2D DRAWING AXON SCALE:1/4”-1’-0” PLAN VIEW FRONT ELEVATION RENDERED FRONT AXON In a significant time of the beginning modern century, a new creation of art flourished by one of the best artists ever known in history, Pablo Picasso. He produced art in a whole new way that immedi- ately caused tension between the public. His paintings were called cubist art. Picasso, as my mentor, has developed cubist art that follows the same idea of Franksteining. Like any art that is created by multiples of objects is also used by Picasso himself. BACK AXON FINAL DESIGN C U B E CHAIR Mentor: Pablo Picasso In his analytic cubist painting, Picasso uses human figures that are "ana- lyzed" with natural forms and reduced into basic geometric parts on the two- dimensional picture plane. He used natural forms to represent the natural world. His method of producing art has inspired my work of Frankensteining the Bertil chair. I came up with a design and manipulated these abstract shapes to have functionality and disfigure. Although the human figure is still identifiable, Picasso tries to disfigure the forms of the human body. Like my final chair, it was my intention to come up with a design that is still identifiable of the existing Bertil chair and yet it is disfigured.

Cubist Chair

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A chair inspired by Pablo Picassos greatest art form, Cubism.

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2D DRAWING AXON

SCALE:1/4”-1’-0”

PLAN VIEW

FRONT ELEVATION RENDERED FRONT AXON

In a significant time of the beginning modern century, a new creation of art flourished by one of the best artists ever known in history, Pablo Picasso. He produced art in a whole new way that immedi-ately caused tension between the public. His paintings were called cubist art. Picasso, as my mentor, has developed cubist art that follows the same idea of Franksteining. Like any art that is created by multiples of objects is also used by Picasso himself.

BACKAXON

FINAL DESIGN C

UBE

CHAIR

Mentor: Pablo Picasso

In his analytic cubist painting, Picasso uses human figures that are "ana-lyzed" with natural forms and reduced into basic geometric parts on the two-dimensional picture plane. He used natural forms to represent the natural world. His method of producing art has inspired my work of Frankensteining the Bertil chair. I came up with a design and manipulated these abstract shapes to have functionality and disfigure.

Although the human figure is still identifiable, Picasso tries to disfigure the forms of the human body. Like my final chair, it was my intention to come up with a design that is still identifiable of the existing Bertil chair and yet it is disfigured.