Upload
aarhus-universitet
View
153
Download
0
Tags:
Embed Size (px)
Citation preview
Data Performativity: Rethinking Liveness in Network Art
by Winnie Soon School of Arts and New Media, University of Hull, UK
Saturday, 23 March 2013
What is liveness?
Saturday, 23 March 2013
Liveness in Photography
“its precise degree of closeness and its exact relationship to its referent and the real”
(Dixon, 2007, p.116)
“Every Photograph is a certificate of presence”
(Barthes, 1981, p.87)
Saturday, 23 March 2013
Live TV Broadcast
- Reality
- Performing / Acting / Moving
- Presence (time & space)
Saturday, 23 March 2013
Liveness in the Internet
The demand of live is pervasive:
“the need to connect oneself, with others, to the world’s events, is central to the development of the modern nation.”
(Bourdon, 2000, p.552)
Saturday, 23 March 2013
Conception of Liveness
• The representation of data
• Reproduction: Recorded technologies
• “We often perceive reality only through the mediation of machines.”(Bolz & Van Reijen, 1996, p.71)
Saturday, 23 March 2013
Conception of Liveness
“live is actually an effect of mediatization... It was the development of recording technologies that made it possible to perceive existing representation as ‘live.’”
(Auslander, 2008, p.56)
Saturday, 23 March 2013
Conception of Liveness
Existing issues:
- human-centered
- Perceptible
Saturday, 23 March 2013
Network Art - jsut code
Saturday, 23 March 2013
Network Art - jsut code
• What is live data?
• What is live in relation to time?
• What is live in relation to the machinic process?
Saturday, 23 March 2013
Research on Liveness
• nonhuman and/or collaborative forces
• Machinic process
• Imperceptible
• Beyond visual and other forms of representation
Saturday, 23 March 2013
Questions
• How might we think about liveness in nonhuman sense?
• What might be the nonhuman forces?
Saturday, 23 March 2013
“Computer are processors, in a sense, mobile machines. There’s a fluidity to digital data: processing involves data in motion. These processes of navigation or motion relate to the depth of electronic forms.”
(Mcpherson, 2006, p.202)
nonhuman forces
Saturday, 23 March 2013
• Performativity of data
• politics of code
• dynamics of the network
• reading and writing the database
nonhuman forces
Saturday, 23 March 2013
Network Art / Culture
The notion of Live and cultural data become commodities
Saturday, 23 March 2013
Data Performativity: Rethinking liveness in Network Art
• To what extent, the forces of network/entities/code/technology reconfigure the conception of liveness?
Saturday, 23 March 2013