-844-5000, joesatlanta.com. M, D

Lenox Square Grill offers breakfast, lunch and dinner daily. DJ every Friday and Saturday night til 2am. Private meeting rooms accommodate up to 150. 3393 Peachtree Rd. NE, 404-841-2377, lenoxsquaregrill.com. B

Livingston Restaurant and Bar It’s hard to beat the location (across from the Fox Theatre in the Georgian Terrace), and diners get complimentary parking, but the main attraction is the glamour of the main dining room, which has hosted the likes of

Clark Gable, and the al fresco seating area, which is available in warm weather. 659 Peachtree St. NE, 404-897-5000, livingstonatlanta.com. M

Lobby The menu focuses on seasonal fare at this sophisticated American restaurant in the lobby of TWELVE Atlantic Station. 361 17th St., 404-961-7370, lobbyattwelve.com. M

ONE.midtown kitchen Dine on fresh, seasonal American cuisine in a club-like atmosphere near Piedmont Park. 559 Dutch Valley Rd., 404-892-4111, onemidtownkitchen.com. M

The Melting Pot is the premiere fondue restaurant where guests can enjoy a choice of fondue cooking styles and a variety of unique entrees, salads and indulgent desserts. Four Atlanta locations, including 754 Peachtree St. NE, 404-389-0099, meltingpot.com. M

Murphy’s This restaurant has one of the city’s top brunch menus, but it’s known for great people-watching and its contemporary comfort food. 997 Virginia Ave., 404-872-0904, murphysvh.com. VH

Taco Mac Atlanta’s favorite family friendly sports restaurant and bar since 1979. Consistently voted best wings and beer selection, Taco Mac has something for everyone. 25 metro Atlanta locations, including 933 Peachtree St. NE, blocks away from the Fox Theatre. 678-904-7211, tacomac.com. M

Two Urban Licks “Fiery” American cooking meets live music at this hip hangout. 820 Ralph McGill Blvd., 404-522-4622, twourbanlicks.com. M

Looking for a great night out? Try one of these local restaurants before or after the show. For Dinner and a Show packages, visit encoreatlanta.com/offers.Neighborhood codes: A–Alpharetta, B–Buckhead, DK-Dekalb, D–Downtown, DW-Dunwoody, IP–Inman Park, M —Midtown, OFW–Old Fourth Ward, P–Perimeter Mall area, SS–Sandy Springs, VH–Virginia-Highland, NA —North Atlanta, V—Vinings, W–Westside

AmericAn

encoreatlanta.com/Atlanta’s Performing Arts Publication 34H

Chops Lobster Bar One of the top ten steakhouses in the country, featuring exquiste seafood flown in fresh daily and the very best USDA prime aged beef. 70 West Paces Ferry Rd., 404-262-2675, buckheadrestaurants.com. B

Joey D’s Oakroom Near Perimeter Mall, this stylish steak house has a staggering selection of spirits and a hot after-dinner singles scene. 1015 Crown Pointe Pkwy., 770-512-7063, centraarchy.com. P

New York Prime A Prime Time Top 10 USDA Prime Steakhouse known for its wine list, atmosphere and world class service. 3424 Peachtree Rd. NE, 404-846-0644, centraarchy.com. B

Prime Enjoy steak, sushi and seafood in a festive atmosphere near Lenox Mall. 3393 Peachtree Rd. NE, 404-812-0555, h2sr.com. B

Ruth’s Chris Steakhouse A favorite local steak house with multiple locations near shopping and entertainment hotspots. Sides are generous, and the quality of the steaks and seafood is excellent. Three locations: Buckhead, 3285 Peachtree Rd. NE, 404-365-0660; Sandy Springs, 5788 Roswell Rd., 404-255-0035; Centennial Olympic Park, 267 Marietta St., 404-223-6500; ruthschris.com. B, SS, D

The Tavern at Phipps This is one of Atlanta’s hottest after-work spots, and has been singled out for its happy hour and singles scene by Jezebel, InSite Magazine and the AOL City Guide. 3500 Peachtree Rd. NW, 404-814-9640, centraarchy.com. B

South City Kitchen With a stylish, Southern-contemporary menu, this DiRoNA restaurant helped make grits hip for the business crowd. Two locatons: Midtown: 1144 Crescent Ave., 404-873-7358; Vinings: 1675 Cumberland Pkwy., 770-435-0700, southcitykitchen.com. M, V

Terrace celebrates American heirloom recipes through supporting local and regional farmers, fisherman and producers. It recaptures pure flavors and tastes of natural and organic ingredients while bursting with delicious flavors. 176 Peachtree St. NW, 678-651-2770, ellishotel.com/terrace. D

Aja Restaurant & Bar Serving modern Asian cuisine, Aja has a 150-seat patio overlooking Buckhead and a huge lounge, where diners nosh

on dim sum and sip mai tais. 3500 Lenox Rd., Ste. 100, 404-231-0001, h2sr.com. B

Bluepointe Serving modern American cuisine with a splash of Asian flavor, it features inventive menu items from the kitchen and Atlanta’s freshest sushi. Home to a hip bar, creative cocktails and half-priced happy hour on weekdays. 3455 Peachtree Rd., 404-237-9070, buckheadrestaurants.com. B

Corner Café Enjoy the rich aroma of Pano’s Reserve blend coffee paired with baked-on-site pastries, bread, cookies and special desserts from the European-style bakery. The café serves a variety of breakfast, brunch and lunch selections with daily specials. 3070 Piedmont Rd., 404-240-1978, buckheadrestaurants.com. B

Sugar Shack From breakfast paninis, signature sandwiches for lunch and dinner, and amazing cakes, pies, cheescakes, cupcakes and coffee. There is something for everyone at every hour at the Sugar Shack. 4058 Peachtree Rd., 404-816-6161, sugarshackatlanta.com. B

Engine 11 Firehouse Tavern has a great menu and always has something special that isn’t on their regular menu. They carry an extensive draft beer selection that focuses on American Craft beers. 30 North Ave., 404-873-FIRE. engine11.com. M

Gordon Biersch Fresh-brewed beers are a tasty accent to this brewery-restaurant’s hearty pizzas, salads and sandwiches. For a small additional fee, pre-show diners can leave cars in the lot while they’re at the Fox. Two locations: Midtown: 848 Peachtree St. NE, 404-870-0805; Buckhead: 3242 Peachtree Rd. NE, 404-264-0253, gordonbiersch.com. M, B

Tap A gastropub offering easy-to-share pub fare and an extensive beer selection. The patio is a great place to chill after work. 1180 Peachtree St., 404-347-2220, tapat1180.com. M

Parish New Orleans-inspired dishes served with a modern twist and a fully stocked raw bar; a Nawlins-inspired brunch is served on the weekends. Downstairs, a take-away market sells sandwiches, spices, pastries and beverages. 240 N. Highland Ave., 404-681-4434, parishatl.com. IP

AmericAn/southern

AmericAn/steAkhouse

AsiAn fusion

bAkery

brew pub/gourmet pub fAre

creole/cAjun

34I Atlanta Symphony Orchestra/aso.org

Ecco Esquire Magazine named this casual, European-influenced bistro a “Best New Restaurant in America.” It’s also gotten raves for its killer wine list, wood-fired pizzas, and impressive meat and cheese menus. 40 Seventh St. NE, 404-347-9555, ecco-atlanta.com. M Top Flr This romantic two-story restaurant and bar features delicious bistro dishes, a wine list that rocks and wonderfully affordable prices. Monday Night Prix-Fixe three-course meal for $15. Located three blocks from the Fox Theater at 674 Myrtle St., 404-685-3110. www.topflr.com. M

Shout A young crowd keeps Shout’s rooftop lounge hopping every night. The menu reflects a mix of Mediterranean, Far Eastern and South American influences. 1197 Peachtree St. NE, 404-846-2000, h2sr.com. M

Bistro Niko Voted as one of the Top 20 Restaurants by Esquire magazine, the modern French fare is authentic and simple, while being paired with an affordable priced wine list, exciting cocktails and extensive craft beer list. 3344 Peachtree Rd., 404-261-6456, buckheadrestaurants.com. B

La Tavola Serving classic Italian cuisine for lunch and dinner in the heart of Virginia-Highland. 992 Virginia Ave., 404-873-5430, latavolatrattoria.com. VH

Pricci is fun, stylish dining at its best. The contemporary Italian restaurant features an innovative menu which combines classic cuisine with modern flair. Join us every week for Jazzy Thursdays when bottles of wine are half-priced and live music sets the mood. 500 Pharr Rd., 404-237-2941, buckheadrestaurants.com.B

Cantina Tequila & Tapas Bar is located in the Terminus building on the corner of Peachtree and Piedmont roads. It features authentic Mexican cuisine and has become Buckhead’s newest watering hole. 3280 Peachtree Rd. NW, Terminus 100, Ste. 150, 404-892-9292, h2sr.com. B

Noche A Virginia-Highland favorite known for its Spanish-style tapas dishes and margaritas. 1000 Virginia Ave., 404-815-9155, h2sr.com. VH

El Taco An eco-friendly watering hole serving fresh Mexican food made with all-natural meats and killer margaritas. 1186 N. Highland Ave.NE, 404-873-4656, eltaco-atlanta.com.VH

Nava offers a Southwestern experience with flavorful cuisine, bold design and striking architecture. Don’t miss out every Wednesday for Party on the Patio with live music, $5 signature margaritas and appetizers. 3060 Peachtree Rd., 404-240-1984, buckheadrestaurants.com. B

Atlanta Fish Market More than 100 varieties from the deep are flown in fresh and the menu is printed twice daily. With a comfortable, neighborhood atmosphere, it has something for everyone. 265 Pharr Rd. NE, 404-262-3165. B

Coast Seafood and Raw Bar serves Atlanta’s freshest seafood and island cocktails. The menu incorporates classics including crab and corn hush puppies, a signature seafood boil, and a variety of raw or steamed oysters, clams and mussels; along with signature fresh catch entrees. 111 W. Paces Ferry Rd. NW, 404-869-0777, h2sr.com. B

Goldfish This fun seafood/sushi restaurant has Happy Hour specials Mon-Fri and nightly entertainment in its lounge. 4400 Ashford Dunwoody Rd., 770-671-0100, h2sr.com. P

Kyma Fresh, healthy food, attentive Greek hospitality and festive atmosphere await you. Enjoy a contempoary seafood tavern that stays true to its Greek orginis while you gaze at the dazzling constellation displayed on the deep blue ceiling. 3085 Piedmont Rd., 404-262-0702, buckheadrestaurants.com. B

Room This elegant restaurant serves steak and sushi on the ground floor of the TWELVE Centennial Park hotel. 400 W. Peachtree St., 404-418-1250, roomattwelve.com. D

Strip This sophisticated steak, seafood and sushi restaurant offers an in-house DJ and a rooftop deck. Atlantic Station at 18th St., 404-385-2005, h2sr.com. M

Twist This lively restaurant has a huge bar, satay station, tapas menu, sushi and seafood dishes; patio seating is first-come, first-served. 3500 Peachtree Rd. NW, 404-869-1191, h2sr.com. B

EUROPEAN FUSION

ITALIAN

FRENCH

MEXICAN

MEDITERRANEAN/LATIN/ASIAN FUSION

SEAFOOD/SUSHI

SPANISH/TAPAS

STEAK/SUSHI

support

Mrs. Thalia N. Carlos**Delta Air Lines

The Mabel Dorn Reeder FoundationThe Zeist Foundation, Inc.

Fulton County Arts Council

National Endowment for the Arts

UPS

GE Asset ManagementAbraham J. & Phyllis Katz FoundationMr. & Mrs. Charles H. McTier

Turner Broadcasting SystemThe Vasser Woolley Foundation, Inc.Woodruff Arts Center

Madeline & Howell Adams, Jr.Mrs. Anne Cox Chambers

The Coca-Cola CompanyMrs. William A. Schwartz

$50,000+

$500,000+

$250,000+

$100,000+

$75,000+

$35,000+

$25,000+

*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

AnonymousAT&T Real Yellow PagesGE EnergyThe Graves FoundationInterContinental Hotels Group

The Charles Loridans Foundation, Inc.

The Reiman FoundationMr. Thurmond SmithgallRobert SpanoSusan & Thomas Wardell

SunTrust BankSunTrust FoundationSunTrust Bank

Trusteed Foundation – Walter H. and Marjory M. Rich Memorial Fund

Massey Charitable TrustPorsche Cars North America

Publix Super Markets CharitiesPatty & Doug Reid

Sutherland Asbill & Brennan LLP

Jim & Adele AbrahamsonSusan & Richard AndersonStephanie & Arthur BlankMr. & Mrs. C. Merrell CalhounMr. & Mrs. Bradley Currey, Jr.Marcia & John DonnellCatherine Warren DukehartGeorgia Council for the ArtsGeorgia Natural Gas

Ann & Gordon Getty FoundationJohn H. & Wilhelmina

D. Harland Charitable Foundation, Inc.

Lucy R. & Gary Lee, Jr.MetLife FoundationThe Sara Giles Moore FoundationNalley Automotive GroupTerence L. & Jeanne P. Neal*Victoria & Howard Palefsky

Mr. & Mrs. Solon P. Patterson*Printpack Inc. & The Gay

& Erskine Love FoundationRyder System, Inc.Mrs. Charles A. Smithgall, Jr.Mr. & Mrs. K. Morgan Varner, IIIAdair & Dick WhiteAnn Marie & John B. White, Jr.*Sue & Neil Williams

The Atlanta Symphony Orchestra gratefully acknowledges the generous gifts of individuals, corporations, foundations, government and other entities whose contributions help the Orchestra fulfill its mission to be a vigorous part of the cultural fabric of our community. The following list represents the cumulative total of philanthropy of $1,750 and above to the Orchestra’s fundraising campaigns, events and special initiatives from the fiscal year 2011: June 1, 2010 through May 31, 2011.

(Please note that donor benefits are based solely on contributions to the annual fund.)


$15,000+

$10,000+

$5,000+

Pinney L. Allen & Charles C. Miller III

The Antinori FoundationLisa & Joe BankoffMr. & Mrs. David EdmistonIn memory of Polly Ellis

by Admiral James O. Ellis, Jr.

Mr. Donald F. Fox

Mr. & Mrs. Lawrence L. Gellerstedt III

Charles & Mary GindenD. Kirk Jamieson,

Verizon WirelessAnn A. & Ben F.

Johnson III*Sarah & Jim KennedySteve & Eydie Koonin

Carrie & Brian KurlanderMichael & Cindi LangDonna Lee

& Howard C. EhniMeghan & Clarke

MagruderSuzanne & Bill PlybonDr. Stanley & Shannon

Romanstein

Lynn SchinaziIrene & Howard SteinMary Rose TaylorRay & John UttenhoveMr. & Mrs. Edus H.

Warren, Jr.

AnonymousAGCO Corporation,

Lucinda B. SmithMark & Christine ArmourThe Balloun FamilyThe Breman Foundation,

Inc.Mr. David BoatwrightMrs. Suzanne Dansby

Bollman & Mr. Brooks Bollman

The Boston Consulting Group

The John & Rosemary Brown Family Foundation

The Walter & Frances Bunzl Foundation

Cynthia & Donald CarsonDr. John W. CooledgeTrisha & Doug CraftCari Katrice DawsonEleanor & Charles

EdmondsonRosi & Arnoldo FiedotinMary D. GellerstedtGMT Capital CorporationNancy D. GouldThe Robert Hall Gunn,

Jr. FundJoe Guthridge

& David Ritter*

Jan & Tom HoughMr. Tad HutchesonRoya & Bahman IrvaniAnne Morgan & Jim KelleyMr. & Mrs. Donald

R. KeoughAmy & Mark KistulinecJames H. LandonMr. & Mrs. John M. LawThe Livingston

Foundation, Inc.Mike’s Hard LemonadeMorgens West FoundationLynn & Galen OelkersPrimerica

Margaret & Bob ReiserBill & Rachel Schultz*Joyce & Henry SchwobMr. John A. Sibley IIISiemens Industry, Inc.John SparrowCarol & Ramon Tome

Family Fund*Trapp FamilyMike & Liz TroyTurner Foundation, Inc.Mark & Rebekah WassermanNeal & Virginia WilliamsSuzanne Bunzl Wilner

The Aaron Copland Fund for Music, Inc.

Atlanta Federation of Musicians

Edith H. & James E. Bostic, Jr. Family Foundation

Jeff & Ann Cramer*

Mr. & Mrs. Jesse Hill, Jr.C. Tycho & Marie Howle

Foundation

JBS FoundationThe Hellen Plummer

Charitable Foundation, Inc.

Anonymous (3)John** & Helen Aderhold*Aadu & Kristi Allpere*Ms. Julie M. AltenbachThe ASCAP Foundation

Irving Caesar FundBubba Brands, Inc.Dr. Robert L. & Lucinda

W. BunnenCharles Campbell & Ann

Grovenstein-CampbellMary Helen & Jim DaltonRichard A. & Lynne N. Dorfman

Christopher & Sonnet Edmonds

Dr. & Mrs. Carl D. FacklerDavid L. ForbesJames F. FraserThe Fraser-Parker

Foundation, Inc.Betty Sands FullerSally & Carl GableDick & Anne GoodsellThe Jamieson FamilyPhilip I. KentGeorge H. Lanier

The Sartain Lanier Family Foundation, Inc.

Pat & Nolan LeakeLinks Inc., Azalea City

ChapterBelinda & Gino MassafraLinda & John MatthewsJohn F. & Marilyn

M. McMullanPenelope & Raymond

McPhee*Dr. & Mrs. Mark P.

Pentecost, Jr.

Margaret H. PetersenJohn & Kyle RogersHamilton & Mason Smith*Sandy & Paul SmithPeter James StellingMrs. C. Preston StephensTriska Drake & G.

Kimbrough Taylor, Jr.Charlie Wade &

M.J. ConboyRussell Williamson

& Shawn Pagliarini

$7,500+

$17,500+

Anonymous (2)The Arnold

Foundation, Inc. Kelley O. & Neil H.

BermanMr. & Mrs. Paul J.

Blackney

Janine Brown & Alex J. Simmons, Jr.

City of Atlanta Office of Cultural Affairs

Gary & Nancy FayardMr. & Mrs. Paul

R. Garcia

Jane & Clay JacksonKarole & John LloydKelly Loeffler & Jeffrey

C. SprecherMr. Kenneth &

Dr. Carolyn MeltzerLoren & Gail Starr

Alison M. & Joseph M. Thompson

Patrick & Susie Viguerie

Camille Yow

$3,500+

AnonymousMr. & Mrs. Dennis ChorbaMr. James L. Davis

& Ms. Carol Comstock*

Jere & Patsy DrummondEllen & Howard FeinsandFour Seasons Hotel Atlanta

Herbert & Marian Haley Foundation

Steven & Caroline Harless

Mr. & Mrs. John E. Hellriegel

Mr. & Mrs. Daniel H. Hollums


*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

$2,250+

$1,750+

Anonymous (3)Mrs. Kay Adams*

& Mr. Ralph PaulkMr. & Mrs. Phillip

E. Alvelda*Paul & Marian AndersonJack & Helga BeamMs. Laura J. Bjorkholm

& Mr. John C. Reece IIRita & Herschel BloomMargo Brinton & Eldon ParkJacqueline A. & Joseph E.

Brown, Jr.Dr. & Mrs. Anton

J. BueschenMajor General & Mrs.

Robert M. BunkerDr. Aubrey M. Bush

& Dr. Carol T. BushThe Buss Family

Charitable FundMs. Marnite B. CalderMr. & Mrs. Beauchamp

C. CarrRalph & Rita ConnellChip & Darlene ConradMr. & Mrs. Thomas

G. CousinsMr. Robert Cronin

& Ms. Christina SmithSally & Larry DavisElizabeth & John Donnelly

Gregory & Debra DurdenMs. Diane DurginCree & Frazer DurrettThe Robert S. Elster

Foundation George T. & Alecia

H. EthridgeJohn & Michelle FullerMr. & Mrs. Edward

T. GarlandDr. Mary G. George

& Mr. Kenneth MolinelliBen & Lynda GreerDr. & Mrs. Alexander GrossPaul B., Paul H.,

& M. Harrison HackettSally W. HawkinsDarlene K. HensonMr. Thomas Hooten

& Ms. Jennifer MarottaMr. & Mrs. Harry C. HowardRichard & Linda HubertDr. William M. HudsonMr. & Mrs. William C.

Humphreys, Jr.Dr. & Mrs. James M. HundDorothy Jackson**Ms. Cynthia JenessMr. & Mrs. Robert

A. JohnsonMr. W. F. & Dr. Janice

Johnston

Dr. Maurice J. Jurkiewicz**Hazel & Herb KarpMr. & Mrs. John H. KauffmanMr. & Mrs. L.

Michael KellyDick & Georgia Kimball*Mr. & Mrs. Daniel J. KingDr. Fulton D. Lewis III & Mr.

Stephen Neal RhoneyMr. & Mrs. J. David LifseyMr. & Mrs. Paul A. Lutz*Mr. & Mrs. Frederick

C. MabryBarbara & Jim MacGinnitieThe Devereaux F.

& Dorothy McClatchey Foundation, Inc.

Mr. & Mrs. Albert S. McGhee

Birgit & David McQueenGregory & Judy MooreMs. Lilot S. Moorman

& Mr. Jeffrey B. BradleyDr. & Mrs. R. Daniel NableMr. & Mrs. Robert OliveMs. Rebecca OppenheimerMr. & Mrs. Andreas

PenningerSusan PerdewDr. & Mrs. W. Harrison

Reeves, Sr.

Mr. & Mrs. Richard L. Rodgers

Mr. & Mrs. George P. Rodrigue

Dr. Paul J. SeguinElizabeth S. SharpAngela & Morton SherzerKay R. ShirleyBeverly & Milton ShlapakHelga Hazelrig SiegelLewis SilverboardBaker & Debby SmithAmy & Paul SnyderMr. & Mrs. Raymond F.

Stainback, Jr.Lynne & Steven Steindel*John & Yee-Wan StevensMr. & Mrs. George B.

Taylor, Jr.Mr. & Mrs. Mark TaylorAnnie York-Trujillo & Raul

F. TrujilloMr. William C. VossDr. & Mrs. James O.

Wells, Jr.David & Martha WestMr. & Mrs. Peter

L. WhitcupMary Lou WolffJan & Beattie WoodMr. & Mrs. John C. Yates

AnonymousMr. & Mrs. Stephen D. AmboDr. David & Julie BakkenMr. & Mrs. Ron BellDr. & Mrs. Joel E. BerensonLeon & Linda BorchersMr.** & Mrs. Eric

L. BrookerMr. & Mrs. Russell E. ButnerMr. & Mrs. Walter K. CanipeSusan & Carl CoferMr. & Mrs. R. Barksdale

Collins*Dr. & Mrs. William T. CookJean & Jerry CooperMr. & Mrs. Brant Davis*Mrs. H. Frances DavisMr. & Mrs. Peter T. de KokDrs. Carlos Del Rio

& Jeannette GuarnerElizabeth & John DonnellyXavier Duralde

& Mary BarrettCree & Frazer Durrett

Dr. Francine D. Dykes & Mr. Richard Delay

Mary Frances EarlyRee & Ralph EdwardsGeorge T. & Alecia

H. EthridgeBill & Susan GibsonCarol & Henry GradyMr. Lewis H. Hamner IIIThomas HighIn memory of Carolyn

B. HochmanStephanie & Henry HowellMary B. & Wayne JamesAaron & Joyce JohnsonVeronique & Baxter JonesLana M. JordanMr. Thomas J. JungDr. Rose Mary KolpatzkiMr. & Mrs. David KrischerThomas C. LawsonMr. & Mrs. Craig

P. MacKenzieKay & John Marshall

Martha & Reynolds McClatchey

Captain & Mrs. Charles M. McCleskey

Virginia K. McTagueAngela & Jimmy MitchellMrs. Gene Morse**Barbara & Sanford OrkinDr. & Mrs. Keith

D. OsbornDr. & Mrs. Bernard

H. PalayMr. & Mrs. Emory

H. PalmerElise T. PhillipsDr. & Mrs. Frank

S. Pittman IIIThe Reverend Neal

P. Ponder, Jr.Provaré Technology, Inc.Ms. Susan Robinson

& Ms. Mary RoemerThe Gary Rollins

FoundationJohn T. Ruff

Dr. & Mrs. Rein SaralAlida & Stuart SilvermanSydney SimonsAlex & Betty Smith

Foundation, Inc.Johannah SmithMr. & Mrs. Gabriel SteagallKay & Alex SummersElvira TateMr. & Mrs. William

M. TippingDrs. Jonne & Paul WalterAlan & Marcia WattDrs. Julius & Nanette WengerMr. & Mrs. William White*Hubert H. Whitlow, Jr.Mrs. Frank L. Wilson, Jr.Charlie & Dorothy Yates

Family FundHerbert & Grace Zwerner

$3,500+ continued

JoAnn Hall HunsingerPaul & Rosthema KastinDr. & Mrs. James T. Laney*Mr. & Mrs. William C. Lester*Deborah & William LissDr. & Mrs. James T. Lowman

Ruth & Paul MarstonMr. & Mrs. Harmon B.

Miller IIIWalter W. MitchellLeslie & Skip PetterMr. & Mrs. Rezin Pidgeon, Jr.

Mr. & Mrs. Joel F. ReevesS.A. RobinsonNancy & Henry ShufordIn memory of Willard ShullElliott Sopkin

Ms. Kimberly Tribble & Mr. Mark S. Lange

Burton TrimbleH. & T. Yamashita*

support


Henry Sopkin CircleRecognizing planned gifts that benefit the Atlanta Symphony Orchestra

Madeline & Howell E. Adams, Jr.

Mr.* & Mrs. John E. Aderhold

William & Marion AtkinsDr. & Mrs. William BauerNeil H. BermanFred & Bettye BettsMr.* & Mrs.* Karl

A. BevinsMr.* & Mrs. Sol BlaineFrances Cheney Boggs*W. Moses BondRobert* & Sidney BoozerElinor A. BremanWilliam Breman*James C. Buggs, Sr.Mr. & Mrs. Richard

H. BurginHugh W. BurkeWilber W. CaldwellMr. & Mrs. C. Merrell CalhounCynthia & Donald CarsonMargie & Pierce ClineDr. & Mrs. Grady

Clinkscales, Jr.Miriam & John

A. Conant*Dr. John W. CooledgeMr.* & Mrs.* William

R. CummickelJohn R. DonnellDixon W. Driggs*Catherine Warren DukehartMs. Diane DurginKenneth P. DutterArnold & Sylvia EavesElizabeth Etoll

John F. EvansDoyle Faler*Rosi & Arnoldo FiedotinDr. Emile T. FisherA. D. Frazier, Jr.Betty & Drew* FullerCarl & Sally GableWilliam H. GaikKay Gardner*Mr.* & Mrs. L. L.

Gellerstedt, Jr.Ruth Gershon & Sandy CohnMicheline & Bob GersonMr. & Mrs. John T. GloverMrs. Irma G. Goldwasser*Robert Hall Gunn, Jr.Billie & Sig* GuthmanBetty G. & Joseph* F. HaasJames & Virginia HaleMiss Alice Ann Hamilton*John & Martha HeadMs. Jeannie HearnMr. Walter T. Heist* Jill* & Jennings HertzAlbert L. Hibbard, Jr.*Richard E. HodgesMr. & Mrs. Charles K.

Holmes, Jr.Mr.* & Mrs. Fred A.

Hoyt, Jr.Dr. & Mrs. James

M. HundMary B. JamesCalvert JohnsondeForest F. Jurkiewicz*Herb & Hazel KarpAnne Morgan

& Jim Kelley

Bob KinseyJames W. & Mary Ellen*

KitchellPaul Kniepkamp, Jr.Miss Florence KopleffOuida Hayes LanierMr. & Mrs. William LesterLiz & Jay* LevineJane LittleMrs. J. Erskine Love, Jr.Nell Galt & Will D. MagruderK Maier John W. Markham, IIIAnn Bernard Martin*Mr. Michael McDowell*Dr. Michael S. McGarryMr. & Mrs. Richard McGinnisJohn & Clodagh MillerVera A. Milner*Mr. & Mrs. Bertil

D. NordinRoger B. OrloffDr. Bernard

& Sandra PalayBill PerkinsMr. & Mrs. Rezin E.

Pidgeon, Jr.Janet M. PierceReverend Neal P. Ponder, Jr.William L. & Lucia

Fairlie PulgramThe Reiman FoundationCarl J. Reith*Edith Goodman Rhodes*Vicki J. & Joe A. RiedelDr. Shirley E. RiversMr. & Mrs. Martin

H. Sauser

Mr. Paul S. Scharff & Ms. Polly G. Fraser

Edward G. Scruggs*Dr. & Mrs. George P. SessionsW. Griggs Shaefer, Jr.*Mr.* & Mrs.* Robert ShawCharles H. Siegel*Mr. & Mrs. H.

Hamilton SmithMrs. Lessie B. SmithgallMargo Sommers*Elliott SopkinElizabeth Morgan SpiegelDaniel D. Stanley*Peter James StellingBarbara Dunbar Stewart* C. Mack* & Mary

Rose TaylorJennings Thompson IVMargaret* & Randolph

ThrowerKenneth & Kathleen TiceSteven R. TunnellMary E. Van ValkenburghMrs. Anise C. Wallace*Mr. & Mrs. John B.

White, Jr.Adair & Dick WhiteHubert H. Whitlow, Jr.Sue & Neil WilliamsMrs. Frank L. Wilson, Jr.Elin M. Winn*Joni WinstonGeorge & Camille WrightMr.* & Mrs. Charles

R. YatesAnonymous (12)

*Deceased

Patron Partnership Thomas J. Jung, Chair

The Patron Partnership of the Atlanta Symphony Orchestra is the society of donors who have given $1,750 or more and comprise a vital extension of the Orchestra family through their institutional leadership and financial support.

Appassionato Meghan Magruder, Appassionato Chair

The Atlanta Symphony Orchestra is privileged to receive annual contributions from individu-als throughout the Southeast. Appassionato was inaugurated in 2000 and welcomes annual givers of $10,000 and above. Appassionato members provide the Symphony with a continu-ous and strong financial base in support of our ambitionous aritistic and education initiatives.

additional supportBlonder Family Foundation William McDaniel Charitable

FoundationWilliam Randolph Hearst

Endowed Fund


Classical Title SponsorClassic Chastain Title Sponsor

Family and SuperPOPS Presenting Sponsor

RICHARD ANDERSONChief Executive Officer

Holiday Title Sponsor

MUHTAR KENTPresident and

Chief Operating Officer

DARRYL HARMONSoutheast Regional President

Atlanta School of Composers Presenting Sponsor

PHILIP I. KENTChief Executive Officer

Supporter of the AtlantaSymphony Orchestra Chorus

JERRY KARRManaging Director

This program is supported in part by the Georgia Council for the Arts (GCA) through the appropriations of the Georgia General Assembly. GCA also receives support from its partner agency, the National Endowment for the Arts

Major funding for this organization is provided by the Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council.

Major support is provided by the City of Atlanta Office of Cultural Affairs.

Atlanta Symphony Orchestra programs are supported in part by an award from the National Endowment for the Arts.

corporate & government support


2011-2012 boardBelinda Massafra

PresidentSylvia Davidson

President ElectSuzy Wasserman,

Leslie Petter, Camille Yow Advisors

Ruth & Paul Marston Decorator’s Show House & Gardens Advisors

Elba McCue Secretary

Sabine Sugarman Treasurer

Camille Kesler VP Administration

Dawn Mullican VP Public Relations

Paula Ercolini VP Youth Education

Ruth & Paul Marston VP Membership

Gayle Lindsay Parliamentarian

Ann Levin & Gail Spurlock Historians

Judy Schmidt Nominating Committee Chair

Amy Mussara, Chair, Decorators’ Show House & Gardens

Natalie Polk & Hillary Inglis Co-Chairs, Decorators’ Show House & Gardens

Janis Eckert & Gail Spurlock Chairs, ASA Fall Meeting

Poppy Tanner Chair, ASA Night at the ASO

Glee Lamb & Adele Abrahamson Chairs, ASA Spring Luncheon

Pat King ASA Notes Newsletter Editor

Jamie Moussa Chair, ASA Annual Directory

Nancy Levitt Ambassadors’ Desk

Helen Marie Rutter Bravo Chair

Elba McCue Concerto Chair

Joan Abernathy Encore Chair

Liz Cohn & Betty Jeter Ensemble Chairs

Karen Bunn Intermezzo Chair

Atlanta Symphony AssociatesThe volunteer organization of the Atlanta Symphony Orchestra

BRAVO! CRUISIN’ CASINO NIGHT. Members of Bravo!, the young professional volunteer group of the Orchestra, tried their luck at casino game tables while enjoying the smooth sounds of Yacht Rock DJ. From left to right, Ashley Jones, Andy Nickerson, Joe Fischer, and Jonathon Javetz. For more information on Bravo! and other events like these please contact Volunteer Project Manager, Sarah Levin at 404-733-4921


Discover places to shop, dine and play in 4 easy steps

Have an Android phone? Follow these instructions.

+ Read show programs, find contests and deals on your phone!

2. Click on this icon and

1. Go to m.encoreatlanta.com

3. Add name 4. Enjoy the finer things in life!

Patron Circle of StarsBy investing $15,000 or more in The Woodruff Arts Center and its divisions — the Alliance Theatre, Atlanta Symphony Orchestra, High Museum of Art and Young Audiences — these outstanding Annual Corporate Campaign donors helped us raise more than $8.9 million last year. Thank you!

CHAIRMAN’S COUNCIL

★★★★★★★★★★★★$500,000+

The Coca-Cola Company Georgia Power Foundation, Inc.

UPS

★★★★★★★★★★★$450,000+Cox Interests AtlantaJournal-Constitution,

JamesM.CoxFoundation,CoxRadioGroupAtlanta,WSB-TV

Hon.AnneCoxChambers

★★★★★★★★★★$300,000+Deloitte LLP, its Partners

& Employees

★★★★★★★★★$200,000+AT&T The Community Foundation

for Greater Atlanta, Inc. Ernst & Young, Partners

& EmployeesThe Home Depot Foundation Jones Day Foundation

& Employees PwC Partners & Employees Mabel Dorn Reeder FoundationSunTrust Bank Employees

& Trusteed FoundationsFlorenceC.&HarryL.English

MemorialFundGreene-SawtellFoundationSunTrustFoundationTurner Broadcasting System, Inc.

★★★★★★★★$150,000+Delta Air Lines, Inc. Equifax Inc. & Employees

KPMG LLP, Partners & Employees

The Rich Foundation, Inc. Wells Fargo

★★★★★★★$100,000+Alston & Bird LLP Bank of AmericaKaiser Permanente King & Spalding Partners

& Employees The Klaus Family FoundationThe Marcus Foundation, Inc. The Sara Giles Moore FoundationNovelis Inc.Wal-Mart Stores, Inc. The David, Helen & Marian

Woodward Fund

★★★★★★$75,000+AirTran Airways Holder Construction CompanyKilpatrick Townsend The Sartain Lanier Family

Foundation, Inc.Regions Financial Corporation

★★★★★$50,000+AGL Resources Inc. Lisa & Joe BankoffCiscoAnn & Jay DavisDoosan Infracore InternationalFederal Home Loan Bank

of AtlantaFrank Jackson Sandy Springs

Toyota and ScionBeth & Tommy HolderNewell RubbermaidPrimerica

Devyne Stephens Sutherland Asbill & Brennan LLPThe Zeist Foundation, Inc.

★★★★$35,000+Katharine & Russell Bellman

FoundationBryan Cave LLPMr. & Mrs. Bradley Currey, Jr. GE EnergyGeorgia-PacificThe Imlay Foundation, Inc. Invesco PLC Norfolk Southern, Employees

& Foundation Siemens Industry, Inc.Alex & Betty Smith

Foundation, Inc.Harris A. SmithFrances Wood Wilson

Foundation, Inc

★★★$25,000+Accenture & Accenture

EmployeesAir Serv CorporationAtlanta Foundation Julie & Jim Balloun BB&T CorporationLaura & Stan BlackburnCIGNA FoundationCousins Properties Incorporated Crawford & Company Ford & Harrison LLPJack & Anne Glenn Foundation, Inc.GMT Capital CorporationInfor Global Solutions ING Sarah & Jim KennedyPhilip I. Kent Foundation The Ray M. & Mary Elizabeth

Lee Foundation, Inc.


LexisNexis Risk SolutionsThe Blanche Lipscomb

Foundation Macy’s Foundation Katherine John Murphy

FoundationPatty & Doug Reid Family

FoundationRockTenn SCANA Energy Southwire CompanySprint FoundationTowers WatsonTroutman Sanders LLP Waffle House, Inc. Gertrude & William C.

Wardlaw Fund

★★$15,000+A. E. M. Family FoundationACE Charitable FoundationAlixPartnersAlvarez & MarsalArnall Golden Gregory LLPThe Partners & Employees

of AtlantaEquity InvestorsAtlanta Marriott MarquisBeaulieu Group, LLCSusan R. Bell & Patrick M. MorrisThe Arthur M. Blank Family

FoundationThe Boston Consulting GroupCatherine S. & J. Bradford

BranchThe Capital Group Companies

Charitable FoundationRoxanne & Jeffrey CashdanCenter Family FoundationMr.CharlesCenterMr.&Mrs.FredHalperinMs.CharleneBerman

ChartisChick-fil-A, Inc.CornerCap Investment CounselDuke Realty CorporationEgon Zehnder InternationalEisner Family FoundationFeinberg Charitable TrustFifth Third BankFirst Data CorporationGas South, LLCGenuine Parts CompanyGeorgia Natural GasDolores & Javier C. GoizuetaGrant Thornton LLPHarland ClarkeHD SupplyThe Howell Fund, Inc.ICS Contract Services, LLCMr. & Mrs. M. Douglas IvesterJamestownMr. & Mrs. Tom O. JewellWeldon H. Johnson Family

FoundationIngrid Saunders JonesJones Day Foundation, in honor

of James H. LandonMr. & Mrs. Muhtar KentKurt P. Kuehn & Cheryl DavisLanier Parking SolutionsThe Latham FoundationBarbara W. & Bertram L.

Levy FundLivingston Foundation, Inc.Karole & John LloydLockheed MartinMarsh-MercerMohawk Industries, Inc.

& Frank H. BoykinMueller Water Products, Inc.Gail & Bob O’LearyVicki R. Palmer

Paul, Hastings, Janofsky & Walker LLP

Piedmont Charitable Foundation, Inc.

Printpack Inc./The Gay & Erskine Love Foundation

Mary & Craig RamseyMr. & Mrs. David M. RatcliffeEmily Winship Scott

FoundationSkanska USA Building Inc.Spencer StuartKaren & John SpiegelSuperior Essex Inc.Sysco AtlantaUnited Distributors, Inc.WATL/WXIA/Gannett FoundationSue & John WielandMr. & Mrs. James B. WilliamsSue & Neil WilliamsCarla & Leonard WoodThe Xerox FoundationYancey Bros. Co.Mr. & Mrs. Robert A.

Yellowlees

*AnnualCampaignDonorsfromJune1,2010-May31,2011



“Is it appropriate for the Orchestra? And does this engage the community?”

The Orchestra defines itself as serving three roles in its broad-based multi-cultural (and far-flung, if you consider the entire metropolitan area) community — inspiration, celebration and education. “There are certain things that are quintessentially Atlanta. Coke. Delta. Atlanta was home and heart of the Civil Rights movement,” Dr. Romanstein explains further. “And the Atlanta Symphony is an iconic arts organization. It’s an intersection of great arts and ideas, and therefore is the focal point for great celebration. Particularly to celebrate the triumph of the civil rights movement, Atlantans look to the Orchestra for a concert of quality and celebration.”

“An orchestra should provide music of the highest artistic quality possible to its community,” agrees Principal Flute Christina Smith, who has played in every

King Celebration Concert. “Also, an orchestra should reach out to as many sectors of its community as possible.

An orchestra should be a part of the life of the community, both in times of celebration and times of tragedy.”

Going back to Dr. King’s assassination in April 1968, this Orchestra has responded

to its community. The late Robert Shaw, then music director, changed the programming of a concert that week, following the tragedy, when grief overcame words, to include

Beethoven’s Symphony No. 3 in E-flat major (The “Eroica”) and Schubert’s Symphony

Ph

ilip

McC

ollo

m

Morehouse and Spelman

College glee clubs

Robert Shaw

Continued from page 22

No. 8 in B minor (“Unfinished”). Shaw’s instincts and sensitivity as a musician and humanitarian set the tone. No wonder that for Romanstein and others, “The King Celebration is part of our DNA. It is integral to who we are.”

King’s widow, Coretta Scott King, established the King Center in Atlanta, a living memorial dedicated to realizing King’s dream of a beloved community without poverty, discrimination, injustice or war. Barbara Harrison, director of external affairs for the center, says, “The intuitive and celebratory interpretations that have been presented by the Atlanta Symphony Orchestra over the years have helped to strengthen our neighborhoods and continue to be greatly appreciated by the community. The King Center appreciates and values the its commitment to bring live music as a way to celebrate and honor one of Atlanta’s greatest and the world’s hero — Dr. Martin Luther King Jr. We thank the Orchestra for its continued dedication to bring quality programming to the Martin Luther King Jr. holiday, while perpetuating his legacy.”

For Christina Smith the most memorable King concerts have been “...when we have

performed Aaron Copland’s Lincoln Portrait, a work which to

me epitomizes the message of Dr.

King. Also I

have loved when we have played works of Beethoven, who cherished human freedom. His music is universal.” David Morrow recalls, above all, the very first King tribute concert with Jessye Norman. The great Georgia-born dramatic soprano, who was a guest artist, blended her mighty voice with the two college glee clubs. Other guest artists, such as mezzo-soprano Denyse Graves, soprano Arietha Lockhart and pianist Terrance Wilson, would follow in subsequent years. And this year Yo-Yo Ma, whom audiences and musicians welcome back from previous guest appearances with the orchestra, will play.

“Artists understand the significance of these concerts and cherish being part of it,” says Dr. Romanstein. “Yo-Yo Ma brings strong humanitarian ideals [along with impeccable musicianship]. He also brings many traditions together and different cultures together.” Ma is a leading proponent of world music, through his artistic directorship of the Silk Road Project which records, gives concerts and teaches in public school interdisciplinary programs; he has performed on “Sesame Street,” for eight U.S. presidents and with major international orchestras. Although college calendars make scheduling a bit awkward, Morrow expects Ma will also spend some time at Spelman College this January, in conjunction with the King concert. “Students aren’t quite back on campus for second semester,” he says. “But we try to involve music students and general students in some kind of symposium. Conducting students attend rehearsals and ask Robert Spano questions.” Ma has visited Morehouse previously and Morrow remembers, “He’s a very sharing [person]. Christina Smith

46


He allowed one student to play his cello. I was nervous, shocked and pleased.” Ma’s instruments are a priceless 1733 Montagnana cello from Venice and the 1712 Davidoff Stradivarius.

Audiences have heard New Morning for the World: “Daybreak of Freedom,” Joseph Schwantner’s popular tribute to Martin Luther King, more than once at these Celebration Concerts. “It’s a favorite,” says Morrow. Schwantner composed the work in 1984 for orchestra and narrator and has since set it also for chamber orchestra and wind ensemble. He assembled the text from Dr. King’s writings, addresses and speeches that spanned a decade of his life. In composer’s notes Schwantner has remarked of the process: “I was excited by the opportunity to engage my work with the profound and deeply felt words of Dr. King, a man of great dignity and courage whom I had long admired. The words that I selected for the narration ... eloquently expressed by the thrust of his oratory, bear witness to the power and nobility of Dr. Martin Luther King Jr.’s ideas, principles and beliefs. This work of celebration is humbly dedicated to his memory.”

The great Pittsburgh Pirates Hall of Famer Willie Stargell narrated its premiere. Other narrators have included Vernon Jordan and King’s late daughter Yolanda King. “Avery Brooks was so theatrical when

he narrated it for us [on a King Celebration Concert] the first time,” says Morrow. “And one time I believe Mrs. King herself narrated.”

Morrow mentions that Dr. King, at least for a short time, sang in the Morehouse Glee Club. “Long enough that we claim him,” he says. When the glee club took their centennial tour around the U.S. in 2011, they were scheduled to perform at the opening of the Martin Luther King Jr. National Memorial on the National Mall in Washington D.C. The date, August 28, coincided with the 48th anniversary of King’s indelible “I Have a Dream”

speech, delivered in front of the Lincoln Memorial on the National Mall. It also, unfortunately, coincided with the arrival of Hurricane Irene. The official ceremony may have been postponed, but the glee club stood in the unwelcoming weather at the edge of the Tidal Basin in front of the 30-ft granite relief King likeness. “We sang our college hymn. The sculptor [Lei Yixin] was there and some Morehouse alumni who joined in.”

The weather tinkered with last year’s King Celebration Concert in Atlanta, too, Dr. Romanstein recalls, “I had so looked forward to it, but Atlanta was shut down with an ice storm. We had no choice but to cancel or postpone, and decided to move it

“People

who have

heard the [NPR]

broadcast are so

excited, relating to

me how hearing

something like

Bernstein’s

Chichester

Psalms was

phenomenal—

African Americans

singing in

Yiddish!”

— David Morrow

$10off at participatingConcentrics Restaurants

feed

you

r moo

d

Present this ad to your server to receive this special offer. One per table. Does not include alcohol, tax or gratuity. Cannot be combined with any other offer. No cash value. Dine in only.

concentricsrestaurants.com

to April, when the concert coincided with the anniversary of his death. It was a program about death of great heroes — with music of Bach and Mahler and associated King words. And that was a stand-out in my first year with the Atlanta Symphony.”

“We spread Dr. King’s legacy to thousands of people through our music,” concludes Christina Smith, “perhaps most importantly, the tradition of the broadcast of our performance. I have had many people in other cities over the years tell me how much our broadcast meant to them.” WABE (FM) in Atlanta will air this year’s concert, including interviews with Yo-Yo Ma, Robert Spano and David

Morrow. “Occasionally I will get a letter or e-mail from someone who has heard the broadcast. And they are so excited, relating to me how hearing something like Bernstein’s Chichester Psalms was phenomenal — African Americans singing in Yiddish,” says Morrow.

“And it is a wonderful way to get the King message out — through music.”

Writer Margaret Shakespeare lives in New York City and the farmlands of Long Island.

Ph

ilip

McC

ollo

m

Robert Spano, the Orchestra, and the Morehouse and Spelman glee clubs

were captured in all their glory at the 2009 event.


Offer expires 12/31/11.

January 5/6/7 Thu/Fri/Sat: 8pmBeethOven: Piano Concerto no. 5, “emperor”elgaR: Symphony no. 1Robert Spano, conductor Dejan Lazic, piano

a King CeleBRatiOn COnCeRt January 12Thu: 8pma King CeleBRatiOn 20th anniveRSaRy

Robert Spano, conductor Yo-Yo Ma, celloMorehouse and Spelman College Glee Clubs

January 19/21/22 Thu/Sat: 8pm/Sun: 3pmBRitten: violin ConcertoBeethOven: Symphony no. 3, “eroica”Donald Runnicles, conductorJames Ehnes, violin

January 26/28 Thu/Sat: 8pmMahleR: Symphony no. 2, “Resurrection” Donald Runnicles, conductorNicole Cabell, sopranoKelley O’Connor, mezzo-sopranoAtlanta Symphony Orchestra Chorus

February 2/3/4 Thu/Fri/Sat: 8pmRavel: Mother Goose SuiteBeethOven: Piano Concerto no. 3DvORáK: Symphony no. 8Thomas Wilkins, conductorGabriela Montero, piano

calendar

aso.org | 404.733.5000Woodruff arts Center Box Office @15th and Peachtree

Make it a group! 404.733.4848

Presented by: Media Sponsors:

Historic charm combined with artful hospitality.1302 West Peachtree St., Atlantaartmorehotel.com • 800.548.5631

A hip and contemporary place to meet for cocktails or hold your next event.

Administrative StaffexeCutive Stanley E. Romanstein, Ph.D. President

Brien Faucett Administrative Assistant to the President’s Office

Evans Mirageas Director of Artistic Planning

aDMiniStRatiOnJohn Sparrow Vice President for Orchestra Initiatives & General Manager

Mala Sharma Assistant to the Vice President for Orchestra Initiatives & General Manager

Julianne Fish Orchestra Manager

Nancy Crowder Operations/Rental Events Coordinator

Carol Wyatt Executive Assistant to the Music Director & Principal Guest Conductor

Jeffrey Baxter Choral Administrator

Ken Meltzer ASO Insider & Program Annotator

Russell Williamson Orchestra Personnel Manager

Susanne Watts Assistant Orchestra Personnel Manager

Paul Barrett Senior Production Stage Manager

Richard Carvlin Stage Manager

Lela Huff Assistant Stage Manager

Education & Community EngagementMark B. Kent Senior Director of Education & Community Engagement

Melanie Darby Director of Education Programming

Ahmad Mayes Community Programs Coordinator

Nicole BirdEducation Program Coordinator

Education & Community Engagement (cont.)Janice CrewsProfessional Learning Teaching Artist

Tiffany I.M. JonesEducation Sales Associate

FinanCe & aDMiniStRatiOnDonald F. Fox Executive Vice President for Business Operations & Chief Financial Officer

Shannon McCown Assistant to the Executive Vice President for Business Operations & Chief Financial Officer

Susan Ambo Vice President of Finance

Kim Hielsberg Director of Financial Planning & Analysis

April Satterfield Senior Accountant

Peter Dickson Staff Accountant

Michael Richardson Venues Analyst

Stephen Jones Symphony Store Manager

ASO PresentsClay Schell Vice President, Programming

Trevor Ralph General Manager and Senior Director of Operations

Holly Clausen Director of Marketing

Keri Musgraves Promotions Manager

Lisa Eng Graphic Artist

Chastain Park AmphitheaterTanner SmithProgram Director

Verizon Wireless Amphitheatre at Encore ParkKatie Daniel VIP Sales Manager

Jenny Pollock Operations Manager

Rebecca Simmons Box Office Manager

Deborah Honan Customer Service Manager & Venue Rental Coordinator

DevelOPMentSandy Smith Vice President for Development

Rebecca Abernathy Development Services Coordinator

Zachary Brown Director of Volunteer Services

Corey Cowart Director of Corporate Relations

Janina Edwards Grants Consultant

Tegan Ketchie Development Coordinator

Ashley Krausen Special Events Coordinator

Jessica Langlois Director of Leadership Gifts & Planned Giving

Sarah Levin Volunteer Project Manager

Stephanie Malhotra Director of Development & Education Services

Melissa Muntz Development Coordinator

Toni Paz Director of Individual Giving

Barbara Saunders Director of Foundation Relations

Meredith Schnepp Prospect Research Officer

Tammie Taylor Assistant to the

VP for DevelopmentSarah Zabinski Individual Giving Manager

MaRKeting & COnCeRt PROMOtiOnSCharles Wade Vice President for Marketing & Symphony Pops

Alesia Banks Director of Customer Service & Season Tickets

Ted CaldwellGroup & Corporate Sales Assistant

Meko HectorMarketing Production Manager

Jennifer JeffersonDirector of e-Business & Interactive Media

Melanie KiteSubscription Office Manager

Shelby MoodyGroup & Corporate Sales Manager

Seth Newcom Database Administrator

Kimberly Nogi Publicist

Robert Phipps Publications Director

Melissa A. E. SandersSenior Director, Communications

Christine Saunders Group & Corporate Sales Associate

Karl Schnittke Publications Editor

Robin Smith Subscription & Education Sales

Bill TarulliMarketing Manager

Rachel TrignanoManager of Broad Based Giving

Russell Wheeler Director of Group & Corporate Sales

Christina Wood Director of Marketing

staff


general infolate SeatingLatecomers are seated at the discretion of house management. Reserved seats are not guaran-teed after the performance starts. Latecomers may be initially seated in the back out of courtesy to the musicians and other patrons.

SPeCial aSSiStanCeAll programs of the Atlanta Symphony Orchestra are accessible to people with disabil-ities. Please call the box office (404.733.5000) to make advance arrangements.

SyMPhOny StOReThe ASO’s gift shop is located in the galleria and offers a wide variety of items, rang-ing from ASO recordings and music-related merchandise to T-shirts and mugs. Proceeds benefit the Atlanta Symphony Orchestra.

the ROBeRt ShaW ROOMThe ASO invites donors who contribute at least $1,750 annually to become members of this private salon for cocktails and din-ing on concert evenings — private rentals available. Call 404.733.4860.

iMPORtant PhOne nuMBeRSConcert Hotline 404.733.4949(Recorded information)Symphony Hall Box Office 404.733.5000Ticket Donations/Exchanges 404.733.5000Subscription Information/Sales 404.733.4800Group Sales 404.733.4848Atlanta Symphony Associates 404.733.4865(Volunteers)Educational Programs 404.733.4870Youth Orchestra 404.733.5038Box Office TTD Number 404.733.4303Services for People 404.733-5000 with Special Needs 404.733.4800Lost and Found 404.733.4225Symphony Store 404.733.4345

A Boutique Luxury Hotel

After the show,Enjoy some ofour award winning...

regencysuites.comWest Peachtree at 10th

Southern Hospitality

ticket infoCan’t attenD a COnCeRt?If you can’t use or exchange your tickets, please pass them on to friends or return them to the box office for resale. To donate tickets, please phone 404.733.5000 before the concert begins. A receipt will be mailed to you in January acknowledging the value of all tickets donated for resale during the year.

Single tiCKetS Call 404.733.5000 Mon.—Fri., 10 a.m.– 8 p.m.; Sat.–Sun., Noon–8 p.m. Service charge applies. Phone orders are filled on a best-available basis.

www.atlantasymphony.org Order any time, any day! Service charge applies. Allow two to three weeks for delivery. For orders received less than two weeks prior to the concert, tickets will be held at the box office.

WOODRuFF aRtS CenteR BOx OFFiCeMon.–Fri., 10 a.m. – 8 p.m.; Sat.–Sun., noon–8 p.m. The box office is open through intermission on concert dates. No service charge if tickets are purchased in person. Please note: All single-ticket sales are final. No refunds or exchanges. All artists and programs subject to change.

gROuP DiSCOuntSGroups of 10 or more save up to 15 percent on most ASO concerts, subject to ticket availability. Call 404.733.4848.

giFt CeRtiFiCateS Available in any amount for any series, through the box office. Call 404.733.5000.

brilliant performances1 Mrs. Hill’s MoMent: Mrs. Azira Hill, the

founder of the Talent Development Program,

has been a major influence on many people,

and she was joined at the annual TDP

Musicale by some of them; Left to right,

Kimberlie Shields, Michelle Kendall, Peggy

Martin, Mrs. Hill and Kelli Shields. The Shield

twins are both TDP alumna, and Michelle

Kendall is Mrs. Hill’s granddaughter.

2 Dallow lauDeD: Orchestra cellist Joel

Dallow was honored for his arts advocacy

in the Atlanta area with an award from the

American String Teachers Association,

presented by Georgia Chapter President

Natalie Colbert.

3 winning HanD: Everybody was a

winner at the Atlanta Symphony Associates’

recent Casino Night. All proceeds supported

the Orchestra’s Education & Community

Engagement programs and initiatives, and all

comers eagerly gambled on a good cause.

4 Carnegie kuDos: New York Times

chief music critic Anthony Tommasini said of

Robert Spano and the Orchestra’s Carnegie

Hall concert on November 5: “The musical

resonances came through vibrantly in three

brilliant performances. To judge from the

large turnout and big ovations, [Spano] and

the Atlanta players are always welcome

at Carnegie Hall.” Entire review at www.

nytimes.com/2011/11/07/arts/music/

atlanta-symphony-at-carnegie-hall-

review.html?_r=1

1

Ed

war

d Z

elts

erE

rik

Dix

on

Mar

k T

ioxo

nJe

nn

ifer

Tayl

or

gallery

2

3

4

60

RCS_BGA_P08409 Client: Ruth’s Chris Steak HouseWO: Encore Atlanta Metro start your night .. (digest full)

Live: 4.875” x 7.875” Trim: 5.375” x 8.375” Bleed: 5.625” x 8.625” Gutter: NoneMedia Type: Magazine Pubs: Encore Magazine Issue: 2010; AdSize: digest full Line Screen: Default Mech Scale: NoneAD: Jessica Giles CW: None ACCT: Jackie Ferrer PROD: Angel Pabon TRAF: Lynn Mathis Studio: Kevin Tinsley

Printed At: 4-1-2010 8:27 AM File Printed @ 100%

Images Used:RCS_Bkgnd_Mag_8x10_notexture_C_300_.tif CMYK 62.39%, 50.52% 480 ppi, 593 ppi SuperStudio:ART:MNH:Ruthschris:Filet_Solo:RCS_Bkgnd_Mag_8x10_notexture_C_300_.tifRCS_6ozFilet&ShrimpSOLO_C_300.tif CMYK 51.5% 582 ppi SuperStudio:ART:MNH:Ruthschris:Filet and shrimp:RCS_6ozFilet&ShrimpSOLO_C_300.tifRCS_SteakhouseSalad_C_300.tif CMYK 18.23% 1645 ppi SuperStudio:ART:MNH:Ruthschris:Appetizer/Sides:RCS_SteakhouseSalad_C_300.tifRCS_SymphonyDessert_9944_C_300.tif CMYK 18.16% 1652 ppi SuperStudio:ART:MNH:Ruthschris:Dessert:RCS_SymphonyDessert_9944_C_300.tifRCSH_USP_4CP_15.ai 102.5% SuperStudio:Logos:Ruths_Chris:_Official_Logos:StandardSpace:With_Stamp:RCSH_USP_4CP_15.ai

Colors Used: Cyan Magenta Yellow Black

Fonts: Mrs Eaves Petite Caps (Regular; Type 1)Mrs Eaves All Petite Caps (Regular; Type 1)Mrs Eaves Roman Lining (Regular; Type 1)Times (Regular; True Type)News Gothic BT (Bold; Type 1)

200 Varick St. New York, NY 10014 : Phone 212-805-7500

Document Path: M.P_MECHANICALS:Volumes:M.P_MECHANICALS:Ruths_Chris:RCS:BGA:P08409:RCS_BGA_P08409

Four Metro Atlanta RestaurantsSandy Springs • Buckhead

Centennial Olympic Park • Kennesaw

ruthschris.com

Start your night with a standing ovation.

Enjoy a sumptuous pre-show dinner with our 3-course Prime Time Menu | $39.95 or $49.95

Off ered nightly until 6:30pm.

CMYK 15/100/100/68

S:4.875”S:7.875”

T:5.375”T:8.375”

Documents

December 2011: Handel's Messiah at the Atlanta Symphony Orchestra