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Rose Schreier LIS 721 Fall 2010 Decades Project Bibliography: The 1960s Go, Dog, Go! Written and illus. by P.D. Eastman (1961) This classic picture book featuring a lovable cast of humorously nuanced anthropomorphic dogs succeeds in its mission of introducing children to a bank of familiar vocabulary words directly related to the action on the pages. The early era 4-color illustrations are realistic yet whimsical, and Eastman’s use of repetition avoids slipping into the realm of tedium. A versatile, ideal selection for both a one-on-one session and group story time.  Where the Wild Things Are, Written and illus. by Maurice Sendak (1963) Sendak's genre-breaking tale of a young boy in a world of rumpus-loving monsters has left an indelible impression on the latter-20th century collective cultural consciousness. The simple storyline takes a backseat to imaginative illustrations whose slightly muted color palette and attention to texture add a realistic element to the decidedly fantastical storyline that every child, regardless of time or place, hopes would unfold in his or her own bedroom. Read before bed, if you dare. May I Bring a Friend? by Beatrice Schenk de Regniers, illus. by Beni Montresor (1964) Never has the simple request of “May I bring a friend?” been taken to such lengths by a seemingly obedient young boy, and received by perhaps the most welcoming royalty in all the land. Children will appreciate the deft weaving of fantasy and reality in this tale, as well as the familiar rhyming refrains. Montresor’s alternating mono- and poly-chromatic illustrations evoke surprise, whimsy and imaginative musings on what happens when the zoo comes to you. Indicative of a trend in children’s publishing toward full-spread, vividly colored illustrations. Tom Tit Tot , Written and illus. by Evaline Ness (1965) In a folksy riff on Rumplestiltskin, Evaline Ness has reinterpreted the English folk tale ‘Tom Tit Tot’ employing a curious Black Southern patois and equally curious yet whimsical illustrations. Ness’s wood- cut block drawings seem to complement the ‘rustic’ nature of the folk tale, and certain lines of text receive similar treatment for emphasis. An older reader with a flair for the dramatic willing to read the text aloud would serve as an ideal vehicle for achieving this story’s maximum potential. Drummer Hoff, by Barbara Emberly, illus. by Ed Emberly (1967) This entertaining story employs a fulfilling consonant rhyme pattern to continuously build the story about the components and characters involved in the building of a magnificent cannon, which is ultimately fired off by Drummer Hoff. Drummer Hoff’s quizzical posture lends children to investigate further, until the entire page spread explodes in a frenzy of intense, jewel-toned hues. Abstract wood-cut drawings pique children’s curiosity and directly reflect the color palette and aesthetics of the era.

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Rose SchreierLIS 721 Fall 2010

Decades Project Bibliography: The 1960s

Go, Dog, Go! Written and illus. by P.D. Eastman (1961)

This classic picture book featuring a lovable cast of humorously nuanced anthropomorphic dogs succeeds

in its mission of introducing children to a bank of familiar vocabulary words directly related to the action

on the pages. The early era 4-color illustrations are realistic yet whimsical, and Eastman’s use of 

repetition avoids slipping into the realm of tedium. A versatile, ideal selection for both a one-on-one

session and group story time. 

Where the Wild Things Are, Written and illus. by Maurice Sendak (1963)

Sendak's genre-breaking tale of a young boy in a world of rumpus-loving monsters has left an indelible

impression on the latter-20th century collective cultural consciousness. The simple storyline takes abackseat to imaginative illustrations whose slightly muted color palette and attention to texture add a

realistic element to the decidedly fantastical storyline that every child, regardless of time or place, hopes

would unfold in his or her own bedroom. Read before bed, if you dare.

May I Bring a Friend? by Beatrice Schenk de Regniers, illus. by Beni Montresor (1964)

Never has the simple request of “May I bring a friend?” been taken to such lengths by a seemingly 

obedient young boy, and received by perhaps the most welcoming royalty in all the land. Children will

appreciate the deft weaving of fantasy and reality in this tale, as well as the familiar rhyming refrains.

Montresor’s alternating mono- and poly-chromatic illustrations evoke surprise, whimsy and imaginative

musings on what happens when the zoo comes to you. Indicative of a trend in children’s publishing

toward full-spread, vividly colored illustrations.

Tom Tit Tot , Written and illus. by Evaline Ness (1965)

In a folksy riff on Rumplestiltskin, Evaline Ness has reinterpreted the English folk tale ‘Tom Tit Tot’

employing a curious Black Southern patois and equally curious yet whimsical illustrations. Ness’s wood-

cut block drawings seem to complement the ‘rustic’ nature of the folk tale, and certain lines of text receive

similar treatment for emphasis. An older reader with a flair for the dramatic willing to read the text aloud

would serve as an ideal vehicle for achieving this story’s maximum potential.

Drummer Hoff, by Barbara Emberly, illus. by Ed Emberly (1967)

This entertaining story employs a fulfilling consonant rhyme pattern to continuously build the story about

the components and characters involved in the building of a magnificent cannon, which is ultimately firedoff by Drummer Hoff. Drummer Hoff’s quizzical posture lends children to investigate further, until the

entire page spread explodes in a frenzy of intense, jewel-toned hues. Abstract wood-cut drawings pique

children’s curiosity and directly reflect the color palette and aesthetics of the era.

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Never Talk to Strangers, Written by Irma Joyce, illus. by George Buckett (1967)

Nothing like being invited to the coolest, most tripped-out tea party with purple, foppish dandy llamas

and Studebaker-riding whales in ascots, only to be told that you can't talk to them at all because they're

strangers. Such is the sad life of the human child characters of this bizarre book, who are presented withtantalizingly approachable fantastical creatures but ultimately restrained by the story's repeating refrain

of "Never talk to strangers" at the end of each page's rhyming 4-line stanza. An interesting commentary on

picture books dipping into the grim themes of reality despite their cheery images.

What Do People Do All Day?, Written and illus. by Richard Scarry (1968)

This volume composed under the meticulous hand of Richard Scarry is a cavalcade of anthropomorphized

animals demonstrating the various facets professions both timeless and contemporary (for the era). The

storyboard-style scenes depict the players, equipment, and procedures involved in each, incorporating

both familiar and industry-specific vocabulary (which may not be retainable, but rounds out the work 

nonetheless). Brief vignettes explaining the procedures facilitate the absorption of any unfamiliar scenes.

Ideal for preparing for a field trip to any of the places in the book, or in a unit on what grown-ups do forwork. 

Swimmy, Written and illus. by Leo Lionni (1968)

Advocating for the underdog and promoting all the places and faces one experiences as a solo traveler are

the themes presented in this delightful tale of a clever black fish in a sea of red-hued dullards. The visually 

stunning illustrations in Swimmy employ a mixed media approach, combining a highly developed sense

of texture, cutwork and color to produce abstract yet recognizable forms. Ideal for an art class or group

story time.

Pop Corn and Ma Goodness, Written by Edna Mitchell Preston, illus. by Robert Andrew Parker (1969)

This curiously sinister picture book features loosely-drawn characters Pop Corn and Ma Goodness doing

God’s honest work, as set to the theme of a country-fied rhyme illustrative of the ‘rural hillbilly’ trend

popular during the era. The children (brats all a-snippitty snippety) whup one another (a-bippitty 

boppetty, naturally) and chase the old hounddog (a–yippitty yoppetty, of course), and the book’s haunting

refrain Doon the hill (around which every event is centered) leaves readers pondering a simpler (but

necessarily better?) time in America’s past. A notable book for a discussion of stereotyped lifestyles.

Journey to the Moon, Written and illus. by Erich Fuchs (1969)

Journey to the Moon provides a brief primer on the components of recent innovations in space travel to

arm young astronauts before artistically blasting off into the stratosphere. Leaving its initial black-and-

white informational text and functional small-scale illustrations behind, the entire rest of the book is a

wordless journey through the author's artistic renderings of the recent Apollo 11 landing on the moon. The

vivid, slightly abstract full-page illustrations pique children's imagination at this recent fascinating

historical event (and are ideal for non- or beginning readers), and the book serves as an excellent class

discussion piece on the history of space travel.

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