the Great or City Dionysia in the month of Elaphebolion (end of Mar), which was celebrated with a ritual procession and dramatic contests for new plays in the Theatre of Dionysus.
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ver doc. sobre etiologia da mm autora - tenho-o no Scribd
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ver mm doc. referido acima
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notar esta ultima frase - interessante sobre a teoria da danca em geral
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penteteric - ocurring every four years agon - a contest, competition, especially the Olympic Games ;In its broader sense of a 'struggle' or 'contest', agon referred to a contest in athletics, chariot or horse racing, music or literature at a public festival
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euandria
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lampadephoria
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- competicao de danca pirrica dividida em 3 grupos de idade (tais como as competicoes de ginastica mas nao as musicais) - nao competicao separada por tribos (nas outras todas sim)
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In the third century BC, most games introduced the category of the "ageneioi" (literary "the beardless") for athletes in their late teens
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trichoria - a set of three coruses, one composed of old men, one of mature males, and other of boys, who each sang ritual boasts of their age group's prowess
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NOT
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Satyr plays were an ancient Greek form of tragicomedy, similar in spirit to burlesque. They featured choruses of satyrs, were based on Greek mythology, and were rife with mock drunkenness, brazen sexuality (including phallic props), pranks, sight gags, and general merriment. Satyric drama was one of the three varieties of Athenian drama, the other two being tragedy and comedy. In the Athenian Dionysia, each playwright customarily entered four plays into the competition: three tragedies and one satyr play to be performed either at the end of the festival or between the second and third tragedies of a trilogy, as a spirited entertainment, a comic relief to break the oppression of hours of gloomy, fatalistic, formulaic tragedy. They were short, half the duration of a tragedy. The dance of the chorus in the satyric drama was called sicinnis, and consisted of a fantastic kind of skipping and jumping.
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The shield of choice for the phalangitai actually depended on the situation. In most normal circumstances the shield of choice was the small round shield called the peltai, so called because it resembled the shield carried by the Thracians that gave peltasts their name. But unlike the Thracian shield, the peltai was fully round, not crescent shaped. Like the aspis shield the peltai was convex, but the convex of the peltai was not so deeply pronounced as either version of the aspis. Like the 5th Century aspis the peltai was covered by a layer of bronze. Later in time during the Indian Campaign Alexander rewarded his best veterans by adding a layer of silver to their shields, hence their later names: the argyraspidai, the ‘Silver Shields’. A unique feature of the peltai shield was the lack of a rim.
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escudo em forma de crescente - Thracian shield
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http://en.wikipedia.org/wiki/Pelike
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importante
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ou por Dioniso ter sido transformado num bode para escapar à fura da sua mae, Hera - ver pag 400 do Frazer
![Bee, h. o Ciclo Vital [Final-Incompleto]](https://img.pdfslide.us/doc/110x75/577c848f1a28abe054b96914/bee-h-o-ciclo-vital-final-incompleto.jpg)
