Davis Art Images Supplemental Image Set Exploring Visual Design Part 1 The Elements of Design Chapter 4 Color

Davis Art Images Supplemental Image Set

ExploringVisual Design

Part 1The Elements of Design

Chapter 4 Color

Exploring Visual Design

Part 1 The Elements of Design

Chapter 4 Color

1. Ellsworth Kelly, Spectrum IV, 1967, oil on canvas, thirteen panels, overall 297 x 297 cm (117 x 117") ©The Museum of Modern Art, New York

Exploring Visual Design Part 1 The Elements of Design, Chapter 4 Color

2. Iran, Chahar Bagh School, Isfahan, 1710 Photo © Davis Art Images



Chapter 4 Color

3. Vasily Kandinsky, Picture with an Archer, 1909, oil on canvas, 175 x 145 cm (69 x 57 1/8") ©The Museum of Modern Art, New York

Exploring Visual Design Part 1 The Elements of Design, Chapter 4 Color Neutrals

4. Thomas Morrissey, Approach to the Vietnam Memorial, Washington, DC, in the rain, from "Between the Lines," 1983-1999, gelatin silver print on paper, 48 x 58 cm (19 x 22 7/8”) Photo © Thomas Morrissey



Chapter 4 Color

Neutrals

5. José Leonilson, 34 With Scars, 1991, synthetic polymer paint, embroidery thread and plastic tacks on voile, 41 x 31 cm (16 1/4 x 12 1/4") ©The Museum of Modern Art, New York

Exploring Visual Design Part 1 The Elements of Design, Chapter 4 Color Neutrals

6. Kano School, Falcon on an Oak Tree Watching Monkeys, 1596-1614, ink and light color on paper mounted as a six-fold screen, 153.6 x 322.4 cm (60 1/2 x 127 1/8") ©Worcester Art Museum, Worcester, Mass



Chapter 4 Color

Neutrals

7. Brice Marden, Avutrun, 1971, oil and wax on canvas, 183 x 91 cm (72 1/8 x 36") ©The Museum of Modern Art, New York



Chapter 4 Color

Hue: primary colors

8. Josef Albers, Homage to the Square: Broad Call, 1967, oil on composition board, 121.9 x 121.9 cm (48 x 48") ©The Museum of Modern Art, New York



Chapter 4 Color

Hue: primary colors

9. Fritz Glarner, Relational Painting, Tondo 37, 1955, oil on composition board, diameter 48 cm (19") ©The Museum of Modern Art, New York



Chapter 4 Color

Hue: complimentary colors

10. Thomas Moran, Chicago World's Fair, 1894, watercolor over pencil, 74 x 55 cm ©Brooklyn Museum of Art, Brooklyn, New York, Bequest of Clara L. Obrig

Exploring Visual Design Part 1 The Elements of Design, Chapter 4 Color Hue: tint

11. Claude Monet, Church at Vernon, 1894, oil on canvas, 66 x 93 cm (26 1/8 x 36 3/4") ©Brooklyn Museum of Art, Brooklyn, New York



Chapter 4 Color

Hue: shade

12. Dante Gabriel Rossetti, La Pia de Tolommei, 1868-1880, oil on canvas ©Spencer Museum of Art, University of Kansas, Lawrence, Museum purchase



Chapter 4 Color

Hue: analogous colors

13. Claude Monet, Houses of Parliament, Effect of Sunlight, 1903, oil on canvas, 81 x 92 cm (32 x 36 1/4") ©Brooklyn Museum of Art, Brooklyn, New York



Chapter 4 Color

Hue: intensity

14. Maya Culture, Guatemala, Native shirt from Solola, 1970s, cotton with embroidery Photo © Davis Art Images



Chapter 4 Color

Hue: color harmonies

15. Georgia O'Keeffe, Abstraction Blue, 1927, oil on canvas, 102 x 76 cm (40 1/4 x 30") ©The Museum of Modern Art, New York

Exploring Visual Design Part 1 The Elements of Design, Chapter 4 Color Hue: color harmonies

16. Morris Louis, Beta Lambda, 1960, synthetic polymer paint on canvas, 263 x 407 cm (103 5/8 x 160 1/4") ©The Museum of Modern Art, New York



Chapter 4 Color

Hue: warm colors

17. Mark Rothko, Red on Orange, 1955, oil on canvas, 176 x 142 cm (69 3/8 x 56") ©The Museum of Modern Art, New York, Mary Sisler Bequest

Exploring Visual Design Part 1 The Elements of Design, Chapter 4 Color Hue: cool colors

18. Claude Monet, Bend in the Epte River Near Giverny, 1888, oil on canvas, 74 x 93 cm (29 1/8 x 36 3/4") ©Philadelphia Museum of Art

Exploring Visual Design Part 1 The Elements of Design, Chapter 4 Color Studio experience - Color harmonies with pastels

19. Pierre Prins, The Cut Down Oak, 1902, pastel on paper, 27 x 46 cm (10 3/4 x 18 1/4") Photo courtesy Richard H. Love Gallery, Chicago, Image © Davis Art Images

Exploring Visual Design Set 116E

Part 1 The Elements of Design, 4 -- Color

1. Ellsworth Kelly, Spectrum IV, 1967, oil on canvas, thirteen panels, overall 297 x 297 cm (117 x 117") ©The Museum of Modern Art, New York MOMA-P2523

2. Iran, Chahar Bagh School, Isfahan, 1710 Photo © Davis Art Images 10237

3. Vasily Kandinsky, Picture with an Archer, 1909, oil on canvas, 175 x 145 cm (69 x 57 1/8") ©The Museum of Modern Art, New York MOMA-P1081

Neutrals4. Thomas Morrissey, Approach to the Vietnam Memorial, Washington, DC, in the rain, from "Between the

Lines," 1983-1999, gelatin silver print on paper, 48 x 58 cm (19 x 22 7/8”) Photo © Thomas Morrissey TOM-1

Neutrals5. José Leonilson, 34 With Scars, 1991, synthetic polymer paint, embroidery thread and plastic tacks on voile, 41 x 31

cm (16 1/4 x 12 1/4") ©The Museum of Modern Art, New York MOMA-P2414

Neutrals6. Kano School, Falcon on an Oak Tree Watching Monkeys, 1596-1614, ink and light color on paper mounted as a six-

fold screen, 153.6 x 322.4 cm (60 1/2 x 127 1/8") ©Worcester Art Museum, Worcester, Mass WAM-156

Neutrals7. Brice Marden, Avutrun, 1971, oil and wax on canvas, 183 x 91 cm (72 1/8 x 36") ©The Museum of Modern Art, New

York MOMA-P2465

Exploring Visual Design, Part 1 The Elements of Design, Chapter 4 Color

Hue: primary colors8. Josef Albers, Homage to the Square: Broad Call, 1967, oil on composition board, 121.9 x 121.9 cm (48 x 48") ©The

Museum of Modern Art, New York MOMA-P2832

Hue: primary colors9. Fritz Glarner, Relational Painting, Tondo 37, 1955, oil on composition board, diameter 48 cm (19") ©The Museum of

Modern Art, New York MOMA-P2086

Hue: complimentary colors10. Thomas Moran, Chicago World's Fair, 1894, watercolor over pencil, 74 x 55 cm ©Brooklyn Museum of Art, Brooklyn,

New York, Bequest of Clara L. Obrig BMA-306

Hue: tint11. Claude Monet, Church at Vernon, 1894, oil on canvas, 66 x 93 cm (26 1/8 x 36 3/4") ©Brooklyn Museum of Art,

Brooklyn, New York BMA-411

Hue: shade12. Dante Gabriel Rossetti, La Pia de Tolommei, 1868-1880, oil on canvas ©Spencer Museum of Art, University of

Kansas, Lawrence, Museum purchase SMA-60

Hue: analogous colors13. Claude Monet, Houses of Parliament, Effect of Sunlight, 1903, oil on canvas, 81 x 92 cm (32 x 36 1/4")

©Brooklyn Museum of Art, Brooklyn, New York BMA-431

Hue: intensity14. Maya Culture, Guatemala, Native shirt from Solola, 1970s, cotton with embroidery Photo © Davis Art Images

22048

Hue: color harmonies15. Georgia O'Keeffe, Abstraction Blue, 1927, oil on canvas, 102 x 76 cm (40 1/4 x 30") ©The Museum of Modern Art,

New York MOMA-P2184


Hue: color harmonies16. Morris Louis, Beta Lambda, 1960, synthetic polymer paint on canvas, 263 x 407 cm (103 5/8 x 160 1/4") ©The

Museum of Modern Art, New York MOMA-P1082

Hue: warm colors17. Mark Rothko, Red on Orange, 1955, oil on canvas, 176 x 142 cm (69 3/8 x 56") ©The Museum of Modern Art, New

York, Mary Sisler Bequest MOMA-P2358

Hue: cool colors18. Claude Monet, Bend in the Epte River Near Giverny, 1888, oil on canvas, 74 x 93 cm (29 1/8 x 36 3/4")

©Philadelphia Museum of Art PMA-743

Studio Experience -- Color harmonies with pastels19. Pierre Prins, The Cut Down Oak, 1902, pastel on paper, 27 x 46 cm (10 3/4 x 18 1/4") Photo courtesy Richard H.

Love Gallery, Chicago, Image © Davis Art Images 13299


Documents

Davis Art Images Supplemental Image Set Exploring Visual Design Part 1 The Elements of Design Chapter 4 Color