3
Corrigenda: Wagner's Parsifal: Musical Form and the Drama of Redemption Source: The Journal of Musicology, Vol. 5, No. 2 (Spring, 1987), pp. 315-316 Published by: University of California Press Stable URL: http://www.jstor.org/stable/763857 Accessed: 27/07/2010 15:07 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=ucal. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Musicology. http://www.jstor.org

Corrigenda - Wagner's Parsifal Musical Form and the Drama of Redemption

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Page 1: Corrigenda - Wagner's Parsifal Musical Form and the Drama of Redemption

Corrigenda: Wagner's Parsifal: Musical Form and the Drama of RedemptionSource: The Journal of Musicology, Vol. 5, No. 2 (Spring, 1987), pp. 315-316Published by: University of California PressStable URL: http://www.jstor.org/stable/763857Accessed: 27/07/2010 15:07

Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available athttp://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unlessyou have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and youmay use content in the JSTOR archive only for your personal, non-commercial use.

Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained athttp://www.jstor.org/action/showPublisher?publisherCode=ucal.

Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printedpage of such transmission.

JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

University of California Press is collaborating with JSTOR to digitize, preserve and extend access to TheJournal of Musicology.

http://www.jstor.org

Page 2: Corrigenda - Wagner's Parsifal Musical Form and the Drama of Redemption

CORRIGENDA

We regret that music examples 5-7 in William Kinderman's article, "Wagner's Parsifal: Musical Form and the Drama of Redemption," Vol. IV/4 (Fall, 1985- 86), were printed incorrectly. The correct examples appear below.

CORRIGENDA

We regret that music examples 5-7 in William Kinderman's article, "Wagner's Parsifal: Musical Form and the Drama of Redemption," Vol. IV/4 (Fall, 1985- 86), were printed incorrectly. The correct examples appear below.

I-^ 1 - 1 - 1 - 1 I - 1 ~ ~',- I - I - I - I KuL. (Sic hat ihr Haupt vOllig Uher das scinige gennigt und hctlct

nun ihre Lippen zu einem langen Kusse auf 'scincn Munt) + Oh. KI. Sehr langsam

tj Hlr r i . b;.J. ,.- J) Br. N jh

: jbe- 0 1 r r -A: A

I-^ 1 - 1 - 1 - 1 I - 1 ~ ~',- I - I - I - I KuL. (Sic hat ihr Haupt vOllig Uher das scinige gennigt und hctlct

nun ihre Lippen zu einem langen Kusse auf 'scincn Munt) + Oh. KI. Sehr langsam

tj Hlr r i . b;.J. ,.- J) Br. N jh

: jbe- 0 1 r r -A: A

B. Pii r.ifid + liflltmtn

B. Pii r.ifid + liflltmtn

V I 6, ux_- _ ' ' 'I

-

ed p VPs h

Hr geldampft Pos. h PosI

V I 6, ux_- _ ' ' 'I

-

ed p VPs h

Hr geldampft Pos. h PosI

1 - 4 x dr - W4 VI p 1 - 4 x dr - W4 VI p ^

---J '* ^

---J '*

(heir fihrt Parsifal plotzlich mit cincr (ijharde des hochsten Schreckcns

auf: seine Haltung dirickt eine furchthire Veriinderung aus; cr stiimt seine Hande gewaltsam gegen dais Herz. wic um cincn /crrciUcndcn Schmcrz

I.rp. B Purrs.ifll seufzt. en Hr. +- Sehr. blben VI.

(heir fihrt Parsifal plotzlich mit cincr (ijharde des hochsten Schreckcns

auf: seine Haltung dirickt eine furchthire Veriinderung aus; cr stiimt seine Hande gewaltsam gegen dais Herz. wic um cincn /crrciUcndcn Schmcrz

I.rp. B Purrs.ifll seufzt. en Hr. +- Sehr. blben VI.

315 315

EXAMPLE 6.

tr' . rl r ^ -Pf r 1 Kla - ge nmdas entweih' - te Hei - ligthum ,,Er-l- - se,

Etrwas belebend.

_______"7,>: ;L N~' a^' _

<SE^4 J Y j^ ^-^ ^*^ I ec. .f

EXAMPLE 6.

tr' . rl r ^ -Pf r 1 Kla - ge nmdas entweih' - te Hei - ligthum ,,Er-l- - se,

Etrwas belebend.

_______"7,>: ;L N~' a^' _

<SE^4 J Y j^ ^-^ ^*^ I ec. .f

. .

EXAMPLE 5. EXAMPLE 5.

1 1 I I

Page 3: Corrigenda - Wagner's Parsifal Musical Form and the Drama of Redemption

THE JOURNAL OF MUSICOLOGY

EXAMPLE 7. B. Pars/fal zegt aulf iden Speer.

A- k.. -

THE JOURNAL OF MUSICOLOGY

EXAMPLE 7. B. Pars/fal zegt aulf iden Speer.

A- k.. -

y r 8 1I1 - T I IJ - I hehlr: des Gra - les eil' - - - gen Speer.

A t -~ *-= 9~Str.rp. * . 4 - Sir.

y r 8 1I1 - T I IJ - I hehlr: des Gra - les eil' - - - gen Speer.

A t -~ *-= 9~Str.rp. * . 4 - Sir.

................................ .....................

'~ J- P- F '-w: j. . ... H

-~0I.7" ~' -J.. : _ -J_,_ , ~ ~ I,'- II

................................ .....................

'~ J- P- F '-w: j. . ... H

-~0I.7" ~' -J.. : _ -J_,_ , ~ ~ I,'- II 1-- 3 *

'I Xv* t.

B. Ewlu.s vortretend Gurnemanz (in hochstcs Entzucken ausrcchcnd)

0 Gna - de! Hoch - stcs Hcil! O! Wun-der!

f/ >- P - --===zf

l Sr le~c* ~V

1-- 3 * 'I

Xv* t.

B. Ewlu.s vortretend Gurnemanz (in hochstcs Entzucken ausrcchcnd)

0 Gna - de! Hoch - stcs Hcil! O! Wun-der!

f/ >- P - --===zf

l Sr le~c* ~V 316 316