De stijlDe stijl((Dutch for The Style)Dutch for The Style)

►The de stijl movement The de stijl movement encompassed a new addition in encompassed a new addition in modern art modern art - - architecturearchitecture. . This art This art movement used their artistic talent movement used their artistic talent by designing homes, buildings, and by designing homes, buildings, and furniturefurniture. . Unlike most architects Unlike most architects during the time, the De Stijl during the time, the De Stijl movement signified a new trend, movement signified a new trend, its own name meaning its own name meaning ""The StyleThe Style.”.”

►The De Stijl movement was The De Stijl movement was originally founded in 1917 by an originally founded in 1917 by an aspiring group of young Dutch aspiring group of young Dutch architectsarchitects..

►De Stijl translates into English as De Stijl translates into English as 'The Style''The Style'. . There were three There were three periods of De Stijlperiods of De Stijl: : The Immature The Immature period which lasted from 1916 to period which lasted from 1916 to 1921, the mature period which 1921, the mature period which lasted from 1921 to 1925 and the lasted from 1921 to 1925 and the deterioration period which lasted deterioration period which lasted

from 1925 to 1931from 1925 to 1931 . . . .

►Artists of the De Stijl movement saw art as a collective approach, Artists of the De Stijl movement saw art as a collective approach, and as a language that went beyond culture, geography and politicsand as a language that went beyond culture, geography and politics..

► The artwork created by the De Stijl movement artists gave off a The artwork created by the De Stijl movement artists gave off a depersonalized, anonymous feeldepersonalized, anonymous feel. . It was felt that the artist’s It was felt that the artist’s personality should take a back seat in the artworkpersonality should take a back seat in the artwork..

► The key to creating art within the movement’s views was to follow The key to creating art within the movement’s views was to follow the theory of scaling down formal components of art – using only the theory of scaling down formal components of art – using only primary colors and straight linesprimary colors and straight lines..

►A painting was created from the features on the surface and many A painting was created from the features on the surface and many De Stijl paintings convey elements of nature – expressed abstractlyDe Stijl paintings convey elements of nature – expressed abstractly..

► Mondrian followed the principles of newMondrian followed the principles of new--plasticism whereas Van plasticism whereas Van Doesburg attempted to broaden the movement’s research projects Doesburg attempted to broaden the movement’s research projects in architechture – he wanted to recreate the entire living space in architechture – he wanted to recreate the entire living space within a homewithin a home..

► De Stijl paintings usually represented parts of larger spaces like De Stijl paintings usually represented parts of larger spaces like interiors spaces within housesinteriors spaces within houses. . De Stijl forms were often geometric, De Stijl forms were often geometric, and made up of primary colorsand made up of primary colors. . The main views of the De Stijl The main views of the De Stijl movement greatly influenced the Bauhaus movement in Germany in movement greatly influenced the Bauhaus movement in Germany in the 1920’sthe 1920’s . .

►The architecture of the De Stijl artists was made up of The architecture of the De Stijl artists was made up of geometric shapes including sphere shaped windows and geometric shapes including sphere shaped windows and triangular chairstriangular chairs. . Both their art and architecture was Both their art and architecture was considered very radical and even to nowadays standard considered very radical and even to nowadays standard would seem radicalwould seem radical. . However the architecture that they However the architecture that they produced was incredibly successfulproduced was incredibly successful. . Colour wise, the De Stijl Colour wise, the De Stijl artists used primary and bold colours which creates a very artists used primary and bold colours which creates a very striking look and stylestriking look and style

►During the Immature period the artists displayed mainly During the Immature period the artists displayed mainly paintings and sculpturepaintings and sculpture. . They formed together to create the They formed together to create the De Stijl magazineDe Stijl magazine

► . .

►Key wordsKey words::

►Approach of aestheticsApproach of aesthetics►Centered in a publicationCentered in a publication

►Philosophy based on functionalismPhilosophy based on functionalism►Rectilinearity of planesRectilinearity of planes

►Surface decorationSurface decoration►Color changed to primary colors along with Color changed to primary colors along with

the black and whitethe black and white ►Pure abstraction and simplicityPure abstraction and simplicity

►Form reduced to the rectangle and other Form reduced to the rectangle and other geometric shapegeometric shape

►New addition in a modern artNew addition in a modern art

►Theo van doesburg(dutch , 1883-Theo van doesburg(dutch , 1883-1931) (architect , painter) started a 1931) (architect , painter) started a journal named de stijljournal named de stijl

►Piet mondriar (dutch ,1872_1944) Piet mondriar (dutch ,1872_1944) published a manifesto titled neo-published a manifesto titled neo-plasticism in 1920plasticism in 1920

►Gerrit rietveldGerrit rietveld

►Bart van perleckBart van perleck

Piet Mondrian , Irises, c. 1908, oil on canvas

Piet Mondrian, Trees, c. 1912, oil on canvas ,

Theo Van Doesberg

Contra-ConstructionProject 1923 (guache on paper)Theo van Doesburg

Composition with Black, Red, Gray, Yellow & Blue1920Piet Mondrian

Van Doesburg Glas-in-lood raamVan Doesburg Glas-in-lood raam

Piet Mondrian, Composition C, 1920, oil on canvas

Piet Mondrian ,Composition in Red, Blue, and Yellow

,

Piet Mondrian, Broadway Boogie Woogie. 43-1942, oil on canvas

Theo van Doesburg (born Christian Emil, Composition

ArchitectArchitectGerrit RietveldGerrit Rietveld

LocationLocationUtrecht, The NetherlandsUtrecht, The Netherlands

DateDate19241924 to 1925to 1925   

Building TypeBuilding Typehousehouse

  Construction SystConstruction Systemem

steel beams and columns, wood & steel beams and columns, wood & concconc..

Interior of a Schroder HouseInterior of a Schroder House

Pure abstraction and simplicity

Interior of house

Lighting &doorLighting &door

Bauhaus Chair, 1922, by Marcel Breuer.Cherrywood, with horsehair and cotton upholstery.The design of this wooden chair is strongly influenced by the Dutch "de Stijl" group, in particular by the furniture of Gerrit Rietveld. It is a particularly notable example of Modernist furniture, more concerned with

artistic expression than comfort .

Decorated car in de stijl styleDecorated car in de stijl style

The table “DeStijl” (1922)

Frank Lloyd Wright designed Frank Lloyd Wright designed buildingbuilding

Gerrit rietveldGerrit rietveld

►Elham Arab 039344Elham Arab 039344

►Ghazal Golmakani 044275Ghazal Golmakani 044275

►Gozde Ozkan 047902Gozde Ozkan 047902