COURSES AND PROGRAMS WINTER 2018 - International Center … › files › ICP_Courses and Programs... · variety of retouching and image-adjust-menttechniques, aswell howtomodify

INCLUDINGJANUARY WORKSHOPS

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ICP

COURSES AND PROGRAMSWINTER 2018

COURSES AND PROGRAMS WINTER 2018

3 JANUARY WORKSHOPS Digital Photography DigitalWorkflow Printing NewMedia/Video Film Photography Lighting Documentary&VisualJournalism PersonalVision

5 FOUNDATION & TECHNIQUES Digital Photography DigitalWorkflow Printing NewMedia/Video Film Photography AlternativeProcesses Lighting

10 IDEAS & PRACTICE Documentary&VisualJournalism The Portrait Cityscape/Landscape PersonalVision

14 STRATEGIES FOR THE PHOTOGRAPHER BestPractices

15 PART-TIME PROGRAMS

16 FULL-TIME PROGRAMS

17 TEEN ACADEMY

18 MORE FROM ICP Exhibitions Public Programming Membership MuseumEducation CommunityPartnerships

19 HOW TO REGISTER PortfolioReviews ClassPolicies HolidayInformation

Facilities TeachingAssistantshipVolunteerProgram

REGISTER EARLY AND SAVE 15%Wednesday,December6throughFriday, January5,usecodePGFY18toreceive15%offtuitiononallwintertermContinuingEducationclasses.ICPMembersreceiveanadditional $25off.*

Registeronlineat icp.org/register

*Discountisnotvalidonpriorpurchases,yearlong courses,orTeenAcademyclasses.Offerscannot becombined.

cover: WentaoWei,Appearance and Essence, 2016(GS2016andNMN2017) below:©BenjaminJarosch

CONTINUINGEDUCATION

REGISTER |icp.org/register 3

JANUARY 2018 WORKSHOPS

©ChristineCallahan

JanuaryWorkshopsaredesignedtoprovidethenewcomerandadvancedpractitioneranopportunitytorefineandshapetheirskillsinanintenseandacceleratedenvironment.JoinfacultymembersAndréLambertson,KeishaScarville,ChristineCallahan,andClintonWeldon,alongwithmanyothersinyourcontinuedpursuitofthephotographicprocess.

JanuaryworkshopswillnotmeetonMonday,January15(MartinLutherKing,Jr.Day).

Digital Photography Ourdigitalmediacoursescoverarangeofissues,includingthebasicsofdigitalphotog-raphy,theintegrationofdigitaltechniquesintophotographicpractice,andtheexplora-tionofnewpossibilitiesthroughwebdesign,multi-media,anddigitalvideo.Advancedclassesprovideaccesstohigh-endprofes-sionalequipment,suchasHasselblad high-resolutionscannersandtheCanon1000,2000,and4000archivalinkjetprinters,whichgeneratemural-sizeprints.Allstudentsenrolledinadigitalclassreceive10hoursfreetowardDigitalMediaLabusage.

Note:Alldigitalclassesaretaughton Macintoshcomputers.Forfurtherinfor-mation,pleasecontacttheDigitalMediadepartment,212.857.0077.

Digital Camera LoansThroughthegeneroussupportofCanonU.S.A.andPentaxU.S.A.,ICPnowhasalargeinventoryofstate-of-the-artDSLRstoloanbeginningstudentstakingPhotographyI:Digitaland/orDSLRVideoforPhotographers.Weoftensuggestthatincomingstudentsborrowacameraratherthanpurchaseoneattheonset,thusprovidingthestudentwiththetimeandexperienceneededtomakethebestpurchasedecision.ThroughthegenerosityofCanonandPentax,thisisnowpossible.Camerascanbereservedonafirst-come,first-servedbasisafterregisteringforaclass.Toreserveacamera,pleasecalltheEducationdepartment,212.857.0001.

PHOTOGRAPHY I

18JCEDP000A | Christine Callahan Jan2–5|Tues–Fri10AM–5PM

18JCEDP000B | Sophie Barbasch Jan6–7&13–14|Sat&Sun 10AM–5PM

$770+$40fee

18JCEDP000C | Claudia Sohrens Jan8–12|Mon–Fri10AM–5PM $820+$40fee

Thiscourseintroducesbeginnerstothecreativeandtechnicalpossibilitiesofdigitalphotography.Throughdemonstrationsandhands-onsessions,studentslearnthebasicsofusingcamerasandimagingsoft-waretoproducedigitalphotographs.Topicsincludecameraoperation,shutterspeed,aperture,focallength,RAWfileformats,whitebalance,andcomposition.UsingAdobeLightroom,participantsalsodelveintofilemanagement,imageenhancement,andprinting.Lecturesonhistoricalandcontemporaryartworkexplorecreativeapproachestophotography,andassign-mentsbuildphotographicskillsets. For beginnersNote: ADSLRcameracapableofshootingRAWfilesisrequired.Prerequisite: MacintoshliteracyorMacintoshBasics(freeofcharge)

HOW TO USE YOUR DIGITAL SLR OR MIRRORLESS CAMERA

18JCEDP001 | Robert Meyer Jan7|Sun10AM–5PM $290

Thisworkshopdemystifiesthedigitalsingle-lensreflex(DSLR).Asstudentsprac-ticetakingdigitalphotographs,theylearnhowtouseallthesettingsandfunctionsoftheircameras.Topicsincludeautowhitebalance,colorspace,colortemperature,formatting,correctexposurefordigitalimages,andtheadvantagesofshootingindifferentfileformats.Participantsexplore

themanyfunctionsthataDSLRshareswithatraditionalfilmcamera,anddiscoverhowtousethemtocreatethebestpossibleimage.For beginners

iPHONE PHOTOGRAPHY 101

18JCEDP011A | Clinton Weldon Jan7|Sun10AM–5PM

18JCEDP011B | Clinton Weldon Jan13|Sat10AM–5PM

$120

YouriPhoneiscapableofmorethanjust vacationphotosandfoodpics.It’saphotographictoolthatcanbeusedtocaptureandshareyourvisionoftheworld.Inthishands-onclass,studentsdiscoverhowtocreateframe-worthyimageswithaniPhone.Participantslearnthebasictechniquesofimagecomposition,tipsforshootingportraits,andthecameraappsandeditingtoolsthatcanelevateaphotographfromacasualsnapshottoathoughtfulandpersonalimage.

PHOTOGRAPHY II

18JCEDP100 | Meryl Feigenberg Jan8–12|Mon–Fri6–10PM $675+$40fee

Inthisintermediatecourse,studentsimprovetheircreativeandtechnicalskillsand,throughlecturesandassignments,exploretheaestheticandcompositionalaspectsofphotography.Presentationsonhistoricalandcontemporaryartworkintroducevariousphotographicgenres,suchasportraiture,landscape,anddocumentary.UsingAdobeLightroom,studentsdevelopeffectiveworkflowsforsortingandeditingimages,refineimageadjustmentskills,andperfectprintingability.Astheyworktowarddevelopingapersonalvisuallanguage,participantsalsolearnadvancedtechniquesforconvertingimagestoblack-and-white.

Prerequisite: PhotographyI:Digital,AdobeLightroomforBeginners,orportfolioreview

MACINTOSH BASICS

18JCEMB000A | Lavonne Hall Jan7|Sun10AM–1PM $100

ThisworkshopprovidesanintroductiontocomputersingeneralandtheMacintoshsysteminparticular.StudentslearnallthebasicfeaturesnecessarytouseaMacin-toshcomputerfordigitalphotography.Throughhands-oninstruction,theybecomefamiliarwiththecomputer’scomponents—thedesktop,itscontents,andremovablemedia,suchasCD-ROMsandDVDdiskdrives—andlearntocreate,save,open,andretrievedocuments;usefolders;andworkefficiently.Uponcompletion,studentsmayadvancetomoredemandingapplications.For beginnersNote: ThisworkshopisfreetothosewhoenrollinPhotographyI:DigitalorPhotoshopI:DigitalImagingforPhotographers

CONTINUING EDUCATION

4 FACULTY BIOS | icp.org/faculty

Digital WorkflowLIGHTROOM INTENSIVE: FROM A TO Z

18JCELR003 | Jade Doskow Jan8–12|Mon–Fri10AM–5PM $820+$40fee

ThiscourseintroducesstudentstoallofAdobeLightroom’spossibilities—fromimportingandorganizingtomakingglobalandlocalcorrections.StudentsbeginbycreatingaLightroomcatalogueandarrangingtheirdigitalfileswithinit.TheythendelveintocreativeimageprocessingintheDevelopmodule,andlearnaboutinten-sivecolorwork,creativeblack-and-whiteconversions,perspectivecorrection,andevenPhotomergeandHDR.Participantsmustbringanexternalharddrivefromwhichtowork.Prerequisite: Macintoshliteracy,MacintoshBasics,orportfolioreview

PHOTOSHOP I: FOR ADOBE LIGHTROOM USERS

18JCEPS106 | Keisha Scarville Jan8–12|Mon–Fri6–10PM $770+$40 fee

ThiscourseisforstudentswhohaverefinedtheiruseofAdobeLightroom’scolorandtonaladjustments,andarereadytoexploreandincorporatethemoreintricateandnuancedmethodsoflocalimageadjustmentsandretouchingofferedbyPhotoshop.Wecovereffectiveuseoflayersandblendingmodesforavarietyofretouchingandimage-adjust-menttechniques,aswellashowtomodifylayermaskswitharangeofbrushesandselectiontools.Studentsalsolearnvarioussharpeningtechniquesandmore.Prerequisite: PhotographyII:Digital,AdobeLightroomforAdvancedUsers,AdobeLightroomComprehensive,orportfolioreview

PrintingFINE ART DIGITAL PRINTING I18JCEPR100 | Ben Gest Jan8–12|Mon–Fri10AM–5PM $820+$70fee

Thishands-oncoursecoversthefunda-mentalsofimageediting,includingRAWconversion,localizedadjustments,andcolortoblack-and-whiteconversions,aswellasprinterprofiles,driversettings,andsoft-proofing.Withanintroductiontobasicelementsofprocesscontrol,studentslearnhowtoapproachtroubleshootingoptionsefficiently.Bycontinuouslyapplyingthesetechniquesandconceptstotheirownimages,participantsalsohonetheskillsnecessarytoensurethattheirprintsaccuratelyreflectboththetechnicalandaestheticqualitiesoftheirdigitalimages.Prerequisite: PhotoshopIorportfolioreview*Note: Noclass,Mar15

New Media / VideoDSLR VIDEO FOR PHOTOGRAPHERS: PART I

18JCEDV100 | Clinton Weldon Jan2–5|Tues–Fri10AM–5PM $770+$40 fee

Thishands-oncourseintroducesstudentstothepracticaloperationandcreativepossibilitiesofshootingvideowithaDSLRcamera.Topicsarepresentedinamannerintendedtosimplifycomplextechniquesandincludemanualoperationofcameracontrols,shottypes,cameramovement,filetypes,andtranscoding.BasiceditingtechniquesaretaughtusingApple’sFinalCutPro.Assignmentsfocusoncapturingvideoandorganizingfootageintoshortvideopieces.Nopreviousexperienceindigitalvideoisrequired.Note: ADSLRcameracapableofshootingvideoisrequired.DSLRcamerasareavailablefor studentloan;contactICP’sPhotoLab.Prerequisite: PhotographyI:Digital,DSLR familiarity,orportfolioreview

Film PhotographyPHOTOGRAPHY I IN BLACK-AND-WHITE

18JCEFB000 | Chandra Glick Jan16–20|Tues–Fri6–10PM& Sat10AM–5PM $440+$55 fee

Thiscourseisforbeginnersseekinganintroductiontobothcamerahandlingandbasicblack-and-whitedarkroomtech-niques.Topicsincludecameraoperation,principlesofexposure,filmdevelopment,printing,andpicturecontent.Weeklyassignmentsandlecturesonhistorical

andcontemporaryartworkexplorethetechnicalandaestheticpossibilitiesofphotography.Themajorityofclasstimeisdevotedtoworkinginthedarkroomandbuildingprintingtechniques. For beginnersNote: Forstudentswhoprefertolearnaboutthebasicsincolor,pleaseseeThePoweroftheColorImage:ExploringColorInandOutoftheDarkroom,page 9.

PHOTOGRAPHY II IN BLACK-AND-WHITE

18JCEFB100 | Richard Rothman Jan9–12|Tues–Fri10AM–5PM $460+$55fee

Inthisintermediatecourse,whichempha-sizestherelationshipbetweenexposure,filmdevelopment,andthefinishedprint,studentsrefinetheirtechnicalandaestheticskillsinblack-and-whitephotog-raphy.Withapproximatelytwo-thirdsofclasstimedevotedtohands-ondarkroomprinting,studentsenhancedarkroomskills,experimentwithtoners,exploredifferentphotographicpapersandchemistry,andmore.Assignmentsandcritiquesfosterthedevelopmentofbothskillsandstyle.Studentsareencouragedtodevelopfilmanddoadditionalworkoutsideofclass.Prerequisite: PhotographyIinBlack-andWhiteorportfolioreview

THE PORTRAIT AND THE VIEW CAMERA

18JCELF101 | Ken Collins Jan2–5&7|Tues–Fri6–10PM& Sun10AM–5PM $440+$75 fee

Thisclassexploresthetechniquesphotographersemploytocreatebeau-tifulportraitsinblack-and-whiteandincolorwiththe4x5viewcamera.Studentsexaminethemovementsofthecameraforcontrollingperspective,depthoffield,andselectivefocus.Usingtheviewcamera,participantsbecomeinvolvedwiththephotographicprocess:pre-visu-alizing;concentratingonthemind’seye;seeinglight,shape,form,andtonality;andframingapicturewithinthe4x5filmplane.Studentsalsolearntoworkwithstudiolightingandnaturallight.Prerequisite: PhotographyIorportfolioreviewNote:Noclass,SaturdayJanuary6

LightingLIGHTING: IN THE STUDIO AND ON LOCATION

18JCELI103 | Robert Meyer Jan8–12|Mon–Fri6–10PM $425+$50fee

Thisworkshopintroducesstudentstothefundamentalsofstudiolighting.Whethercapturingportraitsorstilllifes,inthestudiooronlocation,studentslearnhowtomanipulatelightandmoodtocreate

©StéphaniedeRougé


CONTINUINGEDUCATION

theirdesiredeffect.Participantsexaminearangeoftechniquesandtheireffects—softandwarmorboldandgraphic.Inadditiontoexperimentingwithumbrellas,soft-boxes,andgrids,studentsbecomefamiliarwithlight-controldevices,suchasfresnelspots,andbeautydishes,includingtheMola,snoots,and3-Dreflectors.Prerequisite: PhotographyIorportfolioreview

PORTRAIT LIGHTING: BIG LIGHTS, SMALL LIGHTS

18JCELI121 | Bobbi Lane Jan2–6|Tues–Sat9:30AM–5:30PM $680+$100fee

Lightingiskeytodefiningthemood,texture,andconceptofanyphotograph.Thisdynamicworkshopcoverstwotypesoflighting:first,studiostrobeswithumbrellas,softboxes,andgridspots;second,portableflashwithmodifiers,aswellasflashusedoff-cameraandbyremote.Westartinthestudiowithpowerpacksandmonolights,coveringallstandardgripequipment,andthenlookattheportableflash.Thisisatechnicalbutfunclass,andincludesdemosandshootingeveryday.Prerequisite:PhotographyIorportfolioreview

Documentary and Visual JournalismDOCUMENTARY PHOTOGRAPHER: VISIONARY FOR CHANGE

18JCEPJ227 | André Lambertson Jan8–12|Mon–Fri6–10PM $425

Aphotographerwithhonest,clearstory-tellingandheartcanworktogetherwithotherstoraiseawarenessaboutsocialissuesinachangingworld.Thiscourseexplorestheroleofthedocumentaryphotographerasavisionaryandstorytellerwiththeintentionofcreatingsocialchangeandempowermentthroughpersonalvision,passion,andpurpose.Theworkshopwillprovideadeepintroductiontothetrans-formativepowerofdocumentaryphotog-raphy,withaconcentrationondevelopingapersonalstylethroughassignmentsandalonger-termproject.Wewilldiscusscreatingstoryideas,gettingintimatewithsubjects,interpretingimagestotellstories,fundingprojects,workingwithmagazines,navigatingNGOs,andpublishingwork.Theclasswillalsoexploremultimediaprojects,documentaryfilming,crowdfunding,andfindinginnerandoutersupportforprojects.Throughlectures,critiques,andpersonalassignments,studentswillfindinspirationandsupportfortheirvisions,anddeterminestepstomoveforwardintothechallengingworldofphotography.Lectureswillprovideanoverviewofdocumentaryphotographyandaglimpseintoachanginglandscapeinwhichthepowerofimageryisessentialincreatingchange.GuestspeakerswillincludephotographersandfoundersofNGOs.

Personal VisionUNDERSTANDING COMPOSITION: THE INS & OUTS

18JCEPV152 | Anja Hitzenberger Jan8–12|Mon–Fri6–10PM $425Thiscourseisdesignedforphotogra-pherswhowanttorefineandenhancetheircompositionskillsandimprovetheirphotographicseeing.Studentsdevelopaheightenedsensitivity totheirsurroundingswhilephoto-graphinginurbanenvironments,concen-tratingonlines,shapes,light,color,andpeople.Outdoorandindoorshootingexercisescoverurbanandpublicplaces,aswellasenvironmentalportraitsandmoreconceptualspheres.Duringgroupcritique,weanalyzewhatworksinanimage,aprocessthathelpsstudentscreatedynamicphotographs.Prerequisite: PhotographyIorportfolioreview

FULFILLING AND FINISHING YOUR FINE ART PROJECT

18JCEMA206 | Martine Fougeron Jan13–14&20–21|Sat–Sun10AM–5PM $460

Thiscoursehelpsyoufinishafineartprojectandprepareitforpresentationtoawideraudience.Throughweeklycritiquesanddiscussions,studentslearnhowtoorchestratealltheimportantdecision-makingprocessesandmeansnecessarytoachievetheself-definedgoalofbringingtheirprojectstofulfillment.Participantsmustcometoclasswithathemedprojectalreadyphotographed,butnotyetorganizedinasatisfactorymanner.Wealsoreviewyourportfolioandassessyourpersonalgoals.Prerequisite:PhotographyIIorportfolioreview

THE FIVE-MINUTE PORTRAIT

18JCEPO214 | Stéphanie de Rougé Jan8–12|Mon–Fri10AM–5PM $655+$75fee

Thisclassgearedtowardprofessionaloramateurphotographerswhowanttofullyexpresstheirvoiceasportraitists,evenunderthepressureoftime.Whetheronassignmentforamagazineoronvaca-tionwithfamily,whetherthesubjectissomeonefamiliarorastranger,therearetimesinlifewhenfiveminutescanreallymakeadifference.Throughdiscus-sions,presentations,andassignments,studentsexploreportraiture;theyalsolearnhowtoresearchaspecificsubject,preparegearforashoot,andmore.Prerequisite: PhotographyIIorportfolioreview

Digital PhotographyPHOTOGRAPHY I

18WCEDP000A | Keisha Scarville Jan22–Apr2|Mon10AM–1PM

18WCEDP000B | Christine Callahan Jan23–Mar27|Tues10AM–1PM

18WCEDP000C | Heidi Norton Jan24–Mar28|Wed6:30–9:30PM

18WCEDP000D | Christine Callahan Jan25–Mar29|Thurs6:30–9:30PM

$820+$40fee

18WCEDP000E | Meryl Feigenberg Jan20–21&27–28|Sat&Sun10AM–5PM

18WCEDP000F | Sophie Barbasch Mar3–4&10–11|Sat&Sun10AM–5PM

$770+$40fee

Foracoursedescription,seepage3. For beginnersNote: ADSLRcameracapableofshootingRAWfilesisrequired.Prerequisite: MacintoshliteracyorMacintoshBasics(freeofcharge)

HOW TO USE YOUR DIGITAL SLR OR MIRRORLESS CAMERA

18WCEDP001A | Robert Meyer Jan27|Sat10AM–5PM

18WCEDP001B | Lester Lefkowitz Feb10|Sat10AM–5PM

18WCEDP001C | Robert Meyer Feb24|Sat10AM–5PM

18WCEDP001D | Lester Lefkowitz Mar10|Sat10AM–5PM

$290

Thisworkshopdemystifiesthedigitalsingle-lensreflex(DSLR).Asstudentsprac-ticetakingdigitalphotographs,theylearnhowtouseallthesettingsandfunctionsoftheircameras.Topicsincludeautowhitebalance,colorspace,colortemperature,formatting,correctexposurefordigitalimages,andtheadvantagesofshootingindifferentfileformats.ParticipantsexplorethemanyfunctionsthataDSLRshareswithatraditionalfilmcamera,anddiscoverhowtousethemtocreatethebestpossibleimage.For beginners

© Carol Dragon

Foundationcoursesprovidebeginning,intermediate,andadvancedphotographerswiththefundamentalprinciples,techniques,andskillsneededtosupporttheirphotographicpracticeandvision.

Seeholidayinfoonpage19.

FOUNDATION & TECHNIQUES



iPHONE PHOTOGRAPHY 101

18WCEDP011A | Clinton Weldon Feb3|Sat10AM–5PM

18WCEDP011B | Clinton Weldon Mar25|Sun10AM–5PM

$120

Foracoursedescription,seepage3.

PHOTOGRAPHY II

18WCEDP100A | Claudia Sohrens Jan23–Mar27|Tues6:30–9:30PM

18WCEDP100B | Jeanette May Jan25–Mar29|Thurs10AM–1PM

$820+$40fee

18WCEDP100C | Jeanette May Feb17–18&24–25|Sat&Sun10AM–5PM $770+$40fee

Foracoursedescription,seepage3.Prerequisite: PhotographyI:Digital,AdobeLightroomforBeginnersorportfolioreview

MACINTOSH BASICS

18WCEMB000A | Lavonne Hall Jan20|Sat10AM–1PM

18WCEMB000B | Lavonne Hall Jan21|Sun2–5PM

$100

Foracoursedescription,seepage3. For beginnersNote: ThisworkshopisfreetothosewhoenrollinPhotographyI:DigitalorPhotoshopI:DigitalImagingforPhotographers

Digital WorkflowINTRODUCTION TO ADOBE LIGHTROOM

18WCELR000 | Ports Bishop Feb10–11|Sat&Sun10AM–5PM $540+$20fee

Thiscourseisfordigitalphotographerswhoarenewtoworkingwithdigitalimagesonacomputer.AdobeLightroomoffersanintuitive,simple,yetprofessionalsolutionfororganizing,adjusting,andoutputtinglargequantitiesofdigitalimages.Studentslearntosortimagesintoeasilymanage-abledatabases,colorcorrectandretouchimages,andoutputimagesforvariouspurposes,suchasprinting,emails,slideshows,andwebsites.For beginners Prerequisite: MacintoshliteracyorMacintoshBasics(freeofcharge),orportfolioreview

ADOBE LIGHTROOM: COMPREHENSIVE

18WCELR001A | Ports Bishop Jan23–Mar27|Tues10AM–1PM $820+$40fee

AdobeLightroomoffersanintuitive,simple,yetprofessionalsolutionfororganizing,adjusting,andoutputtinglargequantitiesofdigitalimages.Studentslearntosortimagesintoeasilymanageabledata-bases,colorcorrectandretouchimages,andoutputimagesforvariouspurposes,

©MaggieSteber

ICP FACULTY SPOTLIGHTMaggie Steber

An accomplished documentary photographer, Maggie Steber has spent the last three decades covering stories of underrep-resented people around the world. Her work has been widely published and collected, and she has received numerous awards, including a 2017–18 Guggenheim Foundation grant. Steber has also worked as a photo editor and instructor, and has been teaching workshops at ICP since the early 2000s.

You’ve been shooting in Haiti since 1980. Why did you first go?

ThefirsttimeIwenttoHaitiwastocovertheweddingofformerpresidentJean-ClaudeDuvalier,whosenicknamewas“BabyDoc.”WhatInoticedwhenIwentonthattripwasthatitwasveryAfricaninitsnature,andIhadlivedinAfricabetween1978and1980,coveringaguerillawar. Afewyearslater,IreadinThe New York TimesthatfoodriotsweregoingoninHaitiandthatpeoplewerestarvingtodeath.Havingbeenthere,Iunderstoodthatthecountrywasprettymuchruledunderadictatorship;thesecretpolicewerethelawoftheland.Andso,toreadthatpeoplewereactuallydemon-stratingandrioting,becausetheywerestarvingtodeath,youknow?Thatwasveryunusual.AndIthought,Ineedtogoseewhat’sgoingon.

What was it like when you got there?

Therewereverypeacefuldemonstrationsatfirst,butthentheybecamemoreviolent.IwasupnorthinCap-Haïtien,whichisthesecond-largestcity,andoneday,suddenly,allofthedemon-stratorsranovertothiswarehouse,wherefoodaidwaskept,butithadn’tgottentothepeople.Theycovereditlikeantsonapieceofcandy,andtheybrokeintoit.Peoplewerefightingovertinsofoilandbagsofrice.Ijuststayedandcoveredallofthispoliticalupheaval.Itwasveryexcitingatfirst,becausewhentheyheardthatDuvalierhadleft,theycameoutintothestreetsdancing.Itwasreallyquiteanextraordinaryandemotionalthingtosee.ItwasjustsointerestingtobeinacountrythatwasveryAfricaninitsfeelingandseethisdawnofanewdaywithgreatpossibilities.

You also spent time shooting in Cuba in the 1980s, and even had the opportunity to photograph Fidel Castro for Newsweek to mark the 25th anniversary of the Cuban Revolution. What are some of your most vivid memories?

IwastherewithPatriciaSethi,whowastheUNbureauchiefatthetime.ShewastheonlyforeigncorrespondentwhogotaninterviewwithCastro.ShewasfromIndia,sohereallylikedher,becauseshewasfromwhatwewouldthenrefertoasa“devel-opingnation.”AndsowasCuba.Sotherewassortofakindredspirit.Plus,astheUNbureauchief,sheknewallthegossipaboutalloftheworldleaders.Ihad20minutestophotographhim,andthenIhadtoleavetheroom.Shewasinthereforthreeorfourhours,interviewinghim.

Was that the only time you saw him?

Aweekaftertheinterview,some400or500journalistsgatheredinfrontofthelittlehotelwherewehadbeenstaying;wewerewaitingtogetonthebustogobacktoHavana.ButPatriciaandIweretoldtoputourbagstotheside… Everybodywasabouttoboardthebustogohome,andthendowntheroad,wesawthiscaravanofjeepscomingfast.Theypulledupintothedriveway,andwhowasdrivingthefirstjeep,butFidelCastro!Hejumpedoutandallthejournalistsstartedclapping.Theywereveryexcited.Sofor20minutes,heyakkedwiththem.ThenhecameovertoPatriciaandme,andhetookherbyonearmandmebytheother,andheledustothejeep,andsomebodyelsepickedupourbags,andwedroveaway.

Wow! Where did you go?

Sohetookus,alldaylong,throughouttheSierraMaestramoun-tains,showingusprojects—tourismprojects,farmingprojects,allofthesethings—andthatafternoon,weendedupatalittlefarm,wheretherewereafewdignitariesplusGabrielGarcíaMárquez,thegreatColombianwriter.Therewasagoatonaspitbeingbarbecued,andeverybodywasdrinkingandsmokingcigars.Therewasahammock,andFidelwasholdingcourt,andhewasbeingveryplayful.Hewasverycharismatic,verycharming,butyoucouldsortofunderstandthathealsocouldberuthless—andthathewasthe boss.

Did you get any pictures?

Iwasshootinglikeamadwoman.Ihadfreereign.Atonepoint,Fidelwassittinginthishammock,buthewasn’tlyingdown.Everybodyelsewassortofstandingaroundhim,andhesaid,“WouldyoulikeformetopretendI’masleep,inthehammock?”AndIsaid,“Yes,please,thatwouldbesplendid!”Sohelaydown,buthehadthiscigar,andhecrossedhisarms,andthenheshuthiseyes,andhehadthislittlegrinonhisface,andItookthepicture.IwishIhadactuallybeenabetterphotographerthen,butitwasgreat!

I can only imagine how many amazing adventures you’ve had throughout your career…

I’mnotfromanimportantfamily.Ididn’tgotoanivy-leaguecollege,oranythinglikethat.Butyoualwaysthinkthattheseextraordinarythingshappentopeoplewhoarealreadyposi-tioned,Iguess,tobejettisonedintotheseextraordinarylives,butit’sagoodlesson,youknow?Youmaynotbethebest,butifyouworkhardenough,you’llgetbetter,andpeoplewillseethat,andthey’llappreciatehowhardyouwork.Andsometimes,justonepersongivesyouachance,andyourunwithit—andit’swonderful.

Interview conducted by Eti Bonn-Muller, globaleditorialservices.com



suchasprinting,emails,slideshows,andwebsites. For beginnersPrerequisite: MacintoshliteracyorMacintoshBasics(freeofcharge),orportfolioreview

MASTERING A SIMPLIFIED WORKFLOW USING ADOBE LIGHTROOM

18WCELR004 | Lavonne Hall Feb17|Sat10AM–5PM $120

Lightroomhasbecomeapopularimage-ed-itingandprocessingprogram,butitcanstillbedauntingatfirst.YoucanaccomplishsomuchinLightroom,fromratingsandcolorcorrectingtoretouchingandprinting—techniquesthatallowyoutostreamlineyourworkflowconsiderably.Thisone-dayseminardemonstrateshowtospeedupandmaintainasteadyworkflowthroughorganizing,importing,manipulating,andexportingyourimages.Prerequisite: MacintoshliteracyorMacintoshBasics(freeofcharge),orportfolioreview

ADOBE LIGHTROOM FOR ADVANCED USERS

18WCELR100 | Ports Bishop Mar24–25|Sat&Sun10AM–5PM $540+$20fee

Inthisadvancedcourse,studentsrefinetheiruseofeachsectionofLightroom,fromcapturethroughoutput,focusing

onaprofessionalapproachthatutilizesthispowerfulsoftware.Participantsgaincontrolovertheirimagesandtheuseofadvancedtonalandcoloradjustments.Theyalsodevelopnewskillsinoutputandassetmanagement,whichmakeworkflowpossibilitiesfasterandmoreintuitive,thusmaximizingallLightroomhastooffer.Prerequisite: AdobeLightroomforBeginners,PhotographyI:Digital,orportfolioreview

PHOTOSHOP I: DIGITAL IMAGING FOR PHOTOGRAPHERS

18WCEPS000A | Christopher Giglio Jan22–Apr2|Mon10AM–1PM $820+$40fee

ThiscoursedelvesintoPhotoshop’sbasics,fromscanninganddigital-camerainputtodigitalprints.Italsoexploresthecapabil-itiesofthe“electronicdarkroom”throughcomputer-imaginghardwareandsoftwaretechnology.Studentslearnaboutresolution,whitebalance,andnoisereduction,aswellashowtoimportcamerafilesintoBridge,openCameraRAWfiles,andscanfilm.Thecoursecoversnondestructivetonalandcolorcorrectingwithlevelsandcurves,adjustmentlayers,basicretouchingonaseparatelayer,andprintingwithprofiles.For beginners Prerequisite: MacintoshBasicsorportfolioreview

PHOTOSHOP II: DIGITAL IMAGING FOR PHOTOGRAPHERS

18WCEPS100A | Kathleen Anderson Jan22–Apr2|Mon10AM–1PM

18WCEPS100B | Christopher Giglio Jan23–Mar27|Tues6:30–9:30PM

$820+$40fee

Inthisintermediatecourse,studentssharpentheirknowledgeofPhotoshop’sbasictoolsbyinvestigatingadvancedworkingmethods,suchasCameraRAWtechniques,selectionandmaskingtechniquesforadjustmentlayerstocorrectcolorandtone,retouchingwiththehistorybrush,andblack-and-whiteconversionmethodsinadjustmentlayers.Thecourseisrecommendedforphotographersconfidentwithdigitalinput,overalladjustment,andoutputinPhotoshop,whorequiretheskillstorefineparticularareasoftheirdigitalimages.Prerequisite: PhotoshopIorportfolioreview

PHOTOSHOP I: FOR ADOBE LIGHTROOM USERS

18WCEPS106 | Kathleen Anderson Jan24–Mar28|Wed10AM–1PM $820+$40fee

Foracoursedescription,seepage4.Prerequisite:PhotographyII:Digital,AdobeLightroomforAdvancedUsers,AdobeLightroomComprehensive,orportfolioreview

NEW RETOUCHING AND ADVANCED COMPOSITING FOR DIGITAL PHOTOGRAPHERS

18WCEDP109 | Heidi Norton Feb3–4|Sat&Sun10AM–5PM $540+$40fee

ThisadvancedcourseisforthosewhoalreadyusePhotoshopandwanttolearnadvancedprofessionalretouchingtech-niques.Allworkisdoneviathepowerfullayer,adjustmentlayer,smartlayer,andmaskingfunctions.Studentslearnhowtousemasksandadvancedcompositingtechniquestoretouchandrepairdamagedphotos,orseamlesslyperfectimagesfromstudiosessions.Weusemanyoftheusualretouchingtools—butinconjunctionwithlayers,overlaymodes,andothertechniques.Workflowandorganizationarealsocovered.Prerequisite: BasicPhotoshopskillsorport-folioreview

NEW UNDERSTANDING LIGHT AND COLOR FOR DIGITAL PHOTOGRAPHERS

18WCEDP108 | Heidi Norton Mar3–4&10–11|Sat&Sun10AM–5PM $770+$40fee

Communicatingwithcolorandlightfocusesonseeingandperceivinglightandunderstandingcolortemperature.UsingadvancedcameramanipulationandLightroom,wemovebeyondbasicprocessingandlearnhowtoprocessimagestoevokeemotion.Studentsexaminefoundationalcolortheoryandpsychologyinordertounderstandnotonlythehow,butalsothewhybehindthechoicestheymake.Learntopushbound-ariesascovercreativecurves,dodgingandburning,manipulatingtexture,colorenhancement,andmore.Prerequisite: PhotographyI:Digitalorportfolioreview

THE PERFECT SCAN

18WCEDT101 | Ben Gest Mar17–18|Sat&Sun10AM–5PM $540+$40fee

ThedigitalworkflownecessaryforsuccessfulimageproductionbeginswiththesoftwareofthescannerandcontinueswithPhotoshop.Thiscourseaddressestheuniqueconsiderationsthataccompanythedigitizationoffilmandthepreparationofthosefilesforhigh-qualitydigitaloutput.Participantslearnhowfilmgrain,pixelresolution,andpost-produc-tiontechniquescombinetotranslatefilmintobeautifullysatisfyingdigitalprints,andexplorestrategiesthatallowthemtocreatetheimagestheyenvision.

© Eva Nikolova



PrintingFINE ART DIGITAL PRINTING I

18WCEPR100* | Juliana Paciulli Jan25–Apr5|Thurs6:30–9:30PM $820+$70fee

Foracoursedescription,seepage4.Prerequisite:PhotoshopIorportfolioreview*Note: Noclass,Mar15

FINE ART DIGITAL PRINTING II

18WCEPR200 | Ben Gest Jan25–Mar29|Thurs10AM–1PM $820+$70fee

Makingexhibition-qualitydigitalprintstakestimeandexpertise.Inthishands-oncourse,studentslearnwaystobringoutdetailandfine-tunecolorandcontrastinspecificareasofanimagetoimproveitsoverallquality.Topicsincludemaskingtechniques,blendingmodeoptions,advancedsharp-eningtechniques,noise-reductionmethods,andvariousmeansofretouching.AvarietyofinkjetpapersaresuppliedforusewithdifferentCanoninkjetprinters.Prerequisite: FineArtDigitalPrintingI, PhotoshopII,orportfolioreview

INKJET PRINTING IN AN ALTERNATE UNIVERSE: IMAGINATIVE EXPLORATIONS WITH VELLUM, PRECIOUS METALS, GESSO AND MORE

18WCEPR107 | Dan Burkholder Feb24–25|Sat&Sun10AM–5PM $540+$75fee

Thisworkshopletsyoubaskinthehand-ap-pliedworldofvoluptuouspapers,alluringpreciousmetals,archivalvarnish,andopaquegessotocreatelastingworksofart.Studentsexplorethemagicoftranslucentpaper,hand-appliedgoldleaf,palladiumleaf,andgesso,combinedwitharchivalinkjetprinting;examinethebeautyandintrigueoftranslucentpapers;anddiscoverenticingwaystoblendgold,palladium,andothermetals.Experiencethejoyofhand-appliedgesso,asbrushing,grinding,andrubbingbecomeyournewbestfriends.Prerequisite: PhotographyIorportfolioreview

PRINTING ON ALTERNATIVE MATERIALS

18WCEPR203 | Bryan Whitney Mar17–18|Sat&Sun10AM–5PM $540+$75fee

Thisworkshopintroducesstudentstoprintingphotographicimagesonmaterialssuchasdiaphanoussilk,metal,durablewater-resistantfabrics,transparentfilm,Mylar,andmore.Imagingonthesealterna-tivesubstratescanopenupnewpotentialinphotographicpracticethatgoesbeyondcraftandcanbeusedforexhibitionsandinstallations.Weprintimagesontheabovematerials,viewworkthathasmadeuseofthesematerials,anddiscusstheaestheticopportunitiesthatareavailabletotheartistusingthem.Prerequisite: PhotographyIorportfolioreview

THE DIGITAL PORTFOLIO MASTER CLASS: ARCHIVAL INKJET PRINTING

18WCEPR300 | Ben Gest Jan24–Mar28|Wed2–5PM $820+$100fee

Inthismasterclass,studentslearnhowtorefinetheirtechniquesandmethodsofproductioninthecreationofmuse-um-qualityprints,astheycreateaconsis-tentandprofessionalportfolio.Participantsgaininsightintothevisuallanguageofphotography,colortheory,andthedigitaltechniquesnecessarytocreateimagesthatarticulateideasandconveymeaning.Theyalsoexplorevariousmaterials,muralprinting(CanonPro2000),andadvancedproductiontechniquesinasmallclassofskilledanddedicatedphotographers.Prerequisite: FineArtDigitalPrintingIIandportfolioreview,alongwithstrongknowledgeofPhotoshop,colormanagement,andinkjetprinting

New Media / VideoDIGITAL VIDEO PROJECTS I

18WCEDV117 | Bradly Dever Treadaway Jan31–Apr4|Wed7–10PM $820+$40fee

Thishands-oncourseleadsstudentsinthecreationofshortdigitalvideoprojects.Participantslearnthepracticaloperationandcreativepossibilitiesofshootingvideo,capturingsound,andeditinginAdobePremiere.Focusingonproduction,primarilywithaDSLRcameraandZoomsoundrecorders,theclassalsocoversmanualoperationofcameracontrols,shottypes,cameramovement,andmore.DSLR-enabledvideocamerasareavailablefor10-weekstudentloan.Zoomsoundrecordersareavailableforthree-daycheckoutperiods;contactICP’sEquipmentOffice.Prerequisite: PhotographyI:Digital,DSLRfamiliarity,orportfolioreview

Film PhotographyPHOTOGRAPHY I IN BLACK-AND-WHITE

18WCEFB000 | Michael Silverwise Jan22–Apr2|Mon6:30–9:30PM $705+$55fee

Thiscourseisforbeginnersseekinganintroductiontobothcamerahandlingand basicblack-and-whitedarkroomtech-niques.Topicsincludecameraoperation,principlesofexposure,filmdevelopment,printing,andpicturecontent.Weeklyassignmentsandlecturesonhistoricalandcontemporaryartworkexplorethetechnicalandaestheticpossibilitiesofphotography.Themajorityofclasstimeisdevotedtoworkinginthedarkroomandbuildingprintingtechniques. For beginnersNote: Forstudentswhoprefertolearnaboutthebasicsincolor,pleaseseeThePoweroftheColorImage:ExploringColorInandOutoftheDarkroom,page9.

PHOTOGRAPHY II IN BLACK-AND-WHITE

18WCEFB100 | Jim Megargee Jan24–Mar28|Wed7–10PM $705+$55fee

Inthisintermediatecourse,whichempha-sizestherelationshipbetweenexposure,filmdevelopment,andthefinishedprint,studentsrefinetheirtechnicalandaestheticskillsinblack-and-whitephotog-raphy.Withapproximatelytwo-thirdsofclasstimedevotedtohands-ondarkroomprinting,studentsenhancedarkroomskills,experimentwithtoners,exploredifferentphotographicpapersandchemistry,andmore.Assignmentsandcritiquesfosterthedevelopmentofbothskillsandstyle.Studentsareencouragedtodevelopfilmanddoadditionalworkoutsideofclass.Prerequisite: PhotographyIinBlack-and-Whiteorportfolioreview

THE FINE PRINT IN BLACK-AND-WHITE

18WCEFB200 | Brian Young Jan23–Mar27|Tues6:30–9:30PM $705+$60fee

Thiscourseisdesignedtoexpandyourunderstandingoftherelationshipbetweennegativeandprint.Variousfilmandpaperdevelopersareavailableforstudentstoexplorethemediumandhowthesechoicesaestheticallyimpacttheirstyleand/orvisionofaphotographicproject.Theclassisforthosewithanongoingorcompletedprojectwhowanttounifyconcept,content,andaestheticchoices.Participantsareexpectedtospendaminimumoftwotothreehoursinthedarkroomeachclasssession.Prerequisite: PhotographyIIinBlack-and-Whiteorportfolioreview

©JulianaPaciulli



THE POWER OF THE COLOR IMAGE: EXPLORING COLOR IN & OUT OF THE DARKROOM

18WCEFC002* | Bill Armstrong Jan24–Apr4|Wed6:30–9:30PM $705+$70fee

Manyphotographerspreferprintingfromcolor-negativefilmbecauseofitsflexibility,simplicity,andsuperbreproductionofbothsubtleandbrilliantcolors.Thiscourseintegratesinstructioninaestheticsandtechniqueintohands-onprintingsessions,critiquesofstudentwork,andlecturesoncolorphotography.Usingbothpastandcurrentnegatives,studentsrefineprintingskillsandlearntoworkwithspeedandconsistencyonICP’scomputerizedKreoniteprintprocessor.Thisintroductorycourseisforphotographerswhohavepreviousexperiencewithblack-and-whitedarkroomtechniques.*Note: Noclass,Mar14

LARGE-FORMAT

18WCELF100 | Richard Rothman Jan24–Mar28|Wed2–5PM $655+$30fee

Thelarge-formatcamerahasuniquefeaturesthatinfluencethephotographicprocessandthequalityoftheresultingimage.Thiscourseinvestigatesthetechnicalandaestheticaspectsofusingtheviewcamera,incontrasttothe35mmcamera.Topicsincludeperspectivecontrol,bellowsfactor,basicsheet-filmhandling,contactprinting,andprocessing.Althoughthiscourseistechnicallyintensive,studentsareencouragedtopursuetheirownaestheticdirections.Forparticipantswhodonotownalarge-formatcamera,ICPprovides4x5cameras.Prerequisite: PhotographyIorportfolioreviewNote: Allstudentssigningoutequipmentwillberequiredtotakeithomeforthedurationoftheclass.ICPisunabletoaccommodatestorageofequipment.

Alternative ProcessesINTRODUCTION TO ENCAUSTIC FOR PHOTOGRAPHERS

18WCEAP002 | Jill Skupin Burkholder Feb24–25|Sat&Sun10AM–5PM $380+$70fee

Aworldofcreativepossibilitiesexistswithinalternativephotographicprocessesandthemixed-mediarealm.Oneofthemostuniqueprocessesistheencaustictechnique,whichuseshotbeeswaxandpigmentstoenhanceimages.Inthiscourse,studentslearnhowtopreparedigitalimageswithsufficientdetailandlocalcontrasttousewithencausticmethods.Wethenexploreaddingimagesatdifferentstages.Additionaltechniques,suchasusingstencils,embeddingobjects,andaddingtextureandcolortoencausticworks,arealsocovered.

CHEMIGRAMS: EXPERIMENTAL PHOTOGRAPHY WITHOUT A DARKROOM OR CAMERA

18WCEAP000 | Douglas Collins & Eva Nikolova Mar25|Sun10AM–5PM $270+$60fee

Afterabrieflookatthephysicsofgelatinsilveremulsionandareviewofblack-and-whitedarkroomprocedures,studentslearnhowtosubverttheseclassicmethodsand,byaddingnewtwists,derivecolorprintsfromblack-and-whitematerials—thetraditionofthechemigram.Inthisworkshop,partic-ipantsexplorehowsimplemaneuverscangiverisetoincrediblycomplexandpowerfulimages.Theclassisopentoanyonewhowantstocreateimages,ratherthancapturethem.Anartisticinclinationisaplus.

NON-SILVER PRINTING

18WCEAP100A* | Tricia Rosenkilde Jan22–Apr2|Mon10AM–1PM $775+$70fee

Featuringfineartpapers,hand-appliedarchivalemulsions,andsimpletechniques,historicphotographicprocessespresentcompellingalternativestobothtraditionalsilvermethodsandmoderndigitalprints.Inthishands-oncourse,studentsproduceenlargeddigitalnegativesthatcanbeusedforcontactprintinginvariousprocesses.Participantsworkinthedigitallabtocreatenewenlargednegativesfromoriginalfilmnegativesorslides,prints,and/ordigitalfiles,andthenprintthesenegativesinthetraditionalwetdarkroomtocreateuniquehandmadeprints.Prerequisite: PhotoshopIorportfolioreview*Note: Class willmeetonFeb19(President’sDay).ClasswillnotmeetonMar12

LightingEXPOSURE, LIGHT, AND COMPOSITION FOR THE NOVICE

18WCELI001 | Lester Lefkowitz Mar3–4|Sat&Sun10AM–5PM $380+$25fee

Forthosealreadyfamiliarwithbasiccameraoperation,thisworkshopconcen-tratesonunderstandingandapplyingthefundamentalunderpinningsofanyfinephotograph:greatlight,properandappro-priateexposure,andfillingtheframeinacompellingmanner.Studentslearnhowtoachievereliableandconsistentexposures,andhowtomasterbothdaylightandartifi-ciallight.Wealsoexaminehowthemastershavecomposedtheirimageswithinthesimplerectangle.Participantsshouldbringtheircamerasforphotographingaroundthecity.

LIGHTING TECHNIQUES: AN OVERVIEW

18WCELI100A | Robert Meyer Jan22–Apr2|Mon10AM–1PM $680+$45fee

18WCELI100B* | Andrew French Feb10–11|Sat&Sun9AM–4PM $470+$45fee

Thisintroductorycourseprovidesanover-viewoftheessentialprinciples,techniques,andtoolsforlightingavarietyofsituations.Demonstrationstakeplacebothinthestudioandonlocation.Throughhands-onpracticeandassignments,studentslearnhowtouselightingequipmentandacces-sories,aswellasarangeoflightsources,includingtungsten,studiostrobe,portablestrobe,anddaylight.Wealsoreviewexam-plesofthedirectionandqualityoflight,anddiscusstheirfunctioninthephotograph.Prerequisite: PhotographyIorportfolioreview.*Note: ThisworkshopisheldatSplashlightStudios,75VarickStreet,3rdFloor,NYC.

THE FUNDAMENTALS OF STUDIO LIGHTING

18WCELI201* | David Arky Jan23–Apr3|Tues6:30–9:30PM $705+$100fee

Thisintroductiontothefundamentalsofstudiolightingfocusesonpracticalappli-cationsforportraiture.In-classdemon-strationscovertheuniquepropertiesanduseofstrobeequipmentandcontinuouslightsources,suchastungstenandLED

lighting,aswellasdiffusers,specializedreflectors,andfocusingelements,alongwithfilters,umbrellas,softboxes,paras,andotherlightshapers.Studentslearntoconsiderthedirectionoflight,properexposure,andlight’seffectoncontrastandcolorbalance,withmuchopportunityforin-classpractice.Prerequisite: PhotographyII,Lighting Techniques:AnOverview,orportfolioreview*Note: Classestakeplaceintheinstructor’sstudio.*Note: Noclass,Mar13

MINIMALIST LIGHTING: TECHNIQUES FOR AVAILABLE LIGHT

18WCELI115 | Carol Dragon Jan26–Apr6|Fri10AM–1PM $680+$40fee

Throughvisualpresentationsandin-classexercisesandassignments,studentsinthisclassdelveintothecolor,quality,anddirectionofambientlight.Theinstructoremphasizespersonalobservationandanunderstandingoftechniquestomaximizethepossibilitiesofavailablelight.Wealsoshootinvariouslocationsforhands-onexperience.Veryfewtoolsareneededtotakeadvantageofthemagicoflight—butonceyouhavetheknowledgeandexpe-rience,itchangesthewayyouseeandphotograph.Prerequisite: PhotographyIIorportfolioreview

©DanBurkholder



ADVANCED LIGHTING TECHNIQUES

18WCELI212 | Robert Meyer Jan26–Apr6|Fri6:30–9:30PM $680+$45fee

Lightingiseverything:whetherthesourceisthesun,artificialcontinuancelight,studiostrobes,portablestrobes,orspeedlights.Thiscourseisforphotographerswhohavechosentouselightingasaformofcreativeexpression.Studentsrefinetheirskillsinlightingandaestheticsforthepurposeofdevelopingapersonalstyle,andareguidedtowardpersonalprojectsthatresultindynamicportfolioimages.Thiscoursealsopresentsadvancedlightingtechniques,contemporarytheo-ries,andrefinedapplicationprocesses.Prerequisite: PhotographyII,LightingTech-niques:AnOverview,orportfolioreview

LIGHTING FOR THE PORTRAIT: MASTERY AND CONTROL

18WCELI202 | Harvey Stein Mar10–11&17–18|Sat&Sun10AM–5PM $500+$40fee

Withoutlight,photographyisimpossible;themasteryandcontroloflightareofparticularimportancewhenmakingportraits.Thisworkshoplooksintenselyat photographing people in a variety of waysusingstudiostrobelights.Whiletheemphasisisonstudiolighting,wealsoaddressoutdoorandon-locationlighting.Theworkshopincludesdiscussions,demonstrations,critiques,andphoto-graphingmodelsinthestudio.Wealsolookathowwell-knownportraitphotog-raphers,suchasAvedonandPenn,usedlighttoexpresstheiruniquevision.Prerequisite: PhotographyIIorportfolioreview

INTERMEDIATE TO ADVANCED STUDIO LIGHTING

18WCELI218* | Flora Hanitijo Mar10–11&17–18|Sat&Sun10AM–5PM $555+$100fee

Thisworkshopisacondensedversionof theIntermediateLightingcourse,withanemphasisonstrobesandanintroduction tocontinuouslight.StudentsworkwithProfotostrobes,reflectors,grips,andaccessories,andarechallengedtore-createportraitsfromfamousphoto-graphs,paintings,andothersources.Participantsalsore-create“daylight”inacontrolledstudiosettingandmixexistinglightwithacontrolledartificiallightsource.Youmusthaveasolidworkingknowledgeofstrobesandphototheory,andagoodunderstandingofcolorbalance.Prerequisite: PhotographyIIorportfolioreview*Note: ThisworkshopisheldatSplashlightStudios,75VarickStreet,3rdFloor,NYC.

Documentary & Visual Journalism PhotographyPEOPLE AND PLACE: THE DOCUMENTARY PORTRAIT

18WCEPJ007 | Karen Marshall Jan24–Mar28|Wed10AM–1PM $655+$15fee

Thecameraisapowerfulobserverofpeople.Inthiscourse,weexaminewhat itmeanstomakeimagesthataddressthesocial,cultural,oremotionalspaceofpeopleandtheplacestheyinhabit.Partici-pantsdiscussstrategiesforphotographingpeoplewithinaculturalcontext,andcreatedocumentaryessays.Throughclasscritiquesandthehoningofeditorialskills,studentsgainadeeperunderstandingoftheirpersonalmotivationanddesire,andcreatemeaningfulworkabouttheworldthroughtheirlens.

THE DOCUMENTARY PROJECT: THE PHOTOGRAPHER AS STORYTELLER

18WCEPJ203 | Natan Dvir Jan23–Mar27|Tues6:30–9:30PM $655+$15fee

Apictureissaidtobeworthathousandwords.Agreatdocumentaryprojectexploringasocial,cultural,political,orpersonalissuehasthepowertotellastoryinaunique,convincing,andvisuallycompellingway.Inthisclass,studentsexamineandpracticethevariousaspectsofconceptualizing,planning,andexecutingtheirdocumentaryprojectsthroughdiscus-sions,fieldtrips,personalassignments,andphotocritiques.Documentaryessaysbymasterandcontemporaryphotographersarealsodiscussed.Prerequisite: PhotographyIIorportfolioreview

ADVANCED STREET PHOTOGRAPHY: FINDING YOUR VOICE

18WCEPJ222 | Natan Dvir Jan25–Mar29|Thurs6:30–9:30PM $655+$20fee

Streetphotographyhasevolveddramati-callyoverthepast20years,givenrecenttechnologicaldevelopmentsandphotog-raphersexploringnewwaysofrepresenta-tion.Followingaportfolioreview,studentsinthiscourseareencouragedtoworkonanongoingseriesbasedontheirpersonalinterests.Participantsexploreadvancedtechniques,includingnighttimephotog-raphy,portablelighting,portraiturestrate-gies,andonlinephotography,anddiscussphotographsandprojectsofcontemporarystreetphotographersfromrecentdecades.Studentscompleteweeklyassignmentsandpresenttheirworkforin-classcritique.Prerequisite: PhotographyIIorportfolioreview

The PortraitLIGHTING FOR THE ENVIRONMENTAL PORTRAIT

18WCEPO216 | Ethan Hill Jan22–Apr2|Mon6:30–9:30PM $655+$15fee

Photographyproducedforeditorial,documentary,andcorporatecommis-sionsisoftencreatedunderdifficult

IDEAS & PRACTICE

©AlexFradkin

ICPoffersabroadspectrumofcoursesandworkshops,fromDocumentaryPhotographyandVisualJournalism,toPersonalVision,toLightingandPortraiture,alldedicatedtoinspiringthephotographer’screativeprocess.




circumstanceswithnarrowtimeframesforshooting.Thisportraitclassexposesparticipantstothechallengesofmakingcompellingimagesinunfamiliarenviron-mentswithunknownsubjectsundergreattimeconstraints.Discussionscovertheuseofwhatistraditionallyconsidereduglyambientlight—i.e.,fluorescentlightandnoonsun—tomakebeautifulimagesaswellasshootingwithstrobeonlocation.In-classdemonstrationsandstudentassignmentsarealsoincluded.Prerequisite: PhotographyIIorportfolioreview

THE FUNDAMENTALS OF PORTRAITURE: A BASIC FOUNDATION

18WCEPO108 | Harvey Stein Jan23–Mar27|Tues10AM–1PM $655+$40fee

Creatingportraitureismuchmorethanmerelyrecordingaface.Thiscourseprovidesstudentswiththebasicfounda-tionnecessarytoachievestronglyfelt,expressive,andinterpretiveportraits.Participantsareintroducedtothefundamentalsofportraiture—formalandinformal,onlocation,outdoors,andinthestudio—aswellaselementsofportraiture,suchaslighting(naturalandartificial),environmentandlocation,gesture,expressionandpose,useofprops,lenses,composition,andtherelationshipbetweensubjectandphotographer,andtechnicalconsiderations.Prerequisite: PhotographyIorportfolioreview

CLASSIC PORTRAITURE FROM A–Z: BREAKING THE RULES

18WCEPO104* | Neal Slavin Jan23–Apr3|Tues6:30–9:30PM $680+$75fee

Delveintothepleasuresoftakingformalandinformalportraitsaswellassmall-tomedium-sizegroupportraits!Thiscourseisdesignedtogivestudentsthemaximumabilitytocreateportraitsfromtheirownperspective,oftenbreakingthe“howto”rulesofclassicportraiture.Studentsnonethelesslearnitsbasicelements,suchasfindingcharacter,locationversusstudio,lighting,theuseofprops,posing,makeup,gesture,andtheage-olddilemmaofwhethertouseflatteryasopposedtostarkrealism.Prerequisite: PhotographyIIorportfolioreview*Note: Noclass,Mar13

THE FASHION PORTRAIT: FROM STREET STYLE TO HAUTE COUTURE

18WCEPO200* | Alice O'Malley Jan25–Apr5|Thurs6:30–9:30PM $680+$40fee

Throughoutthehistoryofphotography,portraitistshavelookedtofashionforinspiration,andfashionhasturnedtothecameraforedification.Inthisclass,studentsexplorethenexusoffashionandportraiturebyexaminingourinspira-tionasphotographersandourdesiresasviewers.Theclassincludesweeklylightingworkshops,slidepresentationsonthe

historyoffashionphotography,andstudentcritiques—withparticularattentiontodeci-sionsmaderegardinglighting,artdirection,andnarrativethemes.Prerequisite: PhotographyIIorportfolioreview*Note: Noclass,Mar15

THE INTERPRETIVE PORTRAIT

18WCEPO212 | Andrea Modica Mar3–4|Sat&Sun10AM–5PM $430+$30fee

Designedfortheintermediatephotographer,thisworkshopexploresbothtraditionalandnontraditionalapproachestoportraiture.Byexperimentingwithideasandtechniques,studentscreateaninterpretiveportrait—onethatoffersaviewintoanotherperson’slife.Visualpresentationsanddiscussionsinvestigatefineartandeditorialportraiture;business-orientedtopicsincludeethicalandlegalissuespertainingtotheuseofportraitsinpublicationsandexhibitions.Thisworkshopencouragesstudentstodevelopauniquestylethattakestheirworkinportraituretoanotherlevel.Prerequisite: PhotographyIIorportfolioreview

Cityscape / Landscape THE ARCHITECTURAL METROPOLIS AND THE POETICS OF SPACE

18WCELA001 | Alex Fradkin Jan22–Feb26*|Mon6:30–9:30PM $410

Architecturalmovementsandstyles,neighborhoodsemanatingrichculturaldiversity,andvernacularhistoriescombinetomakeNewYorkoneofthemostrecog-nizableandvisuallystimulatingcitiesontheplanet.Usingfilmordigitalcameras,studentscreateabodyofworkfeaturingvariousneighborhoods,returningtothesamespoteachweektofurtherinves-tigatewhatmakesaplaceunique,bothduringthedayandatnight.Wealsocovertechnicalaspectsofarchitecturalphotog-raphyanddiscussweeklyassignmentsasagroup.Note: Noclass,Feb19(President’sDay)

NEW PHOTOGRAPHING NEW YORK CITY

18WCELA103 | Lynn Saville Mar5–Apr2|Mon6:30–9:30PM $410

ThetruesubjectofthisworkshopistheamazingandfantasticCityofNewYork.Wetraveltoout-of-the-wayspotsthatarefilledwithinterestingandexcitingsites,suchasthefantasylandofConeyIslandandareasinQueensandtheBronx,andtaketheStatenIslandFerrytoexplorethatuniqueborough.Elementsofphoto-graphingtheseplaces—lighting,environ-ment,andlocation;composition,cameraposition,andformats;andtherelationshipbetweenplaceandphotographer—arealsocovered.Prerequisite:PhotographyIorportfolioreview

Personal VisionNEW RE-CONSTRUCTING THE

VISIBLE WORLD: THE COMPOSITE IMAGE AND THE GESTALT OF VISION

18WCEPV162 | Accra Shepp Jan22–Apr2|Mon6:30–9:30PM $655

Theworldistoolargeandtoocomplextofitwithintheconfinesofacameraoralens.Thisclassexplorestopicssuchasimagingtheexternalworld,theinteriorspace,thepsychological,andthebody.Wealsodelveintostrategiesforcreatingmeaningoutofmultipleimagesandtheirarrangement,andexaminethehistoryanduseofthecompositeimageinphotographyasanaidtopushingtheboundariesofthistypeofimagemaking.Prerequisite: PhotographyIorportfolioreview

DAILY PRACTICE: THE PHOTO JOURNAL

18WCEPV002* | Linda Cummings Jan22–Apr2|Mon6:30–9:30PM $655+$25fee

Thedailypracticeofmakingphotographsisawayof“slowingdowntime”and“makingsense”oftheworld.Inthiscourse,studentsphotographeveryday,regardlessofother

commitments,andkeepavisualdiary.Classdiscussionsprovidesupportandencouragerefinementofphotographictechnique.Read-ingsincludeessaysbyrenownedphotogra-phers.Incommittingtothisdailypractice,studentsbecomecleareraboutwhen,why,andhowtotransformthe“decisivemoments”ofordinaryexperienceintophotographsthattruly“speak”tothemandothers.*Note: Classwill meetonFeb19(President’sDay).Classwill notmeetonMar12.

DISCOVERING YOUR OWN PHOTOGRAPHIC EYE

18WCEPV007 | Kristin Holcomb Jan23–Mar27|Tues10AM–1PM $655

Photographersmustlearntocreateacohesivebodyofworkwhiledevelopingapersonalperspective.Thisclassexploresboththeconsciousandintuitiveunder-standingofthevisuallanguageofphotog-raphy.Weselect,edit,andorganizeourexistingphotographstodevelopanunder-standingofourwork’scontextwhilecreatingnewimagerythatexploresourdeepeningvisualunderstanding.Open-endedassign-mentsandpreexistingworkarealsousedtoexaminephotographicvisionandhoneeditingskillstocreateaclearlydefinedbodyofwork.For beginners

©AndreaModica



THE GRAMMAR OF PHOTOGRAPHY

18WCEPV051 | Christopher Giglio Jan24–Mar28|Wed10AM–1PM $655

Basedonideassuggestedintwoseminalwritingsonphotography,JohnSzarkows-ki’sThePhotographer’sEyeandStephenShore’sTheNatureofPhotographs,thisclassfunctionsasaprimerofvisualliteracyforphotographers.Throughweeklyshootingassignments,lectures,andcritiques,studentslearnaboutbalance,tempo,waysoforganizingspace,thesignificanceofgeometricstructure,andwhytheedgesoftheframeareimportant.In-classexercisesexaminehowweseewhatwesee,andenableparticipantstoproducestronger,clearerpictures.

INTRODUCTION TO THE PHOTOGRAPHIC PROJECT

18WCEPV058 | J Carrier Jan23–Mar27|Tues6:30–9:30PM $655+$30fee

Thiscoursehelpsbeginningandinterme-diatephotographerssharpentheircameraskillsanddevelopasustainableartisticpractice.Lectures,readings,anddiscus-sionsprovideinformationonthediverselandscapeofcontemporaryphotography.Studentsworkonafinalprojectintendedtoformthebasisofafutureexhibitionorbook.Theyalsobecomeconfidentwiththetechnicalaspectsofphotography—camerasettings,composition,lightingandexposure,digitalworkflow,imageprocessing,etc.—anddevelopabetterunderstandingoftheirindividualprocessandphotographiceye.

NEW CONVERSATIONS: USING IMAGE AND TEXT TO TELL A STORY

18WCEPV077 | Jonathan David Smyth Jan23–Feb20|Tues6:30–9:30PM $410

Withtheever-increasingpopularityofsmartphonesandsocialmedia,photog-raphyhasalsoevolved,becomingmoreimmediatethanthewrittenlanguage.Usingemojisandmemescanbeafasterwayforustocommunicate,butareweactuallysayingless?Inthiscourse,welookatartistswhohavedealtwiththecombinationofimageandtextintheirwork.Throughweeklyassignmentsandgroupdiscussions,participantslearnhowtotellastorythroughtheuseofimageandtext.Note: Allstudentsmusthaveasmartphone.

EXPLORE YOUR SURROUNDINGS

18WCEPV163 | Anja Hitzenberger Jan24-Feb21|Wed6:30–9:30PM $410

Thisclassisforstudentswhowanttotellastoryaboutwheretheylive:whatmakestheirneighborhoodunique,howthepeopleorfamilythatsurroundthemmaketheplacespecial,orhowtheir

environmentischanging.Participantsdeveloptheirownpersonalstyleandmeansofexpression,andlearnwhatisimportantwhentellingastoryabouttheirownenvironment.Wealsodiscusscompositionaltoolsandeffectiveediting,andundertakecomparativestudiesofhistoricalandcontemporaryphotogra-phersandfilmmakers.Prerequisite: PhotographyIorportfolioreview

NEW ADVANCED CRITIQUE

18WCEPV269 | Richard Rothman Jan24–Mar28|Wed10AM–1PM $655+$25fee

Thisclassisforphotographerswhoarelookingtobeginoradvancelong-termprojectswhileworkingonenrichingtheiroverallphotographicvocabularies.Studentspresentprojectproposalsandpersonalgoals;critiquesandeditsofongoingworkfollow.Participantsarerequiredtobringnewworktoeachclass,andtocritiqueeachother’swork.Anatmosphereofsincerity,seriousness,andconstructivecriticismisencouraged.Discussionsaredesignedtoclarifythe

intention,meaning,andsignificanceofeachindividual’sapproachtophotography.Prerequisite: PhotographyIIorportfolioreviewNote: Studentsmusthaveabodyofwork

NEW THE ART OF THE PHOTOBOOK: FROM LENS TO PRINT

18WCEPV167 | Ursula Damm Jan24–Mar28|Wed6:30–9:30PM $820+$175fee

Inthisclass,weexploretheartformofthephotobookwiththefinalgoalofcreatingyourown.Westartbylookingatthemedium’shistory,andthendelveintothedetailsofmakingaphotobookandtellingastory,includingselectionandediting,sequencingandsizing,anddesignandlayout.Wealsoexaminesomeofthemostimportantprofessionalproductiondetails,suchaschoiceofpaper,bindingtechniques,covermate-rials,andmore.Prerequisite: BasicknowledgeofPhotoshopand/orInDesign,orportfolioreview;studentsmustalsohavearelativelylargebodyoftheirownwork,orafoundarchiveorothermaterials(inphotographicform),withanoverarchingconcept.

UNDERNEATH MY SKIN: EXPLORING CONCEPT, PLACE AND METAPHOR IN PHOTOGRAPHY

18WCEPV166 | Keisha Scarville & Jeanette Spicer Jan25–Mar29|Thurs6:30–9:30PM $655+$25fee

Intoday’simage-saturatedworld,itcanbehardtomakeauniquephotograph.Thisclassisforstudentswhoarereadytofocusonthedevelopmentofacoherent,present-ablebodyofwork.Participantslearnhowtoadvancetheirphotographicskillsbyutilizingamoreconceptualframeworkintheirphotographs.Wealsofocusontheprocessofmakingphotographsasaninti-mateandvulnerableexperience—whetherthesubjectisapartner,friend,orfamilymember.Prerequisite: PhotographyIorportfolioreview

AN INTERIOR VIEW

18WCEPV238 | Bryan Whitney Jan25–Mar29|Thurs6:30–9:30PM $655

Doarchitecturalinteriorshaveaspecialresonanceforyou?Ifso,thenthisclasscanbeacatalystforyourwork.Whilediscussingprofessionalapproachesandtechniquesforshootinginteriors,wefocusonhowtocommunicatetheatmosphereandmeaningthatyoupersonallyexpe-rience.Inspirationforassignmentsisprovidedbyin-depthdiscussionsonthesymbolismandhistoryofinteriors,viewingworkbypaintersandphotographerswhospeakthelanguageofspace,andafieldtriptoauniqueinterior.Prerequisite: PhotographyIIorportfolioreview

MAKING WORK…NOW WHAT? GETTING OUT INTO THE ART WORLD

18WCEMA006 | Alice S. Zimet Jan27–28|Sat&Sun10AM–5PM $380+$25fee

Thisworkshopbeginswithanin-depthpresentationthatgoes“insidethecollec-tor’smind”tobetterunderstandwherecollectorsshop(nonprofitandfor-profitresources),howtobuyatauction,dealingwithgalleries,pricing,andeditioning,aswellasquestionscollectorsregularlyask.Theinstructoroffersadviceonhowtoconsidernonprofitbenefitauctionsas“publicpipelines,”inadditiontoabundanttipsonhowtobestpresentataportfolioreview.Yourcommunicationtools,bothwrittenandverbal,arealsoanalyzed.

COLLECTING PHOTOGRAPHY: TIPS, CARE, AND BEHIND-THE-SCENES VISITS

18WCEPV078 | Alice S. Zimet Feb2–3|Fri10AM–6PM| Sat10AM-5PM $380+$25fee

Kick-startyourcollectionandincreaseyourconfidencewiththisnonstop,fact-filledtwo-day“bootcamp.”Westartintheclassroomtolearnhowtodealwithissues

©JonathanDavidSmyth



beforespendingapenny,andthencoverquestionstoask,wheretoshop,pricing,stamps,signatures,editions,dealingwithgalleries,buyingatauction,andtonsofinsidertips!Guestlecturersdiscusshowtoinsureandappraiseyourphotographs,andkeepproperrecords.Wealsogobehind-the-scenestovisitgalleriesandmeetdealers.

UNDERSTANDING COMPOSITION: THE INS AND OUTS

18WCEPV153 | Anja Hitzenberger Feb3–4&10–11|Sat&Sun10AM–5PM $460Thiscourseisdesignedforphotogra-pherswhowanttorefineandenhancetheircompositionskillsandimprovetheirphotographicseeing.Studentsdevelopaheightenedsensitivitytotheirsurroundingswhilephotographinginurbanenvironments,concentratingonlines,shapes,light,color,andpeople.Outdoorandindoorshootingexercisescoverurbanandpublicplaces,aswellasenvironmentalportraitsandmoreconceptualspheres.Duringgroupcritique,weanalyzewhatworksinanimage,aprocessthathelpsstudentscreatedynamicphotographs.Prerequisite: PhotographyIorportfolioreview

EDITING AND SEQUENCING: SELECTING AND PRESENTING YOUR PICTURES

18WCEPV164 | Natan Dvir Feb10–11|Sat&Sun6:30–9:30PM $380

Choosingyourbestpicturesandplacingtheminaneffectiveandcompellingorderaredifficultyetpotentiallyrewardingtasks.Inthisworkshop,studentsexploreandpracticethemethodologiesofsystemati-callyselectingandorganizingtheirimages.Anarchiveofhundredsofpicturesevolvesintoapowerfulpresentationofupto20picturesbytheendoftheweekend.Topicsincludeorganizingyourworkenvironment,theeditingprocess,editingsoftwaretools,sequencingprincipals,preparingimagesforrelease,andarchiving.Prerequisite: PhotographyIorportfolioreview;studentsareexpectedtobringexistingimagerytoorganizeandeditinclass.

DEVELOPING A TRAVEL NARRATIVE

18WCEPV056 | Alan Winslow Feb17–18|Sat&Sun10AM–5PM $380

Goingonatrip?Thisclasshelpsstudentshonetechniquesandstrategiesformakingabodyofworkthatcapturestheessenceofplace.Theinstructorguidesyouinusingyour camera to experience place through amixoflandscape,nature,streetphotog-raphy,andportraiture.Wealsocoverequip-mentselection,packing,filemanagementontheroad,anddevelopingacohesivetravelnarrative.Toputournewskillstothetest,weleavetheclassroomandexploreNewYorkCity.

NEW FASHION: THE INSIDE STORY

18WCELI123* | Janusz Kawa Feb17–18&24–25|Sat&Sun9AM–4PM $555+$75fee

Inthiscourse,studentsdevelopapersonalandpracticalapproachtofashionphotog-raphy,acquiringthefundamentalskillsneededtoproducecompellingphotographsandlearninghowtousethebasictoolsandtechniqueswithinaprofessionalphotostudiosetting.Participantsarechallengedtoconceptualize,communicate,andcreateauniqueportfolioofimagesinassociationwithmodels,professionalmakeupartists,andhairstylists.Studentsgaininsightintoposingandrelatingtothemodel,examiningvariousqualitiesandtemperaturesoflight,andmore.Prerequisite: PhotographyIorportfolioreview*Note: thisworkshopisheldatSplashlightStudios,75VarickStreet,3rdFloor,NYC.

WRITING ABOUT YOUR PHOTOGRAPHS FOR GRANT PROPOSALS, EXHIBITION CATALOGUES, ARTIST STATEMENTS OR PUBLIC PRESENTATIONS

18WCEMA212 | Wendy Richmond & Susan Hodara Feb24–25|Sat&Sun10AM–5PM $380+$25fee

Youareavisualartist,butyoumustusewordstosupportyourwork—whetherforagrantproposal,anexhibitioncatalogue,anartiststatement,orapublicpresenta-tion.Inthisintensiveworkshop,studentsintervieweachother(usingtheinstructors’

guidedexercises)todeveloplanguagethataccuratelyandcompellinglydescribestheirphotographicwork.Participantsshouldbringthreeoftheirphotographsandanotebook.Prerequisite: PhotographyIIorportfolioreview

NEW SHARING PHOTOGRAPHY WITH THE COMMUNITY

18WCEPV165 | Matthew Septimus Mar17–18|Sat&Sun10AM–5PM $380+$30fee

Photographyhastheabilitytocommu-nicateacrossculturesworldwide.Ona

locallevel,puttingacamerainthehandsofsomeonewhodoesn’tnormallyhaveaccesstoformalclassescanbeprofound—itcanwidenstudents’eyesandexpandateacher’ssoul.Thisworkshopinvestigatesthefullspectrumofsharingphotographywiththecommunity,fromdealingwithestablishedorganizationstoexploringanimprovisational,independentapproach.Comewithaspecificgrouptotargetorjustaneagermind.Prerequisite: PhotographyIorportfolioreview

©DavidArky

©AccraShepp


CONTINUINGEDUCATION

Best PracticesMAKING WORK…NOW WHAT? GETTING OUT INTO THE ART WORLD

18WCEMA006 | Alice S. Zimet Jan27–28|Sat&Sun10AM–5PM $380+$25fee

Thisworkshopbeginswithanin-depthpresentationthatgoes“insidethecollec-tor’smind”tobetterunderstandwherecollectorsshop(nonprofitandfor-profitresources),howtobuyatauction,dealingwithgalleries,pricing,andeditioning,aswellasquestionscollectorsregularlyask.Theinstructoroffersadviceonhowtoconsidernonprofitbenefitauctionsas“publicpipelines,”inadditiontoabundanttipsonhowtobestpresentataportfolioreview.Yourcommunicationtools,bothwrittenandverbal,arealsoanalyzed.

COLLECTING PHOTOGRAPHY: TIPS, CARE, AND BEHIND-THE-SCENES VISITS

18WCEPV078 | Alice S. Zimet Feb2–3|Fri10AM–6PM| Sat10AM-5PM $380+$25fee

Kick-startyourcollectionandincreaseyourconfidencewiththisnonstop,fact-filledtwo-day“bootcamp.”Westartintheclassroomtolearnhowtodealwithissuesbeforespendingapenny,andthencoverquestionstoask,wheretoshop,pricing,stamps,signatures,editions,dealingwithgalleries,buyingatauction,andtonsofinsidertips!Guestlecturersdiscusshowtoinsureandappraiseyourphotographs,andkeepproperrecords.Wealsogobehind-the-scenestovisitgalleriesandmeetdealers.

NEW RETOUCHING AND ADVANCED COMPOSITING FOR DIGITAL PHOTOGRAPHERS

18WCEDP109 | Heidi Norton Feb3–4|Sat&Sun10AM–5PM $540+$40fee

ThisadvancedcourseisforthosewhoalreadyusePhotoshopandwanttolearnadvancedprofessionalretouchingtech-niques.Allworkisdoneviathepowerfullayer,adjustmentlayer,smartlayer,andmaskingfunctions.Studentslearnhowtousemasksandadvancedcompositingtechniquestoretouchandrepairdamagedphotos,orseamlesslyperfectimagesfromstudiosessions.Weusemanyoftheusualretouchingtools—butinconjunctionwithlayers,overlaymodes,andothertechniques.Workflowandorganizationarealsocovered.Prerequisite: BasicPhotoshopskillsorport-folioreview

EDITING AND SEQUENCING: SELECTING AND PRESENTING YOUR PICTURES

18WCEPV164 | Natan Dvir Feb10–11|Sat&Sun10AM–5PM $380

Choosingyourbestpicturesandplacingtheminaneffectiveandcompellingorderaredifficultyetpotentiallyrewardingtasks.Inthisworkshop,studentsexploreandpracticethemethodologiesofsystematicallyselectingandorganizingtheirimages.Anarchiveofhundredsofpicturesevolvesintoapowerfulpresenta-

tionofupto20picturesbytheendoftheweekend.Topicsincludeorganizingyourworkenvironment,theeditingprocess,editingsoftwaretools,sequencingprin-cipals,preparingimagesforrelease,andarchiving.Prerequisite: PhotographyIorportfolioreview;studentsareexpectedtobringexistingimagerytoorganizeandeditinclass.

DEVELOPING A TRAVEL NARRATIVE

18WCEPV056 | Alan Winslow Feb17–18|Sat&Sun10AM–5PM $380

Goingonatrip?Thisclasshelpsstudentshonetechniquesandstrategiesformakingabodyofworkthatcapturestheessenceofplace.Theinstructorguidesyouinusingyourcameratoexperienceplacethroughamixoflandscape,nature,streetphotography,andportraiture.Wealsocoverequipmentselection,packing,filemanagementontheroad,anddevel-opingacohesivetravelnarrative.Toputournewskillstothetest,weleavetheclassroomandexploreNewYorkCity.

WRITING ABOUT YOUR PHOTOGRAPHS FOR GRANT PROPOSALS, EXHIBITION CATALOGUES, ARTIST STATEMENTS OR PUBLIC PRESENTATIONS

18WCEMA212 | Wendy Richmond & Susan Hodara Feb24–25|Sat&Sun10AM–5PM $380+$25fee

Youareavisualartist,butyoumustusewordstosupportyourwork—whetherforagrantproposal,anexhibitioncata-logue,anartiststatement,orapublicpresentation.Inthisintensiveworkshop,studentsintervieweachother(usingtheinstructors’guidedexercises)todeveloplanguagethataccuratelyandcompel-linglydescribestheirphotographicwork.Participantsshouldbringthreeoftheirphotographsandanotebook.Prerequisite: PhotographyIIorportfolioreview

NEW SHARING PHOTOGRAPHY WITH THE COMMUNITY

18WCEPV165 | Matthew Septimus Mar17–18|Sat&Sun10AM–5PM $380+$30fee

Photographyhastheabilitytocommu-nicateacrossculturesworldwide.Onalocallevel,puttingacamerainthehandsofsomeonewhodoesn’tnormallyhaveaccesstoformalclassescanbeprofound—itcanwidenstudents’eyesandexpandateacher’ssoul.Thisworkshopinvestigatesthefullspectrumofsharingphotographywiththecommunity,fromdealingwithestablishedorganizationstoexploringanimprovisational,independentapproach.Comewithaspecificgrouptotargetorjustaneagermind.Prerequisite: PhotographyIorportfolioreview

STRATEGIES FOR THE PHOTOGRAPHER

© Natan Dvir

Whetheryourinterestisingainingconcreteinformationformarketingandeditingyourwork,exploringanewdirec-tion,learninggoodpracticestoprotectyourrights,orhowtoentertheworld ofphotography,thesecoursesaredesignedtoprovideyouwithamyriadofwaystoengagewiththephotographiccommunity.



Track ProgramTheTrackProgramisathree-termprogramopento12studentswhowanttopursuephotographyatahigherlevelthantheymighteverhavebefore.Studentscanbegintheprograminthefall,winter,orspring.Intheirfirstterm,studentsenrollinthefirstofthreerequiredseminarsexclusivetotheTrackcurriculum.Inthisweeklyseminar,studentsexaminecontemporaryandhistoricalideassurroundingphotography,andparticipateinweeklycritiquesofnewworksupportedbycriticalandtheoreticalreadingsanddiscussions.InadditiontotheTrackseminarclass,studentsgenerallyenrollinoneortwoelectivecourseseachterm,selectedfromthebroaderContinuingEducationcourseofferings.AtotalofthreeTrackseminarsandsixelectivecoursesisrequiredinordertocomplete theTrackProgram.

New sessions begin each fall, winter, or spring term

REQUIRED SEMINARS: CONTINUING EDUCATION TRACK SEMINAR— FIRST TERM18WCTSR000 | Ben Gest Jan24–Apr2|Wed6:15–9:15PM

CONTINUING EDUCATION TRACK SEMINAR— SECOND TERM18WCTSR100 | Richard Rothman Mar7–Apr2|Wed6:30–9:30PM

Tuition:$8,500+$1,000fee.Feeprovidesfullaccesstofacilitiesandequipmentrental.

Advanced Track ProgramTheAdvancedTrackProgramisathree-termprogram opento12intermediatestudentswhopossessastrongworkingknowledgeofcontemporaryphotographyandarereadytopursueafurtherinvestigationoftechnicalandtheoreticalissuesasitrelatestotheirownartisticvisionandthebroadercontextofcontemporaryphotographicproduction.Eachweek,studentsmeetfortwostructuredseminars,onefocusingoncritiqueandthecreationofnewphotographicwork,theotherprovidingspecificskillsmasteryandmethodstowardsrefiningvisionandcraft.Thecritiqueseminarprovidesvigorousexaminationofnewstudentworksupportedbycriticalandtheoreticalreadingsanddiscussions.Thetechnicalseminarfacilitatesthecreationofstudentartistbooks,websites,andstatements,andcoversgrantandfellowshipapplications,digitalworkflowand high-endimageproduction,andpromotionofbestpractices. StudentsalsoselecttwoelectivesfromthebroaderContinuingEducationcourseofferings.Theprogram culminatesinanexhibition.

New sessions begin once per year

REQUIRED SEMINARS: ADVANCED CONTINUING EDUCATION TRACK SEMINAR18WCTSR300 | Michael B. Foley Jan23–Mar27|Tues6:30–9:30PM

ADVANCED CONTINUING EDUCATION TRACK— PRODUCTION SEMINAR18WCTPD100 | Ports Bishop Jan25–Mar29|Thurs6:30–9:30PM

Tuition: $9,500+$1,000fee.Feeprovidesfullaccesstofacilitiesandequipmentrental.

©SarahCoulter

PART-TIME PROGRAMSTheTrackandAdvancedTrackProgramsarecommunity-driven,academicallystructuredpost-baccalaureateprogramsgroundedinourContinuingEducationcurriculum.Bothprogramscanbetailoredtotheindividual’sgoalsandlevelofproficiencywiththemedium.

©GabrielSacco

How to ApplyAnapplication,interview,andportfolio reviewarerequiredforeachprogram.

To learn more about application proceduresandportfolioguidelines,visit icp.org/school/part-time-programs

For more information: Ben Gest, Part-Time Programs Coordinator [email protected] 212.857.0001


For more information: icp.org/school [email protected] 212.857.0006

©MarjolaineGallet

FULL-TIME PROGRAMSICP’sFull-TimeProgramshelpimagemakersbecomestrongervisualstorytellersthroughfouruniqueprograms.Findtheonethat'srightforyou.

ICP-Bard Program: Master of Fine ArtsChairperson: Nayland Blake

TheICP-BardProgramoffersarigorousexplorationof allaspectsofphotographythroughanintegrated curriculumofstudioandcreativepractice,criticalstudy,andResidentArtistProjects.Themasteroffineartsdegreecoverstheproductionofafinalsoloexhibitionoforiginalartwork,participationinafinalgroupexhibition,andacumulativepublication,aswellasthecompletionofclassassignmentsandinternships.

TheICP-Bardapproachemphasizescreativevisionandopennesstoexaminingthemanyiterationsoftheimage,fromphotographytodigitalimaging,installation,andvideo.Byconsideringhowphotographsarecreated,presented,discussed,used,anddocumented,studentsgainanintimateknowledgeofthewaysinwhichimagesincreasinglystructuremodernsocietyandconsciousness.

Withitsstrongemphasisonwritingandpublication, theprogramencouragesstudentstoarticulatethe relationshipbetweentheirpracticeandthatofotherartists.Throughongoingstudiowork,critiques,andinternships,studentschallengetheirideasandtestnewapproachestoimagemaking,synthesizingtheprogram’svariedexperiencesanddefiningtheirownwaysofworking.

One-Year Certificate ProgramsICPoffersthreeintensiveOne-YearCertificatePrograms:GeneralStudies,DocumentaryPracticeandVisualJournalism,andNewMediaNarratives.Eachfull-timeprogramprovidescommittedstudentswithauniqueyearlongcourseofstudy,wheretheyexplorethemanydisciplinesthatinformmediaandarttoday.Studentsdevelopadistinctivepersonalportfolioandpresentafinalprojectinayear-endexhibition.

GENERAL STUDIES IN PHOTOGRAPHYActing Chairperson: Darin Mickey

TheGeneralStudiesprogramembracesabroadrangeofphotographicpracticesandimageproductiontechniques;rangingfromthetraditionaltwo-dimensionalphoto-graphicimagetomulti-mediainstallation.Studentsareencouragedtoexploreanddefinetheirindividualartisticgoalswhilebeingchallengedtosituatetheirworkinthebroadercontextofthecultural,political,andpsychologi-caluseofimages.

TheGScurriculumprovidesanin-depthinvestigationofthehistoryofphotography,contemporarytheory,andcraft;itboastsadiverseselectionofelectives,inwhichstudentscanlettheircuriosityandpassionsleadtheminmanynewdirections.Insolidifyingeachstudent’stech-nicalskillsandbroadeningtheirpersonalperspectives,wesetthefoundationforalife-longvisualpractice.

DOCUMENTARY PRACTICE AND VISUAL JOURNALISM Acting Chairperson: Karen Marshall

TheDocumentaryPracticeandVisualJournalismprogramfocusesspecificallyontheinvestigativeskillsandtechnicalknowledgenecessarytoadvanceinthecomplexandconstantlychangingworldofvisual storytelling.Itofferstheuseofabroadrangeoftools,fromtraditionalphotographytothemostinnovativemediaavailable,providingacomprehensiveperspectiveofphotohistory,bestpractices,andmethodologiesinvisualjournalism.

Thestudent-centeredcurriculumencouragesdiscussionsandcritiquesinasupportivelearningatmosphere.Withanemphasisondevelopingastrongnarrativevoice,eachparticipantcreatesanin-depthdocumentaryprojectthatexploresessentialsocialissues,focusingontopicssuchascommunityandidentity,ortheilluminationofsocialinjustices.

NEW MEDIA NARRATIVES Chairperson: Elizabeth Kilroy

NewMediaNarrativesinvitesphotographersandartiststoexplorehybridnarrativeandinteractivemediaintellingtheimportantstoriesoftheday.Emergingdigitalandsmart-phonetechnologiescreatespaceforartisticinnovationindocumentary,fineartandpersonalstorytelling.Fromfullscreenphoto-centricwebdesignstoAR(AugmentedReality)andimmersivemediaandfromstillstomotion,studentsdevelopnewwaysofseeingandthinkingabouttheirworkconceptually,aestheticallyandthroughdissemination.

Bypresentingworkininnovativeandresourcefulways,studentsgrowasartistsandstorytellersinmaking meaningfulworkthatresonateswithaudiences,raisesawarenessandhasvisualandculturalimpact.

The Wall Street Journalisthelead sponsoroftheseprograms.

Affiliate ProgramsTheInternationalCenterofPhotographyoffers photographyinstructioninpartnershipwithseveralothereducationalinstitutions,includingBardCollege,St.John’sUniversity,BarnardCollege,MarymountManhattanCollege,PaceUniversity,RinglingCollegeofArtandDesign,andBardCollegeatSimon’sRock,Massachusetts.Formoreinformationabouttheprogramsofferedthroughthesecollaborations,visit icp.org/school/affiliate-programs.


PHOTOGRAPHY II IN BLACK AND WHITE: LIGHTING FOR PORTRAITURE

18WTAFB104 | Jaime Schlesinger Jan21–Mar25|Sun11AM–2PM $705+$55fee

Inthiscoursedesignedformoreadvancedteenphotog-raphers,studentsuseportraitureasanentrypointforunderstandingthetechnicalandaestheticcomponentsoflighting.Thiscourseprovidesanin-depthexplorationofmeteringandexposurewhileparticipantsstudynaturalandartificiallightingtechniquesfortheblack-and-whiteportrait.Throughtechnicalexercises,theylearnthetoolsneededtocontrolandmanipulatelightinordertoachievebothpracticalandartisticeffects.Studentsdevelopaportfolioofprintsandanartiststatement.Thecoursewillculminateinafinalpresentationforfamilyandfriends.Prerequisite: PhotographyIinBlack-and-White,asapprovedbyCommunityProgramsstaff.

PHOTOGRAPHY I IN COLOR: COLOR FILM AND DARKROOM

18WTAFC100A | Carla Liesching Jan20–Mar24|Sat2–5PM

18WTAFC100B | Sam Margevicius Jan21–Mar25|Sun2–5PM

$705+$55fee

Teenagersexplorecolorfilmanddarkroomphotographyinthisintroductoryclass.Studentslearntomakeexposureswitha35mmcameraandrefinetheirprintingskills,workingwithspeedandconsistencyonICP’scomputerizedKreoniteprintprocessor.Throughassignments,participantsexpandtheirunderstandingofthetechnicalandaestheticpossibili-tiesofcolorfilmphotography.Prerequisite: PhotographyIinBlack-and-White,asapprovedbyCommunityProgramsstaff

NEW MEDIA I: PEOPLE POWERED MEDIA NARRATIVES

18WTANM103 | Bayeté Ross Smith Jan24–Mar28|Wed4–6:30PM $700+$55fee

Theinstantaneousandaccessiblenatureofnewmediahasmadeitaneffectivetoolforanyoneinterestedinhavingadirect,immediateimpactonsocialjusticecauses.Inthishands-oncourse,teenslearnrapid-responsedigitalstorytellingtechniquesandmeetlocalmediamakerswhoareusingnewmediatechnologies.Participantscreateanewmediaprojectaboutasocialissuethatfuelstheirowninterestsandpassions.DSLRcameras,courtesyofCanonUSA,areprovidedtoallwhoneedthem.

TEEN ACADEMY IMAGEMAKERS

17FIMFB200A | Jaime Schlesinger Sept25,2017–Jun11,2018|Mon4–6:30PM

17FIMFB200B | Lesly Deschler Canossi Sept27,2017–Jun13,2018|Wed4–6:30PM

$980+$55 fee per term

TeenAcademyImagemakersiscurrentlyinprogress.Formoreinformationaboutthisyearlongprogramforjuniorsandseniorslookingtopursuephotographyincollegeand/orasacareer,pleasevisiticp.org/school/teen-academy.

Applicationsforthe2018–2019academicyearwillbe availableinApril2018.

TeenAcademyImagemakersismadepossiblewithgeneroussupportfromtheAltmanFoundation,WilliamRandolphHearstFoundation,PhillipandEdithLeonianFoundation,KeithHaringFoundation,TheNormanandHeewonCerkGiftFund,RavenelandElizabethCurryFoundation,TheChervenak-NunnalleFoundation,SusanandThomasDunn,StuartZ.KatzandJaneMartin,andbypublicfundsfromtheNewYorkCityDepartmentofCulturalAffairsinpartnershipwiththeCityCouncil.

TEEN ACADEMYICP’sTeenAcademyprogramoffersarangeofopportunitiesforteenagersto developtheirknowledgeofphotography,criticalthinking,writing,andpublic speaking.Coursesinclude10-weekblack-and-whiteandcolordarkroom,digital,andnewmediainstruction,aswellasayearlongadvancedprogramcalled Imagemakers.Allcurriculainclude:darkroomtime,visualpresentations, photographicandwritingassignments,discussions,critiques,aguestartistvisit,andafieldtrip.Bytheendofeachcourse,studentswillhavedevelopedaportfolioofprintsandanartiststatement.Thecoursewillculminateinafinalpresentationforfamilyandfriends,celebratingtheparticipants’achievements.

ScholarshipsareavailableforallTeenAcademyclasses.

©Lillie Benkoil

PHOTOGRAPHY I IN BLACK-AND-WHITE: CAMERA AND DARKROOM

18WTAFB000A | James Reddington Jan20–Mar24|Sat11AM–2PM

18WTAFB000B | Curtis Willocks Jan20–Mar24|Sat3–6PM

18WTAFB000C | Liz Sales Jan25–Mar29|Thurs4–6:30PM

$705+$55fee

Inthiscourse,teenagerswilllearnthebasicsofblack-and-whitephotography,frommakingexposureswitha35mmcameratoprocessingfilmandcreatingprintsinICP’sdarkrooms.Duringshootingassignmentsandfieldtrips,studentswillexpandtheirunderstandingofthetechnicalandaestheticpossibilitiesofanalogimagemaking.

For more information: [email protected] 212.857.0058

To register for classes: icp.org/school/teen-academy 212.857.0058


EXHIBITIONS PUBLIC PROGRAMMING MEMBERSHIP

OnviewnowthroughJanuary7,2018:GENERATION WEALTH by Lauren GreenfieldThisexhibitionpresents25yearsofworkbyLauren Greenfield,whousesphotography,oralhistory,anddocumentaryfilmtoexaminethepervasiveinfluence ofmoney,status,andcelebrityinAmericaandabroad.

©LaurenGreenfield

JoinusattheInternationalCenterofPhotographytohearfromexperts,academics,critics,artists,image-makersandstorytellers,respondingtoboththethemesembodiedbyourcurrentexhibitionsandtheimagesthatshapeoursocietytoday.

Reimagining the ImageThisrecurringseries,areincarnationofourphotographer’slectureprogram,examinesfilm,photography,andnewmediathroughaninnovativeimagemakers’perspective.

Optics: A New Way of Seeing Contemporary CultureThisongoingdiscussionserieswillinvitecritics,artists,andimagemakerstoanalyzethepicturesthatshapecontemporarycultureandcurrentevents.

See full schedule: icp.org/events

©AndrewLichtenstein

BecomeanICPMembertoday!Openthedoortoavibrantandactivenetworkofindividualswhoshareyourpassionforphotography.Withaccesstodynamicexhibitions,thought-provokingprograms,andawiderangeofclasses,ICPMembersdrivetheconversationaboutthemediumtoday.

• UnlimitedfreeadmissiontotheICPMuseum• DiscountsattheICPMuseumshopandcafé• A$25discountonICPSchoolclasses• InvitationstoMembers-onlyevents• Andmore!

Become a Member: icp.org/membership 212.857.0003 [email protected]

©FrancescoChiot

OurMuseumEducationprogramprovidestours,interpretativematerials,andeventsforeducators.Theseresourcesintroducevisitorstoourmuseumexhibitionswhilebuildingvisualliteracyandcriticalthinkingskills.

Book a group tour: icp.org/contact/group-tours 212.857.0005

©JennyKim,TeachingAssistant

MUSEUM EDUCATION

ICP’sCommunityPartnershipsprovideyoungpeoplefromunderservedcommunitieswithlifeskillsandeducationalresources.Tothisend,ICPhasestablishedcollaborativelydesignedprogramswithschoolsandcommunity-basedorganizationsthroughoutthecitytoteachphotography,criticalthinking,writing,andpublicspeakingwiththegoaloffosteringself-esteem,communitydevelopment,andsocialchange.

Learn more: icp.org/community/partnerships

GuestartistvisitwithMichaelSantiago,ICPatthePoint, ©RoyBaizan

COMMUNITY PARTNERSHIPSOnviewJanuary26–May6,2018Edmund Clark: The Day The Music DiedThisexhibitionpresentsBritishphotographerEdmundClark‘sphotographic,video,andinstallationworkfocusingonthemeasuresdeemednecessarytoprotectcitizensfromthethreatofinternationalterrorism.It alsoexplorestheeffectsofsuchmethodsofcontrol onissuesofsecurity,secrecy,legality,andethics.

©EdmundClark

OnviewJanuary26–May6,2018Then They Came for Me: Incarceration of Japanese Americans during World War IIThisexhibitionisanexaminationofadarkepisodeinUShistorywhenthelivesofJapaneseAmericanswereupendedduetoracialbigotry.

Learn more: icp.org/exhibitions

CourtesyNationalArchivesandRecordsAdministration

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Facilities ICP’sstate-of-theartphotographicfacilitiesinclude:• fourdigitalmedialabs• twolargeblack-and-whitedarkrooms• acolordarkroom• ashootingstudio• digitallyequippedclassrooms• awell-stockedequipmentroom• anextensivelibrary• an exhibition gallery

ForcomprehensiveinformationaboutICP’s facilities,includingacompletelistofequipment andresourcesavailabletostudents, pleasevisiticp.org/school/facilities.

Teaching Assistantship Volunteer ProgramTeachingAssistantpositionsareavailableeachterm.TAshavetheopportunitytovolunteerinthePhotoLabOffice,DigitalMediaLabOffice,orLibrary.TeachingAssistantswhoareeligiblecanalsoTAforContinuingEducation,Full-TimePrograms,TeenAcademy,andCommunityProgramclasses.AsaperkoftheVolun-teerProgram,TAsearncredithoursthatmaybeused intheDigitalMediaLabsanddarkroomsorsubmittedtotheEducationOfficefortuitiondiscounts(the maximumdiscountis50%offofclasstuition). Formoreinformation,[email protected] orvisit icp.org/jobs/teaching assistant.

Registration for winter term begins Wednesday, December 6.Sign up at icp.org/register New to ICP? Createastudentaccounttoregister,viewupcomingclassschedules,participateinclassevolutions,andmore.

Returning Student? Logintoyourstudentaccounttosignupforanewclass.

Youcanalsoregisterinperson(1114AvenueoftheAmericasat43rdStreetNY,NY10036)orbyphone(212.857.0001).Paymentmustbemadeinfullwhenregistering.Registrationsbyphonerequireapaymentbycreditcardinfull.RegistrationinpersonandbyphoneisavailableMonday–Friday,9AM–6PMandSaturday, 9AM–5PM.

Checkthiscatalogtoseeifthecoursethatinterestsyourequiresaportfoliorevieworprerequisiteclass.

Thereisa$30nonrefundableregistrationfeeeachterm.


PORTFOLIOREVIEW-FEST Wednesday,January10|6:30–9:30PM RSVPRequired:[email protected]

PART-TIMEPROGRAMSINFOSESSION Tuesday,December12|6:30PM Thursday,January11|6:30PM

PORTFOLIO REVIEWS

Ifyoudonothavetheprerequisiteforthecourseyouwouldliketoenrollin,youmayhaveyourportfolioreviewedin-personoronSkype.Thisinformalreviewisusedtoensureappropriateclassplacement.Studentsshouldbring10to15imagesthatreflecttheircurrenttechnicalandaestheticabilitiesinphotography.

In-Person:Educationstaff-ledportfolioreviewsareforcourseadvisementand/orclasseswithaprerequisiteunlessstatedotherwise.

DECEMBER•Thursday,December7|6–8PM

Faculty Review,RSVPRequired•Saturday,December9|11AM–1PM•Wednesday,December13|6–8PM

Faculty Review,RSVPRequired•Saturday,December16|11AM–1PM

JANUARY•Saturday,January6|11AM–1PM•Thursday,January18|6–8PM •Saturday,January27|11AM–1PM

RSVP:[email protected]

By Appointment, in-person or Skype:Tuesday–Friday, 11AM–[email protected] orcall212-857-0064tosetupanappointment. Appointmenttimesaresubjecttoavailability.Pleasereserveaspotatleasttwodayspriortoyourrequest.

Portfolioreviewandregistrationareonafirst-come, first-servedbasis.

Ifyouareunabletoattendin-personorviascheduledappointmenthours,[email protected].

HOLIDAY INFORMATION

Winterclassesandworkshopswillnotmeet,unlessotherwisespecifiedon:•MartinLutherKingJr.Day:Monday,January15•President’sDay:Monday,February19•Passover:Friday,March30

CLASS POLICIESAbsences: Itisnotpossibleforstudentstomakeupamissedclassbyattendinganequivalentclassonanotherday.Therearenorefundsformissedclasses.Cancellations: Classesaresubjecttocancellationuptothreedayspriortothestartofclassduetounder-enrollment.Afullcreditorrefundwillbeissued.Date Changes: Duringtheterm,aclassmeetingmayneedtoberescheduled.Amake-upclasswillbescheduledwithin thetermoraddedtotheendofthecourse.Class Auditing: Auditingofclassesisnotpermittedunderanycircumstance.Inclement Weather Policy:Incaseofsevereweatherconditions,whichcouldresultinthecancellationofclassesandorevents,pleaserefertoourwebsite,icp.org.Thisinformationisgenerallypostedby7AMandwillbeupdatedasnecessary.YoumayalsocalltheICPWeatherHotline:212.857.9777.

REFUND POLICIESRequestsforrefundsmustbesubmittedtowithdrawals@icp.edu.Thedatewilldetermineeligibilityforarefund.Allapprovedrefundstakeatleasttwoweekstoprocess.ICPcannotberesponsibleforprovidingrefundsforclassesorprogramsmissedasaresultofeventsbeyondICP’scontrol.Five- and Ten-Week Courses: Cancellationuptofivebusinessdayspriortothefirstclass:100%refund,lessa$55withdrawalfee(percourse);uptofivebusinessdayspriortothesecondclass:50%refund,lessa$55withdrawalfee(percourse).Norefunds/creditswillbegivenafterthattime.Part-Time Programs:Cancellationupto10businessdayspriortothefirstseminarclass:100%refund,lessa$100withdrawalfee;uptofivebusinessdayspriortothefirstseminarclass:80%refund,lessa$100withdrawalfee;sixbusinessdayspriortothesecondseminarclass:70%refund,lessa$100withdrawalfee.Norefunds/creditswillbegivenafterthattime.Weekend Workshops: Cancellationuptofivebusinessdayspriortothefirstclass:100%refund,lessa$55withdrawalfee(perwork-shop).Norefunds/creditswillbegivenafterthattime.Check Redeposit Fee:Ifforanyreasonastudent’scheckorchargedoesnotclearforpayment,anadditionalfeeof$15willbecharged.ICPdoesnotguaranteeplacementuntilpaymentisresubmitted.Transfer Fee:A$25nonrefundablefeewillbechargedforalltransfersinitiatedbythestudent.Transfersfromoneclasstoanothermaytakeplaceonlybeforeclassesbegin.ICPisnotresponsibleforlossordamagetostudents’personalproperty.ICPisapublicbuildingandstudentsshouldcarefortheirpersonalbelongingsastheywouldinanyotherpublicbuilding.

TheInternationalCenterofPhotographyiscommittedtoequal opportunityemployment.

HOW TO REGISTER

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©AndrewLichtenstein ©AndrewLichtenstein ©MatthewSeptimus ©BenjaminJarosch

NonProfitOrg. U.S.Postage PAID NewYork,NY PermitNo7289

1114AvenueoftheAmericasat43rdStreet NewYork,NewYork10036

212.857.0001 icp.org/school

JOIN THE CONVERSATION @ICP @ICPhotog

ICP

Full-Time ProgramsOPEN HOUSES Tuesday,January16andTuesday,February27|6:30PM

ONLINE INFO SESSIONS Thursday,January11;Thursday,February15;and Thursday,March1|12PM

APPLICATION DEADLINE Tuesday, January 23, 2018

•ICP-BARDMFAPROGRAM

APPLICATION DEADLINE Monday, March 5, 2018

•DOCUMENTARYPRACTICEANDVISUALJOURNALISM

•GENERALSTUDIESINPHOTOGRAPHY

•NEWMEDIANARRATIVES

Formoreinformation,pleaseemail [email protected].

Continuing EducationPORTFOLIO REVIEW-FEST Wednesday,January10|6:30–9:30PM RSVPRequired:[email protected]

PART-TIME PROGRAMS INFO SESSION Tuesday,December12|6:30PM Thursday,January11|6:30PM

REGISTER EARLY AND SAVE 15%Wednesday,December6throughFriday,January5, usecodePGFY18toreceive15%offtuitiononall wintertermContinuingEducationclasses.ICPMembers receiveanadditional$25off.*

Registeronlineat icp.org/register

*Discountisnotvalidonpriorpurchases,yearlongcourses,or TeenAcademyclasses.Offerscannotbecombined.

Documents

COURSES AND PROGRAMS WINTER 2018 - International Center … › files › ICP_Courses and Programs... · variety of retouching and image-adjust-menttechniques, aswell howtomodify