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YPS97INSTRUMENTATION
Full Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1Flute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8Oboe (Opt. Flute 2) . . . . . . . . . . . . . . . . . . . .2Clarinet 1 in B≤ . . . . . . . . . . . . . . . . . . . . . . . . .4Clarinet 2 in B≤ . . . . . . . . . . . . . . . . . . . . . . . . .4Bass Clarinet in B≤. . . . . . . . . . . . . . . . . . . . . .2Bassoon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2Alto Saxophone in E≤ . . . . . . . . . . . . . . . . . . .5Tenor Saxophone in B≤ . . . . . . . . . . . . . . . . .2Baritone Saxophone in E≤. . . . . . . . . . . . . . .2Trumpet 1 in B≤ . . . . . . . . . . . . . . . . . . . . . . . .4Trumpet 2 in B≤ . . . . . . . . . . . . . . . . . . . . . . . .4Horn in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4Trombone . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6Euphonium T.C. in B≤ . . . . . . . . . . . . . . . . . . .2Euphonium B.C. . . . . . . . . . . . . . . . . . . . . . . . .3Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3Mallet Percussion . . . . . . . . . . . . . . . . . . . . . .1
BellsTimpani . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1Percussion 1 . . . . . . . . . . . . . . . . . . . . . . . . . . .2
Bongos or High-pitched Tom-toms with Sticks, Bass Drum with Wood and Felt Beaters
Percussion 2 . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Conga or Hand Drum, Shaker, Crash Cymbals, Triangle
S E R I E S
C A R L F I S C H E R
Young Band
Grade 2
FULL SCORE
Natya(Dance-Drama from India)
Kevin Mixon
65 Bleecker Street, New York, NY 10012www.carlfischer.com U
PC
YPS97 — $60.00 SetYPS97F — $10.00 Full ScoreYPS97P — $3.50 Parts
ISBN 0-8258-8472-1
Illegal to print or copy
for onscreen use only
2
YPS97F
Program Notes
Natya (“NAH-tee-ya”) is a Sanskrit word meaning both dance and drama as the two are inextricably linked in much of Indian tradition. Music is used as accompaniment, though Indian classical music does not have the emphasis on harmony that western classical music does, but is characterized instead by much more complex rhythm, timbral variety, and improvisation. The many Indian classical dance and drama forms are ancient. However, the Indian film industry’s “Bollywood” movies (a combining of the two words “Bombay”—now called Mumbai and the center of the film industry—and “Hollywood”) are comprised largely of music and dance that hearkens back to Indian classical arts traditions while incorporating western harmony and musical styles from around the world. It is the modern, eclec-tic form of Indian music on which this piece Natya is based.
South Indian Solkattu (“SOL-ka-too”), also called konnakol “(CON-uh-cul”), is an onomatopoeic way of counting rhythm that is also used in performance as well. Performers chant rhythm syllables with the same dizzying speed and complexity required for accomplished tabla (Indian drums) and other instrumental performance. Foot stomps and claps in this piece evoke dancing, while the simplified solkattu syllables correspond to rhythm groupings: Ta-ka (“tah kah”) for eighth-note pairs, ta-ki-ta (“tah kee tah”) for groupings of three eighth notes, and thom (“tome”) for quarter notes. These should be chanted assertively and should sound as prominent as the percussion. The spirited tempo indications must be observed to convey the dramatic elements in this piece. Of course, access to authentic Indian instruments would be ideal but unlikely in most ensembles, so there are substitutions in the score, such as the bongos, conga, and bass drum that replace tabla and mridangam, tambourine for the kanjira, and the bowl of the timpani for the ghatam. The percussion should be prominent without overpowering throughout the piece, and doublings are included to achieve this. To give a solid feeling of downbeat, make sure that the shaft of beater or wood stick against shell in the bass-drum part and copper bowl in timpani part (beginning in m. 11) are heard clearly. I hope that this piece serves as a springboard for studying the magnificent Indian culture while providing performers and audiences with much musical enjoyment.
About the Composer
Kevin Mixon was an instrumental music teacher for several years and is currently the Director of Fine Arts for the Syracuse City School District, New York. He is in frequent demand as a conductor and clinician for festivals and conferences such as the International Society for Music Education Convention, The Midwest International Band and Orchestra Clinic, Music Educators National Conference events, and state and regional music conferences. He holds degrees, summa cum laude, from Onondaga Community College, State University of New York at Oswego, Syracuse University, and University of Illinois (Urbana-Champaign). Several of his articles have appeared in Music Educators Journal, Teaching Music, The Instrumentalist, and The National Band Association Journal. He is author of Reaching and Teaching All Instrumental Music Students and co-author of Teaching Music in the Urban Classroom (both MENC/Rowman & Littlefield Publications). Mr. Mixon is also an accomplished composer and arranger with several published works for band and orchestra.
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Flute
Oboe(Opt. Flute 2)
1
2
Bass Clarinetin B
Bassoon
AltoSaxophone in E
TenorSaxophone in B
BaritoneSaxophone in E
1
2
Trombone
Euphonium
Tuba
MalletPercussion
Timpani
1
2
Percussion
Trumpet in B
Horn in F
Clarinet in B
1
Allegro e dramatico! = 156
Crash Cymbals
Conga or Hand Drum
Allegro e dramatico! = 156
2 3 4 5
YPS97F
3
KEVIN MIXON
Copyright © 2011 by Carl Fischer, LLCInternational Copyright Secured.
All rights reserved including performing rights.
Natya(Dance-Drama from India)
Full Score
(Bongos or High-Pitched Toms with Sticks,Bass Drum with Wood and Felt Beater)
(Hand Drum orConga, Shaker,Crash Cymbals,Triangle)
(Bells,Tambourine)
G, D
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
6 7 8 9 10
Shaker
YPS97F
4
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
11
Cue: Clar. 2
Cue: Low Woodwinds
Triangle
11
Cue: Bass Drum
11
On the Shell of Bass Drum or other drum with shaft of beater or wooden stick
On bowl of Timp. with Mallet shaft
On dampened head(indefinte pitch quasiBass Drum)
On head
12 13 14 15
Cue: A. Sax.
YPS97F
5
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
16 17 18 19 20YPS97F
6
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
21 22 23 24
Play
Play
Play
Play
25YPS97F
7
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
26
26
26
On the Shell of Bass Drum or other drum with shaft of beater or wooden stick
On head
On bowl of Timp. with Mallet shaft
On dampened head(indefinte pitch quasiBass Drum)
27 28 29 30YPS97F
8
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
31 32 33 34 35YPS97F
9
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
36 37 38 39 40YPS97F
10
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
41
41 Assertively with Rhythmic Precision
Tambourine
41 Assertively with Rhythmic Precision
Conga or Hand Drum 42 43 44
Foot Stomp
Hand Claps
Hand Claps
Foot Stomp
YPS97F
11
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
Ta Ka Ka Ta Ka Ta Ka
Ta Ka Ka Ta Ka Ta Ka
Ta Ka Ka Ta Ka Ta Ka
Ta Ka Ka Ta Ka Ta Ka
Ta Ka Ka Ta Ka Ta Ka
Ta Ka Ka Ta Ka Ta Ka
Ta Ka Ka Ta Ka Ta Ka
Ta Ka Ka Ta Ka Ta Ka
Ta Ka Ka Ta Ka Ta Ka
Ta Ka Ka Ta Ka Ta Ka
Ta Ka Ka Ta Ka Ta Ka
Ta Ka Ka Ta Ka Ta Ka
Ta Ka Ka Ta Ka Ta Ka
Ta Ka Ka Ta Ka Ta Ka
Ta Ka Ka Ta Ka Ta Ka
45
Chant
Chant
Thom!
Thom!
Thom!
Thom!
Thom!
Thom!
Thom!
Thom!
Thom!
Thom!
Thom!
Thom!
Thom!
Thom!
Thom!
46
Ta Ki Ta Ta Ki Ta Thom!
Ta Ki Ta Ta Ki Ta Thom!
Ta Ki Ta Ta Ki Ta Thom!
Ta Ki Ta Ta Ki Ta Thom!
Ta Ki Ta Ta Ki Ta Thom!
Ta Ki Ta Ta Ki Ta Thom!
Ta Ki Ta Ta Ki Ta Thom!
Ta Ki Ta Ta Ki Ta Thom!
Ta Ki Ta Ta Ki Ta Thom!
Ta Ki Ta Ta Ki Ta Thom!
Ta Ki Ta Ta Ki Ta Thom!
Ta Ki Ta Ta Ki Ta Thom!
Ta Ki Ta Ta Ki Ta Thom!
Ta Ki Ta Ta Ki Ta Thom!
Ta Ki Ta Ta Ki Ta Thom!
47 48
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YPS97F
12
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
49
Hand Claps
Hand Claps
50
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
51
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
Ta Ka Ta Ta Ka Ta
52
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YPS97F
13
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
Ta Ka Ta Ka
Ta Ka Ta Ka
Ta Ka Ta Ka
Ta Ka Ta Ka
Ta Ka Ta Ka
Ta Ka Ta Ka
Ta Ka Ta Ka
Ta Ka Ta Ka
Ta Ka Ta Ka
Ta Ka Ta Ka
Ta Ka Ta Ka
Ta Ka Ta Ka
Ta Ka Ta Ka
Ta Ka Ta Ka
Ta Ka Ta Ka
53
ta Ka Ta Ka
ta Ka Ta Ka
ta Ka Ta Ka
ta Ka Ta Ka
ta Ka Ta Ka
ta Ka Ta Ka
ta Ka Ta Ka
ta Ka Ta Ka
ta Ka Ta Ka
ta Ka Ta Ka
ta Ka Ta Ka
ta Ka Ta Ka
ta Ka Ta Ka
ta Ka Ta Ka
ta Ka Ta Ka
54YPS97F
14
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Legato58
Legato58
YPS97F
15
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
Without Dampening
YPS97F
16
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
67
Rhythmically
Cue: Flute
67
Rhythmically67
68 69 70
Play
Cue: Clar. 2
71
Play
YPS97F
17
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
72 73 74 75
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
Ta Ki Ta Ta Ki Ta Ta Ka
76
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YPS97F
18
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
Thom
Thom
Thom
Thom
Thom
Thom
Thom
Thom
Thom
Thom
Thom
Thom
Thom
Thom
Thom
Thom
77 78
78
78
On head
On dampened head(indefinte pitch quasiBass Drum)
On bowl of Timp. with Mallet shaft
On the Shell of Bass Drum or other drum with shaft of beater or wooden stick
79 80 81YPS97F
19
Illegal to print or copy
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
82 83 84 85 86YPS97F
20
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
87 88 89
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
Ta Ka Thom!
90
Conga or Hand Drum
91
91 Aggressively
91 Aggressively
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
YPS97F
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
92 93 94 95 96YPS97F
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
97 98 99
Cr. Cym.
100 101YPS97F
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Fl.
Ob.
1
2
B. Cl.in B
Bsn.
A. Sax.in E
T. Sax.in B
Bar. Sax.in E
1
2
Tbn.
Euph.
Tuba
Mall.Perc.
Timp.
1
2
Perc.
Tpt.in B
Hn. in F
Cl.in B
102 103
Tambourine
Ti Ka Ti Ti Ka Ti Thom!
Ti Ka Ti Ti Ka Ti Thom!
Ti Ka Ti Ti Ka Ti Thom!
Ti Ka Ti Ti Ka Ti Thom!
Ti Ka Ti Ti Ka Ti Thom!
Ti Ka Ti Ti Ka Ti Thom!
Ti Ka Ti Ti Ka Ti Thom!
Ti Ka Ti Ti Ka Ti Thom!
Ti Ka Ti Ti Ka Ti Thom!
Ti Ka Ti Ti Ka Ti Thom!
Ti Ka Ti Ti Ka Ti Thom!
Ti Ka Ti Ti Ka Ti Thom!
Ti Ka Ti Ti Ka Ti Thom!
Ti Ka Ti Ti Ka Ti Thom!
Ti Ka Ti Ti Ka Ti Thom!
104 105
Play
Play
Play
Play
Play
Play
Play
Play
Play
Play
Play
Play
Play
Play
Play
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YPS97F
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![Orchestral Suite No. 2 in B Minor for Flute & Piano [BWV 1067] · Instrumentation: Flute and Piano Style: Baroque Comment: It is unknown when exactly Johann Sebastian Bach wrote his](https://img.pdfslide.us/doc/110x75/60ab65001859423f434ead35/orchestral-suite-no-2-in-b-minor-for-flute-piano-bwv-1067-instrumentation.jpg)
