p w w p

155

156

WHEN PICTlllrES CA •• Y <HE WEIGHT OF CLARITY IN A SCENE , THEY FREE WORDS 10 EXPLORE A WIDER AREA. .

157

IT COULD SECOME AN INI~RNAL MONOLOGUe.

( INTERDE PENDfNT)

MAYSE IT'S ALL JUST A SIG A.OV£RT!SeMeNT,/

(INTERDEPENDENT)

158

PERHAPS SOMETHING WILDLY INCONGRUOUS

(PARALLEL)

OR A GlANCE 10 RUMINATE ON 9ROADCR 7DP'ICS:

(INTERDEPENDENT)

ON THE 07'HtR HAND, IF 'THC WORDS LOCK IN THE ~MEANIMS ~ OF A SEQUENCE, THEN THE P!CTUKESCAN REALLY TAKE OFF.

I CROSSED THE STREET TO THE CONVENIENCE STORE. THE RAIN SOAKED INTO MY SOOTS.

I WENT BACK 10 THE I APARTMENT--

I FOUND THE , I LAST PINT OF CHOCOLATE CHOCOLATE CHIP IN THE FREEZER.

THE ClERK TRIED TO PICK ME UP. :I SAID /VO 7NANK.S. HE GAVE ME THIS CREEPY LOOK ...

--AND FINISHED IT ALL. IN AN HOUR.

~ .

159

IF THE All:TIST WANTS TO, HE/SHE CAN NOW SHOW ONLY Ff{A(3MCN7S Of A SCENE.

(WORD SPECIFIC)

PERHAPS THE ARTIST CAN GIVE US SOM E IMPORTANT EM0710NAL INFO~MATION .

160

OR MOVE TOWARD GREATER LEVELS OF ABSTKACTION OR EXPRESSION.

(AMPLIFICATION)

OR SHIFT AH EAD OR 8.ACKWAR'DS IN T1ME .

( Vv'ORD SPECIFIC )