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 Albright, Ann Cooper and Gere, David. Taken by Surprise: a Dance Improvisation Reader.Middletown, Conn: Wesleyan University Press, 2003. Print.Banes S. “The Grand Union: The Presentation of Everyday Life as Dance.” Terpsichore insneakers: post-modern dance 1987 : 203–218. Web.<http://apps.deakin.edu.au/ereadings/equella/download/unitcode/ACD110_TRI-1_2014/item/ee6742c4-8f05-26f1-18f3-f828239e7cb0/version/1/attachment/scan-the-grand-union.pdf>.

Banes, Sally. Terpsichore in Sneakers: Post-modern Dance. Wesleyan paperback.Middletown, Conn: Wesleyan University Press, 1987. Web.<http://ezproxy.deakin.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=45120>.Beavers Wendell. “Re-locating Technique.” The body eclectic: evolving practices in dancetraining 2008 : 126–133. Web.<http://apps.deakin.edu.au/ereadings/equella/download/unitcode/ACD110_TRI-1_2014/item/5fda3560-c120-4e0f-f9d2-7b58ca0128cd/version/1/attachment/text-relocatingtechnique-beavers-2008.pdf>.Bernard, Andre. “Class 1 Semester 1 New York University 29.9.80.” Writings on Dance 224–16. Web.

<http://ezproxy.deakin.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=62991564&site=ehost-live&scope=site>.Blom LA, and Chaplin LT. “Movement, the Foundation of Dance Improvisation.” Themoment of movement: dance improvisation 1988 : 3–15. Web.<http://apps.deakin.edu.au/ereadings/equella/download/unitcode/ACD110_TRI-1_2014/item/9b1493b3-563d-f47c-1a26-17a293ba3c7c/version/1/attachment/scan-movementthe-blom-1988.pdf>.Blom, Lynne Anne and Chaplin, L. Tarin. The Moment of Movement: Dance Improvisation.London: Dance Books, 1988. Print.“Born in a Taxi and the Art of Improvisation: Part 2. The Workshop.” n. pag. Print.

Buckwalter, Melinda. Composing While Dancing: An Improviser’s Companion. Madison, Wis:The University of Wisconsin Press, 2011. Web.<http://ezproxy.deakin.edu.au/login?url=http://muse.jhu.edu/books/9780299248130>.Cohen BB. “An Introduction to Body-Mind Centering.” Sensing, feeling, and action: theexperiential anatomy of body-mind centering : the collected articles from ContactQuarterly dance journal 1980-2009 2008 : 1–6. Web.<http://apps.deakin.edu.au/ereadings/equella/download/unitcode/ACD110_TRI-1_2014/item/7925916d-fb84-04d0-52b9-a387403b4804/version/1/attachment/scan-introductionto-cohen-2008.pdf>.Dowd I. “Visualizing Movement Potential.” Taking root to fly: articles on functionalanatomy 1995 : 2–6. Web.

<http://apps.deakin.edu.au/ereadings/equella/download/unitcode/ACD110_TRI-1_2014/item/ecaf1192-3eec-e9bc-d46b-5d00c4a1c45e/version/1/attachment/scan-visualizing-movement-potential.pdf>.

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08/16/15 ACD110 - Dance Improvisation and Body Awareness | Deakin University

Eddy, Martha. “A Brief History of Somatic Practices and Dance: Historical Development ofthe Field of Somatic Education and Its Relationship to Dance.” Journal of Dance & SomaticPractices 1.1 (2009): 5–27. Web.<http://ezproxy.deakin.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ibh&AN=44126942&site=ehost-live&scope=site>.Forsythe, William et al. William Forsythe: Improvisation Technologies : a Tool for theAnalytical Dance Eye. Karlsruhe, [Germany]: ZKM in cooperation with Deutsches

Tanzarchiv Kèoln, 1999. Print.Forti, Simone. “Animate Dancing: a Practice in Dance Improvisation.” Contact Quarterly26.2 32–39. Web.<http://apps.deakin.edu.au/ereadings/equella/download/unitcode/ACD110_TRI-1_2014/item/dbe86590-010e-8826-1ef1-5485a8ef2939/version/1/attachment/scan-animate-dancing-.pdf>.Foster SL. “Taken by Surpise: Improvisation in Dance and Mind’.” Taken by surprise: adance improvisation reader 2003 : 3–10. Web.<http://apps.deakin.edu.au/ereadings/equella/download/unitcode/ACD110_TRI-1_2014/item/5cf0bbd1-787f-4c35-7c39-82a59b3621e9/version/1/attachment/scan-takenby-foster-2003.pdf>.

Halprin, Anna and Kaplan, Rachel. Moving Toward Life: Five Decades of TransformationalDance. Hanover: Wesleyan University Press, 1995. Web.<http://ezproxy.deakin.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=45123>.Hamilton, Julyen and Arts Documentation Unit (Exeter, England). Dance Improvisation.Exeter, U.K.: Art Documentation Unit, 2005. Print.Olsen, Andrea and McHose, Caryn. Bodystories: a Guide to Experiential Anatomy. Hanover,NH: University Press of New England, 2004. Web.<http://ezproxy.deakin.edu.au/login?url=http://search.ebscohost.com/direct.asp?db=ibh&jid=%223EAX%22&scope=site>.

---. Bodystories: a Guide to Experiential Anatomy. Lebanon, NH: University Press of NewEngland, 2004. Print.Paxton S. “Improvisation Is a Word for Something That Can’t Keep a Name.” ContactQuarterly Spring/Summer (1987): 15–19. Web.<http://apps.deakin.edu.au/ereadings/equella/download/unitcode/ACD110_TRI-1_2014/item/518a956f-9f6c-11f1-29af-90e7b2948201/version/1/attachment/scan-improvisation-is-a.pdf>.Rainer Yvonne. “Some Thoughts on Improvisation.” Work 1961-73 1974 : 298–301. Web.<http://apps.deakin.edu.au/ereadings/equella/download/unitcode/ACD110_TRI-1_2014/item/35402e20-124e-2dd7-253b-a17a2a04f463/version/1/attachment/scan-somethoughts-rainer-1974.pdf>.

Skinner J et al. “Skinner Releasing Institute: Imagery and Its Application to MovementTraining.” Web. <http://www.skinnerreleasing.com/articles/imageryarticle.html>.Steve Paxton. “The Grand Union.” The Drama Review: TDR 16.3 (1972): 128–134. Web.<http://ezproxy.deakin.edu.au/login?url=http://www.jstor.org/stable/1144779?seq=1>.

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